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James D. Smillie and Smillie family papers

Creator:
Smillie Family  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Colman, Samuel, 1832-1920  Search this
Hart, Charles Henry, 1847-1918  Search this
Johnson, Eastman, 1824-1906  Search this
Smillie, Catherine Van Valkenburg  Search this
Smillie, George H. (George Henry), 1840-1921  Search this
Smillie, James David, 1833-1909  Search this
Smillie, James, 1807-1885  Search this
Smillie, Nellie Sheldon Jacobs, 1854-1926  Search this
Tait, A.T.  Search this
Extent:
5.6 Linear Feet
Type:
Archival materials
Collection descriptions
Diaries
Etchings
Photographs
Scrapbooks
Date:
1853-1957
Summary:
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include corrrespondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.
Scope and Content Note:
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include correspondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.

James David Smillie's papers consist of correspondence, personal business records, forty-five diaries, a scrapbook, and printed material. Correspondence is mostly professional in nature and includes letters from Albert Bierstadt, Frederick Stuart Church, Samuel Colman, Charles Henry Hart, Eastman Johnson, James Smillie, and A. T. Tait. Forty-five volumes of detailed daily diaries dating from 1865 until 1909 include entries about his work, but are exceedingly rich in references to over 200 artists with which Smillie was associated. Additionally, there are numerous loose documents, notes, and some photographs that were found tucked within the diaries. This finding aid includes a list of named artists referenced in the diaries along with the exact date of the notation. James D. Smillie's papers also include an original etching entitled Up the Hill.

James Smillie papers are scattered and include manuscript and draft copies of his published autobiography, A Pilgrimage, and memorabilia from his 50th wedding anniversary to Catherine Van Valkenburg Smillie.

George Henry Smillie papers contain biographical materials, scattered correspondence, a scrapbook of clippings, printed materials, and photographs. There is a certificate from the National Academy of Design dating from 1883 and photographs of Smillie, Smillie in his studio, and his family.

Helen Jacobs Smillie papers consist of family correspondence from her husband and parents, and studio portrait photographs.

Scattered papers from other family members include correspondence, a list of works of art by the family, a photograph album from Sheldon Smillie, and a portrait of William Smillie.
Arrangement:
The collection is arranged as 5 series:

Series 1: James D. Smillie papers, 1853-1917 (4.5 linear feet; Boxes 1-7)

Series 2: James Smillie papers, 1882 (0.2 linear feet; Box 5)

Series 3: George Henry Smillie papers, 1867-1920 (0.6 linear feet; Boxes 5-6)

Series 4: Helen Jacobs Smillie papers, 1860-1910 (0.1 linear feet; Box 5)

Series 5: Other Smillie Family Members papers, circa 1880s-1957 (0.2 linear feet; Box 5)
Biographical Note:
James D. Smillie and the Smillie family members were active in New York City and the New England area as engravers and landscape painters during the nineteenth century. Members of the Smillie Family of artists include James Smillie (1807-1885), his sons James D. (1833-1909) and George Smillie (1854-1924), and George's wife Helen 'Nellie' Jacobs Smillie (1855-1926).

Born in Edinburgh, Scotland to David and Elizabeth Smillie, James Smillie immigrated to Quebec, Canada. James must have learned engraving from his father who worked with jewelry and silver. Upon his father's death in 1827, Smillie travelled to London and eventually to New York City, where he embarked on a career of creating engravings of paintings by other artists. By 1831, he had established his reputation primarily as an engraver of American landscape paintings. The portability of James Smillie's engravings helped to bring to the American public the grand landscapes by Albert Bierstadt, Thomas Cole, and Asher Durand. Smillie also worked for the American Banknote Company.

James Smillie married Catherine Van Valkenburg in 1832, and two of their sons, James David and George Henry also became artists. Elder son James D. assisted his father with engraving and later explored his own artistic talents in prints of the American landscape. Among his many subjects were the Sierra Nevada, Adirondack, Rocky, White, and Catskill Mountains. James D. Smillie was a founding member of the American Watercolor Society and served as its president from 1873 to 1879. Additionally, he was an early member of the New York Etching Club and the first meeting was held in his studio in 1877. James D. also wrote about art for various periodicals.

Like his older brother, George Henry Smillie learned engraving from his father, but turned to painting early in his career. By 1862, he had his own studio in New York City and exhibited with the National Academy of Design in 1864. George travelled throughout the United States sketching and painting landscapes inspired by Long Island, the Adirondack Mountains, the Rocky Mountains, and New England. Many of George's paintings of the American West were influenced by the Hudson River School. George married one of his brother's pupils, Helen Sheldon Jacobs.

Helen Jacobs Smillie, known as Nellie, was born in New York City to Samuel and Helen Jacobs. She received art instruction at Cooper Union and the National Academy of Design and was a pupil of James D. Smillie and J. O. Eaton. She married George Smillie in 1881, with whom she had three sons, Sheldon, Charles, and Gordon. Nellie was a member of the American Watercolor Society along with her husband and brother-in-law, and painted in the Hudson River School style.
Related Material:
Also found in the Archives of American Art is the Brucia Witthoft research material on James Smillie and the Smillie family, 1830- 1999. The National Gallery of Canada holds the James D. Smillie Papers.
Provenance:
The James D. Smillie and Smillie family papers were donated in several installations between 1978 and 1990 by James Smillie, David Smillie, and Barbara Smillie Curtis.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The James D. Smillie and Smillie family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 19th century -- New York (State) -- New York  Search this
Artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Engraving -- 19th century -- United States  Search this
Engravers -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Etchings
Photographs
Scrapbooks
Citation:
James D. Smillie and Smillie family papers, 1853-1957. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smilsmil
See more items in:
James D. Smillie and Smillie family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smilsmil
Additional Online Media:

Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives

Printer:
MacCormack, Forrest (intern)  Search this
Talman, Hugh (photographer)  Search this
Photographer:
Smillie, T. W. (Thomas William), 1843-1917  Search this
Johnston, Frances Benjamin, 1864-1952  Search this
Collector:
Domestic Life, Division of (NMAH, SI).  Search this
Domestic Life, Division of (NMAH, SI).  Search this
Names:
World's Columbian Exposition, Chicago, 1893 -- Photographs  Search this
Extent:
2 Cubic Feet (7 boxes)
Type:
Archival materials
Collection descriptions
Photographs -- Black-and-white negatives -- Glass -- 1890-1900
Contact prints -- 1950-2000
Place:
White House (Washington, D.C.)
Washington (D.C.) -- 1890-1900
Chicago Ill. -- 1890-1900
Date:
1993 - 1993
circa 1888-1899, 1906
Summary:
Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.
Scope and Contents:
The collection consists of twenty glass plate negatives and associated reference copy prints depicting scenes from the 1893 World's Fair: Columbian Exposition in Chicago, Illinois as well as images of the Washington D.C. skyline dating from between 1888 and 1899. The glass plate negatives range in size from 17" x 20" to 20" x 24" while the silver gelatin, resin-coated paper prints are all 20" x 24". All the images are black and white.

Series 1, Glass Plate Negatives, 1893, 1906, circa 1888-1899, is arranged by a numbering system, possibly assigned by the Smithsonian Office of Printing and Photographic Services (OPPS). The numbers were etched or written on the negatives, for example 3107. The series begins with the numbered images from Washington DC (#3101-#3107), followed by images without identifying numbers. The numbered images from the 1893 Columbian Exposition (non-inclusive #11302-11359) come next, followed by the images without identifying numbers.

The images of Washington D.C., when arranged in the following sequence, form a panorama of the Washington D.C. city: #3103, #3107, #3104, #3101, #3106, #3105, #3102. The images were taken from the tower of the Smithsonian Castle facing north, beginning with a view of the United States Capitol Building in the east (#3102) and ending with a view of the incomplete Washington Monument in the west (#3103). An unnumbered image of the United States Capitol taken after 1899 from the tower of the Old Post Office and Clock Tower looking down Pennsylvania Avenue is included. Two unnumbered blueprints dated July 19, 1906 show the second and third floor layouts of the Smithsonian Arts and Industries Building.

The images of the 1893 World's Fair: Columbian Exposition show various buildings built for the event as well as a replica of the Battleship Illinois which was constructed to illustrate advances in naval technology. Exterior views of the Administration Building, Government Building, Palace of Fine Arts, Manufactures and Liberal Arts Building as well as an interior view of the World's Fair Post Office in the Government Building are found among the negatives. A number of the images appear to have been taken from atop some of the buildings looking down.

One unnumbered and unidentified picture of a musical orchestra sitting on stage is included at the end of the series.

Series 2, Copy prints, 1993, include duplicate or, in some instances triplicate, photographic copy prints of the images from the glass plate negatives. In the case of #11311 and #11359, no copy prints exist. The silver gelatin prints on resin-coated paper were created in the fall of 1993.
Arrangement:
The collection is arranged in two series.

Series 1, Glass Plate Negatives, 1893, 1906, circa 1888-1899

Series 2, Copy prints (reference copies), 1993
Biographical / Historical:
While the origin and provenance of some of the glass plate negatives is uncertain, it is likely that the images were created by Smithsonian photographer and curator Thomas W. Smillie and by Frances Benjamin Johnston, a prominent female photographer who was a protege of Smillie's.

Thomas W. Smillie was born in Edinburgh, Scotland in 1843 and emigrated to the United States when he was five years old. He attended Georgetown University, where he studied medicine and chemistry. Shortly thereafter he became a photographer for the Smithsonian and remained with the institution until his death in 1917. In 1896 he was named "custodian" of photography for the Institution, in essence becoming its first photography curator. He staged photographic exhibits and actively collected both images and equipment related to photography.

Frances Benjamin Johnston was an early pioneer for women in the field of photography and photojournalism. Born in 1864 in Grafton, West Virginia, Johnston studied art in Maryland and later at the Académie Julien in Paris. Her high-profile family connection with the Eastman family as well as her insatiable appetite for knowledge about photographic processes quickly propelled her to a formidable professional career. Her work appeared in publications such as The Ladies' Home Journal, Harper's Weekly, and Cosmopolitan, among others. As an apprentice to Thomas W. Smillie, Johnston was engaged to photograph the 1893 World's Fair: Columbian Exposition in Chicago. She made Washington D.C. her home and had the opportunity to photograph a large number of high profile individuals and government officials, including five United States presidents. Her photography often documented mundane and commonplace aspects of life rather than spectacular or prominent ones. Later in her career she focused her photography on colonial architecture, with images of houses, barns, and other buildings that intentionally showed everyday life in the United States South rather than high profile structures which had already been well-documented. She moved to New Orleans in 1940 and died in 1952.
Related Materials:
Materials at the Smithsonian Institution

Smithsonian Institution Archives

Records, circa 1883-1984 (SIA RU000529)

Field Research Photographs, circa 1909-1924 (SIA Acc. 02-086)

Personnel Records, 1892-1952 (SIA Acc. 05-123)

Collected Registers, 1908-1912 and undated (SIA Acc. 06-138)

National Anthropological Archives

Glass Negatives of Indians (Collected by Bureau of American Ethnology)
Provenance:
Immediate source of acquisition unknown.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Washington Monument (Washington, D.C.)  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Glass -- 1890-1900
Contact prints -- 1950-2000
Citation:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives, 1888-1906, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0416
See more items in:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0416

Thomas William Smillie 1900

Creator:
ANONYMOUS  Search this
Physical description:
1 8x10 in photograph
Type:
Photographs
Date:
1900
Local number:
OPPS NEG MHT 24941
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_95791

Thomas William Smillie 1900

Creator:
ANONYMOUS  Search this
Physical description:
1 8x10 in photograph
Type:
Photographs
Date:
1900
Local number:
OPPS NEG MHT 29999
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_95792

Thomas William Smillie 1900

Creator:
Harris & Ewing  Search this
Physical description:
1 5x7 1/4 in photograph
Type:
Photographs
Date:
1900
Local number:
OPPS NEG MHT 29999 A
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_95793

Thomas William Smillie ca 1900

Creator:
ANONYMOUS  Search this
Physical description:
1 6x7 3/4 in photograph
Type:
Archival materials
Date:
1900
ca 1900
Local number:
NAA INV 10060100
OPPS NEG PORT 66 C
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_97189

William Wadden Turner

Author:
Smillie, T. W (Thomas William) 1843-1917  Search this
Subject:
Baird, Spencer Fullerton 1823-1887  Search this
Patent Office Early History  Search this
Smithsonian Library  Search this
Physical description:
Number of Images: 1; Color: Black and white; Size: 4.25w x 6.5; Type of Image: Portraits; Medium: Photographic print
Type:
Photographic print
Portraits
Date:
c. 1850
Topic:
Librarians  Search this
Museum libraries  Search this
Smithsonian Institution--Employees  Search this
Standard number:
SIA2014-01823
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14167

Smillie, Thomas William

Collection Creator::
Smithsonian Institution  Search this
Container:
Boxes 1-29 of 29
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7098, Biographical Information File
See more items in:
Biographical Information File
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7098-refidd1e10272

Smillie, Thomas William

Collection Creator::
Smithsonian Institution  Search this
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7098, Biographical Information File
See more items in:
Biographical Information File
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7098

Portrait (Front) of William C. Hoag 27 FEB 1904

Creator:
Smillie, T. W (Thomas William) 1843-1917  Search this
Physical description:
1 008 in x 010 in photograph
Culture:
Seneca  Search this
Type:
Photographs
Date:
27 FEB 1904
Local number:
NAA INV 06203900
OPPS NEG 00944 A
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_10494

Portrait (Profile) of William C. Hoag 27 FEB 1904

Creator:
Smillie, T. W (Thomas William) 1843-1917  Search this
Physical description:
1 008 in x 010 in photograph
Culture:
Seneca  Search this
Type:
Photographs
Date:
27 FEB 1904
Local number:
NAA INV 06204000
OPPS NEG 00944 B
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_10495

Portrait (Front) of William C. Thompson 09 DEC 1904

Creator:
Smillie, T. W (Thomas William) 1843-1917  Search this
Physical description:
1 008 in x 010 in photograph
Culture:
Choctaw Indians  Search this
Indians of North America Southern States  Search this
Type:
Photographs
Date:
09 DEC 1904
Local number:
NAA INV 06224500
OPPS NEG 01090
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_10701

Portrait of Joseph Henry

Author:
Smillie, T. W (Thomas William) 1843-1917  Search this
Subject:
Henry, Joseph 1797-1878  Search this
Physical description:
Color: Black and White; Size: 8w x 10h; Type of Image: Portrait; Medium: Photographic print
Type:
Photographic print
Portraits
Date:
1874
Topic:
Secretaries  Search this
Secretariats  Search this
Portraits  Search this
Standard number:
MAH 42836 or MAH42836
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9592

Joseph Henry, First Secretary of the Smithsonian

Author:
Smillie, T. W (Thomas William) 1843-1917  Search this
Subject:
Henry, Joseph 1797-1878  Search this
Physical description:
Number of Images: 1; Color: Sepia; Size: 4.25w x 6.5h; Type of Image: Portrait; Medium: Card photograph
Type:
Card photograph
Portraits
Date:
April 1873
Topic:
Secretaries  Search this
Secretariats  Search this
Standard number:
SIA2009-1254
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_12023

Portrait (Front) of William L. Snow in Military Uniform 22 MAR 1904

Creator:
Smillie, T. W (Thomas William) 1843-1917  Search this
Physical description:
1 008 in x 010 in photograph
Culture:
Seneca  Search this
Type:
Photographs
Date:
22 MAR 1904
Local number:
NAA INV 06203400
OPPS NEG 00939 A
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_10489

Portrait (Profile) of William L. Snow in Military Uniform 22 MAR 1904

Creator:
Smillie, T. W (Thomas William) 1843-1917  Search this
Physical description:
1 008 in x 010 in photograph
Culture:
Seneca  Search this
Type:
Photographs
Date:
22 MAR 1904
Local number:
NAA INV 06203500
OPPS NEG 00940
See more items in:
Glass Negatives of Indians (Collected by the Bureau of American Ethnology) 1850s-1930s
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_10490

Bison Exhibit in the U.S. National Museum

Author:
Unknown (Thomas W. Smillie?)  Search this
Subject:
Hornaday, William Temple 1854-1937  Search this
Arts and Industries Building  Search this
National Museum of Natural History (U.S.)  Search this
Physical description:
Color: Black and White; Size: 10w x 8h; Type of Image: Exhibit; Medium: Photographic print
Type:
Photographic print
Exhibit
Date:
1887
Topic:
Interiors  Search this
National Collections  Search this
South Hall of the United States National Museum  Search this
Buffalo  Search this
Animals  Search this
Exhibitions  Search this
Taxidermy  Search this
Endangered species  Search this
Mammals  Search this
American bison  Search this
Specimens  Search this
Standard number:
5470 or NHB-5470
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9360

Exterior of A&I Building After Opening

Author:
Unknown (Thomas W. Smillie?)  Search this
Subject:
Arts and Industries Building North Front  Search this
United States National Museum  Search this
Cluss & Schulze  Search this
Physical description:
Color: Black and White; Size: 10w x 8h; Type of Image: Architectural; Medium: Photographic print
Type:
Exterior
Photographic print
Architecture
Place:
United States of America, District of Columbia, Washington, Southwest, Arts and Industries Building
Date:
c. 1883
Topic:
SI Buildings  Search this
Grounds  Search this
Museum buildings  Search this
Gates  Search this
New Museums  Search this
Standard number:
2002-10706 and MAH-2887
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_9291
Additional Online Media:

United States National Museum Labor Force, c. 1890

Author:
Smillie, T. W (Thomas William) 1843-1917  Search this
Subject:
United States National Museum  Search this
Physical description:
Color: Cyano type; Size: 10w x 8h; Type of Image: Group; Medium: Photographic print
Type:
Photographic print
Group
Date:
c. 1890
Topic:
Ford, Patrick  Search this
Greene, Richard Ambrose  Search this
Allen, Mr  Search this
African Americans  Search this
Museum--employees  Search this
Labor Force  Search this
Smithsonian Institution--Employees  Search this
Clothing and dress  Search this
Uniforms  Search this
Standard number:
94-9550
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_8309

African American Laborers, c. 1890

Author:
Smillie, T. W (Thomas William) 1843-1917  Search this
Subject:
Hill, Richard Henry  Search this
United States National Museum  Search this
Physical description:
Color: Cyanotype; Size: 10w x 8h; Type of Image: Group; Medium: Cyanotype
Type:
Photographic print
Group
Date:
c. 1890
Topic:
African Americans  Search this
Campbell, Robert  Search this
Phillips, Bartlett L  Search this
Washington, Charles Sumner  Search this
Labor Force  Search this
Museum--employees  Search this
Smithsonian Institution--Employees  Search this
Clothing and dress  Search this
Uniforms  Search this
Standard number:
SIA2009-0430 or 94-9551or original neg. #10249
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_8310

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