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Studio Portrait: Sevruguin Family [graphic]

view Studio Portrait: Sevruguin Family [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 glass negative : b&w ; 18.1 cm. x 24 cm
Type:
Glass negatives
Studio portraits
Place:
Asia
Iran
Date:
1910-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.
Antoin Sevruguin photographs in the Myron Bement Smith collection are part of the "Islamic Archives," a collection assembled in part by the Committee for Islamic Culture under the direction of architectural historian Myron Bement Smith (1897-1970). The widow of Myron Bement Smith, Katharine Dennis Smith, donated her husband's papers to the Smithsonian Institution in 1972. The collection was housed in the National Museum of Natural History. Mrs. Smith granted partial rights of the materials to the Institution in 1973 and full rights, interests, and title in 1985. The collection was transferred to the Freer Gallery in 1977.
- 696 glass negatives were included into the "Islamic Archives," which was administered jointly by the committee for Islamic Culture and the committee for Arabic and Islamic Studies of the American Council of Learned Societies. According to the official minutes, the committee for Islamic Culture reported purchasing the 696 glass plates during their fiscal years 1951-1952 from the American Presbyterian Mission in Tehran. Antoin Sevruguin's daughter gave these plates to the mission with instruction that they be sold for the benefit of the mission.
Organization:
According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 27."
Summary:
"The photo depicts Antoine Sevruguin, his wife and possibly his brother (back row), two daughters and two sons. Whereas the older daughter and son, along with their mother look directly into the lens of the camera, the photographer, along with his younger daughter and son and his brother look away from the gaze of the camera. The photo must have been taken in the Sevruguin studio. The arbitrary framing of the image, however, make it a bit unusual even for personal consumption." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is missing a piece in the lower right corner."
- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "302) Sevruguin family." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]
- Myron Bement Smith handwritten caption in English reads, "47.P; Box 27.9: Sevruguin Family (# 302)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Repository Loc.:
Shelf 7: Box 27
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Portrait photography
Local number:
FSA A.4 2.12.GN.27.09
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_309393

Stephen Arpee Collection of Sevruguin Photographs

view Stephen Arpee Collection of Sevruguin Photographs digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Nāsir al-Dīn Shāh Shah of Iran 1831-1896
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 album (99 photoprints): b&w; 31.2 cm. x 41.6 cm. (sheet)
62 albumen prints : b&w; 25 cm. x 20 cm. or smaller
Culture:
Qajar dynasty Iran 1794-1925
Type:
Albumen prints
Collection descriptions
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Bandar Anzalī (Iran)
Iṣfahān (Iran)
Qazvīn (Iran)
Qum (Iran)
Rasht (Iran)
Tehran (Iran)
Date:
2011
Notes:
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin returned to Iran in the early 1870s accompanied by his two brothers, establishing a photography studio first in Tabriz and then Tehran. His studio's ties to Tbilisi, however, persisted through the years; many of the early portraits of Dervishes and women have been simultaneously attributed to Antoin Sevruguin and Dimitri Yermakov, the Georgian photographer who is often referred to as Sevruguin's mentor from Tbilisi. Many of Antoin Sevruguin's photographs were published as early as 1885 in travelogues, journals and books indicating that by that time he had a fully established practice in Tehran's Ala al-Dawla street, with ties to the court of Nasir al-Din Shah Qajar. Often unacknowledged as the producer of published images in his own time - the 1902 photographic survey of Persepolis being the most glaring of such authorial misrepresentations - he was nevertheless celebrated and acknowledged for his artistic vision and his keen eye for composition, achieving the Medal of Lion and Sun from Nasir al-Din Shah, the 1897 Medal of Honour in the Brussels International Exposition, and the 1900 Medal of Honour in Paris International Exposition. Reflecting a career that spans nearly half a century, Sevruguin's diverse body of work includes studio portraits of families, women and dervishes, survey photographs of archeological sites, objects, landscapes and architecture, and photographs of royalty, high officials and ceremonies of the Qajar court. The range of his output not only demonstrates his own pictorial concerns and artistic abilities but also the divergent interests of his clients. Despite numerous devastating incidents throughout his career - the loss of more than half of his negatives in a 1908 blast and fire, an unsuccessful attempt at diversifying into cinematography in the 1910s, and the confiscation of the remainder of his negatives in the mid-1920s to name a few - his studio remained operational even after his death in 1933. A number of negatives from the Sevruguin studio can be dated to the years after Antoin's death, indicating that the Sevruguin studio continued to be commercially viable. As one of the most prolific early commercial photographers in Iran, Antoin Sevruguin's artistic legacy has since proved far more enduring.
Organization:
Images indexed by original photographic print number
Summary:
A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C
Repository Loc.:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Smithsonian Institution, Washington, D.C. 205600
Topic:
Qajar dynasty
Architecture
Clothing and dress
Criminal procedure
Landscapes
Executions and executioners
Hairstyles
Headgear
Jewelry
Military
Musical instruments
Palaces
Portrait photography
Religious buildings
Royalty (Nobility)
Shrines
Street vendors
Thrones
Women
Local number:
FSA A2011.03
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310113

Jay A. Bisno Collection of Sevruguin Photographs, 1969-1985

view Jay A. Bisno Collection of Sevruguin Photographs, 1969-1985 digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Nāsir al-Dīn Shāh Shah of Iran 1831-1896
Physical description:
18 albumen prints : b&w
Type:
Albumen prints
Collection descriptions
Photographic prints
Studio portraits
Place:
Asia
Iran
Tehran (Iran)
Date:
1985
1969-1985
Notes:
Mr. Bisno purchased the eighteen unmounted albumen prints from a shop in the Old City of Jerusalem in 1969.
Permission to publish, quote, or reproduce must be secured from the repository.
Jay A. Bisno (b. 1939) was Los Angeles County Museum of Natural History curator of archaeology.
Organization:
Images indexed by original photographic print number
Summary:
Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin returned to Iran in the early 1870s accompanied by his two brothers, establishing a photography studio first in Tabriz and then Tehran. His studio's ties to Tbilisi, however, persisted through the years; many of the early portraits of Dervishes and women have been simultaneously attributed to Antoin Sevruguin and Dimitri Yermakov, the Georgian photographer who is often referred to as Sevruguin's mentor from Tbilisi. Many of Antoin Sevruguin's photographs were published as early as 1885 in travelogues, journals and books indicating that by that time he had a fully established practice in Tehran's Ala al-Dawla street, with ties to the court of Nasir al-Din Shah Qajar. Often unacknowledged as the producer of published images in his own time - the 1902 photographic survey of Persepolis being the most glaring of such authorial misrepresentations - he was nevertheless celebrated and acknowledged for his artistic vision and his keen eye for composition, achieving the Medal of Lion and Sun from Nasir al-Din Shah, the 1897 Medal of Honour in the Brussels International Exposition, and the 1900 Medal of Honour in Paris International Exposition. Reflecting a career that spans nearly half a century, Sevruguin's diverse body of work includes studio portraits of families, women and dervishes, survey photographs of archeological sites, objects, landscapes and architecture, and photographs of royalty, high officials and ceremonies of the Qajar court. The range of his output not only demonstrates his own pictorial concerns and artistic abilities but also the divergent interests of his clients. Despite numerous devastating incidents throughout his career - the loss of more than half of his negatives in a 1908 blast and fire, an unsuccessful attempt at diversifying into cinematography in the 1910s, and the confiscation of the remainder of his negatives in the mid-1920s to name a few - his studio remained operational even after his death in 1933. A number of negatives from the Sevruguin studio can be dated to the years after Antoin's death, indicating that the Sevruguin studio continued to be commercially viable. As one of the most prolific early commercial photographers in Iran, Antoin Sevruguin's artistic legacy has since proved far more enduring.
Cite as:
Jay Bisno Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Jay Bisno, 1985
Repository Loc.:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Smithsonian Institution, Washington, D.C. 205600
Topic:
Clothing and dress
Criminal procedure
Landscapes
Executions and executioners
Headgear
Portrait photography
Religious buildings
Royalty (Nobility)
Local number:
FSA A.15
See more items in:
Jay Bisno Collection of Sevruguin Photographs 1969-1985
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_307907

Photograph of a Dervish [graphic]

view Photograph of a Dervish [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.6 cm. x 20.7 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.49a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The photo depicts a man commonly referred to as a Dervish. The man's appearance fits the stereotype of the Dervish type, which is a common theme of portraiture in Sevruguin's portfoli." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Dervishes
Hairstyles
Portrait photography
Local number:
FSA A2011.03 B.36
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310156

Photograph of a Man Holding a Hookah [graphic]

view Photograph of a Man Holding a Hookah [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 12.7 cm. x 20.8 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.51a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The man depicted in this image appears in other photographs of Sevruguin - particularly in the one depicting opium smokers - signalling the fact that Sevruguin was using models in various settings and scenarios in his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Hairstyles
Portrait photography
Local number:
FSA A2011.03 B.37
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310157

Photograph of a Dervish [graphic]

view Photograph of a Dervish [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.2 cm. x 20.3 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.25a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The portrait is one of the prime examples of 'Dervish' genre in Sevruguin's oeuvre. The christ like features of this set of portraits is their defining feature." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- Handwritten Cyrillic signature (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Dervishes
Headgear
Portrait photography
Local number:
FSA A2011.03 B.41
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310163

Photograph of a Man and Two Women [graphic]

view Photograph of a Man and Two Women [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.1 cm. x 20.3 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.36b; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The man depicted on the far left side of the image appears in other studio portraits of Sevruguin, signalling that he is most possibly using different models in various scenarios for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- Handwritten Cyrillic signature (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Domestic scenes
Local number:
FSA A2011.03 B.52
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310178

Arpee Album: Photograph of a Dervish [graphic]

view Arpee Album: Photograph of a Dervish [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 20 cm. x 12.4 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Albumen print numbered FSA A2011.03 B.41; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
Page twenty-five of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design
Summary:
"The portrait is one of the prime examples of 'Dervish' genre in Sevruguin's ouevre. The christ like features of this set of portraits is their defining feature." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Nomad."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Portrait photography
Clothing and dress
Dervishes
Headgear
Local number:
FSA A2011.03 A.25a
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310303

Arpee Album: Photograph of a Young Woman with Elaborate Costume [graphic]

view Arpee Album: Photograph of a Young Woman with Elaborate Costume [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 12.6 cm. x 20.7 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Glass negative numbered FSA A.4 2.12.GN.46.15; available in Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Gelatin silver print numbered FSA A.4 2.12.Up.33; available in Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
Page thirty-two of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design
Summary:
"The woman appears in other studio portraits of Antoin Sevruguin, signalling the fact that he was using models in difference scenarios and settings for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Armenian."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Headgear
Portrait photography
Women
Local number:
FSA A2011.03 A.32a
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310316

Arpee Album: Photograph of a Man and Two Women [graphic]

view Arpee Album: Photograph of a Man and Two Women [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 20.3 cm. x 12.6 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Albumen print numbered FSA A2011.03 B.52; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
Page thirty-six of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design
Summary:
"The man depicted on the far left side of the image appears in other studio portraits of Sevruguin, signalling that he is most possibly using different models in various scenarios for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Persian mode of keeping warm."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Domestic scenes
Local number:
FSA A2011.03 A.36b
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310324

Arpee Album: Photograph of a Dervish [graphic]

view Arpee Album: Photograph of a Dervish [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 20.7 cm. x 12.7 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Albumen print numbered FSA A2011.03 B.36; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
Page fourty-nine of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design
Summary:
"The photo depicts a man commonly referred to as a Dervish. The man's appearance fits the stereotype of the Dervish type, which is a common theme of portraiture in Sevruguin's portfoli." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Publications:
Jean-Baptiste Feuvrier, Troise ans a' la Cour de Perse, Paris, 1899, p:56
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Dervishes
Hairstyles
Portrait photography
Local number:
FSA A2011.03 A.49a
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310341

Arpee Album: Photograph of a Man Holding a Hookah [graphic]

view Arpee Album: Photograph of a Man Holding a Hookah [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 21.6 cm. x 12.6 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Albumen print numbered FSA A2011.03 B.37; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
Page fifty-one of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design
Summary:
"The man depicted in this image appears in other photographs of Sevruguin - particularly in the one depicting opium smokers - signalling the fact that Sevruguin was using models in various settings and scenarios in his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Hairstyles
Portrait photography
Local number:
FSA A2011.03 A.51a
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310345

Photograph of a Man Holding a Book [graphic]

view Photograph of a Man Holding a Book [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.1 cm. x 20.4 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.52a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
- Handwritten Cyrillic signature (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Headgear
Portrait photography
Local number:
FSA A2011.03 B.30
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310145

Photograph of a Dervish [graphic]

view Photograph of a Dervish [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.1 cm. x 20 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.31b; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
- Handwritten Cyrillic signature (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Hairstyles
Portrait photography
Local number:
FSA A2011.03 B.35
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310155

Photograph of Two Seated Women [graphic]

view Photograph of Two Seated Women [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 12.7 cm. x 20.3 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.60b; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The models depicted in this portrait show up in other studio photographs of Antoin Sevruguin, signaling the fact that he is most possibly using different models in various scenarios for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Hairstyles
Portrait photography
Women
Local number:
FSA A2011.03 B.43
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310169

Photograph of Two Women in Elaborate Costume [graphic]

view Photograph of Two Women in Elaborate Costume [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.2 cm. x 20.9 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.50b; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The studio portraiture depicts two women in front of a rather empty studio background. The reclining woman rests her head on her hand while extending her feet behind the standing figure on the bed. The standing figure leans against the woman reclining on the bed/seat. Both figures directly engage the gaze of the photographer/viewer and both appear in other studio portraits of Sevruguin, signaling that he is most possibly using different models in various scenarios for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Portrait photography
Women
Local number:
FSA A2011.03 B.44
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310170

Photograph of a Young Woman in Coin Necklace [graphic]

view Photograph of a Young Woman in Coin Necklace [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 12.9 cm. x 21 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.42a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The woman is photographed from waiste up, turning her gaze away from the camera. She is wearing a coin necklace. The same woman appears in other studio portraists of Sevruguin, signaling that he is most possibly using different models in various scenarios for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Jewelry
Portrait photography
Women
Local number:
FSA A2011.03 B.45
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310171

Photograph of a Reclining Woman [graphic]

view Photograph of a Reclining Woman [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.2 cm. x 20 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Albumen print numbered FSA A2011.03 A.35a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Summary:
"The woman appears in other studio portraits of Antoin Sevruguin, signalling the fact that he was using models in difference scenarios and settings for his studio portraits." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Portrait photography
Women
Local number:
FSA A2011.03 B.48
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310174

Photograph of Three Women [graphic]

view Photograph of Three Women [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 13.1 cm. x 20.3 cm
Type:
Albumen prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Glass negative numbered FSA A.4 2.12.GN.23.09; available in Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs.
Albumen print numbered FSA A2011.03 A.27a; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
One of 62 albumen prints, un-numbered and without any apparent organization, housed in document box and stored on shelves. The 62 photographs were found sandwiched between the front and back covers of a leather-bound album of 19th. century photographs of Antoin Sevruguin. Many of these prints are duplicates of these in the album, and were certainly purchased at the same time
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Clothing and dress
Portrait photography
Women
Local number:
FSA A2011.03 B.53
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310180

Arpee Album: Photograph of a Woman [graphic]

view Arpee Album: Photograph of a Woman [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Uniform title:
Early Photography of Iran
Subject:
Sevruguin, Antoin -1933
Physical description:
1 albumen print : b&w ; 19.6 cm. x 13 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s - 1930
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Albumen print numbered FSA A2011.03 A.58b; available in Stephen Arpee Collection of Sevruguin Photographs.
Permission to publish, quote, or reproduce must be secured from the repository.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Organization:
Page twenty-four of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design
Summary:
"The photograph depicts the woman in full cover except for the face that is partially visible. It is one of the examples of the earlier days of Sevruguin Studio's commercial life. The image is the only one repeated in the album (page 58)." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Persian Type."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
Repository Loc.:
Shelf 7: Box --
Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, 1050 Independence Avenue, S.W., Washington, DC 20013-7012
Topic:
Portrait photography
Clothing and dress
Headgear
Women
Local number:
FSA A2011.03 A.24a
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_310301

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