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Ruins of Sassanid Bridge and Water Mills at Dizful (Iran)

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 22.3 cm. x 16.5 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Scope and Contents:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "234."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Chouchtar."
- On verso of the print, handwritten caption (penciled) in English reads, "Shustar (the bridge)."
Arrangement:
Gelatin silver prints arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture). This print is in the following subject category: Architecture.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
58.G.3

[17(C1)]

FSA A.4 2.12.Up.03
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Architecture  Search this
Sassanids  Search this
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Up.03
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints / Upton Prints: 1-9
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3ff418719-59d2-4c11-899f-3aa40f2f4617
EDAN-URL:
ead_component:sova-fsa-a-04-ref9810

Small Bridge over Pir-i-Bazaar Stream in Rasht (Iran)

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 17.1 cm. x 22.4 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Rasht (Iran)
Date:
1880s-1928
Scope and Contents:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "431."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "275."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Recht - le pire bazar."
Arrangement:
Gelatin silver prints arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture). This print is in the following subject category: Architecture.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
58.G.52

[17(C2)]

FSA A.4 2.12.Up.52
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Landscapes  Search this
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Up.52
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints / Upton Prints: 50-59
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3b5352be4-3187-4c71-a82e-902991110307
EDAN-URL:
ead_component:sova-fsa-a-04-ref9811

Safid Rud Valley

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 22.8 cm. x 17 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Scope and Contents:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "109."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "4?6."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Séfid Roud."
Arrangement:
Gelatin silver prints arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture). This print is in the following subject category: Landscape.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
58.G.4

[17(C4)]

FSA A.4 2.12.Up.04
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Landscapes  Search this
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Up.04
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints / Upton Prints: 1-9
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3408c8755-5730-4e9e-aff4-026777e2a946
EDAN-URL:
ead_component:sova-fsa-a-04-ref9812

Two Men Seated on a Ridge

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 22.2 cm. x 16.7 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Scope and Contents:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Nocturne."
Arrangement:
Gelatin silver prints arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture). This print is in the following subject category: Landscape.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
58.G.42

[17(C5)]

FSA A.4 2.12.Up.42
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Landscapes  Search this
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Up.42
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints / Upton Prints: 40-49
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3542c106c-ffc3-4dd9-8c3a-9e5bee5f2a82
EDAN-URL:
ead_component:sova-fsa-a-04-ref9813

Western Traveler and Other Men at a Hut

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 22.7 cm. x 16.3 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Scope and Contents:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "159."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print, handwritten number (penciled) reads, "83."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "En route de Recht."
Arrangement:
Gelatin silver prints arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture). This print is in the following subject category: Landscape.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
58.G.41

[17(C6)]

FSA A.4 2.12.Up.41
General:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Landscapes  Search this
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Up.41
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints / Upton Prints: 40-49
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3748e067c-ab55-4e08-9679-149da5593f5a
EDAN-URL:
ead_component:sova-fsa-a-04-ref9814

Men at a Rustic Hut

Topic:
Early Photography of Iran
Creator:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (photographic print, b&w, 22.7 cm. x 16.3 cm.)
Type:
Archival materials
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Scope and Contents:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1190."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "654."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "140."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "En route de Recht."
Arrangement:
Gelatin silver prints arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture). This print is in the following subject category: Landscape.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
58.G.46

[17(C7)]

FSA A.4 2.12.Up.46
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Gelatin silver prints
Photographic prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.4 2.12.Up.46
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints / Upton Prints: 40-49
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc33a771468-111c-4355-858b-5f7565c34d2a
EDAN-URL:
ead_component:sova-fsa-a-04-ref9815

Upton Prints: 1-9

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc30de0b72b-6af9-4427-aa4d-2f0fab99529b
EDAN-URL:
ead_component:sova-fsa-a-04-ref9242

Upton Prints: 10-19

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3e2624a02-34c9-4b5a-a117-8330d3ccc1ab
EDAN-URL:
ead_component:sova-fsa-a-04-ref9243

Upton Prints: 20-29

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc39f455f87-9414-45f5-bc76-b884fa65cf86
EDAN-URL:
ead_component:sova-fsa-a-04-ref9244

Upton Prints: 30-39

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3e9a88425-8944-4630-a0c6-835f7790bbf7
EDAN-URL:
ead_component:sova-fsa-a-04-ref9245

Upton Prints: 40-49

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3fc59b47a-578e-4457-a37a-91969f0defe0
EDAN-URL:
ead_component:sova-fsa-a-04-ref9246

Upton Prints: 50-59

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31ab6078b-b01e-40fc-8355-03dd7d7fa8df
EDAN-URL:
ead_component:sova-fsa-a-04-ref9247

Upton Prints: 60-66

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.03: Sevruguin Upton Prints
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3bcc643ef-031b-4107-a3a4-780381ed6a77
EDAN-URL:
ead_component:sova-fsa-a-04-ref9248

Committee for Islamic Culture: Minutes of Sixth Meeting

Creator:
Smith, Myron Bement, 1897-1970  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (Notes (15 leaves), 21.7 cm. x 28 cm)
Type:
Archival materials
Notes
Place:
Asia
Iran
Date:
bulk October 24, 1953
1953
Scope and Contents:
The Islamic Archives, known formally as The Archive for Islamic Culture and Art, was an outgrowth of Myron Bement Smith's (MBS) belief that photography is an important research tool for the study of architecture. He relied on photography for his research in Italy in the 1920s and again in Iran in the 1930s. He called his personal collection of photographs, architectural sketches and materials on Iran and other Islamic countries his Islamic archives. He wanted to expand it by soliciting written and photographic material from other scholars, travellers and photographers. In 1941 the Committee on Arabic and Islamic Studies of the American Council of Learned Societies (ACLS) adopted Smith's idea as an official activity. It was formally titled The Archive for Islamic Culture and Art, but generally referred to by MBS and others as the Islamic Archives. It remained largely a personal activity of MBS and was housed at the Library of Congress where he served as a consultant. In 1949 he drafted formal articles of association creating the Committee for Islamic Culture to plan and operate the Islamic Archives and to administer a {dollar}9,000 gift that Dr. James R. Jewett of Harvard University had given to the ACLS to fund its development. Although the Committee met occasionally, MBS remained the driving force for the Islamic Archives. It was a personal passion and the focus of his professional life; he continued adding materials until his death in 1970.
According to the official minute, the committee for Islamic Culture reported the following gift, "2, 5" x 7" photoprints and 64, 7" x 9" photoprints, purchased by him in 1928 from Sevruguin, Tehran, of scenes from Persian life, from Mr. Joseph Upton, Department of State, Washington, D.C."
Arrangement:
The Islamic Archives; Subseries 2.1: Islamic Archives History, Collection Information, includes information on the history, administration and correspondence related to creation and development of the Islamic Archives and the materials it contains. Myron Bement Smith gave each accession to the Archives an alphanumeric identifier. The Plain Number Series was apparently assigned to the initial acquisitions. It consists of a number followed by a letter indicating whether the material was a deposit (D), a temporary deposit (TD), a gift (G), a purchase (P) or a copy (C). These designators were used for both photographic and written materials.
Biographical / Historical:
Classical archaeologist, architect, and art historian Myron Bement Smith (1897-1970) had a life-long devotion to West Asia, accumulating some 87,000 items now in the Archives documenting Islamic art and culture from Spain to India, with an emphasis on architecture. Established in 1948 to further an appreciation for Persian art and culture, nearly seventy-five percent of Smith's "Islamic Archives" consists of his own work; the remainder obtained from other sources. One of the most significant portions of the "Islamic Archives" is the photographic material of Antoin Sevruguin, a commercial photographer in Tehran active during the 1870s to 1930. Other materials in the collection include Smith's personal and professional papers including correspondence, research files, writings, and documentation regarding his 1927-1928 Italian and 1933-1937 Iranian expeditions.
Local Numbers:
[Myron Bement Smith Collection; Series 2: The Islamic Archives; Subseries 2.1: Islamic Archives History, Collection Information; Box 59; Folder 3]

FSA A.04 2.1.59.AICAminutes6
General:
Title and summary note are provided by Archives staff.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Notes
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.04 2.1.59.AICAminutes6
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.1: Islamic Archives History, Collection Information / Minutes of the Committee for Islamic Culture
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c83234ab-4cd8-4876-9261-aedf4ad308c7
EDAN-URL:
ead_component:sova-fsa-a-04-ref10610

58 G Joseph Upton, Antoine Sevruguin photographs, Iran

Creator:
Smith, Myron Bement, 1897-1970  Search this
Names:
Islamic Archives  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
1 Item (Notes (2 leaves), 21.7 cm. x 28 cm)
Container:
Box 61, Folder 5
Type:
Archival materials
Notes
Place:
Asia
Iran
Date:
1928-1953
Scope and Contents:
Joseph Upton's List of 66 Sevruguin Gelatin Silver Prints: from Myron Bement Smith Collection; Series 2: The Islamic Archives [graphic]
Arrangement:
According to Joseph Upton handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 61; Folder 5: 58G Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 66 gelatin silver prints are arranged in sequential number following Joseph Upton's handwritten list of captions.
Biographical / Historical:
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Local Numbers:
[Myron Bement Smith Collection; Series 2: The Islamic Archives; Subseries 2.1: Islamic Archives History, Collection Information; Box 61; Folder 5; 58G]

FSA A.04 2.1.61.58G
General:
Title and summary note are provided by Archives staff.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Notes
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Item FSA A.04 2.1.61.58G
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.1: Islamic Archives History, Collection Information
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3deac7f27-7439-4505-8b81-4f1cca85a2d0
EDAN-URL:
ead_component:sova-fsa-a-04-ref7496

Joseph M.Upton, Sevruguin Photographs, 58 G, Iran

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Container:
Box 136, Folder 13
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.6: Country Photograph File / 2.6.13: Joseph M. Upton Photographs
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc34f125117-c4de-4f9b-bf9b-79142ad037bf
EDAN-URL:
ead_component:sova-fsa-a-04-ref8244

Antoin Sevruguin Photographs

Topic:
Early Photography of Iran
Collector:
Smith, Myron Bement, 1897-1970  Search this
Photographer:
Sevruguin, Antoin, 1851-1933  Search this
Names:
Islamic Archives  Search this
Muzaffar al-Dīn Shāh, Shah of Iran, 1853-1907  Search this
Nāsir al-Dīn Shāh, Shah of Iran, 1831-1896  Search this
Reza Shah Pahlavi, Shah of Iran, 1878-1944  Search this
Sevruguin, Antoin, 1851-1933  Search this
Smith, Myron Bement, 1897-1970  Search this
Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Extent:
66 Photographic prints (various dimensions)
695 Glass negatives (b&w, 13 cm. x 18 cm)
98 Photographic prints (various dimensions)
Type:
Archival materials
Photographic prints
Glass negatives
Gelatin silver prints
Place:
Asia
Iran
Iraq
India
Uzbekistan
Baghdad (Iraq)
Basṭām (Iran)
Bīshāpūr (Extinct city)
Dāmghān (Iran)
Delhi (India)
Fīrūzābād (Iran)
Hamadān (Iran)
Iṣfahān (Iran)
Naqsh-i Rustam (Iran)
Pasargadae (Extinct city)
Persepolis (Iran)
Taq-e Bostan Site (Iran)
Tehran (Iran)
Date:
1880s-1933
Scope and Contents:
Antoin Sevruguin operated a successful commercial photography studio in Tehran and was a court photographer to Nasr ed-Din Shah and succeeding Qajar rulers. Sevruguin's daughter and heir donated his glass negatives to the American Presbyterian Mission in Tehran. The Committee for Islamic Culture, which administered the Islamic Archives, purchased 695 negatives from the Presbyterian Mission in 1951. The collection also includes 164 silver gelatin prints, 98 acquired by Myron Bement Smith(MBS) in 1934 and 66 donated by Joseph Upton in 1953. The glass negatives are numbered but without apparent organization. MBS organized his photoprints into subject categories. Upton's photoprints are numbered according to a handwritten caption list. [Located Bay 7] For specific information on items in the collection search Sevruguin on the Smithsonian Collections Search Center web site http://collections.si.edu .
- 66 black-and-white gelatin silver photoprints, unmounted, were a gift from Joseph Upton, received by the committee for Islamic Culture, as reported in their official minutes of October 24, 1953. The 66 photoprints were initially purchased by Joseph Upton in 1928 from Antoin Sevruguin in Tehran.
- 695 glass negatives were included into the "Islamic Archives," which was administered jontly by the committee for Islamic Culture and the committee for Arabic and Islamic Studies of the American Council of Learned Societies. According to the official minutes, the committee for Islamic Culture reported purchasing the 696 glass plates during their fiscal years 1951-1952 from the American Presbyterian Mission in Tehran. Antoin Sevruguin's daughter gave these plates to the mission with instruction that they be sold for the benefit of the mission.
- 98 gelatin silver photoprints were collected by Myron Bement Smith after he viewed a portion of Sevruguin's negatives in 1934 ( these include recent finds in the Myron Bement Smith collection).
In addition of Antoin Sevruguin's 695 glass negatives and 164 silver gelatin prints in the Myron Bement Smith collection the Archives holds: 18 albumen prints in theJay Bisno Collection of Sevruguin Photographs (FSA A.15); 34 photographic prints in the Ernst Herzfeld Papers (FSA A.6); as well as a photograph album and individual albumen prints donated by Stephen Arpee (FSA A2011.03). Finally, the Freer Gallery of Art and Arthur M. Sackler Gallery Archives also own 3 separate gelatin silver prints.
Myron Bement Smith Collection: Antoin Sevruguin Photographs
Arrangement:
- 66 gelatin silver prints are arranged in sequential number following Joseph Upton's handwritten list of captions, and ultimately organized by Myron B. Smith into subject categories (royalty, people, executions, criminals, punishment, architecture).
- 695 glass negatives, numbered, without any apparent organization, are housed in document boxes and stored on shelves.
- 98 gelatin silver prints are organized by Myron B. Smith into subject categories (people, architecture, royalty, landscape).
Biographical / Historical:
Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin returned to Iran in the early 1870s accompanied by his two brothers, establishing a photography studio first in Tabriz and then Tehran. His studio's ties to Tbilisi, however, persisted through the years; many of the early portraits of Dervishes and women have been simultaneously attributed to Antoin Sevruguin and Dimitri Yermakov, the Georgian photographer who is often referred to as Sevruguin's mentor from Tbilisi. Many of Antoin Sevruguin's photographs were published as early as 1885 in travelogues, journals and books indicating that by that time he had a fully established practice in Tehran's Ala al-Dawla street, with ties to the court of Nasir al-Din Shah Qajar. Often unacknowledged as the producer of published images in his own time - the 1902 photographic survey of Persepolis being the most glaring of such authorial misrepresentations - he was nevertheless celebrated and acknowledged for his artistic vision and his keen eye for composition, achieving the Medal of Lion and Sun from Nasir al-Din Shah, the 1897 Medal of Honour in the Brussels International Exposition, and the 1900 Medal of Honour in Paris International Exposition. Reflecting a career that spans nearly half a century, Sevruguin's diverse body of work includes studio portraits of families, women and dervishes, survey photographs of archeological sites, objects, landscapes and architecture, and photographs of royalty, high officials and ceremonies of the Qajar court. The range of his output not only demonstrates his own pictorial concerns and artistic abilities but also the divergent interests of his clients. Despite numerous devastating incidents throughout his career - the loss of more than half of his negatives in a 1908 blast and fire, an unsuccessful attempt at diversifying into cinematography in the 1910s, and the confiscation of the remainder of his negatives in the mid-1920s to name a few - his studio remained operational even after his death in 1933. A number of negatives from the Sevruguin studio can be dated to the years after Antoin's death, indicating that the Sevruguin studio continued to be commercially viable. As one of the most prolific early commercial photographers in Iran, Antoin Sevruguin's artistic legacy has since proved far more enduring.
Local Numbers:
FSA A.04 2.12
General:
Titles and summary notes are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Abbasids  Search this
Ancient Near Eastern Art  Search this
Antiquities  Search this
Architecture  Search this
Art of the Islamic World  Search this
Clothing and dress  Search this
Criminal procedure  Search this
Executions and executioners  Search this
headgear  Search this
Inscriptions  Search this
Landscapes  Search this
Portrait photography  Search this
Pottery  Search this
Relief (Sculpture)  Search this
Religious buildings  Search this
Royalty (Nobility)  Search this
Sassanids  Search this
Shrines  Search this
Textile design  Search this
Genre/Form:
Photographic prints
Glass negatives
Gelatin silver prints
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Subseries 2.12
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3663a9188-da2c-4fec-a971-3e726a7f8cdf
EDAN-URL:
ead_component:sova-fsa-a-04-ref9047

Sevruguin Upton Prints

Collection Creator:
Smith, Myron Bement, 1897-1970  Search this
Type:
Archival materials
Scope and Contents:
66 black-and-white gelatin silver photoprints, unmounted, were a gift from Joseph Upton, received by the committee for Islamic Culture, as reported in their official minutes of October 24, 1953. The 66 photoprints were initially purchased by Joseph Upton in 1928 from Antoin Sevruguin in Tehran.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
The Myron Bement Smith Collection, FSA A.04. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Katherine Dennis Smith.
Identifier:
FSA.A.04, Subseries 2.12.03
See more items in:
Myron Bement Smith Collection
Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc34bbade8a-443d-44d3-a516-c54460457fd6
EDAN-URL:
ead_component:sova-fsa-a-04-ref9223

Vol. 2

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
181 Photographic prints (Volume two: 3 folders, b&w, 29.2 cm. x 22.8 cm.)
Type:
Archival materials
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1904-1934
Scope and Contents:
- "Photo File 5, Volume 2", which was assembled by Joseph Upton, provides 181 photographic prints which may first relate to a visit to Persepolis in November 1905 during his expedition return from the Assur (Kalat Schergat, Iraq) excavation. They may also have been taken during the two last months of 1923 and early March 1924 when Herzfeld spent six weeks on the terrace of Persepolis, drafting a plan and providing a photographic record of the whole structure. More photographs were taken in 1928 when the architect Friedrich Krefter joined Herzfeld in Persia to complete various measured plans and drawings in Persepolis. The expedition was funded by the Notgemeinschaft der Deutschen Wissenschaft. Finally, excavations of the Achaemenid site were begun on March 1, 1931, under the auspices of the Oriental Institute of the University of Chicago, until Ernst Herzfeld left Persepolis permanently in Spring 1934.
- Additional information from Joseph Upton's Catalogue of the Herzfeld Archive reads, "The prints are from three sources: (1) those from glass negatives; (2) those from cut film; and (3) those for which there are no negatives. The Archive contains Herzfeld's glass negatives, numbered from 1 to 3850. Of most of these he had blueprints made which he had arranged in 16 binders by general categories, irrespective of the number on the negative. These formed the nucleus for the preparation of the Photo Files. The 16 binders of blueprints have been replaced by Photo Files, Nos. 1-16. The prints in each File are arranged in the same order as the blueprints; and the number of the negative is enclosed in parentheses. Following a brief identification, is a reference to the place where the print has been published, if that is the case and such publication has been located."
- Additional information from staff reads, "Ernst Herzfeld has visited the Sevruguin Studio in Tehran (Iran) and purchased several Antoin Sevruguin photographic prints. One of them, FSA A.6 04.PF.05.v2.355, is in the Ernst Herzfeld Papers; Photo File 5, Volume 2."
- "Photo File 5, Volume 2" is composed of 181 photographic prints, made from the following glass plates, "FSA a.6 04.GN.1635; FSA a.6 04.GN.0963; FSA a.6 04.GN.0962; FSA a.6 04.GN.1637; FSA a.6 04.GN.0404; FSA a.6 04.GN.1636; FSA a.6 04.GN.0404; FSA a.6 04.GN.1636; FSA a.6 04.GN.1634; FSA a.6 04.GN.1186; FSA a.6 04.GN.1638; FSA a.6 04.GN.1646; FSA a.6 04.GN.2341; FSA a.6 04.GN.2345; FSA a.6 04.GN.1639; FSA a.6 04.GN.1640; FSA a.6 04.GN.2346; FSA a.6 04.GN.1641; FSA a.6 04.GN.0983; FSA a.6 04.GN.0999; FSA a.6 04.GN.1644; FSA a.6 04.GN.1645; FSA a.6 04.GN.1642; FSA a.6 04.GN.1643; FSA a.6 04.GN.2347; FSA a.6 04.GN.1681; FSA a.6 04.GN.0258; FSA a.6 04.GN.2328; FSA a.6 04.GN.2326; FSA a.6 04.GN.2325; FSA a.6 04.GN.2327; FSA a.6 04.GN.1683; FSA a.6 04.GN.1684; FSA a.6 04.GN.1685; FSA a.6 04.GN.1688; FSA a.6 04.GN.1686; FSA a.6 04.GN.1687; FSA a.6 04.GN.1690; FSA a.6 04.GN.1689; FSA a.6 04.GN.1692; FSA a.6 04.GN.1691; FSA a.6 04.GN.1682; FSA a.6 04.GN.2324; FSA a.6 04.GN.1677; FSA a.6 04.GN.1191; FSA a.6 04.GN.1001; FSA a.6 04.GN.0260; FSA a.6 04.GN.1666; FSA a.6 04.GN.1675; FSA a.6 04.GN.1676; FSA a.6 04.GN.2331; FSA a.6 04.GN.1678; FSA a.6 04.GN.1679; FSA a.6 04.GN.1680; FSA a.6 04.GN.2329; FSA a.6 04.GN.0405; FSA a.6 04.GN.0263; FSA a.6 04.GN.0400; FSA a.6 04.GN.2330; FSA a.6 04.GN.2323; FSA a.6 04.GN.1000; FSA a.6 04.GN.1664; FSA a.6 04.GN.1665; FSA a.6 04.GN.1669; FSA a.6 04.GN.1670; FSA a.6 04.GN.2332; FSA a.6 04.GN.1671; FSA a.6 04.GN.1673; FSA a.6 04.GN.1674; FSA a.6 04.GN.1672; FSA a.6 04.GN.1002; FSA a.6 04.GN.1667; FSA a.6 04.GN.1668; FSA a.6 04.GN.1650; FSA a.6 04.GN.1649; FSA a.6 04.GN.2342; FSA a.6 04.GN.1651; FSA a.6 04.GN.2340; FSA a.6 04.GN.2341; FSA a.6 04.GN.1652; FSA a.6 04.GN.2336; FSA a.6 04.GN.1656; FSA a.6 04.GN.1657; FSA a.6 04.GN.1655; FSA a.6 04.GN.1653; FSA a.6 04.GN.1659; FSA a.6 04.GN.0984; FSA a.6 04.GN.0402; FSA a.6 04.GN.1597; FSA a.6 04.GN.1598; FSA a.6 04.GN.1603; FSA a.6 04.GN.0998; FSA a.6 04.GN.1156; FSA a.6 04.GN.1602; FSA a.6 04.GN.1609; FSA a.6 04.GN.0994; FSA a.6 04.GN.0968; FSA a.6 04.GN.0995; FSA a.6 04.GN.1587; FSA a.6 04.GN.2333; FSA a.6 04.GN.1663; FSA a.6 04.GN.1662; FSA a.6 04.GN.1661; FSA a.6 04.GN.1660; FSA a.6 04.GN.1658; FSA a.6 04.GN.2335; FSA a.6 04.GN.2338; FSA a.6 04.GN.2334; FSA a.6 04.GN.2337; FSA a.6 04.GN.2339; FSA a.6 04.GN.2343; FSA a.6 04.GN.2263; FSA a.6 04.GN.2264; FSA a.6 04.GN.2282; FSA a.6 04.GN.1647; FSA a.6 04.GN.1648; FSA a.6 04.GN.2750; FSA a.6 04.GN.2747; FSA a.6 04.GN.2743; FSA a.6 04.GN.2739; FSA a.6 04.GN.2746; FSA a.6 04.GN.2748; FSA a.6 04.GN.2741; FSA a.6 04.GN.2749; FSA a.6 04.GN.2740; FSA a.6 04.GN.1575; FSA a.6 04.GN.2318; FSA a.6 04.GN.1693; FSA a.6 04.GN.1695; FSA a.6 04.GN.1696; FSA a.6 04.GN.1694; FSA a.6 04.GN.2319; FSA a.6 04.GN.1697; FSA a.6 04.GN.1698; FSA a.6 04.GN.1700; FSA a.6 04.GN.1699; FSA a.6 04.GN.1701; FSA a.6 04.GN.1702; FSA a.6 04.GN.1704; FSA a.6 04.GN.2366; FSA a.6 04.GN.1703; FSA a.6 04.GN.2320; FSA a.6 04.GN.2321; FSA a.6 04.GN.2322; FSA a.6 04.GN.0335; FSA a.6 04.GN.0336; FSA a.6 04.GN.0337; FSA a.6 04.GN.0338; FSA a.6 04.GN.0989; FSA a.6 04.GN.0987; FSA a.6 04.GN.0990; FSA a.6 04.GN.1552; FSA a.6 04.GN.1555; FSA a.6 04.GN.1554; FSA a.6 04.GN.2231; FSA a.6 04.GN.2232; FSA a.6 04.GN.1553; FSA a.6 04.GN.2218; FSA a.6 04.GN.2219; FSA a.6 04.GN.2221; FSA a.6 04.GN.2220; FSA a.6 04.GN.2222; FSA a.6 04.GN.2224; FSA a.6 04.GN.2236; FSA a.6 04.GN.2235; FSA a.6 04.GN.2234; FSA a.6 04.GN.2237; FSA a.6 04.GN.1570; FSA a.6 04.GN.0269; FSA a.6 04.GN.1569; FSA a.6 04.GN.2238; FSA a.6 04.GN.2239; FSA a.6 04.GN.1559; FSA a.6 04.GN.1558; FSA a.6 04.GN.1189; FSA a.6 04.GN.1561; FSA a.6 04.GN.1560; FSA a.6 04.GN.1562; FSA a.6 04.GN.1563; FSA a.6 04.GN.2244; FSA a.6 04.GN.2246; FSA a.6 04.GN.0264; FSA a.6 04.GN.2247; FSA a.6 04.GN.2248."
Ernst Herzfeld Papers, Series 4: Photographic Files; Persepolis (Photo File 5, vol. 2)
Arrangement:
- Of most of his 3,890 glass negatives, Herzfeld had blueprints made which he arranged in 16 binders irrespective of the number on the negative. In addition to the 16 blueprint binders, he assembled 5 albums including two from the Samarra series labelled "Paläste und Moscheen-I and -II." The remainder of the photographs, from glass negatives and from cut films, sometimes identified by Herzfeld, were printed en masse for study purpose (labelled by Upton as duplicate prints) and which are, for the most part, unpublished. For his own research, Herzfeld also collected prints from many sources. Of those there are no negatives. Finally, in early 1970s, Joseph Upton reorganized the whole Herzfeld collection of photographic prints into 42 photographic files, assembling 10 additional files in excess of the 24 existing files arranged by Herzfeld himself. The eight remaining files, File 35 to File 42, are made of duplicate prints provided by the Oriental Institute of the University of Chicago.
Local Numbers:
Ernst Herzfeld Papers; Photo File 5, Volume 2

FSA A.6 04.PF.05.v2
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Animals in art  Search this
Architecture  Search this
Decoration and ornament  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Relief (Sculpture)  Search this
Pottery  Search this
Genre/Form:
Photographic prints
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.
Identifier:
FSA.A.06, File 4.5.2
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files / 4.5: Photo File 5: "Persepolis"
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc35ee82292-515e-4b46-93ed-5e275a516fd0
EDAN-URL:
ead_component:sova-fsa-a-06-ref12620

Vol. 3

Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
141 Photographic prints (Volume three: 2 folders, b&w, 29.2 cm. x 22.8 cm.)
Type:
Archival materials
Photographic prints
Place:
Iran
Bisutun Site (Iran)
Naqsh-i Rustam (Iran)
Pasargadae (Extinct city)
Persepolis (Iran)
Date:
1904-1934
Scope and Contents:
- "Photo File 5, Volume 3", which was assembled by Joseph Upton, provides 141 photographic prints of antiquities and from archaeological sites such as Bisutun Site (Iran), Istakhr (Iran), Naqsh-i Rajab (Iran), Naqsh-i Rustam (Iran), Pasargadae (Iran), and Persepolis (Iran).
- Additional information from Joseph Upton's Catalogue of the Herzfeld Archive reads, "The prints are from three sources: (1) those from glass negatives; (2) those from cut film; and (3) those for which there are no negatives. The Archive contains Herzfeld's glass negatives, numbered from 1 to 3850. Of most of these he had blueprints made which he had arranged in 16 binders by general categories, irrespective of the number on the negative. These formed the nucleus for the preparation of the Photo Files. The 16 binders of blueprints have been replaced by Photo Files, Nos. 1-16. The prints in each File are arranged in the same order as the blueprints; and the number of the negative is enclosed in parentheses. Following a brief identification, is a reference to the place where the print has been published, if that is the case and such publication has been located."
- Additional information from staff reads, "Ernst Herzfeld has visited the Sevruguin Studio in Tehran (Iran) and purchased several Antoin Sevruguin photographic prints. Thirteen of them (FSA A.6 04.PF.05.v3.001; FSA A.6 04.05.v3.002; FSA A.6 04.05.v3.003; FSA A.6 04.05.v3.003a; FSA A.6 04.05.v3.004; FSA A.6 04.05.v3.005; FSA A.6 04.05.v3.006; FSA A.6 04.05.v3.007a; FSA A.6 04.05.v3.007b; FSA A.6 04.05.v3.008a; FSA A.6 04.05.v3.008b; FSA A.6 04.05.v3.009; FSA A.6 04.05.v3.037b) are in the Ernst Herzfeld Papers; Photo File 5, Volume 3."
- "Photo File 5, Volume 2" is composed of 141 photographic prints, made from the following glass plates, "FSA a.6 04.GN.2304; FSA a.6 04.GN.2305; FSA a.6 04.GN.2255; FSA a.6 04.GN.2256; FSA a.6 04.GN.4085; FSA a.6 04.GN.4078; FSA a.6 04.GN.4087; FSA a.6 04.GN.4092; FSA a.6 04.GN.5423; FSA a.6 04.GN.4129; FSA a.6 04.GN.5420; FSA a.6 04.GN.5421; FSA a.6 04.GN.4095; FSA a.6 04.GN.5424; FSA a.6 04.GN.4130; FSA a.6 04.GN.3954; FSA a.6 04.GN.3955; FSA a.6 04.GN.3956; FSA a.6 04.GN.3957; FSA a.6 04.GN.1699; FSA a.6 04.GN.1700; FSA a.6 04.GN.5030; FSA a.6 04.GN.5031; FSA a.6 04.GN.1673; FSA a.6 04.GN.2238; FSA a.6 04.GN.4079; FSA a.6 04.GN.4080; FSA a.6 04.GN.4078; FSA a.6 04.GN.4075; FSA a.6 04.GN.4082; FSA a.6 04.GN.4061; FSA a.6 04.GN.4068; FSA a.6 04.GN.4083; FSA a.6 04.GN.4081; FSA a.6 04.GN.4064; FSA a.6 04.GN.4062; FSA a.6 04.GN.4069; FSA a.6 04.GN.4063; FSA a.6 04.GN.4072; FSA a.6 04.GN.4071; FSA a.6 04.GN.4070; FSA a.6 04.GN.4065; FSA a.6 04.GN.4074; FSA a.6 04.GN.4073; FSA a.6 04.GN.4066; FSA a.6 04.GN.4067; FSA a.6 04.GN.3899; FSA a.6 04.GN.4089; FSA a.6 04.GN.4090; FSA a.6 04.GN.4086; FSA a.6 04.GN.4087; FSA a.6 04.GN.4088; FSA a.6 04.GN.4084; FSA a.6 04.GN.3898; FSA a.6 04.GN.4092; FSA a.6 04.GN.4077; FSA a.6 04.GN.4085; FSA a.6 04.GN.4076; FSA a.6 04.GN.4091; FSA a.6 04.GN.5260; FSA a.6 04.GN.5261."
Ernst Herzfeld Papers, Series 4: Photographic Files; Persepolis (Photo File 5, vol. 3)
Arrangement:
- Of most of his 3,890 glass negatives, Herzfeld had blueprints made which he arranged in 16 binders irrespective of the number on the negative. In addition to the 16 blueprint binders, he assembled 5 albums including two from the Samarra series labelled "Paläste und Moscheen-I and -II." The remainder of the photographs, from glass negatives and from cut films, sometimes identified by Herzfeld, were printed en masse for study purpose (labelled by Upton as duplicate prints) and which are, for the most part, unpublished. For his own research, Herzfeld also collected prints from many sources. Of those there are no negatives. Finally, in early 1970s, Joseph Upton reorganized the whole Herzfeld collection of photographic prints into 42 photographic files, assembling 10 additional files in excess of the 24 existing files arranged by Herzfeld himself. The eight remaining files, File 35 to File 42, are made of duplicate prints provided by the Oriental Institute of the University of Chicago.
Local Numbers:
Ernst Herzfeld Papers; Photo File 5, Volume 3

FSA A.6 04.PF.05.v3
General:
- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Ancient Near Eastern Art  Search this
Animals in art  Search this
Architecture  Search this
Decoration and ornament  Search this
Excavations (Archaeology)  Search this
Inscriptions  Search this
Relief (Sculpture)  Search this
Genre/Form:
Photographic prints
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.
Identifier:
FSA.A.06, File 4.5.3
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files / 4.5: Photo File 5: "Persepolis"
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3942bfdf2-2432-4095-a970-c1df3df3d41c
EDAN-URL:
ead_component:sova-fsa-a-06-ref13042

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