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Persepolis (Iran): Tachara Palace (Palace of Darius) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 15.9 cm. x 22.1 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
Ca. 1900
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.6 04.PF.05.v3.003
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "849."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "719."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Vicinity of Shiraz (Iran): Unidentified Caravanserai [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 16.8 cm. x 11.4 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Iṣfahān (Iran)
Date:
1880s-1930
Topic:
Architecture
Local number:
FSA A.6 04.PF.24.152
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.24: Photo File 24, Image No. 152: Caravansarai near Shiraz."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1109."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Baghdad (Iraq): Unidentified Mosque [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 20 cm. x 14.8 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iraq
Baghdad (Iraq)
Date:
1880s-1930
Topic:
Architecture
Religious buildings
Local number:
FSA A.6 04.PF.31.078
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.31: Photo File 31. 'Parthian and early Sasanian Sculptures.' Image No. 78: Unidentified mosque."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1095."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Isfahan (Iran): Manufacture of Printed Cotton Cloth [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 16.2 cm. x 11.9 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Iṣfahān (Iran)
Date:
1880s-1930
Topic:
Textile crafts
Local number:
FSA A.6 04.PF.24.133
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.24: Photo File 24, Image No. 133: Isfahan. Manufacture of printed cotton cloth (kalam kar)."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Isfahan (Iran): Girls Weaving a Carpet [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 15 cm. x 10.4 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Iṣfahān (Iran)
Date:
1880s-1930
Topic:
Clothing and dress
Headgear
Textile crafts
Weavers
Women
Local number:
FSA A.6 04.PF.24.134
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.24: Photo File 24, Image No. 134: Isfahan. Carpet knotting."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Isfahan (Iran): Harvesting Tobacco [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 14.6 cm. x 10 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Iṣfahān (Iran)
Date:
1880s-1930
Topic:
Agriculture
Local number:
FSA A.6 04.PF.24.135
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.24: Photo File 24, Image No. 135: Isfahan. Harvesting tobacco."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Isfahan (Iran): Portrait of Two Women in Elaborate Costume [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 10.6 cm. x 14.9 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Iṣfahān (Iran)
Date:
1880s-1930
Topic:
Clothing and dress
Portrait photography
Local number:
FSA A.6 04.PF.24.136
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.24: Photo File 24, Image No. 136: Isfahan. Entertainers in ballet skirts."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran), Gate of All Lands: Colossal Sculptures Depicting Heads of a Bull and Two Columns of Stone [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 15.4 cm. x 23 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Animals in art
Architecture
Relief (Sculpture)
Local number:
FSA A.6 04.PF.05.v3.004
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 4: Persepolis. Entrance, lions."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "819."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1661."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Northwestern Corner of Terrace Complex and Outcrops of Unwrought Bedrock [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 23.4 cm. x 15.3 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.6 04.PF.05.v3.001
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "822."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1665."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Gate of All Lands: Colossal Sculptures Depicting Man-Bulls [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 15.4 cm. x 22.6 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Animals in art
Architecture
Relief (Sculpture)
Local number:
FSA A.6 04.PF.05.v3.002
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 2: Persepolis. Entrance, human-headed bulls."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "232."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1660."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Gate of All Lands (Foreground) and Apadana (Background) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 20.7 cm. x 15.4 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.6 04.PF.05.v3.003a
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 3a: Persepolis. Terrace with tents."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "335."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "655."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Tripylon (Council Hall), Main Hall, West Jamb of Southern Doorway: View of Relief Picturing King and Attendants [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 21.2 cm. x 15.3 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Local number:
FSA A.6 04.PF.05.v3.006
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 6: Persepolis. Tripylon, Darius."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "573."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
Publications:
Sarre and Herzfeld, Iranische Felsreliefs, Berlin, 1910. p:133-147
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Northern Wall of the Throne Hall (Talar-i Takht) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 22.5 cm. x 15.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Local number:
FSA A.6 04.PF.05.v3.009
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 9: Persepolis. King stabbing monster."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "818."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "732."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Taq-i Girra (Iran): Sasanian Palace of Sarvistan: View of Arched Door [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 20.4 cm. x 15.2 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
Ca. 1900
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.6 04.PF.27.054
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.27: Photo File 27. 'Parthian and early Sasanian Sculptures.' Image No. 54: Taq-i Girra."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "477."
- On recto of the print, faded handwritten number (inked, probably by Antoin Sevruguin) reads, "481."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Vicinity of Isfahan (Iran): Unidentified Caravanserai [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 12 cm. x 16.5 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Iṣfahān (Iran)
Date:
1880s-1930
Topic:
Architecture
Local number:
FSA A.6 04.PF.24.107
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.24: Photo File 24, Image No. 107: Near Isfahan. Karavansarai."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1090."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1673."
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Gate of All Lands: Colossal Sculptures Depicting Man-Bull [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 15.3 cm. x 20.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
Ca. 1900
Topic:
Ancient Near Eastern Art
Animals in art
Architecture
Relief (Sculpture)
Local number:
FSA A.6 04.PF.05.v3.005
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 2: Persepolis. Entrance, lions."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "801."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Hadish (Palace of Xerxes), East Wall of Main Hall, South Jamb of Doorway: Detail View of Relief Depicting Royal Garment Inscribed with Xerxes Trilingual Inscription, XPe [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 12 cm. x 17.3 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
Ca. 1900
Topic:
Ancient Near Eastern Art
Achaemenian inscriptions
Architecture
Cuneiform inscriptions
Inscriptions
Old Persian inscriptions
Relief (Sculpture)
Royalty (Nobility)
Textile design
Local number:
FSA A.6 04.PF.05.v3.007a
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 7a: Persepolis. Detail of border of Darius."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "370."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Throne Hall, Northern Wall, West Jamb of Eastern Doorway: View of Relief Picturing Enthroned King Giving Audience, as well as Registers Picturing Persian and Median Guards [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 11.6 cm. x 16.5 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Royalty (Nobility)
Textile design
Local number:
FSA A.6 04.PF.05.v3.007b
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 7b: Persepolis. 100-Column Hall, King on throne."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "914."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Harem of Xerxes, Central Section of the Main Wing, Eastern Wall of Main Hall, North Jamb of Doorway: View of Relief Picturing Royal Hero Stabbing a Rampant Griffin [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 11.9 cm. x 16.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
Ca. 1900
Topic:
Ancient Near Eastern Art
Animals in art
Architecture
Relief (Sculpture)
Royalty (Nobility)
Textile design
Local number:
FSA A.6 04.PF.05.v3.008a
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 8a: Persepolis. King stabbing monster."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "976."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Harem of Xerxes, Central Section of the Main Wing, Eastern Wall of Main Hall, North Jamb of Doorway: View of Relief Picturing Royal Hero Stabbing a Rampant Griffin [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Herzfeld, Ernst 1879-1948
Sevruguin, Antoin d. 1933
Physical description:
1 photographic print : b&w ; 13.8 cm. x 19.2 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
Ca. 1900
Topic:
Ancient Near Eastern Art
Animals in art
Architecture
Relief (Sculpture)
Royalty (Nobility)
Textile design
Local number:
FSA A.6 04.PF.05.v3.008b
Notes:
Title is provided by FSg Archives staff based on.
Antoin Sevruguin (1830s-1933) was an official photographer of the Imperial Court of Iran whose commercial photography studio was one of the most successful in Tehran from the late 1870s to about 1934. The astonishing range of Antoin Sevruguin's photographs, and the prolific output of the studio, provides today's viewer with an important resource for examining the cultural histories and hierarchical elements of Iranian society. They assist the scholar in studying architectural sites that may have been damaged or destroyed, or are unavailable for first-hand investigation. Increasingly, the prints are valued for their artistic elements that may sometimes overshadow their documentary value. Most significantly, Sevruguin's images form part of an ongoing history that links a distant past and place to the present.
Summary:
Additional information from Finding Aid reads, "Subseries 4.5: Photo File 5 (3 vols.). 'Persepolis.' Subseries 4.5.3: Vol.3, Image No. 8b: Persepolis. King stabbing monster."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "976."
Publications:
xxx
Cite as:
The Ernst Herzfeld papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C
See more items in:
Ernst Herzfeld Papers 1899-1962
Ernst Herzfeld Papers, Series 4: Photographic Files 1903-1947
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

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