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Photograph of Artillery Batallion [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 23.7 cm. x 18 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Military
Local number:
FSA A2011.03 B.14
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Artillery Batallion [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 24 cm. x 18 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Military
Architecture
Local number:
FSA A2011.03 A.40a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Artillery."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Imarat-i Atabak (Atabak's Palace), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 20.4 cm. x 13.5 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880 - 1890
Topic:
Architecture
Palaces
Local number:
FSA A2011.03 A.59a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The park and palace of Atabak was built between 1886 and 1888 on the orders of Mirza Ali Asghar Khan, The second Amin al-Sultan and the chief minister of Nasir al-Din Shah. After Amin al-Sultan's assassination in 1907, the complex, which was a debt collateral with Russian Bank for discounted loans to Amin al-Sultan, was repossessed by the bank and used as the Russian Embassy. The building was destroyed in fire in 1922. Originally only a one storey building, Imarat-i Atabak was renovated around 1900 (based on the earliest published account) to add a second storey to the building. The photo must have been taken after this addition." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Imarat-i Hawz-Khana (Room of the Fountain), at the Bagh-i Sipahsalar (Sipahsalar Garden and Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 22.8 cm. x 26.3 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880 - 1900
Topic:
Architecture
Palaces
Local number:
FSA A2011.03 A.02a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The palace complex of Baharistan was built in 1879 on the orders of Hussayn Khan Mushir al-Dawla. After the constitutional revolution, the palace was given to the National council (Shawra-i Milli) and was ransacked in the bombardment of Majlis in 1908, during which it sustained extensive damages." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Hall in Palace of Mahmoud Khān."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of Imarat-i Atabak (Atabak's Palace), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 20.5 cm. x 15.2 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880 - 1890
Topic:
Architecture
Palaces
Local number:
FSA A2011.03 B.25
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The park and palace of Atabak was built between 1886 and 1888 on the orders of Mirza Ali Asghar Khan, The second Amin al-Sultan and the chief minister of Nasir al-Din Shah. After Amin al-Sultan's assassination in 1907, the complex, which was a debt collateral with Russian Bank for discounted loans to Amin al-Sultan, was repossessed by the bank and used as the Russian Embassy. The building was destroyed in fire in 1922. Originally only a one storey building, Imarat-i Atabak was renovated around 1900 (based on the earliest published account) to add a second storey to the building. The photo must have been taken after this addition." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
- Handwritten number (inked) reads, "5431."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Masjid-i Shah Abd al 'Azim (Shah Abd al 'Azim Mosque) in Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 20.5 cm. x 15.7 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Religious buildings
Local number:
FSA A2011.03 A.54a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The Seljuk Shrine/mosque has a lengthy list of restorations during the years, a few of the most significant of which is from Qajar period. From adding minarets and tile work to restoring the other structures and shrines around the main building, works were carried out in the span of about a hundred years during the reigns of Fath Ali Shah, Nasir al-Din Shah and Muzaffar al-Din Shah Qajar. Its golden dome was added during Nasir al-Din Shah's reign, who ordered the dome to be covered in Gold covered copper sheets around 1850s. The minarets were added around 1890s. Many of the images of the building in the 1900s publications are missing the most recent addition of the minarets." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of Takkiya Dawlat Interior, Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 21.3 cm. x 16.3 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Local number:
FSA A2011.03 B.21
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"Takia Dowlat, the Royal Theater in Tehran, was built in the 1870s by Nāṣer-al-Din Shah. The building was destroyed in 1930 to make room for the new building of National Bank (Bank-I Milli). The first American envoy to Persia, Samuel Benjamin (1837-1914, stayed in Persia in 1883-85), was invited by the royal court to attend the Moḥarram celebrations at the Takia Dowlat and recorded his impressions: "On looking over the vast arena a sight met my gaze which was indeed extraordinary. The interior of the building is nearly two hundred feet in diameter and some eighty feet high. A domed frame of timbers, firmly spliced and braced with iron, springs form the walls, giving support to the awning that protects the interior from the sunlight and rain. ... A more oriental form of illuminating the building was seen in the prodigious number of lustres and candlesticks, all of glass and protected from the air by glass shades open on the top and variously colored; they were concentrated against the wall in immense glittering clusters. Estimating from those attached on one box, I judged that there were upwards of five thousand candles in these lustres. ... In the center of the arena was a circular stage of masonry, raised three feet and approached by two stairways. On one side of the building a pulpit of white marble was attached to the wall. The entire arena with the exception of a narrow passage around the stage was absolutely packed with women, thousands on thousands. At a rough estimate it seemed to me that quite four thousand women were seated there cross-legged on the earthen floor, which was made slightly sloping in order to enable those in the rear to see over the heads of those before them." Quoted from Encyclopædia Iranica." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Old Darvaza Dawlat (Dawlat City Gate), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Physical description:
1 albumen print : b&w ; 15.8 cm. x 11 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
Ca.1880
Topic:
Architecture
Local number:
FSA A2011.03 A.08b
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The structure dates to Nasir Al-Din Shah's time. After the expansion of Tehran, which started in 1867, six gates were added to the city walls of Tehran, one of the most elaborately designed one of which was Darvaza Dawlat. The gate was built in 1871 by Mohammad Rahim Khan 'Ala al-Dawla (Amir Nizam). and at least until the end of 1870s, it had the central archway facing the city and the goat heads of the central top piece on its other side, facing outside the city. During a reconstruction in 1880s the archway of the internal side, along with the goat-heads of the external side were removed. The photo however depicts the gate - from inside the city walls - with the goatheads of the entrance faintly visible in the back of the central archway and still intact. Located on the north side of the wall, Darvaza Dawlat, along with Shimiran and Yusif Abad Gates, marked the northern boundaries of the city. The view of the gates usually differed from the side facing the city to the side facing the outside. Almost all of the twelve gates of the city were torn down during the later expansion of Tehran in 1930s." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Shimrân Gate Teheran."
Publications:
Sven Hedin, Konug Oscars Beskickning till Schahen Af Persien, Stockholm: Samson & Wallin, 1891, p:128
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of Shams-Al Emarat Palace at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 15.7 cm. x 20.9 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
Ca.1880
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 B.20
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- Faded handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of the Dari-Ahmasi at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 20.1 cm. x 15.1 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 B.23
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of a Room at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 20.6 cm. x 15.6 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 B.19
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- Partial handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of the Imarat-i Badgir (Wind-catcher Building) at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 19.9 cm. x 13.8 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
Ca.1900
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.04a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Waiting Pavillion Shah's city palace."
- Partial handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of the Dari-Ahmasi at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 21.2 cm. x 15 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.16b
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Gateway to Palace."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of a Room at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 21.4 cm. x 15 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.18b
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Ante Room of Palace."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of a Room at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 21.9 cm. x 15.1 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.19a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Shah's Study."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of a Room at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 21.5 cm. x 15.9 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.19b
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Ante Room of Palace."
- Faded handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Shams-Al Emarat Palace at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 15.5 cm. x 21.3 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
Ca. 1880
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.20a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "An---oom of City Palace."
- Faded handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of the Imarat-i Badgir (Wind-catcher Building) at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 20.8 cm. x 16 cm
Type:
Albumen prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 B.18
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The villa was built on the south side the Gulistan Palace complex on the orders of Fath Ali Shah Qajar. Later on and on the orders of Nasir al-Din Shah extensive renovations were carried out on the site and the renovations continued later in the early Pahlavi era as well. The building is currently undergoing fresh rounds of renovations. The photo depicts the structure from the far end of the front pool, carefully framing the structure in the centre of the image. The complete symmetry of the plans allows for such symmetry in the image." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of Nasir al-Din Shah and Attendants, at Maydan-I Mashq, Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Nāsir al-Dīn Shāh Shah of Iran 1831-1896
Physical description:
1 albumen print : b&w ; 19.9 cm. x 13.8 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880 - 1900
Topic:
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.03a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The maydan (square) was built on the orders of Fath Ali Shah Qajar (b.1772-d.1834) and was expanded during Nasir al-Din Shah's time and in 1862 by Mirza Mohammad Khan Sipahsalar. The square was used primarily for military training, from eight to ten every morning, and military related events and apparently was the largest of its kind in Tehran." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Nasr ed-din Shah and court."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Arpee Album: Photograph of the Imarat-i Badgir (Wind-catcher Building) at the Kakh-i Gulistan (Gulistan Palace Complex), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Kākh-i Gulistān (Tehran, Iran)
Physical description:
1 albumen print : b&w ; 21.9 cm. x 15.9 cm
Type:
Albumen prints
Photograph albums
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s - 1930
Topic:
Architecture
Palaces
Qajar dynasty
Royalty (Nobility)
Local number:
FSA A2011.03 A.13a
Notes:
Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The villa was built on the south side the Gulistan Palace complex on the orders of Fath Ali Shah Qajar. Later on and on the orders of Nasir al-Din Shah extensive renovations were carried out on the site and the renovations continued later in the early Pahlavi era as well. The building is currently undergoing fresh rounds of renovations. The photo depicts the structure from the far end of the front pool, carefully framing the structure in the centre of the image. The complete symmetry of the plans allows for such symmetry in the image." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."
- On the mount, below the photographic print, handwritten caption (inked) in English reads, "'Court yard in Shah's city palace."
- Handwritten Cyrillic signature in white (inked), probably by Antoin Sevruguin reads: "Cebpróôun."
Cite as:
Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C., 2011
See more items in:
Stephen Arpee Collection of Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

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