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After a Summer Shower [photomechanical print]

Artist:
Inness, George 1825-1894
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1916
Notes:
(Printed on image, lower left): Copyright The Ullman Mfg. Co., N.Y.
(Stamped and inscribed on back): Library of Congress / Copy Received Oct. 30, 1916 / Copyright Entry / Class K XXc. No. 104153 / 45210 / Inness, George / After a Summer Shower / 1894.
Topic:
Landscape
Landscape--Tree
Image number:
LOC LC001200
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

The Butterfly, [photomechanical print]

view The Butterfly, [photomechanical print] digital asset number 1
Artist:
Bernard, Joseph 1864-1933
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1901, 1902
Notes:
(Inscribed below image:) The Butterfly / Copyright 1901 The Ullman Mfg. Co., New York.
(Label on back, stamped and inscribed, upper right:) Library of Congress / Two Copies Received Jan. 2, 1902 / Copyright Entry Jan. 2, 1902 / Class Y XXc. No. 5771 / Copy B.
(Label on back, stamped and inscribed, upper left:) Library of Congress / Division of Prints / No. A41538, Case, Class, Drawer, Subject / Not to be taken from the Library.
(Stamped on back, lower left:) Division of Prints / Rec'd Feb. 1, 1902 / Library of Congress.
Topic:
Figure female--Full length
Landscape--Forest
Animal--Insect--Butterfly
Image number:
LOC LC000218
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Close Up [photomechanical print]

Artist:
Weston, Arthur
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1901
Notes:
(Inscribed below image): Close Up / Copyright 1900 / Ullman Mfg., Co. / New York.
(Stamped and inscribed on back): 88949 / Library of Congress / Two Copies Received Dec. 15, 1900 / Copyright Entry Dec. 31, 1900 / No. D44250 / Second Copy / Delivered to Order Division / Rec'd Feb. 16, 1901 / No. 38349.
Topic:
Figure group
Animal--Horse
Equestrian
Landscape--Farm
Animal--Dog
Recreation--Sport & Play--Hunting
Image number:
LOC LC002309
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Cows at Pasture, [photomechanical print]

view Cows at Pasture, [photomechanical print] digital asset number 1
Artist:
Braley, Clarence E. 1854-1927
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1893
Notes:
(Inscribed below image:) Cows at Pasture - C. Braley / 35368Y / Pub. by the Ullman Mfg. Co., N.Y.
(Stamped below image:) Library of Congress / Copyright Jul 27 1893 / Washington.
Topic:
Landscape--Farm
Animal--Cattle
Image number:
LOC LC000280
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Curators' Annual Reports, 1881-1964

view Curators' Annual Reports, 1881-1964 digital asset number 1
Creator:
United States National Museum
Subject:
Kellogg, Remington 1892-1969
Rathbun, Richard 1852-1918
Goode, G. Brown (George Brown) 1851-1896
Wetmore, Alexander 1886-1978
Baird, Spencer Fullerton 1823-1887
Ravenel, William de Chastignier 1859-
Walcott, Charles D (Charles Doolittle) 1850-1927
Taylor, Frank H (Frank Hamilton) 1846-1927
Physical description:
49 cu. ft. (98 document boxes)
Type:
Mixed archival materials
Collection descriptions
Date:
1881
1881-1964
Notes:
The administration of the United States National Museum required curators to submit regular reports on the activities of the departments, divisions, and sections. Prior to about 1900 these reports were often made monthly and semi-annually as well as annually. The reports were traditionally submitted to the Director of the National Museum to be used in preparing the published Annual Report of the United States National Museum. The individual reports, however, were not reproduced in their entirety in the published Annual Report and generally contain more information than is to be found in the published version.
Reports were stored by the Division of Correspondence and Documents, and later by the Office of the Registrar.
Summary:
Includes reports submitted to the Director of the United States National Museum by curators and administrators.
Topic:
Museums--Administration
Local number:
SIA RU000158
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Curators' Annual Reports 1881-1964 [United States National Museum]
Data Source:
Smithsonian Institution Archives

A Day in June, [photomechanical print]

Artist:
Fitler, William Crothers 1857-1915
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1893
Notes:
(Inscribed below image:) A Day in June / W.C. Fitler / 3537OY2 / Pub. by The Ullman Mfg. Co., N.Y. / Library of Congress / Copyright Jul 27 1893 / City of Washington.
Topic:
Figure female--Full length
Animal--Cattle
Architecture exterior--Domestic--Farmhouse
Landscape
Landscape--Road
Image number:
LOC LC000750
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

December Twilight, [photomechanical print]

Artist:
Fitler, William Crothers 1857-1915
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1893
Notes:
(Inscribed below image:) December Twilight / W.C. Fitler / 35732Y1 / Pub. by The Ullman Mfg. Co., N.Y. / Library of Congress / Copyright Jul 27 1893 / City of Washington.
Topic:
Landscape--River--Stream
Animal--Rabbit
Landscape--Weather--Snow
Landscape--Season--Winter
Landscape--Tree
Landscape--Town
Landscape--Time--Twilight
Image number:
LOC LC000752
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

The Elf, [photomechanical print]

view The Elf, [photomechanical print] digital asset number 1
Artist:
Bernard, Joseph 1864-1933
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1901, 1902
Notes:
(Inscribed below image:) The Elf / Copyright 1901 The Ullman Mfg. Co., New York.
(Label on back, stamped and inscribed, upper right:) Library of Congress / Two Copies Received Jan. 2, 1902 / Copyright Entry Jan. 2, 1902 / Class Y XXc. No. 5775 / Copy B.
(Label on back, stamped and inscribed, upper left:) Library of Congress / Division of Prints / No. A41538, Case, Class, Drawer, Subject / Not to be taken from the Library.
(Stamped on back, lower left:) Division of Prints / Rec'd Feb. 1, 1902 / Library of Congress.
Topic:
Figure female--Full length
Landscape--Forest
Fantasy--Elf
Image number:
LOC LC000219
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Evening Landscape [photomechanical print]

Artist:
Inness, George 1825-1894
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1916
Notes:
(Printed on image): Copyright The Ullman Mfg. Co., N.Y.
(Stamped and inscribed on back): Library of Congress / Copy Received Oct. 13, 1916 / Copyright Entry / Class K XXc. No. 104151 / 45216 / Inness, George / Evening Landscape / 1870.
Topic:
Landscape
Landscape--Time--Evening
Landscape--Tree
Image number:
LOC LC001207
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

A Good Jump [photomechanical print]

Artist:
Weston, Arthur
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1901
Notes:
(Inscribed below image): A Good Jump / Copyright 1901 / Ullman Mfg., Co. / New York.
(Stamped and inscribed on back): Library of Congress / Two Copies Received Jan. 28, 1901 / Copyright Entry Jan. 28, 1901 / No. XXC111 / Second Copy / Division of Prints / Rec'd Feb. 28, 1901 / No. 38436.
Topic:
Figure group
Animal--Horse
Equestrian
Landscape--Farm
Animal--Dog
Recreation--Sport & Play--Hunting
Image number:
LOC LC002308
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Grazing [photomechanical print]

Artist:
Thurier, Eugene
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1903, 1904
Notes:
(Printed on image, lower left): Copyright 1903 / The Ullman Mfg. Co. / New York.
(Label on back, stamped and inscribed): The Library of Congress / Copy Received Dec. 19, 1903 / Copyright Entry Dec. 19, 1903 / Class XXc. No. 17222 / Copy B / Division of Prints / Jan. 2, 1904 / No. 42006.
Topic:
Animal--Sheep
Landscape--Farm
Landscape--Water
Landscape--Tree
Figure--Full length
Occupation--Farm--Shepherd
Image number:
LOC LC002126
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Home of the Heron [photomechanical print]

Artist:
Inness, George 1825-1894
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1916
Notes:
(Printed on image): Copyright The Ullman Mfg. Co., N.Y.
(Stamped and inscribed on back): Library of Congress / Copy Received Oct. 30, 1916 / Copyright Entry / Class K XXc. No. 104156 / 45216 / Inness, George / Home of the Heron / 1893.
Topic:
Landscape--Marsh
Animal--Bird--Heron
Image number:
LOC LC001210
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

In Distress [photomechanical print]

Artist:
Tyler, James Gale 1855-1931
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1904
Notes:
(Printed on image, lower left): Copyright 1904 / The Ullman Mfg Co., N.Y. / In Distress.
(Stamped and inscribed on back): Library of Congress / Two Copies Received Jun. 2, 1904 / Copyright Entry June 2, 1904 / Class Y XXc. No. 20692 / Copy B.
Topic:
Waterscape--Coast
Architecture--Boat--Sailboat
Disaster--Shipwreck
Image number:
LOC LC002184
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Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

In Pasture Stream [photomechanical print]

Artist:
Parker, J.A.
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1905
Notes:
(Printed below image): In Pasture Stream / Copyrighted 1905 / The Ullman Mfg. Co., N.Y.
(Stamped and inscribed on back:) Library of Congress / Two Copies Received Dec. 21, 1905 / Copyright Entry Dec. 21, 1905 / Class F XXc. No. 37937 / Copy B / Print Division / Dec. 30, 1905 / No. 42812.
Topic:
Animal--Cattle
Landscape
Landscape--River--Stream
Landscape--Tree
Image number:
LOC LC001603
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

In the Forest [photomechanical print]

Artist:
Lambert
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1905
Notes:
(Printed on image): Copyright 1905 by The Ullman Mfg. Co. / In the Forest.
(Stamped and inscribed on back): Library of Congress / Two Copies Received Nov. 2, 1905 / Copyright Entry Nov. 3, 1905 / Class F XXc. No. 36344 / Copy B / Print Division / Nov. 11, 1905 / No. 42749.
Topic:
Landscape--Forest
Image number:
LOC LC001338
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

view Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Creator:
Jacques Seligmann & Co.
Subject:
Waegen, Rolf Hans
Glaenzer, Eugene
Seligmann, Jacques
Seligmann, René
de Hauke, César
Parker, Theresa D.
Mackay, Clarence Hungerford
Liechtenstein, House of
Schiff, Mortimer L.
Seligman, Germain
Haardt, Georges
Arenberg
La Fresnaye, Roger de
Seligmann, Arnold
Trevor, Clyfford
MM. Jacques Seligmann & fils
Eugene Glaenzer & Co
Gersel
Germain Seligmann & Co
De Hauke & Co., Inc
Place of publication, production, or execution:
Other
Physical Description:
203.1 linear feet
Arrangement:
Following is an outline of the arrangement of the collection by series and corresponding box numbers and extent. More detailed information for each series and subseries, along with a box and folder inventory, is found in the Series Descriptions/Container Listings, which can be found by following the series links below. Series 1: Correspondence, 1913-1978 (1-174, 80 linear feet); Series 2: Collectors Files, 1875, 1892-1977, undated (Boxes 175-252, 35 linear feet); Series 3: Auction Files, 1948-1975, undated (Boxes 253-259, 2.75 linear feet); Series 4: Exhibition Files, 1925-1977, undated (Boxes 260-272, 5.5 linear feet); Series 5: Reference Files, 1877-1977, undated (Boxes 273-278, 2.25 linear feet); Series 6: Inventory and Stock Files, 1923-1971, undated (Boxes 279-289, 4.5 linear feet); Series 7: Financial Files and Shipping Records, 1910-1977 (Boxes 290-357, 30.5 linear feet); Series 8: Contemporary American Department, 1932-1978 (Boxes 358-381, 10 linear feet); Series 9: De Hauke & Co., Inc., Records, 1925-1949, undated (Boxes 382-416; 16 linear feet); Series 10: Modern Paintings, Inc., Records, 1927-1950 (Boxes 417-420, 1.25 linear feet); Series 11: Gersel Corp. Records, 1946-1969 (Box 421, 0.25 linear feet); Series 12: Germain Seligman's Personal Papers, 1882, circa 1905-1984, undated (Boxes 422-459, OV 460, 17.1 linear feet)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Summary:
The Jacques Seligmann & Co., Inc., records measure approximately 203.1 linear feet and date from between 1904 and 1978, with bulk dates of 1913-1974. The records include extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies, including de Hauke & Co., Inc., and Modern Paintings, Inc.
Historians and researchers will find the collection an invaluable resource in tracing the provenance of particular works of art. Although in the early 1940s many records in the Paris office were destroyed by Seligmann staff to keep them from falling into the hands of the occupying German military forces, many records survive, as much of the firm's business had previously come to center in the New York office. In all, the remaining records provide a comprehensive view of the activities and transactions of collectors and art dealers in the years leading up to and following World War II.
Correspondence (Series 1) is the largest series of the collection (80 linear feet) and is comprised of extensive correspondence files, primarily between Germain Seligman and his New York office staff with domestic and foreign private clients, collectors, dealers, individuals representing public museums and collections, and international scholars. The New York Office Correspondence (Series 1.1) concerns a wide variety of topics, including routine business matters, but focuses primarily on potential and realized sales and purchases and provenance documentation. Also found is detailed information on financial transactions, commissions, stock inventory, and the travel of Germain Seligman and other staff. Paris Office Correspondence (Series 1.2) is separated into a small subseries and contains correspondence written primarily by Jacques Seligmann from Paris. The subseries General Correspondence (Series 1.3) is the largest subsection of the Correspondence series and contains letters written to and received from clients and other business associates concerning business transactions and inquiries. The subseries Museum Correspondence (Series 1.4) contains letters between the firm and art institutions and museums. The subseries >Germain Seligman's Correspondence (Series 1.5), also arranged in this series, contains not only personal letters but a wealth of information concerning the affairs of the firm. Much personal correspondence was marked "private."
Also of note in the Correspondence series are the Legal Correspondence Files (Series 1.6) and the Inter-Office Correspondence (Series 1.9) and Inter-Office Memoranda (Series 1.13). The Legal Correspondence Files subseries houses correspondence with both U.S. and Paris attorneys and concerns legal affairs and specific lawsuits. Of particular interest are Germain Seligman's attempts to recover Seligmann family and Paris gallery artwork and other assets stolen or confiscated by the Germans in World War II. This small subseries also contains limited information on the stock and inventory holdings of several of the firm's and Germain Seligman's subsidiary corporations, family legal affairs and lawsuits, and other related legal matters. The subseries Inter-Office Correspondence and Inter-Office Memoranda (called fiches by Seligmann staff) include memos between Germain Seligman and his staff about clients, collectors, sales, acquisitions, and other matters. These offer interesting commentary clearly intended to be read by staff only.
Also prominent is Collectors Files (Series 2), which contains numerous reference files documenting the collections of existing and potential clients with whom Seligmann & Co. maintained contacts. The files are arranged by either individual name or institution and reflect the wide scope of collector references maintained by the firm throughout its operating years. The files contain a variety of reference materials, such as photographs, provenance notes, and sales, purchase, and inventory information in cases where the collector purchased from the firm or the firm purchased from the collector. Researchers will find that many of the private and public names that appear in General Correspondence (Series 1.3) appear in the Collectors Files as well. Also found in this series are specific files relating to the Duc d'Arenberg Collection, the Clarence H. Mackay Collection, the Mortimer L. Schiff Collection, and the Prince of Liechtenstein Collection. The firm either handled substantial estate sales for these collections or purchased and sold important pieces from these collections.
Auction Files (Series 3) and Exhibition files (Series 4) trace the sales and exhibition activities undertaken by Jacques Seligmann & Co., Inc. In the Auction files, researchers will find documentation of auctions of individual works of art owned by the firm and handled by Christie's, Parke-Bernet, and other auction houses. Of particular interest is the 1948-1949 Parke-Bernet auction of the C. S. Wadsworth Trust, a "dummy" trust set up by the firm to dispose of a portion of its unsold inventory. The Exhibition Files house a variety of documentation, such as catalogs and correspondence, concerning the firm's active exhibition history. Many of the exhibitions featured works of art recently acquired by the firm, such as the 1937 exhibition, Twenty Years in the Evolution of Picasso, which included a number of Picassos the firm acquired from Madame Jacques Doucet that year.
Reference Files (Series 5) includes a card catalog to books and catalogs in the library maintained by Jacques Seligmann & Co., Inc., and a photograph reference index of works of art. Inventory and Stock Files (Series 6) tracks the firm's inventory through a series of stock books and supporting documentation that include sales and provenance information.
Financial Files and Shipping Records (Series 7) consists primarily of records of the New York office, but some Paris office documents can be found scattered throughout. Found in this series is a wide variety of financial records including purchase receipt files, credit notes, invoices, consignment invoices and books, invoices, consular invoices, sales and purchase account books, ledgers, and tax records. The records appear to be quite complete and date from 1910 to 1977. Of particular interest are the purchase receipts and credit notes and memoranda that contain detailed documentation on acquisitions and sales. The consignment invoices provide information about works of art sold on behalf of other galleries and dealers, as well as which galleries and dealers were handling works of art for Jacques Seligmann & Co., Inc. Although quite large and complex, the financial records offer a comprehensive overview of the firm's business and financial transactions.
The records of subsidiary companies that were part of Jacques Seligmann & Co., Inc., such as Contemporary American Department, de Hauke & Co., Inc., Modern Paintings, Inc., and Gersel Corp. are arranged in their own series. In 1935, the firm established the Contemporary American Department to represent young American artists. Under the direction of Theresa D. Parker, a longtime gallery employee, the department initiated an exhibition and loan program. Contemporary American Department (Series 8) includes mostly correspondence files and exhibition files.
The largest subsidiary company to operate under Jacques Seligmann & Co., Inc., was de Hauke & Co., Inc. De Hauke & Co., Inc., Records (Series 9) dates from 1925 through 1949 and contains domestic and foreign correspondence with clients, collectors, and dealers; inter-office correspondence and memoranda with Jacques Seligmann & Co., Inc.; administrative and legal files; and financial records. Modern Paintings, Inc., records (Series 10) contains the legal and financial files of this subsidiary company, which was establis
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Additional Forms:
Series 1 and Series 2 of the collection were digitized in 2010 and are available via the Archives of American Art's website.
Funding:
Processing of the collection was funded by the Getty Grant Program; digitization of portions of the collection was funded by the Samuel H. Kress Foundation.
Biography Note:
Jacques Seligmann & Co. were international art galleries in New York City and Paris, France. Founded in 1880 in Paris, France and closed in 1978. The company's clients included most of the major American and European art collectors of the era, and the art that passed through its galleries often ended up in the collection of prominent American and European museums. Established as Jacques Seligmann & Cie in 1880 on the Rue des Mathurins, Paris. As American clients increased, the firm opened a New York office in 1904. In 1920, Seligmann's son Germain Seligman (who dropped the last 'n' from his name), a writer and scholar, became a partner and appointed president of the New York office. Jacques Seligmann died in 1923, and in 1924, Germain became president of both the New York and Paris offices. In 1937, the company headquarters moved from Paris to New York. The firm was active in antiquities, decorative arts, Renaissance art, and was among the first to foster contemporary European art, primarily through its subsidiary firm De Hauke & Co. (later Modern Paintings, Inc.), managed by César Mange de Hauke. In 1935, its Contemporary American Department was established, headed by longtime gallery employee Theresa D. Parker. During the years following WWII, the firm was involved in the recovery of looted artwork and property, and the sale of several significant collections. The firm ceased operations upon the death of Germain Seligman in 1978.
Provenance:
Donated 1978-1979 by Mrs. Germain Seligman, daughter-in-law of Jacques Seligmann. Additional material was acquired in 1994 through the Estate of Mrs. Seligman. The Paris archives of Jacques Seligmann & Co., Inc., were destroyed by the Seligmann staff in 1940 to prevent them from falling into the hands of the Nazis.
Digitization Note:
This site provides access to the records of Jacques Seligmann & Co. in the Archives of American Art, which were were digitized in 2010. The bulk of the collection has been scanned, and totals 330,752 images.
Location Note:
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Topic:
World War, 1939-1945
Art, European
Art treasures in war
Art galleries, Commercial
Art dealers
Art
Gallery records
Decorative arts
Art, Renaissance
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
Additional Online Media:

Landscape [photomechanical print]

Artist:
Inness, George 1825-1894
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1916
Notes:
(Printed on image): Copyright The Ullman Mfg. Co., N.Y.
(Stamped and inscribed on back): Library of Congress / Copy Received Oct. 30, 1916 / Copyright Entry / Class K XXc. No. 104154 / Copy B Delivered to Prints Division / 45216 / Inness, George / Landscape.
Topic:
Landscape--Tree
Figure female--Full length
Landscape
Image number:
LOC LC001214
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

Lily Pond, [photomechanical print]

Artist:
Fitler, William Crothers 1857-1915
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1893
Notes:
(Inscribed below image:) Lily Pond / W.C. Fitler / 35374g1 / Pub. by The Ullman Mfg. Co., N.Y. / Library of Congress / Copyright Jul 27 1893 / City of Washington.
Topic:
Landscape--Tree
Figure male--Full length
Recreation--Sport & Play--Fishing
Landscape--Water--Pond
Architecture exterior--Domestic--House
Image number:
LOC LC000753
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

A Meadow Stream, [photomechanical print]

Artist:
Fitler, William Crothers 1857-1915
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1893
Notes:
(Inscribed below image:) A Meadow Stream / W.C. Fitler / 8536991 / Pub. by The Ullman Mfg. Co., N.Y. / Library of Congress / Copyright Jul 27 1893 / City of Washington.
Topic:
Figure group--Female & Child
Animal--Cattle
Architecture exterior--Domestic--Farmhouse
Landscape
Architecture--Detail--Fence
Landscape--River--Stream
Image number:
LOC LC000751
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

The Old Bridge, [photomechanical print]

Artist:
Fitler, William Crothers 1857-1915
Photographic firm:
Ullman Manufacturing Co.
Type:
Photomechanical prints
Date:
Copyrighted 1893
Notes:
(Inscribed below image:) The Old Bridge / W.C. Fitler / 35371g2 / Pub. by The Ullman Mfg. Co., N.Y. / Library of Congress / Copyright Jul 27 1893 / City of Washington.
Topic:
Landscape--Tree
Landscape--River--Stream
Architecture--Bridge
Figure female--Full length
Image number:
LOC LC000755
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum

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