United States of America, New York, Nassau County, Mill Neck
Mill Neck Manor (Mill Neck, New York)
Established around 1923, this 86-acre site, formerly a private estate, is now a school for the deaf. The gardens, which feature mature trees, terraces, and a gazebo, complement the Tudor-style mansion. Planted urns and broad, sweeping vistas complete the design.
Persons and firms associated with the garden include: Mr. and Mrs. Theodore Weicker (former owners, before 1940); Mr. and Mrs. Robert C. Dodge (former owners, 1950s); and Clinton, Russell, Wells, Holton & George (architects, ca. 1923).
The folder includes a worksheet, a summary property plan, six black and white images of the garden from about 1950, and a photocopy of an April 2000 newspaper article about plans for expansion of the school.
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: firstname.lastname@example.org
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974
Jacques Seligmann & Co.
Waegen, Rolf Hans
de Hauke, César
Parker, Theresa D.
Mackay, Clarence Hungerford
Liechtenstein, House of
Schiff, Mortimer L.
La Fresnaye, Roger de
MM. Jacques Seligmann & fils
Eugene Glaenzer & Co
Germain Seligmann & Co
De Hauke & Co., Inc
Place of publication, production, or execution:
203.1 linear feet
Following is an outline of the arrangement of the collection by series and corresponding box numbers and extent. More detailed information for each series and subseries, along with a box and folder inventory, is found in the Series Descriptions/Container Listings, which can be found by following the series links below. Series 1: Correspondence, 1913-1978 (1-174, 80 linear feet); Series 2: Collectors Files, 1875, 1892-1977, undated (Boxes 175-252, 35 linear feet); Series 3: Auction Files, 1948-1975, undated (Boxes 253-259, 2.75 linear feet); Series 4: Exhibition Files, 1925-1977, undated (Boxes 260-272, 5.5 linear feet); Series 5: Reference Files, 1877-1977, undated (Boxes 273-278, 2.25 linear feet); Series 6: Inventory and Stock Files, 1923-1971, undated (Boxes 279-289, 4.5 linear feet); Series 7: Financial Files and Shipping Records, 1910-1977 (Boxes 290-357, 30.5 linear feet); Series 8: Contemporary American Department, 1932-1978 (Boxes 358-381, 10 linear feet); Series 9: De Hauke & Co., Inc., Records, 1925-1949, undated (Boxes 382-416; 16 linear feet); Series 10: Modern Paintings, Inc., Records, 1927-1950 (Boxes 417-420, 1.25 linear feet); Series 11: Gersel Corp. Records, 1946-1969 (Box 421, 0.25 linear feet); Series 12: Germain Seligman's Personal Papers, 1882, circa 1905-1984, undated (Boxes 422-459, OV 460, 17.1 linear feet)
Access Note / Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The Jacques Seligmann & Co., Inc., records measure approximately 203.1 linear feet and date from between 1904 and 1978, with bulk dates of 1913-1974. The records include extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies, including de Hauke & Co., Inc., and Modern Paintings, Inc.
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Series 1 and Series 2 of the collection were digitized in 2010 and are available via the Archives of American Art's website.
Processing of the collection was funded by the Getty Grant Program; digitization of portions of the collection was funded by the Samuel H. Kress Foundation.
Jacques Seligmann & Co. were international art galleries in New York City and Paris, France. Founded in 1880 in Paris, France and closed in 1978. The company's clients included most of the major American and European art collectors of the era, and the art that passed through its galleries often ended up in the collection of prominent American and European museums. Established as Jacques Seligmann & Cie in 1880 on the Rue des Mathurins, Paris. As American clients increased, the firm opened a New York office in 1904. In 1920, Seligmann's son Germain Seligman (who dropped the last 'n' from his name), a writer and scholar, became a partner and appointed president of the New York office. Jacques Seligmann died in 1923, and in 1924, Germain became president of both the New York and Paris offices. In 1937, the company headquarters moved from Paris to New York. The firm was active in antiquities, decorative arts, Renaissance art, and was among the first to foster contemporary European art, primarily through its subsidiary firm De Hauke & Co. (later Modern Paintings, Inc.), managed by César Mange de Hauke. In 1935, its Contemporary American Department was established, headed by longtime gallery employee Theresa D. Parker. During the years following WWII, the firm was involved in the recovery of looted artwork and property, and the sale of several significant collections. The firm ceased operations upon the death of Germain Seligman in 1978.
Donated 1978-1979 by Mrs. Germain Seligman, daughter-in-law of Jacques Seligmann. Additional material was acquired in 1994 through the Estate of Mrs. Seligman. The Paris archives of Jacques Seligmann & Co., Inc., were destroyed by the Seligmann staff in 1940 to prevent them from falling into the hands of the Nazis.
This site provides access to the records of Jacques Seligmann & Co. in the Archives of American Art, which were were digitized in 2010. The bulk of the collection has been scanned, and totals 330,752 images.
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
W. Atlee Burpee & Company Seed Contests, 1924-1925
W. Atlee Burpee & Co
These letters are presented as a window into life in 1920s and therefore may include terms and expressions that are offensive to contemporary readers. This material in no way reflects the views of the Smithsonian's Archives of American Gardens.
This description is for subseries 3.2 of the W. Atlee Burpee & Company records.
In 1924 and 1925, the Burpee Company launched a prize-contest to recognize its faithful customers by asking them to write "What Burpee's Seeds Have Done for Me." Thousands entered for cash prizes by sending letters and photographs to the Philadelphia offices of the Burpee Company. Entries came from all over the world to express the impact of these special seeds in their lives.
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records
The administration of the United States National Museum required curators to submit regular reports on the activities of the departments, divisions, and sections. Prior to about 1900 these reports were often made monthly and semi-annually as well as annually. The reports were traditionally submitted to the Director of the National Museum to be used in preparing the published Annual Report of the United States National Museum. The individual reports, however, were not reproduced in their entirety in the published Annual Report and generally contain more information than is to be found in the published version.
Reports were stored by the Division of Correspondence and Documents, and later by the Office of the Registrar.
Includes reports submitted to the Director of the United States National Museum by curators and administrators.
Scrapbook of early aeronautica / collected by William Upcott
Upcott, William 1779-1845
Hollond, Robert DSI
Carruthers, John Franklin Bruce 1889-1960 DSI
3 v. ( p.) : ill. (some col.), ports. ; 53 cm
Early works to 1900
Collection of prints, newspaper and journal clippings, mss., separately published tracts, and printed ephemera (in various sizes) connected with the early years of aeronautics, primarily ballooning.
Arranged in roughly chronological order, e.g., v. 1 has material mostly from ca. 1783-1802; v. 2 mostly from 1785-1837; and v. 3 mostly from 1837-1840. However, each v. also includes materials from dates outside of these ranges.
Page  is signed: "William Upcott of Islington, collector of engravings connected with aerostation."
Text mostly in English, with some French language materials.
Originally unbound. cf. Cat. of the Library of W. Upcott, London, 1846, p. 65.
Includes these published works bound in (each cataloged separately): Lunardi, V. An account of the first aërial voyage in England. London : Printed for the author ..., 1784 -- The Man in the moon. [S.l.? : s.n.?, ca. 1830] -- Sadler, J. Balloon, an authentic account of the ærial voyage of Messrs. Sadler and Clayfield. [Bristol] : Printed for the benefit of Mr. Sadler, by A. Brown,  -- High and low. London : Printed by L. Thompson, 1824 -- A full and correct description of this extraordinary machine ... the Eagle. London : Printed and published by J. Thompson, 1835.
A short ( p.) anonymous handwritten political allegory with an aeronautical theme, entitled: "The Dolphin carried off: a dream," is mounted on p. 7 of v. 1.
Some of the balloonists featured in this scrapbook include the Montgolfiers, Lunardi, Blanchard, Garnerin, Robert, Charles, Barrett, Hullin, Sowden, de Moret, MacGwire, Graham, Sadler, Green, Cocking, and Gypson, among others.
NASMRB copy has a leaf of viewers' signatures and their brief comments, dating from the mid-20th century, bound in at the front of v. 1.
Walter Rathbone Bacon Travelling Scholarship Expedition (1928-1930: West Indies)
1 cu. ft. (1 record storage box)
Richard E. Blackwelder received a doctorate in entomology from Stanford University in 1934. The following year he received the Walter Rathbone Bacon Traveling Scholarship, which enabled him to conduct field work on the beetles of the West Indies from 1935 to 1938. These papers consist of journals from Blackwelder's field work in the West Indies while he was recipient of the Walter Rathbone Bacon Traveling Scholarship (1935-1938); journals of his wife, Ruth M. Blackwelder, from the same period; notebooks from his research in museums in the United States and England; a notebook listing species in his personal collection; a notebook containing recollections on entomologists met by Blackwelder; a journal kept on field trips to the American west, 1960, 1962, 1964; and an album of photographs from his field work in the West Indies. For field notes from Blackwelder's West Indies work see Record Unit 7156.