The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives'
record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program
staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also interviews conducted
by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
Rinzler was interviewed for the Oral History Collection because of his distinguished career as the founder of the Smithsonian Folklife Festival and Center for Folklife
and Cultural Heritage, as well as a Smithsonian administrator. Additional information about Rinzler can be found in the the Ralph Rinzler Folklife Archives and Collections
in the Smithsonian Center for Folklife and Cultural Heritage.
The interview of Rinzler, with friend and colleague Roger D. Abrahams, by Marc Pachter, Acting Assistant Secretary for External Affairs, covers his early life and interest
in music; involvement in the folk music scene at Swarthmore and organization of the festival there; time spent in London after graduate courses; life on the road with Joan
Baez; work with Doc Watson, Bill Monroe, and others; field work for the Newport Foundation; beginnings of the Folklife Festival at the Smithsonian and his subsequent career
at the Institution. It also includes reminiscences of many individuals at the Smithsonian and in the larger folklife community, including S. Dillon Ripley, Frank A. Taylor,
Charles Blitzer, David Challinor, Robert McC. Adams, Michael Seeger, Peggy Seeger, and Alan Lomax; and discusses the rise of the folklife movement including the political
and ethnological forces behind the movement. The interview consist of 2.5 hours of videotape, 94 pages of transcript, and occupy 0.5 linear meters of shelf space, with 5 original
Betacam videotapes, 3 U-matic copy master videotapes, and 2 VHS reference videocassettes. Box 1 contains transcripts of the interviews and VHS cassette copies of the original
videotape recordings, which are in security storage.
Ralph Carter Rinzler (1934-1994) was born in Passaic, New Jersey, and was interested in music at an early age. He was given a collection of ethnographic recordings
from the Archive of Folk Song of the Library of Congress by his uncle, Harvard University ballad scholar George Lyman Kittredge, and they soon became his favorites. He became
actively involved in folk music while attending Swarthmore College, organizing an annual folk festival on campus. He received his B.A. in 1956, and did graduate work at Middlebury
College and the Sorbonne in French literature and language. Upon his return to the United States, he played mandolin for four years with the Greenbriar Boys, touring with
singer Joan Baez. During the 1960s, he also studied and worked with performers of traditional music, such as Doc Watson and Bill Monroe, both of whom gained international
recognition, in part through his efforts. In 1964, Rinzler accepted the position of Director of Field Programs at the Newport Folk Foundation. Rinzler came to the Smithsonian
in 1967 as the founding Director of what is now the Center for Folklife Programs and Cultural Studies, then in the Division of Performing Arts, to establish a center for research,
publication, and presentation of programs in American subcultures. As Director, he also developed the annual Festival of American Folklife. After the summer-long festival
of 1976, he initiated Smithsonian Folklife Studies, a publication series, and did research for the Celebration exhibit, which opened at the Renwick Gallery in 1982. Rinzler
was appointed Assistant Secretary for Public Service in 1983 and Assistant Secretary Emeritus in 1990.
The collection has been digitized and is available online via AAA's website.
The Samuel J. Wagstaff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
The collection is open for unrestricted research. Use requires an appointment.
The Joy McLean papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
The Joy McLean Bosfield papers, Anacostia Community Museum, Smithsonian Institution, gift of Joy McLean Bosfield.