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Georgia ulmi Wilson, 1911

Collector:
Harley F. Wilson
Preparation:
Slide
Prep Count:
1
Remarks:
Mounting medium: Balsam
Place:
Batesburg, Lexington, South Carolina, United States
Collection Date:
20 Mar 1910
Taxonomy:
Animalia Arthropoda Insecta Hemiptera Aphididae Eriosomatinae
Published Name:
Georgia ulmi Wilson, 1911
Barcode:
00399789
USNM Number:
399789
Specimen Count:
1
Record Last Modified:
2 Sep 2009
See more items in:
Entomology Types
Entomology
Data Source:
NMNH - Entomology Dept.
Visitor Tag(s):

Atlanta, Georgia

Creator:
Smithsonian Channel
Type:
YouTube Videos
Uploaded:
2011-08-01T15:38:49.000Z
Metadata Updated:
2014-11-21T17:38:33.000Z
YouTube Category:
Shows
Views:
19290
Video Title:
Atlanta, Georgia
Description:
From natural resources to national icons, Atlanta is adorned in history.
Video Duration:
145 seconds
See more by:
smithsonianchannel
YouTube Channel:
smithsonianchannel
Data Source:
Smithsonian Channel
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Georgia ulmi Wilson, 1911

Collector:
Harley F. Wilson
Preparation:
Slide section
Prep Count:
1
Remarks:
XY coordinates on slide: 43mm x 12mm
Sex:
Female
Stage:
Adult
Wings Alate
Type Status:
Syntype
Place:
Batesburg, Lexington, South Carolina, United States
Collection Date:
20 Mar 1910
Taxonomy:
Animalia Animalia Arthropoda Arthropoda Insecta Insecta Hemiptera Hemiptera Aphididae Aphididae Eriosomatinae Eriosomatinae
Published Name:
Georgia ulmi Wilson, 1911
Georgiaphis ulmi (Wilson, 1911)
Barcode:
00399789.007
USNM Number:
399789
Specimen Count:
1
Record Last Modified:
2 Sep 2009
See more items in:
Entomology Types
Entomology
Data Source:
NMNH - Entomology Dept.
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Additional Online Media:

Georgia Blizzard

Photographer:
Rosenak, Chuck, 1927-
Subject:
Blizzard, Georgia
Physical description:
1 photographic print : b&w ; 25 x 20 cm.
Type:
Photographs
Date:
ca. 1990
Topic:
Folk artists
Potters
Record number:
(DSI-AAA)7309
Summary:
Portrait of Georgia Blizzard.
See more items in:
Chuck and Jan Rosenak research material, ca. 1938-2003
Data Source:
Archives of American Art
Visitor Tag(s):

Georgia O'Keeffe

Artist:
Una Hanbury, 1904 - 9 Feb 1990
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Bronze
Type:
Sculpture
Date:
1967
Topic:
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.67.37
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
Visitor Tag(s):

Georgia O'Keeffe

Artist:
Philippe Halsman, 1906 - 1979
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Gelatin silver print
Type:
Photograph
Date:
1967
Topic:
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of George R. Rinhart
Object number:
NPG.83.103
Rights:
© Philippe Halsman Archive
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
Visitor Tag(s):

Georgia O'Keeffe

Artist:
Irving Penn, 16 Jun 1917 - 7 Oct 2009
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Platinum-palladium print
Type:
Photograph
Date:
1948 (printed 1986)
Topic:
Interior
Clothing & Apparel\Dress Accessory\Headgear\Turban
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Irving Penn
Object number:
NPG.88.70.42
Rights:
© 1984 Irving Penn, courtesy of Vogue
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
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Georgia O'Keeffe

Artist:
Leonda Finke, born 1922
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Bronze
Type:
Sculpture
Date:
1982 cast of 1975 original
Topic:
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Leonda Finke
Object number:
NPG.83.154
Rights:
© Leonda Finke
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
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Georgia O'Keeffe

Photographer:
Stieglitz, Alfred, 1864-1946
Subject:
O'Keeffe, Georgia Totto
Physical description:
1 photographic print : silver gelatin ; 24 x 18 cm.
Type:
Photographs
Date:
circa 1920
Topic:
Painters
Portraits
Women artists
Record number:
(DSI-AAA)5328
Summary:
Half-length portrait of O'Keeffe, outdoors.
See more items in:
Miscellaneous photographs collection
Data Source:
Archives of American Art
Visitor Tag(s):

Georgia O'Keeffe

Artist:
Arnold A. Newman, 3 Mar 1918 - 6 Jun 2006
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Gelatin silver print
Type:
Photograph
Place:
United States\New Mexico
Date:
1968
Topic:
Nature & Environment\Clouds
Exterior\Landscape
Artist's Effects\Canvas
Artist's Effects\Easel
Nature & Environment\Bone\Skull
Nature & Environment\Mountain
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Arnold Newman
Object number:
NPG.91.89.51
Rights:
© Arnold Newman
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
Visitor Tag(s):

Georgia O'Keeffe

Artist:
Paul Strand, 16 Oct 1890 - 31 Mar 1976
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Platinum print
Type:
Photograph
Date:
1918
Topic:
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.84.159
Rights:
© Aperture Foundation, Inc., Paul Strand Archive
Exhibition Label:
As a young artist Georgia O’Keeffe often chafed at others’ expectations of her and the art she was then creating. She had little interest in painting only those subjects deemed suitable for women. Instead she experimented boldly with abstraction and immersed herself in the hothouse of American modernism. Fiercely independent, O’Keeffe dressed and acted as she pleased, forging relationships on her own terms, most famously with the photographer Alfred Stieglitz. Although they married in 1924, O’Keeffe sought space to pursue her art unencumbered by societal expectations. Beginning in 1929, she left New York and her husband nearly every summer to paint in New Mexico and moved there permanently after his death. Inspired by the Southwest landscape, she cultivated one of the most successful artistic careers of the twentieth century. While often living far from urban centers, O’Keeffe attracted many admirers, the majority of whom she sought to keep at a distance, including the photographer Paul Strand, the creator of this 1918 portrait.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
Visitor Tag(s):

Georgia O'Keeffe

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002
Sitter:
Georgia O'Keeffe, 15 Nov 1887 - 6 Mar 1986
Medium:
Gelatin silver print
Type:
Photograph
Place:
United States\New Mexico\Rio Arriba\Abiquiu
Date:
1956
Topic:
Clothing & Apparel\Jewelry\Necklace
Architecture\Window
Nature & Environment\Bone\Skull
Georgia O'Keeffe: Literature\Writer
Georgia O'Keeffe: Visual Arts\Artist\Painter
Georgia O'Keeffe: Visual Arts\Art Instructor
Georgia O'Keeffe: Presidential Medal of Freedom
Portrait
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.76
Rights:
© Estate of Yousuf Karsh
Exhibition Label:
Georgia O’Keeffe joined the ranks of America’s leading modernists in 1916 with her first exhibition at 291, the New York gallery of celebrated photographer and arts impresario Alfred Stieglitz. Inspired by the avant-garde theories of artist and teacher Arthur Wesley Dow—who championed the expressive use of line, color, and tonality—the classically schooled O’Keeffe readily abandoned realism for the creative possibilities of abstraction. Her career flourished under the mentorship of Stieglitz, who introduced the public to her evocative paintings in annual exhibitions from 1923 to 1946. After marrying Stieglitz in 1924, O’Keeffe maintained a strong level of personal and artistic independence. Beginning in 1929, she lived and worked for extended periods in New Mexico, where she settled permanently after Stieglitz’s death in 1946. It was there that she created many of her most iconic works.
O’Keeffe’s austere adobe home in Abiquiu, New Mexico, provided the setting for Karsh’s profile study of the artist.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
Visitor Tag(s):

Georgia's White Gold

Creator:
Smithsonian Channel
Type:
YouTube Videos
Uploaded:
2012-05-29T18:25:07.000Z
Metadata Updated:
2014-11-18T21:28:25.000Z
YouTube Category:
Shows
Views:
2100
Video Title:
Georgia's White Gold
Description:
Cotton is the crop that has shaped Georgia's landscape and economy for hundreds of years.
Video Duration:
79 seconds
See more by:
smithsonianchannel
YouTube Channel:
smithsonianchannel
Data Source:
Smithsonian Channel
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Georgia Landscape

Artist:
Louis Lozowick, born Ludvinovka, Russia 1892-died South Orange, NJ 1973
Medium:
lithograph on paper
Dimensions:
image: 9 x 12 1/2 in. (23.0 x 31.7 cm)
Type:
Graphic Arts-Print
Date:
1943
Topic:
State of being\evil\imprisonment
Landscape\Georgia
Occupation\service\warden
Landscape\plant\Spanish moss
Object\weapon\gun
Occupation\crime\criminal
Credit Line:
Smithsonian American Art Museum, Gift of Adele Lozowick
Object number:
1980.43.30
Copyright Credit Line:
© 1943, Lee Lozowick
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
Visitor Tag(s):

Tate, Georgia

Artist:
John McWilliams, born Pittsfield, MA 1941
Medium:
gelatin silver print
Dimensions:
image: 17 1/8 x 13 1/2 in. (43.5 x 34.1 cm)
Type:
Photography-Photoprint
Date:
1974
Topic:
Figure(s) in exterior\rural
Ethnic\African-American
Landscape\Georgia\Tate
Credit Line:
Smithsonian American Art Museum, Transfer from the National Endowment for the Arts
Object number:
1983.63.933
Copyright Credit Line:
©1974, John McWilliams
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
Visitor Tag(s):

Georgia Landscape

Artist:
Hale Woodruff, born Cairo, IL 1900-died New York City 1980
Medium:
oil on canvas
Dimensions:
21 1/8 x 25 5/8 in. (53.7 x 65.1 cm.)
Type:
Painting
Date:
ca. 1934-1935
Topic:
Landscape\tree
Landscape\Georgia
Credit Line:
Smithsonian American Art Museum, Gift of Mr. and Mrs. Alfred T. Morris, Jr.
Object number:
1986.82.2
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
Visitor Tag(s):

Macon, Georgia

Artist:
Walker Evans, born St. Louis, MO 1903-died New Haven, CT 1975
Medium:
gelatin silver print
Dimensions:
image and sheet: 8 x 10 in. (20.3 x 25.4 cm) irregular
Type:
Photography-Photoprint
Date:
ca. 1935, printed 1960
Topic:
Architecture Exterior
Landscape\Georgia\Macon
Credit Line:
Smithsonian American Art Museum, Gift of Michael Florez and Rebecca Gomez
Object number:
2004.21.22
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
Visitor Tag(s):

Macon, Georgia

Artist:
Walker Evans, born St. Louis, MO 1903-died New Haven, CT 1975
Medium:
early vintage gelatin silver print
Dimensions:
image and sheet: 6 1/4 x 9 3/8 in. (15.9 x 23.8 cm)
Type:
Photography-Photoprint
Date:
1935
Topic:
Architecture Exterior\domestic\house
Landscape\Georgia\Macon
Credit Line:
Smithsonian American Art Museum, Gift of Michael Florez and Rebecca Gomez
Object number:
2004.21.30
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
Visitor Tag(s):

Georgia Pines

Artist:
George Inness, born Newburgh, NY 1825-died Bridge of Allan, Scotland 1894
Medium:
oil on wood
Dimensions:
17 7/8 x 24 in. (45.3 x 61.0 cm.)
Type:
Painting
Date:
1890
Topic:
Figure(s) in exterior
Landscape\forest
Landscape\tree\pine tree
Landscape\Georgia
Credit Line:
Smithsonian American Art Museum, Gift of William T. Evans
Object number:
1909.7.33
Description:
George Inness was influenced by nineteenth-century French landscape painters, who emphasized quiet, intimate views of nature such as forest interiors or meadows. The clearing through the tall trees in this image invites us to join the group of figures, who are enjoying the shade of the forest. The rich colors and soft shapes evoke the muffled sounds created by a thick carpet of pine needles.
"Every thing in nature has something to say to us." George Inness, "A Painter on Painting," Harper's New Monthly Magazine, February 1878, reprinted in Quick, George Inness, 1985
See more items in:
Smithsonian American Art Museum Collection
On View:
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 13B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor
Data Source:
Smithsonian American Art Museum
Visitor Tag(s):

Georgia Stele

Artist:
Jesús Moroles, born Corpus Christi, TX 1950
Medium:
Georgia gray granite
Dimensions:
82 x 12 1/4 x 8 in. (208.3 x 31.1 x 20.3 cm.)
Type:
Sculpture
Date:
1999
Topic:
Abstract
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1999.25
Description:
In April 1999, Jesús Moroles brought the unfinished Georgia Stele to the Smithsonian American Art Museum. He uncovered the sculpture and began to hammer stone chips off of the top, encouraging visitors to join in. Moroles then removed a few more and declared the piece finished, stating that if another chip were removed the sculpture would be a total loss and could never be repaired. This unexpected performance demonstrated Moroles's belief that sculptures are sacred objects that should belong to all people, and not just the artist or a museum. Nevertheless, he claimed creative ownership over the work by declaring that the work was done and could no longer be altered.
"I want my art to be about man touching stone . . ." Jesús Moroles, quoted in Adlmann, Moroles, 2003
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
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