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In the Harem [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 16.5.3 cm. x 22.7 cm
Type:
Gelatin silver prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Portrait photography
Women
Local number:
FSA A.4 2.12.Up.19
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "895."
- On verso of the print, handwritten number (penciled) reads, "183."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "dans le Harem."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Photograph of a Painting Depicting Fath Ali Shah (reigned 1797-1834) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Qājār, Fatḥ ʻAlī Shāh Shah of Iran d. 1834
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 17.1 cm. x 22.9 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Portrait photography
Regalia (Insignia)
Royalty (Nobility)
Local number:
FSA A.4 2.12.Up.25
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "742."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) reads, "Fatali Schah."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Portrait of Ali Khan-i Zahir al-Dawla [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 17.1 cm. x 23 cm
Type:
Gelatin silver prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Portrait photography
Regalia (Insignia)
Royalty (Nobility)
Local number:
FSA A.4 2.12.Up.24
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "675."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Maître des Cérémonies."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Regiment of Soldiers [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 23 cm. x 16.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Architecture
Clothing and dress
Headgear
Military
Local number:
FSA A.4 2.12.Up.29
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "134."
- On verso of the print, handwritten number (penciled) reads, "97."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "régiment Lore."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Fishermen at a Landing [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.7 cm. x 16.5 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Topic:
Clothing and dress
Fishing
Headgear
Local number:
FSA A.4 2.12.Up.08
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "158."
- On recto of the print, scratched handwritten number (penciled) reads, "4??."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Pahlévi."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Peasant Scene [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.7 cm. x 16.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Agriculture
Architecture
Clothing and dress
Domestic scenes
Local number:
FSA A.4 2.12.Up.14
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "114."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Maison paysane à Mazandéran."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Two Men Washing Clothes on a Rock [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.2 cm. x 16.5 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Domestic scenes
Local number:
FSA A.4 2.12.Up.13
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "499."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Lavage du ? à Ispahan."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Mendicant Women [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 16.8 cm. x 22 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Local number:
FSA A.4 2.12.Up.43
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "36."
- On verso of the print, handwritten number (penciled) reads, "174."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Les Bohémiennes."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Group of Men in Isfahan (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.8 cm. x 16.8 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Architecture
Street vendors
Local number:
FSA A.4 2.12.Up.27
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "43."
- On verso of the print, handwritten caption (penciled) reads, "Isfahān."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Boy Receiving Punishment with Small Crowd of Male Spectators [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 23.3 cm. x 17.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Corporal punishment
Headgear
Textile crafts
Local number:
FSA A.4 2.12.Up.61
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1175."
- On verso of the print, handwritten number (penciled) reads, "240."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "La punition à l'atelier de broderie."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Dervish Smoking Pipe [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 17.3 cm. x 22.2 cm
Type:
Gelatin silver prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Hairstyles
Portrait photography
Local number:
FSA A.4 2.12.Up.18
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "37."
- On recto of the print, faded handwritten number (inked, probably by Antoin Sevruguin) reads, "1353."
- On verso of the print, handwritten number (penciled) reads, "208."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Derviche nègre."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Ta'ziya Performance at the Takkiya Dawlat, Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 16.9 cm. x 12 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Topic:
Rites and ceremonies
Local number:
FSA A.4 2.12.Up.02
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.s
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Le théatre religieux."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Armenian Girls in Urmia (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 16.5 cm. x 22.4 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Portrait photography
Women
Local number:
FSA A.4 2.12.Up.37
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "340."
- On verso of the print, handwritten number (penciled) reads, "219."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Filles arméniennes à Ourmiah."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Portrait of an Armenian Woman [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 16.8 cm. x 23 cm
Type:
Gelatin silver prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Portrait photography
Women
Local number:
FSA A.4 2.12.Up.33
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "334."
- On verso of the print, handwritten number (penciled) reads, "211."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Dame arménienne."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Portrait of a Zoroastrian (?) Woman [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 17 cm. x 22.7 cm
Type:
Gelatin silver prints
Photographic prints
Studio portraits
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Portrait photography
Women
Local number:
FSA A.4 2.12.Up.36
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Dame guèbre."
- On verso of the print, handwritten caption (penciled) in English reads, "Jewess."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Khiaban-i Ala al-Dawla (Firdawsi Avenue), Tehran (Iran) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.3 cm. x 16.5 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1928
Topic:
Landscapes
Local number:
FSA A.4 2.12.Up.26
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "100."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1120."
- On verso of the print, handwritten number (penciled) reads, "196."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Avenue Alla es Douleh à Tehéran."
- On verso of the print, handwritten caption (penciled) in English reads, "47.P.33.3."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Street Scene with Horse-Pulled Trollies and People [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 23 cm. x 16.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1930
Topic:
Architecture
Transportation
Local number:
FSA A.4 2.12.Up.07
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "262."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print, handwritten number (penciled) reads, "78."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Sar tchechmé (ancienne rue de Tehéran)."
- On verso of the print, handwritten caption (penciled) in English reads, "Teheran."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

View of Shushtar (Iran), including a Bridge [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.7 cm. x 16.7 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Shūshtar (Iran)
Date:
1880s-1928
Topic:
Landscapes
Local number:
FSA A.4 2.12.Up.44
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "493."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1580."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print, handwritten caption (penciled) in English reads, "Shuster."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Safid Rud Valley [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 22.8 cm. x 17 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Topic:
Landscapes
Local number:
FSA A.4 2.12.Up.04
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "109."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "4?6."
- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Séfid Roud."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Girls Weaving a Carpet [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 17 cm. x 22.6 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1928
Topic:
Clothing and dress
Headgear
Textile crafts
Weavers
Women
Local number:
FSA A.4 2.12.Up.12
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "491."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "128."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

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