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Men Viewing Moving Pictures in an Apparatus Commonly Known as a Shahr-i Farang [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Topic:
Headgear
Street vendors
Local number:
FSA A.4 2.12.Sm.02
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Three Vessels with Elaborate Ornamentation [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Topic:
Antiquities
Art of the Islamic World
Local number:
FSA A.4 2.12.Sm.90
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Tehran (Iran): Maydan-i Mashq (Shooting Range): Ice Cream Vendor [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1930
Topic:
Clothing and dress
Headgear
Street vendors
Local number:
FSA A.4 2.12.Sm.01
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
"The photograph depicts a group of men and children around an ice cream vendor in what looks to be the Maydan-I Mashq in Tehran. The shorter hat of the man in coat on the left side of the image puts the date around the later years of Nasir al-Din Shah's reign." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "233."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Pilgrims at the Shrine of Najar (Iraq) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iraq
Date:
1880s-1930
Topic:
Architecture
Clothing and dress
Headgear
Religious buildings
Inscriptions
Inscriptions, Arabic
Local number:
FSA A.4 2.12.Sm.04
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "893."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Mullahs."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Baghdad (Iraq): Mashhad al-Kazimiya: Religious Dignitaries in front of Entrance Portal [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iraq
Baghdad (Iraq)
Date:
1880s-1930
Topic:
Architecture
Clothing and dress
Headgear
Religious buildings
Inscriptions
Inscriptions, Arabic
Shrines
Local number:
FSA A.4 2.12.Sm.05
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "495."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1189."
- On verso of the print, handwritten number (penciled) reads, "41.3."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Clerics Gathered in Entrance Portal [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Topic:
Architecture
Clothing and dress
Headgear
Religious buildings
Local number:
FSA A.4 2.12.Sm.06
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Mullahs gathered in Entrance Portal."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Sacred Precinct with Achaemenid Tombs and Sasanian Rock Reliefs Carved into the Husain Kuh Cliff [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Local number:
FSA A.4 2.12.Sm.08
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "171."
- On verso of the print, handwritten number (penciled) reads, "38.10."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; 3 tombs (General View of Facade) front."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Achaemenid Tomb of Xerxes [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Royalty (Nobility)
Local number:
FSA A.4 2.12.Sm.09
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1654."
- On verso of the print, handwritten number (penciled) reads, "40.10."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; tomb front facade."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Bishapur (Iran): Sasanian Reliefs Depicting the Triumph of Shapur I over Valerian with Groups of Cavalry and Infantry Saluting the King [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Bīshāpūr (Extinct city)
Date:
1880s-1930
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.11
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "597."
- On verso of the print, handwritten number (penciled) reads, "38.5."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Bishapur; bas relief; Triple victory of Shapur I."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Bishapur (Iran): Sasanian Reliefs Showing Bahram II Receiving a Delegation: Detail View of Delegation Bringing Horses and Camels to the King [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Bīshāpūr (Extinct city)
Date:
1880s-1930
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.12
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "830."
- On verso of the print, handwritten number (penciled) reads, "31.11."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Bishapur; bas relief; subjection of Arab tribes."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Two Sasanian Reliefs Depicting the Investiture of Ardashir I by the God Ahura Mazda (Hormizd) (left) as well as Bahram II and Court, Carved over a Pre-Achaemenid Relief (right) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.14
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "225."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1655."
- On verso of the print, handwritten number (penciled) reads, "29.10."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; 2 Rock reliefs; Equestrian Investiture of Ardashir I, Bahram II with his family."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Sasanian Relief Depicting the Equestrian Combat of King Bahram II [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.15
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "601."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1663."
- On verso of the print, handwritten number (penciled) reads, "29.8."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Rock relief; Bahram II on horseback fighting an adversary."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Sasanian Reliefs Depicting the Investiture of Narseh by Anahita [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Topic:
Ancient Near Eastern Art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.16
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1649."
- On verso of the print, handwritten number (penciled) reads, "47.3."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Rock relief; Investiture King Narseh by Goddess Anahita."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Fire Altars [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Topic:
Ancient Near Eastern Art
Architecture
Archaeology
Local number:
FSA A.4 2.12.Sm.17
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "827."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1651."
- On verso of the print, handwritten number (penciled) reads, "39.4."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; fire altars."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Naqsh-i Rustam (Iran): Ka'ba i Zardusht Tower [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Topic:
Architecture
Clothing and dress
Headgear
Local number:
FSA A.4 2.12.Sm.18
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "570."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Achaemenian grave Tower."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Pasargadae (Iran): Mausoleum of Cyrus the Great [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Pasargadae (Extinct city)
Date:
1880s-1930
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.4 2.12.Sm.19
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "170."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Pasargadae; Tomb of Cyrus."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Pasargadae (Iran): Mausoleum of Cyrus the Great [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Pasargadae (Extinct city)
Date:
1880s-1930
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.4 2.12.Sm.20
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "474."
- On recto of the print, faded handwritten number (inked, probably by Antoin Sevruguin) reads, "1417."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Pasargadae; Tomb of Cyrus."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Northwestern Corner of Terrace Complex and Outcrops of Unwrought Bedrock [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1902-1905
Topic:
Ancient Near Eastern Art
Architecture
Local number:
FSA A.4 2.12.Sm.21
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "822."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1665."
- On verso of the print, handwritten number (penciled) reads, "29.1."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Persepolis (Takht-I Djamshīd; Hall of 100 Columns - Area view (see also Negatives N0. 30.12 and 56.6; ruins as a whole."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Northern Wall of the Throne Hall (Talar-i Takht) [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1902-1905
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Local number:
FSA A.4 2.12.Sm.22
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "818."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "732."
- On verso of the print, handwritten number (penciled) reads, "38.8."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Persepolis (Takht-I Djamshīd; Hall of 100 Columns."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

Persepolis (Iran): Gate of All Lands (Darvaza-i Milal), Colossal Sculptures Depicting Heads of a Bull [graphic]

Creator:
Sevruguin, Antoin d. 1933
Subject:
Sevruguin, Antoin d. 1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Persepolis (Iran)
Date:
1902-1905
Topic:
Ancient Near Eastern Art
Animals in art
Architecture
Inscriptions
Relief (Sculpture)
Local number:
FSA A.4 2.12.Sm.23
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "801."
- On verso of the print, handwritten number (penciled) reads, "31.9."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Persepolis (Takht-I Djamshīd; Main gate - colossal bull and columns."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
Visitor Tag(s):

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