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Men Viewing Moving Pictures in an Apparatus Commonly Known as a Shahr-i Farang [graphic]

view Men Viewing Moving Pictures in an Apparatus Commonly Known as a Shahr-i Farang [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Headgear
Street vendors
Local number:
FSA A.4 2.12.Sm.02
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Silver-Inlaid Copper Tray with Inscriptions Depicting Signs of Zodiac, Kakh-i Gulistan, Tehran (Iran) [graphic]

view Silver-Inlaid Copper Tray with Inscriptions Depicting Signs of Zodiac, Kakh-i Gulistan, Tehran (Iran) [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Antiquities
Art of the Islamic World
Local number:
FSA A.4 2.12.Sm.89
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Three Vessels with Elaborate Ornamentation [graphic]

view Three Vessels with Elaborate Ornamentation [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Antiquities
Art of the Islamic World
Local number:
FSA A.4 2.12.Sm.90
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Tehran (Iran): Maydan-i Mashq (Shooting Range): Ice Cream Vendor [graphic]

view Tehran (Iran): Maydan-i Mashq (Shooting Range): Ice Cream Vendor [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Tehran (Iran)
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
"The photograph depicts a group of men and children around an ice cream vendor in what looks to be the Maydan-I Mashq in Tehran. The shorter hat of the man in coat on the left side of the image puts the date around the later years of Nasir al-Din Shah's reign." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "233."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Clothing and dress
Headgear
Street vendors
Local number:
FSA A.4 2.12.Sm.01
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Qazvin (Iran): Imamzada Hussayn Mosque (Shahzade Hossein Tomb Complex): View of Bazaar in front of Iwan [graphic]

view Qazvin (Iran): Imamzada Hussayn Mosque (Shahzade Hossein Tomb Complex): View of Bazaar in front of Iwan [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Qazvīn (Iran)
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "837."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "457."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "837."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Bazaar Scene in front of Mosque."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Architecture
Clothing and dress
Headgear
Marketplaces
Religious buildings
Street vendors
Local number:
FSA A.4 2.12.Sm.03
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Pilgrims at the Shrine of Najaf (Iraq) [graphic]

view Pilgrims at the Shrine of Najaf (Iraq) [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iraq
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "893."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Mullahs."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Architecture
Clothing and dress
Headgear
Religious buildings
Inscriptions
Inscriptions, Arabic
Local number:
FSA A.4 2.12.Sm.04
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Baghdad (Iraq): Mashhad al-Kazimiya: Religious Dignitaries in front of Entrance Portal [graphic]

view Baghdad (Iraq): Mashhad al-Kazimiya: Religious Dignitaries in front of Entrance Portal [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iraq
Baghdad (Iraq)
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "495."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1189."
- On verso of the print, handwritten number (penciled) reads, "41.3."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Architecture
Clothing and dress
Headgear
Religious buildings
Inscriptions
Inscriptions, Arabic
Shrines
Local number:
FSA A.4 2.12.Sm.05
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Clerics Gathered in Entrance Portal [graphic]

view Clerics Gathered in Entrance Portal [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "---(?)."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Mullahs gathered in Entrance Portal."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Architecture
Clothing and dress
Headgear
Religious buildings
Local number:
FSA A.4 2.12.Sm.06
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rajab (Iran): Sasanian Rock Relief (Relief IV) Picturing High Priest Kartir and Middle Persian Inscription [graphic]

view Naqsh-i Rajab (Iran): Sasanian Rock Relief (Relief IV) Picturing High Priest Kartir and Middle Persian Inscription [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Date:
Ca. 1900
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "221."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "51."
- On verso of the print, handwritten number (penciled) reads, "38.11."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rajab; Kartir high priest raising finger in respect."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Headgear
Inscriptions
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Local number:
FSA A.4 2.12.Sm.07
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Sacred Precinct with Achaemenid Tombs and Sasanian Rock Reliefs Carved into the Husain Kuh Cliff [graphic]

view Naqsh-i Rustam (Iran): Sacred Precinct with Achaemenid Tombs and Sasanian Rock Reliefs Carved into the Husain Kuh Cliff [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "171."
- On verso of the print, handwritten number (penciled) reads, "38.10."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; 3 tombs (General View of Facade) front."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Local number:
FSA A.4 2.12.Sm.08
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Achaemenid Tomb of Xerxes [graphic]

view Naqsh-i Rustam (Iran): Achaemenid Tomb of Xerxes [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1654."
- On verso of the print, handwritten number (penciled) reads, "40.10."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; tomb front facade."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Royalty (Nobility)
Local number:
FSA A.4 2.12.Sm.09
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Achaemenid Tomb of Darius I (foreground) and Xerxes (background) [graphic]

view Naqsh-i Rustam (Iran): Achaemenid Tomb of Darius I (foreground) and Xerxes (background) [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "598."
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "165."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1653."
- On verso of the print, handwritten number (penciled) reads, "38.9."
- On verso of the print (lower left and right corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; tomb side view."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Architecture
Relief (Sculpture)
Royalty (Nobility)
Local number:
FSA A.4 2.12.Sm.10
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Bishapur (Iran): Sasanian Reliefs Depicting the Triumph of Shapur I over Valerian with Groups of Cavalry and Infantry Saluting the King [graphic]

view Bishapur (Iran): Sasanian Reliefs Depicting the Triumph of Shapur I over Valerian with Groups of Cavalry and Infantry Saluting the King [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Bīshāpūr (Extinct city)
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "597."
- On verso of the print, handwritten number (penciled) reads, "38.5."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Bishapur; bas relief; Triple victory of Shapur I."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.11
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Bishapur (Iran): Sasanian Reliefs Showing Bahram II Receiving a Delegation: Detail View of Delegation Bringing Horses and Camels to the King [graphic]

view Bishapur (Iran): Sasanian Reliefs Showing Bahram II Receiving a Delegation: Detail View of Delegation Bringing Horses and Camels to the King [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Bīshāpūr (Extinct city)
Date:
1880s-1930
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "830."
- On verso of the print, handwritten number (penciled) reads, "31.11."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Bishapur; bas relief; subjection of Arab tribes."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.12
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Sasanian Reliefs Depicting the Triumph of Shapur I over Valerian, and Middle Persian Inscription of the High Priest Kartir (Antoin Sevruguin in Foreground) [graphic]

view Naqsh-i Rustam (Iran): Sasanian Reliefs Depicting the Triumph of Shapur I over Valerian, and Middle Persian Inscription of the High Priest Kartir (Antoin Sevruguin in Foreground) [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "236."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1657."
- On verso of the print, handwritten number (penciled) reads, "38.6."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Rock relief; Triumph of Shapur I."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Inscriptions
Photographers
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.13
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Two Sasanian Reliefs Depicting the Investiture of Ardashir I by the God Ahura Mazda (Hormizd) (left) as well as Bahram II and Court, Carved over a Pre-Achaemenid Relief (right) [graphic]

view Naqsh-i Rustam (Iran): Two Sasanian Reliefs Depicting the Investiture of Ardashir I by the God Ahura Mazda (Hormizd) (left) as well as Bahram II and Court, Carved over a Pre-Achaemenid Relief (right) [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1898-1902
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "225."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1655."
- On verso of the print, handwritten number (penciled) reads, "29.10."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; 2 Rock reliefs; Equestrian Investiture of Ardashir I, Bahram II with his family."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.14
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Sasanian Relief Depicting the Equestrian Combat of King Bahram II [graphic]

view Naqsh-i Rustam (Iran): Sasanian Relief Depicting the Equestrian Combat of King Bahram II [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "601."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1663."
- On verso of the print, handwritten number (penciled) reads, "29.8."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Rock relief; Bahram II on horseback fighting an adversary."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Animals in art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.15
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Sasanian Reliefs Depicting the Investiture of Narseh by Anahita [graphic]

view Naqsh-i Rustam (Iran): Sasanian Reliefs Depicting the Investiture of Narseh by Anahita [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1649."
- On verso of the print, handwritten number (penciled) reads, "47.3."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Rock relief; Investiture King Narseh by Goddess Anahita."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Headgear
Relief (Sculpture)
Royalty (Nobility)
Sassanids
Textile design
Local number:
FSA A.4 2.12.Sm.16
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Fire Altars [graphic]

view Naqsh-i Rustam (Iran): Fire Altars [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 18 cm. x 24 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "827."
- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1651."
- On verso of the print, handwritten number (penciled) reads, "39.4."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; fire altars."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Ancient Near Eastern Art
Architecture
Archaeology
Local number:
FSA A.4 2.12.Sm.17
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Naqsh-i Rustam (Iran): Ka'ba i Zardusht Tower [graphic]

view Naqsh-i Rustam (Iran): Ka'ba i Zardusht Tower [graphic] digital asset number 1
Creator:
Sevruguin, Antoin -1933
Subject:
Sevruguin, Antoin -1933
Smith, Myron Bement 1897-1970
Islamic Archives
Physical description:
1 photographic print : b&w ; 24 cm. x 18 cm
Type:
Gelatin silver prints
Photographic prints
Place:
Asia
Iran
Naqsh-i Rustam (Iran)
Date:
1902-1905
Notes:
Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.
Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.
Summary:
- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "570."
- On verso of the print (lower left corner), original stamp, in French and Persian, reads, "Photographie Sevruguin."
- On verso of the print, Myron Bement Smith caption in English reads, "Persia; Fārs; Naqsh-I Rustam; Achaemenian grave Tower."
Cite as:
Myron Bement Smith Collection: Antoin Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Katherine Dennis Smith, 1973-1985
Topic:
Architecture
Clothing and dress
Headgear
Local number:
FSA A.4 2.12.Sm.18
See more items in:
Myron Bement Smith collection 1899-1962
Myron Bement Smith Collection, Subseries 2.12: Antoin Sevruguin Photographs
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

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