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Claire Falkenstein scrapbook

Creator:
Falkenstein, Claire, 1908-1997  Search this
Subject:
Falkenstein, Claire  Search this
Type:
Albums
Date:
1958
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)13502
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13502

Claire Falkenstein scrapbook

Creator:
Falkenstein, Claire, 1908-1997  Search this
Subject:
Falkenstein, Claire  Search this
Type:
Albums
Date:
1959-1961
Topic:
Artists at or with their work  Search this
Exhibitions  Search this
Record number:
(DSI-AAA)13501
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13501

Claire Falkenstein exhibitions scrapbook

Subject:
Falkenstein, Claire  Search this
Type:
Albums
Date:
1958
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)13499
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13499

Claire Falkenstein with one of her sculptures

Subject:
Falkenstein, Claire  Search this
Type:
Photographs
Date:
ca. 1936
Topic:
Artists at or with their work  Search this
Sculptors  Search this
Women artists  Search this
Record number:
(DSI-AAA)11233
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Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11233
Additional Online Media:

Claire Falkenstein with some of her sculptures

Subject:
Falkenstein, Claire  Search this
Type:
Photographs
Date:
ca. 1970
Topic:
Artists at or with their work  Search this
Record number:
(DSI-AAA)11236
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Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11236
Additional Online Media:

Claire Falkenstein with one of her sculptures

Subject:
Falkenstein, Claire  Search this
Type:
Photographs
Date:
ca. 1946
Topic:
Artists at or with their work  Search this
Portraits  Search this
Record number:
(DSI-AAA)13504
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13504
Additional Online Media:

Claire Falkenstein scrapbook of her exhibition at the Galerie Stadler

Creator:
Falkenstein, Claire, 1908-1997  Search this
Subject:
Falkenstein, Claire  Search this
Galerie Stadler  Search this
Type:
Albums
Date:
1960
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)13498
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13498

Claire Falkenstein

Photographer:
Jacobs, Mimi, 1911-1999  Search this
Subject:
Falkenstein, Claire  Search this
Type:
Photographs
Date:
ca. 1975
Topic:
Portraits  Search this
Sculptors  Search this
Women artists  Search this
Record number:
(DSI-AAA)5045
See more items in:
[Photographs of artists taken by Mimi Jacobs, photographer], 1971-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5045
Additional Online Media:

Claire Falkenstein's mural at the U.S. Naval Hospital in San Leandro, California

Subject:
Falkenstein, Claire  Search this
Type:
Photographs
Date:
1946
Topic:
Murals  Search this
Record number:
(DSI-AAA)13500
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13500
Additional Online Media:

Installation view of Sky by Claire Falkenstein at the Galerie Rive Droite

Subject:
Falkenstein, Claire  Search this
Type:
Photographs
Date:
1956
Record number:
(DSI-AAA)13503
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13503
Additional Online Media:

Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Gallery Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear Feet
Type:
Archival materials
Collection descriptions
Drawings
Motion pictures (visual works)
Scrapbooks
Sketchbooks
Diaries
Photographs
Sketches
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Claire Falkenstein papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Women artists -- California  Search this
Women artists -- France -- Paris  Search this
Sculptors -- California  Search this
Interviews  Search this
Awards  Search this
Transcripts  Search this
Articles  Search this
Designers -- California  Search this
Drafts (documents)  Search this
Art -- Study and teaching  Search this
Poetry  Search this
Scripts  Search this
Notebooks  Search this
Artists' studios  Search this
Art -- Economic aspects  Search this
Art patronage  Search this
Educators -- California  Search this
Jewelry -- Design  Search this
Painters -- California  Search this
Sculptors -- France -- Paris  Search this
Genre/Form:
Drawings
Motion pictures (visual works)
Scrapbooks
Sketchbooks
Diaries
Photographs
Sketches
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-falkclai

Falkenstein, Claire

Collection Creator:
Parsons, Betty  Search this
Container:
Box 5, Folder 6
Type:
Archival materials
Date:
1952-1954
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Betty Parsons Gallery records and personal papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Betty Parsons Gallery records and personal papers, circa 1920-1991, bulk 1946-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref130

Oral history interview with Claire Falkenstein, 1965 Apr. 13

Interviewee:
Falkenstein, Claire, 1908-1997  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Topic:
Federal aid to the arts  Search this
Sculptors  Search this
Sound recordings  Search this
Interviews  Search this
Women sculptors  Search this
Record number:
(DSI-AAA_CollID)13126
(DSI-AAA_SIRISBib)213450
AAA_collcode_falken65
Theme:
Women
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213450

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990

Creator:
Falkenstein, Claire, 1908-1997  Search this
Topic:
Motion pictures (visual works)  Search this
Diaries  Search this
Painters  Search this
Photographs  Search this
Sculptors  Search this
Women artists  Search this
Sketchbooks  Search this
Slides (photographs)  Search this
Works of art  Search this
Record number:
(DSI-AAA_CollID)6135
(DSI-AAA_SIRISBib)216351
AAA_collcode_falkclai
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216351
Additional Online Media:

Oral history interview with Claire Falkenstein, 1995 Mar. 2-21

Interviewee:
Falkenstein, Claire, 1908-1997  Search this
Interviewer:
Karlstrom, Paul J., 1941-  Search this
Subject:
Jackson, Martha Kellogg  Search this
Still, Clyfford E.  Search this
Francis, Sam  Search this
Lusk, George  Search this
Tapie, Michel  Search this
Appel, Karel  Search this
Stadler Gallery  Search this
University of California, San Francisco.School of Fine Arts  Search this
Women in the Arts in Southern California Oral History Project  Search this
Topic:
Women artists  Search this
Sculptors  Search this
Interviews  Search this
Artists  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12659
(DSI-AAA_SIRISBib)215849
AAA_collcode_falken95
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215849
Additional Online Media:

Book jacket to Essentials of Calculus for Business and Economics by Louis Leithold

Subject:
Falkenstein, Claire  Search this
Type:
Printed Materials
Date:
1978
Record number:
(DSI-AAA)13508
See more items in:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13508
Additional Online Media:

Moving Point

Artist:
Claire Falkenstein, born Coos Bay, OR 1908-died Venice, CA 1997  Search this
Medium:
India ink on watercolor paper
Dimensions:
22 3/4 x 31 1/2 in. (57.8 x 80.0 cm)
Type:
Drawing
Date:
1975
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Claire Falkenstein McCarthy Trust
Object number:
1998.24.6
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1998.24.6

Corona

Artist:
Claire Falkenstein, born Coos Bay, OR 1908-died Venice, CA 1997  Search this
Medium:
copper metallic ink on paper
Dimensions:
12 x 11 3/4 in. (30.5 x 29.8 cm)
Type:
Drawing
Date:
1967
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Claire Falkenstein McCarthy Trust
Object number:
1998.24.5
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1998.24.5

Untitled I

Artist:
Claire Falkenstein, born Coos Bay, OR 1908-died Venice, CA 1997  Search this
Medium:
etching
Dimensions:
15 x 16 in. (38.1 x 40.6 cm)
Type:
Graphic Arts-Print
Date:
1952
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Claire Falkenstein McCarthy Trust
Object number:
1998.24.7
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1998.24.7

Untitled II

Artist:
Claire Falkenstein, born Coos Bay, OR 1908-died Venice, CA 1997  Search this
Medium:
etching
Dimensions:
18 x 15 in. (45.7 x 38.1 cm)
Type:
Graphic Arts-Print
Date:
1952
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Claire Falkenstein McCarthy Trust
Object number:
1998.24.8
See more items in:
Smithsonian American Art Museum Collection
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1998.24.8

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