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Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Chester Dale papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Art dealers -- France -- Paris  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-daleches
Additional Online Media:

Capturing Nureyev : James Wyeth paints the dancer / introduction by Clive Barnes ; essays by Barbara Cohen-Stratyner and Lauren Raye Smith ; with contributions by Phyllis M. Wyeth and Lynn Seymour ; edited by Pamela J. Belanger

Author:
Wyeth, Jamie 1946-  Search this
Cohen-Stratyner, Barbara Naomi  Search this
Smith, Lauren Raye  Search this
Wyeth, Phyllis M  Search this
Seymour, Lynn 1939-  Search this
Belanger, Pamela J  Search this
William A. Farnsworth Library and Art Museum  Search this
John F. Kennedy Center for the Performing Arts (U.S.)  Search this
New York Public Library at Lincoln Center  Search this
Brandywine River Museum  Search this
Subject:
Nureyev, Rudolf 1938-1993  Search this
Ballet dancers  Search this
Wyeth, Jamie 1946-  Search this
Physical description:
91 p. : ill. (some col.), ports. ; 27 x 27 cm
Type:
Books
Portraits
Pictorial works
Exhibitions
Place:
Russia (Federation)
Date:
2002
C2002
Call number:
N40.1.W972 F37 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_672535

James Graham & Sons records

Creator:
James Graham & Sons  Search this
Names:
Coe Kerr Gallery  Search this
Duveen-Graham (Gallery)  Search this
Graham Gallery  Search this
Graham Modern (Gallery)  Search this
Cicero, Carmen, 1926-  Search this
Coheleach, Guy  Search this
Crile, Susan, 1942-  Search this
De Kooning, Elaine  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Duveen, Albert  Search this
Fogel, Seymour, 1911-1984  Search this
Fried, Nancy  Search this
Graham, Robert Claverhouse, 1913-1994  Search this
Kriesberg, Irving, 1919-  Search this
Melchers, Gari, 1860-1932  Search this
Perrine, Van Dearing, 1869-1955  Search this
Santlofer, Jonathan, 1946-  Search this
Schley, Reeve, 1936-  Search this
Stevens, Peter  Search this
Thorne, Joan, 1943-  Search this
Trieff, Selina, 1934-  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, N. C. (Newell Convers), 1882-1945  Search this
Extent:
103.2 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Scrapbooks
Photographs
Date:
1821
1815
circa 1896-2011
Summary:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.
Scope and Content Note:
The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions of artwork by Jamie Wyeth, and to a lesser extent, Andrew and N.C. Wyeth.

Over the years, the gallery changed names and established contemporary art departments. In addition to records of James Graham & Sons, the collection holds the records of Duveen-Graham Modern Art (in partnership with Albert Duveen), Graham Gallery, Graham Modern, JG|Contemporary, and, to a lesser extent, The Clapp and Graham Co.

Alphabetical files are a mix of business correspondence and business records. The bulk of the series contains correspondence with galleries, museums, other institutions, and, to a lesser extent, clients regarding sales, consignments, and loans of artwork. Also found are materials relevant to the daily operations of the gallery, including correspondence, subject files, and scattered financial, business and legal records.

Exhibition files provide scattered documentation of the gallery's exhibitions through catalogs, clippings, correspondence, guest books, notes, photographs, press materials, price lists, and sales receipts and other financial records.

Artists' Files document the numerous artists who have been represented by the gallery, especially modern American artists. Folders for each artist can contain a variety of materials, including correspondence with the artist or with institutions regarding consignments, loans, sales and exhibitions; photographic materials primarily of artwork; sales invoices; exhibition catalogs, postcards, and other printed materials; press releases; magazine and newspaper clippings; price lists; artist binders; and research materials on artists and artwork. Also found are some subject files, per original arrangement. There is extensive material related to artists Carmen Cicero, Susan Crile, Elaine De Kooning's portrait of President John F. Kennedy, Edwin Dickinson, muralist Seymour Fogel, Nancy Fried, Irving Kriesberg, Gari Melchers, Jonathan Santlofer, Reeve Schley, Peter Stevens, Joan Thorne, and Selina Trieff.

Artwork files document sales, consignments, and loans of artwork primarily from the mid-1980s to 2000s. Materials include agreements and contracts; condition reports; correspondence; invoices and receipts; photographs of artwork; shipping records; and photocopied printed material and other documentation. This series requires written permission from the donor in order to access.

Sales records from 1959-1984 (missing 1974) are found in the Financial Records series. Also found are check stub books from the mid-late 1950s; price lists; records for the Four Seasons Charter Corp.; and scattered banking, consignment, tax, and other financial records. Inventory cards from mid-1950s-1970s and inventory lists, often with notations and prices, are found in the series Inventory Records.

Coe Kerr Gallery Records regarding the Wyeths document Jamie Wyeth's exhibitions primarily from the mid-1970s-early 1980s. Also found is limited material regarding Andrew Wyeth and N.C. Wyeth. Materials include correspondence, photographs, exhibition printed materials, and extensive newspaper clippings.

There are exhibition catalogs, books, announcements, magazines, clippings, postcards, posters and other printed materials related to artists, John Graham & Sons exhibitions, and exhibitions by Graham artists held at other galleries and museums. Also found is an 1815 fifty cent note which was redeemed in 1821.

Seven scrapbooks document discrete aspects of the business, including the gallery's advertising, participation in an art fair, and the careers of artists Guy Coheleach and Van Dearing Perrine. Materials housed in the scrapbooks include clippings, catalogs, photographs, and other printed materials.

Photographic Materials include mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Alphabetical Files, circa 1896, 1902-1999, bulk 1955-1986 (Boxes 1-15; 15 linear feet)

Series 2: Exhibition Files, 1912, 1947-2004 (Boxes 16-24; 8 linear feet)

Series 3: Artists' Files, circa 1907-2006, bulk 1955-1999 (Boxes 24-62, 95-96; 39.1 linear feet)

Series 4: Artwork Files, circa early 1900s-2011, bulk mid-1980s-2009 (Boxes 63-71, 94, 101; 9.3 linear feet)

Series 5: Financial Records, circa 1937-1993 (Boxes 72-76, 96; 4.5 linear feet)

Series 6: Inventory Records, circa 1954-1993 (Boxes 76-78, 96; 2.1 linear feet)

Series 7: Coe Kerr Gallery Records Regarding Wyeths, 1964-1988 (Boxes 78-80, 97; 2.7 linear feet)

Series 8: Printed Materials, 1815, 1821, 1949-2006 (Boxes 81-82, 97; 2.1 linear feet)

Series 9: Scrapbooks, 1897-1990s (Boxes 82, 98-100; 0.9 linear feet)

Series 10: Photographic Materials, 1929-1990s (Boxes 83-93, 96, 100-101; 11.5 linear feet)
Historical Note:
The James Graham & Sons gallery has been owned and managed by the Graham family in New York City since 1857. Throughout its history, the gallery has specialized in decorative arts, antiques, and 19th-early 20th century and contemporary American art.

In 1857, Samuel Graham founded a gallery at 66 Third Street and specialized in furniture. Graham was joined by his son James in the 1880s and expanded the business to include antiques and decorative arts. James A. Graham, the third generation Graham, joined the gallery in the early 20th century. James Graham and antiques dealer Marshall Clapp created Clapp & Graham in 1914, a partnership which was dissolved around 1940.

James R. Graham, the fourth generation Graham, joined the gallery in 1937, followed by his brother Robert Claverhouse Graham, Sr. in 1940. The gallery was then named James Graham & Sons and was located at 514 Madison Avenue. At this time, the gallery specialized in bronzes, ceramics, silver, sculptures, and 19th-early 20th century American art. Robert C. Graham, Sr. introduced modern American art, especially The Eight, into the gallery's inventory.

In 1955, the gallery moved to 1014 Madison Avenue, where it remained until the late 2000s. That same year, Graham opened its first contemporary department with Albert Duveen. Duveen-Graham Modern Art gallery was based on the third floor of the Madison Avenue building and dealt solely in contemporary art until its closing in 1958. Robert C. Graham, Jr. (Robin) joined the gallery in 1963, becoming the fifth generation Graham to run the family business. The gallery is currently located at 32 East 67th Street.

Betsy Fahlman's "James Graham & Sons: A Century and a Half in the Art Business" (2007) was a valuable resource in constructing this Historical Note.
Related Material:
Among the other resources relating to James Graham & Sons in the Archives of American Art is an oral history interview with Robert Claverhouse Graham, November 19, 1976, and the David Herbert papers, 1950-1995.
Provenance:
The James Graham & Sons records were donated in three accessions in 2007, 2008, and 2012 by Priscilla Caldwell and Jay Grimm of James Graham & Sons.
Restrictions:
Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.
Rights:
The James Graham & Sons records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Painting -- United States  Search this
Sculpture -- United States  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Visitors' books
Scrapbooks
Photographs
Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jamegras
See more items in:
James Graham & Sons records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamegras
Additional Online Media:

Rockwell Kent Home [art work] / (photographed by Peter A. Juley & Son)

Artist:
Wyeth, Jamie 1946-  Search this
Type:
Photograph
Topic:
Architecture exterior--Domestic  Search this
Image number:
JUL J0030294
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_30295

James Wyeth: artist file, [photographs]

Artist:
Wyeth, Jamie 1946-  Search this
Subject:
Wyeth, James  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Portrait male  Search this
Portrait male--Occupation--Artist  Search this
Occupation--Art--Painter  Search this
Image number:
VFM VF003248
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_142023

Factory work : Warhol, Wyeth, Basquiat / essays Robert Rosenblum... ; technical essay Christine Daulton

Title:
Factorywork
Author:
Warhol, Andy 1928-1987  Search this
Wyeth, Jamie 1946-  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Rosenblum, Robert  Search this
Daulton, Christine  Search this
Brandywine River Museum  Search this
William A. Farnsworth Library and Art Museum  Search this
Marion Koogler McNay Art Museum  Search this
Subject:
Warhol, Andy 1928-1987  Search this
Wyeth, Jamie 1946-  Search this
Basquiat, Jean Michel  Search this
Physical description:
104 p. : col. ill. ; 29 cm
Type:
Books
Exhibitions
Date:
2006
Call number:
N6537.W28 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_813696

Cabbages and kings / a story by Elizabeth Seabrook ; paintings by Jamie Wyeth

Author:
Seabrook, Elizabeth  Search this
Wyeth, Jamie 1946-  Search this
Physical description:
1 v. (unpaged) : col. ill. ; 22 x 28 cm
Type:
Fiction
Date:
1997
C1997
Topic:
Asparagus  Search this
Cabbage  Search this
Gardens  Search this
Call number:
N40.1.W972 S43 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_701638

One nation : patriots and pirates portrayed by N.C. Wyeth and James Wyeth / introduction by Lauren Raye Smith ; essays by Tom Brokaw and David Michaelis

Title:
Patriots and pirates portrayed by N.C. Wyeth and James Wyeth
Author:
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Wyeth, Jamie 1946-  Search this
Brokaw, Tom  Search this
Michaelis, David  Search this
William A. Farnsworth Library and Art Museum  Search this
Subject:
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Wyeth, Jamie 1946-  Search this
Physical description:
xvii, 109 p. : ill. (some col.) ; 27 x 27 cm
Type:
Exhibitions
Date:
2000
C2000
Topic:
Patriotism in art  Search this
Call number:
N40.1.W973 O54 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_611480

N. C. Wyeth and his grandson, a legacy / by Stephen May

Author:
May, Stephen J (Stephen James) 1946-  Search this
Subject:
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Wyeth, Jamie 1946-  Search this
Physical description:
[8] p. : ill. (some col.) ; 28 cm
Type:
Books
Exhibitions
Date:
1997
C1997
Call number:
ND237.W935 A4 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_641694

Wondrous strange : the Wyeth tradition : Howard Pyle, N.C. Wyeth, Andrew Wyeth, James Wyeth / foreword by David Michaelis ; introduction by Susan C, Larsen ; with essays by Stephen T. Bruni, Betsy James wyeth, Theodore E. Wolff, and Christopher Crosman

Author:
Delaware Art Museum  Search this
William A. Farnsworth Library and Art Museum  Search this
Subject:
Pyle, Howard 1853-1911 Influence Exhibitions  Search this
Wyeth family Exhibitions  Search this
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Wyeth, Andrew 1917-2009  Search this
Wyeth, Jamie 1946-  Search this
Physical description:
168 p. : col. ill. ; 29 cm
Type:
Books
Exhibitions
Date:
1998
Call number:
N40.1.P99 W94 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_553121

Dead Cat Museum, Monhegan Island and other recent paintings by James Wyeth / [essay by David Grima]

Author:
Wyeth, Jamie 1946-  Search this
Grima, David  Search this
James Graham & Sons  Search this
Subject:
Wyeth, Jamie 1946-  Search this
Physical description:
[16] p. : col. ill. ; 28 x 28 cm
Type:
Books
Exhibitions
Date:
1999
C1999
Call number:
N40.1.W972 G7 1999
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_589129

Jamie Wyeth : recent work : [exhibition] November 18th to December 22nd, 1988

Author:
Wyeth, Jamie 1946-  Search this
Coe Kerr Gallery  Search this
Subject:
Wyeth, Jamie 1946-  Search this
Physical description:
[28] p. : chiefly col. ill. ; 24 x 28 cm
Type:
Books
Exhibitions
Date:
1988
[1988]
Call number:
N40.1.W972 C6 1988
N40.1.W972C6 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_429885

An American vision : three generations of Wyeth art : N.C. Wyeth, Andrew Wyeth, James Wyeth / essays by James H. Duff ... [et al.]

Author:
Duff, James H. 1943-  Search this
Corcoran Gallery of Art  Search this
Brandywine River Museum  Search this
Subject:
Wyeth family Exhibitions  Search this
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Wyeth, Andrew 1917-2009  Search this
Wyeth, Jamie 1946-  Search this
Physical description:
xii, 209 p. : ill. (some col.), ports. ; 25 x 29 cm
Type:
Exhibitions
Place:
United States
Date:
1987
C1987
Topic:
Realism in art  Search this
Call number:
N40.1.W973 B8a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_319197

Jamie Wyeth : an American view

Author:
Wyeth, Jamie 1946-  Search this
Portland Museum of Art  Search this
Columbia Museum of Art  Search this
Oklahoma Art Center  Search this
Subject:
Wyeth, Jamie 1946-  Search this
Physical description:
40 p. : col. ill., ports. ; 22 x 26 cm
Type:
Books
Exhibitions
Date:
1984
Call number:
N40.1.W972 P8
N40.1.W972P8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_287285

Jamie Wyeth

Author:
Wyeth, Jamie 1946-  Search this
Subject:
Wyeth, Jamie 1946-  Search this
Physical description:
143 p. : col. ill. ; 23 x 29 cm
Type:
Books
Date:
1980
Call number:
N40.1.W972 H8
N40.1.W972H8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_132281

Oils, watercolors, drawings

Author:
Wyeth, Jamie 1946-  Search this
William A. Farnsworth Library and Art Museum  Search this
Physical description:
[35] p. illus. 20 x 29 cm
Type:
Books
Date:
1969
1969]
Call number:
N40.1.W972 W7
N6537.W9 A53X
N40.1.W972W7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_6611

James Wyeth : [catalog of an exhibition held at the] Joslyn Art Museum, Omaha, Nebraska, November 16 through January 18, 1976

Author:
Wyeth, Jamie 1946-  Search this
Joslyn Art Museum  Search this
Coe Kerr Gallery  Search this
Subject:
Wyeth, Jamie 1946-  Search this
Physical description:
[64] p. : ill. (some col.) ; 20 x 26 cm
Type:
Books
Date:
1975
C1975
Call number:
N40.1.W972 J8
N40.1.W972J8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_84071

The Wyeths across Texas / with an essay and catalog contributions by Henry Adams

Author:
Adams, Henry 1949-  Search this
Tyler Museum of Art  Search this
El Paso Museum of Art  Search this
Subject:
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Wyeth, Andrew 1917-2009  Search this
Wyeth, Andrew 1917-2009  Search this
Wyeth, Jamie 1946-  Search this
Wyeth, Henriette 1907-  Search this
Wyeth family  Search this
Physical description:
135 p. : ill. (chiefly col.), ports. ; 23 x 28 cm
Type:
Books
Exhibitions
Interviews
Date:
2012
Call number:
ND237.W94 A4 2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1021632

Wyeth vertigo / [contributors, Joyce Hill Stoner, Alexander Nemerov, Thomas Denenberg]

Title:
Vertigo
Author:
Wyeth, Andrew 1917-2009 Works Selections  Search this
Wyeth, Jamie 1946- Paintings Selections  Search this
Wyeth, N. C (Newell Convers) 1882-1945 Paintings Selections  Search this
Writer of supplementary textual content:
Denenberg, Thomas Andrew 1967-  Search this
Stoner, Joyce Hill  Search this
Nemerov, Alexander  Search this
Host institution:
Shelburne Museum  Search this
Subject:
Wyeth, Andrew 1917-2009  Search this
Wyeth, Jamie 1946-  Search this
Wyeth, N. C (Newell Convers) 1882-1945  Search this
Physical description:
93 pages : illustrations (chiefly color) ; 25 x 30 cm
Type:
Exhibitions
Date:
2013
20th century
Topic:
Art, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1026715

Jamie Wyeth / Elliot Bostwick Davis, with an essay by David Houston

Artist:
Wyeth, Jamie 1946-  Search this
Author:
Davis, Elliot Bostwick  Search this
Writer of preface:
Houston, David Wallace  Search this
Author:
Museum of Fine Arts, Boston  Search this
Brandywine River Museum  Search this
San Antonio Museum of Art  Search this
Crystal Bridges Museum of American Art  Search this
Subject:
Wyeth, Jamie 1946-  Search this
Physical description:
207 pages : color illustrations, portraits ; 24 x 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2014
Topic:
Birds in art  Search this
Animals in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1037037

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