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Jack Stewart papers

Creator:
Stewart, Jack, 1926-2005  Search this
Names:
New York City Transit Authority  Search this
World Trade Center (New York, N.Y.)  Search this
Yale University -- Students  Search this
Baxter, Violet  Search this
Egan, Charles, 1911-  Search this
Gold, Nancy  Search this
Goulet, Lorrie, 1925-  Search this
Kahn, Wolf, 1927-  Search this
Romano, Clare  Search this
Thomas, Steffen, 1906-  Search this
Toney, Anthony  Search this
Townsend, Rodman  Search this
Walker, Herbert Brooks, 1927-  Search this
Weiner, Sam  Search this
Extent:
9.9 Linear feet
7.31 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Drawings
Sound recordings
Paintings
Photographs
Sketchbooks
Illustrated letters
Interviews
Transcripts
Color slides
Video recordings
Greeting cards
Designs
Date:
1926-2010
Summary:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.
Scope and Content Note:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)
Biographical Note:
Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.
Provenance:
Donated in 2010 by Regina Stewart, widow of Jack Stewart.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.
Rights:
The Jack Stewart papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Street art  Search this
Muralists -- New York (State) -- New York  Search this
Mail art  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Graffiti  Search this
Graffiti artists  Search this
Arts administrators -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Drawings
Sound recordings
Paintings
Photographs
Sketchbooks
Illustrated letters
Interviews
Transcripts
Color slides
Video recordings
Greeting cards
Designs
Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stewjack
See more items in:
Jack Stewart papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stewjack

Nation Reels as Deaths Mount; Bush Denounces 'Acts of War'

Physical Description:
black; white (overall color)
paper (overall material)
Measurements:
overall: 12 in x 13 in; 30.48 cm x 33.02 cm
Object Name:
Newspaper
Date made:
2001-09-13
Referenced:
September 11, 2001
Subject:
World Trade Center  Search this
Pentagon  Search this
September 11  Search this
Terrorism  Search this
Related event:
Attack on the World Trade Center  Search this
ID Number:
2003.0308.01
Accession number:
2003.0308
Catalog number:
2003.0308.01
See more items in:
Political and Military History: Political History, General History Collection
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1248276

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, inc  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Dorothy C. Miller papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milldoro
Additional Online Media:

Robert Covington Stereograph Portfolio

Donor:
Covington, Robert L.  Search this
Names:
Hoover Dam (Nev. and Ariz.).  Search this
World Trade Center (New York, N.Y.)  Search this
Extent:
0.2 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Stereographs
Photographs
Portfolios (groups of works)
Digital images
Place:
Tokyo (Japan)
Brooklyn Bridge (New York, N.Y.)
Date:
1989-2008
Summary:
A portfolio of stereographic inkjet photoprints, including views of American bridges, such as the Brooklyn Bridge, roads and highways, Hoover Dam, views taken from the World Trade Center, New York, and one image of Tokyo.
Scope and Contents:
Collection consists of a portfolio in black case: 25 color digital stereoscopic prints, numbered and captioned, unsigned. Views include American bridges, such as the Brooklyn Bridge, roads and highways, Hoover Dam, and views taken from the World Trade Center, New York. Contains one image of Tokyo.
Arrangement:
Collection is arranged into one series.

Series 1: Prints, 1989-2008
Biographical / Historical:
Robert L Covington is a New York state based photographer specializing in images of the built environment and natural world including images using the stereographic technique. His stated purpose is using photography for " its ability to provide a viewer an experience that is, at its heart, the same experience that drove me to take the picture. This ability to recreate an experience, unconstrained by time and place, is the essential power of the medium. This does not minimize the importance of the picture, but sees it as a part of a larger process, not the end point...I photograph in two modes with multi-image collages capturing the experience of looking around while stereo photographs capture the experience of the looking at details."

Source

http://www.covingtons-space.com/ (accessed on January 3., 2018)
Provenance:
Donated to the Archives Center by the artist Robert Covington.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bridges -- United States  Search this
Genre/Form:
Stereographs
Photographs -- Color photoprints -- 2000-2010
Portfolios (groups of works)
Digital images
Photographs -- Color photoprints -- 1950-2000
Citation:
Robert Covington Stereograph Portfolio, 1989-2008, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.1201
See more items in:
Robert Covington Stereograph Portfolio
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1201
Additional Online Media:

Looking South from North Tower, WTC {World Trade Center], [color photoprint]

Donor:
Covington, Robert L.  Search this
Photographer:
Covington, Robert L.  Search this
Names:
World Trade Center (New York, N.Y.)  Search this
Collection Donor:
Covington, Robert L.  Search this
Extent:
1 Item (Ink on paper, unmounted., image approx. 2.25" x 5.5" on 8.5" x 11" paper.)
Container:
Box 1
Type:
Archival materials
Portfolios (groups of works)
Stereographs
Photographs
Place:
New York (N.Y.) -- 20th century
Date:
1999
Local Numbers:
AC1201-0000004.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Gift of the Artist: Photographers as Donors," November 11, 2011-Feb. 29, 2012. David Haberstich, curator.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Portfolios (groups of works) -- 1990-2000
Stereographs
Photographs -- 1990-2000 -- Color photoprints -- Digial
Collection Citation:
Robert Covington Stereograph Portfolio, 1989-2008, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
Robert Covington Stereograph Portfolio
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1201-ref543

View from the Top of the World Trade Center #5

Artist:
Joseph Konopka, born Philadelphia, PA 1932-died Glen Ridge, NJ 2013  Search this
Medium:
acrylic on canvas
Dimensions:
70 5/8 x 65 3/4 in. (179.5 x 167.0 cm)
Type:
Painting
Date:
1979-1980
Topic:
Cityscape\New York\New York  Search this
Architecture\boat  Search this
Cityscape\bird's eye view  Search this
Cityscape\New York\Manhattan  Search this
Architecture Exterior\commercial\skyscraper  Search this
Architecture Exterior\commercial\World Trade Center  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mr. Philip Desind
Object number:
1981.159
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1981.159

Brooklyn Bridge, Dawn

Artist:
Robert Walch, born Pittsburgh, PA 1942  Search this
Medium:
gelatin silver print
Type:
Photography-Photoprint
Date:
1973
Topic:
Cityscape\New York\New York  Search this
Architecture\bridge\Brooklyn Bridge  Search this
Cityscape\time\dawn  Search this
Architecture Exterior\detail\streetlight  Search this
Architecture Exterior\commercial\World Trade Center  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the National Endowment for the Arts
Object number:
1983.63.1612
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_1983.63.1612

St. Paul's Chapel Churchyard, New York City, from the series The American Monument

Artist:
Lee Friedlander, born Aberdeen, WA 1934  Search this
Medium:
gelatin silver print
Dimensions:
image: 11 1/8 x 7 3/8 in. (28.3 x 18.7 cm) sheet: 13 7/8 x 11 in. (35.2 x 27.9 cm)
Type:
Photography-Photoprint
Date:
1976
Topic:
Monument\obelisk  Search this
Cityscape\New York\Manhattan  Search this
Architecture Exterior\detail\fence  Search this
Architecture Exterior\other\courtyard  Search this
Architecture Exterior\religious\St. Paul's Chapel  Search this
Architecture Exterior\commercial\World Trade Center  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, Margery and Edgar Masinter, Kevin and Lisa McGovern, and Bernie Stadiem
Object number:
2003.42.699
Restrictions & Rights:
© Lee Friedlander
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2003.42.699

World Trade Center

Artist:
Tom Baril, born Danielson, CT 1952  Search this
Medium:
gelatin silver print
Dimensions:
23 x 18 in. (58.4 x 45.7 cm)
Type:
Photography
Date:
1999
Topic:
Cityscape\New York\New York  Search this
Architecture Exterior\commercial\World Trade Center  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James F. Dicke Family
Object number:
2013.88.2
Restrictions & Rights:
© 1999, Tom Baril
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2013.88.2

Untenanted Space in the World Trade Center - Winter Sun

Artist:
Rackstraw Downes, born Kent, England 1939  Search this
Medium:
oil on canvas
Dimensions:
24 1/8 x 56 1/8 in. (61.3 x 142.6 cm)
Type:
Painting
Date:
1998
Topic:
Architecture Interior\commercial\World Trade Center  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James F. Dicke Family
Object number:
2013.88.3
Restrictions & Rights:
© 1998, Rackstraw Downes
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:saam_2013.88.3

Joseph Pfeifer's Bunker Coat

Battalion chief fdny:
Pfeifer, Joseph  Search this
Maker:
Morning Pride Manufacturing Company  Search this
Measurements:
overall: 38 1/2 in x 23 in; 97.79 cm x 58.42 cm
Object Name:
Coat
Subject:
World Trade Center  Search this
ID Number:
2002.0255.01
Accession number:
2002.0255
See more items in:
Political and Military History: September 11
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1195512
Additional Online Media:

Kevin Pfeifer's Officer's Hand Tool

User:
Pfeifer, Kevin  Search this
Measurements:
overall: 14 in x 4 1/2 in x 1 1/4 in; 35.56 cm x 11.43 cm x 3.175 cm
Object Name:
Tool
Subject:
World Trade Center  Search this
ID Number:
2002.0256.01
Accession number:
2002.0256
See more items in:
Political and Military History: September 11
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1195511

Students' Response to 9/11: A Documentary Report

Publisher:
National Museum of American History, Kenneth E. Behring Center  Search this
Language:
English
Object type:
Lesson Plan
Topic:
American History  Search this
Wars  Search this
Other Wars  Search this
World trade center  Search this
Pentagon  Search this
George W. Bush  Search this
Oral history  Search this
Typical age range 8-10  Search this
Typical age range 10-12  Search this
Typical age range 12-14  Search this
Typical age range 14-16  Search this
Typical age range 16-18  Search this
Educational alignment:
CCSS.ELA-Literacy.RI.4.1
CCSS.ELA-Literacy.RI.4.2
CCSS.ELA-Literacy.RI.4.3
CCSS.ELA-Literacy.RI.4.8
CCSS.ELA-Literacy.RI.4.10
CCSS.ELA-Literacy.RF.4.4a
CCSS.ELA-Literacy.W.4.4
CCSS.ELA-Literacy.W.4.7
CCSS.ELA-Literacy.W.4.8
CCSS.ELA-Literacy.W.4.10
CCSS.ELA-Literacy.SL.4.1a
CCSS.ELA-Literacy.SL.4.1b
CCSS.ELA-Literacy.SL.4.1c
CCSS.ELA-Literacy.SL.4.6
CCSS.ELA-Literacy.L.4.3c
CCSS.ELA-Literacy.RI.5.2
CCSS.ELA-Literacy.RI.5.3
CCSS.ELA-Literacy.RI.5.7
CCSS.ELA-Literacy.RI.5.8
CCSS.ELA-Literacy.RI.5.10
CCSS.ELA-Literacy.RF.5.4a
CCSS.ELA-Literacy.W.5.4
CCSS.ELA-Literacy.W.5.5
CCSS.ELA-Literacy.W.5.7
CCSS.ELA-Literacy.W.5.8
CCSS.ELA-Literacy.W.5.10
CCSS.ELA-Literacy.SL.5.1a
CCSS.ELA-Literacy.SL.5.1b
CCSS.ELA-Literacy.SL.5.1c
CCSS.ELA-Literacy.SL.5.1d
CCSS.ELA-Literacy.SL.5.3
CCSS.ELA-Literacy.RI.6.1
CCSS.ELA-Literacy.RI.6.2
CCSS.ELA-Literacy.RI.6.3
CCSS.ELA-Literacy.RI.6.7
CCSS.ELA-Literacy.W.6.4
CCSS.ELA-Literacy.W.6.7
CCSS.ELA-Literacy.W.6.8
CCSS.ELA-Literacy.W.6.10
CCSS.ELA-Literacy.SL.6.1a
CCSS.ELA-Literacy.SL.6.1b
CCSS.ELA-Literacy.SL.6.1c
CCSS.ELA-Literacy.SL.6.1d
CCSS.ELA-Literacy.SL.6.6
CCSS.ELA-Literacy.RI.7.1
CCSS.ELA-Literacy.RI.7.2
CCSS.ELA-Literacy.RI.7.3
CCSS.ELA-Literacy.W.7.4
CCSS.ELA-Literacy.W.7.8
CCSS.ELA-Literacy.W.7.10
CCSS.ELA-Literacy.SL.7.1a
CCSS.ELA-Literacy.SL.7.1b
CCSS.ELA-Literacy.SL.7.1c
CCSS.ELA-Literacy.SL.7.1d
CCSS.ELA-Literacy.RI.8.1
CCSS.ELA-Literacy.RI.8.2
CCSS.ELA-Literacy.RI.8.8
CCSS.ELA-Literacy.W.8.4
CCSS.ELA-Literacy.W.8.7
CCSS.ELA-Literacy.W.8.8
CCSS.ELA-Literacy.W.8.10
CCSS.ELA-Literacy.SL.8.1a
CCSS.ELA-Literacy.SL.8.1b
CCSS.ELA-Literacy.SL.8.1c
CCSS.ELA-Literacy.SL.8.1d
CCSS.ELA-Literacy.RI.9-10.1
CCSS.ELA-Literacy.RI.9-10.2
CCSS.ELA-Literacy.RI.9-10.5
CCSS.ELA-Literacy.RI.9-10.8
CCSS.ELA-Literacy.RI.9-10.9
CCSS.ELA-Literacy.W.9-10.4
CCSS.ELA-Literacy.W.9-10.5
CCSS.ELA-Literacy.W.9-10.7
CCSS.ELA-Literacy.W.9-10.8
CCSS.ELA-Literacy.W.9-10.10
CCSS.ELA-Literacy.SL.9-10.1a
CCSS.ELA-Literacy.SL.9-10.1b
CCSS.ELA-Literacy.SL.9-10.1c
CCSS.ELA-Literacy.SL.9-10.1d
CCSS.ELA-Literacy.RI.11-12.1
CCSS.ELA-Literacy.RI.11-12.2
CCSS.ELA-Literacy.RI.11-12.7
CCSS.ELA-Literacy.W.11-12.4
CCSS.ELA-Literacy.W.11-12.5
CCSS.ELA-Literacy.W.11-12.7
CCSS.ELA-Literacy.W.11-12.8
CCSS.ELA-Literacy.W.11-12.10
CCSS.ELA-Literacy.SL.11-12.1a
CCSS.ELA-Literacy.SL.11-12.1b
CCSS.ELA-Literacy.SL.11-12.1c
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_304

Marilynn Karp papers regarding Richard Lippold

Creator:
Karp, Marilynn Gelfman  Search this
Names:
Hunter College  Search this
Richard Lippold Foundation  Search this
World Trade Center (New York, N.Y.)  Search this
Johnson, Ray, 1927-  Search this
Lippold, Richard, 1915-  Search this
Zeffirelli, Franco  Search this
Extent:
0.8 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Video recordings
Date:
1949-2015
Summary:
The Marilynn Karp papers regarding sculptor Richard Lippold measure 0.8 linear feet and date from 1949-2015. Included are personal letters to Karp from Lippold and Ray Johnson regarding Lippold; records pertaining to the Richard Lippold Foundation and estate; a folder relating to Hunter College, where Karp was a student and Lippold taught; a video recorded interview with Richard Lippold by Franco Zeffirelli, photographs and negatives of Lippold in his studio, printed material, a project proposal for the World Trade Center Memorial, and a few writings by and about Lippold.
Scope and Contents:
The Marilynn Karp papers regarding sculptor Richard Lippold measure 0.8 linear feet and date from 1949-2015. Included are personal letters to Karp from Lippold and Ray Johnson regarding Lippold; records pertaining to the Richard Lippold Foundation and estate; a folder relating to Hunter College, where Karp was a student and Lippold taught; a video recorded interview with Richard Lippold by Franco Zeffirelli, photographs and negatives of Lippold in his studio, printed material, a project proposal for the World Trade Center Memorial, and a few writings by and about Lippold.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.

Series 1: Marilynn Karp papers regarding Richard Lippold, 1949-2015 (Boxes 1-2; 0.8 linear feet)
Biographical / Historical:
Marilynn Karp (1939- ) was a student of sculptor Richard Lippold and became his friend and installation assistant beginning in 1957. Karp was also a trustee of Lippold's foundation and an executor of his estate until his death in 2002.
Related Materials:
Also found in the Archives of American Art are the Ivan C. Karp papers and OK Harris Works of Art gallery records. Marilynn Karp is the widow of Ivan C. Karp.
Provenance:
Donated to the Archives of American Art by Marilynn Karp in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Marilynn Karp papers regarding Richard Lippold are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Photographs
Video recordings
Citation:
Marilynn Karp papers regarding Richard Lippold, 1949-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.karpmari
See more items in:
Marilynn Karp papers regarding Richard Lippold
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-karpmari

September 11: Bearing Witness to History

Publisher:
National Museum of American History, Kenneth E. Behring Center  Search this
Language:
English
Object type:
Lesson Plan
Topic:
American History  Search this
Terrorism  Search this
World Trade Center  Search this
Pentagon  Search this
Shanksville  Search this
War on terrorism  Search this
Al Qaeda  Search this
Osama Bin Laden  Search this
9/11  Search this
Twin towers  Search this
Typical age range 12-14  Search this
Typical age range 14-16  Search this
Typical age range 16-18  Search this
Educational alignment:
CCSS.ELA-Literacy.RI.4.1
CCSS.ELA-Literacy.RI.4.2
CCSS.ELA-Literacy.RI.4.3
CCSS.ELA-Literacy.RI.4.8
CCSS.ELA-Literacy.RI.4.10
CCSS.ELA-Literacy.RF.4.4a
CCSS.ELA-Literacy.W.4.7
CCSS.ELA-Literacy.W.4.8
CCSS.ELA-Literacy.SL.4.1a
CCSS.ELA-Literacy.SL.4.1b
CCSS.ELA-Literacy.SL.4.1c
CCSS.ELA-Literacy.SL.4.6
CCSS.ELA-Literacy.L.4.3c
CCSS.ELA-Literacy.RI.5.2
CCSS.ELA-Literacy.RI.5.3
CCSS.ELA-Literacy.RI.5.7
CCSS.ELA-Literacy.RI.5.8
CCSS.ELA-Literacy.RI.5.10
CCSS.ELA-Literacy.RF.5.4a
CCSS.ELA-Literacy.W.5.7
CCSS.ELA-Literacy.W.5.8
CCSS.ELA-Literacy.SL.5.1a
CCSS.ELA-Literacy.SL.5.1b
CCSS.ELA-Literacy.SL.5.1c
CCSS.ELA-Literacy.RI.6.1
CCSS.ELA-Literacy.RI.6.2
CCSS.ELA-Literacy.RI.6.3
CCSS.ELA-Literacy.RI.6.7
CCSS.ELA-Literacy.W.6.7
CCSS.ELA-Literacy.W.6.8
CCSS.ELA-Literacy.SL.6.1a
CCSS.ELA-Literacy.SL.6.1b
CCSS.ELA-Literacy.SL.6.1c
CCSS.ELA-Literacy.SL.6.6
CCSS.ELA-Literacy.RL.7.9
CCSS.ELA-Literacy.RI.7.1
CCSS.ELA-Literacy.RI.7.2
CCSS.ELA-Literacy.RI.7.3
CCSS.ELA-Literacy.W.7.7
CCSS.ELA-Literacy.W.7.8
CCSS.ELA-Literacy.W.7.9a
CCSS.ELA-Literacy.SL.7.1a
CCSS.ELA-Literacy.SL.7.1b
CCSS.ELA-Literacy.SL.7.1c
CCSS.ELA-Literacy.SL.7.1d
CCSS.ELA-Literacy.RI.8.1
CCSS.ELA-Literacy.RI.8.2
CCSS.ELA-Literacy.RI.8.8
CCSS.ELA-Literacy.W.8.7
CCSS.ELA-Literacy.W.8.8
CCSS.ELA-Literacy.SL.8.1a
CCSS.ELA-Literacy.SL.8.1b
CCSS.ELA-Literacy.SL.8.1c
CCSS.ELA-Literacy.SL.8.1d
CCSS.ELA-Literacy.RI.9-10.1
CCSS.ELA-Literacy.RI.9-10.2
CCSS.ELA-Literacy.RI.9-10.5
CCSS.ELA-Literacy.RI.9-10.8
CCSS.ELA-Literacy.RI.9-10.9
CCSS.ELA-Literacy.W.9-10.7
CCSS.ELA-Literacy.W.9-10.8
CCSS.ELA-Literacy.SL.9-10.1a
CCSS.ELA-Literacy.SL.9-10.1b
CCSS.ELA-Literacy.SL.9-10.1c
CCSS.ELA-Literacy.SL.9-10.1d
CCSS.ELA-Literacy.RI.11-12.1
CCSS.ELA-Literacy.RI.11-12.2
CCSS.ELA-Literacy.RI.11-12.7
CCSS.ELA-Literacy.W.11-12.7
CCSS.ELA-Literacy.W.11-12.8
CCSS.ELA-Literacy.SL.11-12.1a
CCSS.ELA-Literacy.SL.11-12.1b
CCSS.ELA-Literacy.SL.11-12.1c
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_452

Watching the world change : the stories behind the images of 9/11 / David Friend

Author:
Friend, David 1955-  Search this
Subject:
World Trade Center (New York, N.Y.)  Search this
Physical description:
xix, 435 p., [24] p. of plates : ill. (chiefly col.) ; 24 cm
Type:
Pictorial works
Place:
New York (State)
New York
Date:
2006
Topic:
September 11 Terrorist Attacks, 2001  Search this
Terrorism  Search this
Documentary photography  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_811012

Aftermath / Joel Meyerowitz

Author:
Meyerowitz, Joel 1938-  Search this
Subject:
World Trade Center (New York, N.Y.)  Search this
Physical description:
349 p. (some folded) : col. ill. ; 40 cm
Type:
Pictorial works
Specimens
Place:
New York (State)
New York
Date:
2006
C2006
Topic:
September 11 Terrorist Attacks, 2001  Search this
Terrorism  Search this
Disasters  Search this
Oversize books  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_811013

Reiner Leist : Window : eleven Septembers, 1995-2005 / essays by Ludger Derenthal, Jonathan Santlofer

Title:
Window : eleven Septembers, 1995-2005
Eleven Septembers, 1995-2005
Author:
Leist, Reiner 1964-  Search this
Santlofer, Jonathan 1946-  Search this
Derenthal, Ludger  Search this
Kunstbibliothek (Berlin, Germany)  Search this
Museum für Fotografie (Berlin, Germany)  Search this
Subject:
Leist, Reiner 1964-  Search this
World Trade Center (New York, N.Y.)  Search this
Museum für Fotografie (Berlin, Germany)  Search this
Physical description:
512 p. : ill ; 26 cm
Type:
Books
Pictorial works
Exhibitions
Catalogs
In art
Place:
Manhattan (New York, N.Y.)
Date:
2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_820035

Last man down : a firefighter's story of survival and escape from the World Trade Center / by Richard Picciotto with Daniel Paisner

Author:
Picciotto, Richard  Search this
Paisner, Daniel  Search this
Subject:
World Trade Center (New York, N.Y.)  Search this
New York (N.Y.) Fire Department  Search this
Physical description:
xix, 243 p. : map ; 24 cm
Type:
Books
Place:
New York (State)
New York
Date:
2002
C2002
Topic:
September 11 Terrorist Attacks, 2001  Search this
Rescue work  Search this
Fire fighters  Search this
Building failures  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_705126

World Trade Center building performance study : data collection, preliminary observations, and recommendations / [report editor, Therese McAllister : chapter leaders and authors, Gene Corley ... [et al.]

Author:
McAllister, Therese  Search this
Corley, Gene  Search this
United States Federal Insurance and Mitigation Administration  Search this
United States Federal Emergency Management Agency Region II  Search this
Greenhorne & O'Mara  Search this
Subject:
World Trade Center (New York, N.Y.) Evaluation  Search this
Physical description:
1 v. (various pagings) : col. ill. ; 28 cm
Type:
Books
Place:
New York (State)
New York
New York (N.Y.)
Date:
2002
[2002]
Topic:
Building failures  Search this
September 11 Terrorist Attacks, 2001  Search this
Buildings--Blast effects  Search this
Tall buildings--Performance  Search this
Buildings, structures, etc  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_708307

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