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Williams, Dudley, (Mr.)

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Rice, Moses P.  Search this
Extent:
2 Negatives (silver gelatin)
Container:
Box 167
Type:
Archival materials
Negatives
Date:
1964 September 21
Scope and Contents note:
Job Number: 63664
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number / Scurlock client negatives: W - Wynter
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-05-ref75987

Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection

Choreographer:
Ailey, Alvin  Search this
Photographer:
Mitchell, Jack, 1925-  Search this
Dancer:
Allen, Sarita  Search this
Chaya, Masazumi  Search this
DeLavallade, Carmen , 1931-  Search this
DeLoatch, Gary, 1953-1993  Search this
Jamison, Judith  Search this
Roxas, Elizabeth  Search this
Truitte, James  Search this
Tyson, Andre  Search this
Williams, Dudley  Search this
Wood, Donna, 1954-  Search this
Extent:
16 Linear feet
Type:
Archival materials
Collection descriptions
Modern dance
Dance photography.
Date:
1961-2004
Summary:
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.
Scope and Contents:
The Jack Mitchell Photography of Alvin Ailey American Dance Theater Collection is comprised of approximately 10,000 black and white prints of solo and ensemble acts, portraits of principle dancers and various associates of the company, color slides and transparencies for private photo sessions and performances, black and white film strips and their corresponding contact sheets, and reference materials.
Arrangement:
The material in this collection has been kept primarily at the folder level in the order that was declared by the initial owner and photographer, Jack Mitchell. Oversize prints were separated and housed in an associated series in the collection. The order of the material has been organized based on the medium of the material. Each subseries has been organized based on the following:

Series I: Black and White Prints Subseries A: Solo and Ensemble Images and Portraits were organized alphabetically by ballet name. Subseries B: Prints for Jack Mitchell Publication were organized by page number in the publication.

Series II: Color Photography Subseries A: Original Slide Boxes were organized numerically based on Jack Mitchell's label assignments. Subseries B: Color Slides were organized numerically based on subseries A's label assignments. Subseries C: Color Transparencies were organized numerically based on subseries A's label assignments.

Series III: Black and White Negatives Subseries A: Black and White Film Strips were organized chronologically by date. Subseries B: Contact Sheets were organized chronologically by date.

Series IV: Reference Material

OVERSIZE Series I: Black and White Prints were organized chronologically by date.
Biographical / Historical:
Jack Mitchell was born on September 13, 1925 in Key West, Florida. Although he was not in the field of photography, Mitchell's father bought him his first camera when Jack was a teenager. His first published photograph was of actress, Veronica Lake, for a War Bond Tour, a tour issued by the government that promoted debt securities to soldiers to finance military operations and expenditures He enlisted in the United States army and became a photographer in Italy at the end of World War II. In 1949, Ted Shawn, a dancer and choreographer who is respected among the dance community as a pioneer of American modern dance, invited Mitchell to Massachusetts photograph his dancers at his dance center, Jacobs's Pillow. It was during this time where Mitchell's interest and appreciation for moving bodies was realized. In the lifespan of his career, Mitchell created over 150 covers for Dance Magazine1, the New York Times, Time, Life, Newsweek, Rolling Stone, Vanity Fair, and Vogue.2

As Jack Mitchell started to photograph the poses and ballets of the American Ballet Theater throughout the late 1950s, Alvin Ailey saw some of Mitchell's photographs. By 1961, Mitchell had established himself as a distinguished photographer of dance, coining the term, "moving stills". His photographs became the benchmark and standard that other dance photographers measured their work. In November 1961, Ailey invited Mitchell to a performance space in Clark Center, NY, and with his dancers, they performed for Mitchell's camera; some of the photographs from that first photo session can be found in this collection.

Alvin Ailey was born on January 5, 1931 in in Rodgers, Texas, during the Great Depression. As his repertory reflected, the beginning of his life was defined by a tight-knit, predominantly African American folk culture. At age 12, Ailey and his mother, Lula Cooper, moved Los Angeles, California. It is here that he was exposed to the Ballet Russe de Monte Carlo, which led him to study under the Lester Horton Dance Theater, where he danced with Carmen DeLavallade, James Truitte, and Joyce Trisler. After 3 years of performing and training, he was positioned as a choreographer and later became the director of the company when Lester Horton suddenly died in 1953. His influence from Lester Horton, Martha Graham, and Katherine Dunham help to establish his philosophy that "Everything in dancing is style, allusion, the essence of many thoughts and feelings, the abstraction of many moments. Each movement is the sum total of moments and experiences".3 After Horton's death, Ailey went to perform at Ted Shawn's Jacob's Pillow Dance Festival, and then on to New York with his longtime schoolmate and fellow dancer, Carmen DeLavallade, to perform in the 1954 Broadway production of "House of Flowers". The Alvin Ailey American Dance Theater Company was established in 1958.

From the beginning of his journey as a dancer and choreographer, Ailey wanted to show African American experience in his performances. He embedded folk culture in his early works "Revelations" and "Blue Suites". In reflection, before his first South Asian Tour, Alvin expressed, "The cultural heritage of the American Negro is one of America's richest treasures. From his roots as a slave, the American Negro- sometimes sorrowing, sometimes jubilant but always hopeful -has touched, illuminated, and influenced the most preserved of world civilization. I and my dance theater celebrate this trembling beauty."4 "Revelations" was well- received by national and international audiences, Ailey recognized by the dance community as a choreographer with promise and his company and ballets he created were highly anticipated. By 1965, Ailey went from being a dancer to being the company's choreographer. From the onset, Ailey embraced diversity and invited interracial and interdisciplinary perspectives at of the company. He also created ballets for other notable companies including the American Ballet Theatre, Royal Danish Ballet, London Festival Ballet, the Joffrey Ballet, Paris Opera Ballet, and LaScala Opera Ballet.5 He was invited to choreograph Samuel Barber's Anthony and Cleopatra for the Metropolitan Opera at Lincoln Center in 19666, and Leonard Bernstein's Mass for the Kennedy Center for the Performing Arts in 1971.7

As the company embraced racial diversity, Ailey never lost his sense of obligation to the African American community. In 1969, he established the Alvin Ailey American Dance Center, which became the Ailey School, formed the Alvin Ailey Repertory Ensemble, and pioneered programs promoting arts in education, particularly those that benefitted deprived communities. Among his numerous distinctions were the Dance Magazine Award (1975), the NAACP Spingarn Medal (1976), given for "the highest and noblest achievement by an American Negro during the previous year or years"8 , the Samuel H. Scripps American Dance Festival Award (1987), the most prestigious award for modern dance for a lifetime contribution to the field, the Kennedy Center Award (1988) and Honorary Doctorates from Princeton University (1972)9 , Bard College (1977)10 , and Adelphi University (1977). President Barack Obama posthumously awarded Ailey the Presidential Medal of Freedom in 2014, the country's highest civilian honor, in recognition of his contributions and commitments to civil rights and dance in America.11

Through Jack Mitchell and Alvin Ailey's work, they were able to collaborate and create something "rich in historical connotations, the liveliest kind of permanent record of the works of important creators and creations that formed the nucleus of Ailey's remarkable vision of American dance and what it could be"12. Alvin Ailey's reputation for creating eclectic dance methods produced movements and poses that are still studied and idolized today. Mitchell was able to pay homage to many of the world's best dance artists from James Truitte, Carmen DeLavallade, Dudley Williams, Donna Wood, Renee Robinson, Gary DeLoatch, as well as Ailey, through his photography. With Ailey's longstanding and established stature within the dance community, and Mitchell's pronouncement of the detailed through his use of lighting in his photographs, this collection highlights the incredible collaboration between Ailey and Mitchell, and serves as a unique document of one of the world's most renowned American dance company's.

Alvin Ailey's vision for a dance company was dedicated to enriching the American modern dance heritage and preserving African American culture. In a 1989 interview with Dance Magazine, shortly before his death, Ailey discussed how he took pride in knowing that "No other company around [today] does what we do, requires the same range, and challenges both the dancers and the audience to the same degree." Ailey searched for a collaborator that would help him display the value of communicative movement; he found his match in Mitchell. Ailey's influence went beyond the stage and Jack Mitchell's images in this collection document that evolution. With Alvin Ailey's passing in 1989 at age 58 and Jack Mitchell's death in 2013 at age 88, these photographs of Alvin Ailey American Dance Theater Collection serves as one of the few sources of this dynamic dance company, from its early days to an internationally recognized troupe.

Footnotes

2. Jack Mitchell. Alvin Ailey American Dance Theater: Jack Mitchell Photographs. (Kansas City: Andrews and McMeel, 1993), viii

3. Bruce Weber, "Jack Mitchell, Photographer of the Arts, Dies at 88", The New York Times Obituaries (November 9, 2013): -- http://www.nytimes.com/2013/11/10/arts/jack-mitchell-photographer-of-the-arts-dies-at-88.html

4. Jennifer Dunning, Alvin Ailey: A Life in Dance. (New York; Addison- Wesley, 1996), 123

5. Ibid, 146.

6. Alvin Ailey, Revelations: The Autobiography of Alvin Ailey. (New York: Birch Lane, 1995), 6-7.

7. Alvin Ailey, Revelations: The Autobiography of Alvin Ailey. (New York; Birch Lane, 1995), 7.

8. Ibid.

9. Ibid.

10. Dunning, Jennifer. -- Alvin Ailey: A Life in Dance -- . (New York: Addison-Wesley, 1996), 286.

11. "Bard College Catalogue 2016-17: Honorary Degrees": -- https://www.bard.edu/catalogue/index.php?aid=1205177%26sid=670501

12. Office of the Press Secretary, "President Obama Names Recipients of the Presidential Medal of Freedom" (November 10, 2014): -- https://www.whitehouse.gov/the-press-office/2014/11/10/president-obama-names-recipients-presidential-medal-freedom

13. Jack Mitchell. Alvin Ailey American Dance Theater: Jack Mitchell Photographs. (Kansas City: Andrews and McMeel, 1993), ix.
General:
COLLECTION LIST OF FEATURED REPERTORY

After Eden, Archipelago, Been Here and Gone, Black Belt, Blues Suite, Butterfly, Caravan, Carmina Burana, Caverna Magica, Chelsea's Bells, Come and Get the Beauty of It Hot, Concert in F, Congo Tango Palace, Crossword, Cry, Dance at the Gym, District Storyville, Divining, Episodes, Escargot, Facets, Fever Swamp, Flowers, Folkdance, Fontessa and Friends, For Bird – with Love, Forgotten Time, Frames, Gazelle, Hermit Songs, Hidden Rites, Hobo Sapiens, How to Walk an Elephant, Hymn, Icarus, Journey, Jukebox for Alvin, Lament, Landscape, Mary Lou's Mass, Masekela Langage, Memoria, N. Y. Export, Op. Jazz, Night Creature, North Star, Opus McShann, Pas de Duke, Passage, Pigs 'n Fishes, Portrait of Billie, Prodigal Prince, Quintet, Rainbow 'round my Shoulder, Revelations, Rift, Roots of the Blues, Sarong Paramaribo , Satyriade, Seven Journeys, Shards, Shelter, Spectrum, Speeds, Speeds, Streams, Suite Otis, The Beloved, The Lark Ascending, The Letter, The Mooche, The River, The Road of the Phoebe Snow, The Stack-Up, The Winter in Lisbon, Three Black Kings, Tilt, Toccata, Treading, Variegations, Vespers
Separated Materials:
There were 3 inscribed copies of "Alvin Ailey American Dance Theater: Jack Mitchell Photographs" originally stored in the collection. One copy of this text can be found in Series IV: Reference Materials with the publication draft, another copy is housed in the National Museum of African American History and Culture Library, and the last copy has been designated to serve as an archival reference text.
Provenance:
Acquired from the Alvin Ailey Dance Foundation, Inc. in 2013.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
Jack Mitchell Photography of the Alvin Ailey American Dance Theatre Collection is jointly owned by the National Museum of African American History and Culture, Smithsonian Institution, and the Alvin Ailey Dance Foundation. Permission for commercial use or publication of the digital images may be requested from the Smithsonian Institution.
Topic:
Dancers -- Photographs  Search this
Alvin Ailey American Dance Theater  Search this
Choreography -- United States  Search this
Dance  Search this
Dance schools -- United States  Search this
Dance -- Production and direction  Search this
Dance companies  Search this
Dance -- North America  Search this
Genre/Form:
Modern dance -- United States -- 20th century
Dance photography.
Citation:
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
Identifier:
NMAAHC.A2013.245
See more items in:
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-a2013-245
Additional Online Media:

Hattie Hutchcraft Hill scrapbook, 1857-1921

Creator:
Hill, Hattie Hutchcraft, 1847-1921  Search this
Topic:
Women artists  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)7762
(DSI-AAA_SIRISBib)209927
AAA_collcode_hillhatt
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209927

Father Charles E. Coughlin Collection

Topic:
Liberation Journal
Social Justice
Dearborn Independent
Creator:
Coughlin, Charles E. (Charles Edward), 1891-1979  Search this
Names:
Ford, Henry, 1863-1947  Search this
Pelley, William Dudley, 1890-1965  Search this
Extent:
9 Cubic feet (27 boxes, 1 map-folder)
Type:
Archival materials
Collection descriptions
Letters (correspondence)
Pamphlets
Periodicals
Lectures
Articles
Photographs
Books
Sermons
Speeches
Audio cassettes
Date:
1919-2015, undated
Scope and Contents:
This refence collection was assembled to assist in writing a biography of the Reverend Mr. Charles E. Coughlin. The collection contains books, booklets, published sermons, published lectures, pamphlets and other printed materials. Of these, 57 were written by Coughlin. The remainder of the materials relate to him directly or have chapters or passages relating to him. Additionally, there are periodicals, including newspaper and magazine articles, and a full set of Coughlin's weekly publication, Social Justice, 1936-1942; other periodicals such as William Dudley Pelley's weekly Liberation Journal, 1938-1948; copies of Henry Ford's Dearborn Independent; original photographs, including images of Coughlin and of his church; letters; copies of the FBI's files on Coughlin; and (non-original) recordings of his broadcasts.
Arrangement:
The collection is arranged in four series.

Series 1: Coughlin, Charles E., Writings and Speeches, 1930-1972, undated

Series 2: Photographs and Ephemera, 1927-1979, undated

Series 3: Periodicals and Publications, 1919-2012

Series 4: Reference Materials, 1933-2015, undated
Biographical / Historical:
Charles Edward Coughlin was born on October 25, 1891 in Hamilton, Ontario, Canada to Thomas J. and Amelia Mahoney Coughlin. He was educated in Canada and attended St. Michael's College, Toronto. After graduation he prepared for Holy Orders within the Basilian Fathers at St. Basil's Seminary. He was ordained to the Roman Catholic priesthood in 1916. Coughlin left the Basilian order after 1923 and moved to Detroit, Michigan.

Coughlin was accepted into the Roman Catholic Archidiocese of Detroit in 1923. He was eventually assigned to the Shrine of the Little Flower in Royal Oak, Michigan, a suburb of Detroit. His reputation for formidable preaching led to the growth of his congregation, and in 1926 Coughlin began broadcasting after a Klu Klux Klan cross burning on the lawn of the church.

He eventually expanded the topics of his broadcast to the political arena. It was with this programmatic change that Coughlin became one of the most controversial figures in the first half of the twentieth century. Described as the "Radio Priest," "The Fighting Priest," and the "Angel of the Airways," Coughlin broadcast weekly from a radio studio in Royal Oak from 1926-1940. Taking a strident and nationalistic tone, he lambasted immigrants, bankers, Communists and other groups. Breaching the line between religion and politics he also lectured and sermonized on government policy. While initially favoring the presidency of Franklin D. Roosevelt, he eventually became one of the president's harshest critics.

In 1936 he began publishing Social Justice a weekly paper. Coughlin's broadcasts were so successful that between 1931-1936 a new Shrine of the Little Flower was built. The zig-zag Art Deco style of the Shrine became a tourist destination for Coughlin's fans. His increasingly harsh rehtoric coincided with the outbreak of World War II. While stating he was not antisemitic, he professed support for some of the governmental policies of Adolf Hitler and Benito Mussolini in part because they were a check on Communist Russia. The Vatican and many Roman Catholic American bishops disagreed and wanted Coughlin to leave the airwaves. Eventually he was forced off the air and publication of Social Justice was halted.

Coughlin remained parish priest at the Shrine of the Little Flower until his retirment in 1966. He spent his retirement publishing and giving the occasional interview. Coughlin died on October 27, 1979. He is buried in the Holy Sepulchre Cemetery in Southfield, Michigan.
Separated Materials:
Objects related to Father Charles E. Coughlin are held in the Division of Cultural and Community Life.
Provenance:
The collection was purchased by the National Museum of American History from Todd Moriarty. Moriarty had acquired the collection from an individual who amassed the materials with plans to write a book on Coughlin.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Anti-communist movements -- United States  Search this
Religion and politics  Search this
Catholic Church  Search this
Radio in religion  Search this
Priests  Search this
Catholicism  Search this
Radio broadcasting  Search this
Radio in politics  Search this
Genre/Form:
Letters (correspondence) -- 20th century.
Pamphlets -- 20th century
Periodicals -- 20th century
Lectures -- 20th century
Articles -- 20th century
Photographs -- Black-and-white photoprints -- 20th century
Books -- 20th century
Sermons
Speeches -- 20th century
Audio cassettes -- 20th century
Citation:
Charles E. Coughlin Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1389
See more items in:
Father Charles E. Coughlin Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1389
Additional Online Media:

Alvin Ailey American Dance Theater / artistic director, Alvin Ailey ; producer, Thomas Grimm ; directed by Thomas Grimm ; co-produktion, DR/ZDF/RM Arts ; i samabejde med ORF

Title:
American Dance Theater: four by Ailey
Four by Ailey
4 by Ailey
Alvin Ailey : An evening with the Alvin Ailey American Dance Theater
Alvin Ailey : American Dance Theatre
Interviewee:
Ailey, Alvin  Search this
Jamison, Judith  Search this
Director:
Grimm, Thomas 1942-  Search this
Dancer:
Roxas, Elizabeth  Search this
Bailey, Carl  Search this
Chase, Debora  Search this
Riseling, Jonathan  Search this
Huggins, Christopher L.  Search this
Thomas, Nasha  Search this
Tyson, Andre  Search this
Banks, Marilyn  Search this
Whiturs, Dereque  Search this
Glenmore, Ralph  Search this
St. Charles, David  Search this
Griffith, Marey  Search this
Folkes, Neisha  Search this
Berry, April  Search this
Mesh, Sharrell  Search this
Manning, Deborah  Search this
Nugent, Rodney  Search this
Clark, Danny  Search this
Salomons, Ruthlyn  Search this
Williams, Dudley 1938-2015  Search this
De Loatch, Gary  Search this
Artistic director:
Barnett, Mary  Search this
Editor of moving image work:
Vissing, Knud  Search this
Composer:
Dinizulu, Kimati  Search this
Ellison, Monti  Search this
Costume designer:
Harper, Ves  Search this
Garner, Carol Vollet  Search this
Choreographer:
Beatty, Talley  Search this
Set designer:
Bearden, Romare 1911-1988  Search this
Performer:
Alvin Ailey American Dance Theater  Search this
Production company:
Danmarks radio  Search this
Zweites Deutsches Fernsehen  Search this
Reiner Moritz Associates  Search this
Österreichischer Rundfunk  Search this
Distributor:
Arthaus Musik (Firm)  Search this
Subject:
Ailey, Alvin  Search this
Jamison, Judith  Search this
Alvin Ailey American Dance Theater Performances  Search this
Physical description:
1 videodisc (108 min.) : DVD video, sound, color ; 4 3/4 in. + 1 booklet (22 pages : illustrations; 18 cm)
Type:
Interviews
Television programs
Televised ballets
Televised dance
Nonfiction television programs
Cultural television programs
Place:
United States
Denmark
Germany
Austria
Date:
2015
1986
Topic:
African American choreographers  Search this
African American dance  Search this
Modern dance  Search this
Choreography  Search this
Dance and race  Search this
Call number:
video 001571
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1097346

Virginia Herald Vol. XVIII No. 1386

Published by:
The Virginia Herald, American, 1787 - 1876  Search this
Medium:
ink on newsprint
Dimensions:
H x W (page): 17 x 10 1/2 in. (43.2 x 26.7 cm)
Type:
newspapers
Date:
November 30, 1804
Topic:
African American  Search this
Advertising  Search this
Fugitive enslaved  Search this
Mass media  Search this
Self-liberation  Search this
Slavery  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Object number:
2011.51.1
Restrictions & Rights:
Public Domain
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Liljenquist Family Collection
Classification:
Documents and Published Materials
Slavery and Freedom Objects
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2011.51.1
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Virginia Herald Vol. XVIII No. 1386</I> digital asset number 1
Additional Online Media:

Folder 3 William Dudley Burbanck, 1964-1976

Collection Creator:
National Museum of Natural History, Division of Crustacea  Search this
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 307, National Museum of Natural History, Division of Crustacea, Records
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0307-refd1e2819

Folder 5 William Dudley Burbanck, 1953, 1956-1962

Collection Creator:
National Museum of Natural History, Division of Crustacea  Search this
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 307, National Museum of Natural History, Division of Crustacea, Records
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0307-refd1e450

William Dudley

Artist:
Unidentified Artist  Search this
Possible attribution:
John Smibert, 1688 - 1751  Search this
Sitter:
William Dudley, 1686 - 1743  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 74.5 x 61.5cm (29 5/16 x 24 3/16")
Type:
Painting
Date:
c. 1710
Topic:
William Dudley: Male  Search this
William Dudley: Politics and Government\Government Official  Search this
William Dudley: Natural Resources\Agriculturist\Landowner  Search this
Portrait  Search this
Object number:
1.15.1974
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_1.15.1974

Dudley Abel Williams

Artist:
Wilfred Israel Duphiney, 1884 - 1960  Search this
Sitter:
Dudley Abel Williams, 1874 - 1960  Search this
Medium:
Oil on canvas
Dimensions:
84.2cm x 71.1cm (33 1/8" x 28"), Accurate
Type:
Painting
Date:
1938
Topic:
Dudley Abel Williams: Male  Search this
Portrait  Search this
Credit Line:
Owner: Rhode Island Historical Society
Website: www.rihs.org/
Object number:
1964.15.5
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_1964.15.5

William Dudley

Artist:
John Smibert, 1688 - 1751  Search this
Sitter:
William Dudley, 1686 - 1743  Search this
Medium:
Oil on canvas
Dimensions:
91.4cm x 71.1cm (36" x 28"), Accurate
Type:
Painting
Date:
1729
Topic:
Nature & Environment\Clouds  Search this
Nature & Environment\Plant\Tree  Search this
William Dudley: Male  Search this
William Dudley: Politics and Government\Government Official  Search this
William Dudley: Natural Resources\Agriculturist\Landowner  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Website: https://www.mfa.org/collections/search
Object number:
1979.768 MFAB
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_1979.768_MFAB

Mrs. William Dudley (Elizabeth Davenport)

Artist:
John Smibert, 1688 - 1751  Search this
Other attribution:
Joseph Blackburn, flourished 1752 - 1774  Search this
Sitter:
Elizabeth Davenport Dudley, 1704 - 1756  Search this
Medium:
Oil on canvas
Dimensions:
91.4cm x 71.1cm (36" x 28"), Accurate
Type:
Painting
Date:
c. 1730
Topic:
Nature & Environment\Clouds  Search this
Nature & Environment\Plant\Tree  Search this
Elizabeth Davenport Dudley: Female  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Website: https://www.mfa.org/collections/search
Object number:
1979.769 MFAB
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_1979.769_MFAB

General Edmund Pendleton Gaines

Artist:
Dudley & William Everett Williams  Search this
Sitter:
Edmund Pendleton Gaines, 20 Mar 1777 - 1849  Search this
Medium:
Ink on paper
Dimensions:
10.2cm x 8.6cm (4" x 3 3/8"), Sight
Type:
Silhouette
Date:
c. 1800-1850
Topic:
Edmund Pendleton Gaines: Male  Search this
Edmund Pendleton Gaines: Military\Army\Officer\Brigadier General  Search this
Edmund Pendleton Gaines: Military\Army\Officer\War of 1812  Search this
Edmund Pendleton Gaines: Military\Army\Officer\Mexican War  Search this
Edmund Pendleton Gaines: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: Athenaeum of Philadelphia
Website: www.philaathenaeum.org/
Object number:
71.2
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_71.2

William Dudley Haywood

Artist:
Maurice Becker, 1889 - 1975  Search this
Sitter:
William Dudley Haywood, 1869 - 1928  Search this
Medium:
Ink on paper
Dimensions:
22.5cm x 17.5cm (8 7/8" x 6 7/8"), Sight
Type:
Drawing
Date:
1919
Topic:
William Dudley Haywood: Male  Search this
Portrait  Search this
Credit Line:
Owner: The Butler Institute of American Art
Website: www.butlerart.com/
Object number:
966-D-111
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
EDAN-URL:
edanmdm:npg_966-D-111

William Dudley Chipley, (sculpture)

Sculptor:
Rustin, Ronnie  Search this
Founder:
Sheidow Bronze Corporation  Search this
Subject:
Chipley, William Dudley  Search this
Medium:
Relief: bronze; Shaft and base: granite
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Washington County Historical Society 105 South Seventh Street Chipley Florida 32428
Date:
1988. Dedicated Nov. 19, 1988
Topic:
Portrait male--Bust  Search this
Occupation--Political--Mayor  Search this
Occupation--Military  Search this
Occupation--Political--Statesman  Search this
Control number:
IAS FL000257
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_320746

William Dudley Foulke [painting] / (photographed by Peter A. Juley & Son)

Artist:
Adams, Wayman 1883-1959  Search this
Subject:
Foulke, William Dudley  Search this
Type:
Photograph
Topic:
Portrait male--Bust  Search this
Occupation--Writer--Critic  Search this
Occupation--Writer--Poet  Search this
Occupation--Writer--Journalist  Search this
Image number:
JUL J0080012
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_80013

The finding of Wineland the Good : the history of the Icelandic discovery of America / edited and translated from the earliest records by Arthur Middleton Reeves ; to which is added biography and correspondence of the author, by W.D. Foulke ; with phototype plates of the vellum mss. of the sagas

Author:
Reeves, Arthur Middleton 1856-1891  Search this
Foulke, William Dudley 1848-1935  Search this
Physical description:
lxxii, 205 p., [29] leaves of plates : port., facsim. ; 30 cm
Type:
Books
Place:
America
Date:
1895
Topic:
Manuscripts, Icelandic  Search this
Discovery and exploration  Search this
Norse  Search this
Call number:
E105 .R44 1895
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_828840

Africa, opposing viewpoints / William Dudley, book editor

Author:
Dudley, William 1964-  Search this
Physical description:
212 p. : ill. ; 23 cm
Type:
Books
Place:
Africa
Date:
2000
1960-
Topic:
Human rights  Search this
Wildlife management  Search this
Politics and government  Search this
Economic conditions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_715432

The old Christian right : the Protestant far right from the Great Depression to the cold war / Leo P. Ribuffo

Author:
Ribuffo, Leo P  Search this
Subject:
Pelley, William Dudley 1890-  Search this
Winrod, Gerald B (Gerald Burton)  Search this
Smith, Gerald L. K (Gerald Lyman Kenneth) 1898-  Search this
Physical description:
xix, 369 p. ; 24 cm
Type:
Books
Place:
United States
Date:
1983
20th century
1933-1945
1945-1953
Topic:
Conservatism--History  Search this
Antisemitism--History  Search this
Protestants--Political activity--History  Search this
Protestants--Biography  Search this
Politics and government  Search this
Call number:
E806.R47 1983X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_227082

The early work of Willard Gibbs in applied mechanics, comprising the text of his hitherto unpublished Ph.D. thesis and accounts of his mechanical inventions; assembled by Lynde Phelps Wheeler, Everett Oyler Waters & Samuel William Dudley

Author:
Gibbs, J. Willard (Josiah Willard) 1839-1903  Search this
Wheeler, Lynde Phelps  Search this
Physical description:
[3] l., v-vii, 78 p. illus., port., diagrs., facsim. 25 cm
Type:
Books
Date:
1947
[1947]
Topic:
Gearing  Search this
Brakes  Search this
Governors (Steam-engine)  Search this
Call number:
TJ7.G5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_246152

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