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Fifteenth Eastern Orchid Congress : October 15-18, 1970, The Statler Hilton Hotel, Washington, D.C

Author:
Eastern Orchid Congress (15th : 1970 : Washington, D.C.)  Search this
American Orchid Society  Search this
Physical description:
40 p. : plans, ports. ; 23 cm
Type:
Congresses
Date:
1966
1970]
Topic:
Orchids  Search this
Call number:
SB409.A2 E27 1970
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_799982

M. Marvin Breckinridge Patterson Collection

Photographer:
Patterson, M. Marvin Breckinridge  Search this
Names:
Hatch, Olivia Stokes  Search this
Extent:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Culture:
Shona (African people)  Search this
San (African people)  Search this
Zulu (African people)  Search this
Xhosa (African people)  Search this
Ila (African people)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Manuscripts (document genre)
Contact sheets
Publications
Place:
Zanzibar
Congo (Democratic Republic)
Africa
Kenya
Luxor (Egypt)
Sudan
Tanzania
Uganda
Date:
1932, circa 1960s-1970s
bulk 1932
Summary:
The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.
Scope and Contents:
This collection includes 113 black and white photographic prints taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932; 3 color photographic prints taken in 1971 of mbira, pipes, and a sculpture; publications; and contact sheets. Many of the photographs from the 1932 trip were published in Olivia's African Diary: Cape Town to Cairo," (Washington, D.C.: Eastern Press, 1980).

The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. Subjects include a bride and groom at Lovedale, South Africa; dancers at the Crown Mine near Johannesburg, South Africa; flower vendors in Cape Town, South Africa; two leading elders at Amanzimtoti, South Africa; a craftsman making spears; a tanner in the Sudan; miners with their wives in Katanga (now Shaba), Belgian Congo (now Democratic Republic of the Congo); schoolboys in the Sudan; a Shona man; women lining-up to receive rations in the Belgian Congo; workers pouring gold at the Crown Mine near Johannesburg, South Africa; and a Zulu woman at a market in Durban, Natal, South Africa.

Depicted architecture includes the Queen Hatshepsut's room at Karnak, Luxor, Egypt; and the ruins of Great Zimbabwe. Images of the natural world include a mountain at Cape Town, South Africa; a park in Port Elizabeth, South Africa; and Victoria Falls, Southern Rhodesia (now Zimbabwe). Finally, there are numerous images of animals, including egrets, ostriches and wildebeests.

Photographs from the collection were published in the Boston Herald (July 31, 1933) and the Crown Colonist (August 1933).
Arrangement note:
Arranged in three series. Series 1 is arranged by country. Series 2 is arranged in chronological order.

Series 1: Photographs, 1932, 1971 (Boxes 1-3, 116 items, 0.4 cubic feet)

Series 2: Publications, circa 1960s-1970s (Box 3, 4 folders)

Series 3: Contact Sheets, 1932 (Box 3, 0.2 cubic feet)
Biographical/Historical note:
Photographer, broadcaster, and filmmaker Mary Marvin Breckinridge Patterson (1905-2002), grandchild of Vice President John Cabell Breckinridge, was a photographer, broadcaster and filmmaker. Following graduation from Vassar College in 1928, Breckinridge worked for the Frontier Nursing Service (a group comprised mainly of women that provided medical services to remote areas in Appalachia), earned a pilot's license (the first woman in Maine to do so), and assisted in the office of the Democratic National Committee. In 1932 she traveled to Africa where she documented the peoples and places throughout the continent.

She enrolled in the Clarence White School of Photography in New York in 1933, taking trainings on photographic developing and printing. She then worked in the office of Democratic congresswoman, and distant relative, Isabella Selmes Greenway, but soon returned to the Clarence White School of Photography for a longer course of study. Following graduation, she began selling photographs and sometimes articles in several magazines, including LIFE, Harper's Bazar, and Town and Country. Her film credits include "She Goes to Vassar" (1931), a film that provides an overview of college life at Vassar, and "The Forgotten Frontier", a documentary about the activities of the Frontier Nursing Service, a group comprised mainly of women that provided medical services to remote areas in Appalachia.

Travelling to Europe in 1939 on photojournalism assignments, Breckinridge was in Switzerland when the Nazis invaded Poland, starting World War II. She traveled to London to photograph the evacuation of English children, one of only four American photographers in England for the first months of the war. Edward Murrow hired her as the first female news broadcaster for the CBS World News Roundup to report from Europe. As the only female member of "The Murrow Boys", an elite group of only eleven broadcasters handpicked by Murrow, she broadcasted 50 reports from seven countries.

While working in Berlin, she married Foreign Service Officer Jefferson Patterson. She resigned from CBS, hoping to resume her career in photojournalism, but State Department policies restricted her ability to publish. The couple was posted in Peru, Belgium, Egypt, the Balkans and Uruguay.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Genre/Form:
Photographic prints
Photographs
Publications
Citation:
M. Marvin Breckinridge Patterson collection, EEPA 1985-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1985-009
See more items in:
M. Marvin Breckinridge Patterson Collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-1985-009
Additional Online Media:

"Toward a Fourth Decade"

Collection Creator:
American Abstract Artists  Search this
Container:
Box 1, Folder 33
Type:
Archival materials
Text
Date:
circa 1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Citation:
The American Abstract Artists records, 1936-1983. Archives of American Art, Smithsonian Institution.
See more items in:
American Abstract Artists records
American Abstract Artists records / Series 3: Member Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-amerabst-ref52

Marilyn Heldman photographs

Photographer:
Heldman, Marilyn  Search this
Extent:
193 Slides (1 Binder, color, 35 mm)
Container:
Volume 1
Culture:
Hausa (African people)  Search this
Fulani  Search this
Bamileke (African people)  Search this
Yoruba (African people)  Search this
Oyo (African people)  Search this
Type:
Collection descriptions
Archival materials
Slides
Slides
Place:
Addis Ababa (Ethiopia)
Ife (Nigeria)
Kano (Nigeria)
Sudan
Ibadan (Nigeria)
Cameroon
Eritrea
Lagos (Nigeria)
Tanzania
Benin
Somalia
Egypt
Date:
1960s-1970s
Summary:
The collection includes 193 slides taken by Marilyn Heldman in Ethiopia in the 1960s and 1970s. Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Bamileke, Fulani, Hausa, Oyo and Yoruba peoples.
Scope and Contents:
The collection includes 193 slides taken by Marilyn Heldman in the 1960s and 1970s. Many of the photos were taken during fieldwork in Northern Ethiopia, supported by a National Endowment for the Humanities post-doctorate fellowship (1973-1974), or while working as a Curatorial Associate at the Museum of the Institute of Ethiopian Studies at Addis Ababa University, Ethiopia (1966-1967). Subjects include architecture, art objects, marketplaces, pottery, reliefs and cultures including the Bamileke, Fulani, Hausa, Oyo and Yoruba peoples.
Biographical / Historical:
Marilyn Heldman is an Adjunct Professor of Art History at American University (Washington, D.C.). Published in such journals as the Journal of Religion in Africa, African Arts and Northeast African Studies, Heldman has also written numerous books, notably African Zion: The Sacred Art of Ethiopia (1993) (cowritten with Stuart C. Munro-Hay). Heldman received a post-doctorate fellowship from the National Endowment for the Arts to complete field work in Northern Ethiopia (1973-1974). She has also held positions as Visiting Associate Professor in the Department of Art and Art History at the University of Missouri at St. Louis and Curatorial Associate at the Museum of the Institute of Ethiopian Studies at the Addis Ababa University, Ethiopia (1966-1967).
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Ere ibeji  Search this
Art objects  Search this
Architecture  Search this
Marketplaces  Search this
Africa -- Ethnology  Search this
Pottery  Search this
Relief (Sculpture)  Search this
Citation:
Marilyn Heldman Photographs, EEPA 2016-005, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2016-005
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
EDAN-URL:
ead_collection:sova-eepa-2016-005

Cafes, Restaurants

Collection Creator:
Johnson, Ellen H.  Search this
Container:
Box 21, Folder 26
Type:
Archival materials
Date:
circa 1960-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Ellen Hulda Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ellen Hulda Johnson papers, 1872-1994, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Ellen Hulda Johnson papers
Ellen Hulda Johnson papers / Series 4: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-johnelle-ref529

American Painting, Working File

Collection Creator:
Johnson, Ellen H.  Search this
Container:
Box 26, Folder 26
Type:
Archival materials
Date:
1960-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Ellen Hulda Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ellen Hulda Johnson papers, 1872-1994, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Ellen Hulda Johnson papers
Ellen Hulda Johnson papers / Series 5: Teaching Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-johnelle-ref601

Photographs, Claes Oldenburg with Easter Island Head

Collection Creator:
Johnson, Ellen H.  Search this
Container:
Box 16, Folder 16
Type:
Archival materials
Date:
circa 1960-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Ellen Hulda Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ellen Hulda Johnson papers, 1872-1994, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Ellen Hulda Johnson papers
Ellen Hulda Johnson papers / Series 3: Writing and Research Projects / 3.5: Claes Oldenburg Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-johnelle-ref377

"My Philosophy of Teaching in the Visual Arts"

Collection Creator:
Day, Worden, 1916-1986  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
circa 1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Worden Day papers
Worden Day papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dayword-ref19

Reviews

Collection Creator:
Day, Worden, 1916-1986  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
1960-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Worden Day papers
Worden Day papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dayword-ref22

"What is a Print?"

Collection Creator:
Day, Worden, 1916-1986  Search this
Container:
Box 1, Folder 19
Type:
Archival materials
Date:
circa 1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Worden Day papers
Worden Day papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dayword-ref25

Scrapbook (disbound)

Collection Creator:
Day, Worden, 1916-1986  Search this
Container:
Box 1, Folder 26
Type:
Archival materials
Date:
1960s-1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Worden Day papers
Worden Day papers / Series 5: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dayword-ref30

Sketchbook

Collection Creator:
Day, Worden, 1916-1986  Search this
Container:
Box 5, Folder 1
Type:
Archival materials
Date:
1960s-1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Worden Day papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Worden Day papers
Worden Day papers / Series 7: Sketchbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dayword-ref36

Ring

Medium:
Gilt silver (gold wash)
Dimensions:
H x W x D: 3 x 2.4 x 4.9 cm (1 3/16 x 15/16 x 1 15/16 in.)
Type:
Costume Accessory
Geography:
Senegal
Date:
1960s-1970s
Topic:
Adornment  Search this
Female use  Search this
Credit Line:
Gift of Dr. Marian Ashby Johnson
Object number:
2012-18-126
See more items in:
National Museum of African Art Collection
Exhibition:
Good as Gold
On View:
NMAfA, South Gallery (1141)
Data Source:
National Museum of African Art
EDAN-URL:
edanmdm:nmafa_2012-18-126

Early Work

Collection Creator:
Liberman, Judith Weinshall  Search this
Container:
Box 7, Folder 20
Type:
Archival materials
Date:
circa 1960-1970
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith Weinshall Liberman papers, circa 1940-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Judith Weinshall Liberman papers
Judith Weinshall Liberman papers / Series 5: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-libejudi-ref86

M, General

Collection Creator:
Solomon, Alan R., 1920-1970  Search this
Container:
Box 1, Folder 32
Type:
Archival materials
Date:
1960-1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Alan R. Solomon papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Alan R. Solomon papers
Alan R. Solomon papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-soloalan-ref274

Essay Draft by Solomon "First New York Theater Rally"

Collection Creator:
Solomon, Alan R., 1920-1970  Search this
Container:
Box 6, Folder 24
Type:
Archival materials
Date:
circa 1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Alan R. Solomon papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Alan R. Solomon papers
Alan R. Solomon papers / Series 7: First New York Theater Rally
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-soloalan-ref540

"The Final Adjustment: A Play in Three Acts"

Collection Creator:
Burckhardt, Rudy, 1914-1999  Search this
Container:
Box 14, Folder 4
Type:
Archival materials
Date:
circa 1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that she may own in the following material: photographs taken by Rudy Burckhardt.
Collection Citation:
Rudy Burckhardt papers, 1934-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Rudy Burckhardt papers
Rudy Burckhardt papers / Series 3: Addition to the Rudy Burckhardt Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-burcrudy-ref377

Correspondence, W

Collection Creator:
Dwight, Edward H., 1919-1981  Search this
Container:
Box 3, Folder 35
Type:
Archival materials
Date:
1960s-1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Collection Rights:
The Edward H. Dwight papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
See more items in:
Edward H. Dwight Papers
Edward H. Dwight Papers / Series 3: Audubon Research Material / 3.1: Edward H. Dwight Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dwigedwa-ref102

Correspondence, Y

Collection Creator:
Dwight, Edward H., 1919-1981  Search this
Container:
Box 3, Folder 37
Type:
Archival materials
Date:
1960s-1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Collection Rights:
The Edward H. Dwight papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
See more items in:
Edward H. Dwight Papers
Edward H. Dwight Papers / Series 3: Audubon Research Material / 3.1: Edward H. Dwight Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dwigedwa-ref104

Audubon Articles and Books

Collection Creator:
Dwight, Edward H., 1919-1981  Search this
Container:
Box 10, Folder 25-26
Type:
Archival materials
Date:
1960s-1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information
Collection Rights:
The Edward H. Dwight papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Edward H. Dwight papers, 1821-2001, bulk 1950-1979. Archives of American Art, Smithsonian Institution.
See more items in:
Edward H. Dwight Papers
Edward H. Dwight Papers / Series 3: Audubon Research Material / 3.5: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dwigedwa-ref154

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