Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Some images restricted: Cultural Sensitivity
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); William T. Sherman collection of Alexander Gardner photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Studio portraits made by the James E. McClees Studio and published by the Blackmore Museum, depicting Native American visitors to Washington, D.C. The series is identified by an 1863 broadside in the collection as "Photographs of some of the principal Chiefs of the North American Indians, made when they have visited Washington as deputations from their Tribes." Yankton, Sisseton, Mdewakanton, Wahpeton, Pawnee, Potawatomi, Sauk and Fox, Ponca, and Ojibwa people are represented. Three additional portraits depict men (possibly Cree) and were probably made by a different photographer.
Biographical/Historical note:
James Earl McClees (1821-1887) trained as a daguerreotypist in Philadelphia, Pennsylvania, before opening a studio in Washington, D.C. in 1857. He was an early user of paper photographic processes and was well-known for photographing delegations of American Indians. His Washington studio, known as the James E. McClees Studio, operated in 1857-1858 with Julian Vannerson (1827-?) and Samuel Cohner as its most established operators. The studio was taken over by Robert W. Addis in 1858. Among Addis's proprietors was Antonio Zeno Schindler, an artist who made copies of photographs for English philanthropist and collector William Blackmore (1827-1878). Blackmore purchased the McClees Studio's negatives from Shindler, later transferring them to the Smithsonian. The Bureau of American Ethnology absorbed the photographs upon its formation in 1878-1879.
Local Call Number(s):
NAA Photo Lot 4286
Location of Other Archival Materials:
Additional McClees Studio and Vannerson photographs held in the National Anthropological Archives in the BAE historical negatives and Photo Lot 4420.
Glass negatives relating to William Henry Blackmore, including copies of photographs collected by Blackmore, held in the British Museum and in National Anthropological Archives Photo Lot 31 and the BAE historical negatives.
Artifacts collected by Blackmore held in the anthropology collections of the National Museum of Natural History in accessions 1846, 2371, and 1826.
Photo Lot 4286, James E. McClees Studio photographs of Native American delegates to Washington DC, National Anthropological Archives, Smithsonian Institution
This album contains 195 photographic prints taken by Frank Churchill in March-April 1907 at various Pueblos and locations in New Mexico and Arizona during Frank Churchill's assignment as U.S. Indian Inspector to visit Indian day schools and boarding schools. There are also a small amount of photographs from North Dakota in 1908 that have been inserted amongst the New Mexico photographs. The album was later compiled and captioned by Clara Churchill. Some of the photographs were also later hand colored by Clara Churchill. Pueblos visited include—Cochiti, Tesuque, San Ildenfonso, Ohkay Owingeh (San Juan), Taos, Picuris, Laguna (Paraje, Mesita, Paguate, Seama) and Acoma (Acomita).
Photographs from Cochiti include—Cochiti Day School; Old Church; Estufa or Kiva; Women carrying water; Christmas dance (not taken by Churchill); winnowing wheat; and Vivan Perez. Taos photographs include—Pueblo views; church ruins; goat herding; Kiva entrance; Kit Carson's house and grave with Smith Simpson; Pablo Suaso (Captain of War); and 107 year old woman. Photographs from Laguna include—Women washing clothes in Seama; Paguate (Pahuate) day school with students and Miss Mary Disette (teacher); Daisy Shumann (Zuni) at the Paguate school; Howyce Seonia and other women; Mesita day school and young girl; and various views of Paguate, Paraje and Mesita. Photographs from Acoma and Acomita include—Men plowing; houses and families; Mrs. Churchill with Acoma woman; pottery firing kilns; Government farmer Allen; Edward Hunt (merchant); and McCarty's Station. Additional Pueblo views include—Tesuque with Superintendent Crandall; San Ildefonso pueblo and school; Governor Cota with Juan Baptiste, Talache (ex-governer), Superintendent Crandall, Sam Eldodt and Joseph Eldodt in San Juan; and Ancient ruins, Santiango Martinez and wife Caramalita Barqus in Picuris. Photographs from Santa Fe include—Plaza; Governers palace; Palace Hotel; Soldiers monument; U.S. Indian School; and J.B. Harper, C.J. Crandall, H.F. Robinson and Frank Churchill. Photographs from Albuquerque include—Birthplace of Mrs. (General) Phil Sheridan; San Felipe Indians with Superintendent Custer; Edna Custer; Dormitories at the University in Albuquerque. Additional scenes in New Mexico include—Fording the Rio Grande with Mr. and Mrs. C.J. Crandall; Canyon near Embado; and Penitentes Moradas during lent including the Morada chapel of the penitents. Photographs in Arizona include—Ash Fork Hotel; Fort McDowell; Lunch at Camel Back Mountain; Verde River; and Phoenix Indian School teachers Miss Ridenhour, Miss Gould, Miss F. Harrey and Mrs. Snyder.
The photographs from North Dakota include views of Wahpetonwan Dakota (Sioux) men and women on horseback at Devils Lake and Fort Totten. There are some additional photographs at the album that appeared to have been added later and are not in any particular order and most likely not take by the Churchill. The majority of the photographs from Arizona and many of the New Mexico photographs do not have corresponding negatives.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Frank C. and Clara G. Churchill collection, NMAI.AC.058, National Museum of the American Indian Archives Center, Smithsonian Institution.
Photo Lot 4286, James E. McClees Studio photographs of Native American delegates to Washington DC, National Anthropological Archives, Smithsonian Institution
Handwritten on mount: Ay-pe'-tu To'-ke-tsha (The Other Day) A Warrior of the Wahpeton Sioux
Local Numbers:
NAA INV.01171100
NAA MS.4286
OPPS NEG.BAE 3500A
General:
Amended identification taken from Paula Fleming, Native American Photography at the Smithsonian: the Shindler catalogue, Smithsonian Institution, 2003.
Local Note:
Photo by Julian Vannerson or Samuel A. Cohner, Photographers at Mc Clees' Studio, or Possibly by James E. Mc Clees; Treaty Signed 14 June 1958
Photo Lot 4286, James E. McClees Studio photographs of Native American delegates to Washington DC, National Anthropological Archives, Smithsonian Institution
Photo lot 87-2P, United States National Museum Department of Anthropology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Date: Not recorded, possibly 1870. Photographer: S. J. Morrow, Yankton, Dakota Territory.
Caption from S. J. Morrow photograph collection, BAE Cat. Number 4468, Volume 1, Number 88. Date "1876" on reverse is probably a recent guess-date; see W. R. Hurt and W. R. Lass, Frontier Photographer, Lincoln and Vermillion, 1956, page 28 (who do not include this view). The view may have been made 1870, when Morrow is known to have visited Fort Wadsworth (later Sisseton) visible in rear, and other Dakota military posts. -- Information from G. H. Smith.
