Includes images of the indigenous people of Ecuador, primarily the Tsatchela (Tsachila, Colorado) of Pichincha province and the Shuar-Achuar of Oriente province. Also includes 51 images of the indigenous people of Honduras, primarily the Xicaque and Maya.
Scope and Contents:
The von Hagen collection primarily contains photographs and negatives made by von Hagen during his 1935 and 1936 travels in Ecuador on behalf of the Museum of the American Indian, Heye Foundation. The 1935 materials depict adult and child members of the Shuar-Achuar culture group engaged in weaving, drumming, and cooking. In addition there are representations of indigenous dwellings and of individuals dressed for ceremonies and using blow guns. The 1936 materials overwhelmingly depict Tsáchila (Colorado) peoples preparing food, weaving, potting, playing instruments, and participating in ceremonies, but also include depictions of the Runa (Otavaleño/Otavalo) people spinning cotton and sitting for potraits. The collection also contains photographic materials dated to 1937 that depict Mayan artifacts and Jicaque men of Honduras building rafts, fishing, and standing for their poritraits. Von Hagen's Tsáchila and Jicaque photographs illustrated his contributions to the Museum's series Indian Notes and Monographs, The Tsáchila Indians of western Ecuador (no. 51) and The Jicaque (Torrupan) Indians of Honduras (no. 53).
Negatives: organized in individual sleeves; arranged by negative number
Prints: organized in folders; arranged by print number
Negatives Arranged by negative number (N36360, N36648, N36654-N36656, N36661, N36733-N36740, N36749-N36752, N36755, N36758-N36769, N36772-N36779, N36781-N36797, N36803-N36853, N37366, N37386, N41444)
Prints Arranged by photograph number (P11502-P11510, P12316-P12473, P12522-P12525, P12596-P12657, P12855-P12859, P12941-P12949, P13329-P13362, P15428, P15491, P15585, P16246)
Victor Wolfgang von Hagen was an American explorer, archaeological historian, anthropologist, naturalist, zoologist, and travel writer. In the 1930s, he led several Museum of the American Indian, Heye Foundation collecting expeditions to Central and South America and continued to travel throughout the region into the 1970s.
Gift of Dr. von Hagen
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
The collection documents the career of painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.
Scope and Content Note:
The collection consists primarily of correspondence, writings, artwork, printed material, and photographs documenting Sotomayor's career, his interest in Latin American art and artists, and his association with the San Francisco arts community.
The collection is arranged as six series:
Series 1: Correspondence, 1931-1988, undated (box 1, 21 folders)
Series 2: Writings, 1932-1946, undated (box 1, 11 folders)
Series 3: Artwork, 1935, undated (box 1, 23 folders)
Series 4: Printed Material, 1935-1987 (boxes 1-2, 12 folders)
Series 5: Photographs, circa 1920-1984, undated (box 2, 13 folders)
Series 6: Oversized Material, 1941, 1958, undated (2 OV folders)
Antonio Sotomayor was born in Bolvia and came to San Francisco in 1923. He was educated at the Escuela de Belleas Arts in La Paz and the Hopkins Institute of Art in San Francisco. Primarily known for his murals and paintings, Sotomayor was also an illustrator, caricaturist, designer, ceramicist, and educator. Over the course of his career his work was exhibited in the United States, France, Italy, Spain, Mexico, and South America and he became known as the popular "artist laureate" of San Francisco where he lived with his wife, Grace. He died of cancer in 1985 at the age of 82.
The Antonio Sotomayor papers were donated to the Archives of American Art by Grace Sotomayor in 1998.
The collection is open for research. Patrons must use microfilm copy.
The Antonio Sotomayor papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.