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Storyteller figure

Photographer:
Virginia Lucero, Jemez Pueblo, b. 1964  Search this
Culture/People:
Jemez Pueblo  Search this
Artist/Maker:
Virginia Lucero, Jemez Pueblo, b. 1964  Search this
Donor:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Previous owner:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Object Name:
Storyteller figure
Media/Materials:
Pottery, paint
Techniques:
Coiled/hand built, modeled, painted
Dimensions:
9.7 x 6.5 x 12.5 cm
Object Type:
Sculpture/Carving/Figures
Place:
Jemez Pueblo, Jemez Reservation; Sandoval County; New Mexico; USA
Date created:
circa 2000
Catalog Number:
26/6005
Barcode:
266005.000
See related items:
Jemez Pueblo
Sculpture/Carving/Figures
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_282232
Additional Online Media:

Variety of Flowers

Photographer:
Virginia A. Stroud, United Keetoowah Band of Cherokee Indians in Oklahoma, b. 1951  Search this
Culture/People:
Oklahoma Cherokee  Search this
Artist/Maker:
Virginia A. Stroud, United Keetoowah Band of Cherokee Indians in Oklahoma, b. 1951  Search this
Donor:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Collector:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Title:
Variety of Flowers
Object Name:
Painting
Media/Materials:
Paperboard, acrylic paint
Techniques:
Painted
Dimensions:
57.7 x 36.9 cm
Object Type:
Painting/Drawing/Print
Place:
Durango; La Plata County; Colorado; USA
Date created:
circa 1990
Catalog Number:
26/4006
Barcode:
264006.000
See related items:
Oklahoma Cherokee
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_280159
Additional Online Media:

Water Play

Photographer:
Virginia A. Stroud, United Keetoowah Band of Cherokee Indians in Oklahoma, b. 1951  Search this
Culture/People:
Oklahoma Cherokee  Search this
Artist/Maker:
Virginia A. Stroud, United Keetoowah Band of Cherokee Indians in Oklahoma, b. 1951  Search this
Previous owner:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Donor:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Title:
Water Play
Object Name:
Painting
Media/Materials:
Canvas, acrylic paint, wood
Techniques:
Painted, framed
Dimensions:
117.3 x 207.5 cm
Object Type:
Painting/Drawing/Print
Place:
Durango; La Plata County; Colorado; USA
Date created:
circa 1990
Catalog Number:
26/4089
Barcode:
264089.000
See related items:
Oklahoma Cherokee
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_280259
Additional Online Media:

The Weaver

Photographer:
Virginia A. Stroud, United Keetoowah Band of Cherokee Indians in Oklahoma, b. 1951  Search this
Culture/People:
Oklahoma Cherokee  Search this
Artist/Maker:
Virginia A. Stroud, United Keetoowah Band of Cherokee Indians in Oklahoma, b. 1951  Search this
Donor:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Previous owner:
R. E. Mansfield (Richard E. Mansfield), Non-Indian, 1937-2007  Search this
Title:
The Weaver
Object Name:
Painting
Media/Materials:
Paperboard, acrylic paint
Techniques:
Painted
Dimensions:
5.7 x 8.4 cm
Object Type:
Painting/Drawing/Print
Place:
Durango; La Plata County; Colorado; USA (inferred)
Date created:
circa 2000
Catalog Number:
26/4463
Barcode:
264463.000
See related items:
Oklahoma Cherokee
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_280665
Additional Online Media:

Jan Faul "Potomac : East and West" (portfolio of photoprints)

Creator:
Faul, Jan, 1945-  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Topographical views
Manipulated photographs
Photographs
Painted photographs
Hand coloring
Landscapes (representations)
Portfolios (groups of works)
Place:
Washington (D.C.) -- 1990-2000
West Virginia -- 1990-2000
Virginia -- 1990-2000
Maryland -- 1980-2000
Potomac River -- 1990-2000
Date:
1991
Summary:
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.
Scope and Contents:
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," and is number six in an edition of forty five. The photographs all were taken in 1991 and the prints were made shortly thereafter. The photographs are basically somewhat romantic documentary images of locales in Washington, D.C., Virginia, Maryland, and West Virginia, including landscapes and industrial settings, interiors and exteriors, some of which are apparently abandoned. Human figures are seen only incidentally in several images. Each print has a small area hand colored by the artist, usually adding subtle humor and/or a hint of mystery. The titles are brief and geographical, and the set is numbered I to XII and XIV to XXV; there is no number XIII, the artist was careful to point out.
Arrangement:
The collection is arranged into one series. Sequence arranged by artist: numbered I-XII, XIV-XXV (no number XIII).
Biographical / Historical:
Jan Faul was born in Port Chester, New York in 1945. His family moved frequently, living in Washington, D.C., New York, Boston, Denver, Toronto, Strasbourg, and Bern, Switzerland. In Bern he received his first camera as a gift for his fourteenth birthday. He returned to the United States and completed high school in Washington.

In his late teens Faul met Roy Stryker, legendary director of the Farm Security Administration documentary photography project, who suggested that he spend time looking at photographs in the Library of Congress which he did, concentrating on the F.S.A. files. Influenced by his artist parents, Faul studied art history and graphics in college, hoping to become a printmaker, but had begun to support himself with photography by the time he graduated from The George Washington University in 1969.

The "immediacy" of photography and other aesthetic considerations in addition to the financial ones finally led to Faul's abandonment of printmaking and commitment to photography. Since 1970 he has been a self employed photographer, working in landscape, still life, and portraiture. He documented the lives of poor people in the U.S. from July 1970 to March 1971 for the Office of Economic Opportunity. In summer 1971 he photographed scenes of rural poverty for the Appalachian Regional Commission. A grant from the Upjohn Institute for American Labor Studies in 1974 supported his photographic documentation of American workers and changing work habits. In the summer of 1975 he worked for the Smithsonian, portraying the locksmen and pilots of the St. Lawrence Seaway. Further grants and contracts for documentary photography followed, including the 1976 Smithsonian Festival of American Folklife.

Faul moved to Copenhagen, Denmark, in 1979, and there worked on commercial accounts for Esso, Polaroid, and others, while continuing to pursue a variety of personal photographic projects. He returned to the Washington, D.C., area a decade later.

The photographer's career has included commercial work and contractual documentary projects, as well as the sale of photographic prints as art to private collectors and sales and donations to institutions. Fourteen photographs were donated to the Division of Photographic History of this Museum in 1970, and his work is in the collections of the Royal Museum of Art in Denmark, The Library of Congress, the San Francisco Museum of Modern Art, George Eastman House, the Toledo Museum of Art, the Corcoran Gallery of Art, the Oakland Museum, and others. He has received a number of awards, and has been included in a number of group and solo exhibitions. He has received an artist's residency at Yaddo for 1992 1993. Additional biographical information, including a bibliography, is on file in the Archives Center.
Provenance:
Collection donated by Jan Faul, November 13, 1991.
Restrictions:
Collection is open for research.
Rights:
Use and copyright restrictions: all rights retained by the artist. The Museum may exhibit and reproduce photographs in its publications, but cannot make copies or authorize reproduction by others. Contact artist for reproduction arrangements.
Topic:
Agricultural land -- 1990-2000  Search this
Rivers -- 1990-2000 -- United States  Search this
Commercial buildings -- 1990-2000  Search this
Cemeteries -- 1990-2000  Search this
Industrial complexes -- United States  Search this
Industrial towns -- 1990-2000  Search this
Genre/Form:
Topographical views
Manipulated photographs
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Painted photographs
Hand coloring
Landscapes (representations) -- 1990-2000 -- United States
Portfolios (groups of works) -- 1990-2000
Citation:
Jan Faul "Potomac East and West" Portfolio, 1991, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0441
See more items in:
Jan Faul "Potomac : East and West" (portfolio of photoprints)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0441

Little League Baseball

User:
Rogers, Kevin  Search this
Maker:
Wilson  Search this
Physical Description:
cork (overall material)
yarn (overall material)
leather (overall material)
Measurements:
overall: 3 in; 7.62 cm
Object Name:
baseball
ball
Place made:
United States: West Virginia, Charles Town
Date made:
1990-2000
Subject:
Sports  Search this
Baseball  Search this
Little League  Search this
Children  Search this
ID Number:
2003.0164.04
Accession number:
2003.0164
Catalog number:
2003.0164.04
See more items in:
Cultural and Community Life: Sport and Leisure
Autographed Baseballs
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1211904

Finger ring

Photographer:
G. Warren Cook (George Warren Cook), Pamunkey  Search this
Culture/People:
Pamunkey  Search this
Artist/Maker:
G. Warren Cook (George Warren Cook), Pamunkey  Search this
Previous owner:
G. Warren Cook (George Warren Cook), Pamunkey  Search this
Seller:
G. Warren Cook (George Warren Cook), Pamunkey  Search this
Object Name:
Finger ring
Media/Materials:
Gold
Techniques:
Cast, polished
Dimensions:
2.2 x 2.2 cm
Object Type:
Adornment/Jewelry
Place:
King William; King William County; Virginia; USA
Date created:
circa 2000
Catalog Number:
26/3871
Barcode:
263871.000
See related items:
Pamunkey
Adornment/Jewelry
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_280024
Additional Online Media:

Wall hanging

Photographer:
Red Mill Manufacturing Company (Red Mill Mfg.), ca. 1980-2001  Search this
Culture/People:
Non-Indian  Search this
Artist/Maker:
Red Mill Manufacturing Company (Red Mill Mfg.), ca. 1980-2001  Search this
Seller:
Museum of the Cherokee Indian Gift Shop  Search this
NMAI agent:
Ann McMullen (AMcM), Non-Indian  Search this
Object Name:
Wall hanging
Media/Materials:
Pecan nut shell/shells, polymer resin, metal screw
Techniques:
Mold-made
Dimensions:
29 x 1.6 cm
Object Type:
Advertising/Logo items
Place:
Fishersville; Virginia; USA
Date created:
circa 2000
Catalog Number:
26/9367
Barcode:
269367.000
See related items:
Non-Indian
Eastern Band of Cherokee
Advertising/Logo items
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_410504

The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Kilkelly, Ann  Search this
Extent:
1 Cubic foot (2 boxes )
Type:
Archival materials
Collection descriptions
Photographs
Transcripts
Compact discs
Digital images
Oral history
Interviews
Place:
Appalachian Region
West Virginia -- 1990-2000
Bluefield (W.Va.)
Date:
1997-2003
Summary:
The collection documents a working class "gay" bar, the Shamrock Bar, Bluefield, West Virginia, 1997-2000, through photographs and oral history interviews.
Scope and Contents:
The collection consists of Carol Burch-Brown's photographs (200 photoprints, mostly silver gelatin on fiber-base paper, but including more than a dozen digital prints), copies of tape-recorded interviews (on 26 compact discs), and transcripts of interviews (3 volumes plus a compact disc containing Word files) made at the Shamrock Bar, Bluefield, West Virginia, 1997-2002, documenting a working-class gay bar. The photographs include "drag" performances, pageants, and other activities at the bar. Many show performers applying makeup and donning costumes, including the use of prosthetic breasts. Pictures taken in the bar are often in a soft-focus, slightly blurred, high-contrast, impressionistic style. There are a number of sharp-focus portraits, however, and exterior views of the building, its neighborhood, and the town are sharply focused, detailed documentary images.

Names (usually pseudonyms or stage names) which turn up in the interviews include: Natasha Michaels, Nikki Eaves, Shea West, Cortney Collins, Taylor Made, India Dream, Clinton, Tiffany Aver, Terba Devero, Roxie Morehead, and Dorothy. The performer "Bunny" is actually the photographer's friend and colleague, Ann Kilkelly. Many of these persons are also shown in the photographs, as is Helen Compton.

Note: The audio compact disks are not original recordings, and may be played by researchers directly.
Arrangement:
The collection is divided into three series.

Series 1: Photoprints

Series 2: Text (including transcripts of interviews)

Series 3: Compact discs
Biography:
Carol Burch-Brown is Professor of Art and Humanities at Virginia Tech, Blacksburg, Virginia, and is a photographer, painter, and musician. Photographer and co-author with David Rigsbee, Trailers, University Press of Virginia, 1996.
Historical:
During its heyday, the Shamrock Bar in Bluefield, West Virginia was a gathering place for gays and lesbians. The photographer reported in March 2003, before donating this collection, that Miss Helen Compton, proprietor of the Shamrock, had died and the establishment had been closed.
Other Title:
It's Reigning Queens in Appalachia
Provenance:
Colection donated by Carol Burch-Brown, December 2003.
Restrictions:
Unrestricted research access on site by appointment.,Unprotected photographs must be handled with gloves.
Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Bisexuality  Search this
Working class  Search this
Homosexuality  Search this
Bars (Drinking establishments)  Search this
Gay artists -- Interviews  Search this
Lesbian and gay experience  Search this
Transvestism  Search this
Transvestites  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Transcripts
Compact discs
Photographs -- Digital prints -- 20th century
Digital images
Oral history -- 1990-2000
Interviews -- 1980-2000
Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0857
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0857
Additional Online Media:

Virginia and Carolinas

Collection Creator:
Hedges, Jimmy, 1942-2014  Search this
Container:
Box 13, Folder 7-8
Type:
Archival materials
Date:
1990s-2000s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual records or born digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Jimmy Hedges papers and Rising Fawn Folk Art Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016, bulk 1991-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hedgjimm-ref456

Pennsylvania, Virginia, Washington, DC

Collection Creator:
Hedges, Jimmy, 1942-2014  Search this
Container:
Box 12, Folder 23
Type:
Archival materials
Date:
1990s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual records or born digital records with no duplicate access copy requires advance notice.
Collection Rights:
The Jimmy Hedges papers and Rising Fawn Folk Art Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records, 1969-2016, bulk 1991-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Jimmy Hedges papers and Rising Fawn Folk Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hedgjimm-ref452

Scarf

Photographer:
Frankie Welch, Non-Indian  Search this
Culture/People:
Non-Indian  Search this
Artist/Maker:
Frankie Welch, Non-Indian  Search this
Previous owner:
W. Richard West, Jr. (Rick West), Southern Tsitsistas/Suhtai (Cheyenne), b. 1943  Search this
Donor:
W. Richard West, Jr. (Rick West), Southern Tsitsistas/Suhtai (Cheyenne), b. 1943  Search this
Object Name:
Scarf
Media/Materials:
Silk cloth, ink
Techniques:
Sewn, printed
Dimensions:
89.6 x 20.1 cm
Object Type:
Clothing/Garments: Accessories
Place:
Alexandria; Alexandria City; Virginia; USA
Date created:
circa 2000
Catalog Number:
26/6701
Barcode:
266701.000
See related items:
Non-Indian
Clothing/Garments: Accessories
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:NMAI_392094
Additional Online Media:

Craig Sterling Washington, D.C. Photoprints

Photographer:
Sterling, Craig  Search this
Names:
Jefferson Memorial (Washington, D.C.)  Search this
United States Capitol (Washington, D.C.)  Search this
Extent:
0.15 Cubic feet (1 box, 16" x 20" x 1")
Type:
Archival materials
Collection descriptions
Photographs
Place:
Washington (D.C.) -- 1990-2000
Date:
1990-1996
Summary:
Black and white photoprints by photographer Craig Sterling, made in the 1990s as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C., including the U.S. Capitol, the Lincoln Memorial, the Jefferson Memorial, and the Arboretum.
Scope and Contents:
The photographs in this collection were made in the 1990s by Craig Sterling as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C. These prints are silver gelatin. Nine of them, unmated and unmounted, were made on 16" x 20" with wide margins (actual image sizes are shown below). The other three prints are in window mats, 16" x 16".
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Craig Sterling is an American art photographer who studied at the Brooks Institute of Photography, Santa Barbara, California. He cites the photography of Ansel Adams, Arnold Newman, and Eugene Atget as having had the greatest influence on his work. Sterling, who works exclusively in black-and-white, using a wide range of equipment, makes his own silver gelatin and pigment prints. He often prefers the square format of Hasselblad cameras. He has maintained a studio at the Torpedo Factory in Alexandria, Virginia since 2001.

His photographs, which display a largely pictorialist style, are in the collections of other institutions, such as the Corcoran Gallery of Art, the National Gallery of Art, and the Oakland Museum. His work has appeared in group exhibitions at the Art League Gallery (Alexandria Virginia), the University of Maine Museum of Art (Bangor, Maine), the Baldwin Photographic Gallery (Middle Tennessee State University, Murfreesboro, Tenn.), the Oakland Museum (Oakland, California), the Philip Weiss Gallery (London), among many others, especially in the Washington and Virginia areas.

His other photographic activities have included teaching at the Art League, Alexandria, Va.; PhotoWorks at Glen Echo Park, Bethesda, Md.; and the Smithsonian Institution Resident Associate Program. He also served as curator for an exhibition, "The Photographs of Alexander Gardner," at the Washington Center for Photography. He has a Web site at http://www.craigsterling.com/.
Provenance:
Collection donated by Craig Sterling
Rights:
Contact photographer, Craig Sterling, for reproduction permission. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Arboretums  Search this
Memorials -- Washington (D.C.)  Search this
Cities and towns  Search this
Monuments -- Washington (D.C.)  Search this
Lincoln Memorial (Washington, D.C.)  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Citation:
Photograph by Craig Sterling, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0805
See more items in:
Craig Sterling Washington, D.C. Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0805

Virginia Young papers, circa 1951-2000

Creator:
Young, Virginia Heyer  Search this
Subject:
Young, Virginia Heyer  Search this
Physical description:
1 linear foot
Culture:
African Americans  Search this
Chinese Americans  Search this
West Indians  Search this
Type:
Interviews
Collection descriptions
Articles
Journals (accounts)
Logs (records)
Place:
United States
West Indies
Date:
1951
2000
circa 1951-2000
Topic:
Ethnology  Search this
Local number:
NAA MS 2010-14
Data Source:
National Anthropological Archives
EDAN-URL:
edanmdm:siris_arc_291716

"American Art Criticism in the 60s: A Memoir," University of Virginia, Richmond, and Virginia Museum of Fine Art

Collection Creator:
Kozloff, Max  Search this
Container:
Box 1, Folder 89
Type:
Archival materials
Date:
1990s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Max Kozloff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Max Kozloff papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Max Kozloff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kozlmax-ref110

SERC Subject Files, 1972-2002

Creator:
Smithsonian Environmental Research Center Office of the Director  Search this
Physical description:
4 cu. ft. (4 record storage boxes)
Type:
Manuscripts
Collection descriptions
Clippings
Color photographs
Place:
Chesapeake Bay (Md. and Va.)
Date:
1972
1972-2002
Topic:
Environmental sciences  Search this
Local number:
SIA Acc. 04-044
See more items in:
SERC Subject Files 1972-2004 [Smithsonian Environmental Research Center Office of the Director]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_251640

Photographs and Slides, circa 1996-2008

Creator:
National Museum of Natural History (U.S.) Office of Education and Outreach  Search this
Subject:
National Museum of Natural History (U.S.) Office of Education and Outreach Naturalist Center  Search this
Physical description:
0.25 cu. ft. (1 half document box)
Type:
Compact discs
Collection descriptions
Digital images
Electronic records
Black-and-white photographs
Color photographs
Color transparencies
Date:
1996
1996-2008
circa 1996-2008
Topic:
Museum buildings  Search this
Museums--Educational aspects  Search this
Museums--Employees  Search this
Natural history museums  Search this
Science--Study and teaching  Search this
Special events  Search this
Local number:
SIA Acc. 12-592
See more items in:
Photographs and Slides c. 1974-2008 [National Museum of Natural History (U.S.) Office of Education and Outreach]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_361800

Naturalist Center Operation Manuals, circa 1979-2011

Creator:
National Museum of Natural History (U.S.) Office of Education and Outreach  Search this
Subject:
National Museum of Natural History (U.S.) Office of Education and Outreach Naturalist Center  Search this
Physical description:
1 cu. ft. (1 record storage box)
Type:
Manuscripts
Collection descriptions
Date:
1979
1979-2011
circa 1979-2011
Topic:
Museum buildings  Search this
Museums--Educational aspects  Search this
Science--Study and teaching  Search this
Local number:
SIA Acc. 12-593
See more items in:
Naturalist Center Operation Manuals c. 1979-2011 [National Museum of Natural History (U.S.) Office of Education and Outreach]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_361801

Naturalist Center History Files, 1977-2011

Creator:
National Museum of Natural History (U.S.) Office of Education and Outreach  Search this
Subject:
National Museum of Natural History (U.S.) Office of Education and Outreach Naturalist Center  Search this
Physical description:
4 cu. ft. (4 record storage boxes)
Type:
Clippings
Collection descriptions
Brochures
Manuscripts
Electronic records
Compact discs
Floor plans
Posters
Color transparencies
Color photographs
Videotapes
Date:
1977
1977-2011
Topic:
Museums--Educational aspects  Search this
Museums--Public relations  Search this
Natural history museums  Search this
Science--Study and teaching  Search this
Special events  Search this
Local number:
SIA Acc. 12-590
See more items in:
Naturalist Center History Files 1976-2011 [National Museum of Natural History (U.S.) Office of Education and Outreach]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_361823

Collection Management Records, circa 1954-2006

Creator:
National Museum of Natural History (U.S.) Office of Education and Outreach  Search this
Subject:
National Museum of Natural History (U.S.) Office of Education and Outreach Naturalist Center  Search this
Physical description:
1 cu. ft. (1 record storage box)
Type:
Manuscripts
Collection descriptions
Floor plans
Date:
1954
1954-2006
circa 1954-2006
Topic:
Museums--Collection management  Search this
Museums--Educational aspects  Search this
Natural history museums  Search this
Local number:
SIA Acc. 12-591
See more items in:
Collection Management Records c. 1954-2008 [National Museum of Natural History (U.S.) Office of Education and Outreach]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_361824

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