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Burt Chernow papers

Creator:
Chernow, Burt  Search this
Names:
Housatonic Community College (Bridgeport, Conn.)  Search this
Housatonic Museum of Art  Search this
Westport Schools Permanent Art Collection  Search this
Westport-Weston Arts Council (Westport, Conn.)  Search this
Arman, 1928-2005  Search this
Avery, Milton, 1885-1965  Search this
Christo, 1935-  Search this
Hendricks, Barkley L., 1945-  Search this
Jeanne-Claude, 1935-2009  Search this
Johnson, Lester, 1919-2010  Search this
Peterdi, Gabor  Search this
Woodham, Jean, 1925-  Search this
Zúñiga, Francisco, 1912-1998  Search this
Extent:
21.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Transcriptions
Video recordings
Sound recordings
Photographs
Date:
1930-2002
Summary:
The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.
Scope and Contents:
The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them.

Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs. Other writings include drafts of articles, lectures, exhibition reviews, and catalog essays, some of which include research material gathered on the subjects. Artists written about by Chernow include Arman, Milton Avery, Barkley Hendricks, Francisco Zuñiga, Lester Johnson, Gabor Peterdi, and Jean Woodham, among many others, and including many Connecticut artists. A recorded interview with Arman, as well as transcripts of multiple interviews with Zuñiga, are filed with these writings. Also found are many writings and lectures related to the value of visual art in public life and in elementary and higher education. Numerous lectures by Chernow about several of the Christos' large-scale projects are also found, one of which, on the Wrapped Reichstag, is recorded on video.

Organizational records document Chernow's involvement in various art education organizations, his years of teaching at Housatonic Community College, his development of the Housatonic Museum of Art collection, and his work with several local arts organizations in Westport, Conn., including the Westport Arts Advisory Council, the Westport Arts Center, the Westport Schools Permanent Art Collection Committee, and the Westport Weston Arts Council. Types of documents found include correspondence, clippings, photographs, flyers, and notes.

Printed material includes many of the books written by Chernow, and monographs and magazines which included essays on specific artists by Chernow. A file of clippings about Chernow spanning his career is also found. Photographs include prints, negatives, and contact sheets, and consist mainly of photographs of artists, many of which were taken by Chernow, and many of which are signed by the artists with a personal note to the Chernows. A handful of personal photographs of the Chernows are also found.
Arrangement:
Collection is arranged as 5 series.

Missing Title

Series 1: Research Material for -- Christo and Jeanne-Claude: A Biography -- , 1930-2002 (17.1 linear feet; Boxes 1-17, 23, OV 24)

Series 2: Other Writing, 1962-1999 (1.5 linear feet; Boxes 17-19)

Series 3: Organizational Records, 1963-2000 (1.1 linear feet; Boxes 19-20, 23, OV 24)

Series 4: Printed Material, 1960-2002 (1.3 linear feet; Boxes 20-21, 23)

Series 5: Photographs, 1950-1997 (0.8 linear feet; Boxes 21-23, OV 24)
Biographical / Historical:
Burt Chernow was an art historian, writer, educator, collector, and dealer who founded the Housatonic Museum of Art in Bridgeport, Connecticut, and who, upon his retirement from Housatonic Community College, became the authorized biographer of Christo and Jeanne-Claude, which he researched through close contact with the Christos from 1984 until his death in 1997. Although he had not completed the biography when he died, his wife Ann Chernow saw the manuscript through to publication, and the biography, Christo and Jeanne-Claude: A Biography, was first published in Germany in 2000, and then in the United States in 2002.

Born in New York City in 1933, Chernow earned a master's degree in art education at New York University in 1960, and began his career as an art teacher in the Westport, Connecticut public schools, later joining the faculty of the Art Department at the Housatonic Community College, where he eventually became the department's director. He also taught at the Museum of Modern Art, organizing the Children's Art Carnival in Harlem through the museum, and at Silvermine School of the Arts, the A.B.C.D. Arts Center in Bridgeport, Conn., and the Stamford Museum. While on the faculty at Housatonic Community College, he began collecting original artworks, mainly through donations directly from the artists, for what eventually became the Housatonic Museum of Art. Over the course of nearly 30 years he amassed over 4000 works for the collection, the largest of its kind for a community college, and remained the museum's Emeritus Director until his death. He remained active in civic arts organizations in Westport as well, where he was a founding member of the Westport Arts Center, served on the Westport Arts Advisory Council, and helped to establish the annual Westport Arts Awards.

Upon his retirement from the Housatonic faculty in 1984, Chernow approached Christo and Jeanne-Claude about becoming their authorized biographer. He had participated in their project Surrounded Islands in Miami in 1983, and had played a role in exhibitions and artist talks by Christo at the Aldrich Museum (1981) and the Wadsworth Atheneum (1978) as well. He and his wife Ann Chernow attended and helped to document the Wrapped Pont Neuf (1985) in Paris, and then visited Christo's family in Bulgaria in 1986. It was after their Bulgarian trip that Christo and Jeanne-Claude agreed to authorize him to write their biography, and Chernow's research began in earnest. He conducted hundreds of interviews with them, their family, and associates, participated in the major large-scale projects that took place between 1985 and 1995, and completed a draft of the biography up to the year 1982 before he died suddenly in 1997. After his death, his wife Ann Chernow saw the biography through to publication. It was published with an epilogue by Wolfgang Volz, the Christos' official photographer, bringing the Christos' story up to date from where Chernow had left off, first in Germany, and later in the United States and Italy.

Chernow wrote many books, catalogs, and articles about other artists as well, including Milton Avery, Francisco Zuniga, Gabor Peterdi, Will Barnet, Jean Woodham, and Lester Johnson, among others, and published and lectured widely on the subjects of art education and public art.
Provenance:
Donated 2002 by Ann Chernow, the widow of Burt Chernow.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Connecticut  Search this
Art critics -- Connecticut  Search this
Topic:
Art -- Study and teaching  Search this
Authors -- Connecticut  Search this
Educators -- Connecticut  Search this
Genre/Form:
Interviews
Transcriptions
Video recordings
Sound recordings
Photographs
Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cherburt
See more items in:
Burt Chernow papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b0f96b06-f802-418f-9058-619da6096571
EDAN-URL:
ead_collection:sova-aaa-cherburt
Online Media:

Introductory Video: Intersections: World Arts, Local Lives

Creator:
Smithsonian Magazine  Search this
Type:
Video recordings
Podcast
MIME Type:
video/mp4
Uploaded:
Fri, 15 Jan 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_ca74c20f793947602a0c769b94b70a7a

Museum Events, Programs, and Projects, 1967-1989

Creator:
Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Extent:
12 Linear feet
392 Sound recordings (50 open reel 1/4" sound recordings ; 5 microcassette sound recordings ; 337 audio cassette sound recordings)
266 Video recordings (1 Super 8 film reel ; 152 open reel 1/2" video recordings ; 3 U-matic 3/4" video recordings ; 110 VHS 1/2" video recordings)
Type:
Collection descriptions
Archival materials
Sound recordings
Video recordings
Museum records
Place:
Anacostia (Washington, D.C.)
Date:
1967-1989
Scope and Contents note:
This collection contains video and audio recordings of events, talks, and ceremonies hosted at or by the Anacostia Community Museum. It also contains audiovisual PR materials for the museum and its events. The collection includes recordings of a wide array of events, including the opening of the Anacostia Community Museum, award and dedication ceremonies, and documentation of on- and off-site events and talks, such as recordings of lectures and sermons delivered by founding Museum Director John Kinard.
General:
Many of the video recordings originally recorded onto 1/2" open reel were transferred to VHS in 1990.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Genre/Form:
Museum records
Sound recordings
Video recordings
Citation:
Anacostia Community Museum Programs and Projects, 1967-1989, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7ac90de80-1771-4cbc-a6f4-6cea794cedc5
EDAN-URL:
ead_collection:sova-acma-09-023

Philip Pearlstein papers

Creator:
Pearlstein, Philip, 1924-  Search this
Names:
WBAI Radio (New York, N.Y.)  Search this
WRFM (Radio station : New York, N.Y.)  Search this
Barnet, Will, 1911-2012  Search this
Blaine, Michael  Search this
Cantor, Dorothy  Search this
Close, Chuck, 1940-  Search this
Downes, Rackstraw  Search this
Dückers, Alexander, 1939-  Search this
Field, Richard  Search this
Haas, Richard, 1936-  Search this
Hampleman, Jean  Search this
Kelly, W. J.  Search this
Levine, Jack, 1915-2010  Search this
McCarthy, David, 1960-  Search this
Shaman, Sanford Sivitz  Search this
Storr, Robert  Search this
Tamburini, Fernando  Search this
Tsao, Vivian, 1950-  Search this
Updike, John  Search this
Viola, Jerome  Search this
Wallin, Leland  Search this
Ward, John  Search this
Warhol, Andy, 1928- -- Photographs  Search this
Witkin, Jerome  Search this
Yezzi, David  Search this
Extent:
31.8 Linear feet
16.68 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Date:
circa 1940-2008
Summary:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.
Scope and Contents:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

Biographical material includes appointment books, several awards, annotated calendars, a catalogue raisonné working list, identification card, membership files, resumes, and one sound recording. Correspondence is with Will Barnet, Chuck Close, Rackstraw Downes, Richard Haas, Jack Levine, Robert Storr, John Updike, Leland Wallin, Jerome Witkin, family, galleries and museums, students, colleagues, artists, arts organizations, and includes a digital recording.

Also found are sound recordings and transcripts of interviews with Pearlstein by Vivian Tsao, Michael Blaine, Sanford Sivitz Shaman, David McCarthy, and broadcast stations WRFM and WBAI. Writing projects and lectures by Pearlstein consist of student work, numerous articles and essays, sound and video recordings of lectures and speeches, letters, memorials, miscellaneous manuscripts and notes, and a U.S. and U.S.S.R. Workshop Exchange project proposal. Writings by others about Pearlstein are by W.J. Kelly, Alexander Dückers, Richard Field, John Ward, Jerome Viola, Robert Storr, and David Yezzi.

Personal business records contain agreements, consignment and loan documents, donations, financial material, exhibition files, insurance and inventories, recommendations written by Pearlstein, reproduction permissions, digital recordings, and teaching files for various institutions. Art reproductions, clippings, exhibition announcements and catalogs for exhibitions of artwork by Pearlstein and others, magazines and journals, newsletters, postcards, and publicity files that include one digital recording are in printed materials.

Two scrapbooks are of Egyptian and Roman architecture and objects accompanied by notes and a small amount of sketches, and one scrapbook is printed material regarding Pearlstein's work and exhibitions. Artwork is by Jean Hampleman, Fernando Tamburini, and unidentified artists. Photographs and moving images that include video recordings and motion picture film of Pearlstein in the studio, portraits, and candids; personal photographs of family, travel, and classmates including Andy Warhol and Dorothy Cantor; artist's models; events and exhibitions; and works of art.

Completed and unedited video and sound recordings, computer graphics footage, soundtrack material, and administrative records for the 1985 documentary video production Philip Pearlstein Draws the Artist's Model are also in this collection.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Material, 1964-2008 (0.8 linear feet; Boxes 1, 36, OV42)

Series 2: Correspondence, circa 1955-2008 (8.5 linear Feet; Boxes 1-10, OVs 42-43, 0.168 GB; ER01)

Series 3: Interviews and Transcripts, 1957-2003 (0.5 linear Feet; Box 10)

Series 4: Writing Projects and Lectures, circa 1945-2008 (2.5 linear Feet; Boxes 10-13, 37-38, 8.26 GB: ER02-ER13)

Series 5: Personal Business Records, 1955-2007 (1 linear Feet; Boxes 13-14, 3.77 GB: ER14-ER15)

Series 6: Printed Materials, 1946-2008 (3.0 linear Feet; Boxes 14-21, 36, OVs 42-43)

Series 7: Scrapbooks, circa 1953-1970s (0.4 linear Feet; Box 22)

Series 8: Artwork, undated, 1967-2004 (0.2 linear Feet; Box 22, OV 42)

Series 9: Photographs and Moving Images, 1940s-2008 (3.3 linear Feet; Boxes 22, 37, 39-41, 4.18 GB; ER16-ER18)

Series 10: Philip Pearlstein Draws the Artist's Model, Documentary Production Material, 1983-1991 (8.5 linear Feet; Boxes 23-30, SAV 31-35)
Biographical / Historical:
Philip Pearlstein (1924- ) is a painter and educator based in New York, N.Y.

Pearlstein was born in Pittsburgh, Pennsylvania, and he attended classes at the Carnegie Museum of Art as a child. While still in high school, his paintings were reproduced in Life magazine after winning Scholastic magazine's high school art competition. After graduating from high school Pearlstein enrolled in the Carnegie Institute of Technology's (CIT) art school, but left after a year to serve in the Army during World War II. He gained knowledge of printing, drafting, and sign painting while stationed in Florida and Italy. After the war he returned to CIT as a student and became art editor of the engineering school's Carnegie Technical magazine. During this time Pearlstein met his wife, Dorothy Cantor, and became close friends with Andy Warhol, both classmates at CIT. Pearlstein moved to New York City with Warhol after receiving his Bachelor of Fine Arts in 1949. In 1955, he completed his thesis on Francis Picabia and received a Master of Arts in art history from New York University's Institute of Fine Arts.

As Pearlstein's career evolved, he became known for his realistic nudes and landscapes. Many of Pearlstein's paintings were inspired by his travels to the western United States, Peru, Egypt, and to Italy as a 1958 Fulbright Grant recipient. His work has been exhibited throughout the United States and internationally, and he has worked closely with the Tanager and Alan Frumkin Galleries in New York. In addition to his painting career, Pearlstein was an instructor at Pratt Institute from 1959 to 1963 and at Brooklyn College from 1963 to 1988. He is also a member of the National Academy of Design and the American Academy of Arts and Letters, serving as president from 2003 to 2006.

Pearlstein continues to work and live in New York, N.Y.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Philip Pearlstein conducted by Paul Cumming, June 8 to August 10, 1972.
Provenance:
The papers were donated in multiple installments by Philip Pearlstein from 1975 to 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Audio visual material "Philip Pearlstein Draws the Artists' Model": Authorization to quote or reproduce for purposese of publication requires written permission from Pearlstein or his heirs. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Architecture -- Egypt  Search this
Architecture, Roman  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pearphil
See more items in:
Philip Pearlstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae8de1cb-660c-49be-b009-d765ed771ebe
EDAN-URL:
ead_collection:sova-aaa-pearphil
Online Media:

Alexander Liberman papers

Creator:
Liberman, Alexander, 1912-1999  Search this
Names:
André Emmerich Gallery  Search this
Bennington College  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Cartier-Bresson, Henri, 1908-  Search this
Chernow, Burt  Search this
Dalí, Salvador, 1904-1989  Search this
De Kooning, Willem, 1904-1997  Search this
Dietrich, Marlene  Search this
Emmerich, André  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hopps, Walter  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Leibovitz, Annie, 1949-  Search this
Motherwell, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Newton, Helmut, 1920-  Search this
Parks, Gordon, 1912-2006  Search this
Parsons, Betty  Search this
Penn, Irving  Search this
Picasso, Pablo, 1881-1973  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones, Earl of, 1930-  Search this
Steichen, Edward, 1879-1973  Search this
Vogel, Lucien  Search this
Vreeland, Diana  Search this
Extent:
59 Linear feet
Type:
Collection descriptions
Archival materials
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Date:
circa 1912-2003
Summary:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
Scope and Contents:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Biographical materials include awards, biographies and chronologies, family history materials, membership cards, writings by Liberman's mother, and a scrapbook about his father.

Correspondence is extensive and concerns both personal and professional affairs. It is with artists and photographers, art magazines, organizations and museums, art collectors, businesses, and family. Notable correspondents include Cecil Beaton, Henri Cartier-Bresson, Burt Chernow, Salvador Dali, Robert Motherwell, Helen Frankenthaler, Barnett and Annalee Newman, Additional correspondence is found within the subject files compiled and organized by Liberman (series 6).

There are sound and video recordings and transcripts of interviews with and by Liberman, most completed for broadcast television and radio shows. Of particular interest are sound cassettes, a sound tape reel, and a transcript of an interview with Walter Hopps by Liberman.

Writings by Liberman include essays, short stories, and a play entitled 2+1. Writing project files were organized by Liberman for writing projects for which he was the author, collaborator, or subject. There are numerous files concerning Barbara Rose's book about Liberman Alexander Liberman that also include recorded interviews with Liberman and transcripts. Other books for which there are files include The Art and Technique of Color Photography, The Artist in His Studio, Vogue: The First 100 Years, Vogue History of Fashion Photography, and others.

Subject files were organized by Liberman for a wide variety of work projects, activities, topics, and entities of interest. Files cover commissions, the filming and distribution of the 1981 documentary film Alexander Liberman: A Lifetime Burning, Liberman's personal collection of art, gifts of artwork, and his relationship with galleries and dealers, particularly André Emmerich Gallery.

Exhibition files document exhibitions of Liberman's artwork, and include those held at André Emmerich Gallery, Bennington College, the Guggenheim, Museum of Modern Art, among other venues. Files contain correspondence, contracts, photographs, plans and drawings, notes, etc. Also found are inventory records of Liberman's artwork in the form of lists, index cards, bound registers, and notes.

Ten linear feet of printed materials include exhibition announcements and catalogs, books and book flyers, brochures, calendars, clippings, postcards, posters, press releases, and other materials.

There are scattered drawings and sketches found within the papers, some of which are sketches of sculpture pieces.

Nearly one-half of the collection is comprised of photographs of Liberman and his artwork, and of artists and colleagues, many of which were taken by noted photographers, including Cecil Beaton, Henri Cartier-Bresson, William Klein, Henri Lartique, Annie Leibowitz, Inge Morath, Ugo Mulas, Hans Namuth, Helmut Newton, Gordon Parks, Irving Penn, Herb Ritts, and Lord Snowden, among others. Subjects of note found in the photographs include Alfred Barr, Salvador Dali, Marlene Dietrich, Willem de Kooning, Andre Emmerich, Helen Frankenthaler, Clement Greenberg, Franz Kline, Robert Motherwell, Barnett Newman, Betty Parsons, Pablo Piccaso, Edward Steichen, Lucien Vogel, and Diana Vreeland, among many others.
Arrangement:
The collection is arranged into twelve series. Photographs retain Liberman's original numerical and alpha schemas and the corresponding indexes are found in the Inventory Records in Series 8.

Missing Title

Series 1: Biographical Materials, circa 1930s-1999 (1 linear foot; Box 1, 56)

Series 2: Correspondence, 1944-1997 (4 linear feet; Boxes 1-5, 56, OV 65)

Series 3: Interviews, 1946-1996 (1.4 linear feet; Boxes 5-7, 56)

Series 4: Writings, 1948-1995 (0.9 linear feet; Boxes 7-8)

Series 5: Writing Project Files, 1951-1997 (1.8 linear feet; Boxes 8-9, 56)

Series 6: Subject Files, 1946-2000 (6 linear feet; Boxes 9-15, 56, OV 66-67)

Series 7: Exhibition Files, 1954-1991 (0.7 linear feet; Boxes 15-16, 56, OV 68)

Series 8: Inventory Records, 1938-1998 (6 linear feet; Boxes 16-22)

Series 9: Printed Materials, 1932-2003 (10 linear feet; Boxes 22-31, 56-57, OV 69)

Series 10: Artwork, circa 1940s-1990s (0.4 linear feet; Boxes 32, 57, OV 70)

Series 11: Photographic Materials, circa 1912-1999 (26 linear feet; Boxes 32-55, 57-64, OVs 71-77)

Series 12: Unidentified Sound and Video Recordings, circa 1941-1999 (0.8 linear feet; Boxes 55, 64)
Biographical / Historical:
Alexander S. Liberman (1912-1999) was a sculptor, painter, photographer, graphic designer, writer, and publishing executive who worked primarily in New York City. He held senior positions at Condé Nast Publications for 32 years.

Alexander Semeonovitch Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. He began his journalistic career in Paris at VU magazine owned by Lucien Vogel and there he befriended photographers Henri Cartier-Bresson, Brassai, Robert Capa, and André Kértesz. He served in the French army for a short time in 1940, but he and his family fled Paris in 1941 to New York City. Condé Nast hired Liberman in 1941 as an assistant to the art director of Vogue magazine. Liberman became art director in 1943 and editorial director of Condé Nast Publications in 1962, a position he held until his retirement in 1994.

Liberman was also a photographer whose subjects included Georges Braque, Alexander Calder, Alberto Giacometti, Henri Matisse, Pablo Picasso, and Marlene Dietrich, among others, many represented in his 1960 book entitled The Artist in his Studio and Marlene: An Intimate Photographic Memoir (1992). He was also the subject of the work of noted photographers Cecil Beaton, Irving Penn, Henri Cartier-Bresson, Gordon Parks, Lord Snowden, Jill Krementz, Henri Lartique, Annie Leibovitz, and Hans Namuth.

Liberman took up painting and sculpting in the 1950s. Although his first exhibition was at the Betty Parsons Gallery, he was primarily associated with the André Emmerich Gallery in New York City. His monumental sculptures were mostly assembled from industrial parts and painted and can be seen in museums and public sites worldwide.

Liberman was briefly married to Hildegarde Sturm. He married his second wife Tatiana Yacovleff du Plessix in 1942. Before their marriage, they fled occupied France together. She was a noted hat designer, working for Henri Bendel and Saks, where she became known as Tatiania of Saks. She died in 1991 and, in 1992, Liberman married Melinda Pechangco, a nurse who had earlier cared for Tatiania. Alexander Liberman died in 1999 in Miami, Florida.
Related Materials:
Related collections found at the Archives of American Art include the Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman and numerous collections of gallery records.
Provenance:
The Alexander Liberman papers were donated to the Archives of American Art by Liberman Art Partners in 2010 via Dodie Kazanjian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Publishers -- New York (State) -- New York  Search this
Graphic designers  Search this
Topic:
Photographers -- New York (State) -- New York  Search this
Photography  Search this
Sculptors -- France -- Paris  Search this
Fashion photography  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- France -- Paris  Search this
Genre/Form:
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.libealex
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw942e7024f-773e-4db8-b545-31138550580a
EDAN-URL:
ead_collection:sova-aaa-libealex
Online Media:

Cleve Overton papers, circa 1928-2022, bulk 1948-2020

Creator:
Overton, Cleve, 1928-2020  Search this
Subject:
Andreasen, Jude  Search this
Type:
Video recordings
Citation:
Cleve Overton papers, circa 1928-2022, bulk 1948-2020. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
Theme:
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)22162
AAA_collcode_overclev
Theme:
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22162

Burt Chernow papers, 1930-2002

Creator:
Chernow, Burt, 1933-1997  Search this
Subject:
Peterdi, Gabor  Search this
Hendricks, Barkley L.  Search this
Johnson, Lester  Search this
Arman  Search this
Avery, Milton  Search this
Christo  Search this
Zúñiga, Francisco  Search this
Woodham, Jean  Search this
Jeanne-Claude  Search this
Westport-Weston Arts Council (Westport, Conn.)  Search this
Housatonic Community College (Bridgeport, Conn.)  Search this
Housatonic Museum of Art  Search this
Westport Schools Permanent Art Collection  Search this
Type:
Interviews
Transcriptions
Video recordings
Sound recordings
Photographs
Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Authors -- Connecticut  Search this
Educators -- Connecticut  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6021
(DSI-AAA_SIRISBib)235373
AAA_collcode_cherburt
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_235373
Online Media:

Cosmos Andrew Sarchiapone papers, circa 1860-2011, bulk 1940-2011

Creator:
Sarchiapone, Cosmos Andrew, 1931-2011  Search this
Subject:
Arbus, Diane  Search this
Cage, John  Search this
Glaser, Milton  Search this
Hay, Alex  Search this
Huebler, Douglas  Search this
Israel, Marvin  Search this
Johnson, Ray  Search this
Kelly, Ellsworth  Search this
Scull, Robert C.  Search this
Sonneman, Eve  Search this
Parsons School of Design  Search this
School of Visual Arts (New York, N.Y.)  Search this
Push Pin Studios  Search this
Type:
Drawings
Ephemera
Illustrations
Music
Photocopies
Photographs
Posters
Prints
Sketchbooks
Sound recordings
Video recordings
Place:
New York (State) -- New York City -- Photographs
Citation:
Cosmos Andrew Sarchiapone papers, circa 1860-2011, bulk 1940-2011. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Music--New York (State)--New York  Search this
Photographers -- New York (State) -- New York  Search this
Photography -- Study and teaching  Search this
Photography--New York (State)--New York  Search this
Theater--New York (State)--New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16242
(DSI-AAA_SIRISBib)370445
AAA_collcode_sarccosm
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370445
Online Media:

Harold Helwig and Lenore Davis papers, 1940-2013

Creator:
Davis, Lenore, 1936-1995  Search this
Helwig, Harold B., 1938-2012  Search this
Subject:
Penland School of Crafts  Search this
Type:
Sketchbooks
Video recordings
Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
Topic:
Enamel and enameling  Search this
Textile design  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17478
(DSI-AAA_SIRISBib)388783
AAA_collcode_helwharo
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_388783

Cleve Overton papers

Creator:
Overton, Cleve  Search this
Names:
Andreasen, Jude  Search this
Extent:
3.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
circa 1928-2022
bulk 1948-2020
Summary:
The papers of Washington, D.C.-based mixed media artist Cleve Overton measure 3.8 linear feet and date from circa 1928-2022, bulk 1948-2020. Included are biographical materials; correspondence including letters from Overton to his wife Jude Andreasen while she was in various countries in Africa; writings, exhibition files, project files, printed materials, subject files, and photographs and photograph albums of Cleve, family, events, artwork, events and exhibitions.
Scope and Contents:
The papers of Washington, D.C.-based mixed media artist Cleve Overton measure 3.8 linear feet and date from circa 1928-2022, bulk 1948-2020. Included are biographical materials; correspondence including letters from Overton to his wife Jude Andreasen while she was in various countries in Africa; writings, exhibition files, project files, printed materials, subject files, and photographs and photograph albums of Cleve, family, events, artwork, events and exhibitions.

Biographical material includes award certificates, biographical profiles, family history, travel documents, memorial records and obituaries, and an audiovisual recording from Cleve Overton's 80th birthday celebration. Also included is a disbound binder of biographical material compiled by Overton.

Correspondence mostly consists of Cleve Overton's letters to his wife Jude Andreasen while she lived in several countries in Africa as well as some letters he wrote to "Dear Ones," presumably friends and family. There are some letters from various correspondents addressed to Cleve Overton and there is one folder of condolence letters.

Writings include articles, essays, notes, and letters to the editor written by Cleve Overton. There is also one binder of book production records that was compiled by Overton and his wife Jude Andreasen about books they collaborated on and published.

Exhibition files consist of catalogs and announcements, clippings, photographs, artist statements, price lists, video recordings of receptions, and guestbooks of group and solo exhibitions of Cleve Overton's artwork.

Project files include correspondence, printed material, photographs, and other documentation related to Overton's art projects.

Printed material is mostly comprised of clippings, magazines, and books about Cleve Overton and his artwork, whereas subject files include a mixture of printed material, photographs and documents that were compiled by Overton on topics and artists that interested him.

Photographs are of Cleve Overton, his artwork, friends and family, exhibitions (images are of the opening receptions as well as the art), military service in Japan, and various protests and marches he participated in. Most of the series is comprised of snapshots but there are also some slides and digital photographs.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1928-2020 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1948-2021 (0.8 linear feet; Box 1)

Series 3: Writings, circa 1969-circa 2020 (0.3 linear feet; Box 2)

Series 4: Exhibition Files, 1992-2015 (0.6 linear feet; Boxes 2, 5)

Series 5: Project Files, 1987-2018 (0.4 linear feet; Boxes 2-3, OV 6)

Series 6: Printed Material and Subject Files, 1948-2022 (Boxes 3, 5)

Series 7: Photographic Material, circa 1935-2020 (Boxes 3-5)
Biographical / Historical:
Cleve Overton (1928-2020) was an African American mixed media artist based in Washington, D.C. Overton was born in Staten Island, New York on September 17, 1928. From 1945 to 1948, Overton served in the military in an All-Black army unit, the 76th/933rd AAA battalion in Japan. He studied art at the New School and other New York schools. He also ran his studio, the Potter's Wheel, where he offered pottery classes, and later he founded and managed his business, Earthworks. He was a skilled welder. He also taught as an adjunct professor of art at Baruch College and the College of Staten Island, CUNY.

Overton collaborated on many projects with his wife, Jude Andreasen. They moved to Washington, D.C. in 1989. Overton traveled extensively and lived in many countries in Europe and Africa. His time in Senegal led to the creation of a photographic series which were exhibited in IFAN National Museum in Dakar and later became a book The Doors of Senegal that he published with Andreasen. The couple published a second book of photography together, and Overton wrote three other books of his own: a memoir, a book of essays, and a novel.

Overton exhibited widely and often. His mixed media art often reflected his profound commitment to environmental, social, and racial justice. He passed away in 2020.
Provenance:
The Cleve Overton papers were donated to the Archives of American Art in 2022 by Jude Andreasen, Cleve Overton's wife.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Mixed-media artists -- Washington (D.C).  Search this
Mixed-media artists -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Genre/Form:
Video recordings
Citation:
Cleve Overton papers, circa 1928-2022, bulk 1948-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.overclev
See more items in:
Cleve Overton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9839f5a87-60ac-40f6-a8b3-8b6333336783
EDAN-URL:
ead_collection:sova-aaa-overclev
Online Media:

Exhibition Files

Collection Creator:
Overton, Cleve  Search this
Extent:
0.6 Linear feet (Boxes 2, 5)
Type:
Archival materials
Date:
1992-2015
Scope and Contents:
This series consists of materials on group and solo exhibitions of Cleve Overton's artwork. The files include exhibition catalogs and announcements, clippings, photographs, artist statements, price lists, and a few video recordings of receptions. There are also guestbooks and guest book pages with comments and signatures from people who attended various shows.
Arrangement:
This series is in chronological order according to the exhibition date.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Overton papers, circa 1928-2022, bulk 1948-2020. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.overclev, Series 4
See more items in:
Cleve Overton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ff53eb78-911e-4a38-a157-f5f0205926c3
EDAN-URL:
ead_component:sova-aaa-overclev-ref12

80th Birthday Party Video Recording

Collection Creator:
Overton, Cleve  Search this
Extent:
1 Electronic discs (DVD)
Container:
Box 1, Folder 1
Type:
Archival materials
Electronic discs (dvd)
Date:
circa 2009
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Overton papers, circa 1928-2022, bulk 1948-2020. Archives of American Art, Smithsonian Institution.
See more items in:
Cleve Overton papers
Cleve Overton papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ebf9c63e-8d7e-4c2f-abbe-ed8783784d40
EDAN-URL:
ead_component:sova-aaa-overclev-ref16

Alan Schneider papers regarding Bonnichsen v. United States

Creator:
Schneider, Alan  Search this
Names:
Chatters, James C. (1949-03-20)  Search this
Owsley, Douglas W.  Search this
Stanford, Dennis J.  Search this
Extent:
28.5 Linear feet
Note:
The collection is stored off-site. Advanced notice must be given to view the collection.
Type:
Collection descriptions
Archival materials
Place:
North America
Date:
circa 1995 - circa 2005
Summary:
The Alan Schneider papers regarding Bonnichsen v. United States document the legal proceedings of the "Kennewick Man" court case and comprise the case files of Alan Schneider, attorney for the plaintiffs. Included are correspondence, research data and analysis, transcriptions, and administrative records. Additionally, there are materials pertaining to Spirit Cave, On Your Knees Cave, and the Leonard Ranch site.
Scope and Contents:
The collection contains the files of Alan Schneider, attorney for the plaintiffs in the "Kennewick Man" court case (Bonnichsen v. United States). The documents presented here include the plaintiffs' correspondence, background and scientific research, transcriptions, and administrative records from the court case. Also included are some audio and video recordings. The collection also includes files relating to Spirit Cave, On Your Knees Cave, and the Leonard Ranch site.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged into four series: 1. Legal proceedings, 2. Administrative record, 3. Spirit Cave man and related cases, and 4. Research and media. The files in this collection were kept in their original order. Each series is divided into several subseries which correlate to groupings of the original file organization.
Historical Note:
This collection consists of the case files of attorney Alan Schneider regarding the Bonnichsen v. United States, or "Kennewick Man" court case. The court case, in which Schneider was attorney for the plaintiffs, determined whether a set of male human remains found near Kennewick, Washington, would be accessible for study by a group of biological anthropologists prior to potential repatriation by the US Army Corps of Engineers.

Discovered along the banks of the Columbia River near Kennewick, Washington on July 28, 1996, the remains (later dubbed "Kennewick Man" and also known as Ancient One) were initially sent by the coroner to archaeologist James Chatters for examination. Chatters sent a sample for radiocarbon dating, which revealed that the skeleton was between 8,000 and 9,000 years old. This placed the remains among the oldest and most complete skeletons ever found. Because the remains were discovered on federal land managed by the US Army Corps of Engineers (Corps), after the age was determined, the Corps retrieved them from Chatters and transferred them to an evidence locker with the goal of repatriating them in accordance with the Native American Graves Protection and Repatriation Act (NAGPRA) to local Tribes in the fall of 1996.

Meanwhile, other scientists' requests to study the remains were denied by the Corps. In October 1996, a group of eight scientists sued to stop the transfer of the skeleton to local Tribes and allow them to study the remains. The plaintiffs included Robson Bonnichsen, C. Loring Brace, George W. Gill, C. Vance Haynes, Richard Jantz, Douglas Owsley, Dennis Stanford, and D. Gentry Steele. The defendants in the case were the United States, the Corps, the Department of Defense, and later the Department of the Interior and the National Park Service. The Tribal Claimants that participated in the trial as amici were a coalition that included the Umatilla, Colville, Yakama, Wanapum, and Nez Perce (Nimiipuu) Tribes. The court case stretched over a nine-year period in which the plaintiffs made arguments concerning the jurisdiction of NAGPRA, cultural affiliation, the meaning of the term "Native American", and other related topics. Ultimately, the plaintiffs were awarded access to study the remains in 2005.

With advancements in DNA technology, testing was conducted in 2013 and later confirmed that the individual showed affiliation with the Tribes located in the region where he was found. He was then finally repatriated to a coalition of Columbia Basin tribes in 2016. He was reinterred in 2017.
Related Materials:
The National Anthropological Archives also holds the files of Douglas Owsley relating to Bonnichsen v. United States.
Provenance:
Received from Alan Schneider in 2015.
Restrictions:
Access to the Alan Schneider papers regarding Bonnichsen v. United States requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Biological anthropology  Search this
Kennewick Man  Search this
Repatriation  Search this
Citation:
Alan Schneider papers regarding Bonnichsen v. United States, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2015-13
See more items in:
Alan Schneider papers regarding Bonnichsen v. United States
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a776b86f-96d2-4e6b-9d86-664fbd28aa77
EDAN-URL:
ead_collection:sova-naa-2015-13

Ocean Acidification Lab Activity

Creator:
Smithsonian Marine Station at Fort Pierce  Search this
Type:
YouTube Videos
Uploaded:
2020-12-10T19:30:12.000Z
YouTube Category:
Education  Search this
Topic:
Natural History;Marine biology  Search this
See more by:
SmithsonianSMS
Data Source:
Smithsonian Marine Station at Fort Pierce
YouTube Channel:
SmithsonianSMS
EDAN-URL:
edanmdm:yt_-0okaRSXDNM

Where Light and Sound Bend

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2023-04-28T18:57:41.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_-LaXPYHARos

Ignatius Sancho

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-11-27T17:39:51.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_-N1YUqufjwI

Banggai Cardinalfish pair paternal mouthbrooding and female courtship dance

Creator:
Smithsonian Marine Station at Fort Pierce  Search this
Type:
YouTube Videos
Uploaded:
2014-09-12T15:30:27.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Natural History;Marine biology  Search this
See more by:
SmithsonianSMS
Data Source:
Smithsonian Marine Station at Fort Pierce
YouTube Channel:
SmithsonianSMS
EDAN-URL:
edanmdm:yt_0iP_wV0uWwQ

Blue Velvet Sea Slug Eating a Flatworm

Creator:
Smithsonian Marine Station at Fort Pierce  Search this
Type:
YouTube Videos
Uploaded:
2011-10-08T18:24:17.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Natural History;Marine biology  Search this
See more by:
SmithsonianSMS
Data Source:
Smithsonian Marine Station at Fort Pierce
YouTube Channel:
SmithsonianSMS
EDAN-URL:
edanmdm:yt_149yeh-oWUc

Sounds of Nollywood Episode 3: Mid-2000s to Late 2010

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2022-06-13T21:33:23.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_15PYRLA0krk

Experimental Probiotics for Coral Disease: Sodium Alginate Microencapsulation

Creator:
Smithsonian Marine Station at Fort Pierce  Search this
Type:
YouTube Videos
Uploaded:
2020-04-30T21:47:48.000Z
YouTube Category:
Education  Search this
Topic:
Natural History;Marine biology  Search this
See more by:
SmithsonianSMS
Data Source:
Smithsonian Marine Station at Fort Pierce
YouTube Channel:
SmithsonianSMS
EDAN-URL:
edanmdm:yt_1gNl88DCyLA

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