The Jamison Thomas Gallery records measure 27.2 linear feet and 0.001 Gb and date from 1940-2000, with the bulk of the records dating from 1980-1995, reflecting the years the Gallery operated in Portland Oregon. About 1/2 of the records consist of artists' files of artists represented by the gallery and artists of interest. Also found are administrative records, client and collector files, financial and legal records, exhibition files, and publicity files.
Scope and Contents:
The Jamison Thomas Gallery records measure 27.2 linear feet and 0.001 GB and date from 1940-2000, with the bulk of the records dating from 1980-1995, reflecting the years the Gallery operated in Portland Oregon. About 1/2 of the records consist of artists' files of artists represented by the gallery and artists of interest. Also found are administrative records, client and collector files, financial and legal records, exhibition files, and publicity files.
Among those represented in the artists' files are Robert Gilkerson, Gregory Grenon, Dan May, Jon Serl, Rick Bartow, Mark Bulwinkle, Jay Backstrand, Stuart Buehler, Mark Calderon, Baba Wague Diakite, and Gus Van Sant.
Arrangement:
The collection is arranged into six series.
Missing Title
Series 1: Administrative Records, 1980-1996 (2.4 linear feet; Box 1-3)
Series 2: Client and Collector Files, 1980-1995 (4.5 linear feet; Box 3-7, 0.001 GB; ER01)
Series 3: Financial and Legal Records, 1980-2000 (2.8 linear feet; Box 7-10)
Series 4: Exhibition Files, 1975-1995 (2 linear feet; Box 12-12)
Series 5: Publicity Files, 1980-1996 (1.5 linear feet; Box 12-14)
Series 6: Artists' Files, 1940-1996 (14 linear feet, Box 14-28)
Biographical / Historical:
Jamison Thomas Gallery opened in Portland, Oregon in 1980 as the Folk Craft Gallery founded by William Jamison and Jeffrey Thomas. The gallery changed its focus and name in 1985 and began to specialize in contemporary photography, sculpture, and textile arts. Among the most notable artists represented by the gallery were Rick Bartow, Stuart Buehler, Dennis Cunningham, Susan Seubert, Dan May, Gus Van Sant, Ruza Erceg, Mark Bulwinkle, Jon Serl, Gregory Grenon, and Erik Stotik. Jamison Thomas Gallery closed in 1995, after William Jamison died from complications with AIDS.
Provenance:
The Jamison Thomas Gallery records were donated to the Archives of American Art in 2001 by gallery director Charles Froelick.
Restrictions:
Use of original papers requires an appointment and is available in the Archives' Washington, D.C. research facility. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Use of original papers requires an appointment and is available in the Archives' Washington, D.C. research facility. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jamison Thomas Gallery records, 1940-1996, bulk 1980-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.
Use of original papers requires an appointment and is available in the Archives' Washington, D.C. research facility. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jamison Thomas Gallery records, 1940-1996, bulk 1980-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.
Use of original papers requires an appointment and is available in the Archives' Washington, D.C. research facility. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jamison Thomas Gallery records, 1940-1996, bulk 1980-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.
