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Fletcher Benton papers

Creator:
Benton, Fletcher, 1931-  Search this
Names:
André Emmerich Gallery  Search this
Galerie Denino  Search this
Bury, Pol, 1922-2005  Search this
De Wilde, Dan  Search this
Finn, David  Search this
Jones, Lillian E.  Search this
Louchheim, Marlene  Search this
Lucie-Smith, Edward  Search this
Marquand, Ed  Search this
Neubert, George W.  Search this
Rickey, George  Search this
Sanders, Pieter  Search this
Tooker, Dan  Search this
Valentine, De Wain, 1936-  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
8.7 Linear feet
1.47 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Date:
1934-2014
Summary:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.
Scope and Contents:
The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career through personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, photographs, sound and video recordings motion picture film, some of which also appears in digitized form.

Biographical Materials include personal photographs, legal documents related to a court case with book designer Ed Marquand, biographical texts, interview transcripts, and a home video made by the artist. Correspondence is with other artists, friends, galleries, museums and other institutions, including George W. Neubert, André Emmerich Gallery, Pieter Sanders, Pol Bury, George Rickey, Ulfert Wilke, Marlene Louchheim, DeWain Valentine, Lillian E. Jones, and Edward Lucie-Smith. Interviews include sound recordings of interviews with Benton by academics and journalists, including Edward Lucie-Smith, Dan Tooker, and Dan De Wilde.

Exhibition and Commission Files consist of correspondence with galleries, museums and commission patrons; financial records; shipping and subcontracting documentation; motion picture film, video, and sound recordings related to exhibitions and installations; and planning and design materials. Series includes a significant amount of oversized drawings and plans for site-specific work. There is a large volume documentation from the Folded Circle-Arc commission by Stanley Consultants, Inc. in Muscatine, Iowa; the California/International Arts Foundation Traveling Sculpture Exhibition; Double Folded Circle Ring in Brussels and Double Circle Folded by Cedars Sinai Medical Center in Los Angeles.

Printed Materials include news clippings related to Benton's career, as well as brochures, exhibition catalogs, posters and other printed materials related to exhibitions and commissions. Broadcast materials include television news footage, radio and television interviews, documentaries, and promotional materials made by galleries and other cultural institutions.

Photographic and Moving Image Materials include art-related images showing Benton in his studio and images of exhibitions, installations and inaugurations. Also found are still photographs and motion picture films of artworks, including paintings, sculptures, and kinetic drawings, and a series of photographs of sculptures taken by David Finn.

Artwork consists of an editioned art Christmas card created by Benton for Galeria Bonino in New York from 1969. An American Artist Moving Image Materials consist of 13 videocassettes (VHS) which document the production process of the documentaryFletcher Benton: An American Artist by Morgan Cavett. There is footage from interviews with Benton and with curator George W. Neubert, footage of San Francisco with comments from Benton about his time there, interviews with the artist's studio assistants, images of his studio in Dore street and a couple of almost finished rough versions of the documentary.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material (0.3 linear feet; boxes 1, 9)

Series 2: Correspondence (1 linear foot; boxes 1, 2, OV 10)

Series 3: Interviews (0.3 linear feet; box 2)

Series 4: Exhibition and Commission Files (2 linear feet, 0.50 GB; boxes 2-4, OV 11-13, RD 14, FC 15, ER01)

Series 5: Printed Materials (2.3 linear feet; boxes 4-6, OV 10)

Series 6: Broadcast Materials (1.1 linear foot; boxes 6-7)

Series 7: Photographic and Moving Image Materials (0.5 linear feet, 0.97 GB; boxes 7, 9, FC 16-17, ER02)

Series 8: Artwork (1 item; box 7)

Series 9: -- An American Artist -- Video Recordings (0.6 linear feet; boxes 7-8)
Biographical / Historical:
Fletcher Benton was born in Jackson, Ohio in 1931 to Fletcher and Nell Cavett Benton and was the oldest of three children. Benton graduated from Jackson High School in 1949. After serving in the Navy he graduated from Miami University (Oxford, Ohio) in 1956 and moved to San Francisco, where he started working as an instructor at the California College of Arts and Crafts in 1959. He was in San Francisco during the flourishing of the Beat generation, where he had a studio in the North beach area and exhibited at coffee house galleries.

After travelling around Europe in 1960, Benton moved to New York City where he tried to make his living through painting and teaching privately. During those years he was supported by Jackson's local arts patron and family friend, Lillian E. Jones. In 1960 he had his first solo exhibition at Gump's gallery in San Francisco, but his work was taken down after one day because it was considered obscene for including female nudes. He returned to San Francisco in late 1961.

In 1966 Fletcher started teaching at the San Francisco Art Institute and established himself as a primary figure of American kinetic art. In 1966, Peter Selz included his work in the exhibition Directions in Kinetic Sculpture at the University Art Gallery in Berkeley, CA. During the exhibition Benton met the artists Pol Bury and George Rickey with whom he became friends. The exhibition, along with an article "The Movement Movement" that appeared in Time magazine the same year, established Benton's reputation as a significant American Kinetic artist. He also started teaching at the California State University in San José in 1967 where he continued working until 1986.

By 1974 Benton abandoned kinetic art to continue exploring sculpture in three dimensions in a style that became known as "new constructivism." The artworks were conceived in the series Folded Circles and Folded Square Alphabets and were produced in bronze, aluminum and steel. It was also during the 1970s that he started doing large-scale commissions such as the 1977 IBM commission.

Between 1981 and 1984 Benton constructed his studio in Dore Street in the Market district of San Francisco where he continues to work today. During the 1980s Benton started his Balanced/Unbalanced series, which introduced the idea of gravity using geometric forms in different formats and sizes.

From 1984 he began to show more work in Europe, especially in Germany, where in 1993 he got a major commission to create a colossal public sculpture in Cologne entitled Steel Watercolor Triangle Ring. It was also in Germany where Benton encountered the work of Wassily Kandinsky and Kazimir Malevich, and he began work on his Construct Relief series in reponse, which he dedicated to Kandinsky. These geometric constructions are flat, canvas-like steel structures that combine features of painting and sculpture. As the series evolved, the work became more like painting, constructed to hang on the wall without a back piece, so they seem to be floating in the space.

Benton continues to live and work in San Francisco and is represented by multiple galleries in the United States and Germany.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Fletcher Benton conducted by Paul J. Karlstrom, 1989 May 2-4 is available on the Archives of American Art website.
Provenance:
Donated 2005-2006 and 2014 by Fletcher Benton. Benton's wife, Bobbie Benton, organized the material by subject matter and date.
Restrictions:
Use of original papers requires an appointment. Use of audiovisual material without a duplicate copy requires advanced notice.
Rights:
The Fletcher Benton papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Drawings
Video recordings
Transcripts
Sound recordings
Photographs
Christmas cards
Citation:
Fletcher Benton papers, 1934-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bentflet
See more items in:
Fletcher Benton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bentflet

Melinda Wortz papers

Creator:
Wortz, Melinda  Search this
Names:
University of California, Irvine -- Faculty  Search this
University of California, Irvine. Department of Studo Art  Search this
University of California, Irvine. Fine Arts Gallery  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Ballatore-Nelson, Sandy  Search this
Barber, Daniel  Search this
Bell, Larry, 1939-  Search this
Christo, 1935-  Search this
DeLap, Tony, 1927-  Search this
Dine, Jim, 1935-  Search this
Eversley, Frederick, 1941-  Search this
Harding, Bill  Search this
Irwin, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Kauffman, Craig, 1932-  Search this
Livkin, Rena  Search this
Lodato, Peter  Search this
Marchesi, Cork  Search this
Marck, Marc van der  Search this
McCafferty, Jay David, 1948-  Search this
Moses, Ed, 1926-  Search this
Noguchi, Isamu, 1904-1988  Search this
Ox, Jack, 1948-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rinke, Klaus, 1939-  Search this
Rosler, Martha  Search this
Schwartz, Beth Ames  Search this
Small, Rena  Search this
Sonneman, Eve  Search this
Taylor, Elizabeth, 1932-2011  Search this
Tivey, Hap  Search this
Todd, Liza  Search this
Turrell, James  Search this
Valentine, De Wain, 1936-  Search this
Warner, Elsa  Search this
Wiener, Nina  Search this
Zaimo, Stephen  Search this
Extent:
17.45 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Date:
1958-1992
Summary:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.
Scope and Contents:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California Light and Space artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Wortz's biographical material includes annotated appointment books and calendars, resumes, and some family, financial, and legal records.

Correspondence files document Wortz's activities beyond her work at UCI, including scattered correspondence with artists such as Eleanor Antin, Daniel Barber, Christo, Craig Kauffman, Cork Marchesi, Martha Rosler, Eve Sonneman, Hap Tivey, and Elsa Warner. Correspondence also relates to arrangements for lectures, juries, panels, symposiums, and other professional activities in which Wortz participated.

Interviews include transcripts of four interviews conducted by Wortz with subjects including Peter Lodato and Dewain Valentine, and a sound recording of an interview with Nina Wiener.

Writings and notes include drafts, and some published copies, of articles and essays written for journals, magazines, and exhibition catalogs; Wortz's dissertation and thesis; notes; student essays and class notes; and scattered writings by others. Included in the published works are copies of Artweek containing articles by Wortz, and drafts and published copies of essays on Larry Bell, Robert Irwin, Jasper Johns, Jay McCafferty, Isamu Noguchi, Robert Rauschenberg, Klaus Rinke, Beth Ames Schwartz, and James Turrell.

Diaries document five separate overseas trips to locations including Asia in 1977, Paris in 1978, and the U.S.S.R., where Wortz delivered a paper on Robert Irwin, in 1989.

University of California, Irvine, records include Wortz's administrative files documenting her work on various committees, her directorship of the Fine Arts Gallery, including budget and exhibition records, her work as Chair of Studio Art, and her collaborations with other faculty, including Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small. Wortz's dossier files provide a thorough record of her accomplishments from the late 1970s-1990, and her UCI teaching files document the content of core art courses which she taught at UCI in the 1970s and 1980s.

Subject files provide additional documentation of Wortz's interest in particular artists and subjects, and include scattered correspondence with artists, as well as additional correspondence, reports, printed material, index card files, sound cassettes, and photographs, documenting her interests in art and politics, feminism, religion and spirituality, museum management and training, and other subjects.

Printed material includes announcements, catalogs, journals, newsletters, and material specifically documenting Wortz's activities.

Artwork includes a piece of floor covering from a Jim Dine exhibition, a booklet by Daniel Barber, Flams by Rena Livkin, and several pieces of unidentified artwork.

Photographs include photos of Wortz with her family and with UCI faculty including Tony DeLap, Craig Kauffman, and Ed Moses; photos of events with friends and family, including Hap Tivey's wedding to Liza Todd with Elizabeth Taylor in attendance; photos of artists including Frederick Eversley, Bill Harding, Jack Ox, and Stephen Zaimo; and photos of artwork by artists including Tony DeLap, Barbara Smith, Marc Van Der Marck, and others.
Arrangement:
The collection is arranged as ten series.

Series 1: Biographical Materials, 1966-1988 (0.25 linear feet; Boxes 1, 19)

Series 2: Correspondence, 1967-1992 (1.25 linear feet; Boxes 1-2, 18)

Series 3: Interviews, 1971-circa 1980s (6 folders; Boxes 2, 18)

Series 4: Writings and Notes, 1958-circa 1990 (4.25 linear feet; Boxes 2-6, 19)

Series 5: Diaries, 1977-1989 (6 folders; Box 6)

Series 6: University of California, Irvine, 1960-1991 (4.8 linear feet; Boxes 6-11, OV 20)

Series 7: Subject Files, circa 1960-1990 (4.25 linear feet; Boxes 11-15, 18)

Series 8: Printed Material, 1960s-1980s (1.8 linear feet; Boxes 15-16, 19)

Series 9: Artwork, circa 1960s-circa 1980s (3 folders; Boxes 17, 19)

Series 10: Photographs, 1960s-1980s (0.6 linear feet; Boxes 17, 19)
Biographical / Historical:
California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002), taught at the University of California, Irvine, from 1975, serving as Director of UCI's Fine Arts Gallery and Chair of the Department of Studio Art. Wortz's special area of interest was the work of the California "light and space" artists emerging in Los Angeles in the 1970s.

After attending Stanford University and graduating from Radcliffe College with a bachelors degree in art history, Wortz received her masters degree in art history from the University of California, Los Angeles, and her doctorate in theology and the arts from the Graduate Theological Union at Berkeley. Wortz taught at California State University and the University of California Extension in the early 1970s. At UCI her colleagues included Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small.

Wortz married Edward C. Wortz in the early 1970s, following her divorce from her first husband, Thomas G. Terbell, Jr. Edward Wortz's first career was as a research scientist working on NASA contracts in the air research industry in Colorado and California. Later he was involved in the arts and participated in collaborations with artists including Robert Irwin, Coy Howard, and James Turrell. He worked with Melinda Wortz to develop their personal collection of contemporary art.

Melinda Wortz was a prolific writer who wrote extensively for national art periodicals, including Arts Magazine, and Art News. She also wrote, and served as editor, for the California periodical Artweek from the 1960s to 1990s. She wrote numerous catalogs for artists including Larry Bell, Cork Marchesi, Doug Moran, Beth Ames Schwartz, and James Turrell; and published articles on Dan Flavin, Robert Irwin, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, Frank Stella, and others. She lectured at Brown University, the Center for Art, Salt Lake City, Contemporary Art Museum, La Jolla, the Massachusetts Institute of Technology, the San Diego Museum, Wellesley College, the Whitney Museum of American Art, and many other institutions. In 1989 she traveled to the U.S.S.R. to deliver a paper on Robert Irwin at the International Art Critics Association annual meeting.

In addition to her curatorial work at the UCI Fine Arts Gallery, where she organized exhibitions for artists including Alice Aycock, Jonathan Borofsky, Audrey Flack, Jack Ox, and Dennis Oppenheim, Wortz curated exhibitions for University of California sister colleges, Pasadena Art Museum, and others.

Wortz received UCI and National Endowment for the Arts grants in support of her writing, and served on advisory boards of the Contemporary Arts Forum, Los Angeles Institute of Contemporary Art, Santa Barbara, Robert Rauschenberg's foundation, Advisory Board of Change, Inc., the Pasadena Art Museum, and others.

Wortz was diagnosed with Alzheimers disease at the age of 50 and died in 2002.
Provenance:
The collection was donated by Edward C. Wortz, Melinda Wortz's husband, in 1994.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Melinda Wortz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Women art historians -- California  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Gallery directors -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Art, American -- California  Search this
Art galleries, University and college -- California -- Irvine  Search this
Curators -- California -- Los Angeles  Search this
Art critics -- California -- Los Angeles  Search this
Art -- Study and teaching  Search this
Art teachers -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wortmeli
See more items in:
Melinda Wortz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wortmeli
Additional Online Media:

Pink Top, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Lacquer and fiberglass
Type:
Sculptures
Owner/Location:
Laguna Art Museum 307 Cliff Drive Laguna Beach California 92651-9990 Accession Number: 88.017
Date:
1965
Topic:
Undetermined  Search this
Control number:
IAS 02680013
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_293559

Interview with DeWain Valentine

Creator:
Valentine, De Wain, 1936-  Search this
Butterfield, Jan, 1937-2000  Search this
Type:
Sound Recording
Date:
1979 October
Record number:
(DSI-AAA)16110
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16110

Oral history interview with De Wain Valentine, 2013 September 4-5

Interviewee:
Valentine, De Wain, 1936-  Search this
Interviewer:
Clark, Robin Lee  Search this
Topic:
Sound recordings  Search this
Sculptors  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)16154
(DSI-AAA_SIRISBib)366200
AAA_collcode_valent13
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366200

De Wain Valentine papers, 1967-1976

Creator:
Valentine, De Wain, 1936-  Search this
Topic:
Photographs  Search this
Sculptors  Search this
Exhibition catalogs  Search this
Record number:
(DSI-AAA_CollID)6905
(DSI-AAA_SIRISBib)209034
AAA_collcode_valedewa
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209034

Paula Andree Barchilon, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Sculpture: possibly resin, polyester, or fiberglass; Base: synthetic material
Type:
Sculptures-Gravestone
Sculptures-Outdoor Sculpture
Sculptures
Place:
Colorado
Boulder
Date:
June 1965
Topic:
Abstract--Geometric  Search this
Homage--Barchilon, Paula Andree  Search this
Control number:
IAS CO000116
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_317404

Water Wall, (sculpture)

Title:
Waterwall, (sculpture)
Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Sculpture: glass; Base: black granite, concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures
Owner/Location:
Forest City Southpark Two 11601 Wilshire Boulevard, #1900 Los Angeles California 90025
Date:
1989
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA001317
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_337150

Laguna Water Wall, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Sculpture: glass
Type:
Sculptures-Outdoor Sculpture
Sculptures-Fountain
Sculptures
Owner/Location:
Surf and Sand Hotel 1555 Pacific Coast Highway Laguna Beach California 92651
Date:
1992. Dedicated June 4, 1992
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA001645
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_340606

Open Diamond Double Diagonal, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Sculpture: glass or Plexiglas; Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
State of California Van Nuys State Office Building 6150 Van Nuys Boulevard, Suite 120 Front lawn Van Nuys California 91401
Date:
1984
Topic:
Abstract--Geometric  Search this
Control number:
IAS CA002088
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_342183

Circle, Blue, Rose, Dapple, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Resin and fiberglass
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
San Diego Museum of Art Balboa Park San Diego California 92101
Date:
1979
Topic:
Abstract  Search this
Control number:
IAS 78090083
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_365424

Column, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Glass (laminated)
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Honolulu Advertiser 605 Kapiolani Boulevard Honolulu Hawaii 96813
Located at Contemporary Arts Center 2411 Makiki Heights Drive Honolulu Hawaii 96822
Date:
1979
Topic:
Architecture--Detail--Column  Search this
Control number:
IAS 65600140
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_292023

Yellow Roller, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Lacquer and fiberglass
Type:
Sculptures
Owner/Location:
Laguna Art Museum 307 Cliff Drive Laguna Beach California 92651-9990 Accession Number: 88.017
Date:
1974
Topic:
Undetermined  Search this
Control number:
IAS 02680012
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_293558

Untitled, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Cast acrylic
Type:
Sculptures
Date:
Ca. 1969
Topic:
Abstract--Geometric  Search this
Control number:
IAS 9C500062
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297859

Double Top, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Fiberglass
Type:
Sculptures
Owner/Location:
Los Angeles County Museum of Art 5905 Wilshire Boulevard Los Angeles California 90036
Date:
1967
Topic:
Object--Toy--Top  Search this
Control number:
IAS 75000614
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_1074

Concave Circle, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Cast polyester resin with white Formica base
Type:
Sculptures
Owner/Location:
Milwaukee Art Museum 750 North Lincoln Memorial Drive Milwaukee Wisconsin 53202
Date:
1970
Topic:
Abstract--Geometric  Search this
Control number:
IAS 58100151
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_29537

Circle, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Polyester resin
Type:
Sculptures
Date:
1971
Topic:
Abstract--Geometric  Search this
Control number:
IAS 55740094
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_29819

Open Diamond- Dark Diagonal, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Purple glass
Type:
Sculptures
Owner/Location:
Administered by Virlane Foundation 1055 St. Charles Avenue New Orleans Louisiana 70130
Located K & B Corporation New Orleans Louisiana
Date:
1982
Topic:
Abstract--Geometric  Search this
Control number:
IAS 64820039
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_31358

Untitled (Large slab), (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Cast polyester resin
Type:
Sculptures
Owner/Location:
Norton Simon Museum 411 West Colorado Boulevard Pasadena California 91105
Date:
1968
Topic:
Undetermined  Search this
Control number:
IAS 75001191
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_3626

Summer Dominoe, (sculpture)

Sculptor:
Valentine, De Wain 1936-  Search this
Medium:
Fiberglass
Type:
Sculptures
Owner/Location:
Aldrich Museum of Contemporary Art 258 Main Street Ridgefield Connecticut 06877
Date:
1967
Topic:
Landscape--Season--Summer  Search this
Control number:
IAS 75002032
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_3954

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