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Annual report / the University of Iowa Museum of Art

Title:
Year in review <2003/2004->
Author:
University of Iowa Museum of Art  Search this
Subject:
University of Iowa Museum of Art  Search this
Physical description:
v. : ill. ; 28 cm
Type:
Periodicals
Place:
Iowa
Topic:
Art museums  Search this
Call number:
AP1 .U6525
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_779402

Accessions 1973 : the University of Iowa Museum of Art, Iowa City, September 8 through October 31, 1974

Author:
University of Iowa Museum of Art  Search this
Subject:
University of Iowa Museum of Art  Search this
Physical description:
48 p. : ill. ; 26 cm
Type:
Exhibitions
Place:
Iowa
Iowa City
Date:
1974
20th century
Topic:
Art, Modern  Search this
Art, American  Search this
Call number:
N5030.I6 I64a 1973
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_789339

Japanese prints from Iowa City collections : published on the occasion of an exhibition at the University of Iowa Museum of Art, Iowa City, Iowa, February 6 - April 5, 1981

Title:
Ukiyoe
浮世絵
Author:
University of Iowa Museum of Art  Search this
Physical description:
24 p. : ill. ; 31 cm
Type:
Exhibitions
Date:
1982
C1981
Topic:
Prints, Japanese  Search this
Prints, Japanese--Private collections  Search this
Call number:
761.52 .J364
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_864542

Flute Soloist, (painting)

Painter:
Weber, Max 1881-1961  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
University of Iowa University of Iowa Museum of Art 150 North Riverside Drive Iowa City Iowa 52242 Accession Number: 1958.2
Date:
1945
Topic:
Performing Arts--Music--Flute  Search this
Control number:
IAP 83340005
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_204785

Park by the Sea, (painting)

Painter:
Prendergast, Maurice 1858-1924  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
University of Iowa University of Iowa Museum of Art 150 North Riverside Drive Iowa City Iowa 52242 Accession Number: 1966.23
Date:
1908
Topic:
Landscape--Park  Search this
Waterscape--Sea  Search this
Control number:
IAP 83340121
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_204887

Children Playing, Washington Square, (painting)

Painter:
Glackens, William 1870-1938  Search this
Medium:
Pastel
Type:
Paintings
Owner/Location:
University of Iowa University of Iowa Museum of Art 150 North Riverside Drive Iowa City Iowa 52242 Accession Number: 1975.128
Date:
1938
Topic:
Children  Search this
Recreation--Sport & Play  Search this
Cityscape--New York--New York City  Search this
Cityscape--Street--Washington Square  Search this
Control number:
IAP 83340224
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_204961

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-55; 41.1 linear feet)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State) -- New York  Search this
Set Designers -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Exhibition designers  Search this
Art schools -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art schools -- Massachusetts -- Provincetown  Search this
Art patrons -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Actors -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kieslill
Additional Online Media:

The University of Iowa Museum of Art Permanent Collection

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 12, Folder 2
Type:
Archival materials
Date:
1986
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.5: Exhibition and Performance Files / 1.5.1: Exhibitions
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref206

Correspondence

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Type:
Archival materials
Date:
1911-2001, undated
Scope and Contents note:
Correspondence to Lillian Kiesler is extensive and includes letters from museums, galleries, collectors, artists, directors, writers, actors, musicians, family and friends. Business correspondence contains information about sales and gifts of artwork, Lillian Kiesler's support of performances and institutions, invitations, and character references. Among the correspondents are Harold Diamond, John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation.

Among Lillian Kiesler's personal correspondence are letters and greeting cards from friends, family, artists, and researchers and scholars, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Some correspondence contains original artwork, photographs, and audio cassettes created by the sender. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and an undated letter from E.B. Gordon describing Henry Miller in Paris.

Where there are envelopes, the letter is filed in front of the envelope. Business correspondence is arranged chronologically first, followed by personal correspondence arranged alphabetically by last name and miscellaneous correspondence filed chronologically by decade.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill, Subseries 1.2
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref40

"Us, You, Me," University of Iowa Museum of Art

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 22, Folder 20
Type:
Archival materials
Date:
1957, 1994-1996
Scope and Contents:
See also Box 28, Folder 4.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.10: Papers Related to Frederick Kiesler / 1.10.5: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref453

"In Memoriam: Leone A. Elliott," The University of Iowa Museum of Art

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Extent:
1 videocassettes (vhs)
Container:
Box 39, Folder 2
Type:
Archival materials
Videocassettes (vhs)
Date:
1996
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.14: Sound and Video Recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref916

The University of Iowa Museum of Art 25th Anniversary Celebration, Tapes 1 and 2

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Extent:
2 videocassettes (vhs)
Container:
Box 39, Folder 10
Type:
Archival materials
Videocassettes (vhs)
Date:
1994
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Lillian and Frederick Kiesler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.14: Sound and Video Recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kieslill-ref924

University of Iowa, Museum of Art - Jasper Johns/Andy Warhol

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 160, Folder 135
Type:
Archival materials
Date:
1970-1971
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Leo Castelli Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 7: Castelli Graphics / 7.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref13817

Sunflower, (painting)

Painter:
Weinrich, Agnes 1873-1946  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
University of Iowa University of Iowa Museum of Art 150 North Riverside Drive Iowa City Iowa 52242
Topic:
Landscape--Plant--Sunflower  Search this
Control number:
IAP 8F940014
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_474308

Ulfert Wilke papers, 1934-1977

Creator:
Wilke, Ulfert, 1907-1987  Search this
Subject:
Grosz, George  Search this
Motherwell, Robert Burns  Search this
Feininger, Lyonel  Search this
Bonnefoy, Maurice  Search this
Beckmann, Max  Search this
Holty, Carl  Search this
Evergood, Philip Howard  Search this
Bissier, Julius  Search this
Tobey, Mark  Search this
Wilke, Rudolf  Search this
Jensen, Alfred  Search this
Berman, Eugene  Search this
Reinhardt, Ad  Search this
Topic:
Arts administrators  Search this
Sketchbooks  Search this
Artists' studios  Search this
Diaries  Search this
Painters  Search this
Art  Search this
Painting, Modern  Search this
Record number:
(DSI-AAA_CollID)9375
(DSI-AAA_SIRISBib)211572
AAA_collcode_wilkulfe
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211572

Maryette Charlton papers, circa 1890-2013

Creator:
Charlton, Maryette, 1924-2013  Search this
Subject:
Court, Paula  Search this
Matisse, Pierre  Search this
Habachy, Nimet  Search this
Smith, Kiki  Search this
Cage, Xenia  Search this
Hadzi, Dimitri  Search this
Purdy, James  Search this
Kiesler, Lillian Olinsey  Search this
Fujitomi, Yasuo  Search this
Kiesler, Frederick  Search this
Hoff, Margo  Search this
Andres, Jo  Search this
Elliott, Leone  Search this
Haskins, Sylvia Shaw Judson  Search this
MacIver, Loren  Search this
Miller, Dorothy Canning  Search this
Takaezu, Toshiko  Search this
Nevelson, Louise  Search this
Calder, Alexander  Search this
Von Brockdorff, Louise Medbery  Search this
Lubar, Cindy  Search this
Reynal, Jeanne  Search this
Bishop, Elizabeth  Search this
Elliott, Owen  Search this
Tawney, Lenore  Search this
Art Institute of Chicago  Search this
Container Corporation of America  Search this
University of Iowa. Museum of Art  Search this
American University of Beirut  Search this
Chicago Public School Art Society  Search this
Topic:
Color  Search this
Scrapbooks  Search this
Photographs  Search this
Women artists  Search this
Museums  Search this
Interviews  Search this
Drawings  Search this
Mail art  Search this
Diaries  Search this
Video recordings  Search this
Sketchbooks  Search this
Scripts (documents)  Search this
Filmmakers  Search this
Sound recordings  Search this
Sketches  Search this
Printmakers  Search this
Painters  Search this
Motion pictures (visual works)  Search this
Photographers  Search this
Art  Search this
Art teachers  Search this
Record number:
(DSI-AAA_CollID)6150
(DSI-AAA_SIRISBib)216374
AAA_collcode_charmary
Theme:
Diaries
Women
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216374
Additional Online Media:

Lillian and Frederick Kiesler papers, [circa 1910]-2003, bulk 1958-2000

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Kiesler, Frederick, 1890-1965  Search this
Subject:
Hawkins, Erick  Search this
Copley, Alfred L. (Alfred Lewin)  Search this
Andres, Jo  Search this
Kamler, Richard  Search this
Holtzman, Harry  Search this
MacIver, Loren  Search this
Meredith, Burgess  Search this
Takaezu, Toshiko  Search this
Zogbaum, Wilfrid  Search this
Buscemi, Steve  Search this
Owen, Jane Blaffer  Search this
Dubuffet, Jean  Search this
Dreier, Katherine Sophie  Search this
Hodges, Alice  Search this
Tawney, Lenore  Search this
Dlugoszewski, Lucia  Search this
Montgomery, Chandler  Search this
Dorazio, Virginia Dortch  Search this
Bartos, Armand P.  Search this
Hofmann, Hans  Search this
Dorazio, Piero  Search this
Milius, Tom  Search this
Howe, George  Search this
Mondrian, Piet  Search this
Purdy, James  Search this
Bultman, Fritz  Search this
Miller, Henry  Search this
Castelli, Leo  Search this
Adnan, Etel  Search this
Arnaud, Leopold  Search this
Kiesler, Lillian Olinsey  Search this
Duchamp, Marcel  Search this
Diller, Burgoyne  Search this
Whitney Museum of American Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
University of Iowa. Museum of Art  Search this
Anthology Film Archives  Search this
Topic:
Art patrons  Search this
Diaries  Search this
Educators  Search this
Scripts (documents)  Search this
Sound recordings  Search this
Designers  Search this
Painters  Search this
Motion pictures (visual works)  Search this
Authors  Search this
Scrapbooks  Search this
Actors  Search this
Exhibitions  Search this
Set designers  Search this
Art schools  Search this
Interviews  Search this
Architects  Search this
Photographs  Search this
Women artists  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)6310
(DSI-AAA_SIRISBib)223516
AAA_collcode_kieslill
Theme:
Women
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223516
Additional Online Media:

Louis Pomerantz papers

Creator:
Pomerantz, Louis  Search this
Names:
American Institute for Conservation of Historic and Artistic Works  Search this
Art Institute of Chicago  Search this
Eastman Kodak Company  Search this
International Institute for Conservation of Historic and Artistic Works  Search this
Rijksmuseum (Netherlands)  Search this
Smithsonian Institution. Traveling Exhibition Service  Search this
Feller, Robert L.  Search this
Konrad, Anton  Search this
Stolow, Nathan  Search this
Stout, George L. (George Leslie)  Search this
Wilke, Ulfert, 1907-1987  Search this
Extent:
34.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Interviews
Illustrations
Sound recordings
Date:
1937-1988
bulk 1950-1988
Summary:
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.
Scope and Contents:
The papers of Chicago art conservator, Louis Pomerantz, measure 34.2 linear feet and date from 1937 to 1988, with the bulk of the material dating from the 1950s-1980s. The papers document two principal aspects of Pomerantz's professional life: his conservation work for institutions and individuals, and the development of his professional expertise as documented through his writings and teachings, his continued conservation training, and his involvement in professional organizations. Files include scattered biographical material, professional correspondence, interviews, writings, project and client files, teaching and reference files, printed material, and photographic material primarily documenting conservation treatments and techniques.

Biographical material includes military and educational records, as well as resumés and references from various art institutions and individuals.

Pomerantz's professional correspondence is with other conservators including Anton J. Konrad, Nathan Stolow, and Jean Volkmer, conservation scientists such as Robert L. Feller, and people who assisted Pomerantz early in his career such as George Stout. Also documented is Pomerantz's relationship with the Smithsonian Institution Traveling Exhibition Service (SITES) which undertook his traveling Know What You See exhibition, his involvement with museums and other art institutions, and companies who developed and manufactured conservation equipment such as Eastman Kodak.

Interviews include circa 9 radio station interviews on sound tape reels and sound cassettes of Pomerantz individually or with others, including a recording of a conversation regarding the Florence flood.

Writings and notes are by Pomerantz and include typescripts, notes and background material for lectures and papers delivered from the 1950s-1980s. Also found is a portfolio of his writings from 1962-1978, and a notebook Pomerantz compiled while working at the Rijksmuseum which includes notes, hand-drawn colored illustrations and photographs of conservation techniques.

Project/client files form the largest series and document Pomerantz's work, both in private practice and as conservator at the Art Institute of Chicago, through conditions reports, recommendations for and records of treatment, related correspondence, financial documentation, and photographic material.

Teaching and reference files comprise material gathered by Pomerantz during participation in professional organizations and events, such as the American Institute for Conservation of Historic and Artistic Works, and the International Institute for Conservation of Historic and Artistic Works. Also found are subject files, consisting of reference material and correspondence, on a wide range of conservation-related subjects.

Personal business records from the 1950s consist of receipts for conservation-related supplies and one folder of business tax records.

Printed material primarily includes news clippings documenting Pomerantz's career up to and including the 1970s, clippings on conservation-related news, blank postcards of artwork, and two exhibition catalogs.

Photographic material includes images demonstrating a wide variety of conservation techniques, including sets of slides used for lectures and presentations, and images of Pomerantz at work. Also found are photos of artists including Ulfert Wilke. Photographic media include black and white and color photos, slides, glass slides, X-rays and corresponding prints, negatives and 5 glass plate negatives.
Arrangement:
The collection is arranged as 9 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1940s-1980s (12 folders; Boxes 1, 33)

Series 2: Correspondence, 1940s-1988 (3.6 linear feet; Boxes 1-4)

Series 3: Interviews, 1961-circa 1970s (8 folders; Box 4)

Series 4: Writings and Notes, 1950s-1980s (2.8 linear feet; Box 7)

Series 5: Project/Client Files, 1950s-1987 (13.8 linear feet; Boxes 7-20)

Series 6: Teaching and Reference Files, 1940s-1980s (3.9 linear feet; Boxes 20-24)

Series 7: Personal Business Records, 1950s (0.6 linear feet; Boxes 24-25)

Series 8: Printed Material, 1937-1970s (0.6 linear feet; Boxes 25, 33)

Series 9: Photographic Material, 1940s-1980s (8.4 linear feet; Boxes 25-36, OV 37, MGP 1)
Biographical / Historical:
Chicago art conservator Louis Pomerantz (1919-1988), established and operated the conservation lab at the Art Institute of Chicago and then maintained a private practice conducting conservation work for individual collectors and various museums and art institutions in the midwest.

Pomerantz had originally intended to be an artist and enrolled at the Art Students League. After serving in World War II, he returned to Europe to study conservation as an apprentice to a private restorer in Paris, followed by a year spent working under the chief restorer at the Rijksmuseum in Amsterdam, and study at the Courtauld Institute and the National Gallery in London. As head of the Art Institute of Chicago's first conservation lab from 1956-1961, Pomerantz employed new and emerging techniques such as powerful binocular microscopes, ultra-violet, infra-red and X-ray machines to study paintings, and a hot table to bond new canvasses to support old ones. Following his resignation from the Art Institute of Chicago to pursue his private practice, Pomerantz organized conservation training programs, and wrote widely on conservation. He served on the American Institute for Conservation of Historic and Artistic Works (AIC) and was a member of the committee which adopted the AIC's first code of ethics for art conservators in May 1967. He became consultant to various art and natural history museums including the Field Museum of Natural History in Chicago, where he formed part of the conservation team that completed an extensive renovation of the museum's Javanese gamelan ensemble composed of 23 brass and wood musical instruments.The gamelan was presented and played for the first time since 1893 in 1978, following the restoration.

Pomerantz also organized several museum exhibitions on conservation, including Know What You See, which was shown at more than 100 museums around the United States, Canada and Mexico, as part of the Smithsonian Institution Traveling Exhibition Service (SITES).
Provenance:
The Louis Pomerantz papers were donated to the Archives of American Art by Else Pomerantz in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Conservators -- Illinois -- Chicago  Search this
Topic:
Flood damage -- Italy -- Florence  Search this
Museum conservation methods -- Study and teaching  Search this
Art -- Conservation and restoration -- Study and teaching  Search this
Art -- Conservation and restoration -- Technique  Search this
Museum conservation methods -- Technique  Search this
Genre/Form:
Photographs
Interviews
Illustrations
Sound recordings
Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pomeloui
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pomeloui
Additional Online Media:

Project/Client Files

Collection Creator:
Pomerantz, Louis  Search this
Extent:
13.8 Linear feet (Boxes 7-20)
Type:
Archival materials
Date:
1950s-1987
Scope and Contents:
Project/Client Files document Pomerantz's conservation on artwork for individuals, museums, institutions, and private companies. Files typically include preliminary condition reports and recommendations for treatment; agreement and release forms authorizing treatment; receipts for financial transactions, related correspondence, and in some cases photographic material.

Series includes files for clients for whom Pomerantz did a large volume of conservation work including Leigh Block, Chicago Board of Trade, Nathan Cummings, Edgar W. Garbisch, Nelson Harris, Jerome Hill, International Minerals and Chemical Corporation, Arnold H. Maremont, Milwaukee Art Museum, Ohio Historical Society, United States Postal Service, University of Iowa Museum of Art, and the Wichita Art Museum Ronald P. Murdock Collection.

Art Institute of Chicago files are relatively extensive and include records documenting conservation department activities, committees and budgets, in addition to individual projects conducted by the Institute's conservation department.

Also found here are extensive files documenting Pomerantz's work on the Gamelan collection at the Field Museum of Natural History, including condition reports, background and research material, sound recordings, photographs, and news clippings.

A group of folders at the end of the series documents client projects that remained unfinished when Pomerantz died in 1988.

The series includes 2 sound recordings related to an exhibition on 2 sound tape reels.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pomeloui, Series 5
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1

University of Iowa, Museum of Art

Collection Creator:
Pomerantz, Louis  Search this
Container:
Box 19, Folder 15
Type:
Archival materials
Date:
1971-1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Louis Pomerantz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Pomerantz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pomeloui-ref1534

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