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Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
FitzGerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Playbill for A Raisin in the Sun with insert essay ‘Sweet Lorraine'

Published by:
Playbill, American, founded 1884  Search this
Written by:
James Baldwin, American, 1924 - 1987  Search this
Printed by:
Unidentified  Search this
Edited by:
Blake Ross  Search this
Subject of:
Lorraine Hansberry, American, 1930 - 1965  Search this
Kenny Leon, American, born 1956  Search this
Denzel Washington, American, born 1954  Search this
LaTanya Richardson Jackson, American, born 1949  Search this
Sophie Okonedo, British, born 1968  Search this
Ethel Barrymore Theatre, American, founded 1928  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D (2015.64.14.1 Closed): 8 9/16 × 5 3/8 × 3/16 in. (21.7 × 13.7 × 0.5 cm)
H x W x D (2015.64.14.1 Open): 8 9/16 × 10 3/8 × 7/8 in. (21.7 × 26.3 × 2.2 cm)
H x W x D (2015.64.14.2 Closed): 9 × 4 1/4 (22.8 × 10.8 × 0.1 cm)
H x W x D (2015.64.14.2 Open): 9 × 12 5/8 × 1 in. (22.8 × 32 × 2.5 cm)
L x W (2015.64.14.3): 9 1/16 × 4 1/16 in. (23 × 10.3 cm)
Type:
theater programs
Date:
April 2014
Topic:
African American  Search this
Actors  Search this
Broadway Theatre  Search this
Domestic life  Search this
Drama (Theatre)  Search this
Families  Search this
Poverty  Search this
Race discrimination  Search this
Race relations  Search this
Segregation  Search this
Theatre companies  Search this
Tragedy (Theatre)  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kathleen M. Kendrick
Object number:
2015.64.14.1-.3
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd56bcb8360-0dcf-45bb-baf3-3795638a0ac4
EDAN-URL:
edanmdm:nmaahc_2015.64.14.1-.3
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  • View Playbill for A Raisin in the Sun with insert essay ‘Sweet Lorraine' digital asset number 1

Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock

John Warner Norton and Norton family papers, 1893-1954

Creator:
Norton, John Warner, 1876-1934  Search this
Citation:
John Warner Norton and Norton family papers, 1893-1954. Archives of American Art, Smithsonian Institution.
Topic:
Artists' writings  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painting, American -- Illinois -- Chicago  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10080
(DSI-AAA_SIRISBib)212951
AAA_collcode_nortjohn
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212951

Playbill for Def Poetry Jam on Broadway

Published by:
Playbill, American, founded 1884  Search this
Used by:
Longacre Theatre, American, founded 1913  Search this
Subject of:
Russell Simmons, American, born 1957  Search this
Stan Lathan, American, born 1945  Search this
Beau Sia, American, born 1976  Search this
Black Ice, American  Search this
Staceyann Chin, American, born 1972  Search this
Steve Colman, American  Search this
Mayda Del Valle, Puerto Rican American, born 1978  Search this
Georgia Me, American  Search this
Suheir Hammad, Jordanian American, born 1973  Search this
Poetri, American, born 1974  Search this
Lemon, American, born 1975  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 3/4 x 5 3/4 in. (22.2 x 14.6 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
2002
Topic:
African American  Search this
Broadway Theatre  Search this
Hip-hop (Music)  Search this
Spoken word (Poetry)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.22
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Movement:
Nuyorican Movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd515f2d3dc-172d-48b6-83f8-8d20134623aa
EDAN-URL:
edanmdm:nmaahc_2011.45.22
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  • View Playbill for Def Poetry Jam on Broadway digital asset number 1
Online Media:

Joseph Konopka Papers

Creator:
Konopka, Joseph, 1932-  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1965-2003
Summary:
The Joseph Konopka Papers measure 1.1 linear feet and date from 1965 to 2003. The papers document Konopka's career as a photo-realist and landscape painter through biographical material, correspondence, and artwork.
Scope and Content Note:
The Joseph Konopka Papers measure 1.1 linear feet and date from 1965 to 2003. The papers document Konopka's career as a photo-realist and landscape painter through biographical material, correspondence, and artwork.

Correspondence is with galleries and participants in his Art People Cutout Series. Among the artwork are sketchbooks (9 volumes) and a maquette of the Art People Cutout Series.
Arrangement:
The collection is arranged as 3 series:

Missing Title

Series 1: Biographical Material, 1965-2003 (Boxes 1, 3; 0.4 linear feet)

Series 2: Correspondence, 1971-1987 (Box 1; 3 folders)

Series 3: Artwork, 1985-2002 (Boxes 1-3; 0.6 linear feet)
Biographical Note:
Joseph Konopka (b. 1932) is a photo-realist and landscape painter who also works as a scenic artist for NBC-TV in New York City. He lives in Glen Ridge, New Jersey.

A native of Philadelphia, Konopka was raised in Jersey City, New Jersey. In 1954, he graduated from Cooper Union School of Art and the following year completed a set design course at Columbia University. He began working NBC-TV in 1952 as a paint boy, mixing paints and washing brushes for the scenic artists, a position he held for nine months. Konopka later joined the United Scenic Artists Local USA 829 and rose from apprentice (1953) to his current position as a scenic artist at NBC-TV. He has worked for many NBC-TV shows including "Late Night with David Letterman" (1982-1993) and "Late Night with Conan O'Brien" (1993-present).

Konopka often paints in ongoing series. His work process involves taking slides of his subjects from various angles and distances to determine a suitable composition or composite view. Subject matter for Konopka's series includes images of his wife Casimera (Casey) at the Jersey shore, in everyday poses, or putting on makeup; views from the top of the World Trade Center; and lighthouses. For the Art People Cutout Series (circa 1971-1979), Konopka painted portraits of prominent figures in the New Jersey art world such as museum directors (including Sam Miller, Newark Museum) and curators.

Konopka has been represented by Razor Gallery, New York City (circa 1971-1979), Capricorn Galleries, Bethesda, Maryland (circa 1980-1996), and Nathans Art Gallery, West Paterson, New Jersey (circa 1986-1997). From 1976-1985, he served as vice president of the Associated Artists of New Jersey.

Konopka lives in Glen Ridge, New Jersey.
Provenance:
The papers were donated in 2003 by Joseph Konopka.
Restrictions:
Use of original material requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Landscape painters -- New York (State) -- New York  Search this
Photo-realism  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Sketchbooks
Citation:
Joseph Konopka Papers, 1965-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.konojose
See more items in:
Joseph Konopka Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9559a6366-d581-4d27-a0bb-50b82196e982
EDAN-URL:
ead_collection:sova-aaa-konojose

United American Artists

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5242, Frame 476-1547
Type:
Archival materials
Date:
1938-1947, undated
Scope and Contents note:
(correspondence about exhibitions, fund raising, fund raising, meetings, speaking engagements, Federal Arts Project legislation communications from local communications from local branches of UAA and from similar arts organizations; printed matter; minutes of executive and other committees; see also: Union of Office and Professional Workers of America; and United Scenic Artists)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdea429e-8aba-4727-ab5f-1fcf117c5637
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3892

United Office and Professional Workers of America

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5243, Frame 662-1037
Type:
Archival materials
Date:
1939-1942, 1948
Scope and Contents note:
(convention bulletin and resolutions, 1940 and 1942; correspondence and printed matter; see also: United American Artists; United Scenic Artists)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b845a75-b207-4abe-b7b1-79b480772040
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3904

United Scenic Artists

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5243, Frame 1091-1148
Type:
Archival materials
Date:
1937-1940
Scope and Contents note:
(correspondence concerning Kent's resignation as vice president of the Mural Painters Union and probable expulsion from United Scenic Artists (an AFL affiliate) because of activities in United American Artists (a CIO affiliate); miscellaneous printed matter; see also: United American Artists)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9480df18a-ca5b-4fd5-a16a-144e19fb10d3
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3908

Hugo Gellert papers

Creator:
Gellert, Hugo, 1892-1985  Search this
Names:
American Artists' Congress  Search this
Art of Today Gallery (New York, N.Y.)  Search this
Artist's Committee of Action (New York, N.Y.)  Search this
Artists Coordination Committee (New York, N.Y.)  Search this
Artists Council  Search this
Artists for Victory, Inc.  Search this
Committee to Defend V.J. Jerome  Search this
Hungarian Word, Inc.  Search this
National Society of Mural Painters (New York, N.Y.)  Search this
Derkovits, Gyula, 1894-1934  Search this
Evergood, Philip, 1901-1973  Search this
Fast, Howard, 1914-2003  Search this
Fiene, Ernest, 1894-  Search this
Gellert, Ernest  Search this
Gellert, Lawrence, 1898-1979  Search this
Gottlieb, Harry, 1895-  Search this
Gropper, William, 1897-1977  Search this
Kent, Rockwell, 1882-1971  Search this
Lie, Jonas, 1880-1940  Search this
Refregier, Anton, 1905-  Search this
Reisman, Philip, 1904-  Search this
Sequenzia, Sofia  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Date:
1916-1986
Summary:
The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical political left through an interview, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, extensive printed materials (many of them illustrated by Gellert), photographs, and artwork.
Scope and Content Note:
The papers of graphic artist, muralist, and activist Hugo Gellert measure 6.9 linear feet and date from 1916 to 1986. They document his career as an artist and organizer for the radical left through an oral interview conducted by Sofia Sequenzia, legal papers, financial records, family papers, artifacts, correspondence, writings, organizational records, clippings, exhibition catalogs, various printed materials illustrated by Gellert, pamphlets, periodicals, mass mailings, photographs, and artwork.

Biographical Material includes an audio interview with Gellert; official documents related to memberships, property, and legal matters; financial documents that include bills, receipts, and contracts related to professional activities; papers of Gellert's brothers, Lawrence and Ernest; and artifacts. Correspondence is with other artists, writers, publishers, activists, friends, and family, including Ernest Fiene, Rockwell Kent, Harry Gottlieb, William Gropper, Philip Evergood, Howard Fast, and Jonas Lie. Writings include essays, book projects, notes, and notebooks written by Gellert; and stories and articles by other authors, including typescripts of early twentieth-century Hungarian short stories collected by Gellert.

Organizational Records are related to political and art organizations in which Gellert was an active organizer, officer, and in some cases, a founder. Because of his central role in many of these organizations, records often contain unique documentation of their activities. Records are found for the American Artists Congress, the Art of Today Gallery, the Artists Committee of Action, the Artists Coordination Committee, the Artists Council, Artists for Victory, Inc., the Committee to Defend V.J. Jerome, Hungarian Word, Inc., the National Society of Mural Painters, and other organizations.

Printed materials include a variety of political publications and periodicals with illustrations by Gellert, including New Masses, Art Front, Magyar Szo, and American Dialog; clippings related to his career, exhibition catalogs, political pamphlets, Hungarian literature, and mass mailings received from political organizations. Photographs contain a few personal photographs but are mostly news and publicity photographs, many of which depict prominent Communists and other newsmakers. Artwork includes sketches, drawings, designs, prints, and production elements for Gellert's artwork, as well as prints and drawings by Philip Reisman, Gyula Derkovits, and Anton Refregier.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1917-1982 (Box 1 and OV 9; 0.5 linear feet)

Series 2: Correspondence, circa 1920-1986 (Boxes 1-2, 8; 0.8 linear feet)

Series 3: Writings, circa 1916-1970 (Boxes 2 and 8; 0.7 linear feet)

Series 4: Organizational Records, circa 1920-1977 (Boxes 3, 8, and OV 9; 1 linear foot)

Series 5: Printed Materials, circa 1920-1986 (Boxes 4-6, 8, and OV 9; 3 linear feet)

Series 6: Photographs, circa 1920-1959 (Boxes 6-7; 0.5 linear feet)

Series 7: Artwork, 1927-1981 (Box 7, OV 10; 0.4 linear feet)
Biographical Note:
Graphic artist, muralist, and activist Hugo Gellert was born Hugo Grünbaum in Budapest, Hungary in 1892, the oldest of six children. His family immigrated to New York City in 1906, eventually changing their family name to Gellert.

Gellert attended art school at Cooper Union and the National Academy of Design. As a student, he designed posters for movies and theater, and also worked for Tiffany Studios. A number of student art prizes with cash awards enabled him to travel to Europe in the summer of 1914, where he witnessed the outbreak of World War I, an experience which helped shape his political beliefs. Aesthetically, he was also influenced by a folk revival among Hungarian artists at the time of his trip, and was more impressed, he later said, with the street advertising in Paris than he was with the cubism he saw in the Louvre.

Returning to the United States, Gellert became involved in the Hungarian-American workers' movement, and contributed drawings to its newspaper, Elöre (Forward). He remained involved in Hungarian-American art and activism throughout his life, including membership in the anti-fascist group, the Anti-Horthy League. When members of the fascist Horthy government unveiled a statue of a Hungarian hero in New York in 1928, Gellert hired a pilot and dropped leaflets on the group, a stunt for which he was arrested. In the 1950s, Gellert served as director of Hungarian Word, Inc., a Hungarian-language publisher in New York.

Gellert's political commitment and art remained deeply intertwined throughout his life, as he continually sought to integrate his commitment to Communism, his hatred of fascism, and his dedication to civil liberties. Throughout the 1910s and 1920s, he contributed artwork to several magazines of the radical left, including Masses and its successors Liberator and New Masses, both of which featured Gellert's artwork on their inaugural issue. Through Masses, he came to know other radicals such as Mike Gold, John Reed, Louise Bryant, Max Eastman, Floyd Dell, Anton Refregier, William Gropper, Harry Gottlieb, Bob Minor, and Art Young, and with them he followed the events of the Bolshevik revolution in Russia with sympathy and growing political fervor.

His brother, Ernest Gellert, also a socialist and activist, was drafted into the military but refused to serve. He died of a gunshot wound under suspicious circumstances while imprisoned at Fort Hancock, New Jersey, as a conscientious objector. Traumatized by this event, Gellert fled to Mexico to avoid conscription. In 1920 to 1922, he taught art at the Stelton School in New Jersey, a radical, utopian community school. He participated in the cultural scene of Greenwich Village, working on set designs, publications, and graphic art for political productions. He founded the first John Reed Club in 1929 with a group of Communist artists and writers including Anton Refregier, Louis Lozowick, and William Gropper. Initially, the group held classes and exhibitions, and provided services for strikes and other working-class activism. Later, John Reed Clubs formed around the country and became a formal arm of the United States Communist Party (CPUSA).

In the late 1920s, Gellert became a member of the National Society of Mural Painters (which, partly due to Gellert's activism in the group, became the Mural Artists' Guild local 829 of the United Scenic Artists Union of the AFL-CIO in 1937. Other members included Rockwell Kent, Anton Refregier, Arshile Gorky, and Marion Greenwood). In 1928, he created a mural for the Worker's Cafeteria in Union Square, NY. Later murals include the Center Theater in Rockefeller Center, the National Maritime Union Headquarters, the Hotel and Restaurant Workers' Union Building, NYC, the interior of the Communications Building at the 1939 World's Fair, and the Seward Park Housing Project in 1961.

In 1932, Gellert was invited to participate in a mural exhibition at the Museum of Modern Art, and submitted a political mural about the robber barons of contemporary American politics and industry called Us Fellas Gotta Stick Together - Al Capone. The museum attempted to censor the mural, along with the murals of William Gropper and Ben Shahn. Other artists threatened to boycott the exhibition over the censorship and were successful in restoring them to the show.

The cooperation of artists in this controversy foreshadowed a larger protest in 1934, organized by Gellert, Saul Belman, Stuart Davis, and Zoltan Hecht, when Diego Rivera's pro-labor mural was destroyed at Rockefeller Center. After the incident, the group formed the Artists' Committee of Action and continued to fight censorship and advocate for artists' interests and welfare. They also co-published the magazine Art Front with the Artists' Union, a labor organization. Gellert served for a time as editor of Art Front, and chairman of the Artists' Committee of Action.

Gellert was active in producing both art and strategic policy for the cultural arm of the CPUSA, and he worked to mobilize the non-communist left, often referred to as the Popular Front. In 1933 he illustrated Karl Marx's Capital in Lithographs, and in 1935, he wrote a Marxist, illustrated satire called Comrade Gulliver, An Illustrated Account of Travel into that Strange Country the United States of America. Other published graphic works include Aesop Said So (1936) and a portfolio of silkscreen prints entitled Century of the Common Man (1943).

Other artist groups he helped to found and/or run include the American Artist's Congress, a Communist organization founded with Max Weber, Margaret Bourke-White, Stuart Davis, Yasuo Kuniyoshi, Harry Sternberg, and others, which held symposia and exhibitions between 1936 and 1942; the Artists' Coordination Committee, an umbrella group of national organizations which sought protections for federally-employed and unionized artists; Artists for Victory, Inc., which formed in 1942 to mobilize artists in support of the war effort; and the Artists' Council, formed after the war to advocate for artists' welfare and employment.

Gellert maintained his loyalty to the Communist party throughout the post-war period despite growing disillusionment in the Popular Front over the actions of Josef Stalin, and despite the intense anti-communist crusades in the late 1940s and 1950s. He was investigated by the House of Un-American Activities Committee (HUAC) and was nearly deported. He spent a number of years during this period in his wife's native Australia. Returning to the United States in the early 1950s, he threw his efforts into the defense of others who faced prison, deportation, and the blacklist following the HUAC hearings. He established The Committee to Defend V.J. Jerome in 1951 when Jerome, the cultural commissioner of CPUSA, was convicted under the Smith Act. The writer Dorothy Parker was the group's treasurer.

In 1954, Gellert established the Art of Today Gallery in New York City with Rockwell Kent and Charles White to provide an exhibition venue for blacklisted artists. Exhibitions included Maurice Becker, Henry Glintenkamp, Harry Gottlieb, Kay Harris, and Rockwell Kent. Gellert served as the gallery's secretary until it closed in 1957.

In the 1960s until his death in 1985, Gellert continued his activism through involvement in grassroots political organizations. Unlike many of his radical contemporaries, Gellert lived to see the revival of some of the ideas of the progressive era of the thirties in the countercultural years of the late 1960s and early 1970s. There were retrospectives of his work in Moscow in 1967 and in his native Budapest in 1968, and he appeared in Warren Beatty's film Reds in 1981.

Sources used for this essay include James Wechsler's 2003 dissertation "The Art and Activism of Hugo Gellert: Embracing the Spectre of Communism," his essay "From World War I to the Popular Front: The Art and Activism of Hugo Gellert," ( Journal of Decorative and Propaganda Arts number 24, Spring 2002), and Jeff Kisseloff's biographical essay for the 1986 Hugo Gellert exhibition at the Mary Ryan Gallery.
Related Material:
Among the holdings of the Archives of American Art are an oral history with Hugo Gellert from 1984, a recording of a lecture Gellert gave at the Whitney Museum of American Art in 1985, and additional records of Artists for Victory, Inc., 1942-1946.

The Tamiment Library and Robert F. Wagner Labor Archives at New York University holds additional papers of Hugo Gellert.
Provenance:
A portion of the papers were donated in 1970 by Hugo Gellert. Additional papers were donated by Gellert and his wife, Livia Cinquegrana, in 1983 and 1986.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' writings  Search this
Politics in art  Search this
Works of art  Search this
Muralists -- New York (State) -- New York  Search this
Graphic artists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Photographs
Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gellhugo
See more items in:
Hugo Gellert papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb96ed42-b751-47f6-a0ca-038014c8800e
EDAN-URL:
ead_collection:sova-aaa-gellhugo
Online Media:

Henry Dreyfuss collection

Topic:
McCall's magazine
Creator:
Dreyfuss, Henry, 1904-1972  Search this
Names:
Bell Telephone Laboratories  Search this
Cooper-Hewitt Design Archive  Search this
Deere & Company  Search this
General Electric Company  Search this
Henry Dreyfuss Associates  Search this
Honeywell, Inc.  Search this
Hoover Company  Search this
Industrial Designers Society of America  Search this
Lockheed Aircraft Corporation  Search this
New York Central Railroad Company  Search this
Polaroid Corporation  Search this
Royal Typewriter Company  Search this
Singer Manufacturing Company  Search this
Westclox  Search this
Dreyfuss, Henry, 1904-1972  Search this
Extent:
130 Cubic feet
Type:
Collection descriptions
Archival materials
Biographies
Slides
Drawings
Photographs
Reports
Clippings
Client lists
Correspondence
Book drafts
Mechanicals
Renderings
Journal
Speeches
Date:
1927-1972
Summary:
This material does not cover all clients and projects undertaken by Dreyfuss. This collection consists of theater design materials, industrial design materials, primarily, though not exclusively, from the 1950s and 60s, draft copies of his books, including extensive research files for the "Symbol Sourcebook," texts of lectures delivered by Dreyfuss, and biographical material. Included is Dreyfuss's Brown Book which provides an outline of his achievements. Photographs and slides of many of his designs are included. Materials relating to three publications include original drafts of the books with author notes, drawings, photographs, correspondence, and research materials. Also contains materials relating to the symbols exhibition held at the Hallmark Gallery in New York City in 1972.This collection was the source of many of the objects and issues addressed in Cooper-Hewitt's 1997 exhibition, "Henry Dreyfuss: Directing Design", and companion book, "Henry Dreyfuss, Industrial Designer: The Man in the Brown Suit", both conceived by Russell Flinchum. 311 reels of microfilm documenting most of the projects undertaken by Dreyfuss Associates were created by the firm and added to the collection later.
Arrangement note:
Materials are arranged into four record groups: 1) Biographical information; 2) Theater design; 3) Industrial design; and 4) Publications.

The biographical material is arranged into four sub groups:1) Lectures and Articles by Dreyfuss; 2) Articles about Dreyfuss; 3) Dreyfuss firm promotional mailings; and 4) Other material (photos, awards, etc.).Each sub-group is filed chronologically.

The Industrial Design records are divided into two sub groups:Early Industrial Design, 1929-1935, and Industrial Design, 1936-1969, and arearranged alphabetically by client name.

The publication materials arearranged alphabetically by title of publication.
Biographical/Historical note:
Industrial and stage designer. Born New York, March 2, 1904. Attended Society for Ethical Culture High School in New York. Apprenticed to designer Norman Bel Geddes, 1922-1924. Established his own industrial design firm in 1929. His clients included Bell Telephone Laboratories, Deere & Company, Honeywell, Inc., Polaroid Corporation, General Electric, the 1939-40 and 1964-65 New York World's Fairs, New York Central Railroad, Hoover Company, Singer Sewing Machine Company, Royal Typewriter Co., Lockheed Aircraft, McCall's magazine, and others.

Dreyfuss was a founding member of the Society of Industrial Designers, and the first president of the Industrial Designers Society of America. He is best known for his designs for the Bell 500 and Trimline telephones, the Westclox Big Ben alarm clock, Deere & Company tractors, Polaroid's Automatic 100, Swinger, and SX-70 Land Cameras, and New York Central Railroad's 1938 Twentieth Century Limited. In the 1950s, Dreyfuss was one of the pioneers in the application of anthropometrics (the study of human dimensions and capabilities) in his designs. In 1969, Dreyfuss retired from his firm, but remained active as a corporate consultant. He was the author of several important books including: "Designing for People", 1955; "Measure of Man", 1959; and "Symbol Sourcebook", 1972.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Applied Arts Department. Models and realized objects including control knobs for GM and Deere vehicles, plastic plates and various ceramic pieces with international symbols, Trimline telephones, an RCA Victor radio, a Westclox "Big Ben" alarm clock, and a Presco "AirClip" hair clipper.
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Hundreds of drawings of designs for tractors, train, plane, and ship interiors, television and radio cabinets, product labels, logos, packaging, office buildings, and costumes.
Other archival repositories containing Dreyfuss materials include: AT&T Archives, Warren, New Jersey; Deere & Co. Archives, Moline, Iowa; Honeywell Archives, Minneapolis, MN; Hoover Company, Canton, Ohio; Polaroid Archives, Cambridge, MA; Billy Rose Theater Collection, New York Public Library; Ethical Culture/Fieldson School Archives, New York; New York Central System Historical Society, Inc.
United Scenic Artists Local 829 Archives, New York; New York World's Fair 1939-40 Archives, Manuscript Division, New York Public Library; and San Diego Aerospace Museum Archives.
Provenance:
Henry Dreyfuss and Doris Marks donated his papers to Cooper-Hewitt, National Design Museum, in the fall of 1972.

Additional materials were transferred to the museum in 1973 from the University of California at Los Angeles, which held a small collection of material deeded by Henry Dreyfuss in 1962.

311 reels of microfilm were donated to the museum in 1992.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph material.
Occupation:
Theater designers -- United States  Search this
Industrial designers -- United States  Search this
Topic:
Measure of Man  Search this
Symbol Sourcebook  Search this
Trimline telephone  Search this
Designing for People  Search this
anthropometry  Search this
Design, Industrial -- United States  Search this
Thermostats  Search this
Tractors -- United States -- History  Search this
20th Century Limited (Express train)  Search this
Human engineering  Search this
telephone  Search this
Signs ad symbols  Search this
Set design -- United States  Search this
Genre/Form:
Biographies
Slides
Drawings
Photographs
Reports
Clippings
Client lists
Correspondence
Book drafts
Mechanicals
Renderings
Journal
Speeches
Identifier:
SIL-CH.1972-88-332-4
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc203430ed5-d8e7-42b8-b16b-839393b39d1d
EDAN-URL:
ead_collection:sova-sil-ch-1972-88-332-4

John Warner Norton and Norton family papers

Creator:
Norton, John Warner, 1876-1934  Search this
Extent:
200 Items (Ca. 200 items (on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1893-1954
Scope and Contents:
Correspondence, sketches and sketchbooks, printed material, writings and photographs.
REEL 3257: Norton's passport; 2 photographs of him and his work; a bibliography; letters to Norton's wife (some illustrated), his mother, ca. 1898, when he was with the Rough Riders, and correspondence concerning mural commissions; subject files on the Jefferson County Court House murals in Birmingham, Ala. and at the Logan Museum, Beliot College; his memorial exhibition at the Art Institute of Chicago, and obituaries and condolence letters received by his wife; cancelled checks; a typescript of writings by his children regarding a trip to Mexico City; a contract for a mural; an award; clippings; his memorial biography, JOHN W. NORTON: AMERICAN PAINTER; a sketchbook and sketches; and a scrapbook containing illustrated letters, photographs and sketches.
REEL 3367: A typed draft of Norton's story "White Man's Luck"; Norton's United Scenic Artists' union card; 9 sketches and a sketchbook of drawings, notes and a draft of Norton's last letter to Tom Lea, 1933.
REEL 4074: Twelve letters, many illustrated, from John to his family including his son "Bud" (John Francis Norton); a magazine article on Norton from Northwest Architect; an address and a poem by Norton; and 19 photographs and a 5 page manuscript written by Madge Norton, John's wife, describing their trip to Arizona in 1904.
Biographical / Historical:
Painter, muralist; Chicago, Ill. Taught at the Art Institute of Chicago.
Provenance:
Passport and photographs donated 1984 by Mr. and Mrs. John Norton Garrett, Norton's grandson. Material on reels 3257 & 3367 lent for microfilming by Mr. & Mrs. Garrett, 1984, as part of the Archives of American Art's Texas Project. Material on reel 4074 lent for microfilming, 1987, by John C. Norton, John Norton Garrett and Katherine Norton Smalley, grandsons and granddaughter of John W. Norton as part of AAA's Chicago project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Muralists -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Topic:
Artists' writings  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painting, American -- Illinois -- Chicago  Search this
Identifier:
AAA.nortjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f87cb8c-9b1d-4c17-ada1-6442c3788ac5
EDAN-URL:
ead_collection:sova-aaa-nortjohn

Notes by Katherine Schmidt

Collection Creator:
Schmidt, Katherine, 1898-1978  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Date:
circa 1940-1950
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Katherine Schmidt papers, circa 1922-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Katherine Schmidt papers
Katherine Schmidt papers / Series 2: Business Records and Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9816d6626-4121-4bfa-af5e-6a901aacd588
EDAN-URL:
ead_component:sova-aaa-schmkath-ref27
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U.S. Building at the New York World's Fair Awards

Collection Creator:
Marsh, Reginald, 1898-1954  Search this
Container:
Box 2, Folder 32
Type:
Archival materials
Date:
1938
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reginald Marsh papers, 1897-1955. Archives of American Art, Smithsonian Institution.
See more items in:
Reginald Marsh papers
Reginald Marsh papers / Series 2: Correspondence / Project Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90707b2bb-c5af-4a3f-b545-cee202f0f5f5
EDAN-URL:
ead_component:sova-aaa-marsregi-ref64
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Artists for Victory, Inc.

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Container:
Box 3, Folder 37
Type:
Archival materials
Date:
1941-1942
Scope and Contents note:
Box 3, folders 37-41 include letters of Rockwell Kent, Chester Price, John Taylor Arms, Marie Kirkwood, Jim Eglern, Thomas C. Parker, and Erwin Barrie
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 4: Organizational Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9008826e0-8b03-4f89-929c-af8b3cecd23c
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref118
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Audio Interview of Gellert by Sofia Sequenzia and Questionnaire

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Extent:
(Contains 3 hour-long audio cassettes)
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1981-1982
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d4b05863-cae1-451b-a145-cc82da0f8441
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref16
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American Artists Congress

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
circa 1936-1937
1942
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 4: Organizational Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90691b820-1d2a-4686-8d70-075e9e145827
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref872
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American Artists Congress

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Date:
circa 1937-1937
1942
Scope and Contents:
Includes a 1936 pamphlet of cartoons defending the Works Progress Administration
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 4: Organizational Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98441d8bd-47ff-45bc-b8de-902a5572f14e
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref873
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  • View American Artists Congress digital asset number 1

Artists for Victory, Inc.

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Container:
Box 3, Folder 38
Type:
Archival materials
Date:
1943-1944
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 4: Organizational Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c705c553-6a25-468f-9a44-5a9f25ca989b
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref900
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Artists for Victory, Inc. digital asset number 1

Correspondence

Collection Creator:
Lazzari, Pietro, 1898-1979  Search this
Extent:
1.7 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1895-1998, undated
Scope and Contents note:
This series consists of letters exchanged between Lazzari, family members, and colleagues. Over one hundred letters from the Federal Works Agency and the Treasury Department Section of Painting and Sculpture concern post office murals for towns in Florida, New Jersey, and North Carolina. Five letters from the National Aeronautics and Space Administration contain 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon. Lazzari also received at least one letter each from Jacqueline Kennedy, Duncan Phillips, Eleanor Roosevelt, industrialist John Rust, and socialist Norman Thomas.

See Appendix for a list of selected correspondents in Series 2.
Arrangement note:
Correspondence is arranged chronologically.
Appendix: Selected Correspondents in Series 2:
Aguilera, Francisco: undated (1 letter)

Albergo Saturnia, Rome: 1928 (1 letter)

Alberts: Russell Alberts-Laura Langdon Antiques: undated (1 letter)

Alexander Gallery: undated (1 letter)

Allied Publications, Inc.: 1965 (1 letter)

Alterman, Selma: undated (1 letter)

Ambasciata d'Italia: 1950-1973 (3 letters)

Ambasciatore d'Italia: undated and 1971 (2 letters)

America-Italy Society: 1956 (1 letter)

American Academy in Rome: 1955 (2 letters)

American Artists Professional League: 1949-1955 (3 letters)

American Battle Monuments Commission: 1959 (1 letter)

American Commission for Cultural Exchange with Italy (Fulbright grant): 1950-1954 (2 letters)

American Federation of Arts: 1951-1956 (2 letters)

American Red Cross: 1943-1945 (6 letters)

American University: 1947-1967 (5 letters)

Amici, Alfredo: 1948-1959 (6 letters)

Amministrazione Erdi M.se Saverio Patrizi: 1969 (2 letters)

Andori, Adolfo: 1913-1916 (3 letters)

Anderson, Wayne V.: 1956 (1 letter)

Andrade, Victor: undated (1 letter)

Angelelli, Augusta: 1972 (1 letter)

Angiolillo, Giuseppe: 1967-1972 (9 letters)

Anson, Cherrill: 1998 (1 letter)

Appleby, J. Scott: 1952-1961 (9 letters); see Life Insurance Company of Georgia

Aquil, Preta: 1921 (1 letter)

Architectural League of New York: 1955 (3 letters)

Aristide, Zio (?): 1926 (1 letter)

Arndal, Kersten: 1970-1977 (2 letters)

Art Direction -- magazine: 1956 (1 letter)

Art in Federal Buildings, Inc.: 1943 (1 letter)

Art Institute of Chicago: 1944-1956 (11 letters)

Artists Equity Association: undated and 1949-1972 (7 letters)

Artists for Victory: 1942-1943 (7 letters including a prospectus for "America in the War" exhibition)

Artists of Washington, D.C.: undated (1 letter)

Artist's Guild of Washington: 1960 (1 letter)

Associated Architects & Engineers: 1957 (1 letter)

Associated Artists Gallery of Washington: 1961 (1 letter)

Associazione Artistica Internazionale: 1950 (1 letter)

Atomic Energy Clearing House: 1963 (1 letter)

Bache, Martha Moffett: 1949 (1 letter)

Backus, Florence: 1955 (1 letter)

Bader: Franz Bader Gallery: 1950-1976 (3 letters)

Baltimore Museum of Art: undated and 1948-1956 (8 letters); see Breeskin, Adelyn

Banca Commerciale Italiana: 1969 (2 letters)

Bankok Insustries, Inc.: 1972 (1 letter)

Bashir, Mir: 1955 (2 letters)

Bazzanella, Albina: 1926-1928 (2 letters)

Bedi-Rassy Art Foundry: 1952-1962 (4 letters)

Beer, Elsie: 1926-1928 (3 letters)

Bergeson, Mrs.: 1951 (1 letter)

Berkman, Jack: 1949 (1 letter)

Berkowitz, Ida and Leon (Workshop Center of the Arts): 1953-1955 (2 letters)

Berrier, Jean: 1971 (1 letter)

Betts, Luici: 1928 (1 letter)

Birnbaum, Britta: 1963 (1 letter)

Blake, Margaret Day: [1956] (1 letter)

Blanc, Peter: undated and 1948-1950 (4 letters)

Bly?, Edith: undated (1 letter)

Borea, Raimondo: 1971 (1 letter)

Borzani, Gastone: 1918 (1 letter)

Boulner, Bartlet: 1927 (1 letter)

Bowen, Elizabeth: undated (1 letter)

Brambilla, Helen: 1945 (1 letter of recommendation for Lazzari)

Breeskin, Adelyn D. (Baltimore Museum of Art): 1953-1961 (4 letters)

Broders, Dr. Hy: 1941 (envelope only; enclosing photo of unidentified friends)

Brooklyn Museum: 1956 (1 letter)

Brooks Memorial Art Gallery: 1952 (2 letters); see Rust, John

Broude & Hochberg: 1969 (1 letter)

Brown, James W.: 1934 (1 letter)

Bruce, Edward: mentioned in 3 letters dated 1938-1943

Bryn Mawr Club of Washington: 1961 (1 letter)

Buckingham Palace: 1971 (1 letter)

Bureau of Copyrights and Patents, Library of Congress: 1936-1955 (3 letters)

Burleighfield International Arts Centre: 1977 (1 letter)

Buxton, P. S.: 1969 (1 letter)

Cahill, Holger: see Works Progress Administration

Caldwell, Henry Bryan: 1951 (1 letter from Lazzari)

Calfee, William H.: 1967 (1 letter)

California: University of California at Berkeley: 1986 (1 letter)

California: University of California at Los Angeles: 1970 (1 letter)

Canali, Paola: undated (1 letter)

Cani, Edward: undated (1 letter)

Capital Park Apartments: mentioned in a letter dated 1962

Carbela: 1929 (1 letter)

Carbonati, Antonio: 1927 (2 letters)

Carnassale, Enrico: 1914-1916 (2 letters)

Carolan, Anna B. (The Little Gallery): 1947 (2 letters)

Casella, E. and M.: 1917-1918 (4 letters)

Caserma, Luisa.: 1914-1917 (2 letters)

Catholic University of America: 1964 (1 letter)

Caulfield, Patricia: 1949 (1 letter)

Central States Joint Board: 1977 (1 letter)

Chapel, Maria: 1970-1973 (3 letters)

Chase, Ralph H.: 1959-1961 (2 letters)

Child, Col. Sargent B.: 1968 (1 letter from Corcoran)

City of New York Department of Correction (Riker's Island mural): 1936-1937 (2 letters)

Civil Service Commission Club: 1949 (1 letter)

Clark, Joseph (Senator from Pennsylvania): 1962 (1 letter)

Clemens, Cyril ( -- Mark Twain Journal): -- 1971 (1 letter)

Cohen, Evelyn: see Lazzari, Evelyn

Cohen, Lester: 1956 (1 letter)

Colladay, Edward F.: 1932 (1 letter)

Conant, Howard (New York University): 1956 (1 letter)

Connolley, Robert Emmet: 1947-1950 (8 letters)

Console Generale d'Italia: 1965 (1 letter)

Constantino, C.: 1967 (1 letter)

Cook, Elizabeth: [1946] (1 letter)

Cooke: Hereward Lester Cooke Foundation: 1974-1975 (3 letters); see National Aeronautics and Space Administration; see National Gallery of Art

Cooper, Alice J.: 1927 (1 letter)

Corcoran Gallery of Art: undated and 1951-1981 (37 letters)

Corsi, Emma and W. Edward: 1928 (1 letter)

Cosgrove, Jessica (Mrs. John O'Hara Cosgrove): 1928-1930 (22 letters)

Cosgrove, John O'Hara (editor of -- New York World): -- undated and 1927-1929 (7 letters)

Costintin, Celestino and Emilia: 1916-1971 (6 letters)

Cotzia, Pasquale: 1966-1968 (2 letters)

Coughlin, Clarence John: 1948 (1 letter)

Crimi: undated (1 letter)

Crosby, Caresse (Crosby Gallery of Modern Art): undated and 1945-1969 (14 letters)

Crossley, Kay A.: 1966 (1 letter)

Cullen, Amelia: undated (1 letter)

Cusumono, Stefano: 1947-1951 (3 letters)

Daloni, Edith B.: 1928 (1 letter)

Damer, Veffarghi: 1919 (1 letter)

Damiani, Angelo: 1921 (1 letter)

Dane, C. K.: 1965 (1 letter)

Dean, Edward: 1940 (1 letter)

Debs: Eugene V. Debs Foundation: 1965-1966 (3 letters including 6 photographs with Norman Thomas); see United Auto Workers

de Chetelat, Mr.: mentioned in letter dated 1928

de Chirico, Giorgio: mentioned in undated invitation from Ambasciatore d'Italia

DeLano, Agnes: undated (1 letter)

De Medio, Americo: 1963-1976 (32 letters)

De Medio, Vincenzo: undated and 1970-1977 (3 letters)

Demiddi, Alberto: undated and 1972 (3 letters)

De Mont, Nany and Eugene: undated (1 letter)

Dernay, Eugene: 1945-1959 (4 letters)

Design in Steel Award Program: 1972 (1 letter)

Dictionary of International Biography: 1974 (1 letter)

Diller, Burgoyne: see Federal Art Project

Dipanfilo, Pio: 1949-1968 (10 letters)

Di Raimondo, Vicenzo: 1920-1928 (7 letters)

District of Columbia Board of Commissioners: 1959 (1 letter)

District of Columbia Department of Public Welfare: 1958 (1 letter)

District of Columbia Juvenile Court: 1964 (1 letter)

District of Columbia Recreation Board: 1963 (1 letter)

Dole (?), Louis: 1923 (1 letter)

Dollinger, Josef: undated (1 letter)

Donaldson, Leota L.: undated (2 letters)

Donaldson, Renee: undated (1 letter)

Douglas, Paul F.: 1951 (1 letter)

Dretzin, S. C.: 1950 (1 letter)

Draper, Warren A.: 1944 (1 letter)

Dumbarton College: 1949-1951 (3 letters)

Duncan and Duncan Chinese Shop: 1964 (1 letter)

Dunham, Dr. G. C.: 1944 (1 letter re: portrait of Dr. Sawyer)

Duproix, Eunice: 1928 (1 letter)

Durbin, Jack: 1960 (1 letter)

Editions du Griffon, Neuchatel, Suisse: 1964 (3 letters)

Edsor, Mary: 1928 (1 letter)

Elenbrock, Gretel: 1927 (3 letters)

Elkins: Stella Elkins Tyler School of Fine Arts of Temple University: 1956 (1 letter)

Eng, Ernest: 1959 (1 letter)

Ernesto Desideri: 1915 (3 letters)

Evening Star -- newspaper, Washington, D.C.: 1957 (1 letter)

Farmers Educational and Cooperative Union: 1944 (1 letter)

Fasola, Roberto: 1948-1949 (2 letters)

Federal Art Project: 1938-1939 (4 letters)

Federal Works Agency, Public Buildings Administration: 1940-1947 (70 letters re: murals for the Brevard, N.C. post office, the North Bergen, N.J. post office, and the Jasper, Florida post office, including a contract, 2 photographs, and 2 sketches for a mural)

Federal Works Agency, Work Projects Administration: 1941-1942 (2 letters)

Fellowship of Reconciliation and War Resisters League: [1945] (1 letter)

Ferargil Gallery: 1941 (1 letter)

Ferreri, Elena: 1938 (1 letter)

Figoullo, Adriano: 1912 (1 letter)

Fiore, Ilario and Titta: 1966-1967 (5 letters)

Fitzwater, Aldace: 1950 (1 letter)

Florentine Gallery: 1956 (4 letters)

Fogle, Bruce: 1927 (1 letter)

Food and Agriculture Organization of the United Nations: 1956 (1 letter)

Force, Mrs.: undated (1 letter)

Foreign Service of the United States of America: 1950 (3 letters)

Foresti, Arnaldo: 1948-1949 (2 letters)

Fortas, Abe: 1956 (1 letter)

Fortune -- magazine: 1944-1956 (2 letters)

Francis, Emily A.: 1951 (3 letters)

Franco, Johan: 1966 (2 letters)

Frankel, Samuel: undated (1 letter)

Freeman: Carl M. Freeman Associates, Inc.: 1963 (1 letter)

Frisine, Robert: 1967 (1 letter)

Frost, Phillip: 1981 (1 letter)

Fujita, Mr.: 1957 (1 letter)

Fulbright grant: see American Commission for Cultural Exchange with Italy

Fuller, Eve Alsman (Miami, Fl. post office): 1938 (1 letter)

Gabetti: undated (1 letter)

Galarza, Ernesto and Mae: (National Farm Labor Union; National Agricultural Workers Union): undated and 1944-1978 (27 letters); see Landon School for Boys; see Perkins, Milo

Galerie Internationale: 1965 (1 letter)

Galerie Schindler: undated and 1965-1972 (12 letters)

Gallaudet College: 1963-1970 (14 letters, including a contract)

Gallenga: 1951 (1 letter)

Gaspari, Mario P.: 1966 (1 letter)

Georgetown University Fine Arts Club: 1960 (1 letter)

George Washington University: 1965 (1 letter)

Giovannetti, Alberto: 1966 (1 letter)

Giovanni, Sebastiani: 1921 (1 letter)

Giricosnelli, Emilio: 1918 (1 letter)

Gobbi, Adolfo: 1928 (1 letter)

Goldberg, Dorothy and Arthur: 1964-1965 (3 letters)

Goldsmith, Alberto R.: 1947-1968 (3 letters)

Gonzales, Angelino: 1951-1975 (11 letters)

Gotham Book Mart: 1968 (1 letter)

Graham, John: 1948 (1 letter)

Granati, Pasquale: 1918 (1 letter)

Grand Central Art Galleries: 1956 (1 letter)

Grant, Blanche C.: undated (1 letter)

Grebanier, Barnard: 1961 (1 letter)

Greene, Hope Margaret: 1926-[1927] (2 letters)

Gualdi, Luigi: 1947-1949 (11 letters)

Guarino, A.: undated letters to Mabel McMahon and Guiolitta Sartori

Guggenheim: John Simon Guggenheim Memorial Foundation: 1937-1971 (5 letters)

Guggenheim: Solomon R. Guggenheim Museum: 1956-1960 (3 letters)

Gutheim, Frederick: 1956 (1 letter)

Haarlem House, Inc.: 1926 (1 letter)

Hahn, Rosemarie E.: 1961 (1 letter)

Halle, Kay: 1972 (1 letter)

Hammerle, Brooke: 1966 (1 letter)

Hansen, Jane: 1954 (1 letter)

Hardman, Virginia: undated (1 letter)

Harrison & Abramovitz, Architects: 1956 (1 letter)

Harrison, Charles H.: 1949 (1 letter)

Hart, Earl: mentioned in an undated letter

Hartley, Bettina: undated (1 letter)

Hartman Galleries, Inc.: 1973 (1 letter)

Hayward: City of Hayward, California: 1965 (1 letter)

Health, Education, and Welfare Employees' Association: 1962 (1 letter)

Hechinger, June: undated (1 letter)

Heilbron, Edna: 1972 (1 letter)

Heinemann, Mark: undated (1 letter)

Herzbrunn, Josef: 1949 (1 letter)

Heywood, Carmen: 1948 (1 letter)

Hollander, Cornelia: undated (1 letter)

Holvey, Sam: undated (1 letter)

Holy See: Permanent Observer of the Holy See: 1966 (1 letter)

Hom Gallery: 1972 (1 letter)

Horrocks, E. Joan: 1971 (1 letter)

Hotel Beau Site, Rome: 1928 (1 letter)

Hotel de la Ville, Rome: 1928 (1 letter)

Hotel Hassler, Rome: 1928 (1 letter)

Hotel Pension Alexandra, Rome: 1928 (1 letter)

Hotel Windsor, Rome: 1928 (1 letter)

Hough, Edith Louise: 1952 (1 letter)

Illinois State Historical Library: 1965 (1 letter)

Il Messaggero: 1928 (1 letter)

Immigration and Naturalization Service: 1976 (1 letter)

Institute for International Education: 1963 (1 letter)

Institute for the Arts of the Archdiocese of Washington: 1978 (2 letters)

Institute of Contemporary Art: 1956 (2 letters)

Institute of Gerontology: 1970 (1 letter)

International Directory of Arts: 1982 (1 letter)

Isherwood, Christopher: undated (1 letter)

Istituzione Maddalena Aulina: 1966 (1 letter)

Jacometti, Nesto: 1972 (1 letter)

Jaffe, Norman: 1964 (1 letter)

Janus, Virginia: 1929 (2 letters)

Jelleff: Frank R. Jelleff, Inc.: 1949 (1 letter)

Jennoff?, Peter L.: undated (1 letter)

Jewish Social Service Agency: 1967 (1 letter)

Johnston, L. R.: 1932 (2 letters)

Jones, Dorothea and Stuart E.: 1955 (3 letters)

Jones, George Lewis: 1961 (1 letter)

Jopp, Fred Gilman: 1936 (1 letter)

Josephy, Diane ( -- Time): -- 1968 (1 letter)

Junior Council of the Museum of Modern Art: 1956-1960 (2 letters)

Jurin, Benjamin M.: undated (1 letter)

Kagy, Virginia and Sheffield: 1948 (1 letter)

Kahles, Jessie: 1940-1948 (3 letters)

Kennedy, Jacqueline: May 19, 1960

Letters from White House Social Secretary: 1961-1963 (5 letters)

Kerensky, Alexander: 1965 (1 letter)

King Features Syndicate, Inc.: 1943 (1 letter)

King, Marion: 1952 (1 letter)

King, Rufus: 1975 (1 letter)

Kneifel, Mr.: 1956 (1 letter from Lazzari)

Kramer, Herbert (Congregazione del Preziosissimo Sangue): 1950 (1 letter)

Krishnamurti, Jack: 1959 (1 letter)

Kurzland, Toby: 1991 (1 letter)

La Follia: 1926 (1 letter)

La Galleria: 1972 (1 letter)

Landon School for Boys: 1944 (1 letter re: Ernesto Galarza)

Landu, Consuelo: 1948 (1 letter)

Lanier, Fanita: see Ruffiner, Willis E.

La Revue Moderne: 1961 (3 letters)

La Rocca, Principessa de: 1968 (1 letter)

Latif, Bilkeer: undated (1 letter)

Law, L. S.: 1932 (2 letters of recommendation for Lazzari)

Lawton, Thomas: 1974 (1 letter)

Lazzari, Attilio: 1922 (1 letter)

Lazzari, (Grace) Elizabeth Paine: undated and 1920-1951 (69 letters)

Letters from Pietro to Elizabeth: 1928-1929 (52 letters)

Lazzari, Evelyn Cohen: undated and 1948-1965 (6 letters)

Letters from Pietro to Evelyn: undated and 1932-1966 (49 letters, including one with a photograph of friends)

Lazzari, Fernanda (sister) and Vittoria: 1915-1949 (11 letters)

Lazzari, Leno: 1918-1929 (2 letters)

Lebanon: Embassy of Lebanon, Washington: 1956 (1 letter)

Lee, Amy: Nov 01, 1974 (letter from Lazzari); 1975 (1 letter)

Lee, Dal: 1954 (1 letter)

Lee, Pearl: undated (1 letter)

Levy, Sid A.: undated (1 letter)

Library of Congress: undated and 1965-1982 (6 letters)

Licciardi, Pietro: undated (1 letter)

Licinio Cappelli: 1949 (1 letter)

Life Insurance Company of Georgia: 1954 (2 letters)

Little Gallery: see Carolan, Anna B.

Lobatini, G.: undated (1 letter)

Loccatelli, Giulio: 1956-1958 (2 letters)

Lombaro (?), Patricia: 1961 (1 letter)

Loughlin, Dr. John J.: 1936-1940 (2 letters)

Lousine, L.: undated (1 letter)

Luccia, Enrico: undated and 1928-1977 (19 letters)

Lucibello, Luigi: Jan 12, 1965

Lucifero, Alfonso: Jan 13, 1912 (letter from Ministero delle Finanze)

Macpherson, Suzanne: 1957 (2 letters)

Maddux, Yolanda A.: undated (1 letter)

Maezawa, Kezuko: 1956 (1 letter)

Magrini, Livia: 1967-1970 (5 letters)

Makovich, L.: 1950 (1 letter)

Manca, Albino (sculptor): 1971 (1 letter)

Mangravite, Peppino (Columbia University): 1956 (1 letter)

Mann: Charles Z. Mann Gallery: 1966 (1 letter)

Mannarino, Matina: 1968 (1 letter)

Maresciallo, Mr.: undated (1 letter from Lazzari)

Mark, Ginevra: undated (1 letter)

Marlor, Clark S.: 1981 (1 letter)

Marquis Company: 1950-1981 (3 letters)

Maryland: University of Maryland: 1972 (1 letter)

Mattei, Cristina: 1950 (a death announcement)

Mayfield, Mrs. David: 1938 (1 letter)

McAfee, Don: 1955-1969 (3 letters); see Watergate Construction Corp.

McGinnis, Paul: 1988 (1 letter)

McIlhenny, Henry P.: 1949 (1 letter)

McIntyre, W. A.: undated (1 letter)

McKeogh, Elsie: 1954 (1 letter)

McKonish, Margaret: 1949 (1 letter)

McMahon, Mabel: undated (1 letter from A. Guarino)

Meert, Margaret Mullin: 1948 (2 letters)

Meeting House Gallery: 1972 (1 letter)

Meguin, A.: undated (1 letter)

Menard, G.: 1928 (1 letter)

Men of Achievement: 1974-1975 (2 letters)

Mensh, Elizabeth: 1978 (1 letter)

Merritt, Polly: undated (1 letter)

Messina, Joseph R.: 1971 (1 letter)

Metropolitan Museum of Art: 1951 (1 letter)

Miami Museum of Modern Art: 1965-1968 (7 letters)

Miki, Suizan: undated (1 letter)

Mills, Harrington: 1933 (1 letter)

Ming, Wang (National Art & Frame Co.): 1968 (1 letter)

Mitchell, Austin: 1946 (1 letter)

Montgomery County Art Association: 1961 (1 letter)

Moore, Norman Perry: 1927-1928 (2 letters)

Moore, Paul: 1970 (1 letter)

Morey, Mr.: [1950] (1 letter)

Morott, Aristodemi: 1918 (1 letter)

Morrison, Lillian: 1971 (1 letter)

Mortot, Virgilio: undated and 1962-1964 (4 letters)

Morvidi, Maria: 1918 (1 letter)

Moskin, Ruth: undated (1 letter)

Mullins, Mrs.: undated (1 letter)

Museum of Fine Arts, Boston: undated and 1955 (2 letters)

Museum of Fine Arts, Houston: 1964 (2 letters)

Museum of Modern Art: 1949-1973 (3 letters); see Junior Council of the Museum of Modern Art

Myers, Eugene Ekander: 1976 (1 letter)

National Academy of Design: [1939] (1 letter)

National Aeronautics and Space Administration: 1962-1973 (5 letters including 4 photographs of artwork and 23 photographs of astronauts Eugene A. Cernan, Ronald E. Evans, and Harrison H. Schmitt preparing for an Apollo 17 mission to the moon; an Apollo translunar/transearth trajectory plotting chart; an Apollo lunar orbit chart; and an Apollo earth orbit chart); see Cooke: Hereward Lester Cooke Foundation

National Cyclopedia of American Biography: 1979 (1 letter)

National Gallery of Art: undated and 1956-1974 (7 letters)

National Housing Center: 1961 (2 letters)

National Investigations Committee on Aerian Phenomena: 1957 (1 letter)

National Society of Arts and Letters: 1952 (1 letter)

National Society of Mural Painters: 1940-1963 (3 letters)

National Student Art Tour: 1949 (1 letter)

National Sugar Refining Company: 1938 (1 letter)

Neale, Rosamund: 1961 (1 letter)

Neilson, Robert Hude: 1928 (1 letter)

Nelson, Helen Ewing: undated (1 letter)

New American Library: 1953 (1 letter)

Newlin, Ben: 1979 (1 letter)

New Society for Art and Literature: 1947 (1 letter)

Nichol, Jean: 1926 (2 letters)

Nichol, Nella: 1929 (1 letter)

Nilsen, Laila: 1946 (1 letter)

Nobili, A.: undated letter written on reverse of photograph of Nobili painting

Nuova Critica Europea: 1969 (1 letter)

O'Connor, Don: 1960 (1 letter)

O'Connor, FrancisV.: 1968 (1 letter)

Oggi: 1967 (1 letter)

Okamoto, Yoichi R.: undated (1 letter)

Oklahoma Art Center: 1969 (1 letter)

Oklahoma Museum of Art: 1988 (1 letter)

Olson: Charles Olson Archives, University of Connecticut: 1975-1976 (3 letters)

Oregon State Library: 1957 (1 letter)

Orlando, Teresa: undated and 1949-1971 (3 letters)

Ottiani, Giuseppe: 1909 (1 letter)

Palmieri, Renato: 1928 (1 letter)

Park, Marlene: 1979 (1 letter)

Pavia, Dagoberto: 1959 (1 letter)

Pavia, Goffredo: 1921-1924 (7 letters)

Palmieri, Renato: 1957 (1 letter)

Palombi, Angelo: 1921 (1 letter)

Pan American Union: 1944-1945 (2 letters)

Parsons, Betty (Betty Parsons Gallery): undated and 1949-1973 (9 letters)

Passedoit Gallery: 1956 (1 letter)

Pensione Boos, Rome: 1928 (1 letter)

Pensione Girardet, Rome: 1928 (1 letter)

Perentine, Giuseppe (Nino): 1927-1950 (3 letters)

Peresson, I.: 1971 (1 letter)

Peretti, Luigi: undated (1 letter)

Perkins, Milo: 1944 (1 letter re: Ernesto Galarza)

Perna, Giorgio: undated (1 letter)

Peterson, Esther: 1978 (1 letter)

Philadelphia Department of Public Property: 1960 (1 letter)

Philadelphia Museum of Art: 1965-1966 (3 letters)

Phillips, Duncan: 1954 (1 letter)

Pirucchini, Maria: 1927 (1 letter)

Pope Paul VI: mentioned in 7 letters dated 1966, including 2 photographs of Lazzari with bust of the Pope; see Fiore, Ilario; see Giovannetti, Alberto; see Institute for the Arts of the Archdiocese of Washington

Preissler, Audrey: 1970 (1 letter)

Print Collector's Quarterly: 1949 (1 letter)

Print Council of America: 1963 (1 letter)

Prospersin, Eugenio: 1941 (1 letter)

Pyramid Club: 1956 (1 letter)

Quick, Robert B.: 1972 (1 letter)

Quinzi, Amerigo: 1920-1925 (2 letters)

Rady, Cabell: 1958 (1 letter)

Rahill, William Allen: 1954 (1 letter from Lazzari)

Raker, J. M.: 1928 (1 letter)

Ramakrishna-Vivekananda Center: undated (1 letter)

Randall, Megan: 1975 (1 letter)

Rassegna Nazionale di Arti Figurative: 1948 (1 letter)

Rattu, Salvatore: undated and 1926-1966 (13 letters)

Reeves, Rosser: 1947 (1 letter)

The Reporter -- magazine: 1956 (1 letter)

Reuther, Victor: see United Auto Workers

Reynolds, D.: 1939 (1 letter from Lazzari)

Rhine, J. B.: 1949 (1 letter)

Ricca, Roberta: undated (1 letter)

Rieder (?), Baronessa: 1934 (1 letter)

Rioffo, Angela: 1959-1962 (2 letters including 2 photographs of friends)

River Road Gallery, Louisville, Ky.: 1941-1943 (4 letters)

Rivoi, Swami: undated (1 letter)

Robson, John: 1958 (1 letter)

Rocca Sinibalda: 1920 (1 letter)

Rockefeller, Nelson A.: 1946 (1 letter)

Rodman, Selden: undated (1 letter)

Rollins College: 1933-1942 (4 letters)

Roosevelt, Eleanor: Nov 09, 1945 and a letter dated 1964 concerns a viewing of the Roosevelt portrait bust); see White House; see Roosevelt Library

Roosevelt: Franklin D. Roosevelt Library at Hyde Park: 1963-1965 (8 letters, including typescripts of speeches); see United Auto Workers

Ross, Fred: 1949 (1 letter)

Rosso, Giulio: undated letter of recommendation by Lazzari

Roth, Maurice: 1993 (1 letter including 2 photographs of Lazzari's work)

Rothschild, Anselm A.: undated (1 letter)

Rowan, Edward: see Federal Works Agency

Rowan, Leata: undated (1 letter)

Rowantrees Pavilion: see Thompson, Lin

Rowin, Fran: 1976 (2 letters)

Rowland, Creelman: undated (1 letter)

Ruffner, Willis E. (lawyer for Fanita Lanier): 1944 (1 letter)

Russell, N. F. S.: 1932 (1 letter)

Rust, John and Thelma: 1952-1954 (38 letters, including an application from Lazzari for a grant from the John Rust Foundation, including a clipping about Rust and 3 photographs of cotton pickers); see West Tennessee Historical Society

St. Louis, Bertha: undated (1 letter)

Sanderson, W. A. (Calouste Gulbenkian Foundation): 1958 (1 letter)

San Francisco Museum of Art: 1967 (1 letter)

Sartori, Guiolitta: undated letter from A. Guarino

Satterlee & Smith, Architects: 1962 (1 letter)

Savini, Renata: 1965-1967 (3 letters)

Scheetz, June Rice: undated (1 letter)

Schoenberg, Rose: 1967 (1 letter)

Schurmer, Zaira E.: 1947 (2 letters)

Schwarz -- magazine: 1957 (1 letter)

Scigliano, Peppino Cosenza: 1910 (2 letters)

Sebastiani, G.: undated (1 letter)

Selmi, Gabriella: undated (1 letter)

Sevareid, Eric: 1956 (1 letter)

Sheen, Rev. Fulton J.: 1970 (1 letter)

Simotti, Aristide (friend who was prisoner of war): 1911-1925 (62 letters)

Sinisca: undated (1 letter)

Sirony, Simone: 1955-1964 (8 letters)

Smart: David and Alfred Smart Museum of Art: 1991-1996 (4 letters)

Smith, George: 1926-1927 (2 letters)

Smithsonian Institution: undated and 1947-1976 (8 letters)

Snyder, Nell H.: 1969 (1 letter)

Society of American Etchers: 1944 (1 letter)

Society of American Graphic Artists: 1956 (2 letters)

Society of Washington Artists: 1960-1961 (2letters)

Society of Washington Printmakers: 1976 (2 letters)

Sound View Press: 1991 (1 letter)

Spiral Group: see Strantin, Wally

Stevenson, Adlai: see White House

Stewart, George: 1932 (1 letter)

Strantin, Wally and Edward: 1950-1951 (2 letters)

Stroppoghetti, Arturo: 1923 (1 letter)

Stubbs, Kenneth: [1948] (1 letter)

Studer, Alfredo and Clara: 1947-1976 (15 letters)

Sweeney, James Johnson: 1949 (1 letter)

Syracuse University: 1964 (1 letter)

Taylor, Prentiss: 1972 (1 letter)

Teller, Douglas H.: 1963 (1 letter)

Terenz, Don Umberto: 1960 (1 letter)

Thames and Hudson, Ltd.: 1974 (1 letter)

Thomas, Norman: 1963-1965 (2 letters)

Thomen, Luis Francisco (Ambassador from Dominican Republic): undated (1 letter)

Thompson, Lin: 1950-1951 (3 letters)

Thurston, Charles D.: 1927-1928 (4 letters)

Tibet Society: 1975 (1 letter)

Timpenado, Cesare: 1927 (1 letter)

Tirrocelli (?), A.: 1917 (1 letter)

Toledo Museum of Art: 1957 (1 letter)

Toscanini, Arturo: mentioned in 2 letters dated 1928

Tosello, Alfredo: 1947-1949 (2 letters)

Tosi, Elisa: 1929 (1 letter)

Treasury Department, Section of Painting and Sculpture: 1936-1939 (53 letters concerning the Arlington, N.J. post office, the Sanford, N.C. post office, and the New York World's Fair Sculpture Competition)

Truman: Harry S Truman Library at Independence, Mo.: 1963 (1 letter)

Turkish Embassy, Washington, D.C.: 1958-1959 (4 letters including a photograph of Lazzari)

Tyler, Richard O.: 1958 (1 letter)

Ugolini, Luigi: 1969 (1 letter)

Ungar, Harold and Mildred: 1965 (1 letter)

United Auto Workers (U.A.W.): 1963-1971 (9 letters); see Debs: Eugene V. Debs Foundation

United Scenic Artists of America: [1939] (1 letter)

United States Civil Service Commission: 1944 (2 letters)

United States Department of Agriculture: 1945-1967 (10 letters)

United States Department of Labor: undated (1 letter)

United States Information Agency: 1959 (1 letter)

United States Information Service: Jul 09, 1964

University Settlement: 1946 (2 letters)

Upham, Elizabeth: 1948 (1 letter)

Van De Bries, Enri: 1973 (1 letter)

Vangell?, Raphaele: undated (1 letter)

Van Smith, Anne: 1949 (1 letter)

Venice Biennale: 1948-1954 (3 letters)

Vermont Marble Company: 1955 (1 letter)

Veschi, Signora: undated (1 letter)

Vickery, Ruth Bacon: 1929 (1 letter)

Victoria Hotel, Rome: 1928 (2 letters)

Virginia Museum of Fine Arts: 1956 (1 letter)

Visher, John: 1956 (1 letter)

Vosseller, Harold: 1948 (1 letter)

Wagner, Edward A. (Dell Publishing Co.) and Julia: 1954-1976 (5 letters)

Waldo, M. V.: 1945 (1 letter)

Warren, Susan and Louise: undated (1 letter)

Washington Gallery of Modern Art: undated (1 letter)

Washington is Wonderful: see Jones, Dorothea and Stuart E.

Washington-Lee High School: 1961 (1 letter)

Washington, Walter E. (Mayor of Washington, D.C.): 1976 (1 letter); Oct 19, 1976 (1 letter from Franz Bader)

Washington Water Color Association: undated and 1961 (3 letters)

Watergate Construction Corp.: 1968-1969 (4 letters); see Don McAfee

Watson, Ernest W. (editor, -- Art Instruction -- and -- American Artist -- ): 1939-1949 (3 letters)

Watson, Forbes: see Art in Federal Buildings, Inc.

Weil, Frank L.: 1926-1936 (2 letters)

Weinmann, Eric: 1980 (1 letter including a photograph of artwork)

Wells, John K. (Equitable Life Assurance Society): undated (1 letter)

West Tennessee Historical Society: 1952 (3 letters); see Rust, John

Weyhe: E. Weyhe Gallery: 1949 (1 letter)

White, Sarah: 1929 (1 letter)

Whitney Museum of American Art: 1939-1980 (11 letters)

Whyte Gallery: 1944-1950 (2 letters)

Widdemer, Kenneth D.: 1928 (1 letter)

White House: 1965-1968 (4 letters concerning the presentations of the busts of Eleanor Roosevelt and Adlai Stevenson)

Whittemore, Manvel: 1936 (1 letter enclosing poems)

Who's Who in America: 1979-1980 (2 letters)

Works Progress Administration: 1937-1938 (4 letters)

Workshop Center of the Arts: 1953 (1 letter); see Berkowitz, Ida and Leon

WRC Radio: 1966 (1 letter including a photograph of Lazzari)

WRC-TV: 1967 (1 letter)

Young, June: undated (1 letter)

Young, Louis Butler: 1971 (1 letter)

Zerega, Andrea: 1972-1976 (4 letters, including a résumé)
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Pietro Lazzari papers, 1878-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lazzpiet, Series 2
See more items in:
Pietro Lazzari papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a9236aa-aee5-4d32-8a86-8390dda70f53
EDAN-URL:
ead_component:sova-aaa-lazzpiet-ref18

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