Photographs, correspondence, notes, and printed material relating to the Charles Freer House designed by Wilson Eyre in Detroit, Michigan, compiled in preparation for Tyler's booklet on the house. Also included is some related material on James McNeill Whistler who was commissioned to paint a room in the house, Colonel Frank Hecker, and Detroit architecture in general.
REEL 439 AND SCANNED One photograph of Robert Cremean, which was previously part of Photos of Artists I and has subsequently been scanned and returned to the Tyler papers.
Biographical / Historical:
Art historian; Detroit, Michigan. The Charles Freer House became the Merrill-Palmer School in 1921. Freer was a collector of Far Eastern art. In accordance with Freer's wishes, the Freer Gallery in Washington, D.C. was opend in 1923 to house his collection. It is a branch of the Smithsonian Institution.
Provenance:
Donated 1964 by Tyler.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Two letters from Cremean to Dorothy Tyler and one from Tyler back to Cremean; one photograph of Cremean in his studio; and an advertisement with a picture of Cremean's work from Time magazine.
Biographical / Historical:
Sculptor; Woodacre, Calif.
Provenance:
Donated 1971 by Dorothy Tyler, a friend of Cremean who has corresponded with him.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Container:
Box 121
Type:
Archival materials
Date:
1959 January 6
Scope and Contents note:
Job Number: 60451
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.