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Nancy Drysdale Gallery records

Creator:
Nancy Drysdale Gallery  Search this
Names:
Brook Alexander Editions  Search this
Crown Point Press  Search this
Tyler Graphics, Ltd  Search this
Bartlett, Jennifer, 1941-  Search this
Burton, Scott  Search this
Christenberry, William, 1936-  Search this
Clapsaddle, Jerry, 1941-  Search this
Drysdale, Nancy McIntosh, 1931-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gilliam, Sam  Search this
Kainen, Jacob  Search this
Katz, Alex, 1927-  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Puryear, Martin, 1941-  Search this
Scully, Sean, 1945-  Search this
Sonfist, Alan  Search this
Tracy, Michael, 1943-  Search this
Truitt, Anne, 1921-2004  Search this
Wegman, William  Search this
Zakanitch, Robert, 1935-  Search this
Extent:
9 Linear feet
Type:
Archival materials
Collection descriptions
Slides (photographs)
Photographs
Drawings
Interviews
Date:
1971-1996
Summary:
The records of the Nancy Drysdale Gallery measure 9.0 linear feet and span the years 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relations with 67 artists, many of whom were represented by the gallery.
Scope and Content Note:
This collection measures 9.0 linear feet and dates from 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relationships with 67 artists, many of whom were represented, or whose work was handled by, the gallery. In addition to artist files, the collection contains exhibition files, printed material, and publishers files.
Arrangement:
The collection is arranged as four series reflecting the original arrangement imposed by the Gallery.

Series 1: Group Exhibition Files, 1978-1994 (Box 1, 0.5 linear ft.)

Series 2: Fine Art Publishers Files, 1972-1995 (Boxes 1-2, 1.5 linear ft.)

Series 3: Artist Files, 1971-1996 (Boxes 2-9, 7 linear ft.)

Series 4: Miscellaneous Printed Material, 1993-1994 (Box 9, 1 folder)
Historical Note:
When colleague Max Protech moved to New York City in 1976, his gallery at 2151 P Street, N.W., Washington, D.C., became the Protech-McIntosh Gallery under his successor, Cincinnati dealer, Nancy McIntosh Drysdale. Drysdale then moved the gallery to 406 7th Street, N.W., and changed the name to the McIntosh/Drysdale Gallery. Several years later, Drysdale vacated the 7th Street address and operated as a private dealer before opening the Nancy Drysdale Gallery at 2103 O Street, N.W., in 1991.
Provenance:
The records of the Nancy Drysdale Gallery were donated to the Archives of American Art by Nancy Drysdale in 1997.
Restrictions:
The collection is open for resesarch. Use requires an appointment.
Rights:
The Nancy Drysdale Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Art galleries, Commercial -- Washington (D.C.)  Search this
Genre/Form:
Slides (photographs)
Photographs
Drawings
Interviews
Citation:
Nancy Drysdale Gallery records, 1971-1996 Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nancdryg
See more items in:
Nancy Drysdale Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nancdryg

Morris Louis and Morris Louis Estate papers

Artist:
Louis, Morris, 1912-1962  Search this
Names:
André Emmerich Gallery  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Robert Pierce/Films, Inc  Search this
Bocour, Leonard, 1910-1993  Search this
Brenner, Marcella, 1912-2007  Search this
Faatz, Anita J. (Anita Josephine)  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Noland, Kenneth, 1924-2010  Search this
Truitt, Anne, 1921-2004  Search this
Extent:
17.8 Linear feet
Type:
Archival materials
Collection descriptions
Video recordings
Sound recordings
Interviews
Photographs
Date:
circa 1910s-2007
bulk 1965-2000
Summary:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.
Scope and Contents:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Within the Morris Louis papers (circa 3 linear feet) are scattered biographical materials for Morris Louis and Marcella Brenner. Correspondence is with family friends, artists, and galleries, the bulk of which consists of photocopies. Of note are letters from Helen Frankenthaler, Clement Greenberg, Leonard Bocour, Kenneth Noland, and Anne Truitt. Business records include lists of artwork, receipts for art supplies, and scattered tax records. Six notebooks belonging to Morris Louis contain miscellaneous notes about students, studio rental payments, addresses, travel expenses, and a short list of paintings. There is one notebook of Marcella Brenner's containing notes about expenses and addresses. Also found are printed materials, one canvas sample, and one embossing stamp. Photographs are of Morris Louis, Marcella Brenner, and the Bernstein family.

The majority of the collection (circa 15 linear feet) consists of records created and maintained by Marcella Brenner in the course of managing Louis' estate and posthumous exhibitions and projects. There are numerous gallery exhibition records for many posthumous and retrospective exhibitions between 1965 through 2002, including those held at the Andre Emmerich Gallery, the Hirshhorn Museum, and numerous other U.S. and international galleries and museums. Louis' artwork is documented in highly detailed inventory lists and cards. Legal records document the lawsuit brought by the Bernstein family against Marcella Brenner which began in 1964 and ended in 1970 in favor of Brenner. Financial records document sales.

Printed materials include clippings, exhibition catalogs and announcements, and other miscellaneous materials. Writings include essays about Louis and manuscript copies of the book Trustee for the Human Race: Litigation over the Morris Louis Paintings written by Ruth S. Blau under contract for Marcella Brenner. Photographs are primarily of artwork depicted in exhibition installations. Project files are found for several posthumous documentary film projects and a catalog raisonne, and include a series of audio recordings of interviews of 27 artists conducted by Anita Faatz in 1970-1971. Artists interviewed include Clement Greenberg, Leonard Bocour, Andre Emmerich, Helen Frankenthaler, Kenneth Noland, and many others.
Arrangement:
This collection is arranged as 2 series.

Series 1: Morris Louis Papers, circa 1910s-1998 (2.9 linear feet; Boxes 1-3)

Series 2: Morris Louis Estate Papers, 1947-2007 (14.9 linear feet; Boxes 3-19, OV 20)
Biographical / Historical:
Morris Louis (1912-1962) was one of the earliest American Color Field painters, and, along with other Washington, D.C., painters, formed the movement known as the Washington Color School.

Born in Baltimore, M.D., to Russian immigrants Louis Bernstein and Cecelia Luckman, Morris Louis attended the Maryland Institute of Fine and Applied Arts from 1927-1932 and served as president of the Baltimore Artists' Association in 1935. During the Depression, he worked in New York City on the steering committee of the Easel Division of the Federal Arts Projects of the Works Project Administration (WPA). He exhibited Broken Bridge at the WPA Pavilion of the New York World's Fair in 1939.

In 1947, Louis married Marcella (Siegel) Brenner, and moved to Silver Spring, Maryland, a close suburb of Washington, D.C., where he taught private art classes and continued painting, using his apartment bedroom as a studio. In 1948, Louis participated in the Maryland Artists, 16th Annual Exhibition at the Baltimore Museum of Art, and began using Leonard Bocour's Magna acrylic paint, which he would use exclusively for the rest of his painting career.

In 1952, Morris Louis and Marcella Brenner moved to Washington, D.C. and set up a studio in his home where he would complete his most notable canvases. He began teaching at the Washington Workshop Center for the Arts and met artist Kenneth Noland who was also exploring Color Field painting. Through Noland, Louis met art critic Clement Greenberg in 1953, and they visited artist studios in New York City to study abstract expressionist works, including those by Helen Frankenthaler, Jackson Pollock, and Franz Kline. Louis and Noland were greatly influenced by Frankenthaler's staining technique, and Louis began experimenting with staining methods upon his return to Washington. Clement Greenberg became a life-long advocate for Louis and, in 1954, included Louis in the seminal group exhibition, "Emerging Talent," organized by Greenberg for the Kootz Gallery. In 1960, Andre Emmerich became his dealer in the United States and Lawrence Rubin represented him in Paris.

Using thinned Magna paint and unstretched, unprimed canvases, Louis created his works by rotating the canvas as the paint moved across and soaked in. Between 1958 and 1962 Louis produced three major series of paintings—the Veils, the Unfurleds, and the Stripes. Each series numbered more than one hundred canvases. Louis never documented his exact painting methods and would not allow anyone to watch him work, including his wife. His own worst critic, Louis destroyed many of his paintings that did meet his standards, including a large number of his earliest works and many created between 1954 and 1957. He also designated numerous surviving works for destruction prior to his death.

Louis was diagnosed with lung cancer on July 1, 1962 and died a few months later. The Andre Emmerich Gallery held a previously scheduled exhibition as planned, a month following Louis' death, as a memorial exhibition.
Related Materials:
Also found at the Archives of American Art are the Marcella Brenner journals, 1962-2000. The Maryland Institute College of Art (MICA) also holds papers of Morris Louis and the Morris Louis Estate in their Morris Louis Study Collection.
Provenance:
The Morris Louis and Morris Louis Estate papers were donated by Marcella Brenner in several installments in 1976, 1986, and 1988. Subsequent donations in 2009 and 2012 were donated by Marcella Brenner via Ann M. Garfinkle, Executor. The Anita Faatz interviews were donated in 1976 by Marcella Brenner.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Many of the audio recordings and transcripts of interviews with 26 artists conducted by Anita Faatz in 1970-1971 are access restricted and written permission is required from the person interviewed. Please contact reference services for more information. Any use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Morris Louis and Morris Louis Estate papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Transcripts  Search this
Washington Color School (Group of artists)  Search this
Painters -- United States  Search this
Law and art -- United States  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Abstract expressionism -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Sound recordings
Interviews
Photographs
Citation:
Morris Louis and Morris Louis Estate Papers, circa 1910s-2007, bulk 1965-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louimorr
See more items in:
Morris Louis and Morris Louis Estate papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-louimorr
Additional Online Media:

Pilgrim, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Acrylic on painted wood
Type:
Sculptures
Owner/Location:
Arnold & Porter 1200 New Hampshire Avenue, N.W Washington District of Columbia 20036
Date:
1979
Topic:
Occupation--Religion  Search this
Control number:
IAS 65680010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_294588

Odeskalki, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Acrylic on wood
Type:
Sculptures
Owner/Location:
Baltimore Museum of Art Art Museum Drive Baltimore Maryland 21218 Accession Number: 1984.55
Date:
1963/82
Topic:
Undetermined  Search this
Control number:
IAS 19110023
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30105

Parva IV, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Acrylic on wood
Type:
Sculptures
Owner/Location:
Baltimore Museum of Art Art Museum Drive Baltimore Maryland 21218 Accession Number: 1984.62
Date:
1974
Topic:
Undetermined  Search this
Control number:
IAS 19110024
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30106

A Wall for Apricots, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Acrylic on wood
Type:
Sculptures
Owner/Location:
Baltimore Museum of Art Art Museum Drive Baltimore Maryland 21218 Accession Number: 1984.57
Date:
1968
Topic:
Undetermined  Search this
Control number:
IAS 19110021
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30103

Museum 1982 : dedication, exhibition preview, concert, Thursday, October 14, 1982, 6:00 P.M. : cornerstone ceremony, Saturday, October 16, 1982, 11:30 A.M. : members ball and exhibition preview, Saturday, October 16, 1982 : art community reception, Sunday, October 17, 1982, 12:00 Noon : public celebration, Sunday, October 17, 1982, 1:00 P.M

Subject:
Hartigan, Grace 1922-  Search this
Louis, Morris 1912-1962  Search this
Still, Clyfford 1904-1980  Search this
Truitt, Anne 1921-2004  Search this
Baltimore Museum of Art  Search this
Physical description:
[45] p. : ill. (some col.), plans. ; 30 cm
Type:
Books
Date:
1982
1982]
Call number:
N515 .M98 1982
N515.M98 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_274416

Clement Greenberg papers

Creator:
Greenberg, Clement, 1909-1994  Search this
Names:
American Committee for Cultural Freedom  Search this
Avedisian, Edward, 1936-2007  Search this
Bannard, Walter Darby, 1934-  Search this
Baziotes, Ethel  Search this
Bush, Jack, 1909-  Search this
Caro, Anthony, 1924-  Search this
Connolly, Cyril, 1903-1974  Search this
Davis, Gene, 1920-1985  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dorazio, Piero, 1927-  Search this
Dzubas, Friedel, 1915-  Search this
Emmerich, André  Search this
Feeley, Paul, 1910-1966  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Peter, 1947-1990  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hosaisson, Philippe  Search this
Kainen, Jacob  Search this
Krauss, Rosalind E.  Search this
Moffett, Kenworth  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-  Search this
O'Faolin, Nuala  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Rothko, Mark, 1903-1970  Search this
Sander, Ludwig, 1906-  Search this
Smith, David, 1906-1965  Search this
Smith, Kimber, 1922-1981  Search this
Solomon, Deborah  Search this
Still, Clyfford, 1904-  Search this
Truitt, Anne, 1921-2004  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Extent:
8.6 Linear feet
Type:
Archival materials
Collection descriptions
Transcripts
Interviews
Etchings
Photographs
Reports
Date:
1937-1983
Summary:
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Scope and Content Note:
The papers of influential New York art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers (7 feet) consists of letters from art critics, artists, family, friends, galleries, and museums, with some letters from Greenberg. Correspondents include Edward Avedisian, Darby Bannard, Ethel Baziotes, Jack Bush, Anthony Caro, Gene Davis, Richard Diebenkorn, Piero Dorazio, Friedel Dzubas, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, and Leslie Waddington.

Biographical materials include a transcript of an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence regarding his lectures and seminars, requests for his writings, student queries, documents regarding his television and radio appearances, royalty statements, and receipts for gifts of works of art. Also found within business records are documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski entitled "Spring." The papers contain very few of Greenberg's writings about art. Found are lists of artists, and reports written by Greenberg on the state of art in Japan and India in 1967, likely related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of ACCESS RESTRICTED papers contains documents relating to Greenberg's role as a trustee in the David Smith estate; correspondence between Greenberg with Andre Emmerich and Peter Fuller, Nuala O'Faolain, and the Greenberg family; and some financial materials regarding the sale and loan of Greenberg's art collection.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Information, circa 1950s-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1940-1983 (Box 1; 12 folders)

Series 3: Correspondence, 1937-1983 (Boxes 1-8; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: Restricted Material, 1963-1983 (Boxes 9-11; 1.2 linear feet)
Biographical Note:
Clement Greenberg was a highly influential art critic working in New York City from the 1940s through the 1960s. He was an advocate of modern art, particulary the abstract expressionist movement, and one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerism and capitalist culture.

In 1940, Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write and, in his essays and articles, he promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the 20th century. "Greenberg on Collage" was one one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with Abstract Impressionism, particularly the second generation. However, he became very interested in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he had too much of an influence on the world of art. In time, Greenberg's antagonism to Postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg died at the age of eighty-five in 1994.

Since his death, letters edited by his widow, Janice Van Horne and a re-evaluation of his writings have helped to restore his reputation within the art world.
Related Material:
The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Clement Greenberg initally lent material for microfilming in 1968-1969. He donated most of this material with additional papers in several accretions between 1984 to 1991.
Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Rights:
The Clement Greenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art) -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Transcripts
Interviews
Etchings
Photographs
Reports
Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greeclep
See more items in:
Clement Greenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greeclep
Additional Online Media:

Anne Truitt : paintings / essay, Micheal Schreyach

Artist:
Truitt, Anne 1921-2004  Search this
Author:
Schreyach, Michael 1970-  Search this
Author:
Matthew Marks Gallery  Search this
Subject:
Truitt, Anne 1921-2004  Search this
Physical description:
70 pages, 6 unnumbered pages : color illustrations, portrait ; 26 cm
Type:
Exhibitions
Exhibition catalogs
Place:
United States
Date:
2018
20th century
Topic:
Painting, Abstract  Search this
Minimal art  Search this
Painting, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1102034

Keep, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Wood
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.172
Date:
1962
Topic:
Abstract  Search this
Control number:
IAS 08581884
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_293710

Anne Truitt: artist file, [photographs]

Artist:
Truitt, Anne 1921-2004  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002978
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141713

Damask, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Wood, painted with acrylic
Type:
Sculptures
Owner/Location:
Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo New York 14222 Accession Number: 2008:53.66
Date:
1980
Topic:
Abstract--Geometric  Search this
Control number:
IAS 33660197
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_467415

Stand, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Wood, painted with acrylic
Type:
Sculptures
Owner/Location:
Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo New York 14222 Accession Number: 2008:53.70
Date:
2003
Topic:
Abstract--Geometric  Search this
Control number:
IAS 33660198
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_467416

Sentinel, (sculpture)

Sculptor:
Truitt, Anne 1921-2004  Search this
Medium:
Wood with acrylic paint
Type:
Sculptures
Owner/Location:
Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo New York 14222 Accession Number: K1980:7
Date:
1978
Topic:
Abstract--Geometric  Search this
Control number:
IAS 33660159
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_467258

Anne Truitt : early drawings and sculpture, 1958-1963 : 31 January to 9 May 2004 / an exhibition curated by James Meyer and Margaret Shufeldt

Title:
Early drawings and sculpture, 1958-1963
Author:
Truitt, Anne 1921-2004  Search this
Meyer, James  Search this
Shufeldt, Margaret  Search this
Michael C. Carlos Museum  Search this
Subject:
Truitt, Anne 1921-2004  Search this
Physical description:
12 p. : col. ill. ; 23 cm
Type:
Books
Exhibitions
Date:
2004
Call number:
N6537.T73 A4 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_730655

Truitt

Author:
Truitt, Anne 1921-2004  Search this
Pyramid Galleries  Search this
Subject:
Truitt, Anne 1921-2004  Search this
Physical description:
1 folded sheet : ill. ; 32 cm
Type:
Books
Exhibitions
Date:
1971
[1971]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_796302

Beyond formalism : three sculptors of the 1960s : Tony Smith, George Sugarman, Anne Truitt : September 18-October 24, 1986, Hunter College Art Gallery, New York City / organized and with an essay by Maurice Berger

Author:
Berger, Maurice 1956-  Search this
Smith, Tony 1912-1980  Search this
Sugarman, George 1912-1999  Search this
Truitt, Anne 1921-2004  Search this
Hunter College Art Gallery  Search this
Subject:
Smith, Tony 1912-  Search this
Sugarman, George 1912-1999  Search this
Truitt, Anne 1921-  Search this
Physical description:
[12] p. : ill. ; 20 x 20 cm
Type:
Exhibitions
Date:
1986
C1986
20th century
Topic:
Sculpture, American  Search this
Art, Abstract  Search this
Call number:
NB212 .B467 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_621999

Anne Truitt, sculpture and drawings, 1961-1973 [Catalogue by] Walter Hopps

Author:
Truitt, Anne 1921-2004  Search this
Hopps, Walter  Search this
Corcoran Gallery of Art  Search this
Subject:
Truitt, Anne 1921-  Search this
Physical description:
63 p. : illus. (part col.) ; 25 cm
Type:
Books
Exhibitions
Place:
United States
Date:
1974
[1974]
Topic:
Sculptors  Search this
Call number:
NB237.T7 C6 1974
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_640532

Anne Truitt : sculpture and painting : [exhibition held] Oct. 17-Nov. 19, 1976, University of Virginia Art Museum

Author:
University of Virginia Art Museum  Search this
Truitt, Anne 1921-2004  Search this
Carmean, E. A  Search this
Subject:
Truitt, Anne 1921-2004  Search this
Physical description:
14 p. ; 23 cm
Type:
Books
Date:
1976
Call number:
N6537.T73 A4 1976
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_643339

Anne Truitt, sculpture 1961-1991 : May 15-June 28, 1991, André Emmerich Gallery / introduction by Jane Livingston

Author:
Truitt, Anne 1921-2004-  Search this
Livingston, Jane  Search this
André Emmerich Gallery  Search this
Subject:
Truitt, Anne 1921-  Search this
Physical description:
1 v. (unpaged) : col. ill. ; 22 cm
Type:
Books
Exhibitions
Date:
1991
C1991
Call number:
N6537.T73 A2 1991
N40.1.T85A55 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_657608

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