Skip to main content Smithsonian Institution

Search Results

Collections Search Center
11 documents - page 1 of 1

Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Type:
Collection descriptions
Archival materials
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Place:
New York (N.Y.) -- Transportation
Hudson River
Date:
1777-1965
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.

Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.

Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.

Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.

The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.

Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.

The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.

When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.

Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.

A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.

Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.
Arrangement:
Ships, Boats, and Vessels is arranged in three subseries.

Business Records and Marketing Material

General Maritime Businesses



Operation Records of Named Vessels



Shipping Lines/Conglomerates

Miscellaneous Business Records and Marketing Material

Genre

Keepsakes

Images

Ledger

Legal

News Clippings

Regulatory

Reports

Serial Publications

Stamps/Cigarette Cards

Associations and Societies

Images, Artwork, Racing, Technical Literature

Subject

Battleships, Warships

Destination Guides

Employment and Licensing

Insurance

Maritime History

Maritime Models and Art

Revue Generale Des Sciences

Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Passenger ships  Search this
Marine machinery  Search this
Ships  Search this
Shipbuilding industry  Search this
Ferries  Search this
Transportation -- Japan  Search this
River boats  Search this
Marine engines  Search this
Boats  Search this
Transportation -- Far Eastern  Search this
Ships -- Equipment and supplies  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Docks  Search this
Health  Search this
Ocean liners  Search this
Merchant Marine -- United States  Search this
Ships -- Far Eastern  Search this
Rivers  Search this
Transportation -- river boat  Search this
World War, 1939-1945 -- Merchant Marine  Search this
Harbors  Search this
Trade associations  Search this
Transportation -- 1900-1910  Search this
Boats and boating  Search this
Water transport -- 18th century  Search this
Boats -- Southeast Asia  Search this
Cargo  Search this
Local transit -- New York (N.Y.)  Search this
Sailboats  Search this
Waterways  Search this
Sailing  Search this
Transportation -- New York (N.Y.)  Search this
Local transit  Search this
Scientific expeditions  Search this
Water transfer  Search this
Transportation -- History  Search this
Wharves  Search this
Steamboats  Search this
Boats -- New York (N.Y.)  Search this
Transportation  Search this
Public health  Search this
Marine engineers  Search this
Ocean travel  Search this
Seamen -- 1910-1920  Search this
Musical performances  Search this
Transportation -- Law and legislation -- United States  Search this
Merchant seamen  Search this
Marine engineering  Search this
Models and modelmaking  Search this
Navigation  Search this
Seamen -- 1940-1950  Search this
Travel  Search this
Importers  Search this
Shipping  Search this
Cruise ships  Search this
Ships -- New York (N.Y.)  Search this
Flags  Search this
Exports -- 19th century  Search this
Genre/Form:
Menus -- Ships -- 1940-1950
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Publications -- Business
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Steamboats
See more items in:
Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-steamboats

Philip Graneto Broadway Theater Collection

Donor:
Graneto, Philip  Search this
Graneto, Philip  Search this
Extent:
1 Cubic foot (1 box, 1 tray)
Type:
Collection descriptions
Archival materials
Date:
1885-1900
Content Description:
Small group of materials documenting late-19th century actor Henry E. Dixey and his roles in the burlesque musicals Adonis and Francois.
Provenance:
Donated by Phillip Graneto in December 2017 to the Division of Culture and the Arts.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Dixey, Henry E., 1859-1943  Search this
Theater -- History -- 19th century  Search this
Citation:
Philip Graneto Broadway Theater Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1486
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1486
Additional Online Media:

Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera

Donor:
Hauber, Joseph R.  Search this
Collector:
Stubblebine, Donald J., 1925-2010  Search this
Extent:
285 Cubic feet (600 boxes)
Type:
Collection descriptions
Archival materials
Posters
Playbills
Sheet music
Design drawings
Theater programs
Date:
1866-2009, undated
Scope and Contents:
One of the most comprehensive collections of material relating to musical stage and film productions, the collection consists of an assortment of material including sheet music written specifically for or included in stage and screen musicals, television programs, Big Band performances, and radio. Some productions may have been produced under more than one title, especially if the production was presented internationally.

The collection is arranged alphabetically by title of production or personality using proper name. Folders for each entry may include sheet music, ephemeral items related to that specific production or personality such as theater programs, reviews, and posters. There are a number of costume design drawings. Folders will rarely include full printed scores. Published scores were separated from this collection before donation.
Arrangement:
The collection is divided into six series.

Series 1, Stage Musicals and Vaudeville, 1866-2007, undated

Subseries 1.1, United States Stage Musicals, 1866-2007, undated

Subseries 1.2, Ziegfeld Productions, 1911-1958, undated

Subseries 1.3, British Stage Musicals, 1890-1943, undated

Subseries 1.4, Assorted Countries Stage Musicals, 1896-1935, undated

Series 2, Motion Pictures, 1912-2007, undated

Subseries 2.1, United States Motion Pictures, 1919-2007, undated

Subseries 2.2, British Motion Pictures, 1912-1988, undated

Subseries 2.3, Foreign Motion Pictures, Assorted Countries, 1921-1985, undated

Subseries 2.4, Silent Motion Picture Cue Sheets, 1915-1930, undated

Series 3, Television, 1933-2003, undated

Series 4, Big Bands and Radio, 1925-1998,undated

Subseries 4.1, Big Bands, 1929-1998, undated

Subseries 4.2, Radio, 1925-1948, undated

Series 5, Personalities, 1875-2009, undated

Series 6, Ephemera and Single Sheet Music, 1908-2005, undated
Biographical / Historical:
Donald J. Stubblebine was born on February 4, 1925 in Reading, Pennsylvania, to Edgar W. and Emma Stubblebine. He had an older brother Edgar W. Stubblebine, Jr. His father was a sheet metal worker employed by the railroad in Reading. Stubblebine was first exposed to musicals through motion pictures. His mother attended "dish night" with her son twice a week. During the Great Depression, in order to draw an audience, theaters would give out dishes with each admission. He credited this with beginning his love of musicals. By the 1940 United States Census his mother is listed as a widow. Stubblebine attended the Wharton School of Business of the University of Pennsylvania. After graduation he was employed for forty years as controller by the Chilton Publishing Company. He retired in 1994.

As a lifelong film and theater fan, Stubblebine began collecting sheet music, programs, and ephemera from stage and film musicals in the early 1970s. As his collection grew, so did his expertise in the history of musical theatre and film. He eventually authored four reference books dealing with United States and British stage and film musicals as well as films from Canada and Australia. He became an often sought-after expert in stage and film music. His obsession with collecting eventually filled his Philadelphia apartment with one of the largest collections of material centered on music in the United States. He collected not only the sheet music and scores from musicals but often collected copies of reviews, programs, photographs, and costume sketches.

Stubblebine died on May 1, 2010 in Philadelphia, Pennsylvania.
Provenance:
Donated to the Archives Center, National Museum of American History, Smitsonian Institution by Joseph Regis Hauber in memory of Donald J. Stubblebine, in 2010.
Restrictions:
The collection is open for research but is stored offsite. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Reproduction restricted due to copyright or trademark.
Topic:
Silent films  Search this
Motion pictures  Search this
Vaudeville  Search this
Music -- United States  Search this
Motion pictures, British  Search this
Musical revue, comedy, etc  Search this
Music -- Performance  Search this
Musicals  Search this
Musical theater  Search this
Music -- 20th century  Search this
Music -- 19th century  Search this
Revues -- 1900-1910  Search this
Theater  Search this
Silent films -- Musical accompaniment  Search this
Genre/Form:
Posters -- 20th century
Playbills
Sheet music
Design drawings
Theater programs
Citation:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Music and Ephemera, 1866-2009, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1211
See more items in:
Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1211

Warshaw Collection of Business Americana Subject Categories: Schools

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
11.39 Cubic feet (consisting of 25 boxes, 2 folders, 4 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Examinations (documents)
Speeches
Catalogs
Trade catalogs
Reports
Sales records
Trade literature
Print advertising
Business cards
Programs
Training manuals
Invoices
Publications
Business records
Advertising cards
Advertising mail
Certificates
Business ephemera
Manuals
Sales letters
Awards
Dance cards
Business letters
Commercial correspondence
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Date:
1745-1973
bulk 1840-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Most materials present are records and information related to specific schools and institutions and their operations. There are no complete records for any single organization. K-12 public, private schools are represented, as well as colleges, universities, vocational training, plus home study, correspondence courses, Sunday Schools and some religious instruction. HBCUs are not represented, though there may be a general item or two related to one or more of the HBCU schools. There is a sampling of teaching and learning tools such as workbooks, textbooks, and curriculum guides, plus publications for educators. A portion of the material focuses on administration and the profession of education. Student Services and Engagement covers the social aspects of higher education.
Arrangement note:
Schools is arranged in two subseries.

Institutions

By Name

Administration and Records

Genre

Advertisements

Images

Instruction and Learning: Tools and Resources

Post Family Education Records

Serial Publications for Educators and Administrators
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Schools is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Educators  Search this
Topic:
Student activities  Search this
Education, Higher  Search this
Colleges  Search this
College teachers  Search this
Teachers -- 1940-1950  Search this
Fraternal organizations  Search this
Musical productions  Search this
Students  Search this
College administrators  Search this
Education  Search this
Home economics -- Study and teaching  Search this
Dance  Search this
College graduates -- 1840-1860  Search this
Education, Elementary  Search this
High schools -- Alumni and alumnae  Search this
College students -- 1900-1910  Search this
Art  Search this
Music  Search this
Primers  Search this
Vocational education  Search this
Schools  Search this
Teachers  Search this
Mathematics  Search this
Education -- 19th century  Search this
Kindergarten  Search this
Art teachers  Search this
Dances  Search this
Classrooms  Search this
Theater  Search this
High school student activities  Search this
Women -- Education  Search this
Universities and colleges  Search this
Lesson plans  Search this
Students -- 1940-1950  Search this
Universities and colleges -- Administration  Search this
Musical performances  Search this
Education -- school buildings  Search this
State universities and colleges  Search this
Students -- 19th century  Search this
Medical colleges -- Faculty  Search this
Commencement ceremonies  Search this
High school athletes  Search this
Cooking  Search this
Medical colleges  Search this
Musicals  Search this
Elementary schools  Search this
Art -- Study and teaching  Search this
Genre/Form:
Examinations (documents)
Speeches
Catalogs
Trade catalogs
Reports
Sales records
Trade literature
Print advertising
Business cards
Programs -- Graduation ceremonies -- 1930-1940
Training manuals -- 20th century
Invoices
Publications
Business records
Advertising cards
Advertising mail
Certificates
Business ephemera
Manuals
Sales letters
Awards
Dance cards
Business letters
Commercial correspondence
Certificates -- School attendance -- 1930-1940 -- Illinois
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Publications -- Business
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Citation:
Warshaw Collection of Business Americana Subject Categories: Schools, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Schools
See more items in:
Warshaw Collection of Business Americana Subject Categories: Schools
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-schools
Additional Online Media:

Peter Marks Minstrelsy Collection

Donor:
Jessee, Mark  Search this
Creator:
Marks, Peter, 1843-1883  Search this
Extent:
3 Cubic feet
Type:
Archival materials
Collection descriptions
Songbooks
Sheet music
Theater programs
Posters
Articles
Date:
1800-1915; undated
Summary:
The collection documents Marks's years as a harpist on the Midwestern minstrel circuit. It includes sheet music and song books, theater programs, posters announcing minstrel shows, newspaper articles and advertisements.
Scope and Contents:
The collection contains the personal and professional papers of musician Peter Marks dating primarily from the mid to late nineteenth century. These materials provide valuable insight into life before and after the Civil War mainly through correspondence and other primary sources documenting domestic activities. The materials also provide invaluable insight into how a musician was able to make a living teaching music and performing in classical music concerts, as well as, with minstrel troupes.

Minstrelsy, created in the early 1800s was a comedic form of entertainment using song, dance, skit, musical performances and other variety acts as part of the program. Shows would often change on a weekly basis and troupes would travel around the country performing their own unique talents. Before the Civil War minstrelsy was most often performed by a white person like Peter Marks in black face and tended to use characters that lampooned African Americans as stupid, lazy, clumsy, and superstitious. After the Civil War, however, minstrels were occasionally performed by African Americans, who were usually a part of a publicity stunt. Several advertisements in this collection include images of minstrels in blackface, as well as, playbills and programs. Peter Marks was during his time one of the most well known musicians to come out of the minstrelsy circuit working alongside many other big name performers.
Arrangement:
The collection is arranged into two series.

Series 1, Personal Papers, 1800s-1909; undated

Series 2, Professional Materials, 1849-1915; undated

Subseries 2.1, Playbills, Programs and Advertisements, 1863-1879; undated

Subseries 2.2, Sheet Music, 1843-1901; undated

Subseries 2.3, Publications, 1849-1915; undated
Biographical / Historical:
During his time, Peter Matthew Marks was said to have been one of the premier traveling minstrel musicians in America during the Civil War. Marks was born February 21, 1843 to parents William Augustus Marks and Anne Mooney (Marks) in Ireland. He grew up in Cincinnati, Ohio. By the time, he was twenty he was a skilled musician in piano, harp, and guitar. Marks performed with various minstrel troupes in and around Cincinnati, Ohio. During the war, he served as a member of the Ohio militia for one month before leaving to continue his musical career. Marks met and married Mary "Emma" McKitrick. Mary "Emma" McKitrick was born October 29, 1841 in Hamilton Butler, Ohio to parents Daniel Mckitrick and Ruth Burlingame. Emma also had an aunt, Emily Burlingame and an uncle, Nathan Burlingame on her mother's side whom she communicated regularly with. Peter and Emma settled in Cincinnati and raised two sons Eugene (1871-?) and Ralph (1875-1950) Marks. While in Cincinnati, Marks performed the minstrelsy circuit working alongside many big name celebrities. He is associated with at least eight different minstrel troupes, including Carncross and Dixey's Minstrels, Burgess, Pendergast, Hughes, Donniker and La Rue's Minstrels, and Monitor Campbell's Minstrels. While his primary career was performing with troupes he also gave solo performances and provided private lessons. Peter Marks ultimately left the minstrel circuit and went on to become a professor at the Cincinnati College of music. He died in 1883.
Related Materials:
Hooker-Howe Costume Company Records, circa 1922-1938
Provenance:
Donated to the Archives Center in 2014, by Mark Jessee in honor of the Archie and Camille Jessee Family.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music teachers  Search this
Harpists  Search this
Minstrel music  Search this
Theater  Search this
Minstrel shows  Search this
Genre/Form:
Songbooks -- 19th century
Sheet music -- 19th century
Theater programs -- 19th century
Posters -- 19th century
Articles -- 19th century
Citation:
Peter Marks Minstrelsy Collection, 1800-1915, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1328
See more items in:
Peter Marks Minstrelsy Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1328
Additional Online Media:

William Couper papers

Creator:
Couper, William, 1853-1942  Search this
Names:
Ball, Thomas, 1819-1911  Search this
Extent:
0.9 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1872-1971
bulk 1872-1908
Summary:
The papers of William Couper date from 1872 through 1971 with the bulk of the material dated 1872 through 1908. The collection consists of 0.9 linear feet of letters, photographs, and printed material that document William Couper's career as a sculptor and his family life. Letters are from Couper and his wife to his parents, and to his brother John, discussing family matters, his art training, his travels, and his work in New York. There are also several letters from his father-in-law, sculptor Thomas Ball.
Scope and Content Note:
The William Couper papers span the years 1872 to 1971 with the bulk of the material dated 1872 to 1942, and measure 0.9 linear feet. They consist of letters, photographs, and printed material that document William Couper's career as a sculptor. Letters are from Couper and his wife to his parents, and to his brother John, discussing family matters, his art training, his travels, and his work in New York. There are also several letters from his father-in-law, sculptor Thomas Ball. An index of the letters and transcripts of approximately 70 of the letters were prepared by Couper's nephew Monroe Couper and are filed within the collection.

Also found within the papers are 0.4 linear feet of photographs of Couper and family members, his home in Florence, Italy, and a photograph album and unbound photographs of his art work. There are also clippings and 3 theater programs for productions in which William Couper performed.
Arrangement:
The collection is arranged into 3 series:

Series 1: Letters, 1874-1908 (Box 1; 0.4 linear feet; reel 5883)

Series 2: Photographs, 1886-1887 (Box 2-3; 0.4 linear feet; reel 5883)

Series 3: Printed Material, 1872-1971 (Box 2; 4 folders; reel 5883)
Biographical Note:
William Couper was born September 20, 1853 in Norfolk, Virginia, son of John Diedrich Couper and Euphania Monroe Couling Couper. He acquired an interest in sculpture from time spent at his father's company, Couper Marble Works.

After studying at the Cooper Institute in New York, Couper won a scholarship to the Royal Academy at Munich in 1875. Disliking the atmosphere in Munich, he took a place in the studio of Thomas Ball in Florence, Italy in the same year. Couper married Mr. Ball's daughter, Eliza Chickering Ball in 1878, and remained in Florence for over two decades, returning to New York to open a studio in 1897.

In 1901, Couper received a bronze medal at the Pan-American Exposition in Buffalo. His notable works include a series of thirteen heroic busts of scientists for the American Museum of Natural History, a relief sculpture for the Sailors' Memorial in Annapolis, a statue of Capt. John Smith at Jamestown, and a portrait bust of John D. Rockefeller.

Couper retired in 1913 and died later in 1942 in Easton, Maryland.
Provenance:
The William Couper papers were donated by the artist's nephew Monroe Couper to the Archives of American Art in 1992.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The William Couper papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors  Search this
Sculpture, American  Search this
Sculpture, Modern -- 19th century -- United States  Search this
Sculpture, Modern -- 19th century -- Italy  Search this
Sculpture, Modern -- 19th century -- Study and teaching  Search this
Genre/Form:
Photographs
Citation:
William Couper Papers, 1872-1971, bulk 1872-1908. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coupwill
See more items in:
William Couper papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coupwill

Lou Newman Collection of Baseball Memorabilia

Creator:
Newman, Louis  Search this
Extent:
4 Cubic feet (6 boxes, 1 folder)
Type:
Archival materials
Collection descriptions
Sheet music
Tickets
Programs
Advertisements
Posters
Ephemera
Photographs
Date:
1895-1999
Scope and Contents:
Baseball memorabilia, including postcards, of teams, players, venues and other baseball-related topics; team programs, 1930s-1990s, mostly for minor league teams but including a few major league teams; sheet music; advertising on baseball topics; posters; black-and-white photographs of baseball players and teams; and ephemeral items such as ticket stubs.
Biographical / Historical:
Lou Newman, a retired New York City businessman originally from Baltimore, is a third-generation baseball fan and collector of baseball memorabilia. He continued the tradition started by his grandfather and his father, of anything connected to baseball. Before he donated portions of it, Mr. Newman's massive collection filled an entire room in his home, and included baseball books numbering in the thousands, baseball games and toys, coin banks, watches and charms, pennants, uniforms, advertising, baseball art, bats, balls, baseball cards, products with player endorsements, buttons, pins, and numerous other types of items. Mr. Newman, in his travels throughout the U.S., expanded on the collection by gathering souvenirs and memorabilia from games and stadiums in the many places he visited, collecting not just on the major leagues but the minor leagues and spring training.
General:
OVERVIEW

SIRIS No.: AAY1660 AC NMAH 0696

LOU NEWMAN COLLECTION OF BASEBALL MEMORABILIA, 1895-1999

(2 DB, 2 Shoeboxes, 1 F/O, 1 large F/O, 1 OV Folder)

Biography

Lou Newman, a retired New York City businessman originally from Baltimore, is a third-generation baseball fan and collector of baseball memorabilia. He continued the tradition started by his grandfather and his father, of anything connected to baseball. Before he donated portions of it, Mr. Newman's massive collection filled an entire room in his home, and included baseball books numbering in the thousands, baseball games and toys, coin banks, watches and charms, pennants, uniforms, advertising, baseball art, bats, balls, baseball cards, products with player endorsements, buttons, pins, and numerous other types of items. Mr. Newman, in his travels throughout the U.S., expanded on the collection by gathering souvenirs and memorabilia from games and stadiums in the many places he visited, collecting not just on the major leagues but the minor leagues and spring training.

Provenance

Mr. Newman donated the archival collection to the Archives Center and numerous artifacts to the Division of Cultural History in 1999. He donated nearly his entire collection of baseball books to the Babe Ruth Museum in Baltimore a short time later.

Scope and content

The archival collection is divided into seven series: Series I: TEAM PROGRAMS, 1895-1999, mostly minor leagues; Series II, POSTCARDS, most undated but many go back to the turn of the 20th century, in addition to some before that date which are reproductions; Series III: SHEET MUSIC, 1908-1984, entirely on the subject of baseball; Series IV: ADVERTISING, with baseball images, including advertising for newspapers, soft drinks, beer, tobacco and other products, and many posters, including one movie poster for a 1928 silent film Warming Up; Series V: PHOTOGRAPHS, mostly black and white portraits of major league players; Series VI: MISCELLANEOUS PUBLICATIONS, undated and 1903, 1950, including a comic book, a short story magazine and a theater program; and Series VII: EPHEMERA, consisting entirely of ticket stubs.

Bibliography

Michael Benson's Ballparks of North America (McFarland and Co., 1989) was used as a reference guide for the postcards of baseball parks and venues. Former Major League Teams: An Encyclopedia by Donald D. Jones (McFarland and Co., 1997) was used as a reference guide for postcards on teams. The Official Encyclopedia of Baseball (4th Revised Edition) by Hy Turkin and S.C. Thompson (A.S. Barnes and Company) was also used as a reference.

Series List

I: Team Programs, 1895-1999

I-A: Minor league programs, 1895-1975

I-B: Major League programs, 1958-1999

II: Postcards

II-A: Postcards of baseball venues

II-A-1: Major League Venues

II-A-2: Spring Training Venues

II-A-3: Other venues, minor leagues, semi-pro, Little League, etc.

II-B: Non-baseball venues

II-C: Players and managers

II-D: Teams

II-D-1: Major League teams

II-D-2: Non-Major League teams

II-E: Miscellaneous postcards

III: Sheet Music, 1908-1984

IV: Advertising

V: Photographs, undated

VI: Miscellaneous publications, undated and 1903, 1950

VII: Ephemera, 1963-1999
Provenance:
Louis Newman, Gift, 1999.
Restrictions:
Gloves required with unprotected photographs.
Rights:
Reproduction fees for commercial use. Contact collection specialist for copyright information.
Topic:
Baseball  Search this
Genre/Form:
Sheet music
Tickets
Programs
Advertisements -- 20th century
Posters -- 20th century
Ephemera -- 1890-2000
Photographs -- 19th century
Citation:
Lou Newman Collection of Baseball Memorabilia, 1895-1999, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0696
See more items in:
Lou Newman Collection of Baseball Memorabilia
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0696
Additional Online Media:

Artists and the avant-garde theater in Paris, 1887-1900 : the Martin and Liane W. Atlas collection / Patricia Eckert Boyer

Author:
Boyer, Patricia Eckert  Search this
National Gallery of Art (U.S.)  Search this
National Academy of Design (U.S.)  Search this
Subject:
Atlas, Martin 1914- Art collections Exhibitions  Search this
Atlas, Liane W Art collections Exhibitions  Search this
National Gallery of Art (U.S.)  Search this
Physical description:
179 p. : ill. (some col.) ; 26 cm
Type:
Books
Exhibitions
Place:
France
Paris
Washington (D.C.)
Date:
1998
19th century
Topic:
Theater programs--Exhibitions  Search this
Printed ephemera--History--Exhibitions  Search this
Artists and the theater--Exhibitions  Search this
Experimental theater--Illustrations--Exhibitions  Search this
Theater programs--Private collections--Exhibitions  Search this
Call number:
NC1002.P7 B68 1998X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_545896

Artistes et théâtres d'avant-garde : programmes de théâtre illustrés, Paris, 1890-1900 / Geneviève Aitken avec la collaboration de Samuel Josefowitz ; préface de MaryAnne Stevens

Author:
Aitken, Geneviève  Search this
Josefowitz, Samuel 1921-  Search this
Musée de Pont-Aven  Search this
Expul  Search this
Musée de Pully  Search this
Physical description:
107 p. : ill. (some col.) ; 30 cm. + 1 supplement
Type:
Exhibitions
Place:
France
Paris
Date:
1992
1991]
19th century
Topic:
Theater programs--Exhibitions  Search this
Prints, French--Exhibitions  Search this
Prints--Exhibitions  Search this
Avant-garde (Aesthetics)--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_466927

How (not) to teach with drama

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Tue, 14 Mar 2017 22:43:05 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_8cff3a5da6e73b34bf715007b536952a

How (not) to teach with drama

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Tue, 14 Mar 2017 22:43:05 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_00ad0592bd8885d5ee83467bf8980489

Modify Your Search






or


Narrow By