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Figure of a Woman, [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1939
Topic:
Figure female--Waist length  Search this
Image number:
JUL J0024930
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_24931

Study for Carnival [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
Ca. 1941?
Topic:
Study  Search this
Figure group  Search this
Figure female--Nude  Search this
Recreation--Carnival  Search this
Image number:
JUL J0048171
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48172

Preliminary Drawing for Animales (Animals) [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1939
Topic:
Animal--Dog  Search this
Study  Search this
Image number:
JUL J0048172
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48173

Portrait of Olga [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Subject:
Tamayo, Olga  Search this
Type:
Photograph
Date:
1947
Topic:
Portrait female--Head  Search this
Image number:
JUL J0048173
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48174

Planes in Sight [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1946
Topic:
Figure--Full length  Search this
Architecture--Vehicle--Airplane  Search this
Image number:
JUL J0048174
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48175

Cabeza, [sculpture] / (photographed by Peter A. Juley & Son)

Title:
Head [sculpture] / (photographed by Peter A. Juley & Son)
Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1940
Topic:
Figure--Head  Search this
Image number:
JUL J0048175
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48176

Woman Walking [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1947
Topic:
Figure group--Female--Full length  Search this
Recreation--Leisure--Strolling  Search this
Image number:
JUL J0048176
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48177

Planes in Sight [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1947
Topic:
Figure group  Search this
Architecture--Vehicle--Airplane  Search this
Image number:
JUL J0048177
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48178

No Title Given: Figure with Planes [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1947
Topic:
Figure male--Waist length  Search this
Architecture--Vehicle--Airplane  Search this
Image number:
JUL J0048178
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48179

Mother Entertaining Her Child [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1946
Topic:
Figure group--Family--Mother & Child  Search this
Recreation--Sport & Play--Games  Search this
Image number:
JUL J0048179
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48180

Paisaje Nocturno [painting] / (photographed by Peter A. Juley & Son)

Title:
Nocturnal Landscape [painting] (photographed by Peter A. Juley & Son)
Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1946
Topic:
Landscape--Time--Night  Search this
Abstract  Search this
Image number:
JUL J0048180
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48181

The Frog [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1946
Topic:
Animal--Amphibian--Frog  Search this
Image number:
JUL J0048182
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48183

No Title Given: Constellation [painting] / (photographed by Peter A. Juley & Son)

Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1941
Topic:
Landscape--Celestial--Moon  Search this
Landscape--Celestial--Constellation  Search this
Image number:
JUL J0048184
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48185

Paisaje del Paricutín [painting] / (photographed by Peter A. Juley & Son)

Title:
Landscape of the Paricutín [painting] (photogrpahed by Peter A. Juley & Son)
Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1947
Topic:
Landscape--Mexico--Paricutín  Search this
Landscape--Time--Night  Search this
Disaster--Volcanic Eruption  Search this
Image number:
JUL J0048181
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48182

Bailarina en la Noche [painting] / (photographed by Peter A. Juley & Son)

Title:
Dancer in the Night [painting] / (photographed by Peter A. Juley & Son)
Artist:
Tamayo, Rufino 1899-1991  Search this
Type:
Photograph
Date:
1946
Topic:
Landscape--Time--Night  Search this
Recreation--Dancing  Search this
Figure--Full length  Search this
Landscape--Celestial--Moon  Search this
Landscape--Celestial--Constellation  Search this
Landscape--Plant--Cactus  Search this
Image number:
JUL J0048183
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_48184

Baruj Salinas papers

Creator:
Salinas, Baruj  Search this
Names:
Amsterdam (Netherlands). Stedelijk Museum  Search this
Rijksmuseum (Netherlands)  Search this
Van Gogh Museum, Amsterdam  Search this
Alejandro, Ramon  Search this
Algaze, Mario Arturo, 1947-  Search this
Armand, Octavio, 1946-  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Carulla, Ramón, 1938-  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Estopiñán, Roberto, 1921-  Search this
Ferrer, Joaquin  Search this
Fonts, Marilyn  Search this
Fonts, Marilyn -- Photographs  Search this
Franqui, Camilo  Search this
Franqui, Carlos, 1921-  Search this
Franqui, Carlos, 1921- -- Photographs  Search this
Godoy, Gustavo G.  Search this
Gutierrez, Osvaldo -- Photographs  Search this
Kohler, Elizabeth  Search this
Kohler, Peter  Search this
Linder, Gisele  Search this
Lozano Castro, Alfredo  Search this
Lozano Castro, Alfredo -- Photographs  Search this
Macia, Carlos A., 1951-1994  Search this
McBride, Robert H.  Search this
Miró, Joan, 1893- -- Photographs  Search this
Pau-Llosa, Ricardo  Search this
Riverón, Enrique  Search this
Rodríguez, Bélgica, 1941-  Search this
Roel, Guillermo  Search this
Salinas, Isaac  Search this
Salinas, Rosa  Search this
Samelson, Henry  Search this
Serur, David  Search this
Soriano, Rafael, 1920-  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Toonkel, Gail  Search this
Valente, José Angel  Search this
Vidal, Juan -- Photographs  Search this
Ward, Bettie  Search this
Extent:
0.4 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1971-1996
Summary:
The Baruj Salinas papers measure 0.4 linear feet and date from 1971-1996. The collection documents the artist's prolific painting career and his friendships and professional relationships with a variety of contemporary artist in the U.S. and Europe. The papers of Baruj Salinas are an important addition to the documentation of Cuban-American art and artists.
Scope and Content Note:
The Baruj Salinas papers measure 0.4 linear feet and date from 1971-1996. The collection primarily consists of letters from friends and artists. Also found are diary entries, scattered financial and business papers, printed material, and photographs. Of special interest in the last series are photographs taken of a visit to the home and art studio of Spanish artist Joan Miró.
Arrangement:
The collection is arranged as six series.

Series 1: Diary Entries, 1982 (box 1; 1 folder)

Series 2: Letters Received, 1979-1996, undated (box 1; 21 folders)

Series 3: Financial Papers, 1993-1994 (box 1; 1 folder)

Series 4: Printed Material, 1976-1992, undated (box 1; 2 folders)

Series 5: Photographs, 1971-1992, undated (box 1; 3 folders)

Series 6: Miscellany, 1992 (box 1; 1 folder)
Biographical Note:
Born in Havana, painter Baruj Salinas' (b. 1938) career began in the field of architecture. He graduated from the University of Ohio with an architectural degree and left Cuba permanently in 1959. Salinas settled in Miami and later moved to Barcelona where he studied alongside artists Joan Miró and Antoni Tàpies.
Provenance:
Baruj Salinas donated his papers to the Archives of American Art in 1997.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Baruj Salinas papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Florida -- Miami  Search this
Hispanic American artists  Search this
Painters -- Cuba -- Havana  Search this
Cuban American art  Search this
Genre/Form:
Photographs
Citation:
Baruj Salinas papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.salibaru
See more items in:
Baruj Salinas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salibaru

Robert John Goldwater papers

Creator:
Goldwater, Robert John, 1907-1973  Search this
Names:
Museum of Primitive Art  Search this
New York University -- Faculty  Search this
Queens College (New York, N.Y.) -- Faculty  Search this
Gauguin, Paul, 1848-1903  Search this
Goldwater, S. S. (Sigismund Schulz), 1873-1942  Search this
Lipchitz, Jacques, 1891-1973  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
5.4 Linear Feet
Type:
Archival materials
Collection descriptions
Date:
1902-1974
Summary:
The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.
Scope and Content Note:
The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.

The bulk of Robert John Goldwater's correspondence focuses on his writings and editing work, including his work for Magazine of Art and the Museum of Primitive Art. It is with academic colleagues, art museums, colleges and universities, publishers, former students, and family. There is also scattered correspondence with artists. A list of correspondents is found at the end of this finding aid.

Subject files concern topics of interest to Goldwater as well as exhibitions and organizations with which he was involved, and include correspondence, printed material, and notes. Teaching records are from Goldwater's work at both Queens College and New York Universtity and consist mainly of course syllabi, bibliographies, and notes, as well as some administrative records.

The largest series in the collection consists of Goldwater's writings, including drafts, manuscripts, and notes for several books, reviews, and talks and lectures. Found here are complete and partial manuscript versions of his books Artists on Art; From David to Delacroix; Jacques Lipchitz; Paul Gaugin; Rufino Tamayo; and Symbolism. Printed material includes many items about or mentioning Goldwater, as well as printed or published articles and reviews written by him.

The papers of S. S. Goldwater, M. D. (1873-1942) consist primarily of correspondence documenting his work as a hospital administrator, public health expert, and New York City's Commissioner of Hospitals. They also include biographical information, legal documents, photographs, printed material, and writings.
Arrangement:
The collection is arranged as 6 series.

Series 1: Correspondence, 1934-1973 (Box 1; 0.5 linear ft.)

Series 2: Subject Files, 1931-1973 (Box 1; 0.3 linear ft.)

Series 3: Teaching Records, 1935-1973 (Boxes 1-2; 1.2 linear ft.)

Series 4: Writings, 1932-1973 (Boxes 3-5; 2.2 linear ft.)

Series 5: Printed Material, 1931-1974 (Box 5; 0.3 linear ft.)

Series 6: Papers of S. S. Goldwater, M.D., 1902-1956 (Boxes 5-6; 0.9 linear ft.)
Biographical Note:
Robert John Goldwater (1907-1973), a native New Yorker, studied art history at Columbia College (B.A., 1929), Harvard University (M.A., 1931), and New York University (Ph.D., 1937). Goldwater was a Carnegie Corporation Fellow, 1930-31, a Guggenheim Fellow, 1944-45, and a Fulbright Fellow in France, 1944-45. He was especially interested in primitive art, primitivism and symbolism in modern art, and the history of art criticism.

His teaching career began at New York University in 1934. Five years later, Goldwater moved to Queens College. In 1957, he joined the faculty of the Institute of Fine Arts, New York University, where he remained until his death in 1973.

Goldwater wrote a large number of articles, books, and reviews on a variety of art topics. His books include: Primitivism in Modern Painting (1938), Artists on Art from the XIV to the XX Century (1945), Rufino Tamayo (1947), Modern Art in Your Life (1949), Vincent van Gogh (1954), Jacques Lipchitz (1954), Paul Gauguin (1957), Senufo Sculpture from West Africa (1964), Space and Dream (1968), What Is Modern Sculpture (1969), and Symbolism (1979).

From 1957-1963 Goldwater was Director of the Museum of Primitive Art, and for the next decade was Chairman of its administrative committee. In addition, Goldwater served as book review editor of the College Art Association's Art Bulletin from 1944-1947, and from 1947-1953 he was editor of the American Federation of Art's Magazine of Art.
Provenance:
The Robert John Goldwater papers were donated to the Archives of American Art in 1976 by Goldwater's widow, Louise Bourgeois.
Restrictions:
The collection is open for research. Use requires an appointment and written permission.
Rights:
The Robert John Goldwater papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Authors -- New York (State) -- New York  Search this
Editors -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Symbolism  Search this
Museum directors -- New York (State) -- New York  Search this
Citation:
Robert John Goldwater papers, 1902-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goldrobe
See more items in:
Robert John Goldwater papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goldrobe

Herbert Aach papers

Creator:
Aach, Herbert, 1923-1985  Search this
Names:
American Society for Testing and Materials  Search this
Artist's Technical Research Institute  Search this
Inter-Society Color Council  Search this
De Kooning, Elaine  Search this
Ferren, John, 1905-1970  Search this
Genauer, Emily, 1910-2002  Search this
Rivers, Larry, 1925-2002  Search this
Tamayo, Rufino, 1899-  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
2.4 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Scrapbooks
Video recordings
Date:
1942-1988
Summary:
The papers of New York painter, art instructor and writer Herbert Aach (1923-1985) measure 2.4 linear feet and date from 1942 to 1988. Papers include biographical materials, correspondence, scattered financial and legal records, notes and writings, subject files, a scrapbook, printed materials, photographs, and one videocassette.
Scope and Contents:
The papers of New York painter, art instructor and writer Herbert Aach (1923-1985) measure 2.4 linear feet and date from 1942 to 1988. Papers include biographical materials, correspondence, scattered financial and legal records, notes and writings, subject files, a scrapbook, printed materials, photographs, and one videocassette.

Legal records include materials relating to a lawsuit against Larry Rivers for a lease termination. Letters are from colleagues including Emily Genauer and Edwin W. Zoller regarding exhibitions and other art-related matters and brief letters from Elaine DeKooning, John Ferren, Adolph Gottlieb, and Rufino Tamayo. Subject files are found for many organizations of which Aach was a member, including the American Society for Testing and Materials, the Artists Technical Research Institute, and the Inter-Society Color Council. Printed materials include one scrapbook, clippings, and exhibition catalogs. There is documentation of Aach's work translating and editing Goethe's Color Theory, one 55 minute videocassette entitled Herbert Aach by Albright Knox Gallery, and photographs of Aach and his artwork.
Arrangement:
The collection is arranged as 8 series. Records are generally arranged by material type and chronologically thereafter.

Series 1: Biographical Material, circa 1985 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1988 (Box 1; 0.6 linear feet)

Series 3: Financial Material, 1964-1981 (Box 1; 1 folder)

Series 4: Legal Records, 1951-1986 (Box 1; 0.2 linear feet)

Series 5: Notes, 1961-1984 (Box 1; 6 folders)

Series 6: Writings, 1950-1985(Boxes 1-2; 0.2 linear feet)

Series 7: Subject Files, 1942-1984 (Box 2; 0.6 linear feet)

Series 8: Photographs, 1952-1960 (Box 2; 3 folders)

Series 9: Scrapbook, 1951-1958 (Box 2; 1 folder)

Series 8: Printed Material, 1948-1988 (Boxes 2-3; 0.2 linear feet)

Series 8: Videocassette, 25 April 1975 (Box 3; 1 folder)
Biographical / Historical:
Painter, art instructor and writer Herbert Aach (1923-1985) worked primarily in New York City. Born in Cologne, Germany, Aach came to the United States in 1939. He taught at the Brooklyn Museum School (1947-1951), Pratt Institute (1966-1969), and at Queens College (1966-1985). In 1971 he was editor and translator of Goethe's Color Theory. Aach was president of the Artists Technical Research Institute, which was founded in 1959 by Bena Frank and Ralph Mayer to conduct scientific and educational research of materials and methods used in the visual arts.
Provenance:
Herbert and Doris Aach donated the papers to the Archives of American Art in 1984 and 1989.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Herbert Aach papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art teachers -- New York (State) -- New York  Search this
Artists' materials  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Video recordings
Citation:
Herbert Aach papers, 1942-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.aachherb
See more items in:
Herbert Aach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-aachherb

Enrique Riverón papers

Creator:
Riverón, Enrique  Search this
Names:
Wichita State University -- Faculty  Search this
Baker, Josephine, 1906-1975  Search this
Bermúdez, Cundo, 1914-  Search this
Cantinflas, 1911-1993  Search this
Carreño, Mario  Search this
Carreño, Mario -- Photographs  Search this
Cugat, Xavier, 1900- -- Photographs  Search this
De Diego, Julio, 1900-  Search this
García Lorca, Federico, 1898-1936  Search this
Gattorno, Antonio  Search this
Gómez Sicre, José  Search this
Hughes, Langston, 1902-1967  Search this
Kiki, 1901-1953  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray -- Photographs  Search this
Neruda, Pablo, 1904-1973 -- Photographs  Search this
Orozco, José Clemente, 1883-1949 -- Photographs  Search this
Peláez, Amelia, 1897-1968 -- Photographs  Search this
Picasso, Pablo, 1881-1973  Search this
Pidgeon, Walter, 1897-  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
Reed, Alma M. -- Photographs  Search this
Russell, Rosalind -- Photographs  Search this
Salinas, Baruj  Search this
Sicre, Juan José -- Photographs  Search this
Siqueiros, David Alfaro -- Photographs  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Waguermert, Luis Gomez -- Photographs  Search this
Yunkers, Adja, 1900-  Search this
Extent:
3.3 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Photographs
Date:
1918-1990s
Summary:
The papers of Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.
Scope and Content Note:
The Enrique Riverón papers measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.
Arrangement:
The collection is organized into eight series.

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)
Biographical Note:
Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.
Related Material:
The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.
Provenance:
The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Enrique Riverón papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Cartoonists  Search this
Sculptors -- Florida -- Miami  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.riveenri
See more items in:
Enrique Riverón papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-riveenri

Emily Genauer papers

Creator:
Genauer, Emily, 1910-2002  Search this
Names:
Aronson, David  Search this
Bishop, Isabel, 1902-1988  Search this
Carnegie, Dorothy  Search this
Chagall, Marc, 1887-  Search this
Dalí, Salvador, 1904-  Search this
Davis, Stuart, 1892-1964  Search this
Graham, Martha  Search this
Guggenheim, Harry Frank, 1890-1971  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Still, Clyfford, 1904-  Search this
Tamayo, Rufino, 1899-  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
10.1 Linear feet
Type:
Archival materials
Collection descriptions
Interviews
Essays
Lectures
Transcriptions
Speeches
Photographs
Date:
circa 1920-1990
Summary:
The papers of art critic Emily Genauer measure 10.1 linear feet and date from circa 1920 to 1990. Found within the papers are correspondence with artists, gallery owners, and friends; extensive writings; research and reference files; personal business records; and photographs. Notable correspondents include David Aronson, Mrs. Max Beckman, Isabel Bishop, Dorothy Carnegie, Marc Chagall, Salvatore Dali, Stuart Davis, Martha Graham, Harry F. Guggenheim, Irene Rice Pereira, Clyfford Still, Rufino Tamayo, and Frank Lloyd Wright, among many others.
Scope and Contents:
The papers of art critic Emily Genauer measure 10.1 linear feet and date from circa 1920 to 1990. Found within the papers are correspondence with artists, gallery owners, and friends; extensive writings; research and reference files; personal business records; and photographs.

Notable correspondents include David Aronson, Mrs. Max Beckman, Isabel Bishop, Dorothy Carnegie, Marc Chagall, Salvatore Dali, Stuart Davis, Martha Graham, Harry F. Guggenheim, Irene Rice Pereira, Clyfford Still, Rufino Tamayo, and Frank Lloyd Wright, among numerous others. Extensive writings consist largely of drafts of columns written by Genauer and supporting research notes, as well as essays, speeches, lectures, book manuscripts, and memoirs. Research and reference files include source material for columns and essays. Personal business records document Genauer's work on committees and arts organizations, juries, awards, honors and also include interview transcripts and other personal scattered files. There is material regarding her leaving the New York World-Telegram. Printed material includes two of Genauer's books, magazines, newspaper clippings, and exhibition catalogs. Photographs are portraits of Genauer and of artwork.
Arrangement:
This collection is arranged as 6 series.

Series 1: Correspondence and Letters, 1938-1991 (Box 1, 12, 0.8 linear feet)

Series 2: Writings, circa 1930s-1990s (Box 1-3, 2.5 linear feet)

Series 3: Research and Reference Files, circa 1920s-1990s (Box 4-6, 2.6 linear feet)

Series 4: Personal Business Records, 1933-1992 (Box 6-7, 0.8 linear feet)

Series 5: Printed Materials, circa 1920s-1990s (Box 7-9, 12, 1.6 linear feet)

Series 6: Photographs, circa 1930s-1970s (Box 9-11, 12, 1.8 linear feet)
Biographical / Historical:
Emily Genauer (1911-2002) was a modern art critic and columinst working in New York City from 1932 until well into the 1980s. In 1974, she won the Pulitzer Prize for distinguished art criticism.

Genauer was born in 1911 in Staten Island. She attended Hunter College and Columbia University, majoring in Journalism. She began her writing career in 1929 with the New York World, which later became the New York World-Telegram. She became a strong advocate for modern art and sculpture and introduced modern artists like Marc Chagall and Diego Rivera to the newspaper audience. She also followed lesser known artists and often visited their studios, and they, in return, regularly read her articles and reviews of their shows.

Genauer left the New York World-Telegram in 1949 after a dispute with the owner who accused her writing as overly sympathetic to "Communists and left-wingers" and told her she could no longer write about Picasso. She immediately went to work as the art critic for the New York Herald Tribune, where she worked until 1967, when it folded. She then wrote a regular column for the Newsday Syndicate until the mid-1970s. She also worked for Harper's and in television and served on the council for the National Endowment for the Humanities from 1966 to 1970. Genauer was the author of a number of books, including The Best of Art, Chagall at the Met, and Rufino Tamayo.

Genauer passed away in 2002 in New York City at the age of 91.
Separated Materials:
Also found in the Archives are 300 letters lent for microfilming on reels NG1 that were not included in later donations. Loaned material is available in Archives' offices and for interlibrary loan but it is not described in the container list of this finding aid.
Provenance:
The Emily Genauer papers were donated to the Archives of American Art in 2000 and 2003 by her daughter, Constance Roche.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Emily Genauer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art critics -- New York (State) -- New York  Search this
Women art critics -- New York (State) -- New York  Search this
Gallery owners -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Essays
Lectures
Transcriptions
Speeches
Photographs
Citation:
Emily Genauer papers, circa 1920s-1990s. Archives of American art, Smithsonian Institution.
Identifier:
AAA.genaemil
See more items in:
Emily Genauer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-genaemil

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