Zolnay, George Julian, 1862 or 1863-1949 Search this
Extent:
0.4 Linear feet ((68 items on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1905
Scope and Contents:
Biographical forms completed by artists and illustrators for the Art League Publishing Company's ARTISTS YEAR BOOK. Each contains details written by the artist concerning parentage, exhibitions and collections containing his work, books illustrated, memberships in clubs, etc.
Included are forms from: Hugo Ballin, Frederick E. Bartlett, James C. Beckwith, William V. Birney, Karl Bitter, Albert D. Blashfield, Carle Joan Blenner, Frederick A. Bridgman, Bolton Brown, Ray Brown, George Elmer Browne, George De Forest Brush, Henry Kirke Bush-Brown, Walter A. Clark, Kenyon Cox, Lockwood De Forest, Harry Fenn, James E. Fraser, Walter Granville-Smith, Jules Guerin, Birge Harrison, Thomas A. Harrison, Ernest Haskell, Albert Herter, George Hitchcock, Lucius Wolcott Hitchcock, Edward Kemeys, William S. Kendall, Alonzo Kimball, Charles MacCord, Thomas R. Manley, Richard F. Maynard, George H. McCord, Thomas Meteyard, Francis D. Millet, John H. Mills, Edward P. Moran, Henry Mosler,
Herman D. Murphy, Leonard Ochtman, Frederick B. Opper, Eric Pape, Ernest Peixotto, Edward Penfield, Louis M. Potter, Edward W. Redfield, Henry Reuterdahl, Louis J. Rhead, Henry Sandham, William Sartain, Claude A. Shepperson, Florence Scovel Shinn, George H. Smillie, James D. Smillie, Frederic D. Steele, Julian Story, Lorado Taft, Henry O. Tanner, Frank W. Taylor, Dwight W. Tryon, Charles Henry Turner, Charles Yardley Turner, Ross S. Turner, Simon H. Vedder, Carleton Wiggins, Irving R. Wiles, Henry Wolf, Charles H. Woodbury, Rufus F. Zogbaum, and George J. Zolnay.
Biographical / Historical:
Art publishing house; Chicago, Ill. Published, THE ARTISTS YEAR BOOK: A HANDY REFERENCE BOOK WHEREIN MAY BE FOUND INTERESTING DATA PERTAINING TO ARTISTS, AND THEIR STUDIO, HOME, AND SUMMER ADDRESSES, FOR 1905-1906. Arthur Hosking was the editor.
Provenance:
Donated 1958.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Letters to Weitenkampf, mainly from artists and collectors concerning examples of their works in the library's collection.
Among the correspondents are: John Taylor Arms, Samuel Putnam Avery, John W. Beatty, George Bellows, Frank W. Benson, George Biddle, James Britton, George Elmer Browne, Mary Cassatt, Royal Cortissoz, Frederick K. Detwiller, Olin Dows, Kerr Eby, Daniel C. French, Arnold Genthe, George O. Hart, Malvina Hoffman, Edward Hopper, Daniel Huntington, Rockwell Kent, Frederick Keppel, Richard Lahey, Will H. Low, Louis Lozowick, H. Siddons Mowbray, Frank A. Nankivell, Thomas W. Nason, Joseph Pennell, Preston Powers, Henry Ward Ranger, William T. Richards, John D. Rockefeller, Jr., Lessing J. Rosenwald,Peter F. Rothermel, William Sartain, George H. Smillie, James D. Smillie, Harry Sternberg, Albert Sterner, Lorado Taft, Abbott H. Thayer, Dwight W. Tryon, Douglas Volk, Olin L. Warner, John F. Weir, Julian A. Weir, Harry Wickey, Irving R. Wiles, Thomas W. Wood, Charles H. Woodbury, George H. Yewell, Mahonri M. Young, and others.
Biographical / Historical:
Curator; New York City. Chief of the Prints Division, New York Public Library.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Artists files created by Rathbun while he was Assistant Secretary for the Smithsonian Institution including a letter from Thomas Wilmer Dewing about his painting "Summer," exhibited at the National Gallery; correspondence with the sculptor Lorado Taft; and correspondence between Elizabeth Johnson, wife of the painter Eastman Johnson, and the Smithsonian regarding the disposition of paintings from her husband's estate.
Biographical / Historical:
Art administrator; Washington, D.C.
Provenance:
Transfered from the vertical file of the Library of the National Museum of American Art and National Portrait Gallery, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- Washington (D.C.) Search this
Black and white photographs copied from original lantern slides and photographs include portraits of many colonists, the interiors and exteriors of their cabins and group pictures of costumed campers in pageants and processions.
Biographical / Historical:
Eagle's Nest Colony was established in 1897 as a summer home by a group of Chicago artists and writers led by Lorado Taft. Artists Ralph Clarkson, Nellie V. Walker, Charles Francis Browne, and Oliver Dennett Grover; writers Hamlin Garland and Henry Blake Fuller; poet Harriet Monroe, and architects Allen and Irving Pond were among the residents who shared 13 acres of forest on a Rock River bluff. The campers staged outdoor plays, lectured, and contributed paintings to exhibitions at the local library. Lorado Taft's "Black Hawk," a reinforced concrete sculpture, was a gift to the colony. Following Taft's death in 1936, their lease continued until the death of the last original signer, which was portrait artist Ralph Clarkson in 1942. The camp was acquired by Northern Illinois State Teachers College (now Northern Illinois University) in 1950.
Provenance:
Lent for microfilming 1987 by the Taft Branch Library, Northern Illinois University, Oregon, Illinois.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
A scrapbook, clippings (1911-1964), a photograph album, and photographs (1895-1918) illustrate life at the Eagle's Nest art colony.
Twenty-seven photographs and a photograph album document family events and Willson's summers with her uncle, painter Ralph Clarkson, at Eagle's Nest art colony in Oregon, Illinois (1895-1963). Subjects include costume pageants, artists' cabins, Rock River scenes, Taft's statue "Black Hawk", Willson with Clarkson, and artists Charles Francis Browne, J. Spencer Dickerson, Horace Spencer Fiske, Oliver Dennett Grover, and Loredo Taft. The album also contains 10 Christmas cards (1943-1963) and 12 clippings, including an obituary for Wallace Heckman (1927) and 4 articles about Mrs. Vernon Thomas (1928). A second scrapbook contains 49 picture postcards, primarily of Colorado scenes, and a clipping about Eagle's Nest (1911).
Provenance:
The Archives of American art retained copy prints of some of the photographs lent by Catharine Willson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Printed material by and about Taft, including addresses given by him in Philadelphia in 1924, and another, "Practical Art in Illinios," 1884; an address about Taft by Herbert Adams; correspondence, mostly from his student days in Paris and as a tourist in England; photographs of Taft, his studio, and his work; and clippings, including dedication addresses for Black Hawk Memorial, 1912, and Fountain of the Great Lake, 1913.
Biographical / Historical:
Sculptor; Illinois. Born in Elmwood, Ill.
Provenance:
Lent for microfilming 1972 by Emily Taft Douglas (Mrs. Paul) and her sisters, Mary Taft Smith and Jessie Louise Taft Crane, daughters of Taft.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Correspondence of the Century Magazine and its predecessors, Scribner's Monthly, and St. Nicholas Magazine. Also included is material related to the Century War Series.
Among the correspondents are: Cecilia Beaux, James C. Beckwith, Samuel G. W. Benjamin, William M. Chase, William A. Coffin, Timothy Cole (98 letters), Charles C. Coleman, Royal Cortissoz, Kenyon Cox, Reginald C. Coxe, Christopher P. Cranch, Henry H. Cross, Frederick S. Dellenbaugh, Thomas W. Dewing, Alexander W. Drake, Wyatt Eaton, George W. Edwards, Frank E. Elwell, Gaston Fay, Harry Fenn, Mary H. Foote, William L. Fraser, Charles L. Freer, Daniel C. French, Frank French, Isabella S. Gardner, Jay Hambidge, Charles H. Hart, Arthur Hoeber, George Inness, Jr., August F. Jaccaci, Arthur I. Keller, Edward W. Kemble, Knoedler M. & Company, Christopher G. La Farge, John La Farge, Charles R. Lamb, Florence N. Levy, Frank J. Mather, Leila Mechlin, Gari Melchers, Francis D. Millet, Thomas Moran, Edward L. Morse, Hobart Nichols, Elizabeth Nourse, Thornton Oakley, Violet Oakley, Maxfield Parrish, William O. Partridge, Elizabeth R. Pennell (83 letters & 55p. handwritten article), Joseph Pennell, Henry R. Poore, Eva A. Remington, Henry Reuterdahl, Boardman Robinson, Henry Sandham, DeCost Smith, Jessie W. Smith, Albert E. Sterner, Alfred Stieglitz, William J. Stillman (ca. 95 letters), Lorado Taft, Henry O. Tanner, Abbott H. Thayer, Gerald H. Thayer, Dwight W. Tryon, John C. Van Dyke, Douglas Volk, Irving R. Wiles, and others.
Biographical / Historical:
A quarterly publication on the arts and current affairs.
Other Title:
Century Company collection (NYPL microfilm title)
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.