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1971-76, (sculpture)

Title:
Nineteen seventy-one seventy six, (sculpture)
Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Metal
Type:
Sculptures
Owner/Location:
Mark Twain Bancshares, Inc 8820 Ladue Road St. Louis Missouri 63124
Topic:
Undetermined  Search this
Control number:
IAS 65230010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291561

Potato Eaters, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Rusted steel
Type:
Sculptures
Owner/Location:
Akron Art Museum 70 East Market Street Akron Ohio 44308 Accession Number: 77.15
Topic:
Abstract  Search this
Control number:
IAS 40440040
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_31902

Europe On A Cycle, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Type:
Sculptures
Owner/Location:
Musee nationale d'Art Moderne Centre Georges-Pompidou rue Beaubourg Paris France 75004
Topic:
Allegory--Place--Europe  Search this
Architecture--Vehicle--Bicycle  Search this
Control number:
IAS 66020092
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297412

Fairfield Porter papers

Creator:
Porter, Fairfield  Search this
Names:
Hirschl & Adler Galleries  Search this
Tibor de Nagy Gallery  Search this
Brainard, Joe, 1942-  Search this
Burkhardt, Rudy  Search this
Button, John, 1929-1982  Search this
Day, Lucien B., 1916-  Search this
Downes, Rackstraw  Search this
Elmslie, Kenward  Search this
Evergood, Philip, 1901-1973  Search this
Frielicher, Jane  Search this
Giardelli, Arthur  Search this
Guest, Barbara  Search this
Hartl, Léon, 1889-  Search this
Hess, Thomas B.  Search this
Katz, Alex, 1927-  Search this
Koch, Kenneth, 1925-  Search this
Laning, Edward  Search this
Lichtenstein, Roy, 1923-1997  Search this
Morse, Carl  Search this
Myers, John Bernard  Search this
O'Hara, Frank, 1926-1966  Search this
Padgett, Ron  Search this
Porter, Ruth W., 1875-1942  Search this
Rivers, Larry, 1925-  Search this
Schloss, Edith  Search this
Schuyler, James  Search this
Shapiro, David, 1947-  Search this
Stankiewicz, Richard, 1922-  Search this
Vasilieff, Nicholas  Search this
Extent:
9.3 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Sketches
Sketchbooks
Photographs
Date:
1888-2001
bulk 1924-1975
Summary:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
Scope and Content Note:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. The collection includes a biographical chronology; certificates, awards, and diplomas; letters to Fairfield and Anne Porter; scattered outgoing correspondence; and reviews, essays, notes, poems, and translations written by Porter and others. Among the writings are poetry manuscripts written by several New York School Poets including Frank O'Hara, James Schuyler, and Kenneth Koch. Also found are gallery records, inventories and appraisals, financial records, exhibition catalogs, clippings, posters, and records of Anne Porter's efforts to place his collection and document and publish his work after his death. Photographs of Porter, his homes, and his family are also present, as well as sketchbooks, loose sketches, and drawings spanning his entire career.

Significant correspondence is present from the Porters' many poet friends, including Kenneth Koch, James Schuyler, Ron Padgett, Kenward Elmslie, Barbara Guest, Carl Morse, David Shapiro, and others. Among the letters are poetry manuscripts by Koch, Morse, Schuyler, Padgett, and Shapiro. Some letters are actually written in verse, especially those from Kenneth Koch.

Artists with letters in the collection include Joe Brainard, Rudy Burkhardt, John Button, Lucien Day, Rackstraw Downes, Philip Evergood, Jane Frielicher, Arthur Giardelli, Leon Hartl, Alex Katz, Edward Laning, Roy Lichtenstein, Larry Rivers, Richard Stankiewicz, Nicolas Vasilieff, among others. Other art world figures represented include John Bernard Myers, curator at the Tibor de Nagy gallery (New York), and Tom Hess, editor of ArtNews. Artwork found within the correspondence includes an illustrated letter from Ron Padgett and an original print on a holiday card by Edith Schloss.
Arrangement:
The collection is arranged into the following nine series. See the series descriptions below for more information about the content of each series.

Series 1: Biographical Materials, 1916-1975 (Box 1 and 11; 0.2 linear feet)

Series 2: Correspondence, 1918-1996 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings by Fairfield Porter, 1924-1975 (Box 2; 0.6)

Series 4: Writings by Others, 1888-1992 (Boxes 2-3; 0.7 linear feet)

Series 5: Personal Business Records, 1944-1996 (Boxes 3-4; 1 linear foot)

Series 6: Anne Porter's Posthumous Projects, 1980-1988 (Box 4; 0.2 linear feet)

Series 7: Printed Materials, 1934-2001 (Boxes 4-6 and 11; 1.5 linear feet)

Series 8: Photographs, circa 1880-1990 (Boxes 6 and 11; 0.6 linear feet)

Series 9: Artwork, 1918-1975 (Boxes 7-10 and 12-17; 2.2 linear feet)
Biographical Note:
Fairfield Porter was born near Chicago in 1907, the fourth of five children of James and Ruth Furness Porter. His father was an architect, his mother a poet from a literary family, and Porter grew up in an environment where art and literature were highly valued. His father designed the family homes in Winnetka, Illinois and on Great Spruce Head Island, an island in Maine that he purchased for the family in 1912. Fairfield Porter spent summers there from the age of six, and views of the island, its structures, and neighboring towns were the subjects of many paintings.

Porter attended Harvard from 1924 to 1928, studying fine art with Arthur Pope and philosophy with Alfred North Whitehead. After graduating from Harvard, Porter moved to New York City and took studio classes at the Art Students League from 1928 until 1930, studying with Boardman Robinson and Thomas Hart Benton, and immersing himself in the art and radical politics of Greenwich Village. In the 1940s, he studied at Parson's School of Design with art restorer Jacques Maroger, adopting the Maroger recipe for an oil medium in his own painting.

To further his education as an artist, Porter traveled to Europe in 1931, where he spent time with expatriate art theorist Bernard Berenson and his circle. When he returned to New York, he allied himself with progressive, socialist organizations, and like many of his contemporaries, worked at creating socially relevant art. He did artwork for the John Reed Club, a communist group; taught drawing classes for Rebel Arts, a socialist arts organization; wrote for their magazine, Arise!; and created a mural for the Queens branch of the Socialist Party. Living in the Chicago area for several years in the 1930s, he illustrated chapbooks for the socialist poet John Wheelwright's Poems for a Dime and Poems for Two Bits series. Porter's financial contributions to the radical Chicago publication Living Marxism kept it afloat for several years.

In 1932, Porter married Anne Channing, a poet from Boston, and they settled in New York. The Porters had five children, and their first son, born in 1934, suffered from a severe form of autism. In the next decade, they had two more sons, and spent three years in Porter's hometown of Winnetka, where he had his first solo exhibition of paintings. When they returned to New York in 1939, the Porters became friends with Edwin Denby, Rudy Burkhardt, and Elaine and Willem de Kooning. Porter became an earnest admirer of Willem de Kooning's artwork and was among the first to review and purchase it.

In 1949, the Porters moved to the small, seaside town of Southampton, New York. Their two daughters were born in 1950 and 1956. Like the family home on Great Spruce Head Island, Southampton became the setting of many of Porter's paintings. In fact, almost all of his mature paintings depict family homes, surrounding landscapes, family members, and friends. Porter was an individualistic painter who embraced figurative art in the late 1940s and 1950s, when abstract expressionism was the prevailing aesthetic trend. Porter once made a comment that his commitment to figurative painting was made just to spite art critic Clement Greenberg, a respected critic and ideologue who had championed abstract expressionism and denigrated realism as passé.

Porter established his reputation as a painter and as a writer in the 1950s. John Bernard Myers of the vanguard Tibor de Nagy gallery gave Porter his first New York exhibition in 1951 and represented him for the next twenty years. That same year Tom Hess, editor of ArtNews, hired Porter to write art features and reviews. Porter went on to contribute to ArtNews until 1967 and also became art editor for The Nation beginning in 1959, the same year his article on Willem de Kooning won the Longview Foundation Award in art criticism. As a critic, Porter visited countless galleries and studios, and he gained a reputation for writing about art with the understanding and vested interest of an artist, and with the same independence from fashionable ideas that he demonstrated in his artwork.

The 1950s and 1960s were prolific years for Porter's writing and art, and saw the development of his critical ideas and the maturation of his painting. Porter enjoyed an elder status among a circle of younger artists such as Jane Freilicher, Larry Rivers, and Alex Katz, and their many poet friends, now known as the New York School of Poetry: Frank O'Hara, John Ashbery, James Schuyler, Kenneth Koch, Barbara Guest, and others. Porter himself wrote poetry and was published in the 1950s, sometimes alongside poems by his wife, who had been publishing poetry since the 1930s (twice in the vanguard Chicago journal, Poetry). The Porters' correspondence is laced with poems they and their friends sent back and forth, often about and dedicated to each other.

Besides his annual exhibitions at Tibor de Nagy and later Hirschl and Adler Galleries, Porter exhibited regularly at the Whitney, and had one-man exhibitions at many museums including the Rhode Island School of Design (1959), The University of Alabama (1963), Cleveland Museum of Art (his first retrospective, 1966), Trinity College (1967), the Parrish Art Museum (1971), the Maryland Institute of Art (1973), and the 1968 Venice Biennale. He also had residencies at the Skowhegan School of Painting and Sculpture (1964) and Amherst College (1969). Porter died in 1975 at age 68. A full-scale retrospective of his artwork was held at the Boston Museum of Fine Art, Boston in 1983, and a study center and permanent home for his artwork was established at the Parrish Art Museum in Southampton through a donation made by Anne Porter. A posthumous collection of his poems was published by Tibor de Nagy Editions in 1985, and a catalogue raisonnée, edited by Joan Ludman, was published in 2001.

This biography relies heavily on information found in Justin Spring's biography of Porter, Fairfield Porter: A Life in Art (Yale University Press, 2000).
Related Material:
The Archives of American Art holds an oral history of Fairfield Porter conducted by Paul Cummings in 1968.
Provenance:
The papers of Fairfield Porter were given to the Archives of American Art by the artist's wife, Anne Porter, in five separate accessions between 1977 and 1997.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Fairfield Porter papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Painters -- New York (State) -- Southampton  Search this
Art critics -- New York (State) -- Southampton  Search this
Painting, Modern -- 20th century  Search this
Poets  Search this
Lithographers -- New York (State)  Search this
Genre/Form:
Travel diaries
Sketches
Sketchbooks
Photographs
Citation:
Fairfield Porter papers, 1888-2001 (bulk 1924-1975). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.portfair
See more items in:
Fairfield Porter papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-portfair
Additional Online Media:

Four sculptors: Judd, Nevelson, Rickey, Segal

Creator:
Howard, Carl  Search this
Stankiewicz, Richard, 1922-1983  Search this
Subject:
Judd, Donald C. (Donald Clarence)  Search this
Nevelson, Louise  Search this
Rickey, George  Search this
Segal, George  Search this
Type:
Videorecording
Date:
1973
Record number:
(DSI-AAA)11804
See more items in:
Four Sculptors. [videorecording] / State University of New York at Albany, Educational Community Center; director, Carl Howard and Richard Stankiewwicz, 1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11804

Nathan Halper business records

Creator:
Halper, Nathan  Search this
Names:
H.C. Gallery (Provincetown, Mass.)  Search this
H.C.E. Gallery (Provincetown, Mass.)  Search this
Kootz Gallery (N.Y.)  Search this
National Association of Women Artists (U.S.)  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Avery, Milton, 1885-1965  Search this
Botkin, Henry, 1896-1983  Search this
Brodie, Gandy, 1925-1975  Search this
Caro, Anthony, 1924-  Search this
Cuddihy, John Murray  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hartley, Marsden, 1877-1943  Search this
Hofmann, Hans, 1880-1966  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Motherwell, Robert  Search this
Smith, David, 1906-1965  Search this
Stankiewicz, Richard, 1922-1983  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Gallery records
Visitors' books
Date:
1952-1979
Summary:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.
Scope and Contents note:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

Biographical material consists of one literary poem.

The bulk of the collection consists of correspondence with many artists, estate executors, gallery partners, collectors, galleries, and museums regarding works of art, sales, account balances, requests for information, and general updates.

Scattered business records are found for all four galleries and include a Kootz Gallery guest register, address books, corporation and partnership agreements for the Kootz, H-C, HCE, and Sun galleries, insurance policies, and a Kootz Gallery employee file. Both the guest register and address books were also used as general business related notebooks.

Financial material consists of inventory stock books, price lists and sales, checkbook registers, and general expense invoices/receipts for the four galleries. The undated stock books list artists' names, general artwork identification information, and prices. Additional sales information is found in price lists, correspondence, sales notebooks, and checkbook registers. Invoices and receipts also document general operating expenses.

Printed material includes newspaper clippings on the Provincetown art scene and major artists represented by Halper, three exhibition catalogs, and an event calendar from the National Association of Women Artists.

Photographic material consists of prints and slides of the Kootz, H-C, and HCE galleries; black and white and color prints of exhibitions by Harry Botkin, Adolph Gottlieb, Robert Motherwell, and Hans Hofmann; and black and white prints, color slides, and transparencies of select works of art shown at the galleries.
Arrangement note:
The collection is arranged as 6 series:

Series 1: Biographical Material, circa 1953-1970 (Box 1; 1 folder)

Series 2: Correspondence, 1952-1979 (Boxes 1-2; 1.3 linear feet)

Series 3: Business Records, 1953-1970 (Box 2; .7 linear feet)

Series 4: Financial Material, 1953-1970 (Boxes 3-4; 2 linear feet)

Series 5: Printed Material, 1952-1976 (Box 5; 3 folders)

Series 6: Photographic Material, 1953-1969 (Box 5; 11 folders)
Biographical/Historical note:
Nathan Halper (1907-1983) worked in Provincetown, Massachusetts as a contemporary American art dealer, writer, and James Joyce scholar.

Nathan Halper first moved to Provincetown, Massachusetts in 1936 where he met and eventually married his wife, Helen Marjorie Windust Halper. During the late 1940s and early 1950s, their circle of friends included artists, writers, and academics drawn to the Provincetown art colony. Through friendships with Adolph Gottlieb and Fritz Bultman, Halper was introduced to Hans Hofmann, his students, and other abstract expressionist artists.

In 1949, Halper was invited to give a talk on James Joyce at Forum 49, a Provincetown summer lecture series on the future of art organized by Weldon Kees and held in a gallery at 200 Commercial Street. Speakers ranged from Jackson Pollock to poet laureate Howard Nemerov, and the series also presented one of the first major exhibitions of abstract expressionism in America. In 1952, Halper became the treasurer of the Provincetown Art Association (est. 1914), an influential social nexus that connected artists, galleries, patrons, and the public through memberships and annual events.

In 1953, he entered into a partnership with New York art dealer Sam Kootz and helped establish the Kootz Gallery in Provincetown. Their stable initially consisted of abstract expressionists Kootz represented in New York: Robert Motherwell, Hans Hofmann, Adolph Gottlieb, Fritz Bultman, and William Baziotes. Halper and Kootz mutually agreed to dissolve their partnership in 1954 and Halper opened the H-C Gallery with John Murray Cuddihy in 1955. After Cuddihy's departure at the end of the 1956 season, Halper opened the HCE Gallery (1957-1967), a name inspired by Joyce's Finnegan's Wake. In 1962, Halper entered into a one year partnership with Noah Goldowsky to help finance and run the Sun Gallery.

After the dissolution of the Kootz Gallery, Halper continued to represent Motherwell and, for a short time, Gottlieb in the Provincetown area, but quickly added other artists to the HCE stable. Through its relationship with New York dealers, such as Martha Jackson Gallery, Andre Emmerich Gallery, and Waddington Galleries, HCE was able to exhibit and sell works by Milton Avery, Gandy Brodie, Anthony Caro, Edwin Dickinson, Marsden Hartley, Hans Hoffman, Wolf Kahn, William King, Jan Muller, Elie Nadelman, David Smith, Richard Stankiewicz, Tal Streeter, and Anthony Vevers, among others.
Related Archival Materials note:
Also found in the Archives of American Art are the Kootz Gallery records and oral history interviews with Nathan Halper conducted by Dorothy Seckler, July 17, 1963 and by Robert Brown, July 8-August 14, 1980. Columbia University also holds Nathan Halper's papers concerning his literary scholarly work.
Provenance:
The Nathan Halper business records were donated by Nathan Halper in 1979. Additional materials were donated in 1983 and 1984 by his wife Helen Marjorie Windust Halper.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Nathan Halper business records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Massachusetts -- Provincetown  Search this
Gallery directors  Search this
Art dealers  Search this
Art galleries, Commercial -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Collectors and collecting -- Massachusetts -- Provincetown  Search this
Genre/Form:
Photographs
Gallery records
Visitors' books
Citation:
Nathan Halper business records, 1952-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halpnath
See more items in:
Nathan Halper business records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halpnath
Additional Online Media:

Richard Stankiewicz papers, 1948-1984

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Subject:
Nevelson, Louise  Search this
Rivers, Larry  Search this
Judd, Donald C. (Donald Clarence)  Search this
Segal, George  Search this
Rickey, George  Search this
Porter, Fairfield  Search this
Topic:
Educators  Search this
Exhibition catalogs  Search this
Photographs  Search this
Sculptors  Search this
Works of art  Search this
Record number:
(DSI-AAA_CollID)7146
(DSI-AAA_SIRISBib)209280
AAA_collcode_stanrich
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209280

Four Sculptors. [videorecording] / State University of New York at Albany, Educational Community Center; director, Carl Howard and Richard Stankiewwicz, 1973

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Subject:
Rickey, George  Search this
Judd, Donald C. (Donald Clarence)  Search this
Nevelson, Louise  Search this
Segal, George  Search this
Topic:
Interviews  Search this
Sculptors  Search this
Video recordings  Search this
Record number:
(DSI-AAA_CollID)15723
(DSI-AAA_SIRISBib)284109
AAA_collcode_stanrich3
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_284109

Oral history interview with Richard Stankiewicz, 1963 February-August 20

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Hansa Gallery (New York, N.Y.)  Search this
Topic:
Sound recordings  Search this
Interviews  Search this
Sculpture, Modern  Search this
Sculptors  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)12082
(DSI-AAA_SIRISBib)213129
AAA_collcode_stanki63feb
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213129

Oral history interview with Richard Stankiewicz, 1979 June 26

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Zabriskie, Virginia M. (Virginia Marshall)  Search this
Kootz, Samuel Melvin  Search this
Smith, David  Search this
LÔeger, Fernand  Search this
Hofmann, Hans  Search this
Porter, Fairfield  Search this
Zabriskie Gallery  Search this
University of Albany  Search this
Topic:
Sound recordings  Search this
Politics in art  Search this
Art  Search this
Sculptors  Search this
Art, American  Search this
Interviews  Search this
Sculpture, Modern  Search this
Record number:
(DSI-AAA_CollID)12284
(DSI-AAA_SIRISBib)213131
AAA_collcode_stanki79
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213131
Additional Online Media:

Oral history interview with Richard Stankiewicz, 1963

Interviewee:
Stankiewicz, Richard, 1922-1983  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Müller, Jan  Search this
Hansa Gallery (New York, N.Y.)  Search this
Topic:
Sound recordings  Search this
Interviews  Search this
Sculpture, Modern  Search this
Art, American  Search this
Art galleries, Cooperative  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)12263
(DSI-AAA_SIRISBib)215622
AAA_collcode_stanki63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215622

Untitled 1979-8, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Sculpture: welded steel; Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Wilmington Department of Parks and& Recreation 22 South Heald Street Wilmington Delaware 19801
Located Louis L. Redding City/County Building 800 French Street Spencer Plaza Wilmington Delaware 19801
Date:
1979-1980. Dedicated July 1980
Topic:
Abstract  Search this
Control number:
IAS 76007939
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_18716

Untitled, (sculpture)

Title:
Untitled (Wall Relief), (sculpture)
Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Steel
Type:
Sculptures-Relief
Sculptures
Owner/Location:
Smith College Smith College Museum of Art Elm Street at Bedford Terrace Northampton Massachusetts 01063 Accession Number: 1977:22
Date:
1975
Topic:
Abstract  Search this
Control number:
IAS 22280033
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26362

Untitled (maquette), (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Painted wood
Type:
Sculptures-Model
Sculptures
Owner/Location:
Smith College Smith College Museum of Art Elm Street at Bedford Terrace Northampton Massachusetts 01063 Accession Number: 1985:23
Date:
1980
Topic:
Abstract  Search this
Study--Maquette  Search this
Control number:
IAS 22280034
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_26363

Untitled, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Iron and steel
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1984.80
Date:
Ca. 1959
Topic:
Undetermined  Search this
Control number:
IAS 08581847
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_293674

Untitled, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Sculpture: steel; Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Lincoln National Life Insurance Company 1300 South Clinton Street, P. O. Box 1110 Fort Wayne Indiana 46801
Date:
Dedicated May 4, 1978
Topic:
Abstract--Geometric  Search this
Control number:
IAS 66520004
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_308321

Untitled, 1974, (sculpture)

Sculptor:
Stankiewicz, Richard 1922-1983  Search this
Medium:
Welded, mild steel
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Zabriskie Gallery New York New York
Located State University of New York Washington Avenue, between the Performing Arts Center & Biology Building Albany New York
Date:
1974. Relocated 1978
Topic:
Abstract--Geometric  Search this
Control number:
IAS NY000652
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_334306

Richard Stankiewicz: artist file, [photographs]

Artist:
Stankiewicz, Richard 1922-1983  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002791
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141514

Richard Stankiewicz

Title:
Stankiewicz
Three Islands: June Leaf, Robert Lax, Richard Stankiewicz
Author:
Stankiewicz, Richard 1922-1983  Search this
Pardey, Andres  Search this
Museum Jean Tinguely Basel  Search this
Subject:
Stankiewicz, Richard 1922-1983  Search this
Physical description:
195 p. : ill., ports. ; 23 cm
Type:
Books
Exhibitions
Date:
2004
C2004
Call number:
NB237.S5793 A4 2004
Restrictions & Rights:
Includes bibliographical references (p. 184-187).
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_823606

Richard Stankiewicz - Sculptor [videorecording] / State University of New York at Albany, Educational Community Center; director, Carl Howard, 1979

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Subject:
Stankiewicz, Richard  Search this
State University of New York at Albany.Educational Community Center  Search this
Topic:
Sculptors  Search this
Record number:
(DSI-AAA_CollID)15722
(DSI-AAA_SIRISBib)216013
AAA_collcode_stanrich2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216013

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