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Ethel Fisher papers

Creator:
Fisher, Ethel, 1923-  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brentwood Art Center  Search this
Barnet, Will, 1911-2012  Search this
Boxer, Stanley  Search this
Coleborn, Keith  Search this
Ehrenkranz, Elaine  Search this
Fernandez, Rafael  Search this
Fine, Irving, 1914-1962  Search this
Getz, Ilse, 1917-  Search this
Jones, Keri  Search this
Kitaj, Sandra Fisher  Search this
Kott, Seymour  Search this
Lassaw, Ibram, 1913-2003  Search this
Pearson, Henry, 1914-2006  Search this
Thek, Paul  Search this
Extent:
12.5 Linear feet
0.558 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Travel diaries
Photographs
Sketchbooks
Drawings
Sketches
Watercolors
Transcripts
Interviews
Video recordings
Sound recordings
Date:
1930-2017
Summary:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.
Scope and Contents:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.

Biographical material includes Art Students League records, address books and business cards, artist statements and resumes, an interview transcript and sound cassette, and other miscellaneous documents.

Correspondence is with family, friends, colleagues, artists, galleries, and museums. The bulk of the correspondence is with daughter Sandra Fisher and husband Seymour Kott. Notable correspondents include Will Barnet, Keith Coleborn, Elaine Ehrenkranz, Rafael Fernandez, Henry Pearson, and others. There are also greeting cards and postcards, inluding numerous illustrated cards from Fisher to her husband Seymour.

Writings mostly consist of annotated appointment calendars and travel diaries along with some writings by others, such as a travel diary by Keith Coleborn and a graduate thesis by Keri Jones.

Project files include correspondence, grant applications, printed and digital material, and publication agreements for art projects, commissions, studio tours, auctions, and speaking engagements. Notable projects include material on the NBC-TV film Family Ties, art loans for the Showtime movie Town of the Eighties, and teaching material from Brentwood Art Center.

Exhibition files contain exhibition announcements, catalogs, publicity, reviews, correspondence, exhibition lists, price lists of artwork, and other material for Ethel Fisher's group and solo shows.

Artists' files include printed material about and limited correspondence with various artists in which Fisher was interested or with whom she was friends, including Stanley Boxer, Irving Fine, Ilse Getz, Ibram Lassaw, and Paul Thek.

Personal business records include consignments, price lists, loan agreements, receipts, donations, and sales documentation.

Printed material includes exhibition catalogs, announcements, magazines, and clippings about Ethel Fisher and other artists. There are also books inscribed to Fisher.

The artwork series includes sketchbooks, drawings, watercolors, and loose sketches.

Photographic material consists of photographs, digital photographs, slides, and negatives of Ethel Fisher, her artwork, exhibitions, events, family, friends, artists, studios, and travel. There are also "reference photos" of people, places, and objects which Fisher used for her portraits and paintings.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1939-2014 (0.3 linear feet; Boxes 1, 13)

Series 2: Correspondence, 1930-2017 (5.4 linear feet; Boxes 1-6, 13, 15)

Series 3: Writings, 1965-2014 (0.8 linear feet; Boxes 6-7, 13)

Series 4: Project Files, 1954-2011 (0.5 linear feet; Boxes 7, 12, 0.128 GB; ER01)

Series 5: Exhibition Files, 1945-2006 (0.6 linear feet; Boxes 7-8)

Series 6: Artists' Files, 1952-2010 (0.4 linear feet; Boxes 8, 12)

Series 7: Personal Business Records, 1959-2017 (0.3 linear feet; Boxes 8, 13)

Series 8: Printed Material, 1940-2016 (1.0 linear feet; Boxes 8-9, 12-13)

Series 9: Artwork and Sketchbooks, 1944-2014 (1.0 linear feet; Boxes 9, 12-15, OV16)

Series 10: Photographic Materials, 1942-2014 (2.2 linear feet;Boxes 9-11, 14, 0.430 GB; ER02)
Biographical / Historical:
Ethel Fisher (1923-2017) was a painter who lived in Pacific Palisades, California.

Ethel Fisher was born in Galveston, Texas in 1923. She studied art at the University of Houston, University of Texas, and Washington University in St. Louis, Missouri. After college, she moved to New York City and attended The Art Students League on scholarship from 1943-1946. In New York, she studied with painter Will Barnet, Morris Kantor, and Robert Beverly Hale, and befriended many people in the art world. She married Gene Fisher and their first daughter Sandra was born. Sandra also became a painter and later married artist R. B. Kitaj.

Fisher and her family moved to Miami in 1948 where her daughter Margaret was born. Upon her divorce, Fisher travelled in Europe for about a year before returning to New York City in the early 1960s, where she continued to paint and maintained 2 studios for her artwork. She married art historian Seymour Kott in 1963.

In 1970, Fisher and her husband moved to Pacific Palisades in Los Angeles, California. Throughout her career as a painter, Ethel Fisher has had solo and group exhibitions at galleries in Havana, Cuba; West Palm Beach, Florida; Atlanta, Georgia; New York City, New York; and San Francisco and Los Angeles, California. She has been the recipient of numerous awards and continues to paint. In 2003, Fisher had solo exhibit of portraits at Platt Gallery in Los Angeles.
Provenance:
The Ethel Fisher papers were donated by Ethel Fisher in two installments in 1997 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Travel diaries
Photographs
Sketchbooks
Drawings
Sketches
Watercolors
Transcripts
Interviews
Video recordings
Sound recordings
Citation:
Ethel Fisher papers, 1930-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fishethe
See more items in:
Ethel Fisher papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7e887a2-bffd-4c8e-ad17-16d3139bc61f
EDAN-URL:
ead_collection:sova-aaa-fishethe
Online Media:

Artists' Files

Collection Creator:
Fisher, Ethel, 1923-  Search this
Extent:
0.4 Linear feet (Boxes 8, 12)
Type:
Archival materials
Date:
1952-2010
Scope and Contents:
Artists' files include printed material such as exhibition catalogs, announcements, and clippings on various artists, many of whom were Ethel Fisher's friends and acquaintances. There is also limited correspondence scattered throughout. Prominent artists include Will Barnet, Stanley Boxer, Irving Fine, Ilse Getz, Ibram Lassaw, and Paul Thek. There is one sound disc (CD) of music.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ethel Fisher papers, 1930-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fishethe, Series 6
See more items in:
Ethel Fisher papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb023faa-c042-4857-9c58-3733dcf1e0db
EDAN-URL:
ead_component:sova-aaa-fishethe-ref160

Fine, Irving

Collection Creator:
Fisher, Ethel, 1923-  Search this
Extent:
1 Sound discs (CD) (Commercially released recording, not transferred.)
Container:
Box 8, Folder 14
Type:
Archival materials
Sound discs (cd)
Date:
1958-1993
Scope and Contents:
Oversized material housed in Box 12, folder 2.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ethel Fisher papers, 1930-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ethel Fisher papers
Ethel Fisher papers / Series 6: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e7725fc-a68d-442d-bcfb-7f187296204f
EDAN-URL:
ead_component:sova-aaa-fishethe-ref168

Kenneth T. Norwood Dam Slides

Former owner:
National Museum of American History (U.S.). Division of Engineering and Industry  Search this
Donor:
Norwood, Helen Wilkes  Search this
Engineer:
Nrwood, Kenneth T. , d. 1991  Search this
Extent:
.50 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Color slides
Date:
1948-1965
Summary:
Collection documents dam construction in California, Colorado, and Nebraska.
Content Description:
Collection contains color slides documenting construction of the Brite Valley Dam, Mancos Dam, Sulphur Creek Dam, and Trenton Dam, in California, Colorado and Nebraska.
Arrangement:
Collection is arranged into one series, alphabetical by name of dam.
Biographical / Historical:
Born in Buffalo Gap, South Dakota, Norwood grew up in Everett, Idaho, and attended The College of Idaho for three years, and The University of Washington for one year. He had extensive work in advanced mathematics, hydraulics, civil engineering, surveying, and geodesics.

In the 1930's Norwood was employed by the U.S. Bureau of Public Roads, the Idaho State Highway Department, the W.P.A. of Idaho City and The Bureau of Reclamation. In 1941 he worked for the U.S, Engineers Dept, in Portland, Oregon for airport layouts, then transferred to the L.A. District to enter foreign service in Central America.He was with the U.S. Corps of Engineers in the Managua, Nicaragua area, in the vicinity of San Marcos de Colon working on the Pan American Highway.

In 1942 he married Helen L. Kubli. There were no children. In 1944, Norwood returned to the United States and worked for Associated Shipbuilders in Seattle, Washington as liaison engineer. He sought a commission in both the Marine Corps and the Navy, but was physically disqualified as 2-A. In 1944 and 1945 he was engineer with Puget Sound Bridge and Dredge at Harbor Island, Washington, and with the Corps of Engineers, L.A. district for the Whittier Narrows Dam. In 1945 he returned to Central America with Tucker McClure Co. and in Guayaquil, Ecuador again working on the Pan American Highway. In 1950 he returned to the United States and was employed by Vinnell Construction Co in Alhambra, California.

Norwood worked on canal projects, highways, dams, flood control, and bridges. He traveled to many underdeveloped countries on government assignments to develop highways, airports, bridges, and did estimating, negotiating and bidding.

In 1963 he left Vinnell Co. and he and Ross Griggs formed Griggs-Norwood Inc. and their work encompassed engineering of all kinds. They were based first in Pasadena, California and then in Long Beach, California. Mr. Griggs soon retired. After Mrs. Norwood's death in 1974 he moved his base to Duarte, California. In 1978 he married Mrs. Helen Wilkes. He retired in 1980 and died May 1, 1991.
Provenance:
Collection donated by Helen Wilkes Norwood, wife of Kenneth T. Norwood, 1992.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Dams  Search this
Genre/Form:
Color slides
Citation:
Kenneth T. Norwood Dam Slides, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1552
See more items in:
Kenneth T. Norwood Dam Slides
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep891ef9025-750d-432a-9d26-2e8838729a27
EDAN-URL:
ead_collection:sova-nmah-ac-1552

Parke, Davis Research Laboratory Records.

Author:
Parke, Davis Company  Search this
Collector:
National Museum of American History (U.S.). Division of Medical Sciences  Search this
Names:
Pfizer Inc.  Search this
Warner-Lambert/Parke-Davis  Search this
Warner-Lambert/Parke-Davis. Pharmaceutical Research Division  Search this
Davis, George S.  Search this
Duffield, Samuel P., Dr. (physician, pharmacist)  Search this
Parke, Hervey Coke , 1827-1899  Search this
Extent:
365 Cubic feet (510 boxes, 43 map folders)
Type:
Collection descriptions
Archival materials
Annual reports
Blueprints
Brochures
Catalogs
Correspondence
Employee records
Formulae, chemical
Lantern slides
Newsletters
Newspaper clippings
Notebooks
Price lists
16mm films
Sound recordings
Tracings
Trade literature
Date:
1866-1992
Summary:
The collection documents Parke, Davis and Company, one of the largest and oldest pharmaceutical firms in America.
Scope and Contents:
The collection documents Parke, Davis and Company, one of America's oldest and largest drug makers. Parke, Davis had the first research laboratory in the American pharmaceutical industry. The company played a major role in the development of some of the principle new drugs of the twentieth century and pioneered the field of drug standardization. They were one of the first American firms to produce antitoxins, hormones, and other biologicals. They introduced new and important drugs such as adrenalin, dilantin, chlorenpleniol, and other antibiotics. They also did important research on vitamins, disinfectants, and pencillin.

The collection contains complete documentaion of all the research activities done, including research laboratory notes, correspondence, and published papers. The collection also contains corporate, financial, advertising and sales materials, photographs, and audiovisual materials. The collection is important for those researchers interested in the history of public health, the history of biologicals, pharmaceutical manufacturing and business history.
Arrangement:
Collection is divided into 13 series.

Series 1: Corporate Materials, 1887-1951

Series 2: Financial Materials, 1880-1970

Series 3: Employee/Personnel Materials, 1900-1989

Series 4: Advertising/Sales Materials, 1868-1980

Series 5: Photographs, 1866-1992

Series 6: Notebooks, 1908-1968

Series 7: Control Department Records, 1884-1931

Series 8: Formulas, 1882-1967

Series 9: Equipment Data Files, 1922-1978

Series 10: Publications, 1968-1988

Series 11: Research Materials, 1920-1978

Series 12: Drawings, 1911-1971

Series 13: Addenda, 1867-1970

Series 14: Audio Materials, 1956-1957
Historical:
Parke, Davis and Company traces it's origins to Samuel Pearce Duffield (1833-1916), a physician and pharmacist. Duffield was born in Carlisle, Pennsylvania and his family moved to Detroit when he was an infant. Duffield graduated from the University of Michigan in 1854 and he attended medical school at the University of Pennsylvania, latter leaving for Germany where he studied chemistry and sought treatment for his eyesight. He subsequently earned a Doctor of Philosophy from Ludwig University at Giessen in Germany. Duffield returned to Detroit in 1858 and established a retail drugstore with a strong interest in manufacturing pharmaceuticals. Duffield sought financial partners for his retail and manufacturing venture with A.L. Patrick and Francis C. Conant. Both men retracted their investments and Duffield met Hervey Coke Parke (1927-1899), a native of Bloomfield Hills, Michigan.

Duffield and Parke formed a formal partnership in 1866. George S. Davis, a third partner and traveling salesman previously with Farrand, Sheley and Company, was added 1867. Augustus F. Jennings joined the company as a partner to head manufacturing. The company became known as Duffield, Parke, Davis, & Jennings Company. Duffield withdrew in 1869 and the name Parke, Davis & Company was adopted in 1871. The company incorporated in 1875 and began planning world-wide scientific expeditions to discover new vegetable drugs such as Guarana, Bearsfoot, Eucalyptus Globulus, and Coca. The company first showed a profit in 1876, and the first dividend paid to shareholders in 1878 and dividends paid until mid-1960s. Research was a major activity of the company.

In 1907, Parke, Davis and Company bought 340 acres in northeast Avon Township, Michigan, and called it Parkedale Farm. The farm was dedicated on October 8, 1908, and included sterilization rooms and a vaccine propagating building. By 1909 the farm included 200 horses, 25 to 50 cattle, 150 sheep, and employed 20 men. The horses produced the antitoxin for diphtheria and tetanus, the cattle produced a vaccine for smallpox preventatives, and the sheep made serum. Only the healthiest animals were used and all were well cared for. Exotic plants were also grown on the site and used for drugs. Parke-Davis' chief products were antitoxins and vaccines as well as farm crops for feeding the animals. The farm continued to produce vaccines for diphtheria, scarlet fever, tetanus, smallpox, anthrax, and in the 1950s, the Salk polio vaccine.

Due to a weakening financial position, the company became susceptible to take-over, and was purchased by Warner-Lambert in 1970. Warner Lambert, was then acquired by Pfizer in 2000. In 2007, Pfizer closed its research facilities in Ann Arbor, Michigan.

Source

Rochester Hills Museum at Voon Hoosen Farm (last accessed on September 29, 2021 https://www.rochesterhills.org/Museum/LocalHistory/ParkeDavisFarm.pdf)

Parke, Davis and Company. Parke-Davis At 100...progress in the past...promise for the future. Detroit, Michigan, 1966.
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Garfield and Company Records (NMAH.AC.0820)

Albert W. Hampson Commercial Artwork Collection (NMAH.AC.0561)

Ivory Soap Advertising Collection (NMAH.AC.0791)

Kiehl's Pharmacy Records (NMAH.AC.0819)

Alan and Elaine Levitt Advertisement Collection (NMAH.AC.0303)

Medical Sciences Film Collection (NMAH.AC.0222)

Norwich Eaton Pharmaceutical, Inc. Collection (NMAH.AC.0395)

Procter & Gamble Company Product Packaging Collection (NMAH.AC.0836)

Sterling Drug Company Records (NMAH.AC.772)

Syntex Collection of Pharmaceutical Advertising (NMAH.AC.0821)

Warshaw Collection of Business Americana Subject Categories: Medicine (NMAH.AC.0060.S01.01.Medicine)

Warshaw Collection of Business Americana Subject Categories: Patent Medicines (NMAH.AC.0060.S01.01.PatentMedicines)

Materials at the Smithsonian Institution Libraries

Smithsonian Libraries Trade Literature Collection

Trade catalogs related to Parke, Davis & Co.; Warner-Lambert; Pfizer Pharmaceuticals; and Pfizer, Inc.

Materials at Other Organizations

Detroit Public Library, Special Collections

Parke, Davis & Company records, 1892-1959

Scrapbook of clippings, 1929-44; Excursions & Announcements, 1892-1902; and company newsletters.

University of California San Francisco

Drug Industry Documents was created by the University of California San Francisco Library in collaboration with faculty members C. Seth Landefeld, MD and Michael Steinman, MD. Originally established to house documents from an off-label marketing lawsuit against Parke-Davis (United States of America ex rel. David Franklin vs. Parke-Davis), the archive has grown to include documents from additional sources illustrating how the pharmaceutical industry, academic journals and institutions, continuing medical education organizations and regulatory/funding agencies operate in ways that are detrimental to public health.
Separated Materials:
Division of Medicine and Science, National Museum of American History

The division holds objects related to Parke, Davis that primarily include containers (boxes and glass bottles) that held phamrmaceuticals, biologicals (vaccines), crude drugs, and herb packages. See accessions: 1978.0882; 1982.0043; 1982.0043; 1984.0351; 1985.0475; 1988.3152; 1991.0415; 1992.3127; 2001.3066; 2012.0165; and 2018.5001.
Provenance:
The initial collection of approximately 185 cubic feet was donated by the Warner-Lambert Company, through Jerry A. Weisbach, Vice-President and President of the Pharmaceutical Research Division, on February 3, 1982.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising  Search this
Antibiotics  Search this
Architectural Blueprints  Search this
Biologicals  Search this
Chemistry  Search this
Diseases  Search this
Drugs -- 1900-1950  Search this
Drug factories  Search this
Influenza Epidemic, 1918-1919  Search this
Laboratories  Search this
Medical scientists -- 1900-1950  Search this
Patents  Search this
Pharmaceutical industry -- 1900-1950  Search this
Pharmacology -- 1900-1950  Search this
Photographs  Search this
Vaccines  Search this
Genre/Form:
Annual reports -- 20th century
Blueprints -- 20th century
Brochures -- 20th century
Catalogs
Correspondence -- 19th-20th century
Employee records
Formulae, chemical
Lantern slides -- 1900-1950
Newsletters -- 20th century
Newspaper clippings
Notebooks -- 1900-1950
Price lists
16mm films
Sound recordings -- Audiotapes -- Open reel
Tracings
Trade literature
Citation:
Parke, Davis Research Laboratory Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0001
See more items in:
Parke, Davis Research Laboratory Records.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8869c518d-5cbd-42cf-b508-e688de3bf14d
EDAN-URL:
ead_collection:sova-nmah-ac-0001
Online Media:

Donald Sewell Lopez Collection

Creator:
Lopez, Donald S.,, 1923-2008  Search this
Extent:
.19 Cubic feet
3.218 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Dvds
16mm films
Digital images
Date:
1940s-2006
Summary:
Donald Sewell Lopez (1923-2008) was a legendary figure in aviation having had a remarkable career as a fighter pilot in World War II and the Korean War, contributing significantly to aeronautical engineering and education, and playing critical roles in the planning and development of the National Air and Space Museum (NASM). This collection includes slides, digital images, and audio-visual material maintained by Donald S. Lopez during his time as the NASM Deputy Director.
Scope and Contents:
This collection consists of 48 slides, some of which are duplicates, mostly relating to Lopez's service in World War II. The slides, most of which are black and white, depict various aircraft including Lockheed P-38M Lightning, Curtiss C-46 Commando, Curtiss P-40 Warhawk, Dornier Do 215 B-5 Kauz 3 (Screech Owl)(Night Fighter Modification), Douglas P-70, Bell P-39 Airacobra, Nakajima J1N1-S Gekko (Moonlight) Irving (Night Fighter Model 11), North American P-51 Mustang, and Northrop P-61 Black Widow. The slides also depict Lopez and a number of people who served with him in China including Lieutenant Jessie Gray, and Lieutenant Oswin "Moose" Elker. One slide also depicts the crash of a North American B-25 Mitchell that occured in Chihkiang on January 19, 1945. There are also images of Lopez at work in the Museum and of his wife, Glindel Lopez in her wedding gown. Finally, there is an image of the William S. Phillips painting, "Into the Teeth of the Tiger," showing Lopez in combat (this piece is owned by the Lopez family). A number of these images were used in Lopez's book "Into the Teeth of the Tiger."

The collection also includes a DVD of a panel lecture at the Udvar-Hazy Center on the Northrop P-61 Black Widow on June 8, 2006 featuring Donald S. Lopez, Robert Bolinder, Louis Bost, Avery J. Miller, Robert Ferguson as speakers and Dik Daso as moderator; a CD of photographs taken at EAA AirVenture Oshkosh, Oshkosh, Wisconsin in 2000 showing Lopez and other NASM staff as well as figures such as Charles Elwood "Chuck" Yeager, Robert A. "Bob" Hoover, Patricia "Patty" Rosalie Kearns Combs Wagstaff, James A. "Jim" Lovell, Robert L. "Hoot" Gibson, and Frank Borman; and a reel of 16mm color film, with sound, entitled Reunions: Memories of an American Experience.
Arrangement:
Arranged in original order.
Biographical / Historical:
Donald Sewell Lopez (1923-2008) joined the staff of the Smithsonian Institution in 1972 as part of the team responsible for planning the construction and opening of the National Air and Space Museum (NASM). As assistant director for Aeronautics, Lopez was instrumental in developing the exhibits that welcomed visitors at the museum's opening on July 1, 1976. Lopez became deputy director of NASM in 1983, a position he held until 1990. He served as senior advisor to the director before retiring in 1993, holding a position as senior advisor emeritus until he was again appointed deputy director in 1996, a position he held until his death. Before coming to the Smithsonian, Lopez was already an aviation legend: he was a fighter pilot in the 23rd Fighter Group of the 14th Air Force - successors of the legendary Flying Tigers - in China. He flew Curtiss P-40s and North American P-51 Mustangs, demonstrating his extraordinary flying skills under the leadership of famous war heroes Col. Tex Hill and Gen. Claire Chennault. During his two years in China, Lopez flew 101 missions and tallied up five victories, the required number to be recognized as an "Ace." Lopez was awarded the Silver Star, Distinguished Flying Cross, and three Air Medals for his service during World War II. After the War, Lopez became an Air Force test pilot and then served in combat again during the Korean War flying North American F-86s. Lopez then served at the Pentagon, during which time he also earned a bachelor's degree in aeronautical engineering at the Air Force Institute of Technology and a master's degree in aeronautics from the California Institute of Technology. Lopez served at the US Air Force Academy as an associate professor of aeronautics and chief of academic counseling before retiring from the US Air Force in 1964 at the rank of lieutenant colonel. Lopez then worked as a Systems Engineer on the Apollo-Saturn Launch Vehicle and the Skylab Orbital Workshop for Bellcomm, Inc. Lopez was a member of the American Fighter Aces Association, the Experimental Aircraft Association and was a Fellow of the Royal Aeronautical Society. Lopez was the recipient of many honors and awards, including being named an Elder Statesman of Aviation by the National Aeronautic Association (1995); the Federal Hispanic Heritage Month Excellence in Leadership Award recipient (1999); the Frank G. Brewer Trophy in Museum Education recipient; being inducted as a fellow by the Society of Experimental Test Pilots (2006); and being honored as one of the living legends at the Gathering of Mustangs and Legends at Rickenbacker Field in Columbus, Ohio (2007). Lopez's publications include Into the Teeth of the Tiger (Bantam, 1986), The National Air and Space Museum: A Visit in Pictures (Smithsonian Institution Press, 1989) and Fighter Pilot's Heaven: Flight Testing the Early Jets (Smithsonian Institution Press, 1995).
Provenance:
Donald S. Lopez, Transfer, 2008, NASM.2008.0042
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Genre/Form:
DVDs
16mm films
Digital images
Citation:
Donald Sewell Lopez Collection, NASM.2008.0042, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2008.0042
See more items in:
Donald Sewell Lopez Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg298a1da39-2edc-4594-a9c4-0c11c346239f
EDAN-URL:
ead_collection:sova-nasm-2008-0042
Online Media:

Stefan Hirsch and Elsa Rogo papers

Creator:
Hirsch, Stefan, 1899-1964  Search this
Rogo, Elsa, 1901-1996  Search this
Names:
Bard College -- Faculty  Search this
Bennington College -- Faculty  Search this
Downtown Gallery (New York, N.Y.)  Search this
United States. Office of the Coordinator of Inter-American Affairs  Search this
Albers, Josef  Search this
Anguiano, Raúl, 1915-2006  Search this
Bier, Justus, 1899-1990  Search this
Field, Hamilton Easter  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Mumford, Lewis, 1895-1990  Search this
Mérida, Carlos, 1891-1984  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
19.6 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Place:
Mexico -- Photographs
Date:
1851-1986
bulk 1920-1960
Summary:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.
Scope and Contents:
The papers of artists and educators Stefan Hirsch and Elsa Rogo measure 19.6 linear feet and date from 1851 to 1986, with the bulk of the material dating from 1920s to the 1960s. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. Hirsch and Rogo's artistic, teaching, and journalism careers are documented through biographical materials, correspondence, writings and notes, professional files, printed materials, photographs and motion picture films, and sketchbooks and other artwork.

Biographical materials include address lists, resumes and biographical sketches, identification cards, material relating to Hirsch's military service, and legal documents. Two sound recordings, one personal and another of Rogo on Spanish National Radio, are also found here.

Correspondence is both professional and personal. Professional correspondence concerns commissions, exhibitions, travel, and teaching. Notable correspondents include Josef Albers, Justus Bier, Downtown Gallery (Edith Halpert), Carlos Mérida, Lewis Mumford, Ben Shahn, and many others. Personal correspondence is largely between Hirsch and Rogo. Writings are found for both Hirsch and Rogo and include notebooks, diary fragments and transcripts, lectures, essays on art, articles, and notes. A manuscript by Hamilton Easter Field is also found and a writing by an unknown author. Professional files document teaching positions, projects, commissions, memberships, and other professional activities undertaken by Hirsch and Rogo. They document Hirsch's teaching career at Bard College, Bennington College, and his mural work in South Carolina and Mississippi. Files concerning Rogo's work with the Office of the Coordinator of Inter-American Affairs are found here, as well as files documenting their professional and personal travel. These contain a wide variety of materials, such as correspondence, printed material, meeting minutes, photographs, and writings. Also found are scattered files relating to general areas of interest.

Hirsch's and Rogo's business records include contracts concerning Elsa Rogo's book agreements, records settling the estate of the Hirsch family in Nürnberg (Nuremberg), Germany, insurance records, a lease, price lists, and general receipts and invoices. Also found are personal art collection records including a sales agreement and a list of Latin American art owned by Hirsch and Rogo. Printed materials include books, brochures, clippings, exhibition announcements and catalogs for Stefan Hirsch and others, issues of magazines and other periodicals, copies of published writings by Hirsch and Rogo, and a dismantled printed materials scrapbook.

Photographs are extensive and include personal photos of Stefan Hirsch and Elsa Rogo, their family, friends, and colleagues. Numerous travel photos were taken by Rogo in her role as a journalist in Latin American and the United States. The bulk of the professional travel photos were taken in Mexico in the 1930s to the 1960s and show events, cities, and cultural activities. Also found are glass plate negatives, photographs of works of art, and sixteen reels of motion picture film taken in Mexico, Bard College, and Oqunquit, Maine.

Eighteen sketchbooks are largely unsigned but are likely by Stefan Hirsch. Additional artwork includes sketches and etchings by Hirsch, sketches by Elsa Rogo, and works by others including Raul Anquiano and Efren Villalobos.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1899-1986 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1920s-1960s (3.2 linear feet; Boxes 1-4)

Series 3: Writings and Notes, circa 1920-1960s (1.2 linear feet: Boxes 4-5)

Series 4: Professional Files, 1912-1966 (2.8 linear feet; Boxes 6-8)

Series 5: Personal Business Records, 1927-1957 (0.5 linear feet; Boxes 8-9)

Series 6: Printed Material, 1851-1964 (2.9 linear feet; Boxes 9-12, 19)

Series 7: Photographs and Motion Picture Film, circa 1870-1960s (6.9 linear feet; Boxes 12-17, 20, FC 21-29)

Series 8: Sketchbooks, circa 1930s-circa 1940s (0.6 linear feet; Box 18)

Series 9: Artwork and Artifacts, 1916-1982 (0.5 linear feet; Boxes 18-19)
Biographical / Historical:
German-born Stefan Hirsch (1899-1964) was a painter and educator. Elsa Rogo (1901-1966) was married to Hirsch and was an artist, educator and journalist. They were active in Annandale-on-Hudson, New York, and Vermont, and traveled extensively throughout Mexico and Latin America where they documented local arts and crafts, village life, and befriended prominent Mexican artists.

Born in Nurnberg, Germany, Stefan Hirsch grew up in Europe and studied art at the University of Zurich. After settling in the United States in 1919, he took summer courses under Hamilton Easter Field in Ogunquit, Maine. Hirsch developed a Precisionist style combined with Social Realism but much of his work was difficult to restrict to one specific style. Hirsch was a founder and exhibitor at the avant-garde Salons of America which served as an alternative to the Society of Independent Artists. During the 1930s and 1940s, Hirsch participated in the U.S. government's Federal Art Project and painted murals in Aiken, South Carolina and Booneville, Mississippi. Hirsch began his teaching career in 1937 at Bennington College in Vermont, and later accepted a position at Bard College where he served as the chairman of the art department until he retired in 1961.

In 1930, Hirsch married Elsa Rogo. Together, they traveled throughout Mexico and Latin America where they became involved in the social and art scenes. They befriended prominent Mexican artists like Diego Rivera and David Siqueiros. As a journalist, Rogo documented Mexican life, events, and art extensively through photographs. Rogo also served in the U.S. Office of the Coordinator of Inter-American Affairs, established in 1940 to promote cultural diplomacy and solidarity primarily in Latin America. In Taxaco, Mexico, she taught art to school children. Her book, Walls and Volcanos: The Creative Impulse of the Mexican People, was published in 1937.

Stefan Hirsch died in 1964. Elsa Rogo died in 1966.
Provenance:
Portions of the Stefan Hirsch and Elsa Rogo papers were donated in 1996 by the Elsa Rogo estate, via Sylvia Siskin, executrix. Additions were donated 2002, 2014, and 2019 by professor James Oles, Art Department, Wellesley College, Wellesley, Massachusetts on behalf of Sylvia Siskin.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Art teachers  Search this
Journalists -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Art, Latin American  Search this
Mural painting and decoration, Mexican -- Photographs  Search this
Mural painting and decoration -- South Carolina  Search this
Mural painting and decoration -- Mississippi  Search this
Latino and Latin American artists  Search this
Genre/Form:
Motion pictures (visual works)
Sound recordings
Etchings
Sketchbooks
Scrapbooks
Glass plate negatives
Transcripts
Citation:
Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hirsstef
See more items in:
Stefan Hirsch and Elsa Rogo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ab444b5-7fc2-4e6b-ad62-a18f38f904f9
EDAN-URL:
ead_collection:sova-aaa-hirsstef
Online Media:

How the United States abandoned its best strategic bomber : a technological marvel, years ahead of its time--until an outrageous blunder sent this aircraft to its early death

Author:
Holt, George  Search this
Physical description:
140 pages illustrations 23 cm
Type:
Books
History
Place:
United States
États-Unis
Date:
2017
Topic:
B-58 bomber  Search this
B-58 bomber--Design and construction--History  Search this
Bombers  Search this
Airplanes, Military  Search this
Airplanes, Military--Attrition  Search this
Airplanes, Military--Cost of operation  Search this
B-58 (Bombardier)  Search this
Bombardiers  Search this
Avions militaires  Search this
Avions militaires--Obsolescence  Search this
Avions militaires--Frais d'exploitation  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1162143

Tristan project

Artist:
Viola, Bill 1951-  Search this
Writer of essay:
Bond, Anthony  Search this
Kaldor, John  Search this
Publisher:
Art Gallery of New South Wales  Search this
Host institution:
Kaldor Public Art Projects  Search this
St. Saviour's Church (Redfern)  Search this
Author:
Smithsonian Libraries Art and Artist Files Collection  Search this
Subject:
Viola, Bill 1951-  Search this
Physical description:
1 folded sheet (10 unnumbered pages) color illustrations 21 x 76 cm (folded to 5 panels, 21 x 15 cm)
Type:
Exhibitions
Exhibition catalogs
Artist files
Place:
United States
Date:
2008
21st century
Topic:
Video art  Search this
Call number:
AAF--Viola, Bill
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_913256

Monkeyin' Around on the Devil's Island

Creator:
Smithsonian Institution  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Wed, 27 Mar 2024 04:00:00 -0000
Topic:
Smithsonian Sidedoor  Search this
See More From Collection:
Sidedoor
Data Source:
Smithsonian Institution
EDAN-URL:
edanmdm:podcasts_fc8dbef4cff399ad538b59ba2d3dc847

March 10, 2010: Culture Fix: Gourds from Nigeria

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Wed, 17 Mar 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_60a49e02b493eb0fd60dbe066fbae08a

SOUNDSCAPE 1

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Fri, 15 Jan 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_65a1c6f12a982d59edc68d472e5e1824

Interview with Zonnie Gorman: Hero's Daughter Discusses Navajo Code Talker Legacy

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Mon, 1 Jun 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_7b21f20b738bf49520636c45506addb8

American Woman

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Mon, 1 Jun 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_800eed394307a7235d15d332d608fbf1

Feb. 10, 2010: Culture Fix: X-VOTO The Retablo Inspired Art of David Mecalco

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Fri, 12 Feb 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_9de310a8baf63dce46531d9f012f484a

The Naco Mammoth Excavation: Interview with George Cattanch

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Mon, 1 Jun 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_cdfd07e1fd72cdec3d87e2fcd86dcccf

OZ Museum Audio Tour

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Mon, 1 Jun 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_d266426b1bdd87fe78f712b10e23ac68

January 20, 2010: Culture Fix: Yoruba Palace Doors by Areogun

Creator:
Smithsonian Magazine  Search this
Type:
Sound recordings
Podcast
MIME Type:
audio/mpeg
Uploaded:
Wed, 20 Jan 2010 15:00:00 EST
Topic:
Inventions  Search this
Innovations  Search this
See more episodes:
Smithsonian magazine's Museum Day September 25th 2010
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:podcasts_e96d4c177d8fdb7ed961188518b06d1a

Interview with Anani, Didi, and Vlado Javacheff on 1982 Visit with Christo

Creator:
Chernow, Burt, 1933-1997  Search this
Type:
Sound Recording
Date:
1997 January 18
Citation:
Burt Chernow. Interview with Anani, Didi, and Vlado Javacheff on 1982 Visit with Christo, 1997 January 18. Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)23083
See more items in:
Burt Chernow papers, 1930-2002
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_23083

Interview with Joe Fleming on Surrounded Islands

Creator:
Chernow, Burt, 1933-1997  Search this
Type:
Sound Recording
Date:
1997 March 1
Citation:
Burt Chernow. Interview with Joe Fleming on Surrounded Islands, 1997 March 1. Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)23084
See more items in:
Burt Chernow papers, 1930-2002
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_23084

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