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Felix Grant Collection, [sound recordings]

Creator:
Grant, Felix, 1918-1993  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
4.3 Cubic feet (6 boxes)
Type:
Archival materials
Collection descriptions
Phonograph records
Sound recordings
Date:
1935-1985
Summary:
Collection consists of 128 albums featuring the music of Duke Ellington, spanning some 50 years of Ellington-based releases.
Scope and Contents:
The Felix Grant collection consists of commercially produced Duke Ellington phonograph recordings that were collected by Grant during his career as a premier disc jockey. The recordings are arranged alphabetically by title. In addition, there are miscellaneous newspaper clippings and correspondence, consisting of press releases, that were removed from some of the album sleeves, and book abstracts from books and dissertations about Ellington. This material is arranged alphabetically, and is located at the end of the collection. The record company label, catalog number, and release date are included in the container list. Many of the albums are promotional copies which Grant obtained at radio stations where he worked. Of special interest are "...and his mother called him Bill' and "Anatomy of a Murder", two albums that are considered to be among Ellington's best. Also of note are a Japanese pressing of "Ella at Duke's Place" and a 1986 pressing of "Money Jungle" that features tracks not on the original release, as well as a program order from an Army Blues salute to Ellington included in the second series.
Arrangement:
The collection is arranged into one series, alphabetically.
Biographical/Historical note:
Felix Grant (February 22, 1918-October 13, 1993), a renowned jazz disk jockey dubbed Washington, D.C.'s "Mr. Music" and recipient of the U.S. Navy Commendation Medal for his service during WWII, was born in New York and developed a deep passion for America's jazz as a young man listening to local radio broadcasts and visiting Manhattan's numerous jazz nightclubs. He attended LaSalle Academy and first worked for a New York advertising agency as a messenger. Near the end of the war Grant was transferred to Washington D.C.'s Coast Guard headquarters and in 1945 took an announcing job at WWDC-AM.

Grant eventually became a fixture of Washington, D.C. radio, working for such stations as WMAL-AM, WRC-AM, and WDCU-FM. During the 1950s and 60s his WMAL radio show called "The Album Sound" gained popularity in the D.C. area for its unique mix of jazz, blues, and Latin music. Grant's diverse play list helped him gain listeners from all different races long before the end of segregation in Washington, D.C. Native Washingtonian, Duke Ellington, was a particular favorite of Grant's and his music was often featured during Grant's shows. In 1953 Grant took a position at WMAL and in 1984 joined WDCU where he remained until his death. In January of 1996 the University of the District of Columbia opened the Felix E. Grant Jazz Archives, a collection of audiotape and archival records documenting Felix Grant's life and career.
Provenance:
Collection donated by Mr. Felix Grant on April 9, 1991.
Restrictions:
Collection is open for research.
Rights:
Copyright restrictions. Contact staff for information.
Topic:
Jazz  Search this
Sound recordings -- Jazz -- 1930-1990 -- United States  Search this
Genre/Form:
Phonograph records
Sound recordings -- 1930-1990
Citation:
Felix Grant Collection, 1935-1985, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0410
See more items in:
Felix Grant Collection, [sound recordings]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0410

Sound Recordings

Collection Creator:
Cheatham, Doc, 1905-1997  Search this
Cheatham, Amanda  Search this
Type:
Archival materials
Date:
ca. 1930s-1990s
Scope and Contents:
Subseries 5A, ca. 1930s-1990s, boxes 19-20.

Contains a collection of LPs recorded by Cheatham and others. Includes a "test" recording of Cheatham's 1973 self-titled album.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Doc Cheatham Papers, 1939-1998, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0814, Subseries 5.1
See more items in:
Doc Cheatham Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0814-ref385

Richard Becker Collection of Alex Bradford Gospel Music Materials

Creator:
Becker, Richard  Search this
Bradford, Alex  Search this
Extent:
0.25 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Sheet music
Songbooks
Sound recordings
Theater programs
Parts (musical)
Playbills
Programs
Scripts (documents)
Clippings
Music
Date:
1950-1997
undated
Summary:
Papers relating to Alex Bradford's career as a composer of Gospel music. Included among the materials are playbills, published sheet music, music manuscripts, gospel song books, play scripts, newspaper clippings and articles, and one LP record.
Scope and Contents:
The collection documents the career of Alex Bradford as a composer of gospel music. Most of these materials relate to the musical production Your Arms Too Short to Box with God including playbills and an LP. There is a small amount of music manuscripts and published sheet music of songs written by Bradford. His music is also included in three Gospel song books that form part of this collection. In addition, there is one folder of playscripts for some of Bradford's other musical productions. Biographical information about Bradford and the importance of his work to the African American community is found in the newspaper clippings and articles in the collection. There are playbills from the League of New York Theatres and Producers Antoinette Perry Award (Tony Awards) ceremonies. The materials are arranged in chronological order.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Alex Bradford was a musical and theater legend who served as a bridge between the gospel and secular worlds in music and performance. Bradford was responsible for the rise and popularity of the mass gospel choir. Alex Bradford was born in Bessemer, Alabama in the late 1920s during an era of racial segregation. A racially-motivated altercation eventually led his mother to send him to New York. Before he left Alabama, Bradford performed on stage and sang in various children's choirs. Bradford was a talented and influential gospel singer, performer, song writer, and stage play author. Richard Becker, an accomplished music producer, worked with the Beatles and the Rolling Stones. Becker's first collaboration with Bradford resulted in their production of Black Nativity, based on a play by Langston Hughes. Commissioned to do a second stage musical, the two created Your Arms Too Short to Box With God, based on the Biblical book of Matthew. Your Arms was the first musical production fully funded at the Ford's Theatre in Washington, DC. The musical made its debut on Broadway at the Lyceum Theatre, on December 22, 1976. The original cast included Al Green, Patti LaBelle, and newcomer Jennifer Holliday.
Related Materials:
Program in African American Culture, 1850-2003
Provenance:
Richard Becker donated the materials to the Museum in January 2001
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Reproduction restricted due to copyright or trademark.
Topic:
Gospel music  Search this
Genre/Form:
Sheet music -- 20th century
Songbooks
Sound recordings -- 1930-1990
Theater programs -- 1970-1980
Parts (musical)
Playbills
Programs
Scripts (documents)
Clippings -- 20th century
Music -- Manuscripts
Citation:
Richard Becker Collection of Alex Bradford Gospel Music Materials, 1950-1997, undated Archives Center, National Museum of American History
Identifier:
NMAH.AC.0761
See more items in:
Richard Becker Collection of Alex Bradford Gospel Music Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0761

Reuben Tam papers

Creator:
Tam, Reuben  Search this
Names:
Alan Gallery (Charles Alan)  Search this
Brooklyn Museum of Art  Search this
Coe Kerr Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Skowhegan School of Painting and Sculpture  Search this
Andrews, Dorothy, 1918-2008  Search this
Kienbusch, William, 1914-1980  Search this
Nesjar, Carl, 1920-  Search this
Solomon, Hyde, 1911-  Search this
Extent:
8.1 Linear feet
Type:
Archival materials
Collection descriptions
Sketchbooks
Sound recordings
Poems
Drafts (documents)
Photographs
Prints
Diaries
Scrapbooks
Watercolors
Drawings
Date:
1931-2006
Summary:
The papers of landscape painter and educator Reuben Tam measure 8.1 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.
Scope and Contents:
The papers of landscape painter and educator Reuben Tam measure 8.1 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

Biographical material includes school documents, records of his tenure as an instructor at the Brooklyn Museum of Art School, artwork consignment and sales records, and slides and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.

Correspondence is with family, fellow artists, including William Kienbusch and Hyde Solomon, as well as art organizations, schools, and museums, such as Brooklyn Museum of Art School, Guggenheim Memorial Foundation, Maine Coast Artists group, and the Skowhegan School of Painting and Sculpture. Also found is correspondence with the three galleries which represented his work: Downtown Gallery, Alan Gallery, and Coe Kerr Gallery.

The collection includes five bound diaries as well as diary entries written by Reuben Tam on loose sheets of paper, primarily documenting the 1940s. Other writings include drafts of poetry, one notebook, miscellaneous notes, and essays by others.

Printed material consists of school publications, exhibition catalogs and announcements for solo and group shows, brochures, flyers, magazines, bulletins, and news clippings. Eight scrapbooks found in this collection also include newspaper clippings, exhibition announcements and catalogs, as well as event invitations, membership cards, and letters, documenting 40 years of Reuben Tam's career.

Photographs are of Reuben Tam, Tam with friends and family, and artwork. One photograph album contains photographs from Tam's visits to Maine from 1946 to 1948, and includes photographs of fellow artists Hyde Solomon, Carl Nesjar, Dorothy Andrews, and William Kienbusch. Artwork in the collection includes prints, drawings, and watercolors as well as seventeen large sketchbooks documenting the coastal landscape of Monhegan Island, Maine.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1934-1993 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1931-2006 (Box 1-4; 3.5 linear feet)

Series 3: Diaries, 1932-1974 (Box 4-5; 0.4 linear feet)

Series 4: Writings, 1939-1987 (Box 5; 7 folders)

Series 5: Printed Material, 1935-1997 (Box 5-6, 9; 1.2 linear feet)

Series 6: Photographs, circa 1930-1990 (Box 6-7, 9; 1.0 linear foot)

Series 7: Artwork, circa 1936-1975 (Box 7, 9-10, OV 11; 0.7 linear feet)

Series 8: Scrapbooks, 1938-1978 (Box 7-8; 0.9 linear feet)
Biographical / Historical:
Reuben Tam (1916-1991) was a landscape painter and educator in New York, Maine, and Hawaii. Tam was born in Kapaa, Hawaii, in 1916. He received a degree in education in 1937 from the University of Hawaii and was briefly a public school teacher before attending graduate courses at the California School of Fine Arts. In 1941 he moved to New York and took courses in art history and philosophy at the New School for Social Research and Columbia University. Tam became affiliated with the Downtown Gallery in 1945 and was a prolific exhibitor in national and regional shows, winning critical praise as an abstract landscape painter. In 1948 he was awarded a Guggenheim Fellowship and first exhibited in the National Academy's annual exhibition in 1947.

Tam was an instructor at the Brooklyn Museum of Art School from 1946 to 1974. While there he taught advanced studies in painting and was chairman of the graduate painting department. He also served as a visiting professor at Oregon State University, Haystack, and Queens College, CUNY.

Beginning in 1948, Tam and his wife, Geraldine, spent summers at their home and studio on Monhegan Island, Maine. Tam's work was deeply influenced by coastal landscapes both in Maine and in his native Hawaii. In 1981 he and his wife moved back to Kapaa, Hawaii, where he continued to paint and exhibit his new works until his death in 1991.
Related Materials:
Reuben Tam papers, 1958-1966, are also located at Syracuse University.
Provenance:
Scrapbooks were lent for microfilming 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Reuben Tam papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Maine  Search this
Painters -- New York (State) -- New York  Search this
Educators -- Hawaii  Search this
Educators -- Maine  Search this
Educators -- New York (State)  Search this
Painters -- Hawaii  Search this
Genre/Form:
Sketchbooks
Sound recordings
Poems
Drafts (documents)
Photographs
Prints
Diaries
Scrapbooks
Watercolors
Drawings
Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tamreub
See more items in:
Reuben Tam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tamreub
Additional Online Media:

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
56.5 Linear feet
0.454 Gigabytes
Type:
Archival materials
Collection descriptions
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2007
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.
Arrangement:
The collection is arranged as eight series:

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Lucy R. Lippard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Artists -- Political activity  Search this
Authors -- New York (State) -- New York  Search this
Conceptual art  Search this
Art criticism -- New York (State) -- New York  Search this
Feminism  Search this
Art critics  Search this
Minimal art  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Additional Online Media:

Ella Fitzgerald Papers

Creator:
Fitzgerald, Ella  Search this
Producer:
Decca (recording company).  Search this
Verve Records (Firm)  Search this
Granz, Norman  Search this
Performer:
Jazz at the Philharmonic (Musical group)  Search this
Musician:
Betts, Keter, 1928-  Search this
Ellington, Duke, 1899-1974  Search this
Gillespie, Dizzy, 1917-1993  Search this
Pass, Joe, 1929-1994  Search this
Peterson, Oscar, 1925-  Search this
Names:
Goodman, Benny (Benjamin David), 1909-1986  Search this
Arranger:
Riddle, Nelson  Search this
Extent:
50 Cubic feet (92 boxes)
Type:
Archival materials
Collection descriptions
Awards
Videocassettes
Audiotapes
Programs
Sound recordings
Manuscripts
Phonograph records
Photographs
Posters
16mm motion picture film
Clippings
Contracts
Greeting cards
Date:
circa 1935-1996
Summary:
Ella Fitzgerald, often called the "First Lady of Song," was one of the 20th century's most important musical performers. The collection reflects her career and personal life through photographs, audio recordings, and manuscript materials.
Scope and Contents:
The Ella Fitzgerald Papers document the performing and personal life of the "First Lady of Song." The collection contains music manuscripts, sheet music, photographs, scripts, correspondence, clippings, business records, sound recordings and video. The bulk of the materials reflect Fitzgerald's career as a singer and performer. The collection comprises materials found in Ella Fitzgerald's home at the time of her death.
Arrangement:
The collection is organized into 10 series.

Series 1: Music Manuscripts and Sheet Music, 1919-1973

Suberies 1.1: Television Shows

Series 2: Photographs, 1939-1990

Subseries 2.1: Ella Fitzgerald Performing Alone

Subseries 2.2: Ella Fitzgerald Performing With Others

Subseries 2.3: Publicity

Subseries 2.4: Ella Fitzgerald With Family, Colleagues, and Friends

Subseries 2.5: Ella Fitzgerald Candid Photographs

Subseries 2.6: Performing Venues

Subseries 2.7: Photographs From Friends and Fans

Series 3: Scripts, 1957-1981

Series 4: Correspondence, circa 1960-1996

Series 5: Business Records, 1954-1990

Series 6: Honorary Degrees and Awards, 1960-1996

Series 7: Concert Programs and Announcements, 1957-1992, undated

Series 8: Clippings, 1949-1997

Subseries 8.1: Magazine Articles, 1949-1997

Subseries 8.2: Newspapers, circa 19650-circa 1990

Series 9: Emphemera, 1950-1996

Subseries 9.1: Album Jackets

Subseries 9.2: Miscellaneous

Series 10: Audiovisual, 1939-1995

Subseries 10.1: Sound Discs: Test Pressings, Transcription Discs, and Performer Copies

Subseries 10.2: Commercial Sound Recordings

Subseries 10.3: Demonstration Sound Discs: Other Artists

Subseries 10.4: Videotapes
Biographical / Historical:
Born in Newport News, Virginia on April 25th, 1918, Ella Fitzgerald was sent to an orphanage in Yonkers, New York at the age of six. In 1934, she was discovered as a singer in New York's famed Apollo Theater Amateur Contest. This led to a stint with drummer Chick Webb's Band, with whom she recorded her first big hit, "A -tisket A-tasket" in 1938.

After Webb died in 1939, Fitzgerald took over leadership of the band for three years, during which time they were featured on a live radio series. She then embarked upon a solo career, which included recording for Decca Records, and in 1946, she began a pivotal association with producer Norman Granz's Jazz at the Philharmonic series, which brought her a large international following.

In 1956, Fitzgerald left Decca Records to join Granz's newly formed Verve label. Among her notable Verve recordings were a series of "songbooks" featuring the work of major American composers such as Cole Porter, George Gershwin, and Harold Arlen as well as classic collaborations with Count Basie and Duke Ellington. Fitzgerald's toured and performed extensively and her immense popularity also led to appearances on television, in movies, and in commercials and magazine ads.

Despite increasing health problems, Fitzgerald continued to tour, perform and record into her seventies with musicians such as guitarist Joe Pass, arranger-producer Quincy Jones, and pianist Oscar Peterson. Throughout her life, Fitzgerald was active in charitable work with particular emphasis on the Juvenile Diabetes Foundation and the Ella Fitzgerald and Harriette E. Shields Child Care Centers.

Ella Fitzgerald was admired and honored world-wide. In addition to receiving more than a dozen Grammy awards, she was awarded numerous honorary degrees and many states and cities had commemorative Ella Fitzgerald days. Fitzgerald was a Kennedy Center honoree in 1979 and Harvard University's Hasty Pudding Club named her "Woman of the Year" in 1982.

The "First Lady of Song" died on June 17, 1996, of complications from diabetes.
Related Materials:
Materials at the Archives Center

Benny Carter Collection, 1928-2000 (AC0757)

Charismic Productions Records of Dizzy Gillespie, 1940s-1993 (AC0979)

Smithsonian Jazz Oral History Program Collection, 1992-2012 (AC0808)

Milt Gabler Papers, 1927-2001 (AC0849)

Tad Hershorn Collection, 1956-1991 (AC0680)

Ernie Smith Jazz Film Collection, circa 1910- circa 1970 (AC0491)
Separated Materials:
The National Museum of American History, Division of Culture ands the Arts holds Ella Fitzgerald artifacts including costumes and clothing.
Provenance:
The collection was donated by the Fitzgerald 1989 Trust, Richard Rosman, trustee on April 14, 1997. The Ella Fitzgeral Charitable Foundation is the successor to the Fitzgerald 1989 Trust.
Restrictions:
Collection is open for research. Only reference copies of audiovisual materials can be used.
Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Genre/Form:
Awards
Videocassettes
Audiotapes
Programs -- 1930-2000
Sound recordings
Sound recordings -- 1930-1990
Manuscripts -- Music -- 20th century
Phonograph records
Photographs -- 20th century
Posters -- 20th century
16mm motion picture film
Clippings -- 20th century
Contracts
Greeting cards
Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0584
See more items in:
Ella Fitzgerald Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0584
Additional Online Media:

Peter Blume papers

Creator:
Blume, Peter, 1906-1992  Search this
Names:
American Academy of Arts and Letters  Search this
American Artists' Congress  Search this
Boston College  Search this
Connecticut Council of the Arts  Search this
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Blankenhorn, Heber, 1884-1956  Search this
Blume, Grace  Search this
Boursa, Harry  Search this
Burke, Kenneth, 1897-  Search this
Cowley, Malcolm, 1898-  Search this
De Vries, Peter, 1910-1993  Search this
Eisenstaedt, Alfred  Search this
Getlein, Frank  Search this
Godsoe, Robert  Search this
Hirsch, Joseph, 1910-1981  Search this
Kelly, Michael A.  Search this
Miller, Arthur, 1915-2005  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Soyer, Raphael, 1899-1987  Search this
Trapp, Frank  Search this
Extent:
7.6 Linear feet
Type:
Archival materials
Collection descriptions
Travel diaries
Sound recordings
Interviews
Drawings
Photographs
Prints
Transcriptions
Lectures
Scrapbooks
Sketches
Date:
1870-2001
Summary:
The papers of New York and Connecticut painter Peter Blume date from 1870 to 2001 and measure 7.6 linear feet. Found are biographical materials; correspondence with family, friends, colleagues, galleries and institutions, and writers; writings on art by Blume and others; subject files regarding organizations, works of art, exhibitions, and reference files; personal business records; printed material; two scrapbooks; photographs of Blume, family, friends, and works of art; extensive artwork; and material relating to Blume's wife's family, the Cratons.
Scope and Contents:
The papers of New York and Connecticut painter Peter Blume date from 1870 to 2001 and measure 7.6 linear feet. Found are biographical materials; correspondence with family, friends, colleagues, galleries and institutions, and writers; writings on art by Blume and others; subject files regarding organizations, works of art, exhibitions, and reference files; personal business records; printed material; two scrapbooks; photographs of Blume, family, friends, and works of art; extensive artwork; and material relating to Blume's wife's family, the Cratons.

Biographical materials include an award, obituaries, a travel itinerary, and sound recordings and transcripts of interviews of Peter Blume by Alfred H. Barr, Boston College, Harry Boursa, and Visionary Company Magazine.

Correspondence is professional and personal. Letters are from friends, family, artists, writers, galleries, and institutions. Notable correspondents include Kirk Askew, Malcolm Cowley, Peter DeVries, Joseph Hirsch, and Frank A. Trapp, among others. Also found is Grace Blume's correspondence which includes letters to and from Peter Blume and letters from Grace to her family members and friends. The bulk of Grace Blume's correspondence concerns her travels with Blume.

Writings and notes by Blume include a travel journal, lists of works of art, lectures, talks and other writings on art, artists, and friends. Writings by others include theses and scholarly papers about Blume, and include writings by Heber Blankenhorn, Kenneth Burke, Malcolm Cowley, Robert Ulrich Godsoe, Frank Getlein, Michael A. Kelly, and Frank A. Trapp. Also found is criticism on The Rock by school children.

Blume's subject files cover the American Academy of Arts and Letters, American Artists Congress, Heber Blankenhorn, works of art by Blume, exhibitions, and the Connecticut Council on the Arts. Also found are reference files consisting of photographs of artwork by others and clippings.

Personal business and financial records consist of business correspondence with galleries and museums; sales and consignment records; scattered price lists; and receipts and invoices relating to the building and running of Blume's house in Connecticut.

Printed materials include clippings, exhibition announcements and catalogs for solo and group shows, magazines featuring articles about Blume, posters, and reproductions of works of art.

Scrapbooks include a fragment of a scrapbook from 1942-1944 and a clippings scrapbook from 1934-1939.

Photographs include portraits and snapshots of Peter Blume, Grace Blume, family, friends, travel, parties, pets, homes, landscapes, exhibitions, and works of art. There are also photos of the Askews, the Blankenhorns, the Cowleys, Alfred Eisenstaedt, the Holstens, the Josephsons, Arthur Miller, Georgia O'Keeffe, the Sobys, and Raphael Soyer.

Artwork by Peter Blume includes completed drawings, sketches, doodles, prints, and preliminary drawings for many of his works. Of note are extensive sketches of heads, and preliminary drawings for Recollection of the Flood.

Craton family papers consist of geneological material relating to Grace Blume's brother, James Craton and his wife Catherine Sears Craton. Found are vital records; military records for James and Marshall Craton; correspondence; scattered financial records; clippings; and family photographs.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Material, circa 1950-1992 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1926-1992 (1.8 linear feet; Box 1-3)

Series 3: Writings and Notes, 1929-1986 (0.5 linear feet; Box 3, 9)

Series 4: Subject Files, circa 1930-1988 (0.5 linear feet; Box 3-4)

Series 5: Personal Business and Financial Records, 1934-1983 (0.6 linear feet; Box 4, 9)

Series 6: Printed Material, 1930-1990 (0.7 linear feet; Box 4-5, 9, OV 15-16)

Series 7: Scrapbooks, 1934-1944 (3 folders; Box 5)

Series 8: Photographs, 1917-circa 1980 (1.1 linear feet; Box 5-6, 9)

Series 9: Artwork, 1932-1984 (2.0 linear feet; Box 6-9, OV 10-14)

Series 10: Craton Family Papers, 1870-2001 (0.2 linear feet; Box 6)
Biographical / Historical:
Russian-born painter and sculptor Peter Blume (1906-1992) was active in New York and Connecticut. His style combined American and European traditions with folk art and surrealism.

Peter Blume was born Piotr Sorek-Sabel in 1906 in Smorgon, Russia. With his family, he emigrated to the United States in 1911 and settled in New York City. Blume studied at the Educational Alliance and the Art Students League in New York. Influenced by folk art, Precisionism, Cubism, and Surrealism, Blume combined European and American painting tradition to create his own style. He was awarded a Guggenheim Fellowship in 1932 and travelled to Italy.

In 1934, Blume's South of Scranton (1931) won the first prize at the Carnegie International Exhibition. Later, he exhibited The Eternal City (1937) at the Julian Levy Galleries in Manhattan. With the Section of Painting and Sculpture of the Treasury Department, Blume completed two post office murals in New York and Pennsylvania. Blume was a member of the National Academy of Design and was active with the American Academy in Rome.

Peter Blume married Grace "Ebie" Douglas Craton in 1931. The couple built their home in Sherman, Connecticut. The Blumes travelled the world and kept close relationships with family and friends, such as Ann and Heber Blankenhorn, Malcolm Cowley, and Ned and Nancy Holsten.

Peter Blume died in Connecticut in 1992.
Related Materials:
Also in the Archives of American Art is an oral history interview with Peter Blume conducted on August 16th, 1983 to May 23rd, 1984 by Robert F. Brown.
Provenance:
The Peter Blume papers were donated by in 1993 by Grace Blume, Peter Blume's widow. Additional papers were donated by Catherine Weiss, Jamie Vance, and Leigh Butler in 2010.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Peter Blume papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Sound recordings
Interviews
Drawings
Photographs
Prints
Transcriptions
Lectures
Scrapbooks
Sketches
Citation:
Peter Blume papers, 1870-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blumpete
See more items in:
Peter Blume papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blumpete
Additional Online Media:

Aaron Bohrod papers, 1831-1995, bulk 1904-1995

Creator:
Bohrod, Aaron, 1907-1992  Search this
Subject:
Albright, Ivan  Search this
Yvel, Claude  Search this
Evergood, Philip Howard  Search this
Shane, Fred  Search this
Dehn, Adolf Arthur  Search this
Oehlschlaeger, Everett  Search this
Coward, Noel  Search this
Dehn, Virginia Engleman  Search this
Harmon, Lily  Search this
Bocour, Leonard  Search this
Kahlo, Frida  Search this
Thomas, Byron  Search this
Pearlstein, Philip  Search this
Breger, David  Search this
Rivera, Diego  Search this
Benton, Thomas Hart  Search this
Ball, F. Carlton  Search this
Cadiou, Henri  Search this
Associated American Artists  Search this
ACA Galleries  Search this
American Artists Group  Search this
Milch Galleries.  Search this
Grace Chosy Gallery  Search this
Harmon-Meek Gallery (Naples, Fla.)  Search this
Ringling Brothers Barnum and Bailey Combined Shows  Search this
University of Wisconsin--Madison  Search this
Topic:
Art and war  Search this
Sketchbooks  Search this
Etchings  Search this
Ceramicists  Search this
Woodcuts  Search this
Sketches  Search this
Sound recordings  Search this
Painters  Search this
Account books  Search this
Decorative arts  Search this
Photographs  Search this
Interviews  Search this
Drawings  Search this
Record number:
(DSI-AAA_CollID)6754
(DSI-AAA_SIRISBib)208879
AAA_collcode_bohraaro
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208879

Elisabeth Zogbaum papers regarding Franz Kline, 1892-circa 2005, bulk 1930-1990

Creator:
Zogbaum, Elisabeth Ross, 1912-2005  Search this
Subject:
Tworkov, Jack  Search this
Stevenson, Adlai E. (Adlai Ewing),  Search this
Stern, Bert  Search this
Hartigan, Grace  Search this
Kline, Franz  Search this
Rivers, Larry  Search this
Solomon R. Guggenheim Museum  Search this
Franz Kline Foundation  Search this
Allan Stone Gallery  Search this
Mayer Gallery  Search this
Topic:
Essays  Search this
Sound recordings  Search this
Painters  Search this
Photographs  Search this
Drawings  Search this
Record number:
(DSI-AAA_CollID)9155
(DSI-AAA_SIRISBib)211349
AAA_collcode_klinfran
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211349

Duke Ellington [sound recording]

Author:
Ellington, Duke 1899-1974  Search this
Physical description:
1 sound cassette (69 min.) : analog, chiefly mono., Dolby processed
Type:
Sound recordings
Date:
1993
1938
P1993
Topic:
Popular music  Search this
Jazz vocals  Search this
Big band music  Search this
Call number:
ptp 000124
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_561253

Productions, 1938-2009 and undated

Creator:
Smithsonian Productions  Search this
Subject:
Smithsonian Institution Office of Telecommunications  Search this
Smithsonian Press/Smithsonian Productions  Search this
Physical description:
876.52 cu. ft. unprocessed holdings
140.24 cu. ft. processed holdings
Type:
Sound recordings
Video recordings
Audiotapes
Motion pictures (visual works)
Videotapes
Color transparencies
Videodiscs
Electronic records
Manuscripts
Compact discs
Date:
1938
1938-2009
1938-2009 and undated
Local number:
SIA RS01024
Restrictions & Rights:
Special restrictions on use of these materials may apply. Viewing/listening copies may not be available, but can be made for a fee
See more items in:
Productions 1938-2009 and undated [Smithsonian Productions]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_227907

Honor the Earth Powwow: Songs of the Great Lakes Indians [sound recording]

Liner notes:
Vennum, Thomas  Search this
Producer:
Hart, Mickey  Search this
McVoy, Jens  Search this
Performer:
Mustache, James Pipe  Search this
Three Fires Society Drum  Search this
Little Otter Singers  Search this
LCO Soldiers' Drum  Search this
Smokeytown Singers  Search this
Bad River Singers  Search this
Winnebago Sons of Baraboo  Search this
Bear Claw Singers  Search this
Subject:
United States Air Force  Search this
Physical description:
1 sound disc : digital ; 4 3/4 in
Culture:
Indians of North America  Search this
Americans  Search this
Ojibwa Indians  Search this
Menominee Indians  Search this
Winnebago Indians  Search this
Type:
Musical sound recordings
Place:
Lake States
United States
Lac Courte Oreilles Reservation (Wis.)
Wisconsin
Neopit (Wis.)
South Dakota
Winnebago Indian Reservation (S.D.)
Minnesota
Red Lake (Minn.)
Date:
1991
Topic:
American Indian  Search this
Drum  Search this
Rites and ceremonies  Search this
Powwows  Search this
Wild rice  Search this
Military  Search this
Veterans  Search this
World War, 1939-1945  Search this
Local number:
Rykodisc 10199
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No duplication
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_346337

American Warriors: Songs for Indian Veterans [sound recording]

Producer:
Vennum, Thomas  Search this
Hart, Mickey  Search this
Performer:
LaFernier, Richard  Search this
Red Cloud, Edgar 1897-1977  Search this
Fort Kipp Sioux Singers  Search this
Winnebago Sons of Baraboo  Search this
Smokeytown Singers  Search this
Eniwube  Search this
Carnegie War Mothers  Search this
Keshkekosh  Search this
Black Lodge Singers  Search this
Sioux Valley Singers  Search this
Subject:
United States Air Force  Search this
United States Marine Corps  Search this
Physical description:
1 sound disc : digital ; 4 3/4 in
Culture:
Indians of North America  Search this
Americans  Search this
Canadians  Search this
Ojibwa Indians  Search this
Winnebago Indians  Search this
Menominee Indians  Search this
Teton Indians  Search this
Kiowa Indians  Search this
Sihasapa Indians  Search this
Type:
Musical sound recordings
Place:
Wisconsin
United States
Black River Falls (Wis.)
South Dakota
Oklahoma
Norman (Okla.)
Canada
Saskatchewan
Washington
Neopit (Wis.)
Manitoba
Montana
Date:
1997
Topic:
Folk music  Search this
Drum  Search this
United States--Army  Search this
United States--Navy  Search this
Vietnamese Conflict, 1961-1975  Search this
World War, 1939-1945  Search this
World War I  Search this
Local number:
Rykodisc 10370
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_353515

Making people's music : Moe Asch and Folkways records / Peter D. Goldsmith

Creator:
Goldsmith, Peter David 1952-2004  Search this
Subject:
Asch, Moses  Search this
Physical description:
xi, 468 p., [16] p. of plates : ill. ; 24 cm
Type:
Books
Place:
United States
Date:
1998
C1998
1918-1945
1945-
Topic:
Sound recording executives and producers--Biography  Search this
Folk music--History and criticism  Search this
African Americans  Search this
Civilization  Search this
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_224279

That's Why We're Marching: World War II and the American Folksong Movement [sound recording]

Liner notes:
Place, Jeffrey  Search this
Logsdon, Guy William  Search this
Performer:
Leadbelly 1885-1949  Search this
White, Josh  Search this
Guthrie, Woody 1912-1967  Search this
Seeger, Pete 1919-2014  Search this
Glazer, Tom  Search this
Houston, Cisco  Search this
Terry, Sonny  Search this
McGhee, Brownie 1915-1996  Search this
Longhi, Jimmy 1916-2006  Search this
Almanac Singers  Search this
Union Boys (Musical group)  Search this
Recorder:
Asch, Moses  Search this
Creator:
Ives, Burl 1909-1995  Search this
Physical description:
1 sound disc : digital ; 4 3/4 in
Culture:
African Americans  Search this
Americans  Search this
Anglo-American  Search this
Type:
Compact disc
Place:
United States
New York (N.Y.)
Date:
1996
1951-1960
Topic:
World War, 1939-1945  Search this
Military music  Search this
Protest songs  Search this
Labor unions  Search this
Blues (Music)  Search this
Popular music  Search this
Topical songs  Search this
Folklore  Search this
Politics and war  Search this
Merchant Marine  Search this
Local number:
Smithsonian Folkways 40021
Restrictions & Rights:
Access by appointment
See more items in:
Folkways Records Collection 1948-1986
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_233734

This Land is Your Land: The Asch Recordings, Vol. 1 [sound recording]

Performer:
Guthrie, Woody 1912-1967  Search this
Houston, Cisco  Search this
Producer:
Logsdon, Guy William  Search this
Place, Jeffrey  Search this
Recorder:
Asch, Moses  Search this
Physical description:
1 sound disc : digital ; 4 3/4 in
Culture:
Anglo-American  Search this
Americans  Search this
Type:
Compact disc
Juvenile
Place:
United States
Oklahoma
New York (N.Y.)
Date:
1997
1941-1950
Topic:
Folk music  Search this
Music  Search this
Cowboys  Search this
Popular music  Search this
World War, 1939-1945  Search this
Local number:
Smithsonian Folkways 40100
Restrictions & Rights:
Restrictions on access
See more items in:
Folkways Records Collection 1948-1986
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_233748

Bourgeois Blues: Lead Belly Legacy, Vol. 2 [sound recording]

Performer:
Leadbelly 1885-1949  Search this
Terry, Sonny  Search this
McGhee, Brownie 1915-1996  Search this
Smith, Willie 1897-1973  Search this
Liner notes:
Place, Jeffrey  Search this
Recorder:
Asch, Moses  Search this
Physical description:
1 sound disc : digital ; 4 3/4 in
Culture:
African Americans  Search this
Americans  Search this
Type:
Compact disc
Place:
United States
New York (N.Y.)
Louisiana
Date:
1997
Topic:
Blues (Music)  Search this
Folk music  Search this
World War, 1939-1945  Search this
Local number:
FLP 122110
Restrictions & Rights:
Restrictions on access
See more items in:
Folkways Records Collection 1948-1986
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_233749

The Asch Recordings [sound recording]

Performer:
Guthrie, Woody 1912-1967  Search this
Houston, Cisco  Search this
Terry, Sonny  Search this
Seeger, Pete 1919-2014  Search this
Hawes, Bess Lomax 1921-2009  Search this
Hawes, Butch 1919-1971  Search this
Hays, Lee 1914-1981  Search this
Leadbelly 1885-1949  Search this
Recorder:
Asch, Moses  Search this
Liner notes:
Place, Jeffrey  Search this
Producer:
Logsdon, Guy William  Search this
Physical description:
4 sound discs : digital ; 4 3/4 in
Culture:
Anglo-American  Search this
Americans  Search this
Type:
Compact disc
Juvenile
Songs and music
Place:
United States
Date:
1999
1941-1950
Topic:
Popular music  Search this
Topical songs  Search this
String band music  Search this
World War, 1939-1945  Search this
Folk music  Search this
Music  Search this
Comedy  Search this
Holidays  Search this
Local number:
Smithsonian Folkways 40112
Restrictions & Rights:
Restrictions on access
See more items in:
Folkways Records Collection 1948-1986
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_234008

Festival Recordings: Farm Narrative Stage: Farm Humor; Storytelling; Live Radio with R. Hawkins' Cattle Judging/Showing [sound recording]

Creator:
Smithsonian Institution. Festival of American Folklife. Family Farm Program 1991 Washington, D.C  Search this
Recorder:
Weintraub, Sue  Search this
Artist:
Sayler, Arthur 1907-1997  Search this
Performer:
Arnold, John 1955-  Search this
Tomesh, Joseph 1922-  Search this
Cotter, Michael 1931-  Search this
Cooper, Fred  Search this
Sage-Chase, Lydia S  Search this
Hawkins, Rich 1942-  Search this
Meyers, Cristin  Search this
De Groff, Samuel  Search this
Griffin, Wyatt  Search this
Sayler, Arthur 1948-  Search this
Physical description:
1 sound cassette : analog
Culture:
Americans  Search this
Indians of North America  Search this
Anglo-American  Search this
Mandan Indians  Search this
Type:
Musical sound recordings
Place:
United States
Washington (D.C.)
Kansas
Wisconsin
Indiana
Rice Lake (Wis.)
Albert (Kan.)
Rushville (Ind.)
Minnesota
Austin (Minn.)
North Dakota
Nebraska
Lexington (Neb.)
Halliday (N.D.)
Iowa
Date:
1991
Topic:
Oral history  Search this
Storytelling  Search this
Wit and humor  Search this
Farms  Search this
History  Search this
Windmills  Search this
Great Depression  Search this
Radio  Search this
Farm radio  Search this
Mandan Indians  Search this
Corn  Search this
American Indian  Search this
Through Asiatic  Search this
Cattle Judging  Search this
Local number:
FP-1991-CT-0087
Restrictions & Rights:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution
See more items in:
Smithsonian Folklife Festival records, 1967-2010 228797
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_329015

Folk Song America: a 20th Century Revival [sound recording]

Producer:
Cohen, Norm 1936-  Search this
Performer:
Ball, Bentley  Search this
Robeson, Paul 1898-1976  Search this
Sandburg, Carl 1878-1967  Search this
McClintock, Harry K. (Harry Kirby) 1882-1957  Search this
Anderson, Marian 1897-1993  Search this
Kazee, Buell 1900-1976  Search this
Niles, John Jacob 1892-1980  Search this
Marais, Josef 1905-1978  Search this
Elliott, Jack 1931-  Search this
Seeger, Pete 1919-2014  Search this
Leadbelly 1885-1949  Search this
Lomax, John A (John Avery) 1867-1948  Search this
Guthrie, Woody 1912-1967  Search this
Dyer-Bennet, Richard  Search this
White, Josh  Search this
Ives, Burl 1909-1995  Search this
Travis, Merle  Search this
Stafford, Jo  Search this
Glazer, Joe  Search this
Hinton, Sam 1917-2009  Search this
Arkin, Alan  Search this
Schlamme, Martha  Search this
Brand, Oscar  Search this
Belafonte, Harry 1927-  Search this
Broonzy, Big Bill 1893-1958  Search this
McCurdy, Ed 1919-2000  Search this
Gooding, Cynthia  Search this
Bikel, Theodore  Search this
Odetta 1930-2008  Search this
Ritchie, Jean  Search this
West, Harry 1926-  Search this
West, Jeanie 1933-  Search this
Dane, Barbara  Search this
Faier, Billy  Search this
Wood, Hally  Search this
McGhee, Brownie 1915-1996  Search this
Terry, Sonny  Search this
Cotten, Elizabeth  Search this
Gibson, Bob, vocalist  Search this
Baez, Joan  Search this
Rinzler, Ralph  Search this
Houston, Cisco  Search this
MacColl, Ewan  Search this
Lloyd, A. L (Albert Lancaster) 1908-1982  Search this
Van Ronk, Dave  Search this
Elliott, Jack 1931-  Search this
Makem, Tommy  Search this
Seeger, Peggy 1935-  Search this
Hurt, Mississippi John 1894-1966  Search this
Dylan, Bob 1941-  Search this
Koerner, John  Search this
West, Hedy  Search this
Rush, Tom  Search this
Paxton, Tom 1937-  Search this
Watson, Doc  Search this
White, Clarence 1944-1973  Search this
White, Roland  Search this
Tyson, Ian 1933 September 25-  Search this
Tyson, Sylvia 1940-  Search this
Sky, Patrick  Search this
Fariña, Mimi  Search this
Fariña, Richard  Search this
Sainte-Marie, Buffy  Search this
Ochs, Phil  Search this
Sorrels, Rosalie  Search this
Jabbour, Alan  Search this
Carter, Maybelle 1909-1978  Search this
Carter, Sara 1898-1979  Search this
Collins, Judy 1939-  Search this
Muldaur, Maria  Search this
Goodman, Steve 1948-1984  Search this
Ringer, Jim  Search this
Weissberg, Eric  Search this
Peter, Paul, and Mary (Musical group)  Search this
Ostroushko, Peter  Search this
De Dannan (Musical group)  Search this
Jubilee Singers  Search this
American Chamber Music Group  Search this
Golden Gate Quartet  Search this
Weavers (Musical group)  Search this
Tarriers (Musical group)  Search this
Kossoy Sisters  Search this
Gateway Singers  Search this
Kingston Trio  Search this
Bud and Travis  Search this
Greenbriar Boys  Search this
New Lost City Ramblers  Search this
Limeliters (Musical group)  Search this
Tokens (Musical group)  Search this
Flatt and Scruggs (Musical group)  Search this
Clancy Brothers  Search this
Freedom Singers  Search this
Rooftop Singers  Search this
Kentucky Colonels  Search this
Byrds (Musical group)  Search this
Jim Kweskin Jug Band  Search this
Simon and Garfunkel  Search this
Canned Heat (Musical group)  Search this
Hollow Rock String Band  Search this
Fish (Musical group)  Search this
Nitty Gritty Dirt Band  Search this
Taj Mahal (Musician)  Search this
Highwoods String Band  Search this
Sweet Honey in the Rock (Musical group)  Search this
Magpie (Musical group)  Search this
Rude Girls (Musical group)  Search this
Creator:
Davis, Gary 1896-1972  Search this
Physical description:
4 sound discs : digital ; 4 3/4 in
Culture:
Americans  Search this
South Africans  Search this
British  Search this
Canadians  Search this
Indians of North America  Search this
Irish  Search this
African American  Search this
Anglo-American  Search this
Jews  Search this
Scottish Americans  Search this
Irish Americans  Search this
Cree Indians  Search this
Type:
Musical sound recordings
Place:
United States
Alabama
Kentucky
South Africa
New York
Louisiana
Texas
Oklahoma
Maryland
Illinois
Chicago (Ill.)
Pennsylvania
California
Mississippi
North Carolina
Washington (D.C.)
England
Great Britian
Tennessee
Ireland
Minnesota
Massachusetts
Canada
Alberta
Idaho
Virginia
Hawaii
Takoma Park (Md.)
Vermont
Date:
1991
Topic:
Gospel music  Search this
Folk songs  Search this
Outlaw songs  Search this
Appalachian Region, Southern--Songs and music  Search this
Folksong revival  Search this
Labor unions  Search this
Blues (Music)  Search this
Cowboys  Search this
Topical songs  Search this
Calypso (Music)  Search this
Bawdy songs  Search this
Jewish  Search this
Bluegrass music  Search this
String band  Search this
British Isles--Songs and music  Search this
Sea songs  Search this
Ireland--Songs and music  Search this
Rock music  Search this
Jug band music  Search this
Reels (Music)  Search this
Banjo  Search this
Appalachian dulcimer  Search this
Guitar  Search this
Harmonica  Search this
Mandolin  Search this
Violin  Search this
World War, 1939-1945  Search this
Nuclear weapons  Search this
Civil rights  Search this
Local number:
Smithsonian Collection of Recordings 046
Restrictions & Rights:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; Stored with LPs
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_338128

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