Skip to main content Smithsonian Institution

Search Results

Collections Search Center
157 documents - page 1 of 8

Solomon R. Guggenheim Foundation (Rebay, Hilla)

Collection Creator:
Smith, Leon Polk, 1906-1996  Search this
Container:
Box 3, Folder 42
Type:
Archival materials
Date:
1943-1949
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Leon Polk Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Leon Polk Smith papers, 1938-1997. Archives of American Art, Smithsonian Institution.
See more items in:
Leon Polk Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smitleon-ref116

Foundation Transfer to Solomon R. Guggenheim Foundation

Collection Creator:
Reis, Bernard J.  Search this
Container:
Box 1, Folder 57
Type:
Archival materials
Date:
1969-1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Bernard J. Reis papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Bernard J. Reis papers, circa 1913-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Bernard J. Reis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reisbern-ref48

Thomas M. Messer papers

Creator:
Messer, Thomas M.  Search this
Names:
Solomon R. Guggenheim Foundation  Search this
Bacon, Francis, 1909-1992  Search this
Barnet, Will, 1911-2012  Search this
Bell, Larry, 1939-  Search this
Burri, Alberto, 1915-  Search this
Bury, Pol, 1922-2005  Search this
Chagall, Marc, 1887-  Search this
Chryssa, 1933-  Search this
Dubuffet, Jean, 1901-  Search this
Ernst, Max, 1891-1976  Search this
Flavin, Dan, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Giacometti, Alberto, 1901-1966  Search this
Hamilton, Richard, 1922-  Search this
Hélion, Jean, 1904-1987  Search this
Knowlton, Grace, 1932-  Search this
Koczy, Rosemarie, 1939-2007  Search this
Kolář, Jiří, 1914-2002  Search this
Kuh, Katharine  Search this
Martin, Agnes, 1912-2004  Search this
Moore, Henry, 1898-1986  Search this
Rickey, George  Search this
Simonds, Charles, 1945-  Search this
Still, Clyfford, 1904-1980  Search this
Tworkov, Jack  Search this
Extent:
4.6 Linear Feet
Type:
Archival materials
Collection descriptions
Transcripts
Diaries
Date:
1949-2010
Summary:
The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.
Scope and Contents:
The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.
Arrangement:
The collection is arranged as three series

Series 1: Correspondence, 1962-2010 (4 linear feet; Box 1-4)

Series 2: Diary Transcript, 2007-2009 (0.02 gigabytes; ER01)

Series 3: Printed Material, 1949-1987 (0.6 linear feet; Box 5-6)
Biographical / Historical:
Thomas Messer (1920-2013) was a museum director and independent curator in New York, New York. Born and raised in Czechoslovakia, Messer became a United States citizen in 1944 and served in the United States Army in World War II. He earned his bachelor's degree from Boston University and studied at the Sorbonne in France before returning to the United States to study art history and museology at Harvard University. After obtaining his graduate degree, Messer was the director of the Roswell Museum in Roswell, New Mexico and then of the Institute of Contemporary Art in Boston. In 1961, Messer became the director of the Solomon R. Guggenheim Foundation, which includes the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice, Italy. Messer retired from his position there in 1988 and became a freelance curator, teacher, writer, and arts consultant.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Thomas Messer conducted by Paul Cummings in 1970 and by Andrew Decker in 1994-1995.
Provenance:
Donated to the Archives of American Art in 1995 by Thomas Messer and in 2016 by the Thomas Messer estate via Adam Lehner, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Rights:
The Thomas M. Messer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art museum directors -- United States  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Genre/Form:
Transcripts
Diaries
Citation:
Thomas M. Messer papers, 1949-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.messthom
See more items in:
Thomas M. Messer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-messthom

Chaim and Dorothy Koppelman papers

Creator:
Koppelman, Chaim, 1920-2009  Search this
Names:
American Federation of Arts  Search this
Associated American Artists  Search this
Audubon Artists (New York, N.Y.)  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat, 1920-1964  Search this
Kandinsky, Wassily, 1866-1944  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy, 1923-1997  Search this
Ozenfant, Amédée, 1886-1966  Search this
Picasso, Pablo, 1881-1973  Search this
Pond, Clayton, 1941-  Search this
Rebay, Hilla, 1890-1967  Search this
Siegel, Eli, 1902-  Search this
Stamos, Theodoros, 1922-1997  Search this
Extent:
4 Linear feet
Type:
Archival materials
Collection descriptions
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Date:
circa 1930s-2006
bulk 1942-2005
Summary:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
Scope and Content Note:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scattered biographical material includes resumes, artist's statements, copies of entries in Who's Who directories, and miscellaneous items.

Correspondence includes personal correspondence and general correspondence. Personal correspondence mostly consists of Chaim Koppelman's letters written to Dorothy while he was serving in the U.S. Army during World War II. He describes his daily activities, observations on army life, and his travels while stationed in England, France, and Germany. Of interest is Chaim Koppelman's letter to Dorothy describing his meeting Picasso and visiting the artist's studio. Personal correspondence also includes Chaim and Dorothy Koppelman's letters with family and friends. Notable correspondents include Sari Dienes, Nat Herz, Sheldon Kranz, Amédée Ozenfant, Hilla Rebay, and Theodoros Stamos. Hilla Rebay's letters to Chaim Koppelman discuss museum-related activities at the Solomon R. Guggenheim Foundation, including the Guggenheim's memorial exhibition for Wassily Kandinsky. There is also a file of letters from Eli Siegel to Chaim Koppelman. General correspondence includes mostly incoming letters to Chaim Koppelman from collectors, colleagues, students, and arts institutions. Frequent correspondents include: Associated American Artists, American Federation of the Arts, Audubon Artists, DeCordova and Dana Museum and Park, Pratt Graphics Center and Print Council of America.

Writings and notes contain annotated typescripts and handwritten drafts by Chaim and Dorothy Koppelman. Chaim Koppelman's writings include essays and talks on art, artists, and printmaking based on Aesthetic Realism; also found are some poems. Dorothy Koppelman's writings consist of artist's statements and essay-length pieces that were prepared for Aesthetic Realism talks on the work and lives of artists, held at the Terrain Gallery of the Aesthetic Realism Foundation and other venues. Also found is a sound recording of Chaim Koppelman's 1968 conversation with Richard Anuszkiewicz, Roy Lichtenstein, and Clayton Pond; the artists discuss the influence of the Siegel Theory of Opposites on their work.

Subject files document the activities, projects, and professional affiliations of Chaim and Dorothy Koppelman. Included are materials on exhibitions, applications for fellowships and grants, awards, drafts of writings, donations and acquisitions of artwork by museums. Teaching files provide an overview of the faculty positions held by Chaim and Dorothy Koppelman over the course of their careers. Found are extensive files on Chaim Koppelman's tenure at the School of Visual Arts. Exhibition files chronicle the Koppelmans' solo and group shows at the Terrain and other venues; substantive files contain Chaim Koppelman's correspondence with museums and arts institutions and sales information.

Two scrapbooks contain exhibition-related materials, such as artists' statements, press releases, awards, printed material, and photographs of artwork. Artwork includes sketches and illustrated letters by Chaim Koppelman. There are twenty annotated sketchbooks by Chaim Koppelman and a sketchbook by Dorothy Koppelman. Photographs and snapshots are of Chaim and Dorothy Koppelman; many of the snapshots of Chaim Koppelman and others document his army service while stationed in the United States and Europe. Four photograph albums include black and white photographs of Chaim and Dorothy Koppelman in their studio; included are snapshots of the Koppelmans with family and friends at exhibition openings, gatherings, and on their travels. There are photographs of Regina Dienes, Gerson Lieber, Bernard Olshan, Joseph Solman, and Theodoros Stamos.
Arrangement:
The collection is arranged as 12 series:

Series 1: Biographical Material, 1940-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1942-2003 (Box 1; 0.6 linear feet)

Series 3: Writings and Notes, 1930s-1989, 2005 (Box 1; 0.2 linear feet)

Series 4: Subject Files, 1942-2004 (Boxes 1-2; 0.8 linear feet)

Series 5: Teaching Files, 1940s-2006 (Box 2; 0.4 linear feet)

Series 6: Exhibition Files, 1940s-2005 (Boxes 2-3; 0.6 linear feet)

Series 7: Personal Business Records, 1944-1969 (Box 3; 3 folders)

Series 8: Scrapbooks, 1942-2003 (Box 3; 2 folders)

Series 9: Printed Material, 1937-1971, 2004 (Box 3; 0.25 linear feet)

Series 10: Artwork, 1933-1949, 1980-2000 (Box 3; 3 folders)

Series 11: Sketchbooks, 1944-2005 (Boxes 3-4; 0.8 linear feet)

Series 12: Photographs, 1930-circa 2004 (Box 4; 0.25 linear feet)
Biographical Note:
Chaim Koppelman (1920-2009) lived and worked in New York as a printmaker, educator, and Aesthetic Realism consultant. Painter, gallery director, Aesthetic Realism consultant, and educator Dorothy Koppelman (1920-) resides and works in New York City.

Chaim Koppelman was born in Brooklyn in 1920. Koppelman studied at the American Artists School with Carl Holty and at the Art Students League with Jose De Creeft and Will Barnet. Simultaneously, he began to study in classes taught by Eli Siegel, critic, poet, and founder of the philosophy Aesthetic Realism. In 1942, Koppelman was drafted in the U.S. Army. Before going overseas in 1943, he married Dorothy Myers. In the army, Koppelman continued his studies in painting and sculpture, where he attended the Art College in Western England, Bristol, and the Beaux Arts School in Reims, France. Chaim Koppelman took part in the Normandy invasion and was awarded the Bronze Star for his service.

After Koppelman returned to New York in 1944, he studied at the Amédée Ozenfant School, where he eventually became Ozenfant's assistant. Around this time, Koppelman turned from painting and sculpture to printmaking. In 1955, Chaim Koppelman, his wife, Dorothy, and other artists and poets studying Aesthetic Realism established the Terrain Gallery. For many years, Koppelman was the head of the gallery's Print Division and then later became an advisory director.

Chaim Koppelman held a number of teaching positions in universities and arts institutions. He lectured at Brooklyn College, the Art Education Department from 1950-1960. In 1959, Koppelman founded the Printmaking Division at the School of Visual Arts, where he served on the school's faculty until 2007. At the Aesthetic Realism Foundation, he taught artists how to relate their artwork and their everyday lives. He wrote: "After having tested his aesthetic concepts in literally thousands of works of different periods, in different styles, in different media, I say that Eli Siegel's Theory of Opposites is the key to what is good or beautiful in art….When Eli Siegel showed that what makes a work of art beautiful—the oneness of opposites—is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind."

Among the awards Chaim Koppelman received were: two Tiffany Grants, 1956, 1959; New York Artists Equity Annual Awards Honoring Will Barnet, Robert Blackburn, Chaim Koppelman, 1992; and the Purchase Prize, Art Students League in 2005. Koppelman was a member of the National Academy and a member of the Society of American Graphic Artists (SAGA). In 2004, SAGA presented him with the Lifetime Achievement Award. In addition to his solo and group exhibitions at the Terrain Gallery, Chaim Koppelman's work was featured at the Beatrice Conde Gallery, International Print Center (New York), Library of Congress, and Minneapolis Institute of Arts. His prints are in the collections of the Guggenheim Museum, Museum of Modern Art (New York), Metropolitan Museum of Art, Victoria and Albert Museum in London, and the National Gallery.

In December 2009, Koppelman died at age 89 in New York City.

Born in 1920, Dorothy Koppelman attended Brooklyn College, the Art Students League, and American Artists School where she trained under Joseph Solman. During this time, she began to study poetry, and the relation of art and the self in classes with Eli Siegel, the founder of Aesthetic Realism.

Dorothy Koppelman has had a number of solo and group exhibitions at the Terrain Gallery. She has also shown her paintings at the Atlantic Gallery, Art Gallery of Binghamton, New York, Beatrice Conde Gallery, the Broome Street Gallery, and at MoMA, Brooklyn Museum, Newark Museum, the Whitney Biennial 2006 Peace Tower, the National Academy, and the Butler Art Institute.

Dorothy Koppelman has served on the faculty at several arts institutions: the National Academy, Brooklyn College School of Education, and the School of Visual Arts. She has given presentations on Aesthetic Realism at the Fondazione Piero della Francesa in Italy, and with Carrie Wilson at the 31st World Congress of the International Society for Education through Art (InSEA). On August 16, 2002, in a talk given on Eli Siegel Day in Baltimore, she said, "Eli Siegel explained the true meaning of art for our lives. No one—no scholar, no artist, no person—in all the centuries ever saw this before: that we can learn about ourselves from the very technique of art!...He showed that far from being in a separate world, art has the answer to the trouble in this one."

She is a member of several professional organizations including the American Society of Contemporary Artists and New York Artists Equity. She has received an Honorable Mention from the Brooklyn Society of Artists, 1957; a Tiffany Grant for painting, 1965; and awards from the American Society of Contemporary Artists, 1996, 1999. Dorothy Koppelman's work has been included in the collections of Hampton University, Virginia; Rosenzweig Museum, Durham, North Carolina; New-York Historical Society; Yale University; the National Museum of Women in the Arts, as well as other institutions.

Dorothy Koppelman lives in New York City. She is a consultant on the faculty of the Aesthetic Realism Foundation, where she also teaches the Critical Inquiry, a workshop for artists. She serves on the Board of Directors of the Aesthetic Realism Foundation, and is President of the Eli Siegel/Martha Baird Foundation. She continues her study in classes with Ellen Reiss, Aesthetic Realism Chairman of Education.
Related Materials:
The Archives of American Art also holds the Terrain Gallery records of which Dorothy Koppelman is the director.
Provenance:
The collection was donated by Chaim and Dorothy Koppelman in 2006.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Chaim and Dorothy Koppelman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koppchai
See more items in:
Chaim and Dorothy Koppelman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-koppchai

Art of This Century and Peggy Guggenheim Foundation Records

Collection Creator:
Reis, Bernard J.  Search this
Extent:
0.2 Linear Feet (Box 1)
Type:
Archival materials
Date:
circa 1942-1978
Scope and Contents:
This series includes documentation of Reis's friendship with Peggy Guggenheim, his involvement with her gallery, Art of This Century, and with the Peggy Guggenheim Foundation. It is comprised of Art of This Century accountant's reports, an essay by Art of This Century architect Frederick J. Kiesler, papers concerning Art of This Century exhibitions and films, a catalog of the Peggy Guggenheim Collection, Peggy Guggenheim Foundation dissolution documents, foundation meeting minutes, papers concerning the transfer of the foundation's holdings to the Solomon R. Guggenheim Foundation, papers referencing gifts to museums, and news and magazine clippings. Also found are correspondence between Peggy Guggenheim and Bernard and Rebecca Reis, correspondence between Peggy Guggenheim and her son, Sindbad Vail, and assorted financial correspondence.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Bernard J. Reis papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Bernard J. Reis papers, circa 1913-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.reisbern, Series 4
See more items in:
Bernard J. Reis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reisbern-ref4

Negritude, pan-Africanism, and postcolonial African identity : African portrait photography / Okwui Enwezor and Octavio Zaya

Author:
Enwezor, Okwui  Search this
Zaya, Octavio 1954-  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Type:
Articles
Place:
Africa
Date:
2013
Topic:
Portrait photography  Search this
Portrait photographers  Search this
Call number:
N6497 .M635 2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1007968

Brancusi : the white work / edited by Paola Mola

Title:
White work
Author:
Brancusi, Constantin 1876-1957  Search this
Mola, Paola  Search this
Peggy Guggenheim Collection  Search this
Subject:
Brancusi, Constantin 1876-1957  Search this
Physical description:
185 p. : ill ; 24 cm
Type:
Exhibitions
Date:
2005
Topic:
Photography of sculpture  Search this
Call number:
TR658.3 .B67 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_785644

von Rebay, Baroness Hilla (see Solomon R. Guggenheim Foundation)

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 98
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11534

Rebay, Hilda (see Solomon R. Guggenheim Foundation

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 80
Type:
Archival materials
Date:
1941-1953
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref10967

Solomon R. Guggenheim Foundation

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 90, Folder 16
Type:
Archival materials
Date:
1937-1953
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11276

Rudolf Bauer papers, 1918-1983

Creator:
Bauer, Rudolf, 1889-1953  Search this
Subject:
Wright, Frank Lloyd  Search this
Guggenheim, Solomon R. (Solomon Robert),  Search this
Rebay, Hilla  Search this
Solomon R. Guggenheim Foundation  Search this
Solomon R. Guggenheim Museum  Search this
Topic:
Art museums  Search this
Painters  Search this
Painting, Abstract  Search this
Record number:
(DSI-AAA_CollID)7590
(DSI-AAA_SIRISBib)209752
AAA_collcode_bauerudo
Theme:
Art Movements and Schools
American Art and Artists in a Global Context
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209752

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Gallery records  Search this
World War, 1939-1945  Search this
Art dealers  Search this
Art, European  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
10 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 2
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 3
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 4
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 5
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 6
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 7
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 8
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 9
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 10
Additional Online Media:

Carl Zigrosser papers, 1891-1971

Creator:
Zigrosser, Carl, 1891-1975  Search this
Subject:
Spratling, William  Search this
Flannagan, John Bernard  Search this
Barr, Alfred H.  Search this
Stieglitz, Alfred  Search this
Colker, Ed  Search this
Seidenberg, Roderick  Search this
Burchfield, Charles Ephraim  Search this
Dehn, Adolf Arthur  Search this
Kohn, Misch  Search this
Rönnebeck, Arnold H.  Search this
Wright, Frank Lloyd  Search this
Calder, Alexander  Search this
Weston, Edward  Search this
Lankes, Julius J.  Search this
Rose, Ruth Starr  Search this
Cook, Howard Norton  Search this
Michener, James A. (James Albert),  Search this
Yunkers, Adja  Search this
Valentin, Curt  Search this
Kimball, Fiske  Search this
Kent, Rockwell  Search this
Rosenwald, Lessing J. (Lessing Julius)  Search this
Hayter, Stanley William  Search this
McNulty, Kneeland  Search this
Nalbandian, Karnig  Search this
Wickey, Harry  Search this
Pach, Walter  Search this
Arms, John Taylor  Search this
Rivera, Diego  Search this
Norman, Dorothy  Search this
Schniewind, Carl Oscar  Search this
Ruellan, Andrée  Search this
Durieux, Caroline  Search this
Keppel, Frederick  Search this
Warneke, Heinz (Heinrich)  Search this
Mitchell, Marian  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Spruance, Benton  Search this
Huntley, Victoria Hutson  Search this
Kuniyoshi, Yasuo  Search this
Girard, André  Search this
Teng, Kuei  Search this
Hopper, Edward  Search this
O'Keeffe, Georgia  Search this
Mauzey, Merritt  Search this
Castellón, Federico  Search this
Boyd, E. (Elizabeth)  Search this
Carrington, Fitz Roy  Search this
Sternberg, Harry  Search this
Dwight, Mabel  Search this
Lasansky, Mauricio  Search this
Art Institute of Chicago  Search this
Tamarind Lithography Workshop  Search this
Philadelphia Museum of Art  Search this
Whitney Museum of American Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Weyhe Gallery  Search this
American Artists Group  Search this
Art in America  Search this
John Simon Guggenheim Memorial Foundation  Search this
Solomon R. Guggenheim Museum  Search this
Independent Citizens Committee for the Arts, Sciences and Professions  Search this
Armory Show (1913 : New York, N.Y.)  Search this
Topic:
Diaries  Search this
Prints  Search this
Prints, American  Search this
Prints, European  Search this
Printmakers  Search this
Museum curators  Search this
Artists  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)10859
(DSI-AAA_SIRISBib)214612
AAA_collcode_zigrcarl
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214612

Jeanne and Max Wasserman papers, [ca. 1960-1975]

Creator:
Wasserman, Jeanne L., 1915-2006  Search this
Wasserman, Max, 1913-1986  Search this
Subject:
Fogg Art Museum  Search this
180 Beacon Collection of Contemporary Art (Boston, Mass.)  Search this
Topic:
Artists  Search this
Photographs  Search this
Outdoor sculpture  Search this
Art, American  Search this
Art, Modern  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)6556
(DSI-AAA_SIRISBib)215832
AAA_collcode_wassjean
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215832

Thomas M. Messer papers, 1949-2010

Creator:
Messer, Thomas M., 1920-2013  Search this
Subject:
Tworkov, Jack  Search this
Bell, Larry  Search this
Koczy, Rosemarie  Search this
Flavin, Dan  Search this
Moore, Henry  Search this
Giacometti, Alberto  Search this
Burri, Alberto  Search this
Knowlton, Grace  Search this
Rickey, George  Search this
Kuh, Katharine  Search this
Ernst, Max  Search this
Chryssa  Search this
KoláÚr, JiÚrí  Search this
Simonds, Charles  Search this
Hélion, Jean  Search this
Hamilton, Richard  Search this
Chagall, Marc  Search this
Frankenthaler, Helen  Search this
Still, Clyfford E.  Search this
Barnet, Will  Search this
Dubuffet, Jean  Search this
Bury, Pol  Search this
Bacon, Francis  Search this
Martin, Agnes Bernice  Search this
Solomon R. Guggenheim Foundation  Search this
Topic:
Transcripts  Search this
Diaries  Search this
Curators  Search this
Art museum directors  Search this
Record number:
(DSI-AAA_CollID)6570
(DSI-AAA_SIRISBib)215863
AAA_collcode_messthom
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215863
Additional Online Media:

Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005

Creator:
Koppelman, Chaim, 1920-2009  Search this
Koppelman, Dorothy, 1920-  Search this
Subject:
Anuszkiewicz, Richard  Search this
Herz, Nat  Search this
Kandinsky, Wassily  Search this
Picasso, Pablo  Search this
Dienes, Sari  Search this
Kranz, Sheldon  Search this
Pond, Clayton  Search this
Siegel, Eli  Search this
Rebay, Hilla  Search this
Stamos, Theodoros  Search this
Ozenfant, Amédée  Search this
Lichtenstein, Roy  Search this
American Federation of Arts  Search this
Associated American Artists  Search this
Solomon R. Guggenheim Foundation  Search this
Print Council of America  Search this
Audubon Artists  Search this
Terrain Gallery  Search this
School of Visual Arts (New York, N.Y.)  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Topic:
Prints  Search this
Gallery owners  Search this
Artists' studios  Search this
Sketchbooks  Search this
Sketches  Search this
World War, 1939-1945  Search this
Printmakers  Search this
Sound recordings  Search this
Illustrated letters  Search this
Photographs  Search this
Scrapbooks  Search this
Record number:
(DSI-AAA_CollID)13589
(DSI-AAA_SIRISBib)268639
AAA_collcode_koppchai
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_268639
Additional Online Media:

Oral history interview with H. Harvard Arnason, 1970 March 3-9

Interviewee:
Arnason, H. Harvard, 1909-1986  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Wright, Frank Lloyd  Search this
Sweeney, James Johnson  Search this
Cahill, Holger  Search this
Rebay, Hilla  Search this
Messer, Thomas M.  Search this
Solomon R. Guggenheim Museum  Search this
Walker Art Galleries (Minneapolis, Minn.)  Search this
Topic:
Museum directors  Search this
Sound recordings  Search this
Interviews  Search this
Museum architecture  Search this
Record number:
(DSI-AAA_CollID)12761
(DSI-AAA_SIRISBib)211934
AAA_collcode_arnaso70
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211934

Oral history interview with Lewis Iselin, 1981 September 30

Interviewee:
Iselin, Lewis, 1913-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Subject:
Pearson, Ronald H. (Ronald Hayes)  Search this
Motherwell, Robert Burns  Search this
Geldzahler, Henry  Search this
Moe, Henry Allen  Search this
Smith, Paul J.  Search this
Haystack Mountain School of Crafts  Search this
Solomon R. Guggenheim Foundation  Search this
Louis Comfort Tiffany Foundation  Search this
Saint-Gaudens Memorial (Organization)  Search this
Topic:
Museums  Search this
Interviews  Search this
Wearable art  Search this
Sculptors  Search this
Wax-modeling  Search this
Sound recordings  Search this
Record number:
(DSI-AAA_CollID)12095
(DSI-AAA_SIRISBib)211955
AAA_collcode_iselin81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211955
Additional Online Media:

Works of Art by Archipenko and Others from the Solomon R. Guggenheim Foundation Museum of Non-Objective Painting

Collection Creator:
Archipenko, Alexander, 1887-1964  Search this
Container:
Box 18, Folder 1
Type:
Archival materials
Date:
circa 1950-1960
Scope and Contents:
List of slide box contents.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Lantern slides and glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Alexander Archipenko papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Archipenko papers, 1904-1986, bulk 1930-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Archipenko papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-archalex-ref406

Works of Art by Archipenko and Others from the Solomon R. Guggenheim Foundation Museum of Non-Objective Painting (slides)

Collection Creator:
Archipenko, Alexander, 1887-1964  Search this
Container:
Box 17
Type:
Archival materials
Date:
circa 1950-1960
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Lantern slides and glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Alexander Archipenko papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Alexander Archipenko papers, 1904-1986, bulk 1930-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Archipenko papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-archalex-ref848

Modify Your Search






or


Narrow By