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James D. Smillie and Smillie family papers, 1853-1957

Creator:
Smillie, James David, 1833-1909  Search this
Subject:
Colman, Samuel  Search this
Smillie, George H. (George Henry),  Search this
Johnson, Eastman  Search this
Smillie, James David  Search this
Smillie, James  Search this
Smillie, Catherine Van Valkenburg  Search this
Church, Frederick S. (Frederick Stuart)  Search this
Bierstadt, Albert  Search this
Hart, Charles Henry  Search this
Smillie, Nellie Sheldon Jacobs  Search this
Tait, A.T.  Search this
Topic:
Painters  Search this
Artists  Search this
Engravers  Search this
Scrapbooks  Search this
Photographs  Search this
Artists' studios  Search this
Engraving  Search this
Diaries  Search this
Art, Modern  Search this
Etchings  Search this
Record number:
(DSI-AAA_CollID)13469
(DSI-AAA_SIRISBib)209525
AAA_collcode_smilsmil
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209525
Additional Online Media:

Sylvester Rosa Koehler papers

Topic:
American Art Review
Creator:
Koehler, S. R. (Sylvester Rosa), 1837-1900  Search this
Names:
Anderson, Alexander, 1775-1870  Search this
Falconer, John Mackie, 1820-1903  Search this
Harfin, Jean F.  Search this
Juengling, Frederick, 1846-1889  Search this
Smillie, James David, 1833-1909  Search this
Extent:
5.4 Linear Feet
Type:
Archival materials
Collection descriptions
Date:
1833-1904
bulk 1870-1890
Summary:
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.
Scope and Content Note:
The Sylvester Rosa Koehler papers measure 5.4 linear feet and date from 1833 to 1904, with the bulk of the material dating from 1870 to 1890. The collection consists primarily of Koehler's extensive correspondence to and from many notable artists and printmakers such as Jean F. Harfin, John M. Falconer, Frederick Juengling, and James D. Smillie, as well as friends, and family members and professional correspondence concerning Koehler's activities as a writer, curator, and editor of the American Art Review. The collection also contains financial records and other miscellaneous items.

Correspondence includes hundreds of letters to and from Koehler. Correspondents include many prominent artists, engravers, architects, art critics, curators, historians, journalists, authors, educators, publishers, and others during the late 1800s. Also found is correspondence with family, most of which is in German. Much of the correspondence concerns Koehler's role as editor of the publication American Art Review, and his work promoting American graphic arts.

Financial Records include Koehler's receipts, primarily from 1885, and a handwritten estimate of costs for publishing the American Art Review.

Miscellany includes biographical information on the wood engraver, Alexander Anderson, various notes by unidentified authors, news clippings, programs and handwritten song texts for music performances.
Arrangement:
The collection is arranged into 3 series:

Series 1: Correspondence, circa 1833- circa 1904 (Box 1-6; 5.1 linear feet)

Series 2: Financial Records, circa 1870-circa 1890 (Box 6; 14 folders)

Series 3: Miscellany, circa 1859-circa 1896 (Box 6; 11 folders)
Biographical Note:
Art historian and curator Sylvester Rosa Koehler was born in Leipsic, Germany in 1837. He came to the United States with his family in 1849 and settled in Roxbury, Massachusetts. In 1868 he became the Technical Manager of Louis Prang and Company, a lithograph publisher. Koehler was the founding editor of the American Art Review, which commissioned artists for original etchings, and ran from 1879-1881. Through this publication, as well as his work as writer and exhibition curator, Koehler encouraged an American etching revival in the 1880s. Koehler also published many books on American art and was the first Curator of Prints at the Museum of Fine Arts, Boston. From 1886 to 1900 he served as the first Curator of Graphic Arts at the United States National Museum, part of the Smithsonian Institution. While there, he created a permanent and traveling exhibition of graphic arts. His knowlege of the art world and his extensive personal contacts brought many important collections to the museum. Koehler died in Littleton, New Hampshire in 1900.
Related Material:
Additional correspondence can be found at the Library of Congress, which houses the Papers of S. R. Koehler, 1868-1904, and includes approximately 3,500 letters. Syracuse University Library houses S. R. Koehler Correspondence, 1879-1896, and includes 107 items.
Provenance:
The collection was purchased from Argosy Book Stores, Inc, in 1959. A letter from John Sartain and eleven letters from William Merritt Chase were donated by Charles E. Feinberg, 1955-1962. Two postcards were donated in 2009 by William A. Turnbaugh, an autograph collector. In 2017, John F. McGuigan Jr. and Mary K. McGuigan donated sixty-nine letters from A. Barry, Truman Howe Bartlett, William Merritt Chase, Timothy Cole, Edward Henry Clement, Cyrus Edwin Dallin, Robert Swain Gifford, George Inness, Anna Lea Merritt, Stephen Parrish, John Sartain, Francis Hopkinson Smith, and Frederic Porter Vinton.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Sylvester Rosa Koehler papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Prints -- 19th century  Search this
Art historians -- Massachusetts -- Boston  Search this
Art literature  Search this
Museum curators -- Massachusetts -- Boston  Search this
Artists -- United States  Search this
Citation:
Sylvester Rosa Koehler papers, 1833-1904, bulk 1870-1890. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koehsylv
See more items in:
Sylvester Rosa Koehler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-koehsylv
Additional Online Media:

Charles Henry Hart autograph collection

Creator:
Hart, Charles Henry, 1847-1918  Search this
Names:
Anshutz, Thomas Pollock, 1851-1912  Search this
Audubon, John James, 1785-1851  Search this
Chase, William Merritt, 1846-1916  Search this
Church, Frederic Edwin, 1826-1900  Search this
Copley, John Singleton, 1738-1815  Search this
Cox, Kenyon, 1856-1919  Search this
Eakins, Thomas, 1844-1916  Search this
James McNeill Whistler, 1834-1903  Search this
McEntee, Jervis, 1828-1891  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, Raphaelle, 1774-1825  Search this
Peale, Rembrandt, 1778-1860  Search this
Peale, Rubens, 1784-1865  Search this
Peale, Titian Ramsay, 1799-1885  Search this
Smillie, James David, 1833-1909  Search this
Stuart, Gilbert, 1755-1828  Search this
Sully, Thomas, 1783-1872  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vanderlyn, John, 1775-1852  Search this
Vedder, Elihu, 1836-1923  Search this
Ward, John Quincy Adams, 1830-1910  Search this
West, Benjamin, 1738-1820  Search this
Extent:
1.7 Linear feet
Type:
Archival materials
Collection descriptions
Date:
1731-1918
Summary:
The Charles Henry Hart autograph collection dates from 1731-1917 and measures 1.7 linear feet comprised of 226 letters, portrait prints, and other documents signed by American artists.
Scope and Contents:
The Charles Henry Hart autograph collection dates from 1731-1917 and measures 1.7 linear feet comprised of 226 letters, portrait prints, and other documents signed by American artists.

Originally titled by Hart as "The History of Art in America as Told in a Remarkable Collection of Autograph Letters and Documents of Celebrated American Artists of the Eighteenth, Nineteenth, and Twentieth Century," the collection includes letters and other items signed by Thomas Anshutz, John J. Audubon, William Merritt Chase, Frederic Edwin Church, John Singleton Copley, Kenyon Cox, Thomas Eakins, Jervis McEntee, Samuel F.B. Morse, Charles Willson Peale, Raphaelle Peale, Rembrandt Peale, Rubens Peale, Titian Peale, James Daivd Smillie, Gilbert Stuart, Thomas Sully, Abbott Handerson Thayer, John Vanderlyn, Elihu Vedder, John Quincy Adams Ward, Benjamin West, James Abbott McNeill Whistler, and many others.
Arrangement:
The collection is arranged as 1 series.

Series 1: Charles Henry Hart autograph collection, 1731-1917 (226 items; Box 1-5)
Biographical / Historical:
Charles Henry Hart (1847-1918) was a historian, lawyer, writer, and director, Pennsylvania Academy of the Fine Arts, 1882-1904. Widely, he published on the subject of 18th and 19th century portraiture in the United States.
Related Materials:
The Archives of American Art also holds the personal papers of Charles Henry Hart, dating from 1774-1930, bulk 1888-1918.
Provenance:
The Charles Henry Hart autograph collection was donated to the Archives of American Art in 1954 as an anonymous gift. It is assumed that Hart assembled the letters. Original collation was two letterbooks entitled "The History of Art in America as Tolk in a Remarkable Collection of Autograph Letters and Documents of Celebrated American Artists of the Eighteenth, Nineteenth, and Twentieth Century."
Restrictions:
Use of original papers requires an appointment.
Rights:
The Charles Henry Hart autograph collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Autographs -- Collections  Search this
Artists -- United States -- Portraits  Search this
Autographs -- Collectors and collecting  Search this
Artists -- United States -- Autographs  Search this
Citation:
Charles Henry Hart autograph collection, 1731-1918. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hartchar
See more items in:
Charles Henry Hart autograph collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hartchar

James D. Smillie and Smillie family papers

Creator:
Smillie Family  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Colman, Samuel, 1832-1920  Search this
Hart, Charles Henry, 1847-1918  Search this
Johnson, Eastman, 1824-1906  Search this
Smillie, Catherine Van Valkenburg  Search this
Smillie, George H. (George Henry), 1840-1921  Search this
Smillie, James David, 1833-1909  Search this
Smillie, James, 1807-1885  Search this
Smillie, Nellie Sheldon Jacobs, 1854-1926  Search this
Tait, A.T.  Search this
Extent:
5.6 Linear feet
Type:
Archival materials
Collection descriptions
Diaries
Etchings
Photographs
Scrapbooks
Date:
1853-1957
Summary:
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include corrrespondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.
Scope and Content Note:
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include correspondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.

James David Smillie's papers consist of correspondence, personal business records, forty-five diaries, a scrapbook, and printed material. Correspondence is mostly professional in nature and includes letters from Albert Bierstadt, Frederick Stuart Church, Samuel Colman, Charles Henry Hart, Eastman Johnson, James Smillie, and A. T. Tait. Forty-five volumes of detailed daily diaries dating from 1865 until 1909 include entries about his work, but are exceedingly rich in references to over 200 artists with which Smillie was associated. Additionally, there are numerous loose documents, notes, and some photographs that were found tucked within the diaries. This finding aid includes a list of named artists referenced in the diaries along with the exact date of the notation. James D. Smillie's papers also include an original etching entitled Up the Hill.

James Smillie papers are scattered and include manuscript and draft copies of his published autobiography, A Pilgrimage, and memorabilia from his 50th wedding anniversary to Catherine Van Valkenburg Smillie.

George Henry Smillie papers contain biographical materials, scattered correspondence, a scrapbook of clippings, printed materials, and photographs. There is a certificate from the National Academy of Design dating from 1883 and photographs of Smillie, Smillie in his studio, and his family.

Helen Jacobs Smillie papers consist of family correspondence from her husband and parents, and studio portrait photographs.

Scattered papers from other family members include correspondence, a list of works of art by the family, a photograph album from Sheldon Smillie, and a portrait of William Smillie.
Arrangement:
The collection is arranged as 5 series:

Series 1: James D. Smillie papers, 1853-1917 (4.5 linear feet; Boxes 1-7)

Series 2: James Smillie papers, 1882 (0.2 linear feet; Box 5)

Series 3: George Henry Smillie papers, 1867-1920 (0.6 linear feet; Boxes 5-6)

Series 4: Helen Jacobs Smillie papers, 1860-1910 (0.1 linear feet; Box 5)

Series 5: Other Smillie Family Members papers, circa 1880s-1957 (0.2 linear feet; Box 5)
Biographical Note:
James D. Smillie and the Smillie family members were active in New York City and the New England area as engravers and landscape painters during the nineteenth century. Members of the Smillie Family of artists include James Smillie (1807-1885), his sons James D. (1833-1909) and George Smillie (1854-1924), and George's wife Helen 'Nellie' Jacobs Smillie (1855-1926).

Born in Edinburgh, Scotland to David and Elizabeth Smillie, James Smillie immigrated to Quebec, Canada. James must have learned engraving from his father who worked with jewelry and silver. Upon his father's death in 1827, Smillie travelled to London and eventually to New York City, where he embarked on a career of creating engravings of paintings by other artists. By 1831, he had established his reputation primarily as an engraver of American landscape paintings. The portability of James Smillie's engravings helped to bring to the American public the grand landscapes by Albert Bierstadt, Thomas Cole, and Asher Durand. Smillie also worked for the American Banknote Company.

James Smillie married Catherine Van Valkenburg in 1832, and two of their sons, James David and George Henry also became artists. Elder son James D. assisted his father with engraving and later explored his own artistic talents in prints of the American landscape. Among his many subjects were the Sierra Nevada, Adirondack, Rocky, White, and Catskill Mountains. James D. Smillie was a founding member of the American Watercolor Society and served as its president from 1873 to 1879. Additionally, he was an early member of the New York Etching Club and the first meeting was held in his studio in 1877. James D. also wrote about art for various periodicals.

Like his older brother, George Henry Smillie learned engraving from his father, but turned to painting early in his career. By 1862, he had his own studio in New York City and exhibited with the National Academy of Design in 1864. George travelled throughout the United States sketching and painting landscapes inspired by Long Island, the Adirondack Mountains, the Rocky Mountains, and New England. Many of George's paintings of the American West were influenced by the Hudson River School. George married one of his brother's pupils, Helen Sheldon Jacobs.

Helen Jacobs Smillie, known as Nellie, was born in New York City to Samuel and Helen Jacobs. She received art instruction at Cooper Union and the National Academy of Design and was a pupil of James D. Smillie and J. O. Eaton. She married George Smillie in 1881, with whom she had three sons, Sheldon, Charles, and Gordon. Nellie was a member of the American Watercolor Society along with her husband and brother-in-law, and painted in the Hudson River School style.
Related Material:
Also found in the Archives of American Art is the Brucia Witthoft research material on James Smillie and the Smillie family, 1830- 1999. The National Gallery of Canada holds the James D. Smillie Papers.
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (reels 3766 and 3829) including personal photographs, photos of Smille's house in Montrose, Pennsylvania, and a photocopy of a journal. Lent material was returned to the lenders and is not described in the collection container inventory.
Provenance:
James Smillie, David Smillie, and Barbara Smillie Curtis donated the Smillie Family papers to the Archives of American Art in several installments between 1978 and 1990. James Smille lent photographs for microfilming in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The James D. Smillie and Smillie family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 19th century -- New York (State) -- New York  Search this
Artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Engraving -- 19th century -- United States  Search this
Engravers -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Etchings
Photographs
Scrapbooks
Citation:
James D. Smillie and Smillie family papers, 1853-1957. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smilsmil
See more items in:
James D. Smillie and Smillie family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smilsmil
Additional Online Media:

James David Smillie: artist file, [photographs]

Artist:
Smillie, James David 1833-1909  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002726
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141434

Etretat Cliffs, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Date:
1884
Topic:
Waterscape--Coast  Search this
Control number:
IAP 62161675
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_105787

Farmyard Scene, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Topic:
Occupation--Farm  Search this
Control number:
IAP 71410206
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_150099

Falaise D'aval-Entretat, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Jeffrey R. Brown P.o. Box 537 North Amherst Massachusetts 01059
Date:
1884
Topic:
Waterscape--Coast  Search this
Control number:
IAP 73280051
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_167563

La Manneporte-Entretat, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Type:
Paintings
Owner/Location:
Jeffrey R. Brown P.o. Box 537 North Amherst Massachusetts 01059
Date:
1884
Topic:
Waterscape--Coast  Search this
Control number:
IAP 73280052
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_167564

At Entretat-France, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Type:
Paintings
Owner/Location:
Jeffrey R. Brown P.o. Box 537 North Amherst Massachusetts 01059
Date:
1884
Topic:
Architecture--Religious--Church  Search this
Waterscape--Coast  Search this
Control number:
IAP 73280053
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_167565

La Manneporte-Entretat, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Type:
Paintings
Owner/Location:
Jeffrey R. Brown P.o. Box 537 North Amherst Massachusetts 01059
Date:
1884
Topic:
Waterscape--Coast  Search this
Control number:
IAP 73280054
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_167566

Landscape, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Type:
Paintings
Owner/Location:
Rollins College Cornell Fine Arts Museum 1000 Holt Avenue - Campus Box 2765 Winter Park Florida 32789
Date:
1904
Topic:
Landscape--Imaginary  Search this
Control number:
IAP 10390014
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_253965

Landscape with Birches, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Watercolor
Type:
Paintings
Owner/Location:
Kennedy Galleries New York New York
Topic:
Landscape  Search this
Control number:
IAP 61020239
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_74017

Western Horseman, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Kennedy Galleries New York New York
Date:
JUNE, 1877
Topic:
Western  Search this
Control number:
IAP 61022886
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_76542

Rocky Cove, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Watercolor
Type:
Paintings
Owner/Location:
Sotheby Parke Bernet New York New York
Topic:
Waterscape--Coast  Search this
Control number:
IAP 61507251
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_89546

The fine-arts etchings of James David Smillie, 1833-1909 : a catalogue raisonné / Brucia Witthoft

Author:
Witthoft, Brucia 1934-  Search this
Subject:
Smillie, James David 1833-1909 Catalogues raisonnés  Search this
Physical description:
v, 309 p. : ill. ; 24 cm
Type:
Books
Date:
1992
Call number:
N40.1.S64232 W8 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_461464

Cattle by a River, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Sotheby Parke Bernet New York New York
Date:
1878
Topic:
Landscape--River  Search this
Animal--Cattle  Search this
Control number:
IAP 61519075
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_101017

In the Adirondacks, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Sotheby Parke Bernet New York New York
Date:
Sept. 1868
Topic:
Landscape--New York  Search this
Landscape--Mountain--Adirondack Mountains  Search this
Control number:
IAP 63003467
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_121292

After Showers, Keene Valley, Adirondacks, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Henry B. Holt P.O. Box 699 Lee Massachusetts 01238
Topic:
Landscape--New York  Search this
Landscape--Mountain--Adirondack Mountains  Search this
Control number:
IAP 80045097
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_178323

Cathedral Rocks and Spires, (painting)

Painter:
Smillie, James David 1833-1909  Search this
Medium:
Oil
Type:
Paintings
Date:
AUGUST, 1871
Topic:
Landscape--Park--Yosemite National Park  Search this
Control number:
IAP 86980029
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_236702

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