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Cruise Reports and Ships Logs

Collection Creator:
United States. Army. Air Service  Search this
Container:
Box 4, Folder 6
Type:
Archival materials
Text
Date:
1924
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
United States Army Around the World Flight (1924) Collection, Acc. XXXX-0152, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Army Around the World Flight (1924) Collection
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0152-ref37

Shipping Log

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 420, Folder 1
Type:
Archival materials
Date:
1930-1932
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref16781

Shipping Log

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 354, Folder 4
Type:
Archival materials
Date:
1938-1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref15619

Transatlantic Shipping Log Book

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 354, Folder 2
Type:
Archival materials
Date:
circa 1930-1935
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref15617

Shipping Log Book, Jacques Seligmann & Fils, Paris

Collection Creator:
Jacques Seligmann & Co.  Search this
Container:
Box 354, Folder 1
Type:
Archival materials
Date:
1923-1925
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref15616

[Ship's Log - USS Langely]

Collection Source:
Buhl (Buhl-Verville Aircraft Co, Buhl Aircraft Co)  Search this
Collection Creator:
Verville, Alfred V.  Search this
Verville Aircraft Company  Search this
Container:
Box 28, Folder 5
Type:
Archival materials
Text
Date:
Oct.-Nov. 1922
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Alfred Victor Verville Papers, Acc. XXXX-0173, National Air and Space Museum, Smithsonian Institution.
See more items in:
Alfred Victor Verville Papers
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0173-ref969

Outgoing and Incoming Shipping Log, 1995-2000

Collection Creator::
Archives of American Art  Search this
Container:
Box 3 of 55
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2019; Transferring office; 3/2/1988 memorandum, Massa to Fleckner; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 06-089, Archives of American Art, Departmental Records
See more items in:
Departmental Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-089-refidd1e1061

NARA RG 24 (Records of the Bureau of Naval Personnel) Selected pages of 15 ships logs for May 17-20, 27, and 30, 1919, NNM 69-101 (3616)

Collection Creator:
Smith, Richard K.  Search this
Container:
Box 5, Roll unnumbered
Type:
Archival materials
Microform
Collection Restrictions:
No restrictions on access.

Reels of microfilm are available for review upon request.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to ue NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
50th Anniversary of the NC-4 Transatlantic Flight Collection [Smith], Acc. XXXX-0418, National Air and Space Museum, Smithsonian Institution.
See more items in:
50th Anniversary of the NC-4 Transatlantic Flight Collection [Richard K. Smith]
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0418-ref111

50th Anniversary of the NC-4 Transatlantic Flight Collection [Richard K. Smith]

Creator:
Smith, Richard K.  Search this
Names:
Curtiss Aeroplane and Motor Company  Search this
United States. Navy  Search this
Extent:
1.9 Cubic Feet (5 boxes)
Type:
Archival materials
Collection descriptions
Maps
Correspondence
Photographs
Diaries
Manuscripts
Microfilms
Publications
Date:
circa 1918-1969
Summary:
The 50th Anniversary of the NC-4 Transatlantic Flight Collection [Smith] Collection contains photocopies of correspondence, published materials, maps, and photographs. The collection also includes photocopies of aircraft logs, naval ship logs, weather reports, progress reports, biographies of the participants, information on the construction of the NC Aircraft and the general planning for the flight, and original material on the thirtieth and fiftieth anniversaries of the flight.
Scope and Content Note:
This collection was gathered by Dr. Richard K. Smith of the National Air and Space Museum, in preparation for the fiftieth anniversary of the NC-4's transatlantic flight. It contains photocopies from microfilm of documents found in the National Archives and Records Administration (NARA) Record Group 24, Records of the Bureau of Naval Personnel, and Record Group 72, Records of the Bureau of Aeronautics. The researcher will find photocopies of correspondence, published materials, maps, and photographs. The collection also includes photocopies of aircraft logs, naval ship logs, weather reports, progress reports, biographies of the participants, information on the construction of the NC Aircraft and general planning for the flight, and original material on the thirtieth and fiftieth anniversaries of the flight.

The final box of the collection (Box 5) contains 6 reels of microfilm from the National Archives and Records Administration (NARA) Record Groups 24 and 72 relating to the Trans Atlantic flight of the NC-4. As the processing archivist reviewed the microfilm, it appeared that many of the documents in boxes 1-4 were copied from the microfilm. These reels of microfilm are available for review upon request.
Arrangement:
Materials are arranged by subject and then chronologically.
Historical Note:
In 1917, the United States Navy developed specifications for a flying boat of sufficient range to cross the Atlantic to England. The Curtiss Aeroplane and Motor Company, in conjunction with the Navy, developed a three-engine aircraft. The Navy intended that the flying boat would serve as an anti-submarine patrol aircraft. The first of the new aircraft, the NC-1, flew on October 4, 1918, followed by the NC-2 on April 12, 1919. Even though World War I had ended, the Navy decided to continue the program in an effort to make the first transatlantic crossing by air. As the program progressed, the NC-2 was dismantled for parts for the other NC aircraft. On May 16, 1919, the NC-1, the NC-3, and the NC-4 assembled at Trepassey Bay, Newfoundland, to begin the 1200 nautical-mile flight to the Azores. The NC-1 was forced down short of the islands and sank, but the Greek vessel, Ionia, rescued the crew. The NC-3 landed two hundred miles short and taxied the remaining distance to the islands. The NC-4 completed the flight successfully, reaching Plymouth, England via Lisbon, Portugal, on May 31, 1919. Following publicity tours of the Atlantic and Gulf coasts of the United States, the NC-4 was given to the Smithsonian Institution and is a part of the National Air and Space Museum collection.
Provenance:
Aeronautics Division, NASM, transfer, unknown, XXXX-0418, unknown
Restrictions:
No restrictions on access.

Reels of microfilm are available for review upon request.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to ue NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Curtiss NC-1 (P2N-1)  Search this
Curtiss NC-4 (P2N-1)  Search this
Aeronautics -- Records  Search this
Transatlantic flights  Search this
Aeronautics, Military  Search this
Seaplanes  Search this
Curtiss NC-Boat Family  Search this
Genre/Form:
Maps
Correspondence
Photographs
Diaries
Manuscripts
Microfilms
Publications
Citation:
50th Anniversary of the NC-4 Transatlantic Flight Collection [Smith], Acc. XXXX-0418, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0418
See more items in:
50th Anniversary of the NC-4 Transatlantic Flight Collection [Richard K. Smith]
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-xxxx-0418
Additional Online Media:

Productions

Creator:
Smithsonian Productions  Search this
Extent:
59.04 cu. ft. (56 record storage boxes) (3.04 non-standard size boxes)
Type:
Archival materials
Collection descriptions
Motion pictures (visual works)
Audiotapes
Sound recordings
Video recordings
Videotapes
Date:
1968, 1980-1985, 1989-1994, 2002
Descriptive Entry:
This accession consists of audiovisual elements created during the production of "The Sea: A Quest for Our Future;" "Coral Reefs: New Discoveries, New Resources;" "Coral Reefs: How to Make Use of 400 Million Years of Evolution;" "Coral Reefs: Understanding Their Passage Through Time;" "Blue Planet;" "Coral Reefs and the Discovery of New Resources on a Blue Planet;" "Tides of Maine;" other films associated with the National Museum of Natural History (NMNH), Life in the Sea Hall; and a film produced for the St. Louis Zoological Park about coral reefs. Much of the footage for these films was shot between 1980 and 1983 and was often used in multiple productions. Much of the footage was shot by Karen Loveland, Producer, Smithsonian Productions and its predecessor units, during NMNH research trips to the Caribbean and Maine on the ship, Marsys Resolute. Additional footage, also shot by Loveland, was taken in the NMNH laboratories and exhibits. Many of the films feature Walter H. Adey, NMNH, Department of Botany, Curator/Research Scientist, or were narrated by Adey.

"The Sea: A Quest for Our Future" is a 60 minute film produced in 1984 and broadcast by PBS. It is a documentary on the complex ecosystems of tropical coral reefs filmed in the Virgin Islands, the Bahamas, Turks and Caicos Islands, and Belize, and it focuses primarily on research projects conducted by the NMNH Marine Systems Laboratory. The film won several awards including the 1984 Best Nature Production Award from the International TV Movie Festival; a second-place award at the 1985 National Educational Film Festival; and a 1986 Gold Medal and Diploma of the International Scientific Festival.

"Coral Reefs: New Discoveries, New Resources" is a 30-minute version of "The Sea." It was produced in 1985 and distributed for educational purposes.

"Coral Reefs: How to Make Use of 400 Million Years of Evolution" was produced in approximately 1981 and accompanied the first live coral reef exhibition at NMNH.

"Coral Reefs: Understanding Their Passage Through Time" (11:30) replaced "How to Make Use of 400 Million Years" in the live coral reef exhibition at NMNH in approximately 1985.

"Blue Planet" is a 15 minute film produced in 1985 to accompany the NMNH exhibition "Exploring Marine Ecosystems." The film focuses on work performed in the Marine Systems Laboratory and also compares and contrasts the Maine coast with a tropical coral reef. Both ecosystems were reproduced in the exhibition.

"Coral Reefs and the Discovery of New Resources on a Blue Planet" is a 28 minute film produced in 1985. It chronicles the odyssey of a dozen NMNH scientists aboard the Marsys Resolute as they explore the ecology of coral reefs in the Caribbean. The expedition seeks to discover how coral reefs are able to flourish in notoriously nutrient-poor waters. The film was produced by Karen Loveland, directed by Karen Loveland and Robert Pierce, and narrated by Paul Anthony. The film was a Blue Ribbon winner at the American Film Festival.

"Tides of Maine" is a 30-minute radio program produced in approximately 1994. It is a recording of a ship's log during a voyage from Norfolk, Virginia to the Gulf of Maine with Walter H. Adey and his crew. This audio documentary records life aboard the Marsys Resolute and chart's Adey's stories as a seafaring scientist. Adey tracks and explains plant and animal specimens encountered during the trip.
Restrictions:
Special restrictions on use of these materials may apply. Viewing copies are not currently available, but can be made for a fee, Transferring office; 4/10/2002 memorandum, Peters to SIA; Contact reference staff for details.
Topic:
Blue Planet (Motion picture : 1985)  Search this
Coral Reefs and the Discovery of New Resources on a Blue Planet (Motion picture : 1985)  Search this
Coral Reefs: How to Make Use of 400 Million Years of Evolution (Motion picture : c. 1981)  Search this
Coral Reefs: New Discoveries, New Resources (Motion picture : 1985)  Search this
Coral Reefs: Understanding Their Passage Through Time (Motion picture : c. 1985)  Search this
The Sea: A Quest for our Future (Motion picture : 1984)  Search this
Tides of Maine (Radio program : c. 1994)  Search this
Coral reef ecology  Search this
Coral reefs and islands  Search this
Marine ecology  Search this
Scientific expeditions  Search this
Genre/Form:
Motion pictures (visual works)
Audiotapes
Sound recordings
Video recordings
Videotapes
Citation:
Smithsonian Institution Archives, Accession 05-263, Smithsonian Productions, Productions
Identifier:
Accession 05-263
See more items in:
Productions
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa05-263

Partial cover of a ship's log

Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession T90043, , New England Whaling Schooner Logbooks
See more items in:
New England Whaling Schooner Logbooks
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fat90043-refd1e146

Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Type:
Archival materials
Collection descriptions
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Place:
New York (N.Y.) -- Transportation
Hudson River
Date:
1777-1965
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.

Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.

Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.

Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.

The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.

Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.

The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.

When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.

Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.

A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.

Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.
Arrangement:
Ships, Boats, and Vessels is arranged in three subseries.

Business Records and Marketing Material

General Maritime Businesses



Operation Records of Named Vessels



Shipping Lines/Conglomerates

Miscellaneous Business Records and Marketing Material

Genre

Keepsakes

Images

Ledger

Legal

News Clippings

Regulatory

Reports

Serial Publications

Stamps/Cigarette Cards

Associations and Societies

Images, Artwork, Racing, Technical Literature

Subject

Battleships, Warships

Destination Guides

Employment and Licensing

Insurance

Maritime History

Maritime Models and Art

Revue Generale Des Sciences

Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Passenger ships  Search this
Marine machinery  Search this
Ships  Search this
Shipbuilding industry  Search this
Ferries  Search this
Transportation -- Japan  Search this
River boats  Search this
Marine engines  Search this
Boats  Search this
Transportation -- Far Eastern  Search this
Ships -- Equipment and supplies  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Docks  Search this
Health  Search this
Ocean liners  Search this
Merchant Marine -- United States  Search this
Ships -- Far Eastern  Search this
Rivers  Search this
Transportation -- river boat  Search this
World War, 1939-1945 -- Merchant Marine  Search this
Harbors  Search this
Trade associations  Search this
Transportation -- 1900-1910  Search this
Boats and boating  Search this
Water transport -- 18th century  Search this
Boats -- Southeast Asia  Search this
Cargo  Search this
Local transit -- New York (N.Y.)  Search this
Sailboats  Search this
Waterways  Search this
Sailing  Search this
Transportation -- New York (N.Y.)  Search this
Local transit  Search this
Scientific expeditions  Search this
Water transfer  Search this
Transportation -- History  Search this
Wharves  Search this
Steamboats  Search this
Boats -- New York (N.Y.)  Search this
Transportation  Search this
Public health  Search this
Marine engineers  Search this
Ocean travel  Search this
Seamen -- 1910-1920  Search this
Musical performances  Search this
Transportation -- Law and legislation -- United States  Search this
Merchant seamen  Search this
Marine engineering  Search this
Models and modelmaking  Search this
Navigation  Search this
Seamen -- 1940-1950  Search this
Travel  Search this
Importers  Search this
Shipping  Search this
Cruise ships  Search this
Ships -- New York (N.Y.)  Search this
Flags  Search this
Exports -- 19th century  Search this
Genre/Form:
Menus -- Ships -- 1940-1950
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Publications -- Business
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Steamboats
See more items in:
Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-steamboats

Archives - General - Ship Logs (National Archives and Records Administration), National Archives and Records Administration (NARA), Library of Congress, Motion Pictures (Library of Congress), Naval History Center (NHC), Operations Archives, Navy Librar...

Collection Creator:
Renwick Gallery  Search this
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2019; Transferring office; 07/12/2010 memorandum, Toda to Robinson; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 10-106, Renwick Gallery, Exhibition Records
See more items in:
Exhibition Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa10-106-refd1e1556

Midtown Galleries records

Creator:
Midtown Galleries  Search this
Names:
Midtown-Payson Galleries  Search this
Betts, Edward H., 1920-  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-  Search this
Coiner, Charles T., 1897-  Search this
Davis, Gladys Rockmore, 1901-1967  Search this
Etnier, Stephen, 1903-1984  Search this
Etting, Emlen, 1905-1993  Search this
Fiene, Ernest, 1894-  Search this
Gruskin, Alan D. (Alan Daniel), 1904-1970  Search this
Gruskin, Mary J.  Search this
Guston, Philip, 1913-1980  Search this
Hale, Nathan Cabot  Search this
Healey, Francis C.  Search this
Kingman, Dong, 1911-  Search this
Lahm, Ren'ee, 1897-1945  Search this
Magafan, Ethel, 1916-1993  Search this
Maldarelli, Oronzio, 1892-1962  Search this
Mangravite, Peppino, 1896-  Search this
Martin, Fletcher, 1904-1979  Search this
Meyer, Fred  Search this
Moller, Hans, 1905-  Search this
Nagler, Edith Kroger, 1890-1986  Search this
Nagler, Fred, 1891-1983  Search this
Palmer, William C., 1906-  Search this
Parsons, Betty  Search this
Peirce, Waldo, 1884-1970  Search this
Reinhardt, Siegfried, 1925-1984  Search this
Rosenthal, Doris Patty, 1889-1971  Search this
Saarinen, Lilian Swann, 1912-1995  Search this
Schoener, Jason  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Shulkin, Anatol, 1899-1961  Search this
Simkhovitch, Simka, 1893-1949  Search this
Sokole, Miron, 1901-  Search this
Soyer, Isaac, 1902-1981  Search this
Taubes, Frederic, 1900-  Search this
Thon, William, 1906-2000  Search this
Varga, Margit, 1908-2005  Search this
Vickrey, Robert, 1926-  Search this
Wingate, Arline, 1906-1998  Search this
Extent:
86.82 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Video recordings
Date:
1904-1997
Summary:
The records of Midtown Galleries measure 86.82 linear feet and date from 1904 to 1997. The collection documents the operation and general administration of the business and includes artist records, exhibition material, inventories, financial records, photographs, and printed material.
Scope and Content Note:
Records of Midtown Galleries [including the addition], circa 1904-1997, comprise 86.82 linear feet on 117 microfilm reels. Records are sparse for the early years when the gallery was operated as a cooperative. As the business expanded and became profitable, recordkeeping was more systematic and thorough. Records consist of administrative correspondence, 1927-1989 and undated; exhibition records, 1934-1982 and undated; inventories and sales records, 1946-1980 and undated; financial records, 1933-1957; miscellaneous, 1934-1985 and undated; photographs, circa 1925-circa 1980; printed matter, 1932-1982 and undated; personal papers of Alan D. and Mary J. Gruskin, 1932-1983 and undated; and Papers of Francis C. Healey, 1932-1935 and undated An addition, represents scattered material, 1932-1997 and undated, that remained after the gallery closed in 1995. It includes administrative records, 1934-1995 and undated; photographs circa 1938-1988 and undated; artists records, 1932-1993 and undated; exhibitions, 1958-1993 and undated; videotapes, 1977-1988; and oversize printed matter, 1973-1977 and undated Because microfilmimg of the Midtown Galleries records was already underway when this material was received, it could not be integrated with the main portion of the collection.

Administrative correspondence is categorized as General Correspondence, Artists Correspondence, and Artists Applications. General Correspondence is with clients, collectors, museums and galleries, arts organizations, and businesses providing services to Midtown Galleries, and concerns routine business matters. Artists Correspondence contains both personal and business letters since the Gruskins were close friends of many artists represented by Midtown Galleries. Artists Applications consists of correspondence with artists seeking representation by Midtown Galleries. Both accepted and rejected artists are included in this subseries.

Exhibition records includes schedules and general correspondence about cooperative exhibitions and traveling shows. Exhibition files, arranged by title, contain correspondence concerning arrangements for each show.

Inventories include listings by artist and by warehouse location; also, lists of paintings on consignment, paintings returned to artists, loan/shipping log, and "traffic cards." Sales records include "groups totals,: artists account ledger, and sales slips.

Financial records consist of bills paid, banking records, accounting records, and tax returns with related documentation.

Miscellaneous items include manuscripts of Isabel Bishop Catalogue Raisonne and Biography by Karl Lunde and The Art of Philip Guston by Lester D. Longman. Also included are legal documents such as Act of Incorporation, partnership agreement, and leases; 32 guest registers, 1924-1985 and undated, and 15 samples of artist-designed fabrics produced by Onandoga Silk Co., 1946-1947.

Photographs of people include founders Alan D. Gruskin and Francis C. Healey, Mary J. Gruskin (Mrs. Alan D.) and many artists affiliated with Midtown Galleries. Photographs of works of art are by Midtown artists and others. Also, illustrations for Painting in the U.S.A. by Alan D. Gruskin; 2 albums of photographs of the work of Waldo Peirce, circa 1925-1930s (probably compiled by Peirce). Photographs of exhibitions include Midtown Galleries exhibitions and shows elsewhere featuring works by Midtown artists. Miscellaneous photographs include: Gruskin's Department Store (Pa.); models used by artists Julien Binford, Henry Koerner, and Doris Rosenthal; properties owned by Julien Binford and Hans Moeller; Anatol Shulkin's travel pictures of the Soviet Union; store window displays featuring Midtown artists, and fashion models at Midtown Galleries.

Printed matter includes material produced by Midtown Galleries: exhiition catalogs, 1932-1983 and undated; news releases, 1932-1983 and undated; Midtown News, 1965-1970; and miscellaneous items, 1943-1970 and undated Printed matter produced by others includes is comprised of artists files consisting mainly of newsclippings; also, articles about Midtown Galleries and the Gruskins.

Personal papers of Mary J. and Alan D. Gruskin contain biographical information, correspondence, financial records, miscellaneous items, calendars, and writings of Alan D. Gruskin. Correspondence, 1931-1970 and undated, with family and friends concerns personal business; also, letters of condolence on the death of Alan D. Gruskin, 1970. Financial records include personal finances and documentation of gifts of artwork to institutions, with appraisals and tax information. Calendars, 1939-1983, record both personal engagements and some business appointments. Writings of Alan D. Gruskin include manuscripts and drafts of columns, short stories, a screenplay, radio broadcasts, and lecture notes from courses at Harvard.

Papers of Francis C. Healey are comprised of correspondence that relates to both gallery and ersonal business. Also included are scripts and drafts for radio broadcasts, printed matter, press releases, and proposals for radio programs.

Administrative records received with the addition include general correspondence, correspondence with clients, and correspondence regarding gifts, sales and purchases. Records concerning the sale of Midtown Galleries to John Whitney Payson include Gruskin's and Payson's inventories. Also, included is a history of the gallery.

Photographs are of the Gruskins, their friends, and country house; also, views of Midtown exhibitions, openings, artists, and individual works of art.

Artists records are comprised mainly of artists files, largely containing printed matter. Among the artists records are a file of holiday cards by various artists, many with original artwork. Also included are catalogs of group shows featuring Midtown artists at other galleries

Exhibition materials include announcements, news releases, catalogs, miscellaneous printed matter, and a guest book. A small number of these items are dated after Payson's purchase of Midtown Galleries.

Videotapes of William Palmer, Isabel Bishop, and Robert Vickrey, as well as oversize printed matter relating to Midtown artists, complement the artists records.
Arrangement:
The collection is arranged into 10 series. A detailed explanation of the arrangement of each series is provided with the series descriptions. Each series is subdivided, often by record type, with categories usually arranged chronologically; exceptions are noted. Administrative correspondence (Series 1) is arranged alphabetically, as are many inventories sales records (Series 3). Photographs of people, exhibitions, and works of art (Series 6) are arranged alphabetically, as are the artists files and exhibition clippings portions of the printed matter (Series 7). The addition is described separately in Appendix A; and, wherever possible, reel and frame numbers of related materials received and filmed with the addition have been included in the main text's series descriptions.

Series 1: Administrative Correspondence, 1927-1989, undated (51 linear ft.)

Series 2: Exhibitions, 1932-1982, undated (4 linear feet)

Series 3: Inventories and Sales Records, 1932-1980, undated (5.3 linear ft.)

Series 4: Financial Records, 1933-1957 (3.5 linear feet)

Series 5: Miscellaneous, 1934-1985, undated (2 linear feet)

Series 6: Photographs, circa 1925-circa 1980 (6.5 linear feet)

Series 7: Printed Matter, 1932-1990, undated (7.25 linear ft.)

Series 8: Personal Papers of Alan D. and Mary J. Gruskin, 1904-1990, undated (4.5 linear feet)

Series 9: Papers of Francis C. Healey, 1932-1935, undated (0.5 linear ft.)

Series 10: Addition, 1932-1997, undated (2.5 linear feet)
Historical Note:
Alan D. Gruskin (1904-1970) hoped to become an artist, but while still a student realized that his talents were better suited to art administration than painting. Following graduation from Harvard University, he worked at a New York gallery that specialized in old masters, returning home to Pennsylvania after a year to pursue a writing career that ultimately proved unsuccessful. Gruskin returned to New York and opened Midtown Galleries at 559 Fifth Avenue in 1932. Specializing in work by living American artists, Midtown was one of a rather small number of commercial galleries in New York City that showed contemporary American art. Midtown Galleries represented academic and realist painters, and purposely avoided abstract art.

Founded during the Depression, Midtown Galleries was a shoe-string operation in its early years. Originally operated as a cooperative, Midtown Galleries' participating artists contributed to the costs and work of presenting exhibitions. Between 1932 and 1935, Gruskin served as "Art Director" of the gallery and his business partner, Francis C. Healey was "Publicity Director." Healey appears to have been responsible for weekly broadcasts on NBC radio designed to interest people in visiting the gallery. The 15-minute programs consisted of discussions with museum directors, curators, artists, writers, and musicians about a broad range of cultural topics. Copies of the scripts were offered for a dime, and the payments mailed by radio listeners bought Gruskin's meals. During this period, Gruskin lived in the gallery. After Healey's departure in 1935, Midtown Galleries ceased to be run as a cooperative.

Midtown Galleries usually represented approximately two dozen artists, and many remained with the gallery for decades. They included: Julien Binford, Isabel Bishop, Paul Cadmus, Gladys Rockmore Davis, Emlen Etting, Maurice Freedman, Dong Kingman, Oronzio Maldarelli, William C. Palmer, Waldo Peirce, Doris Rosenthal, Zoltan L. Sepeshy, Frederic Taubes, William Thon, Margit Varga, and Robert Vickrey.

Gruskin worked to educate and interest the public in American art and to promote the artists he represented. In addition to countless reviews, articles, and catalog essays, he wrote three books: Painting in the U.S.A. (1946), The Watercolors of Dong Kingman and How the Artist Works (1958), William Thon: The Artist and His Technique (1964). Gruskin advocated the use of fine art in advertising and industry, obtaining commissions for his artists and at the same time assisting clients in building corporate collections. A prime example is the Upjohn Company which, at Gruskin's urging, included reproductions of paintings in "Your Doctor Speaks," a series of public service announcements. Many of the paintings were purchased subsequently, forming the basis of the Upjohn Collection. A traveling exhibition, The Upjohn Company Collection of Contemporary American Paintings, was circulated by Midtown Galleries and featured in a Life magazine article about fine art and advertising. Another example is the fabric patterns, based on paintings by several of Midtown Galleries' artists, commissioned by the Onandoga Silk Company; the fabrics were used for dresses by popular designers, with fashion shows and window displays of paintings by the participating artists at selected department stores throughout the country. Working closely with architects and interior designers, Gruskin and Midtown Galleries were innovators in the use of domestic and business settings to showcase art with Art In Interiors, a series of exhibitions held annually between 1952 and 1961.

Midtown Galleries was a pioneer in circulating traveling exhibitions to colleges and art associations in communities distant from major art museums and commercial galleries. Beginning in 1936 and or more than 35 years, Midtown Galleries circulated 8-10 shows throughout the country each year; most were group shows organized around a theme, though occasional solo exhibitions were offered. Other important exhibitions off the premises were the Central Illinois Art Exposition, 1939, and the contemporary American art exhibition at the New York World's Fair, 1964-1965. The 1939 show organized by Gruskin for the Bloomington, Illinois, Art Association was a large exhibition of American art borrowed from a variety of institutions; the very well-publicized show was heavily attended, drawing visitors from a large area of the rural Midwest, many of whom had never visited a museum or seen original art.

1932 -- established as a cooperative gallery at 559 Fifth Ave. by Alan D. Gruskin (Art Director) and Francis C. Healey (Public Relations Director); Midtown Galleries presented programs on contemporary American art broadcast by NBC radio

1934-1935 -- Tudor City Art Galleries at 8 Prospect Place, New York City, featuring works by Midtown Galleries' artists and others, administered by Gruskin and Healey

1935 -- departure of Francis C. Healey; gallery moved to 605 Madison Ave.; gallery ceased to be run as a cooperative

1936 -- began traveling exhibitions to universities, museums, and regional art associations

1939 -- Central Illinois Art Exposition (Bloomington, Ill.)

1946 -- San Francisco branch opened and closed; publication of Painting in the U.S.A. by Alan D. Gruskin

1951 -- gallery moved to 17 East 57th Street

1958 -- publication of The Watercolors of Dong Kingman and How the Artist Works by Alan D. Gruskin

1962 -- gallery moved to 11 East 57th Street

1964 -- exhibition of contemporary American art at the New York World's Fair, organized by Midtown Galleries; shown in American Interiors Pavilion, this was the only exhibit of its kind at the Fair; publication of William Thon: The Artist and His Technique by Alan D. Gruskin

1966 -- loan of Midtown Galleries' records for microfilming by the Archives of American Art; this small selection, along with many other gallery records, was donated by Mary Gruskin to the Archives between 1972 and 1991, with an additional gift in 1997

1970 -- death of Alan D. Gruskin (1904-1970); Mary J. Gruskin assumes position of Director

1972 -- first portion of Midtown Galleries' records donated to the Archives of American Art by Mrs. Gruskin

1985 -- sale of Midtown Galleries to John Whitney Payson; Bridget Moore, Director, and Mary J. Gruskin, Director Emerita

1986 -- majority of Midtown Galleries' records acquired by the Archives of American Art

1990 -- name changed to Midtown-Payson Galleries; gallery moved to 745 Fifth Ave.

1991 -- additional gift of records by Mrs. Gruskin

1992 -- records arranged, described, and prepared for microfilming

1993 -- microfilming began; continued sporadically, in small segments

1995 -- Midtown-Payson Galleries closed

1997 -- additional gift of records by Mrs. Gruskin

1999 -- microfilming completed
Provenance:
Midtown Galleries loaned a small number of records consisting of news releases, 1939-1966, and exhibition schedules to the Archives of American Art for microfilming in 1966. Subsequently, Mary J. Gruskin donated this material, along with many other gallery records, to the Archives in several installments between 1972 and 1991; an additional gift was received in 1997. The portion loaned in 1966 is now integrated with the main records and has been refilmed in sequence. Unfortunately, the addition of 1997 was received in Washington, D.C. after microfilming was well underway. The addition has been microfilmed and described separately as Series 10. Wherever possible, the main text has been annotated with reel and frame numbers for related items contained in the addition.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Midtown Galleries records are owned by the Archives of American Art, Smithsonian Institution. Rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Photographs
Video recordings
Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
Identifier:
AAA.midtgall
See more items in:
Midtown Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-midtgall

Charles Francis Hall Collection

Creator:
Field, Cyrus  Search this
Hall, Charles Francis, 1821-1871  Search this
Franklin, John, 1786-1847  Search this
Royal Geographic Society.  Search this
Everett, Edward, 1794-1865  Search this
Correspondent:
Henry, Joseph, 1797-1878  Search this
Extent:
3.5 Cubic feet (12 boxes)
Type:
Collection descriptions
Archival materials
Notebooks
Ships' logs
Scrapbooks
Letters (correspondence)
Navigation charts
Business cards
Place:
Arctic regions -- Discovery and exploration
Date:
1858-1871
Summary:
The collection documents Hall's Arctic exploration.
Scope and Contents:
Diaries, journals, notebooks, scrapbooks, business cards, correspondence, ships' logs, navigation charts and documents on Hall's Arctic exploration. The correspondence includes letters to and from Henry Grimmell, William Grimmell, J. Carson Brevoont, John Barrow, Cyrus Field, Edward Everett, Clement Markham, Joseph Henry, and the Royal Geographic Society.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Charles Francis Hall (1821-1871) was an American Arctic explorer.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Explorers  Search this
Genre/Form:
Notebooks
Ships' logs
Scrapbooks -- 19th century
Letters (correspondence) -- 1850-1900
Navigation charts
Business cards
Citation:
Charles Francis Hall Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0702
See more items in:
Charles Francis Hall Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0702
Additional Online Media:

[Charles Francis Hall's Ship Log and Journal Number 1]

Author:
Hall, Charles Francis, 1821-1871  Search this
Collection Creator:
Field, Cyrus  Search this
Hall, Charles Francis, 1821-1871  Search this
Franklin, John, 1786-1847  Search this
Royal Geographic Society.  Search this
Everett, Edward, 1794-1865  Search this
Extent:
1 Item (8.3" x 12.5".)
Container:
Box 2, Folder 4
Type:
Archival materials
Diaries
Place:
Arctic regions -- Discovery and exploration
Date:
July 1860-1861 September
Scope and Contents:
Charles Francis Hall's Ship Log and Journal Number 1, Dated July 1860 to September 1861
Local Numbers:
AC0702-0000009
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Explorers  Search this
Genre/Form:
Diaries -- 19th century
Collection Citation:
Charles Francis Hall Collection, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Charles Francis Hall Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0702-ref31

Ship Log with Field Notes

Collection Creator:
Waugh, Donald.  Search this
Waugh, Leuman Maurice, 1877-1972.  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
Jul 1929-Aug 1930
Collection Restrictions:
Access restricted. Researchers should contact the NMAI Archivist for an appointment to access the collection.

Access restricted. Some dental records may be restricted from access, reproduction, or publication under personal health information privacy provisions of the Health Insurance Portability and Accountability Act (HIPAA) of 1996. Researchers should contact the NMAI Archies Center 301-238-1400 or nmaiarchives@si.edu for an appointment to access the collection.
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Leuman Maurice Waugh collection, 1909-1963. National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Leuman Maurice Waugh collection
Leuman Maurice Waugh collection / Series 1: Dental Study Data and Logistics
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-003-ref33

Shipping Log

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Collector:
Johnson, Frederick, 1904-1994  Search this
Churchill, Frank C. (Frank Carroll), 1850-1912  Search this
Davis, Edward H., b. 1862  Search this
Churchill, Clara G.  Search this
Harrington, M. R. (Mark Raymond), 1882-1971  Search this
Harvey, Byron  Search this
Emmons, George Thornton  Search this
Gridley, Marion E. (Marion Eleanor), 1906-1974  Search this
Wildschut, William  Search this
Stiles, William F., 1912-1980  Search this
Verrill, A. Hyatt (Alpheus Hyatt), 1871-1954  Search this
Skinner, Alanson, 1886-1925  Search this
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Harvey, Fred  Search this
Keppler, Udo J., 1872-1956  Search this
Lothrop, S. K. (Samuel Kirkland), 1892-1965  Search this
Barrett, S. A. (Samuel Alfred), 1879-1965  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Collection Director:
Dockstader, Frederick J.  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
Collection Source:
Force, Roland W.  Search this
Burnett, Edwin K.  Search this
Container:
Box 185, Folder 1
Type:
Archival materials
Date:
1951 - 1960
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-ref14462

Shipping Log

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Collector:
Johnson, Frederick, 1904-1994  Search this
Churchill, Frank C. (Frank Carroll), 1850-1912  Search this
Davis, Edward H., b. 1862  Search this
Churchill, Clara G.  Search this
Harrington, M. R. (Mark Raymond), 1882-1971  Search this
Harvey, Byron  Search this
Emmons, George Thornton  Search this
Gridley, Marion E. (Marion Eleanor), 1906-1974  Search this
Wildschut, William  Search this
Stiles, William F., 1912-1980  Search this
Verrill, A. Hyatt (Alpheus Hyatt), 1871-1954  Search this
Skinner, Alanson, 1886-1925  Search this
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Harvey, Fred  Search this
Keppler, Udo J., 1872-1956  Search this
Lothrop, S. K. (Samuel Kirkland), 1892-1965  Search this
Barrett, S. A. (Samuel Alfred), 1879-1965  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Collection Director:
Dockstader, Frederick J.  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
Collection Source:
Force, Roland W.  Search this
Burnett, Edwin K.  Search this
Container:
Box 184, Folder 11
Type:
Archival materials
Date:
1927 - 1951
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-ref14463

Leo Baekeland Diary Volume 57

Author:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Collection Creator:
Baekeland, L. H. (Leo Hendrik), 1863-1944  Search this
Extent:
1 Item (6.0" x 3.5")
Container:
Box 22, Folder 1
Type:
Archival materials
Diaries
Date:
1936 May 18-1937 March 27
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Family -- 20th century  Search this
Genre/Form:
Diaries -- 20th century
Collection Citation:
Leo Baekeland Papers, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Leo H. Baekeland Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0005-ref346
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