Brumbaugh, Thomas B. (Thomas Brendle), 1921- Search this
Extent:
11 Items (Letters, written in ink, ball point, graphite)
1 Photograph
Type:
Archival materials
Photographs
Correspondence
Date:
1818-1847
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Robert Reid, Hugo Robus, Thomas Prichard Rossiter, Eugene Speicher, John Greenleaf Whittier and Peter A.B. Widener.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Erastus D. Palmer was an American sculptor. He sculpted portrait busts and religious bas-reliefs in a style that combined neoclassical idealism and realism. His most famous sculpture is "The White Captive," which depicts a young girl who has been captured by Native Americans.
Isaac Newton Phelps Stokes was an American architect born into the wealthy Phelps Stokes family. He designed St-Paul's Chapel at Columbia University and some residential buildings in New York. Phelps Stokes also published The Iconography of Manhattan Island, a six volume work about New York City. He commissioned John Singer Sargent to paint a portrait with himself and his wife, Edith née Minturn.
Robert Reid was an American artist who studied in New England and Paris. He began by painting French peasants, but became known for his murals and stained glass designs. Some of his work can be found in the Congressional Library in Washington, D.C.
Hugo Robus was an American painter and sculpture from Ohio. He studied in the United States and Paris, and then taught at the Modern Art School in New York. He worked in a very lyrical cubist style, usually with people as his subject.
Thomas Prichard Rossiter was an American painter born in New Haven, Connecticut. He traveled throughout Europe, painting portraits along the way, and he kept a studio in Paris. He painted mostly portraits, but also completed a series of paintings depicting the life of Christ.
John Frederick Kensett was an American artist and engraver who worked in New Haven, Connecticut, and New York City.
Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.
Eugene Speicher was an American realist painter from Buffalo, New York. He attended the Art Students League, and then studied in Europe for a few years. He was considered a leading portrait artist in America at the time, favoring female subjects. Speicher won numerous awards for his work, and was appointed Director of the American Academy of Arts and Letters in 1945.
Max Weber was a Russian-born Jewish-American cubist. He studied with Matisse, Rousseau, and Picasso in Paris. Weber helped introduce cubism to America.
John Greenleaf Whittier was an American Quaker poet. Whittier was an ardent abolitionist who was extremely influenced by the doctrines of humanitarianism, compassion, and social responsibility found in Quakerism. He was a founding member of the American Anti-Slavery Society, and worked as a lobbyist. He is remembered today for his patriotic poetry, and his poems that were later turned into hymns.
Paul Hayne was an American poet who Whittier references in his letter to the publishers Houghton, Mifflin & Co. Hayne had just died, and his son, W.H. Hayne, wanted to edit his later poems for publication.
Widener (1834-1915) was an American businessman from Pennsylvania. During the Civil War, he supplied meat to the Union Army. By investing in trolley cars and public transit services, Widener became quite successful and wealthy. He was an avid art collector whose collection included works by Rembrandt, Edouard Manet, and Auguste Renoir. He is considered one of the top 100 wealthiest Americans of all time.
Local Numbers:
FSA A2009.06 6
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Kenneth Lynch ; Kenneth Lynch & Sons, Inc. ; A. M. Byers Co. ; F. H. McGraw & Co. ; Kenneth Lynch & Son, Inc. ; Kenneth Lynch Inc. (NY) Search this
Notes content:
three containers OVERSIZE ; "The Book of Garden Ornament: 2076" ; figures ; weathervanes ; clocks ; urns ; stone balusters ; shingles and siding ; stone , "Canterbury Bronze" or "Eternity Lead" statuary ; benches ; "Devotional Pieces" , religious themed sculpture ; "Japanese Stone Lanterns" ; other Asian-inspired sculpture ; animal sculptures ; tablets and plaques ; finials ; planters ; bird baths ; topiary forms ; "rain trees" ; pool systems for fountains ; pedestals ; sundials ; stanchions ; "snow guards ; "bollards" ; steel curbing ; door knockers and shoe scrapers ; treillage ; trellises ; andirons ; other fireplace equipment ; "Outdoor Cooking" supplies ; charcoal grill and accessories ; art gallery and museum equipment ; reflectors ; picture rods ; picture wire and picture chain ; show cases ; other art gallery and museum supplies ; other decorative lawn and garden pieces ; "A Steeple and A Weathervane" , detailing the reconstruction of the steeple and weathervane of the "Old North Church" or "Christ Church" damaged by Hurricane Carol in 1954 [a successor to the church steeple that Robert Newman hung lanterns in to give Paul Revere the signal regarding the British invasion] in Boston, MA , in cooperation with the A. M. Byers Co. and F. H. McGraw & Co. ; "Manship" or "Outdoor Sculpture by Paul Manship" [the sculptor of the "Prometheus" figure in Rockefeller Center] ; "Ornaments and Symbols of Eternity Lead for Stained Glass, Lighting Fixtures and Other Ornamental Purposes" . 3 pieces in Oversize : Stone , lead , bronze , and other metal garden ornaments ; wrought iron and ironwork ; garden furniture and accessories ; bronze tablets ; decorations ; "Handbook of Church Lighting" with layouts and fixtures ; smithing tools ; anvils ; coppersmithing tools ; silversmithing tools ; Two Guernsey's auction catalogs from 1985 included: "Smithing tools and items related to the art of smithing;" "Architectural, Ornamental and Decorative Objects;"
Includes:
Trade catalog and price lists
Black and white images
Physical description:
18 pieces; 4 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Wilton, Connecticut, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials Search this
The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The collection consists of copied biographical papers, recordings, correspondence, and printed material related to O'Keeffe, and 97 recorded interviews related to the life of Louise Nevelson. The outcome of Lisle's research on O'Keeffe resulted in her book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980); and on Nevelson, Lisle authored, Louise Nevelson: A Passionate Life (1990).
Scope and Contents:
The Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson measures 3.4 linear feet and dates from 1902-1990. The O'Keeffe portion of the collection consists of biographical papers, recordings, correspondence, and printed material. Biographical material includes academic records, maps and ephemera regarding O'Keeffe's various residences, and legal records concerning law suits and her will. The correspondents in this series include artists, gallery representatives and collectors, and exhibition organizers. Printed material consists of newspaper clippings, magazines, and exhibition announcements for both her and her husband, Alfred Stieglitz. Also included in the printed material is a file pertaining to Laurie Lisle's book, Portrait of an Artist: A Biography of Georgia O'Keeffe (1980).
The research material on Louise Nevelson consists of 97 audiocassettes featuring interviews with Louise Nevelson, some members of the Nevelson family, artists, dealers, and peers. The recordings were gathered in preparation for Lisles biography on Nevelson, Louise Nevelson: A Passionate Life (1990).
Arrangement:
Collection is arranged as two series.
Series 1: Research Files on Georgia O'Keeffe, 1902-1990 (1 linear foot; box 1)
Series 2: Interviews of and Related to Louise Nevelson, 1975-1988 (2.4 Linear feet; shoeboxes 2-7)
Biographical / Historical:
Laurie Lisle is an art historian and author in Sharon, Connecticut. Lisle is originally from Providence, Rhode Island and attended college at Ohio Wesleyan University. After college she held positions at The Providence Journal and Newsweek magazine. She has published five books covering the topics of art history, education, sociology, and her own life. Lisle is married to painter and printmaker Robert Kipniss.
Georgia O'Keeffe (1887-1986) was born in Sun Prairie, Wisconson in 1887. She was an artist who is mostly known for painting flowers, New York Skyscrapers, and New Mexico landscapes. O'Keeffe began high school at Sacred Heart Academy in Madison, Wisconsin, but ultimately graduated from Chatham Episcopal Institute in Virginia after her family moved to Williamsburg, Virginia in 1902. O'Keeffe went on to study at the School of Art Institute of Chicago, Art Students League, Teachers College of Columbia University, and taught art at high schools in Texas and at Chatham Episcopal Insitute, Columbia College, and became the chair of the art department at West Texas State Normal College. O'Keeffe's art was ultimately promoted by Alfred Stieglitz who, although eventually marrying O'Keeffe in 1924, first exhibited her artwork at his esteemed 291 gallery in New York City. O'Keeffe's fame as an artist took off from there. O'Keeffe was a member of the American Academy of Arts and Letters; she received the Presidential Medal of Freedom in 1977 and the National Medal of Arts in 1985; and in 1993 was inducted into the National Women's Hall of Fame.
Louise Nevelson (1899-1988) was born in Kiev, Russia in 1899. Her parents, Isaac and Minna Berliawsky, and their children emigrated to America in 1905 and settled in Rockland, Maine. She decided upon a career in art at an early age and took some drawing classes in high school, before graduating in 1918. Two years later, she married Charles Nevelson, a wealthy businessman, and moved to New York. She proceeded to study painting, drawing, singing, acting, and eventually dancing. In 1922, Nevelson gave birth to a son, Myron (later called Mike). Beginning in 1929, Nevelson began to study art full-time at the Art Students League, where she took classes with Kenneth Hayes Miller and Kimon Nicolaides. In 1931, she went to Europe and studied with Hans Hofmann in Munich before traveling to Italy and France. Over the years, she received honorary degrees from Rutgers University and Harvard University, among other schools, as well as numerous awards, including the Brandeis University Creative Arts Award in Sculpture and the Skowhegan Medal for Sculpture in 1971, the gold medal for sculpture from the American Academy of Arts and Letters in 1983, and the National Medal of the Arts in 1985.
Related Materials:
The Archives of American Art also houses the Louise Nevelson papers, circa 1903-1979.
Provenance:
This collection was donated by Laurie Lisle in two separate installments. The material on Georgia O'Keeffe was donated in 1991, and the material on Louise Nevelson was donated in 2004.
Restrictions:
This collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
International Flower Show: Class 1--Picture; formal, symmetrical arrangement in urn-shaped container; 2nd Prize--Fenwick Medal Winner; by Mrs. Philip Ives, Hortulus Club [Connecticut]
Mount reads: "Color Transparency by F. W. Cassebeer, New York, N. Y."
Historic plate number: "23."
In an article about the flower show in the Bulletin of the Garden Club of America (No. 8 [11th Series]), May 1948, p. 15, Paul Manship is credited with the design of the urn as well as the Pekingese dog and Persian cat sculptures. All three were moulded bronze castings. The dog and cat forms were used frequently in other expressions, such as table lamp bases and candelabra.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Hartford -- Hartford
Scope and Contents:
The folder includes worksheets and photocopies of plans.
General:
The original landscape was designed by landscape architect Thomas M. Desmond in the 1920's when the Federal-style brick house was built on a two-thirds acre lot in a newly developed neighborhood. Remaining features from the early gardens include a sugar maple tree in front of the house, a weeping beech at the side near the sun porch, curving beds along the back and side perimeters with mixed conifers, and winding paths of stepping stones. A venerable Japanese maple next to the original bluestone patio was pruned to reveal its branching structure, wisteria was removed from the house, and there are plans to remove rhododendron that have grown unattractive. Desmond's original planting plan had five fruit trees placed around the back lawn, a cutting salad garden, and a service area outside the laundry room, now converted to a breakfast room that opens to a new second patio. A curved drive in front of the house that connects to the original driveway leading to the garage was built in the 1980's.
From the driveway the garden is entered through an archway. The expanse of back lawn is used for games and entertaining and to display a stainless steel sculpture "Monogenesis #1" by Peter Diepenbrock. A curving stone wall in one corner is the backdrop to a planted bed and containers. The western bed of evergreens also has flowers planted on either side of the path of stepping stones.
In 1929 the architect Clifton C. West wrote articles for the Hartford Courant newspaper called "Your Prospective Home" with recommendations for designing houses and gardens that match the design of this house.
Persons associated with the garden include Samuel Gross (former owner, 1923-1938); Elbridge M. Beecher (former owner, 1938- ); James A. and Karen P. Grigsby (former owners, dates unknown); Clifton C. West (architect, 1923); Thomas M. Desmond (1884-1950) (landscape architect, 1924); Edward Cape/Wilhelm Associates (architectural renovations drawings, 1985); Peter Diepenbrock (sculptor, 2002).
Related Materials:
Easter House related holdings consist of 1 folder (34 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Middlesex County -- Middletown
Scope and Contents:
The folder includes worksheets, photocopies of articles, and write-ups of the property's history.
General:
The Spiral of Life Gardens is transformative in many senses. What was once an ordinary one-acre suburban lot with lawn, shrubs and a dogwood tree now has about 120 native plants in free-form garden beds and habitats, and learning stations for the classes that visit. The owner and designer of the garden drew on concerns about the environment and her own spiritual convictions when she began the transformation by creating a sacred universe garden in a spiral directly behind the house that has a honeysuckle bush and birdbath at its center and native purple flowers including coneflower, false indigo and bee balm along with inspirational messages posted beside the pathway. Irregularly-shaped beds throughout the property are connected by grass paths and each is named for a particular function or concept, such as invitation, Zen, butterfly, peace, rain, and memorial. The plot is bordered on one side by land trust woodlands that, along with the garden's planted habitat edges, provide food and cover for wildlife. According to Vivian Felton, a conservationist with the USDA Natural Resource Conservation Service and local contact for its Ecological Landscaping Network, the garden reflects three themes: environmental awareness, diversity of plantings for wildlife conservation, and spiritual experience.
In 2006 the Spiral of Life garden was approved as an educational site for the New England Wildflower Society which holds programs each June on the property. Also starting in 2006 Connecticut wildlife biologist Peter Picone has been convening educational programs in the Spiral of Life garden. The Connecticut River Coastal Conservation District cited the owner with a special merit award on October 18, 2008. Water conservation is achieved by the use of rain barrels to collect roof runoff and the use of permeable surfaces for the driveway and walkways. The garden has been open for visitors and students interested in its spiritual and ecological qualities.
The Peace Garden features a large sphere painted to resemble the earth as it is seen from space, which was sculpted by Kim Kuzina. The sphere is surrounded by rock compositions based on the Inuit peoples' inukshuks, which are used as navigational aids to good fishing holes.
Persons associated with the garden include Hazel G. and William C. White (former owners of property, prior to 1958); John L. Skinner (former owner, circa 1958-1965); Kim Kuzina (sculptor of "Peace" sphere, 2003); Vivian Felten (USDA Natural Resource Conservationist, 2003); Greg Lowenberg (New England Wildflower Society Educator, 2006); Peter Picone (Connecticut wildlife biologist, 2006-2009).
Related Materials:
Spiral of Life Gardens related holdings consist of 1 folder (15 35 mm slides (photographs))
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Fairfield County -- Newtown
Scope and Contents:
The folder includes a worksheet and garden plan.
General:
Echo Valley Garden was transformed from an old farm property over a 40-year time span. In the large garden behind the house, island beds are set at the north and west of a spacious lawn. To the west, a 100 ft. long border of bulbs, perennials and a collection of daylilies runs irregularly along a sloping bank. The fall of the land to the east is defined into upper and lower lawns by a long juniper hedge trimed close on the edge of the upper lawn to carry the eye along the vista. The lower lawn, once an orchard, is planted with flowering trees and shrubs around two old apple trees. Circling the property are old fieldstone walls with an electric deer fence. A feature of this garden is its many controlled contrasts of form and color. Island beds consist of of dwarf evergreens, variegated plants, flowering perennials, and ornamental grasses. Around the house is a seasonal display of small and large containers filled with colorful exotics and annuals.
Persons and organizations associated with the property include: John H. Mulliken (former owner, 1911-1940); Isabel Y. Knox (former owner, 1940-1960); Elizabeth MacDonald (sculptor of ceramic and fountain globes); Emil Racenet (twig and metal gate); and Sydney Eddison (garden designer, 1960-present).
Related Materials:
Echo Valley Garden related holdings consist of 1 folder (27 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Litchfield County -- Sharon
Scope and Contents:
The folder includes a worksheet and abbreviated garden plan.
General:
Cobble Pond Farm comprises 250 acres with meadows, wetlands, a 22-acre pond that was lined with granite blocks, or cobbles, from an abandoned castle, a sunken garden, a formal Italianate secret garden, long herbaceous perennial borders, a sugar maple and dogwood allée, a cutting and vegetable garden, and farm animals including Aberdeen Angus cows and rescued horses, donkeys and llamas. The original garden was designed beginning circa 1930 by landscape architects Percival Gallagher and Edward Clark Whiting from the Olmsted Brothers firm. The Olmsted plan blends the formality of a European garden with the bucolic landscape of the surrounding areas. Within the formal areas there are broad lawns, stone footpaths and low stone walls defining the garden rooms.
Although the garden was severely overgrown in some places and unplanted in others the current owners discovered old plans and researched the original garden before commencing to recreate it. The formal garden rooms were planted in a more contemporary style with perennials and shrubs rather than the bedding annuals from the original plans, and the old flagstone walkways were replaced with bluestone. The Italianate garden is centered with a fountain and divided into four quadrants with hedges of clipped yew. Nearby stands an apple orchard and a pergola planted with wisteria and climbing hydrangeas. The sunken garden is anchored at one end by a one-hundred year old copper beech and contains two topiary lilacs, clematis, hydrangeas, and climbing roses. In spring the cutting garden's rectangular beds are filled with the bright colors of daffodils and tulips while the summer brings on more muted colors, featuring sambucus black lace and a weeping katsura tree.
Outbuildings include a garden hospital for plants needing attention. The surrounding woodlands were the source for the mature sugar maples in the allée, and saplings are still being transplanted to the formal garden areas. The summer house built in the 1920s was named Tintern Abbey after the poem by William Wordsworth.
Persons associated with the property include: James Punnett (former owner, ca. 1905); the Schwab Family (former owners, 1905-1921); Harold A. and Margaret Milliken Hatch (former owner, 1921-1981); James T. and Kathleen M. Metz (former owners, 1981-1986); Kathleen M. Metz (former owner, 1986-1992); Huntington and Kildare, Inc. (former owners, 1992 - 2002); Olmsted Brothers (landscape architects, 1929-1950); Fred McGourty (horticulturist,1984 - 2003); Marsha Kaufman (horticulturist, 2001 to date); Harold A. Hoyt (landscape gardener, 1983); Agnes K. Dzenutis (landscape designer and gardener, 1984-1999); Dave Enos (gardener and greenskeeper, 1995); Heathcote M. Woolsey (architect, 1946); David Colbert (sculptor, 1999).
Related Materials:
Cobble Pond Farm related holdings consist of 1 folder (33 35 mm. slides and 37 digital images)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 09045, Harold A. Hatch.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Litchfield County -- Warren
Scope and Contents:
The folder includes a worksheet and abbreviated garden plan.
General:
The gardens on this 80-acre property were created and are maintained by the current owners. Established in 1976, the gardens include an enclosed (circle in a square) dooryard garden; a fenced "Grandmother's Garden," centered on a sundial; a potager; and a woodland garden with a collection of species primula raised from seed. Other landscape features include ponds, barns, meadows, and fruit trees. The gardens complement the house, a saltbox built in 1738.
Persons associated with the garden include: Samuel Whitlock and descendants (former owners, ca. 1750); Ebenezer Marsh (former owner, ca. 1758); Zebulon Gritman and descendants (former owners, ca. 1833); Gary Weisman (sculptor, 1997-1998); and Nathaniel Hill (artist, 1998).
Related Materials:
Marsh-Whitlock Farm related holdings consist of 1 folder (17 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Fairfield County -- Greenwich -- Riverside
Date:
1937 May.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Fairfield County -- Greenwich -- Riverside
Date:
1937 May.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Fairfield County -- Greenwich -- Riverside
Date:
1937 May
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Connecticut -- Fairfield County -- Greenwich -- Riverside
Date:
1937 May.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
