Skip to main content Smithsonian Institution

Search Results

Collections Search Center
67 documents - page 1 of 4

Clement Greenberg papers

Creator:
Greenberg, Clement, 1909-1994  Search this
Names:
American Committee for Cultural Freedom  Search this
Avedisian, Edward, 1936-2007  Search this
Bannard, Walter Darby, 1934-  Search this
Baziotes, Ethel  Search this
Bush, Jack, 1909-  Search this
Caro, Anthony, 1924-  Search this
Connolly, Cyril, 1903-1974  Search this
Davis, Gene, 1920-1985  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dorazio, Piero, 1927-  Search this
Dzubas, Friedel, 1915-  Search this
Emmerich, AndrĂ©  Search this
Feeley, Paul, 1910-1966  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Peter, 1947-1990  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hosaisson, Philippe  Search this
Kainen, Jacob  Search this
Krauss, Rosalind E.  Search this
Moffett, Kenworth  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-  Search this
O'Faolin, Nuala  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Rothko, Mark, 1903-1970  Search this
Sander, Ludwig, 1906-  Search this
Smith, David, 1906-1965  Search this
Smith, Kimber, 1922-1981  Search this
Solomon, Deborah  Search this
Still, Clyfford, 1904-  Search this
Truitt, Anne, 1921-2004  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Etchings
Photographs
Reports
Date:
1937-1983
Summary:
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Scope and Content Note:
The papers of influential New York art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers (7 feet) consists of letters from art critics, artists, family, friends, galleries, and museums, with some letters from Greenberg. Correspondents include Edward Avedisian, Darby Bannard, Ethel Baziotes, Jack Bush, Anthony Caro, Gene Davis, Richard Diebenkorn, Piero Dorazio, Friedel Dzubas, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, and Leslie Waddington.

Biographical materials include a transcript of an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence regarding his lectures and seminars, requests for his writings, student queries, documents regarding his television and radio appearances, royalty statements, and receipts for gifts of works of art. Also found within business records are documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski entitled "Spring." The papers contain very few of Greenberg's writings about art. Found are lists of artists, and reports written by Greenberg on the state of art in Japan and India in 1967, likely related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of ACCESS RESTRICTED papers contains documents relating to Greenberg's role as a trustee in the David Smith estate; correspondence between Greenberg with Andre Emmerich and Peter Fuller, Nuala O'Faolain, and the Greenberg family; and some financial materials regarding the sale and loan of Greenberg's art collection.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Information, circa 1950s-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1940-1983 (Box 1; 12 folders)

Series 3: Correspondence, 1937-1983 (Boxes 1-8; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: Restricted Material, 1963-1983 (Boxes 9-11; 1.2 linear feet)
Biographical Note:
Clement Greenberg was a highly influential art critic working in New York City from the 1940s through the 1960s. He was an advocate of modern art, particulary the abstract expressionist movement, and one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerism and capitalist culture.

In 1940, Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write and, in his essays and articles, he promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the 20th century. "Greenberg on Collage" was one one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with Abstract Impressionism, particularly the second generation. However, he became very interested in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he had too much of an influence on the world of art. In time, Greenberg's antagonism to Postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg died at the age of eighty-five in 1994.

Since his death, letters edited by his widow, Janice Van Horne and a re-evaluation of his writings have helped to restore his reputation within the art world.
Related Material:
The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Clement Greenberg initally lent material for microfilming in 1968-1969. He donated most of this material with additional papers in several accretions between 1984 to 1991.
Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Rights:
The Clement Greenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art) -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Transcripts
Interviews
Etchings
Photographs
Reports
Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greeclep
See more items in:
Clement Greenberg papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greeclep
Additional Online Media:

Ludwig Sander papers, 1910-1975

Creator:
Sander, Ludwig, 1906-1975  Search this
Subject:
Hagen, Yvonne  Search this
Kootz, Samuel Melvin  Search this
Greenberg, Clement  Search this
Castelli, Leo  Search this
Vytlacil, Vaclav  Search this
De Kooning, Willem  Search this
Kline, Franz  Search this
Lassaw, Ibram  Search this
De Kooning, Elaine  Search this
Guston, Philip  Search this
Honegger, Gottfried  Search this
Type:
Sketches
Sketchbooks
Photographs
Exhibition catalogs
Topic:
Painting, Modern  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)9056
(DSI-AAA_SIRISBib)211248
AAA_collcode_sandludw
Theme:
Sketches & Sketchbooks
Diaries
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211248
Additional Online Media:

Oral history interview with Ludwig Sander, 1969 February 4-12

Interviewee:
Sander, Ludwig, 1906-1975  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Hofmann, Hans  Search this
Archipenko, Alexander  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Club (New York, N.Y.)  Search this
Type:
Interviews
Sound recordings
Topic:
Painters  Search this
Record number:
(DSI-AAA_CollID)11909
(DSI-AAA_SIRISBib)212467
AAA_collcode_sander69
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212467

Oral history interview with Ralph Ludwig Sander, 1965 June 12

Interviewee:
Sander, Ludwig, 1906-1975  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Type:
Interviews
Sound recordings
Topic:
Painters  Search this
Art, American  Search this
Record number:
(DSI-AAA_CollID)12092
(DSI-AAA_SIRISBib)214135
AAA_collcode_sander65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214135

Ludwig Sander papers

Creator:
Sander, Ludwig, 1906-  Search this
Names:
Castelli, Leo  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-  Search this
Greenberg, Clement, 1909-1994  Search this
Guston, Philip, 1913-1980  Search this
Hagen, Yvonne  Search this
Honegger, Gottfried, 1917-  Search this
Kline, Franz, 1910-1962  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Lassaw, Ibram, 1913-  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
2.8 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Sketches
Exhibition catalogs
Sketchbooks
Date:
1910-1975
Summary:
The papers of American New York School painter Ludwig Sander measure 2.8 linear feet and date from 1910 to 1975. Found are biographical materials primarily consisting of army records; correspondence with family and colleagues discussing exhibitions and other art-related activities; diaries; personal scattered business records; address books and art history typescripts; sketchbooks and illustrations for magazines; photographs of Sander, his colleagues, his travels, and exhibition openings; and miscellaneous printed material. The collection documents Sander's career and interactions with some of the most important modern artists of twentieth century.
Scope and Content Note:
The papers of American New York School painter Ludwig Sander measure 2.8 linear feet and date from 1910 to 1975. Found within the collection are biographical materials primarily consisting of army records; correspondence with family and colleagues discussing exhibitions and other art-related activities; diaries containing brief annotations of daily activities; personal business records including studio leases, teaching contracts, and miscellaneous receipts; notes and writings including address books and art history typescripts; art work consisting primarily of sketchbooks and illustrations for magazines; photographs of Sander, his colleagues, his travels, and exhibition openings; and miscellaneous printed material. The collection Sander's career and interactions with some of the most important artists of 20th century modern art.

Chronological correspondence primarily consists of letters from Sanders to his mother during his army service, and letters from his colleagues discussing exhibitions and other art-related activities. Correspondents include Clement Greenberg, Philip Guston, Yvonne Hagen, Gottfried Honegger, Sam Kootz, and Vaclav Vytlacil. There are single letters from Georgi Daskaloff, Philip Johnson, Richard Neutra, George Plimpton, and Maximilian Schell, and an invitation to a croquet party from Willem and Elaine De Kooning, Sander, Nancy Ward, and Franz Kline.
Arrangement:
Series 1: Biographical Material, 1927-1969 (Box 1, 4; 9 folders)

Series 2: Correspondence, 1931-1975 (Box 1; 28 folders)

Series 3: Diaries, 1931-1973 (Box 1; 11 folders)

Series 4: Personal Business Records, 1953-1974, undated (Box 2; 4 folders)

Series 5: Notes and Writings, 1951-1960, undated (Box 2; 8 folders)

Series 6: Art Work, circa 1930s-1970s (Box 2, 4; 18 folders)

Series 7: Photographs, 1910-1973, undated (Box 2, 4; 34 folders)

Series 8: Printed Material, 1926-1975, undated (Box 2-5; 30 folders)
Biographical Note:
American painter Ludwig Sander was born on July 18, 1906 in Staten Island, New York. After independent studies with Boardman Robinson and Alexander Archipenko, he attended the Art Students' League from 1928 to 1930. From 1931 to 1932, Sander studied art in Paris and with Hans Hofmann in Munich. While in Europe, he befriended many other artists including Balcomb Greene, Reuben Nakian, and Vaclav Vytlacil.

After Army service from 1942 to 1945, Sander returned to school, earning a B.A. in Art History from New York University in 1952. He taught at various schools including the Art Students' League, the School of Visual Art, and the University of Pennsylvania. He was also a charter member of The Club, a postwar group of New York artists famous for its polemic discussions.

From 1959, Sander regularly exhibited his art work and had solo exhibitions at prominent galleries including the Leo Castelli Gallery, Kootz Gallery, and the Knoedler Gallery. His work is in the permanent collections of the Art Institute of Chicago, the Guggenheim Museum, and the Whitney Museum of American Art.

Ludwig Sander died July 3, 1975 in New York City.
Separated Materials:
Also available at the Archives of American Art are materials lent for microfilming (reel 32) consisting of printed material including catalogs and announcements, a biography, and reviews and articles by and about Sander, including excerpts from Sander's column in Saturday Review. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Ludwig Sander loaned printed material for microfilming in 1970. The Ludwig Sander papers were donated by the artist's widow, Kate Sander, in 1975.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sketches
Exhibition catalogs
Sketchbooks
Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sandludw
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sandludw

Biographical Material

Collection Creator:
Sander, Ludwig, 1906-  Search this
Extent:
(Box 1, 4; 9 folders)
Type:
Archival materials
Date:
1927-1969
Scope and Contents note:
Biographical material primarily consists of army records documenting Sander's service during World War II. School records reflect his studies in Europe and at New York University, and include a student identity card signed by Hans Hofmann. Also included are curriculum vitae and passports.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sandludw, Series 1
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref12

Curriculum Vitae

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1967-1969
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref13

Passports

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 2-3
Type:
Archival materials
Date:
1927-1964
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref14

School Records

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1931-1952
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref15

Army Records

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 5-8
Type:
Archival materials
Date:
1940-1950
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref16

Membership Cards

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1962, undated
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref17

Oversized Training Certificate

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 4, Folder 1
Type:
Archival materials
Date:
1944
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref18

Correspondence

Collection Creator:
Sander, Ludwig, 1906-  Search this
Extent:
(Box 1; 28 folders)
Type:
Archival materials
Date:
1931-1975
Scope and Contents note:
Chronological correspondence primarily consists of letters from Sanders to his mother during his army service, and letters from his colleagues discussing exhibitions and other art-related activities. Correspondents include Clement Greenberg, Philip Guston, Yvonne Hagen, Gottfried Honegger, Sam Kootz, and Vaclav Vytlacil. There are single letters from Georgi Daskaloff, Philip Johnson, Richard Neutra, George Plimpton, and Maximilian Schell, and an invitation to a croquet party from Willem and Elaine De Kooning, Sander, Nancy Ward, and Franz Kline.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sandludw, Series 2
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref20

Chronological Correspondence

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 10-37
Type:
Archival materials
Date:
1931-1975
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref21

Diaries

Collection Creator:
Sander, Ludwig, 1906-  Search this
Extent:
(Box 1; 11 folders)
Type:
Archival materials
Date:
1931-1973
Scope and Contents note:
Eighteen diaries contain very brief annotations describing daily activities. There are two diaries each for years 1961, 1962, and 1964. Four of the diaries also contain listings of addresses.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sandludw, Series 3
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref23

Diaries

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 38-43
Type:
Archival materials
Date:
1931-1964
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref24

Diaries

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 1, Folder 44-48
Type:
Archival materials
Date:
1965-1973
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref25

Personal Business Records

Collection Creator:
Sander, Ludwig, 1906-  Search this
Extent:
(Box 2; 4 folders)
Type:
Archival materials
Date:
1953-1974, undated
Scope and Contents note:
Personal Business Records consist of leases for lofts in New York and contracts for teaching and for recorded interviews. There are also miscellaneous receipts, primarily for art supplies and travel expenses.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sandludw, Series 4
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref27

Leases

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1953
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref28

Contracts

Collection Creator:
Sander, Ludwig, 1906-  Search this
Container:
Box 2, Folder 2
Type:
Archival materials
Date:
1965-1974
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Ludwig Sander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Ludwig Sander papers, 1910-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Ludwig Sander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandludw-ref29

Modify Your Search






or


Narrow By