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Association du Salon d'Automne

Collection Creator:
Neiman, LeRoy, 1921-2012  Search this
Container:
Box 15, Folder 9
Type:
Archival materials
Date:
1992-1999
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Collection Rights:
Authorization to quote, publish or reproduce requires written permission from: Leroy Neiman Foundation, One West 67th Street, New York, NY 10023; info@leroyneimanfoundation.org
Collection Citation:
LeRoy Neiman papers, 1938-2005. Archives of American Art, Smithsonian Institution
See more items in:
LeRoy Neiman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neimlero-ref153

Andre Salmon Salon d'Automne Review

Collection Creator::
Zilczer, Judith  Search this
Container:
Box 7 of 10
Type:
Archival materials
Collection Rights:
Restricted for 25 years from the latest date of records. See deed of gift for additional information regarding restrictions, until Jan-01-2038; Transferring office; 12/1/2003 deed of gift; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 14-152, Judith K. Zilczer Papers
See more items in:
Judith K. Zilczer Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa14-152-refidd1e2362

Arthur B. Carles papers

Creator:
Carles, Arthur B., 1882-1952  Search this
Names:
Baker, Sarah, 1899-  Search this
Carles, Caroline Robinson  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Marin, John, 1870-1953  Search this
McCarter, Henry, 1866-1942  Search this
Ottenberg, Perry, 1924-  Search this
Seyffert, Leopold  Search this
Speiser, Maurice J. (Maurice Joseph), 1880-  Search this
Tyson, Carol  Search this
Tyson, Henry  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
0.92 Linear feet
Type:
Archival materials
Collection descriptions
Diaries
Photographs
Date:
1912-1983
Summary:
The papers of Philadelphia painter Arthur B. Carles measure 0.92 linear feet and date from 1912 to 1983. Found are biographical materials, correspondence, writings and notes, personal business records, printed materials, and photographs.
Scope and Contents:
The papers of Philadelphia painter Arthur B. Carles measure 0.92 linear feet and date from 1912 to 1983. Found are biographical materials, correspondence, writings and notes, personal business records, printed materials, and photographs.

Correspondence is found for Carles and his wife Caroline Robinson Carles and includes letters from Sarah Baker, R. Sturgis Ingersoll, Henry McCarter, John Marin, Leopold Seyffert, Maurice Speiser, Carroll and Henry Tyson, and Franklin Watkins, among others. One diary contains brief entries. Additional writings are by Carles and Perry Ottenberg. Photographs are of Carles, his studio, family and friends, exhibitions, and works of art.
Arrangement:
This collection is arranged as 1 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Arthur B. Carles papers, 1912-1983 (0.6 linear feet; Box 1-2, MGP 3)
Biographical / Historical:
Arthur B. Carles (1882-1952) was a painter and art instructor active in Philadelphia, Pennsylvania.

Born in 1882 in Philadelphia, Arthur B. Carles studied at the Pennsylvania Academy of the Fine Arts from 1900-1907. There he studied with Thomas Pollock Anshutz, Hugh Breckenridge, Henry McCarter, Cecilia Beaux, and William Merritt Chase. Carles traveled to France in 1907 and stayed until 1910, becoming close friends with John Marin and Eduard Steichen. He displayed his work in the Salon d'Automne of 1908.

Upon Carles' return to Philadelphia, he accepted a position at the Pennsylvania Academy as an instructor of French and American modernism. In 1910 his work was included in the "Younger American Painters" show held at Alfred Stieglitz's New York gallery, 291. Also, Stieglitz gave Carles his first one-man show in 1912. Carles exhibited at the Armory Show of 1913.

Arthur Carles had one daughter, painter Mercedes Matter. He married Carolina Robinson as his second wife in 1972. Later in life, he suffered from alcoholism and had a stroke in 1941 that left him an invalid. Carles died in 1952.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 1052 and 4270-4273) including correspondence, writings and notes, business material, artwork, photographs, and business records. Loaned materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
A portion of the Arthur B. Carles collection was loaned for microfilming by Steven Casamassima in 1976. Sara F. Swanson and Perry Ottenberg, Philadelphia collectors, donated papers in 1985 and Ottenberg lent additional material for microfilming in 1989.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The Arthur B. Carles papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Artists' studios -- Photographs  Search this
Painting, Abstract -- Pennsylvania -- Philadelphia  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Diaries
Photographs
Citation:
Arthur B. Carles papers, 1912-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlarth
See more items in:
Arthur B. Carles papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlarth
Additional Online Media:

Chester Beach papers

Creator:
Beach, Chester, 1881-1956  Search this
Names:
American Academy in Rome  Search this
Architectural League of New York  Search this
Cleveland Museum of Art  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Frontier Art Colony  Search this
Mark Hopkins Institute of Art  Search this
National Academy of Design (U.S.)  Search this
National Sculpture Society (U.S.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Salmagundi Club  Search this
Salon d'automne  Search this
Allen, Mary Jester  Search this
Beach, Eleanor Murdock  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Couper, William, 1853-1942  Search this
Fitchen, Eleanor Beach  Search this
French, Daniel Chester, 1850-1931  Search this
Greacen, Edmund W., 1876-1949  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Jackson, Hazel Brill  Search this
Jennewein, Carl Paul, 1890-  Search this
Kuhn, Brenda, 1911-  Search this
Kuhn, Walt, 1877-1949  Search this
Käsebier, Gertrude, 1852-1934  Search this
Leibig, Bonnie  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Nelson, Laurence, 1887-1978  Search this
Nisbet, Robert H., 1879-1961  Search this
Olmsted, Frederick Law, 1822-1903  Search this
Piexotto, Jessica B.  Search this
Winter, Ezra, 1886-1949  Search this
Extent:
7.32 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Date:
1846-1999
bulk 1895-1999
Summary:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.
Scope and Contents:
The Chester Beach papers measure 7.32 linear feet and date from 1846 to 1999, with the bulk ot the material dating from circa 1900 to 1999. The work and professional activities of Beaux Arts sculptor Chester Beach (1881-1956) and his family's efforts to exhibit and sell work from the estate are documented by project files, business records, correspondence, scrapbooks, printed material, and photographs. The papers also include many artist-designed Christmas cards sent and received by the Beach family, and artwork by Chester Beach and others.

Biographical material consists of biographical notes, identification cards, and a membership certificate.

Project files contain correspondence, financial records, notes, drawings and plans, research materials, printed matter, and photographs that document commissions for sculpture, medals and coins, monuments, and Beach's own projects. Among the most thoroughly documented projects are a fountain sculpture for the grounds of the Cleveland Museum of Art (Sun, Earth, Fountain of the Waters, and Zodiac) and the Edward W. Bok Memorial in Mountain Lake, Florida; both commissions were executed in conjunction with the firm of Frederick Law Olmsted.

Business records include Chester Beach's general business correspondence and correspondence concerning consignments. An address book records names, addresses, and occasionally indicates prices of services and supplies used by the sculptor. Other record books detail expenses and income of the studio building Beach owned, with a list of the effects of the former owner, sculptor William Couper; bronzes cast; sales, with titles, prices, and buyers; names and addresses of clients, dealers, and suppliers; and instructions for cleaning and bronzing plaster.

Family correspondence consists mainly of letters, many mentioning Chester Beach, and addressed to Mrs. Chester Beach and daughter Eleanor Beach Fitchen. Estate correspondence and related documents concern efforts to exhibit, sell, and research Beach's remaining work. These records, for the most part, were created by Mrs. Fitchen who acted as sales agent, ran the Chester Beach Memorial Studio, and maintained the Beach archive. Of particular interest is a series of letters from Brenda Kuhn that relate what she learned from handling the estate of her father, Walt Kuhn; in addition, she offered ideas and advice about exhibitions, the Memorial Studio, and the Beach Centennial.

Beach designed his family's annual Christmas cards, most of which incorporate images of their three daughters. A complete set, preserved in an album, includes a few later cards that reproduce artwork by his widow. Many of the cards received - some with original artwork - are from artist friends, among them: Ernest Blumenschein, Edward W. Greacen, Hazel Brill Jackson, Paul Jennewein, Bonnie Leibig, F. Luis Mora, Robert Nisbet, and Ezra Winter. Also of note are a card from Walker Hancock bearing a photograph of his studio; a painting of Beach's Sylvan at Brookgreen Gardens, reproduced on Anna Hyatt Huntington's card; and a card from Beach patron Mary Jester Allen containing a brief note about the Frontier Art Colony she had established near Cody, Wyoming.

Among the drawings and sketches by Chester Beach are student work, designs for some of his Christmas cards, and a sketchbook containing drawings of sculpture. Work by other artists consists of prints, including one by Ezra Winter.

Three scrapbooks, largely comprised of newspaper clippings and other printed material, contain a variety of other items, including: letters from the American Academy in Rome, Architectural League of New York, Ecole des Beaux Arts, Daniel Chester French, Hazel Brill Jackson, Frederick MacMonnies, National Academy of Design, National Sculpture Society, Jessica B. Piexotto, and Salon d'Autome. There are also awards and certificates from the National Academy of Design, Panama-Pacific International Exposition; bookplates and a place card Beach etched for Mr. and Mrs. George Davison; and an unfinished poem by FitzRoy Carrington. Photographs within the scrapbooks are of a night school class Beach attended at the Mark Hopkins Art Institute in San Francisco, Beach at work in his studio, and a portrait of him painted by G. Laurance Nelson.

Printed material includes Panama-Pacific International Exposition guide books, brochures about the Chester Beach Memorial Studio in Brewster, New York, and catalogs for solo and group exhibitions.

Photographs and glass plate negatives of artwork are mainly of Chester Beach's sculpture and include views of work in progress. Also found are photographs of drawings and sculpture from his student years in California and Paris. Pictures of work by other artists are portraits of Chester Beach painted by G. Laurance Nelson and by his daughter, Natalie Beach McLaury. Among the photographs of Chester Beach are several by Gertrude Kasebier, circa 1910. Other pictures show Beach in his studio, Beach with family and friends, and a "Dinner tendered to Edmund W. Greacen by Samuel T. Shaw, Salmagundi Club, March 2, 1922." Places documented are Beach's boyhood home in San Francisco, the interiors of his studios, and Brookgreen Gardens. Miscellaneous subjects are nude models.
Arrangement:
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1910-1947 (4 folders; Box 1)

Series 2: Project Files, 1846-1999 (1.6 linear feet; Boxes 1-2, 11, OV 12-13)

Series 3: Business Records, circa 1900-1958 (0.4 linear feet; Boxes 2-3)

Series 4: Writings, 1913-1935 (2 folders; Box 3)

Series 5: Correspondence, 1875, 1933-1996 (0.5 linear feet; Box 3)

Series 6: Christmas Cards, 1909-1961 (0.7 linear feet; Boxes 3-4)

Series 7: Artwork, circa 1900-1955 (0.3 linear feet; Boxes 4, 11)

Series 8: Scrapbooks, 1903-1972 (0.3 linear feet; Box 10)

Series 9: Printed Material, 1910-1997 (0.4 linear feet; Box 4)

Series 10: Photographs, circa 1885-circa 1960s (3.1 linear feet; Boxes 4-9, 11, 14)
Biographical / Historical:
Sculptor Chester Beach (1881-1956) was known for portrait busts, allegorical and mythological figures, coins and medallic art in the Beaux-Arts tradition. He lived and worked in New York City and Brewster, New York.

Chester Beach, son of Chilion Beach and Elizabeth Ferris Beach, was born in San Francisco on May 23, 1881. Beach initially studied at the California School of Mechanical Arts in 1899. He remained in San Francisco and between 1900 and 1902 continued his art training at the Mark Hopkins Institute of Art while working as a jewelry designer. To further his career and exposure to artistic trends, Beach moved to New York City in 1903. The following year, he went to Paris, enrolled at the Ecole des Beaux-Arts, and also studied with Raoul Verlet at the Académie Julian.

Upon his return to New York in 1907, Beach established a studio on Tenth Street. He won the National Academy of Design's Barnett Prize for sculpture in 1907 and the Academy elected him an Associate Artist the following year. His increased stature resulted in numerous portrait commissions and eventually led to commissions for monuments and architectural sculpture. In 1910, Chester Beach married Eleanor Hollis Murdock, a painter he met when both were art students in Paris. The couple spent the next two years in Rome; for several years after returning, Beach continued to spend time in Italy and maintained a studio in Rome.

Solo exhibitions of Beach's work were presented at Macbeth Gallery (1912), Pratt Institute (1913), Cincinnati Art Museum (1916), John Herron Art Institute (1916), and Memorial Art Gallery, Rochester (1917). In addition to frequent participation in annual exhibitions at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, Beach was represented in the Panama-Pacific International Exposition (1915), and in group shows at venues including: Art Institute of Chicago, Boston Art Club, California Palace of the Legion of Honor, and National Arts Club.

The gold medal presented by Académie Julian (1905), Beach's first award, was followed by many other prizes, among them: American Numismatic Society prize for a medal commemorating the Peace of Versailles (1919) and its Saltus Medal for distinguished medallic art (1946); Architectural League of New York gold medal (1924); National Academy of Design Barnett Prize (1907) and Watrous gold medal (1926); National Arts Club medal and prizes (1923, 1926, 1932); and the Panama-Pacific International Exposition silver medal (1915).

Beach was an Academician of the National Academy of Design, a member of the American Numismatic Society, Architectural League of New York, National Arts Club, National Institute of Arts and Letters, and the National Sculpture Society (President, 1927-1928).

For more than 40 years, Beach lived and worked at 207 East 17th Street. The brownstone, purchased in 1913, was large enough for the family's home, his studio, and additional studios that were rented to other artists. Through barter, Beach acquired land in Brewster, New York, and in 1917 hired Italian stonemasons to build a studio. Later, they erected a summer house for the family. Many old stone walls on the site provided material for both buildings and Beach named the property Oldwalls.

After a long illness, Chester Beach died at Oldwalls on August 6, 1956. The funeral service was held at his Brewster, New York, studio and he is buried in Cold Spring Cemetery, Cold Spring, New York.
Separated Materials:
Also in the Archives of American Art is microfilm of papers lent for microfilming (reels N727-N729 and N68-11) including passports, genealogical materials, photograph albums, travel sketches, travel diaries of Mrs. Beach, and business and family correspondence. While the obituary letters on reel N68-11 are referenced in a scrapbook in Series 8, all other loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Chester Beach's daughter, Eleanor Beach Fitchen, lent materials for microfilming in 1967 and 1967. Subsequent papers were donated in 2009 by the estate of Eleanor Beach Fitchen, through her grandson and executor, John Fitchen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and closed to researchers.
Rights:
The Chester Beach papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors, American -- New York (State) -- New York  Search this
Eclecticism in architecture  Search this
Sculptors -- New York (State) -- New York  Search this
Sculpture -- Technique  Search this
Sculpture -- Equipment and supplies  Search this
Artists' studios  Search this
Sculpture -- Economic aspects  Search this
Genre/Form:
Scrapbooks
Sketches
Christmas cards
Drawings
Photographs
Prints
Sketchbooks
Citation:
Chester Beach papers, 1846-1999, bulk circa 1900-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beacches
See more items in:
Chester Beach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beacches
Additional Online Media:

Jerome Blum papers

Creator:
Blum, Jerome, 1884-1956  Search this
Names:
Anderson, Sherwood, 1876-1941  Search this
Blum, Frances, -1970  Search this
Dreiser, Theodore, 1871-1945  Search this
Extent:
3 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Place:
Tahiti -- description and travel
Date:
1915-circa 1969
bulk 1919-1935
Summary:
The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.
Scope and Content Note:
The papers of Jerome Blum measure 3.0 linear feet and date from 1915 to circa 1969, with the bulk of the material dating from 1919 to 1935. Biographical material, correspondence, writings and notes, printed material, artwork, and photographs document the painter's personal and professional life, and extensive travels.

Correspondence with friends, relatives, colleagues, publishers, galleries, museums, and collectors document Blum's personal and professional life. Noted correspondents include Sherwood Anderson and Theodore Dreiser.

Blum was an avid writer. He published several short stories, and recorded reminiscences, thoughts, and daily events in a series of notebooks. These notes were the basis for Life Answered, an unpublished autobiography (eventually, edited and completed by Frances Blum). Also included are extensive notes and writings on a variety of subjects, including his extensive travels to Tahiti. Writings by other authors consist of critical statements about Jerome Blum and some of Frances Blum's writings on Theodore Dreiser.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1915-1933 (4 folders; Box 1)

Series 2: Correspondence, 1915-1966 (0.4 linear feet; Box 1)

Series 3: Writings, 1915-circa 1969 (2 linear feet; Boxes 1-3)

Series 4: Printed Material, 1916-1965 (0.3 linear feet; Box 3)

Series 5: Artwork, circa 1920-1930 (2 folders; Box 3)

Series 6: Photographs, circa 1915-1945 (6 folders; Box 3)
Biographical Note:
Jerome Blum (1884-1956) was a world traveler who found artistic inspiration while living in France and traveling to the American west, Hawaii, Japan, China, Cuba, and the South Seas (including a 10 month stay in Tahiti). Blum painted landscapes and seascapes of Southern France, and the many places he visited, as well as still lifes of exotic plants and fruits. He was living in Paris at the height of the Fauve movement and incorporated some of its ideas into his work, first inserting bold colors into his fairly conservative Post-Impressionist style. Later, he used significantly more saturated color, intense light, and bold forms.

Blum studied at the Francis J. Smith Art Academy in his native Chicago, and the Art Institute of Chicago. He went to Paris in 1906 with Lucile Swan, a sculptor and fellow student who eventually became his wife. There, he enrolled in the Ecole des Beaux-Arts for a brief period, studying with Luc Olivier Merson. Blum remained in Paris until 1910, participated in the 1909 and 1910 Salons d'Automne and received exhibition offers from Galerie Sagot, Paris, and Anderson Galleries, New York. While in France, Blum knew expatriates Jo Davidson, Arthur Dove, Samuel Halpert, Alfred Maurer, and John Marin. Halpert became a mentor of sorts, instructing him in painting Post-Impressionist landscapes, to which Blum soon added Fauvist color.

Once back in Chicago, Blum developed close friendships with writers Sherwood Anderson, Theodore Dreiser, and Ben Hecht that lasted for decades. His one-man show at Thurber's Art Gallery in 1911 received very mixed reviews--most likely it was the first time the Fauve palette was seen by Chicagoans, and most thought it too radical. When the mayor purchased a Blum painting from a 1912 Art Institute of Chicago group exhibition, the proceeds enabled Blum to visit the American west. Later that year, Blum and Lucile Swan traveled in Europe. They were married in Paris and took an extended honeymoon, continuing to travel in France until the fall of the following year.

For a period of approximately 20 years, he exhibited extensively and enjoyed critical acclaim. During his many years of foreign residence, Blum returned to the United States periodically for exhibitions and family visits. He participated in a large number of solo exhibitions and group shows in the United States and France, including: Art Institute of Chicago, Arts Club of Chicago, O'Brien Galleries, and Albert Roullier Art Galleries in Chicago; Ainslie Galleries, Brooklyn Museum, Delphic Studios, Katz Gallery, M. Knoedler and Co., Whitney Museum of American Art, and Whitney Studio Club in New York; Worcester Art Museum and Boston Art Club in Massachusetts; Montlcair Art Museum in New Jersey; Pennsylvania Academy of the Fine Arts in Philadelphia; and Galerie de la Renaissance in Paris. Blum is represented in the permanent collections of the Metropolitan Museum of Art, the Smithsonian Institution, and the Whitney Museum of American Art.

Blum returned to New York in 1924 and Lucile filed for divorce. An auction of his work was held at the Anderson Galleries that year; Augustus John, George Biddle, Chester Dale, M. Knoedler, Kraushaar Galleries, and Jo Davidson were among the successful bidders.

In 1925, he married Frances Baum, a psychiatric social worker. They settled in Dampierre, France for eight years, and during this period traveled extensively throughout the country. Always an unconventional and fiercely independent person, Blum's mental health was fragile and deteriorated markedly in the early 1930s, during which time his painting output decreased dramatically. The Blums spent part of 1934 at the MacDowell Colony in Petersborough, New Hampshire. Once his fellowship was over, they moved to Key West, Florida, where Blum became increasingly disturbed.

Blum was admitted to the Bloomingdale Hospital, a private psychiatric institution in White Plains, New York, in 1935. But after being diagnosed a "hopeless case," he was transferred to a state hospital. While hospitalized, Blum continued writing copious notes and made many appeals for release. He died at the Hudson River State Hospital, Poughkeepsie, New York, in 1956.
Separated Material:
Originals of loaned material, including typescripts of Sherwood Anderson's letters, most of Blum's Theodore Dreiser material, travel in China, scrapbooks, and drafts of portions of Life Answered - "Father and Mother," "Journal of the Last 20 Years," "Lucile," and "Marriage and Divorce" - were returned to Frances Blum after microfilming. Although this material is not technically part of the collection housed in the Archives of American Art, copies are available on microfilm reels D237 and D238.
Provenance:
The majority of the papers were donated or loaned for microfilming between 1965 and 1966 by Blum's widow, Frances Blum. A typescript copy of the final version of Life Answered was received in 1969.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Jerome Blum papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Expatriate painters -- United States  Search this
Authors -- United States  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- Illinois -- Chicago  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Jerome Blum papers, 1915-circa 1969, bulk 1919-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blumjero
See more items in:
Jerome Blum papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blumjero
Additional Online Media:

Marion Sanford and Cornelia Chapin papers

Creator:
Sanford, Marion  Search this
Names:
Chapin, Cornelia, 1893-1972  Search this
Hernández, Mateo, 1884-1949  Search this
Extent:
2.5 Linear feet
Type:
Archival materials
Collection descriptions
Sound recordings
Photographs
Motion pictures (visual works)
Scrapbooks
Video recordings
Interviews
Drawings
Date:
1929-1988
Summary:
The papers of sculptors and close companions Marion Sanford and Cornelia Chapin measure 2.5 linear feet and date from 1929-1988. The papers include scattered materials created by and about both women, including biographical materials, one folder of correspondence for each woman, a few writings and essays, newsclippings, exhibition catalogs, other printed materials, and four scrapbooks (three about Chapin and one about Sanford). Photographs are of Chapin only and of artwork of both women. There is also one phonograph album transferred onto cassette of a radio interview with Chapin and several motion picture films of Chapin's home movies shot in upstate New York and Paris.
Scope and Content Note:
The papers of sculptors Marion Sanford and Cornelia Chapin measure 2.5 linear feet and date from 1929-1988. Sanford and Chapin were close companions and shared a studio in New York City. The papers include scattered materials created by and about both women, including biographical materials, one folder of correspondence for each woman, a few writings and essays, newsclippings, exhibition catalogs, other printed materials, and four scrapbooks (three about Chapin and one about Sanford). Photographs are of Chapin only and of artwork of both women. There is also one sound recording of a radio interview with Chapin and several motion picture films of Chapin's home movies shot in upstate New York and Paris.

Biographical material consists of scattered items documenting the careers of Marion Sanford and Cornelia Chapin. Included are a small amount of correspondence of both women, membership certificates, an index card file of Sanford's artwork, Chapin's written description of her sculpting process, and writings by others about Chapin. The sound recording is a radio interview of Chapin after she sculpted a bear for the National Zoo. Films include several home movies of Chapin from 1932-1936, showing Chapin at a summer home in Harpursville, NY, working in her studio, and working in Paris with teacher Mateo Hernandez.

Printed material includes exhibition announcements and catalogs for many group and solo shows of both women, news clippings about Chapin and Sanford, and a few reproductions of their artwork. Source files consist of postcards and clippings of various images that were most probably used as references or inspiration for their artwork.

The collection includes four scrapbooks compiled by Sanford and Chapin documenting their careers through news clippings, a few exhibition materials, and photographs of their artwork. There are three scrapbooks about Chapin, and one about Sanford. Also found are two additional scrapbooks on the subject of bas-relief and sculpture. Photographs include several of Cornelia Chapin in her studio and with her teacher Mateo Hernandez. There are numerous photographs of artwork by Chapin and Sanford. Artwork includes drawings of animals, architectural elements, coins, and people, by either Sanford or Chapin.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, 1930-1986 (Box 1, 6, 8; 0.8 linear feet)

Series 2: Printed Material, 1931-1972 (Box 1-2; 0.5 linear feet)

Series 3: Source Files, 1940s-1960s (Box 2-3; 0.4 linear feet)

Series 4: Scrapbooks, 1932-1949 (Box 3-7; 1.0 linear foot)

Series 5: Photographs, circa 1930-1962 (Box 4, 7; 0.2 linear feet)

Series 6: Artwork, 1929-circa 1960s (Box 4; 5 folders)
Biographical Note:
Marion Sanford was born in 1904 in Ontario, Canada and was raised in Warren, Pennsylvania. She studied painting at the Pratt Institute in New York, and worked for a period of time as a stage and costume designer. She developed an interest in sculpture, and studied the direct-carving method briefly at the Art Students League, but was largely self-taught. In 1937 she had her first exhibition of sculptures depicting women performing household chores and everyday tasks. She later created a series called "Women at Work" and her imagery of women would be the subject for which she would become best known, although she also completed bronze portraits and bas-reliefs. In 1941 and 1943 she worked as a Guggenheim Fellow, and became a member of the National Academy of Design, National Sculpture Society, and the National Association of Women Artists. Sanford won many awards and medals for her works and also created sculptures on commission, including a carved altar panel for the First Methodist Church in Warren, Pennsylvania. Marion Sanford died in 1987.

Cornelia Van Auken Chapin was born in 1893 in Waterford, Connecticut. After exploring other interests, including aeronautics, she decided to become a sculptor in the 1920s. She studied with Gail Corbett and in the early 1930s began exhibiting her sculptures of animals. In 1934 she moved to Paris, France and studied with Mateo Hernandez as his only student. Under Hernandez, she learned the technique of direct-carving from life in stone and wood and won the 2nd grand prize at the Paris Exposition in 1937. In 1936, Chapin was the only foreign and woman sculptor elected to the Societaire Salon d'Automne in Paris. The threat of World War II brought her back to the United States in 1939. Chapin won many awards for her sculptures and became a member of the National Academy of Design in 1945 and the National Sculpture Society. She was also one of the founding members of Artists' for Victory, Inc. and a participant in the women's artist group known as "The Philadelphia Ten," a unique and progressive group of women painters and sculptors who often exhibited together in the Philadelphia area.

In the late 1930s Chapin purchased a studio in New York City which had formally belonged to sculptor Gutzon Borglum. She shared the studio with her fellow sculptor Marion Sanford, and often modeled for Sanford's work. Sanford and Chapin remained close companions until Chapin's death in 1972.
Related Material:
Harvard University Library houses the the bulk of Cornelia Van Auken Chapin's papers, 1877-1959.
Provenance:
A portion of the Marion Sanford and Cornelia Chapin papers were donated by Marion Sanford in 1974. Additional materials were donated by Sanford's caretaker, Brenda Brenwell-Lejeune, in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Marion Sanford and Cornelia Chapin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculpture, Modern -- 20th century  Search this
Sculpture -- Technique  Search this
Women sculptors -- New York (State) -- New York  Search this
Bas-relief  Search this
Sculpture, American -- 20th century  Search this
Artists' studios  Search this
Genre/Form:
Sound recordings
Photographs
Motion pictures (visual works)
Scrapbooks
Video recordings
Interviews
Drawings
Citation:
Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sanfmari
See more items in:
Marion Sanford and Cornelia Chapin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanfmari
Additional Online Media:

Jean Crotti papers

Creator:
Crotti, Jean, 1878-1958  Search this
Names:
Blancpain, Paul  Search this
Braque, Georges, 1882-1963  Search this
Christian, 1895-1969  Search this
Cocteau, Jean, 1889-1963  Search this
Coudour, Henri  Search this
Crotti, Andre  Search this
Duchamp, Marcel, 1887-1968  Search this
Duchamp, Suzanne, 1889-1963  Search this
Dufy, Raoul, 1877-1953  Search this
Everling, Germaine  Search this
Gleizes, Albert, 1881-1953  Search this
Guillaume, Paul, 1891-1934  Search this
Matisse, Henri, 1869-1954  Search this
Nokache, Armand  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pach, Walter, 1883-1958  Search this
Picabia, Francis, 1879-1953  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Renoir, Pierre, 1885-1952  Search this
Reynolds, Mary, 1891-1950  Search this
Salmon, André, 1881-1969  Search this
Seuphor, Michel, 1901-1999  Search this
Severini, Gino, 1883-1966  Search this
Varese, Louise  Search this
Varèse, Edgard, 1883-1965  Search this
Villon, Jacques, 1875-1963  Search this
Waldemar George, 1893-  Search this
Extent:
1.7 Linear Feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Date:
1913-1973
bulk 1913-1961
Summary:
The scattered papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913-1973, with the bulk of the material dated 1913-1961. Found within the papers are autobiographical notes and essays; correspondence with family and colleagues, among them Jean Cocteau, Andre Crotti, Suzanne Duchamp, Marcel Duchamp, Albert Gleizes, Christian a.k.a. Georges Herbiet, Henri Matisse, Francis Picabia, and Jacques Villon; notes and writings by Crotti and others; art work by Crotti and Paul Guillaume; a scrapbook; and additional printed material. Photographs are of Crotti, Suzanne Duchamp, Georges Braque, Pablo Picasso, and other family and friends; and of Crotti's art work. There are audio recordings on phonograph records of three interviews with Crotti and one with Mr. and Mrs. Paul Blancpain.
Scope and Content Note:
The papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913 to 1973, with the bulk of the materials dating from 1913-1961. Among the papers are autobiographical essays, correspondence with friends and family, including many letters from Marcel Duchamp, notes and writings by and about Crotti, printed materials, one scrapbook, drawings by Crotti and others, photographs of Crotti and his family and friends, photographs of artwork, and three audio recordings of interviews with Crotti.

Biographical material consists of autobiographical notes and an autobiographical manuscript Ma Vie.

Correspondence is with family members and colleagues. Correspondents include his brother Andr?©, wife Suzanne Duchamp, and other family members. There are eleven folders of correspondence between Suzanne's brother Marcel Duchamp and the Crotti family. A 1918 letter from Duchamp to Crotti is illustrated by Duchamp. Additional letters to Jean Crotti are from Jean Cocteau, Albert Gleizes, Georges Herbiet a.k.a. "Christian", Henri Matisse, Francis Picabia, and Jacques Villon. Three folders of letters from Georges Herbiet a.k.a. "Christian" include references to Francis Picabia and Germaine Everling and discussions of art criticism and Picabia's role in avant-garde art movements. Herbiet also describes a new painting procedure that he claims to have invented using a product that is impervious to acids, water, oil, or alcohol. There is a single letter from Jean Crotti to Pablo Picasso following their meeting in Cannes in which Crotti discusses a design with spheres and includes a sketch of his idea. There are also single letters to Crotti from Raoul Dufy, Walter Pach, and actor Pierre Renoir.

Notes and writings include poems, a script, and miscellaneous writings by Crotti concerning his art theories including "Tabu" and gemmail. Writings about Crotti are by miscellaneous authors including writers Waldemar George, Andr?© Salmon, and artists Armand Nakache, Am?©d?© Ozenfant, and Michel Seuphor.

Art work includes seven folders of drawings and an etching plate by Crotti, 83 drawings by Paul Guillaume, and portrait drawings of Crotti by Henri Coudour and Francis Picabia.

A scrapbook contains clippings, a letter from Paul Guillaume and a letter to Elizabeth Crotti from a friend describing a 1932 Jean Crotti exhibition in the Balzac Galleries in New York City, and a typescript "Una Collezione a Parigi" by Gino Severini.

Additional printed material includes clippings, exhibition announcements and catalogs for Crotti and others, reproductions of art work, and books Jean Crotti (1930) and Jean Crotti et la Primaut?© du Spirituel (1959) by Waldemar George.

Photographs are of Crotti, his family, friends, colleagues, and art work by Crotti and by Suzanne Duchamp. Of particular interest are photographs of composer Edgard Var?¨se and his wife Louise with Suzanne Duchamp, Jean Crotti, and art advocate Mary Reynolds in 1924, photographs of Crotti and Georges Braque examining a gemmail art work, and photographs of Crotti and Suzanne Duchamp talking with Pablo Picasso at Cannes and at the home of Bertrande Blancpain in 1957.

Sound recordings include two phonograph records of interviews with Jean Crotti, including topics "Assignment Switzerland" and "Assignment World." A third phonograph record contains an instantatneous disk recording of correspondence between Mr. and Mrs. Paul Blancpain as well as an additional interview with Crotti.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1954-1955 (Box 1; 3 folders)

Series 2: Correspondence, 1916-1961 (Box 1; 43 folders)

Series 3: Notes and Writings, 1924-1958 (Box 1; 27 folders)

Series 4: Art Work, 1913-1925 (Box 1, 3; 12 folders)

Series 5: Scrapbook, 1931-1935 (Box 1; 1 folder)

Series 6: Printed Material, 1921-1973 (Box 1, 2, 3; 0.5 linear feet)

Series 7: Photographs, 1920-1957 (Box 2; 25 folders)

Series 8: Sound Recordings, 1955 (Box 3; 1 folder)
Biographical Note:
Jean Crotti (1870-1958) was a Dadist painter who worked primarily in Paris, France and New York. He was married to Suzanne Duchamp, Marcel Duchamp's sister, and friends with notable avant-garde and Dada European and American painters of the period. He is also known for creating the "Gemmail" technique of layering colored glass that produced unique color combinations when illuminated.

Jean Crotti was born April 24, 1878 in Bulle, near Fribourg, Switzerland, the son of a painting contractor. The family moved to Fribourg in 1887.

Beginning in 1898, Crotti struggled with questions of a religious and spiritual nature while at the School of Decorative Arts in Munich. Dissatisfied there, he moved to Paris in 1901, where he spent a year studying at the Acad?©mie Julian under Tony-Robert Fleury and Jules Lefebvre. Still dissatisfied in 1902, he established a small independent studio in the Rue Fontaine.

Crotti exhibited a canvas at the Salon des Ind?©pendants in 1907, and was accepted as a member of the Salon d'Automne in 1909. From 1910 to 1912, he was influenced by Cubism and its offshoot, Orphism.

To escape from wartime Paris in 1914, Crotti and his first wife, Yvonne Chastel, moved to New York City where Crotti had his first solo exhibition at the Bourgeois Gallery. In 1915, Crotti met Francis Picabia and also shared a studio with Marcel Duchamp who was a major influence. Crotti began his Dada period and was included in an exhibition of French paintings at the Montross Gallery in New York, with Duchamp, Albert Gleizes, and Jean Metzinger.

Crotti separated from his first wife, Yvonne Chastel, in 1916 and returned to Paris alone. By 1917, Crotti's marriage had dissolved and he married Suzanne Duchamp in 1919. Crotti met Suzanne Duchamp, also a painter, through his friendship with her brother Marcel Duchamp. During this time, Crotti completed and exhibited paintings associated with the Dada movement. One of his more notable works was entitled Explacatif, bearing the word "Tabu" that expressed Crotti's concepts of mystery and infinity with spiritual overtones.

In 1935 Crotti began to research a new technique using layers of colored glass, referred to as "gemmail." The term is a contraction of "gem" referring to the colored glass and "enamel" referring to the method of affixing the pieces of glass to each other. After much experimentation, an "enamel" fixative was found that would permanently hold the glass pieces in place while still allowing light to shine through all the layers. Several prominent artists including Georges Braque and Pablo Picasso became interested in using this medium. Crotti had the process patented, but in 1955 ceded the rights to Roger Malherbe who adapted it to commercial uses.

Jean Crotti died on January 30, 1958 in Paris, France.
Separated Material:
Two sketches and a print were also lent by Andr?© Buckles in 1981 for microfilming on reels 2394-2395 and returned. This material is not described in the container listing of this finding aid.
Provenance:
The Jean Crotti papers were donated in two installments in 1981 by Andr?© Buckles and Alice Buckles Brown, Crotti's great-nephew and great-niece.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Jean Crotti papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting -- Technique  Search this
Art criticism  Search this
Dadaism  Search this
Avant-garde (Aesthetics)  Search this
Painters -- France -- Paris  Search this
Painters -- France -- Paris -- Interviews  Search this
Genre/Form:
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Citation:
Jean Crotti papers, 1913-1973, bulk 1913-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.crotjean
See more items in:
Jean Crotti papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crotjean
Additional Online Media:

Julian E. Levi papers

Creator:
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Names:
American Artists' Congress  Search this
An American Group (Organization)  Search this
Downtown Gallery (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Extent:
6.9 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Interviews
Sketches
Drawings
Photographs
Illustrated letters
Date:
1846-1981
Summary:
The papers of painter and teacher Julian E. (Edwin) Levi date from 1846 to 1981, and comprise 6.9 linear feet. They include biographical information and extensive correspondence with museums and galleries, as well as letters written to his family, circa 1927, while Levi was living in Paris. Also found within the papers are scattered drawings and sketches by Levi, writings and notes, financial records, two scrapbooks, printed material, miscellaneous records and photographs that document Levi's professional career and personal life.
Scope and Content Note:
The papers of painter and teacher Julian E. Levi date from 1846 to 1981, and comprise 6.9 linear feet. They consist of biographical information, correspondence, artwork, writings and notes, financial records, scrapbooks, printed material, miscellaneous records and photographs that document Levi's professional career and personal life.

Biographical information includes French documents regarding his trips to Paris in 1920 and 1926-1927. Julian E. Levi's Correspondence, 1914-1981, and undated, concerns professional and personal matters and consists primarily of incoming letters from friends and colleagues, arts organizations, museums, schools, and galleries. Also found are approximately sixty letters he wrote to his family circa 1927, while living in Paris. In addition, a small number of Henderson Family letters, 1846-1886, are included with the Julian E. Levi papers; their relationship to Levi is unclear. Found within the correspondence are illustrated letters and original artwork in the form of greeting cards. Additional Artwork consists mainly of pencil drawings and sketches by Levi, including a large number of stage costume designs.

Writings by Levi consist of brief statements concerning his work and other artists, brief reminiscences of friends, a poem, and the text of a speech. Notes contain miscellaneous jottings, lists of paintings, addresses and telephone information, and address books. Among the writings by others are catalog introductions for Levi exhibitions by unknown authors, and by Lewis Mumford and Archibald MacLeish for An American Group, Inc.

Financial Records concern both business and personal transactions and document art sales, commissions, consignments, and gallery expenses. Also included are receipts, a small number of banking and tax records, and scattered documentation of purchases, appraisals, and sales of antiques in his collection.

Scrapbooks (2 disbound volumes) contain clippings, other printed items, and a few photographs documenting Levi's exhibitions. There are a substantial number of exhibition catalogs and announcements. Miscellaneous printed material includes brochures, newsletters and publications, clippings, invitations, announcements of meetings, blank postcards, travel brochures and printed souvenirs. Also found is a copy of his book, Modern Art: An Introduction, and one of the articles he published in the American expatriate periodical Gargoyle.

Items of note among the Miscellaneous Records pertain to the American Artists' Congress, An American Group, Inc., Downtown Gallery, and New York City Council for Art Week. Other items of interest are a blueprint of plans for Levi's studio at his home in Easthampton, New York, and records regarding the New School for Social Research where Levi taught for many years.

Photographs of artwork include a disbound album of Levi's work and exhibition installation views that show paintings by Levi. Pictures of Levi include some taken when he was a young child, along with many views of him in his studio, with students, and others. Many views of places probably were used as reference for paintings. Other places recorded in photographs include Downtown Gallery, Stuart Davis's grave, and studios he occupied while in Paris, circa 1926-1927 and at the American Academy in Rome, 1967-1968. Of particular note are copies of Resettlement Administration and Farm Security Administration photographs.
Arrangement:
The collection is organized into 9 series. Correspondence and Scrapbooks are arranged chronologically. Other series are further categorized by record type or broad topic, with material in each folder arranged chronologically or alphabetically, as noted in the series descriptions.

Series 1: Biographical Information, circa 1906-1980 (Box 1; 14 folders)

Series 2: Correspondence, circa 1846-1981 (Boxes 1-3, OV 9; 2.3 linear ft.)

Series 3: Artwork, circa 1922-1972 (Box 3; 8 folders)

Series 4: Writings and Notes, circa 1938-1978 (Box 3; 11 folders)

Series 5: Financial Records, 1920s-1980 (Box 3; 0.4 linear ft.)

Series 6: Scrapbooks, 1921-1940(Box 4; 2 folders)

Series 7: Printed Material, circa 1922-1981(Boxes 4-6 and OV 10; 2.3 linear ft.)

Series 8: Miscellaneous Records, circa 1940-1974 (Box 6 and OV 9; 0.2 linear ft.)

Series 9: Photographs, circa 1902-1974 (Boxes 6-8 and OV 11; 1.1 linear ft.)
Biographical Note:
Julian Edwin Levi was born in New York in 1900, and his family relocated to Philadelphia six years later. At age 17, Levi enrolled in the Pennsylvania Academy of the Fine Arts where he studied under Henry McCarter and Arthur B. Carles. Upon completing his studies at the Academy in 1919, Levi was awarded one of the Pennsylvania Academy's Cresson Traveling Scholarship which enabled him to travel to Italy during the summer of 1920.

Levi then headed to Paris where he spent the next four years. During this time he became fluent in French, looked at a wide variety of art that influenced him to experiment with abstraction, and had paintings accepted for exhibition the Salon d'Automne of 1921 and 1922. He met many artists in Paris, and developed a close friendship with Jules Pascin. He retuned for a second stay in Paris during 1926 and 1927.

Upon his return to Philadelphia in 1924, Levi and several other modern artists in the city (including his former instructors Carles and McCarter) began exhibiting together under the name "31." The group's work was not well-received. For the remainder of his time in Philadelphia, he continued to paint and on several occasions was able to see Albert Barnes' collection that normally was not open to the public. Levi moved to New York City in 1932 and was attracted to the support and cooperation offered by various artists' organizations. He became a member of An American Group, Inc., in 1933, and was in active in the American Artists' Congress beginning around 1937. Later, Levi was elected to the National Institute of Arts and Letters, an Associate Artist of the National Academy of Design, and a member of the Century Association.

The sea, beaches, dunes, and shores served as inspiration for many of Levi's paintings. He studied his subjects closely, amassing a wide knowledge of boats, fishing, and related equipment; he even learned professional fishing and sailing techniques in order to better understand his subjects. Levi also focused on painting people, and his wife often served as his model. Paintings by Levi are in many museums, among them: Albright-Knox Art Gallery, Art Institute of Chicago, Butler Institute of American Art, Cranbrook Academy of Art, Des Moines Art Center, Detroit Institute of Arts, Guild Hall, Museum of Modern Art, Metropolitan Museum of Art, Newark Museum, Norton Simon Museum, Santa Barbara Museum, Springfield Museum of Art, Toledo Museum, University of Illinois, and the Whitney Museum of American Art.

Many of the paintings Levi produced while employed by the Federal Art Project, 1936-1938, served as the nucleus of his first one-man show held in 1940 at Downtown Gallery. He remained with Downtown Gallery for more than a decade. Later, he was associated with the Alan Gallery, Frank K. M. Rehn Galleries, and Nordness Gallery, each of which staged frequent solo exhibitions of Levi's work. He participated in most of the major national exhibitions and in the Venice Biennale, winning prizes awarded by the Art Institute of Chicago, Carnegie Institute, National Academy of Design, University of Illinois, Guild Hall, and the Pennsylvania Academy of the Fine Arts. A large retrospective exhibition of his work was organized by Boston University in 1962, and a small retrospective was held in 1971 at Wake Forest University, Winston-Salem, North Carolina.

A highly respected and much loved teacher, Levi emphasized the importance of drawing and provided individualized instruction. He considered himself a "coach" and viewed his students as less experienced artists (all were encouraged to call him Julian instead of Mr. Levi). His teaching career, which lasted for more than three decades, began in 1946 with his appointments as a painting instructor at the Art Students League and the New School for Social Research in New York City (later the New School appointed him director of its Art Workshop). In 1964 he began making weekly trips to the Pennsylvania Academy of the Fine Arts in Philadelphia, where he taught painting; at the start of the 1977 academic year, he reduced his schedule to once a month and acted as a general critic. During the 1967-68 academic year, Levi was on sabbatical leave while artist-in-residence at the American Academy in Rome. In addition, he taught summer courses at Columbia University in the early 1950s and occasionally served as a guest instructor at other summer programs over the years.

Julian Levi died in New York City, February 28, 1982, after a brief illness.
Provenance:
The papers were a gift received in several accessions between 1969-1982 from Julian E. Levi and his estate (Herman Englander, executor). Portions of the collection were microfilmed upon receipt.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. office.
Rights:
The Julian E. Levi papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Economic aspects  Search this
Painters  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Artists' studios  Search this
Works of art  Search this
Genre/Form:
Scrapbooks
Interviews
Sketches
Drawings
Photographs
Illustrated letters -- Local
Citation:
Julian E. Levi papers, 1846-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijuli
See more items in:
Julian E. Levi papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijuli
Additional Online Media:

Abraham Rattner and Esther Gentle papers

Creator:
Rattner, Abraham  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Esther Gentle Reproductions  Search this
Kennedy Galleries  Search this
Paul Rosenberg & Co.  Search this
Bedwell, Bettina, 1889-1947  Search this
Biddle, George, 1885-1973  Search this
Boyle, Kay, 1902  Search this
Burlin, Paul, 1886-1969  Search this
Carton, Norman, 1908-1980  Search this
Coates, Robert M. (Robert Myron), 1897-1973  Search this
Davis, Stuart, 1892-1964  Search this
De Rochemont, Richard  Search this
Dehn, Adolf, 1895-1968  Search this
Dos Passos, John, 1896-1970  Search this
Gentle, Esther, 1900-  Search this
Gonzalez, Xavier, 1898-1993  Search this
Griffin, John Howard, 1920-  Search this
Guthrie, Ramon, 1896-  Search this
Gwathmey, Robert, 1903-1988  Search this
Hall, William Weeks, 1894-1958  Search this
Hayter, Stanley William, 1901-  Search this
Hiler, Hilaire, 1898-1966  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirsch, Stefan, 1899-1964  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Kronberg, Louis, 1872-1965  Search this
Lebrun, Rico, 1900-1964  Search this
Leepa, Allen, 1919-2009  Search this
Lipchitz, Jacques, 1891-1973  Search this
Ludgin, Earle, 1898-1981  Search this
Malcolm, Thalia Westcott, b. 1878  Search this
Miller, Henry, 1891-  Search this
Miró, Joan, 1893-  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
Peake, Channing, 1910-  Search this
Poor, Henry Varnum, 1887-1970  Search this
Ruvolo, Feliz  Search this
Stark, Jack Gage, 1882-1950  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Weller, Allen S. (Allen Stuart), 1907-1997  Search this
Extent:
26.3 Linear feet
Type:
Archival materials
Collection descriptions
Sketches
Diaries
Scrapbooks
Photographs
Interviews
Date:
1891-1986
Summary:
The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.
Scope and Content Note:
Abraham Rattner's papers provide insight into an important time for twentieth century American art and culture. By studying Rattner's papers, the researcher may view the beginnings of Modernism, the cultural change that pushed the boundaries of artistic and literary traditions and provided new ways in which to express ourselves.

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

The biographical files contain documents such as Rattner's birth certificate, travel visas, his senior yearbook from 1912 which shows some of his early art work, and some of his awards. His birth certificate is of particular interest since it shows Rattner's birth date to be 1893 instead of the recognized 1895.

The correspondence offers great insight into the thoughts of many American and European artists and writers during the 1930s and 1940s. Rattner, a prolific writer, expressed many of his own thoughts and concerns through his letters, many of which are included in this collection. The vast amount of correspondence include letters from notable figures such as George Biddle, Kay Boyle, Paul Burlin, Norman Carton, Robert Coates, Stuart Davis, Adolph Dehn, Richard de Rochemont, John Dos Passos, Xavier Gonzales, John Howard Griffin, Ramon Guthrie, Robert Gwathmey, Weeks Hall, Stanley W. Hayter, Jean Helion, Hilaire Hiler, Joseph Hirsch, Stefan Hirsch, Carl Holty, Louis Kronberg, Rico Lebrun, Jacques Lipchitz, Earle Ludgin, Thalia Wescott Malcolm, Henry Miller, Joan Miro, Bror Julius Olsson Nordfeldt, Channing Peake, Henry Varnum Poor, Felix Ruvolo, Waverly Root, Jack Gage Stark, Frank C. Watkins, and Allen Weller, among others.

Rattner was engaged in a wide range of special art projects, and he kept detailed files on these projects. The projects spanned from 1940 through 1973 and included endeavors such as illustrations for Life magazine, stained-glass designs, mosaic and tapestry projects, as well as special paintings such as Victory--Jerusalem the Golden and The Gallows of Baghdad. Rattner's papers also detail the history of a fresco painted by Paul Gauguin entitled Joan d'Arcwhich Rattner purchased in France in 1925.

Rattner's forty year friendship with the writer Henry Miller is chronicled throughout the collection in the forms of correspondence, writings, printed material, phototographs and artwork. Their correspondence ranges from 1938 through 1978 and offers great insight into their relationship. Rattner and Miller's road trip from New York to New Orleans in 1940-1941 is documented in the series entitled Special Projects. Also included in the collection are printed material, such as biographical material on Miller, Miller's writings, literary announcements and reviews; Miller's writings on Rattner; and photographs of Miller.

The gallery files contain correspondence, receipts, and notes regarding the galleries which represented Rattner. Those galleries included the Rosenberg Gallery, the Downtown Gallery, and the Kennedy Gallery. A small series of exhibition files contain material about exhibitions held outside of Rattner's representative galleries.

Rattner's writings proved to be an outlet for his thoughts on painting, his inspirations, frustrations, and sadness. In addition to painting, Rattner was able to express his creativity through writing poetry. Writing also helped him work through his depression over the death of his first wife Bettina Bedwell.

He also kept finely detailed studio notebooks. The original order has been maintained, and they trace the history of almost each painting, drawing, and study attempted by Rattner. The notebooks often provide information regarding whether the work was sent to a gallery or given as a gift. Sometimes they contain correspondence or writings that reveal the inspiration for a work. They have been arranged in chronological order, according to Rattner's own filing system.

Rattner retained receipts for most of his art expenses. Arranged by decade, these receipts show the type of paint, colors, types of paper and brushes that he used.

Rattner also kept many household files and personal financial records. Household files contain insurance records, warranties and rental agreements, while the financial records contain returned checks and bank statements. Some bank statements from Esther Gentle Reproductions are also included. The household files and financial records are not filmed.

The date books and diaries reveal the aspects of daily life and the personal thoughts of Rattner and Esther Gentle. In many cases, Rattner shared his date books and diaries with Gentle. The early diaries are fascinating, especially the 1939 diary that discloses the Rattners' last days in France before escaping Nazism and returning to the United States.

Rettner's scrapbooks span from 1938 to 1952 and contain newspaper and magazine clippings that mention the artist or his work.

The printed material covers a period from 1930s through the 1980s and includes exhibition catalogs, exhibition announcements, clippings, and miscellaneous material such as an autograph book from 1969 and a map of Israel that shows Rattner's travel route. There is a large amount of unfilmed printed material that is listed in the series description.

Writings by others consists of writings on Rattner and other topics.

The collection contains many photographs taken of Rattner and taken by him, as well as photos of family, friends, his studio, travels, and photographs of Rattner's art. Photographs of notable people include Henry Miller, Joan Miro, John Dos Passos, Archibald MacLeish, and Malcolm Cowley, among others.

The amount of Rattner's art work included in the collection is small, but it is significant because it provides examples of his very early work, dating from 1912-1914. Some later studies are also present, as well as a number of random sketches. Color was very important to Rattner, and some of his color studies from the 1940s are also included. Art work by other artists is comprised of some small paintings by Max Weber, a water color by Henry Miller, a painting by Ken Buryd, as well as some work by unknown artists.

In addition to tracing Rattner's life and career, the collection also documents the lives of Rattner's two wives, Bettina Bedwell and Esther Gentle. Both women had profound effects on Rattner's work. Among Bettina Bedwell's papers are her diary, fashion sketches, and correspondence. Esther Gentle's papers include correspondence, writings, as well as papers documenting her business Esther Gentle Reproductions. There are a small amount of papers relating to Allen Leepa, Rattner's stepson with Esther Gentle.

See index for list of correspondents from various series.
Arrangement:
The collection is arranged into twenty-four series based primarily on type of document or special project. Though concentrated in its own series, additional correspondence is scattered throughout the collection and may be found in special project files, gallery files, exhibition files, studio notebooks, and scrapbooks. The correspondence has been divided into two subseries, one chronological and the other according to Rattner's subject-oriented filing system. Special art projects have been organized by project, and placed in chronological order. The studio notebooks have also been divided into subseries, and all notebook pages maintain Rattner's original order. The first subseries of notebooks reflects Rattner's numbering system, while the second subseries is arranged chronologically. The vast amount of printed material has been divided into subseries, and all of the unfilmed printed material has been organized chronologically at the end of the series.

Within each series, material is arranged either in chronological order, or in some cases, according to Abraham Rattner's own organizational system.

Oversized materials from various series are housed in oversized folders 33-45 and are noted in the Series Description/Container Listing with see also/see references or in the container columns.

Series 1: Biographical Files, 1893-1978, undated (box 1; 0.2 linear ft.)

Series 2: Interviews, 1957-1975, undated (box 1; 7 folders)

Series 3: Correspondence Files, 1933-1978, undated (boxes 1-5; 4.3 linear ft.)

Series 4: Special Projects, 1940-1987, undated (boxes 5-6, ovs 33-35; 1.5 linear ft.)

Series 5: -- Joan d'Arc -- Fresco painted by Paul Gaugin, 1925-1963, undated (box 7, ov 36; 12 folders)

Series 6: Gallery Files, 1942-1975 (boxes 7-8; 1.5 linear ft.)

Series 7: Exhibition Files, 1963-1978 (boxes 7, 9; 9 folders)

Series 8: Writings, 1940-1972, undated (box 9; 0.9 linear ft.)

Series 9: Studio Notebooks, 1935-1975, undated (boxes 10-11; 1.9 linear ft.)

Series 10: Art Expenses, circa 1940-1970 (boxes 11-13; 0.7 linear ft.)

Series 11: Household Files, 1940-1970, undated (box 13; 0.8 linear ft.)

Series 12: Financial Records, 1933-1963 (boxes 13-14; 0.7 linear ft.)

Series 13: Notes and Lists, 1936-1972, undated (box 14; 0.5 linear ft.)

Series 14: Address Books, 1939-1977, undated (box 15; 1.0 linear ft.)

Series 15: Date Books/Diaries, 1937-1977, undated (boxes 16-17; 1.6 linear ft.)

Series 16: Scrapbooks, 1938-1952 (boxes 18-22; 1.5 linear ft.)

Series 17: Printed Material, 1920s-1980s, undated (boxes 23-26; 3.6 linear ft.)

Series 18: Writings by Others, 1945-circa 1980, undated (box 26; 20 folders)

Series 19: Photographs, 1891-1970s, undated (boxes 27-29; 1.6 linear ft.)

Series 20: Works of Art by Rattner, 1912-1914, 1940-1967, undated (box 30, ovs 37-44; 2.4 linear ft.)

Series 21: Works of Art by Others, undated (box 30, ov 45; 7 folders)

Series 22: Bettina Bedwell Papers, 1932-1947, undated (box 31; 0.4 linear ft.)

Series 23: Esther Gentle Papers, 1921-1984, undated (boxes 31-32; 1.3 linear ft.)

Series 24: Allen Leepa Papers, 1952-1969, undated (box 32; 8 folders)
Biographical Note:
Abraham Rattner was born in Poughkeepsie, New York in 1895. His parents immigrated to the United States to escape antisemitism in Czarist Russia. He was the second of six children, including his eldest brother Louis, younger brothers Manuel (Manny) and Harry, and his younger sisters Rose and Jennie.

Rattner's parents encouraged him to paint at a young age, and as he grew up, painting became a part of his daily life. He graduated from Poughkeepsie High School in 1912 and left to study architecture at George Washington University in Washington, D.C. At night, he took art courses at the Corcoran School of Art. He soon became a full-time art student, and applied for a scholarship to the Pennsylvania Academy of the Fine Arts in Philadelphia. He was accepted in 1919 and supported himself by doing illustrations for Philadelphia newspapers.

In 1917, World War I interrupted his studies. Rattner entered the United States Army in France where he became Sergeant of camouflage section, 40th Engineers. Camouflage, reflecting aspects of modern art in its form and pattern, made use of Rattner's artistic skills. During the second battle of the Marne, Rattner injured his back and returned to the States with an ailment that would affect him for the rest of his life.

Rattner returned to the Pennsylvania Academy and was awarded the Cresson scholarship to study art in Europe. He traveled for one year, then settled in Paris for the next twenty years. Those twenty years in Paris became the most formative for Rattner because he was able to study and experiment with Futurism, Cubism, and Expressionism. Post World War I Paris was the center of modern culture for Americans disillusioned by the destruction of the war. Expatriate writers, poets, and artists were searching for a culture that shunned the traditions of the past and exchanged ideas with one another at the lively Paris cafes and salons.

In 1924, Abraham Rattner married Bettina Bedwell, an American art student and fashion illustrator. Bettina became the Paris fashion correspondent for the New York News-Chicago Tribune Syndicate. In 1927, Rattner was a member of the Minotaure group, along with Picasso, Miro, Giacometti, Le Corbusier, Braque, Dali, and Reverdy. He also illustrated an article for Jon Dos Passos in Verve magazine in 1931.

Rattner's first one-man show was in 1935 at the Galerie Bonjean in Paris, which was followed by one-man shows at the Julien Levy Gallery in New York, the Arts Club of Chicago, and the Courvoisier Gallery in San Francisco.

The threat of Hitler and Nazism forced Rattner and his wife to flee Paris in 1939. Arriving in New York in early 1940, Rattner agreed to take a trip by car with the writer Henry Miller. Their route took them from New York to New Iberia, Louisiana via the East coast and Southern states. Their mission was to rediscover America, with Henry Miller writing about their experiences and Rattner sketching the scenery. Rattner's friendship with Henry Miller was an important one that lasted throughout his life.

During the 1940s, Rattner's art was widely exhibited. In 1941, he joined the Rosenberg Gallery in New York, and remained with the gallery for fourteen years. He won awards for his work such as the Temple Gold Medal in 1945 and second prize in the Pepsi-Cola Fourth Annual Art Competition in 1946. In 1947, Bettina Bedwell suddenly died due to a kidney infection, sending Rattner into a spiral of grief and depression. To escape depression, from 1947-1949, he taught at the New School for Social Research in New York.

In 1949, Rattner married Esther Gentle, an artist and business woman who ran an art reproductions business. In 1951, the Rattners moved to Rome where he worked as Artist in Residence at the American Academy. The next year, they moved to Illinois where he was the Artist in Residence at the University of Illinois. Ratter was awarded first prize in 1953 at the 23rd Corcoran Biennial Exhibition and also served as Vice-President of Artists' Equity. In 1956, Rattner was the Distinguished Visiting Professor at Michigan State University, and along with his stepson, Allen Leepa, established an art school on Long Island. In 1957, Rattner left the Rosenberg Gallery to join the Downtown Gallery. He felt he would professionally profit from representation by the well-known Edith Halpert; however, the next twelve years reflected a tumultuous relationship between the artist and the gallery owner.

In 1957, Rattner reached out to other forms of art and design. He experimented with mosaic, tapestry and stained-glass. He designed mosaic columns and tapestries for the Fairmont Temple Anche Chesed in Cleveland and a mosaic for a friary and college in Centerville, Ohio. His stained-glass designs were highly celebrated and respected. His most famous stained-glass piece was the window for the Chicago Loop Synagogue. For this piece, Rattner spent two years traveling to Paris to design and supervise every process involved in the design and installation of the window.

Rattner felt that while his paintings during the 1940s and 1950s were romantic and self-reflective, the 1960s marked a new inspirational period in his work. His painting reflected religious comment, bringing Rattner back in touch with his Jewish heritage, as well as reflecting a sense of social protest. In 1968, Rattner exhibited his painting Victory--Jerusalem the Golden to honor the celebration of Israel's twentieth anniversary of independence. It was also in 1968 that Rattner left the Downtown Gallery for the Kennedy Gallery. In 1969, he painted The Gallows of Baghdad series as a protest to the hanging of nine Jews by Iraqi authorities.

The 1970s marked a time of many exhibitions. In 1976, the National Collection of Fine Arts in Washington, D.C. sponsored an exhibition of his designs for stained-glass entitled "...and let there be light". Also, from 1976 through 1977, "Our America" exhibited Rattner's drawings from his 1940 U.S.A. trip with Henry Miller in England and in the United States. In 1977, Michigan State University bestowed upon him the Honorary Degree for Humanity. On February 14, 1978, Abraham Rattner died due to heart failure.

1893 -- Born June 8th in Poughkeepsie, New York.

1912 -- Graduated from Poughkeepsie High School.

1914-1917 -- Student at George Washington University, Corcoran School of Art and Pennsylvania Academy of the Fine Arts.

1917 -- Enlisted in the United States Army in France as Sergeant, camouflage section, 40th Engineers. Fought at Seicheprey, second battle of the Marne, and Chateau-Thierry.

1919 -- Returned to Pennsylvania Academy of the Fine Arts. Awarded Cresson traveling fellowship to Europe.

1920 -- Traveled in France, Spain, England, Belgium and Holland.

1921 -- Art student in Paris at Ecole des Beaux-Arts, Grand Chaumiere, and Academie Ranson.

1922 -- Lived and painted in Giverny, France.

1923 -- Returned to Paris.

1924 -- Married Bettina Bedwell, Paris fashion correspondent for the New York News-Chicago Tribune news syndicate. Exhibited at Salon d'Automne and Salon des Independants.

1927 -- Member of the Minotaure group in Paris.

1931 -- Illustrated article, "Fire," by John Dos Passos for Verve magazine.

1935 -- First one-person show at Galerie Bonjean, Paris. French government purchased Card Party for Museum of Impressionism, The Louvre.

1936 -- One-person show at Julien Levy Gallery, New York (also 1939, 1941); Arts Club of Chicago; Courvoisier Gallery, San Francisco (also 1941).

1940 -- Returned to the United States following Nazi invasion of France. Traveled with Henry Miller from New York to New Iberia, Louisiana.

1941 -- One-person shows: Stendahl Gallery, Los Angeles; Faulkner Memorial Art Gallery, Santa Barbara (also 1943); Paul Rosenberg Gallery, New York (also 1942, 1944, 1946, 1948-1950, 1952, 1956); Studio, New York.

1945 -- Awarded the Temple Gold Medal from the Pennsylvania Academy of Fine Arts. Wrote "An American in Paris" for Magazine of Art.

1946 -- Awarded second prize at the Pepsi-Cola Fourth Annual Art Competition.

1947 -- Death of Bettina Bedwell Rattner.

1948 -- Taught at the New School for Social Research, New York.

1949 -- Married Esther Gentle. Visiting artist at Yale University and at the Brooklyn Museum School. Awarded honorable mention at the Carnegie Institute Exhibition of American Painting.

1950 -- Awarded the Purchase Prize at the University of Illinois Biennial Exhibition.

1951 -- Artist in residence at the American Academy in Rome.

1952 -- Artist in residence at the University of Illinois.

1953 -- Awarded first prize at the 23rd Corcoran Biennial Exhibition. Served as Vice-President of Artists' Equity.

1954 -- Taught at the Art Students League. Panelist at the Design Conference in Aspen, Colorado.

1955 -- Exhibited drawings at the Chicago Art Institute.

1956 -- Distinguished Visiting Professor at Michigan State University. Established an art school in East Hampton and Sag Harbor, Long Island.

1957 -- Designed mosaic columns and tapestries for the Fairmont Temple Anche Chesed in Cleveland. One-person show at Downtown Gallery, New York (also 1958-1967).

1958 -- Designed mosaic wall for St. Leonard's Friary and College in Centerville, Ohio. Designed stained-glass windows for the Flint Institute of Arts, Michigan. Began designs for stained-glass window for the Chicago Loop Synagogue. Exhibited with Alexander Calder at the Corcoran Gallery of Art. Elected member of the National Institute of Arts and Letters. Awarded the Butler Memorial Prize at the Pennsylvania Academy of Fine Arts.

1959 -- Retrospective exhibition circulated by the American Federation of Arts. Exhibited at the Whitney Museum of Art.

1964 -- Exhibited at the Edinburgh International Festival in Scotland.

1968 -- Exhibited painting entitled Victory--Jerusalem the Golden at the celebration of Israel's 20th anniversary of independence.

1969 -- One-person shows: Kennedy Galleries, New York; Galerie Weil, Paris ( Baghdad Hangings), Galerie Belgique, Brussels ( Baghdad Hangings).

1970 -- Film commissioned by ABC-TV entitled "The Long Prayer of Abraham Rattner."

1972 -- Beggar's Opera lithographs exhibited at Circle Gallery, Chicago.

1976 -- Displayed stained-glass on religious themes with the National Collection of Fine Arts in Washington, D.C.

1977 -- "Our America" exhibition in England and the United States. Awarded Honorary Degree for Humanity from Michigan State University.

1978 -- Died on February 14th.
Index: List of Major Correspondents in Various Series:
These correspondents will be found in the following series: Correspondence, Special Projects, Gallery Files, Studio Notebooks, and Scrapbooks: Edward Albee, 1928-

John Anderson, 1904-

Bettina Bedwell, 1889-1947

Carl Beiber

George Belmont

George Biddle, 1885-1973

Kay Boyle, 1902-1992

Brassai, 1899-

Paul Burlin, 1886-1969

McClure Capps "Mac"

Norman Carton, 1908-1980

Jack Chapman

G. Alan Chidsey

Frederick Childs

Robert Coates, "Bob" 1897-1973

Malcolm Cowley, 1898-1989

Salvador Dali 1904-1989

Paul Damaz

Bernard Davis

Stuart Davis, 1894-1964

Adolph Dehn, 1895-1968

Richard de Rochemont

John Dos Passos, 1896-1970

Armand and Suzi D'usseau

Rene Lefebore Foinet

Gisele Freund, 1912-

Emily Genauer, 1911-

Esther Gentle, 1905-1984

Alberto Giacometti, 1901-1966

Xavier Gonzales, 1898-1993

John Howard Griffin

Ramon Guthrie, 1896-1973

Robert Gwathmey 1903-1988

Weeks Hall

Edith Gregor Halpert, 1900-1970

Stanley W. Hayter, 1901-1988

Nathan Hecht

Jean Helion, 1904-1987

William H. Henrick

Henry Herschkvitz

Hilaire Hiler, 1898-1966

Joseph Hirsch "Joe," 1910-1981

Stefan Hirsch, 1889-1964

Carl Holty, 1900-1973

Etienne Hubert

Arno Hummucher

Frederick I. Kann "Fred," 1886-

L.J. Konigsberg "Leib"

Louis Kronberg, 1872-1965

Alexandra Laks

Rico Lebrun (Fredrico), 1900-1964

Allen Leepa, 1919-

Isadore Levy

Julian Levy, 1906-1981

Jacques Lipchitz, 1891-1973

Ward Lockwood, 1894-1963

Jean Louste

Earle Ludgin, 1898-1981

Thalia Wescott Malcolm, 1888-

Reginald Marsh, 1898-1954

Archibald McLeish, 1892-

Henry Miller, 1891-1980

Joan Miro, 1893-1983

Gloria Nardin

Anais Nin, 1903-1977

Bror Julius Olsson Nordfeldt "B.J.O.," 1878-1955

Hugh O'Neill

Channing Peake, 1910-1989

Gabor Peferdi

Irving Penn

Peter Pollack, 1911-1978

Henry Varnum Poor 1888-1970

Andre Raizorkacs

Robert Rey

Maurice Reynal

Raymond Reynal

Hans Richter, 1888-1976

Edward Roditi

Shelden Rodman, 1909-

Waverly Root, 1903-1982

Felix Emmanuele Ruvolo, 1912-

Frank Sedlak

Paul Shapiro

Jack Gage Stark, 1882-1950

Barrie Stavis

Ike Stoeffle

Benjamin Ellis Tepper

David Turnbull

Alfredo Valente

Siegfried Wang

Frank C. Watkins (Franklin Chenault), 1894-1972

Allen Weller, 1907-
Separated Materials note:
Loaned material, including notebooks, writings, and some correspondence, were returned to Abraham Rattner after microfilming. This material is now part of the Abraham Rattner notes collection at the Leepa-Rattner Museum of Art at St. Petersburg College. Loaned material is available on reels D203-D205, D205A-D205B, and reel 1212, but is not described in this finding aid.
Provenance:
The collection was given to the Archives of American Art in stages by Abraham Rattner 1972-1983, by Esther Gentle 1986-1987, and by Gene Allen in 1992. The donated material that was previously filmed has been integrated and refilmed includes reels D203 and D205C-D205D. The material found on reels D205A-D205B was loaned by Rattner and the material found on reel 1212 was loaned by his sister, Jennie Allen.
Restrictions:
The collection is open for research. Use of unmicrofilmed portion requires an appointment.
Rights:
The Abraham Rattner and Esther Gentle papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Works of art  Search this
Artist couples  Search this
Painters -- France -- Paris  Search this
Art -- Study and teaching -- France -- Paris  Search this
Genre/Form:
Sketches
Diaries
Scrapbooks
Photographs
Interviews
Citation:
Abraham Rattner and Esther Gentle papers, 1891-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rattabra
See more items in:
Abraham Rattner and Esther Gentle papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rattabra

LeRoy Neiman papers

Creator:
Neiman, LeRoy, 1921-2012  Search this
Names:
ABC Sports  Search this
CBS Sports  Search this
Playboy Enterprises  Search this
Ali, Muhammad, 1942-  Search this
Super Bowl  Search this
Extent:
70.5 Linear feet
Type:
Archival materials
Collection descriptions
Date:
1938-2005
Summary:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scope and Content Note:
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938 to 2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.

Biographical material pertains to the artist's family, military service, education and teaching experience and representing galleries and publishers and includes artist biographies, awards, distinctions, and membership information.

Correspondence includes personal and business correspondence as well as collections of cards and literature on other artists, Neiman's notes and jottings, art work by children, and office records.

Project files document specific projects or art events in which Neiman was involved, including commissions, promotions, collaborations, serigraph printings, and publications.

Printed material includes newspapers, magazines, catalogs, fliers, invitations, brochures, press releases, film scripts and small posters.

Artifacts include three-dimensional items, clothing, souvenirs and LeRoy Neiman paraphernalia.
Arrangement:
The collection is arranged as 5 series:

Series 1: Biographical Material, 1938-2004, undated (Boxes 1-3, 77; 3.3 linear feet)

Series 2: Correspondence, circa 1960s-2004, undated (Boxes 3-19)

Series 3: Project Files, 1949-2005, undated (Boxes 20-39, 78-81)

Series 4: Printed Material, circa 1940s-circa 2005, undated (Boxes 40-61, 82-83, OV 85)

Series 5: Artifacts, 1953-2002, undated (Boxes 69-76, 84)
Biographical Note:
LeRoy Neiman has been described as the most popular living painter in America. While strikingly original, his work reflects the varied influences of Toulouse-Lautrec, Dufy, the New York Social Realists, and the Abstract Expressionists. Probably best known as a portrayer of sporting and social events, he virtually invented the modern genre of sports art and remains its most accomplished and acclaimed practitioner.

Among many other accomplishments, he was the first and only on-camera official artist for ABC-TV at the Olympics in Munich, 1972 and Montreal, 1976, and covered several other winter and summer Olympiads as an official artist. He was the first artist to create live, on-camera computer art while covering the 1978 Super Bowl in New Orleans for CBS-TV. In 1997 he was selected as the first official artist of the Kentucky Derby. But Neiman's interests range far and wide. As a painter, printmaker, and author, his subjects have included Parisian cafés, African safaris, famous bars, five-star restaurants, urban street scenes, the opera, political figures, jazz musicians, entertainers, stage and screen stars, gambling casinos, portraits, international stock exchanges, and much more.

For the past quarter-century, Neiman has created limited-edition serigraphs (silk-screen prints). Published and distributed exclusively by Knoedler Publishing, they are sold in selected galleries throughout the United States. By one estimate, the more than 150,000 Neiman prints that have been purchased to date have an estimated market value exceeding $400 million. Neiman is the author of twelve books: Horses, LeRoy Neiman Posters, Winners, which was also published in Japanese, Big Time Golf, LeRoy Neiman: An American in Paris, LeRoy Neiman on Safari, and LeRoy Neiman: Five Decades, all published by Harry N. Abrams, as well as Art and Life Style, Carnaval, Monte Carlo Chase, Casey at the Bat, and the newly-released limited edition LeRoy Neiman Sketchbook: Liston vs. Clay 1964/ Ali vs. Liston 1965, 2004. Knoedler Publishing has published The Prints of LeRoy Neiman, Volumes I-III, a catalogue raisonnes on Neiman's limited edition prints.

Over the years the artist has donated scores of his artworks to dozens of charitable causes and organizations. Through his work with the Good Tidings Foundation, two LeRoy Neiman Art Centers for Youth have been built in elementary schools in California. In 1995, he gave the School of the Arts at Columbia University in New York City an endowment of $6 million to create the LeRoy Neiman Center for Print Studies, dedicated to the study of fine art printmaking and the development of new methods of printmaking, and including a scholarship program. A 1998 donation led to the creation of the LeRoy Neiman Center for the Study of American Culture and Society at UCLA.

Neiman's work is represented in the Art Institute of Chicago, the Whitney Museum, the Minneapolis Museum of Art, the Hermitage of St. Petersburg and numerous other museums and public and private collections worldwide. A past member of the New York City Advisory Commission for Cultural Affairs, Neiman has received five honorary degrees and, among other honors, an Award of Merit from the American Athletic Union, a Gold Plate Award from the American Academy of Achievement, and a Lifetime Achievement Award from the Muscular Dystrophy Association, in addition to being named Boxing Artist of 1966 by Lonsdale, London.

1921 -- Born June 8 in St. Paul, Minnesota.

1942-46 -- Leaves high school to enlist in the army; serves four years in Europe.

1946 -- Studies at the St. Paul Gallery and School of Art with Clement Haupers.

1946-50 -- Student at the School of the Art Institute of Chicago; studies with Boris Anisfeld; studies liberal arts at University of Illinois and De Paul University, Chicago.

1950-60 -- Member of the Faculty, School of the Art Institute of Chicago, teaching figure drawing and fashion drawing.

1952 -- Exhibits in Twin City Show at Minneapolis Institute of Arts; wins Chicago Art Directors Award.

1953 -- Begins using enamel house paints; develops interest in drawing horse racing at Arlington Park; wins First Prize for painting "Idle Boats", a purchase prize, at Twin City Show, Minneapolis Institute of Art.

1954 -- Begins association with Playboy magazine illustrating Charles Beaumont story, which wins Chicago Art Directors Award; exhibits for first time in Chicago Artists and Vicinity Show, where he continues to show for next six years; wins Second Prize, Minnesota State Show; exhibits at Philadelphia Art Alliance.

1955 -- Instructor of painting at Elmwood Park Art League and North Shore Art League; exhibits at the Carnegie Pittsburgh International Exhibition of Contemporary Painting; creates the "Femlin" symbolic character which appears in Playboy for next 47 years; wins New York Art Directors Award.

1956 -- Included in "New Talent in America in 1956", published in Art in America, February 1956; delves deeper into Chicago sports scene, draws Chicago Bears, Blackhawks and boxing.

1957 -- Exhibits in Corcoran Gallery of Art "American 25th Biennial Exhibition", Washington, D.C.; awarded most popular prize out of 3,000 entries as well as the juried Clark Memorial Prize and Vicinity Show; first television appearance on Art Institute of Chicago TV show, "Artist's Choice"; painting instructor at School of the Art Institute of Chicago Summer Session and for two years at Ox-Bow Summer School, Saugatuck, Michigan teaching landscape painting; marries art student Janet Byrne.

1958 -- Exhibits at the "Society of Contemporary American Art Exhibition", Art Institute of Chicago, for three years; begins extensive travels for Playboy magazine, creating a feature on the high life called "Man at His Leisure", which appears regularly for the next 15 years; wins Municipal Art Award at "Chicago Artist and Vicinity Show", and Hamilton & Graham Cash Prize, Ball State Teachers College Drawing Show, Muncie, Indiana.

1959 -- Holds one-man show of racing scenes at Arlington Park Race Track, Chicago; shows in "Jazz Exhibition" and "Social Observation and Comment in Art Show" in Chicago.

1960 -- Paints at Squaw Valley Winter Olympic Games; travels six months through Europe covering sporting and social events, the Grand National Steeplechase, Epsom Derby, Ascot, and the Oxford-Cambridge boat race in England, Maxim's Tour d'Argent, the Lido and Folies Bergere in Paris, the Cannes Film Festival and St. Tropez, Fiesta de San Isidro bullfights in Madrid, the Grand Prix in Monaco auto race.

1960-1970 -- Executes over one hundred paintings and two murals for eighteen Playboy Clubs.

1961 -- Takes studio in Paris; does studies of Deauville social season and sketches the great restaurants of France; sketches Dublin Horse Show and cricket at Lord's in London; wins gold medal for oil painting at the "Salon d'Art Moderne", Paris.

1962 -- Sketches Bordeaux wine country, Paris fashion shows, racing at Longchamp, and Giraglia Yacht Race on Riviera; paints Regatta of the Gondoliers in Venice; does studies of Fellini directing "8 ½" and sketches at Cine Citta studios in Rome; visits U.S. to work on commission for 12 paintings of the Indianapolis 500.

1963 -- Returns from Paris; establishes a studio in New York; teaches painting at Arts and Crafts, Inc., Winston-Salem, North Carolina; holds first one-man exhibition in New York at Hammer Galleries; travels to Mexico with Shel Silverstein; sketches in Mexico City and Acapulco.

1964 -- Starts series of Muhammad Ali sketches and paintings which spans the next 15 years; sketches America's Cup Challenge at Newport, Rhode Island; returns to England to sketch London night life and Prince Phillip playing polo at Windsor; paints the Tour de France in Paris.

1965 -- Commemorates Sugar Ray Robinson with 8' x 6' portrait "Farewell to Boxing" unveiled at Madison Square Garden ceremony; paints portrait of Mae West and poet Marianne Moore.

1966 -- Sketches Kentucky Derby; in London paints personalities and scenes including the Beatles and Carnaby Street, Kenneth Tynan, Sir Ralph Richardson; paints surfing in California; executes mural for Swedish-Lloyd Ship, S. S. Patricia; creates art for film "Casino Royale"; sketches indoor polo for opening of Houston Astrodome.

1967 -- Sketches and paints leading figures in the arts, sports and entertainment world, including Leonard Bernstein, Joe Louis, Frank Sinatra, Brigitte Bardot and ballerina Suzanne Farrell; paints "24 Hours of LeMans", nudist scenes on the Dalmatian Coast of Yugoslavia, the Fiesta at Pamplona, the dolce vita of Rome.

1968 -- Paints the Kirov and Bolshoi ballets in Russia; is named artist-in-residence from the bench of the New York Jets football team; executes critical sketches of the 1968 Democratic National Convention in Chicago; paints Bobby Hull for Time magazine cover; contributed drawings for Harpers magazine articles on Cassius Clay and on Bobby Kennedy and race relations; initiates art class for Atlanta Poverty Program.

1969 -- Sketches civil rights figures and teaches art in Atlanta Poverty Program; creates poster for Kurt Weill Off-Broadway show and program cover for Oh! Calcutta; sketches New York City Ballet; appears regularly on TV as New York Jets artist-in-residence; collaborates with Dave Anderson on book, Countdown to Super Bowl; covers horse racing at Ascot and Longchamp, camel racing in Morocco.

1970 -- Paints backdrop for Broadway play Borstal Boy and does album cover for Fifth Dimension; exhibits in the Time magazine "Covers Show" at the National Portrait Gallery of the Smithsonian Institution, Washington D.C.; sketches sporting and social events in Dublin, and holds one-man show at the Abbey Theatre; travels with Hugh Hefner in Europe, Greece and Africa; sketches wildlife on safari in Africa; creates poster for Ali-Quarry fight, Ali's return to the ring in Atlanta; paints $100,000 baseball players for book, This Great Game; paints New York Stock Exchange.

1971 -- Has one-man exhibition at Museo de Bellas Artes in Caracas; travels to Monte Carlo, London, Paris and Switzerland; develops interest in printmaking; creates two-part TV program on the art of lithography and produces etchings and lithographs at Atelier Weber in Zurich; creates official poster and draws pre-fight sketches of Ali-Frazier Super Fight I at Madison Square Garden for The New York Times Magazine cover and post-fight sketches for ABC-TV; illustrates Jose Torres' book on Ali, Sting Like a Bee.

1972 -- Covers Fischer-Spasky world champion chess tournament at Reykjavik, Iceland and Munich Olympic Games, both on camera for ABC-TV; covers World Series for NBC-TV; creates serigraph of Knicks-Lakers championship game; paints Super Bowl for Time magazine cover; and cover for Golf Digest.

1973 -- Creates Super Bowl art for CBS-TV; sketches the Masters Golf Tournament for Golf Digest magazine; paints commission for Museum of Jazz; creates serigraph of Triple Crown winner Secretariat; sketches Foreman-Frazier fight in Jamaica; travels on multi-city tour and exhibit of Olympic serigraphs; nineteen serigraphs chosen by the Hermitage Museum, St. Petersburg, for its permanent collection.

1974 -- Has exhibition in Tokyo and sketches sumo, baseball and horse racing for Japanese TV; covers Stanley Cup hockey playoffs for NBC-TV; creates poster for Newport Jazz Festival and for next 5 years; creates poster for Ali-Foreman fight in Kinshasa, Zaire, and for Frank Sinatra concert at Carnegie Hall; Art and Lifestyle is published.

1975 -- Creates official St. Paul Bicentennial poster; given major retrospective at the Minnesota Museum of Art; creates official program cover for World Series; creates poster for Ali-Frazier III and paints cockfights in Manila; creates first of four annual posters for Robert F. Kennedy Pro-Celebrity Tennis Tournament; book The Artist's Limited Edition of Moby Dick is published.

1976 -- Paints mural on camera as ABC-TV Official Artist at Olympic Games, Montreal; paints on French Riviera; holds one-man show at Knoedler Gallery in London; exhibits in national invitational "Watercolor USA Show" at Springfield Art Museum, Missouri, and "Drawings USA Show" at the Minnesota Museum of Art; paints Harlem scene for Jazzmobile poster; paints Chris Evert for Saturday Evening Post cover.

1977 -- Holds one-man shows in Stockholm and Helsinki; works in Paris; paints NBA All-Star game; creates poster for Lacrosse USA.

1978 -- Performs first live execution of computer art for CBS-TV coverage of Super Bowl, New Orleans; creates poster for Bill Bradley senatorial campaign; creates poster for Ali-Spinks II match in New Orleans.

1979 -- Appointed Grand Marshal with Jesse Owens at The Drake Relays in Des Moines, Iowa; paints the Ginza, Kamakura Buddha, Mount Fuji in Japan, Royal Ascot in London, and Pan-Am Games in Puerto Rico, for CBS-TV; book Horses is published.

1980 -- Appointed Official Artist of the 1980 Lake Placid Winter Olympic Games and Official Artist of the Democratic National Convention, New York; paints commission for Caesar's Palace, Las Vegas; sketches Carnaval in Rio de Janeiro; presents painting commemorating signing of Arab-Israeli peace treaty at Camp David to President Carter at the White House; book Posters is published.

1981 -- Holds two-man exhibition with Andy Warhol at Los Angeles Institute of Contemporary Art, California; executes 24' x 16' portrait of Sylvester Stallone for Rocky film; creates art and appears as ring announcer in Rocky films II, III, IV and V; book Carnaval is published.

1982 -- Has one-man exhibition at Harrod's, and paints the "The Stock Exchange, London"; creates poster for Kool Jazz Festival; paints and exhibits in Tokyo.

1983 -- Has one-man exhibitions in Los Angeles, San Francisco and New Orleans; executes billboard, television commercial and program for Lido show at the Tropicana, Las Vegas; book Winners is published.

1984 -- Appointed Official Artist, Winter Olympics, Sarajevo, Yugoslavia and Summer Olympics, Los Angeles.

1985 -- Returns to Brazil to paint Gavea Golf and Country Club in Rio de Janeiro and stock exchange in Sao Paulo; named Honorary Marshal at St. Paul Winter Carnival; Japanese version of Winners is published.

1986 -- Appointed Official Artist, Goodwill Games in Moscow for Turner Broadcasting Network; paints America's Cup commission for the New York Yacht Club.

1987 -- Paints and makes video documentaries of Old St. Andrews in Scotland and the Riviera in France; paints Indianapolis 500 auto race commission; presents "Minute Man" poster to President Reagan at the White House.

1988 -- Holds one-man exhibitions in Japan and Moscow; executes mural for Golden Nugget, Las Vegas; paints commission for the Caribbean Classic at Caliente Racetrack in Tijuana, Mexico; paints and makes video documentary of "Napoleon at Waterloo"; book Monte Carlo Chase is published.

1989 -- Paints Frank Sinatra, Liza Minelli and Sammy Davis, Jr. at Royal Albert Hall, London; sketches the World Series at Candlestick Park in San Francisco during earthquake; does sketches and paintings and video documentary of New York's Central Park, and holds exhibition at the boathouse in the park.

1990 -- Executes commemorative painting for 100th anniversary of Los Angeles Dodgers; holds one-man exhibition for inaugural Grand Prix auto race in Denver; paints the Masters Golf Tournament in Augusta, Georgia; travels and sketches in Rome, Paris and Hong Kong.

1991 -- Executes commissioned paintings for 25th anniversary of Spectrum Stadium, Philadelphia, and 10th anniversary of Miami Grand Prix and of Joe Morgan and Jim Palmer for Baseball Hall of Fame induction; travels to Japan to paint geishas, the Ginza and golf; creates Michael Jordan serigraph and poster; works on sketchbooks and paintings in Paris and Berlin.

1992 -- Paints Tom Seaver for Baseball Hall of Fame induction; paints suite of four famous golf courses in conjunction with publication of Big-Time Golf; works on sketchbooks and paintings in Venice, Milan and Rome; honored by the Art Institute of Chicago as an outstanding alumnus; commissioned to paint Bobby Orr by Polaroid.

1993 -- Paints Reggie Jackson for Baseball Hall of Fame induction, Larry Bird for Boston Garden, and Iroquois Steeplechase, Nashville; creates poster for CBS-TV film Call of the Wild; holds one-man exhibition at the Kentucky Derby Museum; paints Frank Sinatra for cover of "Duets" album.

1994 -- Paints Pebble Beach Golf Clubhouse; creates poster for CBS-TV film The Yearling, attends and paints Super Bowl XXVIII in Atlanta; paints in Monte Carlo and Venice; goes on to paint safari in Kenya; sketches Luciano Pavarotti at Metropolitan Opera; paints Frank Sinatra for "Duets II" album; book An American in Paris is published.

1995 -- Paints Babe Ruth for the Baseball Hall of Fame, U.S. Open at Shinnecock Golf Course, and Rockefeller Center; creates 40-foot mural on Broadway theater for Tommy Tune's musical, Busker Alley; gives 30-year retrospective exhibition at the Kentucky Derby Museum; appointed a member of the New York City Advisory Commission for Cultural Affairs; honored by Playboy for the 40th anniversary of the Femlin character.

1996 -- Commissioned by United Nations to create six postage stamps for the Centennial Olympic Games in Atlanta; paints Super Bowl XXX in Phoenix, Arizona; honored by Boxing Writers and England's Lonsdale Boxing Club; paints "Hall of Famer" for the Baseball Hall of Fame's permanent art exhibition; creates serigraph of "The 3 Tenors", Placido Domingo, Jose Carreras, Luciano Pavarotti.

1997 -- Inauguration of the LeRoy Neiman Center for Print Studies at Columbia University, New York; introduction of LeRoy Neiman Selection Cigar; narrates and appears in film documentary on Cuba and cigars, Rhythm and Smoke; creates poster commemorating 50th anniversary of Jackie Robinson's breaking of racial barrier in Major League Baseball; creates first official Kentucky Derby poster; travels to South Africa to present commissioned portrait of President Nelson Mandela; book LeRoy Neiman on Safari is published.

1998 -- Inaugurates LeRoy Neiman Center for Study of American Culture and Society, UCLA, Los Angeles; unveils baccarat painting for Desert Inn, Las Vegas; exhibits and participates in seminar on Frank Sinatra at Hofstra University; paints and creates serigraph of Joe DiMaggio; creates label for Duval-Leroy champagne; creates official poster for Breeders' Cup, Louisville; cover art for Good Will Games New York official program, and for article in The Nation; honored at Ox-Bow Gala at the Art Institute of Chicago, and by Sportscasters.

1999 -- Creates art for Givenchy perfumes; presents portrait of Mark McGwire and creates serigraph edition commemorating record home run hitter. Paints John Elway and creates serigraph celebrating retirement from football; releases serigraph of Mickey Mantle; participates in Olympic Games seminar on Queen Elizabeth II ocean liner crossing; gambling prints installed in Salle Privée at Paris Casino in Las Vegas; creates poster for Taxicab Chronicles Off-Broadway play; visits Havana to sketch Cuban rhythms. Sketches Army-Navy game in Philadelphia for West Point commission.

2000 -- Creates boxing painting for use as poster for Heavyweight Explosion cable TV program; book The Prints of LeRoy Neiman 1991-2000 is published; releases serigraphs of Mike Piazza and Cal Ripken, Jr.; the first LeRoy Neiman Art Center for Youth is opened in San Francisco; commissioned to create artwork for 125th Preakness Stakes and 2000 PGA Championship Tournament at Valhalla Golf Course.

2001 -- Salutes Muhammad Ali as "Athlete of the Century" with oversized portrait and limited edition serigraphs. Commissioned to paint Mardi Gras official poster for 2002; commissioned to paint Phoenix Suns star Charles Barkley on retirement of uniform number; commissioned to paint UCLA basketball coach John Wooden; holds retrospective drawing exhibition at the Fairfield Public Gallery, Sturgeon Bay, Wisconsin; creates poster for 2001 All-Star Jockey Championship; attends 25th year reunion of ABC-TV coverage of 1976 Munich Olympics. Commissioned by New York City Fire Department to commemorate September 11 terrorist attack for benefit of NYFD Widows and Orphans Fund; creates image of NYFD fireman's helmet and for the first time allows an image to be used and sold on t-shirts; also donates original painting to auction for Widows and Orphans Fund. Honorary Chairman at the annual Bare Walls event at the School of the Art Institute of Chicago; the second LeRoy Neiman Art Center for Youth is opened in Watsonville, California; the largest serigraph yet by artist, "Circus", having image size of 43 ¾" x 65", is completed after 2 years work.

2002 -- Commissioned to paint Wayne Gretzky, Gold Medal winning coach of the Canadian Olympic Hockey Team; commissioned to create official tournament poster for the first U.S. Open to be held at a public golf course, Bethpage on Long Island, New York; illustrates "Casey at the Bat", published as a trade edition by Ecco Press, with Foreword by New York Yankees manager Joe Torre; creates the Tyson/Lewis poster for the boxing heavyweight championship fight in Memphis; creates the official poster and program cover for the Oscar de la Hoya/Fernando Valenzuela championship boxing match in Las Vegas; honored with a tribute dinner at the Friar's Club in New York City; painting of Earvin "Magic" Johnson and Larry Bird is unveiled during Johnson's induction ceremonies at the Basketball Hall of Fame; Gallagher's Steak House in New York City unveils a permanent collection of Neiman artwork portraying the city's greatest athletes; receives Lifetime Achievement Award for contributions to golf and sport art at the Art of Golf Festival at Pinehurst Resort in North Carolina; inducted into the New Jersey Boxing Hall of Fame.

2003 -- Unveiled commissioned painting of the racehorse Funnycide at Saratoga; opens exhibition "LeRoy Neiman on Safari" at the Wildlife Experience museum in Denver, CO; S.T. Dupont releases special edition LeRoy Neiman Golf pen and lighter set; mounts exhibition "LeRoy Neiman in Cuba" at the Pratt Institute; paints the Breeders Cup at Santa Anita; publishes book LeRoy Neiman: Five Decades with Harry N. Abrams.

2004 -- Commissioned to paint poster design for the 2005 Special Olympics in Nagano; paints portrait of Secretariat for the Secretariat Museum; paints program cover design for the Newport Jazz Festival and participates in a group exhibition at the festival; receives Medal of Honor at Ellis Island from NECO; paints portraits of Oscar De La Hoya and Bernard Hopkins for their fight program and presents the paintings to the fighters; completes a set of seven jazz lithographs at Columbia's Neiman Center for Print Studies; films a cameo appearance for Sylvester Stallone's television show "The Contender"; produces a set of five limited edition prints of Martha Graham for the Martha Graham Dance Company; publishes limited edition artist's book LeRoy Neiman Sketchbook: Liston vs. Clay 1964/Ali vs. Liston 1965 with powerHouse Books and Meridian Printing.
Appendices:
Appendix A: Notable Correspondents from Series 2: Correspondence

This appendix is an alphabetical listing of notable correspondents primarily from Series 2, but may include references to other series. The numbers following the entry indicate the series number, subseries number if appropriate, and date where the material is filed. For example: Abrams, Judith Ann - 2.1: 1983, 1991 indicates that the correspondence for that person is found in Series 2.1 in the 1983 and 1991 folders.

ABC Sports (American Broadcasting Company) - 2.2: ABC

Abel, Patty Otis - 2.1: 1998

Abraham, Seth - 2.1: 1989

Abrams, Charles - 2.1: 1982

Abrams, Judith Ann - 2.1: 1983, 1991

Abrams, Richard Irwin - 3.1: Montreal Olympics 1976

The Actors' Fund - 2.1: 2000

Adamonis, Richard - 2.1: 1996

Adams, Cindy - 2.1: 1990, 3.1: Royal Doulton Collectible Plates 1974-78

Addison, Bob and Ruth (Betsy) - 2.1: 1978, 1990, 2004

Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999

Ali, Muhammad - 2.1: 1977

Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Alzado, Lyle - 2.1: 1984

American Diabetes Association - 2.1: 2001

Andrews, Benny - 2.3

Appel, Marty - 3.1: Thurman Munson 1977-2002

Aretsky, Ken - 2.1: 1989

Arledge, Roone - 2.2: ABC

Arledge, Roone Jr. - 2.1: 2004

Art Aid - 2.1: 1986

Art Institute of Chicago - 2.1: 1990

Ashwood, Donald - 2.1: 1977, 1978, 1979, 1980, 1983

Association du Salon d'Automne - 2.2: Association du Salon d'Automne 1992-99

Athletic Role Model Educational Institute, Inc. - 2.1: 1992

Australia - 2.1: 1981, 1984, 1985

Avers, Jeffrey - 2.1: 2002

BBC Television (British Broadcasting Corporation) - 2.1: 1989

Bailey, Pearl - 2.1: 1990

Baker, Jean -Claude - 3.2.11

Bank of New York - 2.1: 2002

Barletta, Joseph - 2.1: 1993

Baumgartner, Bruce - 2.1: 2001

Baylos, Gene - 2.1: 1991

Behm, Kenneth - 2.1: 1989

Bennet, Chef John - 2.2: Chef John Bennett

Berman, Len - 2.1: Undated 1990s

Bigelow, Vaughn - 2.1: 1984, 1988, see also Chabot Galleries

Bingham, Howard - 2.1: 1993

Binns, James - 2.1: 1989, 2001

Blair, Buckingham - 2.1: undated

Blatnik, Sonny - 2.1: 1986

Blecker, Tom - 2.2: Tom Blecker 1989-99

Bollinger, Lee - 3.1: Columbia University 1995-present

Bowles, Franklin - 1.2: Franklin Bowles Galleries

Boykin - 1.1: Awards, Boxing Writers Association Marvin Kohn "Good Guy Award," 1996

Bradley, Bill - 3.1: Bill Bradley Political Campaigns 1978-2000, 3.2. -- Winners -- , Harry N. Abrams, 1983, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Brown, Keith Henry - 2.1: 2004

Brown, Sally - 2.1: 1997

Buchwald, Art - 3.2: -- Horses -- , 1979, Harry N. Abrams, Correspondence

Bugatti, Charles and Stephanie - 2.1: 1991

Burger King - 2.1: 1976

Bush, President George H. W. and Barbara - 2.1: 1989, 1990

Bush, President George W. - 2.1: 2003, 3.2. 13

Butler Institute of American Art - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991

Byrne, Mayor Jane M. - 2.1: 1981

CBS -TV - see Wolf, Warner

CBS Sports - 2.2: CBS Sports

Caine, Michael - 2.1: 1981

Camber Porter, Melinda - 2.3

Carnesale, Chancellor Albert - 3.2.15

Carousel of Hope - 3.1: Carousel Ball 1982-2002

Carter, President Jimmy and Rosalynn, and family - 2.1: 1989, 3.1: Peace Treaty, 1980

Cass, Hilary Volkman - 2.1: 1992

Chabot Galleries - 2.1: 1983, 1989

Chapin, Dwight ( -- San Francisco Examiner -- ) - 2.1: 1991

Chase, Bob - 3.2. -- Big Time Golf -- , 1992

Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank

The Chicago Board of Trade - 2.1: 1977

Cirillo, John - 1.1: Awards d. Lonsdale International Sporting Club 1996, 2.1: 2001

Cirrincione, Wanda Hightower - 2.1: 1994

Clark, Ed and Jane Forbes - 2.1: 2000

Clinton, Bill - 2.1: 1993, 3.2: -- Big Time Golf -- , 1992

Clough, Charles - 2.1: 1997

Clough, Susan - 3.2. -- Horses -- , 1979, Harry N. Abrams

Cohen, Jason - 2.1: 2004

Conner, Bart - 2.1: 1981

Cooke, Jack Kent - 2.1: 1986

Cooney, Gerry - 2.1: 2000

Cooper, Pat - 2.1: 1992

Cosell, Howard and Mary Edith - 2.1: 1991

Creative Communications - 2.1: 1976

Cremins, Bobby - 2.1: 1990

Culinary Institute of America - 2.1: 2000

Cunningham, Jeffrey - 2.1: 1994

D., E. (unnamed WWII buddy?) - 2.1: 1997

Dahlgren, Doug - 2.1: 1999

Daley, Robert - 2.1: 1999

Daub, Mayor Hal - 2.1: 1997

Davis, Altavise (wife of Sammy) - 2.1: 1989

Davis, Barbara and Marvin - 2.1: 1985, 2001, 3.1: Carousel Ball 1982-present

Davis, Patty - 2.1: 1983

Dawkins, Peter and Judi - 3.1: Senatorial Candidate Pete Dawkins Poster 1988

Dean Day Gallery - 2.1: 1982, 1983, 1989

Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-1991, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991

DeCinces, Doug - 2.1: 1990

Decker, Bob ( -- New York Post -- ) - 2.1: 1991

DeLaVega, James - 2.1: 1998, 1999, 2001, 2.3

Del Greco, Maria - 2.3

Derek, Bo and John - 2.1: 1998

deVarona, Donna - 2.1: 1991

El Diario la Prensa - 2.1: 1987

Diles, Dave - 2.1: 2001

Dill, Bob Jr. - 2.1: 1997

Diller, Phyllis - 2.1: 1992, 1995, 1996, 1998, 1999

Dillon, Gregory - 2.1: 2003

Dinkins, Mayor David and Joyce - 2.1: 1990

Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000

Dunphy, Don - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Dyansen Gallery - 2.2: Dyansen Gallery 1989-96

Eaton, Roy - 2.1: 1981

Editions Limited - 2.1: 1986

Edward Fields, Inc. - 3.1: Edward Fields, Inc, Carpet Tapestries 1977

Eger, Joseph - 2.1: 1991

Eisele, Albert - 2.1: 2002

Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg

Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard 1981

English, John - 1.1: Military Service

Estefan, Emilio and Gloria - 2.1: 1984

Everson, Cory - 2.1: 1994

Evert, Chris - 2.1: 1999, 2000, 2001

Evert, Colette - 2.1: 1995

Fantasy Productions - see Berman, Len

Feinstein, Mayor Diane - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Felder, Raoul Lionel - 2.1: 1996

Felicie, Inc, - 1.2

Felt, Irving Mitchell and Elaine - 2.1: 1972, 1973, 1974, 1977, 1989

Ferguson, Glenn - 2.1: 1993

Field, Marshall - 2.1: 2004

Fineman, Jodie and Matthew - 2.1: 1999

Fireman, Sheldon - 2.1: 2004

Flynt, Larry - 2.1: 1976

Foley, Ray and Jackie - 2.1: 1995

Folkman, David - 2.1: 1999, 2000

Foot Locker - 2.1: 1990

Foster Harmon Galleries - 2.1: 1975, 1979, 1989, 1992, 1993

Fouch-Roseboro Corporation - 2.1: 1976

Fred Dorfman, Inc. - 2.1: 1978

Freedman, Ann - 2.1: 2001

French, John - 2.1: 1987

Fried, Frank, Harris, Shriver & Jacobson - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys Frito Lay - 2.1: 1991

Fujita family - see Tele Planning International, Tokyo

La Galleria d'Arte - 2.2: La Galleria d'Arte

Galleria Ramona - 3.1: San Francisco Series 1991-93

Gallery Mack - 2.2: Gallery Mack 1975-87, 3.1: Gallery Mack 1974, 3.1: Gaylord Perry 1982

Gallery 100 - 2.1: 1978, 1979

Garnier, Yves - 2.1: 1991

Garvey, Steve and Cyndi - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. -- Winners -- , 1983, Harry N. Abrams

Gavea Golf Club - 2.1: 1985

Gere-Suson, Gary - 2.1: 1999

Gilbert, Patti - 2.1: 1992

Giorgio Beverly Hills - 2.1: 1985

Gore, Al - 2.1: 1987, 1993, 3.2: -- Big Time Golf -- , 1992

Gottlieb, Paul - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Graham, Martha - 2.1: 1989

Graime, Arlene (US Olympic Committee) - 2.1: 1996

Grasso, Richard - 2.1: 1996

Gray, Joel - 2.1: 2003

Green Hills Farm - 2.1: 1987

Green, Tammie - 2.1: 1993

Greentree Stud, Inc. - 2.1: undated

Greenwich Workshop Gallery - 2.1: 1983

Gregory, Jack - 2.2: Jack Gregory 1993-98

Grenon, Robert - 2.2: Franklin Bowles Galleries

Guest, C. Z. - 2.1: 2003

Gwynne Gallery - 2.1: 1975, 1978

Hackett, Buddy and Sherry - 2.1: 1985, 1989, 1996, 1998

Halvorsen, Robert - 2.1: 1994

Hammer, Armand - 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Hammer Correspondence

Hammer, Michael - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 3.2. -- Casey at the Bat -- , 2000, 1.2: Knoedler & Hammer Correspondence, see also Hammer, Armand Hammer, Victor - see Hammer, Armand

Hanson Art Galleries - 2.2: Hanson Art Galleries 1983-1991, 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997, see also exhibitions: Hanson Art Galleries in index for more file references

Harden, Richard - 2.1: 1978, 3.1: Peace Treaty, 1980

Harriman, Ambassador Pamela - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Hartman, David - 2.1: 1981

Harvey, Paul - 2.1: 1987

Haskell, Nikki - 2.1: 1997, 2001, 2002

Harris, Earl - 2.1: 1987

Harris, Franco - 2.1: 1990

Hatton, Pat - 2.1: 1993

Hawkins, Tommy - 3.1: Dodgers Centennial 1990

Healy, Katherine - 2.1: 1986

Hedgecock, Mayor Roger - 3.2. -- Winners -- , 1983, Harry N. Abrams

Hefner, Christie - 2.2: Playboy Enterprises 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars by Don Diego 1997

Hefner, Hugh - 2.1: 1983, 2.2: Playboy Enterprises, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Hefner, Keith - 2.2: Playboy Enterprises

Heit Galleries - 2.1: 1982, 1987, 1988, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Hentoff, Nat - 2.1: 1992

Hershiser, Orel - 2.1: 1992

Hesburgh, Theodore - 2.1: 1992

Hiebert, Gary - 2.1: 1994

Hilliard, Kent - see Hilliard Gallery

Hilliard Gallery - 2.1: 1975, 1978, 1985, 1989, IV: 1986, 1992, 2001

Hilton, Barron - 2.1: 1992, 1999, 3.1: Victor Awards 1981 -1985, 3.2.10

Hinds, Bobby - 2.2: Bobby Hinds 1990 -2000

Hoelscher, Lydia (Neiman's mother) - 1.1: Family (Neiman Studio Archive only)

Hoffman, Michael - 2.1: 1983, 1984, 1985, 1986, 1987, 1988, 1989

Holder, Geoffrey - 2.3

Honolulu Symphony Society - 2.1: 1976

Hoover, Tom - 2.1: 1993

Hunt - 2.1: 1981

Hunt, Lamar - 2.1: 1998

Isbin, Sharon - 2.1: 1996

Ivester, M. Douglas - 2.1: 1994

Izenberg, Jerry - 2.1: 2003

Jackson, Michael - 2.1: 1994

Jackson, Reggie - 2.1: 1992, 1993, 2000, 2001

Jacobs, Loraine and Jim - 2.1: 1992

Jimmy the Greek - 2.1: 1974, 1982

JoAnn Perse Gallery - 2.1: 1979, 2.2: JoAnn Perse Gallery 1983-02

Johnson, Bill and Ellenor - 2.1: 1994

Jones, Gene and Jerry - 2.1: 2002

Jones, Tony - 2.1: 1996

Jordan, Mayor Frank - 3.1: San Francisco Series 1991-93

Jordan, Michael - 2.1: 1991

Kalinsky, George - 2.1: 1984, 1986, 1996, 2.3: Imitations and Forgeries

Kaufman, Bart - 2.2: Bart Kaufman 1978-89

Kennedy, Ethel - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79

Kilroy, Gene - 2.2: Gene Kilroy

King, Don - 2.1: 1978, 1979

King, Congressman Peter - 2.1: 2001

King Graphics - 2.1: 1996, 1997

Kitt, Eartha - 2.1: 1997

Kleiman, Melodie - 2.1: 1991

Knoedler & Co. -

Koch, Mayor Ed - 2.1: 1981, 1989, 3.1: Lady Liberty, 1985

Kosinski, Jerzy - 2.1: 1981

Kravitt, Shirley - 2.1: 1990

Kriendler, Pete - 2.1: 1983, 1991, 1993

Krimstein, Jordie - 2.1: 1997, 2001

Krone, Julie - 2.1: 2003

Kupcinet, Irv "Kup" - 2.1: 1982, 1984, 1992, 1997

Kurzman, Adele - 2.1: 2000

Lake, Cynthia - 2.1: 1994

LaLanne, Jack - 2.1: 1977, 3.2. -- Horses -- , 1979, Harry N. Abrams, Correspondence

Landau, Barry - 2.2: Barry Landau 1993-96

Lang, Jenifer and George - 2.1: 2000, 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries 2003

Larson, Glen and Janet - 2.1: 1983, 1984, 1985, 1987, 2003

La Russa, Tony - 2.1: 1993

Latin Recording Academy - 2.1: 2001

The Learning Annex - 2.1: 1989

Leeds, Eric - 2.1: 1991, 1993

LeRoy, Warner - 2.1: 1990, 1991, 1998, 1999

Liberace - 2.1: 1982

Lieber, Marvin - 2.1: 2004

Lombardi, Vince - 2.1: 1980

Lomonaco, Michael - 2.1: 1996

Lone Ranger Television, Inc. - 2.1: 1977

Lorenzi, Henri - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Los Angeles Dodgers - see Hershiser, Orel

Los Angeles Institute of Contemporary Art (LAICA) - 2.1: 1984, 3.1: Neiman-Warhol 1981

Louie, May - 2.1: 1992

Lownes, Victor and Marilyn - 2.1: 1984, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Lugosi, Bela (Jr. ) - 2.1: 1991

Macalester College - 2.1: 2001

Madison Square Garden - 2.1: 1981

Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1992

Mann, Perry - 2.1: 1999

Manpower - 2.1: 1977

Manufacturers Hanover Trust - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank

Maples, Marla - 2.2: Trump

March of Dimes - 2.1: 1985

Marketing Communications Magazine - 2.1: 1980

Marlborough Galleries - 3.1: Marlborough Galleries Exhibition, Boston 1987

Marsh, Rita - 2.1: 2000

Maser Fine Art, Maser Galleries - 2.1: 1988, 1989, 3.1: 1983 U.S. Open, Oakmont 1983

Matthias, Bob - 2.1: 1998

McCabe, Charles - 2.1: 1988, 1995, 2.2: Manufacturers Hanover, 2.2: Playboy Enterprises 1980s, 3.2. -- Big Time Golf -- , 1992

McDougal, Little & Company Publishers - 2.1: 1985

McEneaney, Eamon and Bonnie - 2.1: 2001

McGillicuddy, John F. - 2.1: 1989, 3.1: U.S. Savings Bonds Campaign 1987-88

McMullen, John - 2.1: 1998

Mercante, Arthur - 2.1: 1990

Merchant, Larry - 2.1: 2000

Merrill Chase Galleries - 2.2: Merrill Chase Galleries 1974-89

Michael, Gene - 3.1: Gallagher's Steak House, "The Neiman Collection" 2002

Michaels, Walt - 2.1: 1980

Miles, Sylvia - 2.1: 1994

Minotaur Galleries - 2.2: Minotaur Galleries 1984-1994

Mitchell, Mayer - 2.1: 1972, 1976, 1977, 1987

Mize, Johnny - 3.2. -- Big Time Golf -- , 1992

de Monaco, Prince Albert - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Monmouth Park Charity Ball - 2.1: Charities (all files)

Montevecchi, Lilianne - 2.1: 1997

Moreno, Linda - 2.2: Linda Moreno

Morgenstein, Evan - 2.1: 1995

Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90

Morris, Gary and Elizabeth - 2.1: 1995, 1996

Murcer, Bobby - 2.1: 1993

Murdock, David and Maria - 2.1: 1995

Murphy, Libby - 2.2: Libby Murphy 1992-98

Museo de Bellas Artes, Caracas - 2.1: 1972, IV: 1972

Museum of Modern Art - 2.1: 2001

Mustang Ranch - 3.1: Mustang Ranch Brothel 1989

Nation -- - 2.1: 1998

Neiman, Earl (Neiman's brother) - 1.1: Family (Neiman Studio Archive only)

Neiman-Marcus - 2.2: Neiman-Marcus 1983-88

Newark Public Library - 2.1: 1995

Newman, Eric - 2.1: 1996

New York Athletic Club (NYAC) - 2.1: 2000

New York Post -- - see Adams, Cindy, or Decker, Bob

New York Racing Association (NYRA) - 2.1: 1978

Niagara University - 2.1: 1976

Nicholson, Jack - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Nicholson, John - 2.1: 2000

Nureyev, Rudolph - 2.1: 1983

Oakland Athletics - see La Russa, Tony

Oakland Symphony - 2.1: 1985

Oesch, Claire - 2.1: 1994, 1995

Ono, Yoko - 3.1: John Lennon Etching 1990

Orr, Bobby - 3.1: Orr for the Defense, 1992

Osti, Nino - 2.1: 1987

O'Sullivan, Thomas (Minnesota Historical Society) - 2.1: 1994

Oxendine, Thomra (Kit) - 1.1: Lynn Quayle

Pallack, Rick - 2.1: 1996, 1999

Palmer, Arnold - 2.1: 1978

Parvin, Al and Phyllis - 2.1: 1991, 1993

Paschke, Ed - 2.3

Patrician Galleries - 2.1: 1987

Payne, Marcus - 2.1: 1982

Pelkey, Joe - 2.2: Joe Pelkey, Editions Limited

Percival Galleries - 2.1: 1972, 1979

Peri-Renneth Gallery, Southampton - 2.1: 1988, 3.1: Peri-Reneth Gallery Solo Exhibition 1986

Perry, Gaylord - 3.2. -- Big Time Golf -- , 1992

Perse, Jo Ann - see Jo Ann Perse Gallery

Petruccio, Joe - 2.1: 2002

Phelps, Digger - 2.1: 1990, 1991

Pick Galleries - 2.1: 1977

Pignatano, Joe - 2.1: 1996

Playboy Enterprizes, Inc. - 2.2: Playboy Enterprises 1980s

Playboy of Brazil - 2.1: 1985

Policy, Carmen - 2.1: 1995

Puck, Wolfgang - 2.1: 1999

Puro Cigar Company - see Sigmond, Aaron

Raphael, James - 2.1: 1991

Reagan, President Ronald and Nancy - 2.1: 1981, 1988, 3.1: U.S. Savings Bonds Campaign 1987-1988

Rechtschaffen, Dr. Joseph - 2.1: 1995

Reed, Rex - 2.1: 1985

Reeve, Christopher - 2.1: 1995

Reid, Senator Harry - 2.1: 1990, 1994

Retton, Mary Lou - 2.1: 1991, 1995

Revelli, Cynthia - 2.1: 1995

Ribbs, Willie T. - 3.2. -- Winners -- , 1983, Harry N. Abrams

Robinson, Sugar Ray and Millie - 2.1: 1989, 1991

Rockwell, Bill - 2.1: 1995

Rooney, Art - 2.1: 1977

Rosen, Leonard - 2.1: 1980, 1981, 1982, 1983, 1984, 1987

Rosenbaum Galleries - 2.1: 1976

Royce Carlton, Inc. - 2.1: 1978

Royer, Victor - 2.1: 1984, 1986

Rudy, Jeanette Cantrell - 2.1: 1993, 1994, 1996, 1998

Safir, Police Commissioner Howard - 3.1: New York City Marathon 1984-2001

Saltman, Sheldon - 2.1: 1976

San Francisco 49ers - 2.1: 1995, 2.2: DeBartolo Corporation and Associated Institutions 1989-1991

Santaniello, Carmine - 2.3

Sassi, Etienne - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

Scaffidi, Marie - 2.1: 1980s Undated

Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99

Schmidt, Mike - 2.1: 1980

Schulberg, Budd - 2.1: 1997, 1999, 2000, 2004

Schuman, Rhoda - 2.1: 1992

Schumsky, Felicie - see Felicie, Inc.

Schuster, Gary and family - 2.1: 2000

Scully, Vin - 2.1: 1990, 2000

Schwartz, Louis O. - 1.1: Boxing Writers Association Marvin Kohn "Good Guy Award," 1996

Schwartz, Richard - 2.1: 2000

Schwarzenegger, Arnold - 2.1: 1990

Segal, Erich - 2.1: 1973

Seidman, Jay - 2.1: 2001

Seitz, Nick - 3.2. -- Big Time Golf -- , 1992

Serline, Ollie - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s

Sharp Electronics Corporation - 2.1: 1988

Sherman, Allie - 2.1: 2002

Shula, Coach Donald - 2.1: 1991

Siering, David - 2.1: 1987

Sigmond, Aaron - 2.1: 1994, 1995, 1997

Silverstein, Shel - 2.2: Shel Silverstein

Sinatra, Barbara - 2.2: Sinatra family

Sinatra, Frank - 2.2: Sinatra family, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Sinatra, Nancy - 2.2: Sinatra family

Skelton, Red - 2.1: 1985

Snyder, Jimmy "the Greek" - 2.1: 1982

Solomone, Mickey - 2.1: 1989

Sony - 2.1: 1978

Sorenson, Jackie - 2.1: 1981

Spectrum, Philadephia - 2.1: 1991

Spectrum Fine Art - 2.1: 1978, 1983

Spitz, Mark - 2.1: 1986

Stack, Edward - 2.1: 1996

Staebler, Tom - 2.2: Playboy Enterprises

Stanley, Melvin - 2.1: 1993

Steffens, John L. - 2.1: 1996

Stein, Bill - 2.1: 1982

Steinbrenner, George - 2.1: 2004

Sterling, Donald - 2.1: 1997, 1998

Sugar, Bert - 2.1: 1977

Swoboda, Ron - 2.1: 2002

Symphony for United Nations - 2.1: 1991

TV Guide -- Magazine - 2.1: 1975, 1990, 1993

Talese, Gay - 2.1: 1992

Tate, Evelyn - 2.1: 1976, 1987

Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98

Tenenbaum, Harold and Judy - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum

Tiefel, William R. - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Tiger Tops Pvt. Ltd. - 2.1: 1982

Tigrett, John and Pat Kerr - 2.1: 1993, 1999, 3.1: Blues Ball 1997 -2001

Torrenzano, Richard - 3.1: Lady Liberty, 1985

Torykian, Richard - 2.1: 1997

Touvell, Audra - 2.1: 2002

Trenchard, Peter - 2.1: 2001

Trovato, Liz - 2.1: 1994

Trump, Donald - 2.2: Trump 1987-96, see also Trump in Index

Twentieth Century Fox Film Corportation - 2.1: 1976

United States Department of State - 2.1: 1984

United States Olympic Committee - 2.1: 1985

Universal Pictures - 2.1: 1991

University of Oklahoma - 2.1: 1982

Upstairs Gallery - 2.2: The Upstairs Gallery 1980-89

Valentine, Bobby and Mary - 2.1: 2002

Vorhaus, Louis - 2.1: 1992

war buddy (unnamed) - 2.1: 1997

Ward, Katherine Lecube - 2.1: 1984, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Warner Brothers Television - 2.1: 1990

Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80

Webster, Jack - 2.1: 1979, 1983, 1990, 1992, 1994, 1995

Wein, George - 2.1: 1991, 1993, 1995, 2000

Weiner, Claire - 2.1: 1970s, 1985, 1987

Weisman, Maria - 2.1: 2002

Welch, Herb and Lisa - 2.1: 1989, 1992

Welzer, Irv - 2.1: 1977

Wenzel, Lee - 2.1: 1985

Whitaker, Jack - 2.1: 1996

The White House - see Harden, Richard or Clough, Susan, or search by name of President

White, Willye - 2.1: 1989

Williams, Ted - 3.1: Williams at Bat, 1980-91

Wilson, Senator Pete - 3.2. -- Winners -- , 1983, Harry N. Abrams

Winer, Jessica - 2.3

Wirin, R. Michael - 2.1: 1998

Wolf, Warner and Sue - 2.1: 2003

Wood, Jan - 2.1: 1997, 1998

Wrather Corporation (the Lone Ranger), Jack and Bonita G. Wrather - 2.1: 1977, 1988

Yarger, Timothy - 2.2: Franklin Bowles

Yellin, Lou - 2.1: 1991, 1992, 1998

Youngman, Henry - 2.1: 1992

Zabrin, Michael - 2.1: 1989, 1991

Zelaya, Jose - 2.1: 1972, 1976, 1977

Zeran, Ken - 2.1: 1990, 1991

Zimmer, Don (Coach, New York Yankees) and Soot - 2.1: 1997

Appendix B: History of LeRoy Neiman's Representation: Felicie Schumsky, Hammer Galleries, and Knoedler & Co.

Hammer Galleries, New York, had its first show of LeRoy Neiman works in 1963 and has represented him ever since.

Armand Hammer was the proprietor of Hammer Galleries, which he founded in 1929 upon returning from the Soviet Union with a load of Czarist art. His brother Victor was in charge of running the gallery.

Armand became the chairman of the Occidental Petroleum Corporation in 1957.

Maury Leibowitz became a partner with the Hammers at the gallery around the same time they began representing Mr. Neiman.

Hammer and O.P.C. bought the respected M.K. Knoedler & Co. gallery in New York in 1971 with Leibowitz as a partner. Knoedler merged with Modarco, a Swiss investment firm, during the 1970s after its purchase by O.P.C.

Knoedler-Modarco now has three divisions: M. Knoedler & Co. (founded in 1846), Knoedler Publishing (created for the sole business of publishing and distributing the prints and posters of LeRoy Neiman), and Hammer Galleries.

Felicie Schumsky was LeRoy Neiman's publisher and distributor before Knoedler. Felicie, Inc. is named alone in advertising until 1973, when ads appear naming FKH Editions as publisher (presumably 'Felicie Knoedler Hammer') and Hammer Galleries as gallery/distributor. This continues until 1975, when ads begin naming Knoedler as publisher and Hammer as gallery.

Hammer Graphics Gallery, a part of Hammer Galleries, was started in 1979 for the sole purpose of distributing and exhibiting the graphic work of LeRoy Neiman.

Victor Hammer died in July 1985, and Armand Hammer died in 1990 at age 92 (less than a year after losing his wife Frances), leaving his son Michael Hammer as the chairman and president of The Armand Hammer Foundation. Maury Leibowitz died in 1992.

Appendix C: A Listing of Major Public Collections of LeRoy Neiman WorksAnchorage Historical and Fine Arts Museum, Anchorage, Alaska

Art Institute of Chicago, Chicago, Illinois

Baltimore Museum of Fine Art, Baltimore, Maryland

Baseball Hall of Fame, Cooperstown, New York

Brooks Memorial Art Gallery, Memphis, Tennessee

Colorado Springs Fine Arts Center, Colorado Springs, Colorado

Delaware Art Museum, Wilmington, Delaware

Duke University Museum of Art, Durham, North Carolina

Eiteljorg Museum of American Indian and Western Art, Indianapolis, Indiana

Football Hall of Fame, Canton, Ohio

Grunwald Center, University of California, Los Angeles, Los Angeles, California

Armand Hammer Collection, Los Angeles, California

Harding Museum, Chicago, Illinois

Hayward Museum, Hayward, California

Hermitage Museum, Leningrad, USSR

Illinois State Museum, Springfield, Illinois

Indianapolis Museum of Art, Indianapolis, Indiana

Joslyn Museum, Omaha, Nebraska

Memorial Art Gallery, Rochester, New York

Meridian Museum of Art, Meridian, Mississippi

Michigan State University, Kesage Art Center Gallery, East Lansing, Michigan

Minneapolis Institute of Arts, Minneapolis, Minnesota

Minnesota Historical Society

Minnesota Museum of Art, St. Paul, Minnesota

Mobile Art Gallery and Museum, Mobile, Alabama

Museo de Bellas Artes, Caracas, Venezuela

National Museum of Sport in Art, New York, New York

Niagara University, Niagara, New York

Portland Museum of Art, Portland, Maine

Springfield Museum of Art, Springfield, Massachusetts

Tennis Hall of Fame, Newport, Rhode Island

Tucson Museum of Art, Tucson, Arizona

Tweed Museum of Art, University of Minnesota, Duluth, Minnesota

University Art Gallery, Binghamton, New York

University of California at Los Angeles, Los Angeles, California

University of Illinois, Champaign, Illinois

University of Oklahoma, Norman, Oklahoma

University of Oregon, Eugene, Oregon

University of South Florida, Tampa, Florida

University of Texas, Austin, Texas

Utah Museum of Fine Arts, University of Utah, Salt Lake City, Utah

Vanderbilt University, Nashville, Tennessee

Wichita State University, Wichita, Kansas

Whitney Museum. New York, New York

Wodham College, Oxford, England

Yuma Fine Arts Association, Yuma, Arizona

Appendix D: A Listing of LeRoy Neiman Serigraph Releases This list corresponds to newspaper and magazine ads in files 3.3: Felicie Inc. - Advertising and 3.3: Knoedler & Co. - Advertising. This is not a complete inventory. DateSerigraphUnknown -- Bar '21' (offset lithograph)

Unknown -- Delacroix Tiger

Unknown -- Elephant Family

Unknown -- Gorilla Family

Unknown -- Kenya Leopard

Unknown -- Lion Pride (offset lithograph)

Unknown -- Lion Couple

Unknown -- Polar Bears

Unknown -- Serengeti Leopard

Unknown -- Zebra Family

Unknown -- The Plaza Square

Unknown -- Stock Market (offset lithograph)

Unknown -- Neiman Montreal '76 (offset lithograph)

Unknown -- Winter Olympic Skier, Lake Placid 1980

Unknown -- P.J. Clark's

Unknown -- Olympic Slalom

Unknown -- Dublin Bar

Unknown -- Le Grand Cuisine

Unknown -- Little Hitter

Unknown -- Little Fielder

1975 -- Le Grand Escalier de l'Opera, 1969

1975 -- Toots Shor Bar

1975 -- Club House Turn

1975 -- Black Panther

1976 -- Sun Serve

1976 -- Satchmo

1976 -- High Seas Sailing

1976 -- Vegas Blackjack

1976 -- Golf Landscape

1976 -- Elephant Stampede

1976 -- Nadia

1976 -- America's Cup

1977 -- Marlin!

1977 -- High Altitude Skiing

1977 -- Basketball Superstars

1977 -- Café aux Deux Magots

1977 -- The Mallet Men

1977 -- Bengal Tiger

1977 -- Giraffe Family

1977 -- Show Jumper

1977 -- Outrigger Canoe Race

1978 -- Metropolitan Opera

1978 -- Moby Dick Portfolio

1978 -- Bucking Bronc

1978 -- The Wildcats

1979 -- Kentucky Derby

1979 -- Chateau Hunt

1979 -- Stretch Stampede

1979 -- Aegean Sailing

1979 -- American Bald Eagle

1980 -- Lake Placid, Eighty, 1980

1981 -- Stenmark

1981 -- The Race of the Year

1981 -- Tour de France

1981 -- Before the Race

1984 -- Rush Street Bar

1984 -- Regents Park

1984 -- Elephant Nocturne

1985 -- Six Golfers, 1984

1985 -- Lady Skier

1985 -- Harry's Wall Street Bar

1986 -- Nob Hill

1986 -- Buena Vista Bar

1986 -- America's Cup, Australia

1987 -- Great Dane

1987 -- Giants - Broncos Classic

1987 -- 24 Hours of Le Mans

1987 -- Bistro Garden

1987 -- Left Bank Café

1988 -- Diamond Head, Hawaii

1988 -- Napoleon at Waterloo

1988 -- Piazza del Popolo - Rome

1988 -- Monte Carlo Suite

1988 -- Harbor at Monaco

1988 -- Salle Prive - Monte Carlo

1988 -- Borzoi

1988 -- In the Pocket

1988 -- Magic (Johnson)

1988 -- Clubhouse at Old St. Andrew's

1989 -- Polo Lounge

1989 -- Superplay

1989 -- President's Birthday Party

1989 -- Chicago Key Club Bar

1990 -- Secretariat II

1990 -- Chicago Options

1990 -- April at Augusta

1990 -- Gaming Table

1990 -- The '21' Club

1991 -- Homage to Ali

1991 -- Ted Williams

1991 -- Café Rive Gauche

1991 -- Cougar

1991 -- The Bordello

1992 -- Hunt Rendezvous

1992 -- Kilimanjaro Bulls

1992 -- Paddock at Chantilly

1993 -- The Maulers

1993 -- Fouquets

Appendix F: A Listing of "Man at His Leisure" Features in Playboy MagazineDateSubject/Pages1958 April -- Painter of the Urban Scene, p. 49-51

1958 December -- The Pump Room, Ambassadors East, Chicago, p. 60-61

1959 January -- Le Café Chambord, p. 52-53

1959 June -- Romanoff's, p. 62-63

1959 December -- Moore County Hounds (Southern Pines), p. 68-72

1960 February -- Hialeah Race Course, p. 52-54

1960 June -- The Colony, p. 74-75

1960 August -- Forest Hills, p. 76-77

1961 January -- Squaw Valley, p. 84-87

1961 March -- Ernie's, p. 94-95

1961 June -- The S.S. United States, p. 60-61

1961 July -- Longchamp - Auteuil, p. 82-85

1961 September -- La Plaza de Toros, p. 109-111

1961 December -- Maxim's, p. 130-131

1962 January -- The French Riviera, p. 103-105

1962 March -- The Grand National Steeplechase, p. 94-95

1962 May -- The Cambridge-Oxford Boat Race, p. 96-97

1962 August -- Las Vegas, p. 86-89

1963 May -- Monte Carlo, p. 122-125

1963 July -- Air France, p. 102-103

1963 September -- Sardi's, World Billiard Championship, p. 150-151

1963 December -- Madison Square Garden, p. 169-171

1964 April -- Epsom Derby, p. 120-121

1964 August -- St. Tropez, p. 62-65

1964 October -- Chantilly, p. 144-147

1964 December -- The Lido, p. 159-193

1965 March -- The New York Playboy Club, p.116-117

1965 August -- The Girallia Yacht Race, p. 110-111

1965 December -- The Plaza, Manhattan, p. ?

1966 July -- The Royal Ascot, p. 110-113

1966 September -- The America's Cup, p. 168-169

1967 January -- Discotheques, p. 180-181

1967 June -- Surfing, p. 112-115

1967 November -- National Horse Show, p. 143-145

1967 Winter -- VIP Magazine, Assignment London

1968 January -- Rosati's, Via Venito, p.?

1969 January -- The Bolshoi Ballet, p. 199-201

1969 June -- Le Mans, p. 124-125

1969 August -- Yugoslavia, p. 126-129

1970 January -- Morocco, p. 203-207

1970 November -- Can-Am Race, p. 179-181

1971 January -- Jamaica, p. 191-193

1972 January -- Sotheby's Auction Room, p. 171-173

1973 January -- Super Bowl, p. 187-189

1973 July -- Summer of '72 - The Hamptons, p. 152-157

Playboy Magazine's "Neiman Sketchbook" Features

DateSubject/Pages1979 December -- Teofilo Stevenson, p. 221

1980 January -- Senator Ted Kennedy, p. 137

1980 February -- Roller Skating, p. 166 -167

1980 March -- Charles Mingus, p. 179

Appendix E: Exhibitions

Below is a chronological list of Neiman exhibitions. See the index for an alphabetical list of exhibitions (listed by name of venue under the item "exhibitions") and reference to locations of pertinent archive files.

DateSolo ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago

March 3-31, 1961 -- F. Oehlschlaeger Gallery, Chicago

Feb. 9-March 9, 1962 -- F. Oehlschlaeger Gallery, Chicago

March 1962 -- O'Hana Gallery, London

Nov. 27-Dec. 11, 1962 -- Galerie O. Bosc, Paris

Oct. 8-19, 1963 -- Hammer Galleries, New York

January-February, 1965 -- "Vie de France," Astor Tower French Center, Chicago

Nov. 23-Dec. 4, 1965 -- Hammer Galleries, New York

March 5-25, 1966 -- Gallery Richelle, St. Louis

1976 -- "LeRoy Neiman Retrospective 1949-75," Minnesota Museum of Art, St. Paul

Nov. 1967 -- Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art, New York

Sept. 26-Oct. 7, 1967 -- Hammer Galleries, New York

Dec. 26-31, 1968 -- New York Jets Sketches, Hammer Galleries, New York

May 1-June 10, 1969 -- "LeRoy Neiman: Paintings and Drawings," Choate School, Wallingford, CT

May 1969 -- "LeRoy Neiman: Impressions of Atlanta," Heath Gallery, Atlanta, GA

Jan. 20-31, 1970 -- Hammer Galleries, New York

Oct. 19-Nov. 2, 1971 -- "Recent Graphics and Drawings", The Far Gallery, New York

April-May, 1972 -- Museo de Bellas Artes, Caracas

Dec. 1972 -- Circle Gallery, Chicago

Oct. 31-Nov. 11, 1972 -- Hammer Galleries, New York

Nov. 22, 1972-Jan. 7, 1973 -- "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art

Jan.-Feb. 1973 -- Circle Gallery, Los Angeles

1973 -- Circle Gallery, Dallas

March 24, 1973 -- The Hang -Up Gallery Open House

April-May 1973 -- Circle Gallery, New York

June 2-23, 1973 -- Brentano's Gallery, New York

Jan. 24-Feb. 5, 1974 -- "Ali - Frazier," Circle Gallery, New York

Feb. 3-March 17, 1974 -- Springfield Museum of Art

1974 -- Windsor Gallery, Los Angeles

April 30-May 11, 1974 -- Hammer Galleries, New York

June 22-July 6, 1974 -- Gallery Hawaii, International Market Place, Honolulu

Sept. 1974 -- Abercrombie & Fitch

1974 -- Tobu Gallery, Tokyo

Nov. 1974 -- Gilbert Gallery, San Francisco

Nov. 1974 -- Windsor Gallery, New York

Feb. 1975 -- Carol Condit Galleries, White Plains, NY

March 1975 -- Art Gallery -Studio 53 Ltd., New York

April 1975 -- "The Wide World of LeRoy Neiman," Windsor Gallery, Los Angeles

June-July 1975 -- Moby Dick Traveling Exhibition, Peter Foulger Museum, Nantucket

Aug. 1975 -- Moby Dick Traveling Exhibition, Sag Harbor, Long Island

Sept. 1975 -- Moby Dick Traveling Exhibition, Pittsfield, MA

July 1975 -- Waller's Gallery, Tampa, FL

Sept. 1975 -- Hess's Gallery, Allentown, PA

Nov. 1975 -- Meredith Long & Co., Houston

Dec. 4-26, 1975 -- Thomas Ward Galleries, St. Paul

Dec. 4, 1975-Jan. 24, 1976 -- Minnesota Museum of Art, St. Paul

Dec. 10, 1975-Jan. 10, 1976 -- Hammer Galleries, New York

Jan. 21-March 10, 1976 -- Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank

Feb.-May 1976 -- Emerald Art Galleries, Coronado, CA

March 14-28, 1976 -- Jewish Community Center, Bridgeport, CT

June 1976 -- M. Knoedler & Co., London

Aug. 1976 -- Frank Oehlschlaeger Gallery, Chicago

Aug. 28-Sept. 27, 1976 -- Gallery Hawaii, Hyatt Recency

Sept. 12-Oct. 6, 1976 -- Niagara Art Center, Niagara Falls

1976 -- Art Gallery-Studio 53 Ltd., New York

Oct. 1976 -- Heit Galleries, Phoenix, AZ

Nov. 16-Dec. 4, 1976 -- "The Olympic Ring," Hammer Galleries, New York

Dec. 12-19, 1976 -- Fahlnaes Konstsalong, Sweden

March 1977 -- Gallery 100, Mishawaka, IN

March 1977 -- Upstairs Gallery, Beverly Hills

March 1977 -- Galerie Marc, San Francisco

Aug. 31-Sept. 11, 1977 -- Galerie Renee & Victor, Stockholm, Sweden

Sept. 1977 -- Bowles/Hopkins Gallery, San Francisco

Sept. 2-23, 1977 -- Casa Grafica, Helsinki, Finland

Oct.-Nov. 1977 -- St. Lawrence National Bank, Ogdensburg NY

May 1978 -- Meredith Long & Co., Houston

June 1978 -- Merrill Chase Galleries, Chicago

July 1978 -- The Art Exchange, Creve Coeur, MO

Oct. 12-Nov. 12, 1978 -- Elayne Galleries, Minneapolis

Dec. 1978 -- Gallery Mack, Seattle

Jan. 23-Feb. 10, 1979 -- Hammer Graphics Gallery, New York

April 7-May 1, 1979 -- The Art Exchange, Creve Coeur, MO

April 28-May 26, 1979 -- Percival Galleries, Des Moines

May 1979 -- Brentano's Gallery, New York

Dec. 4, 1979-Jan. 5, 1980 -- "Horses," Hammer Galleries, New York

Jan.-Feb. 1980 -- Olympic Benefit Exhibition, Famous -Barr, St. Louis

June 1980 -- Brentano's Gallery, New York

July 1980 -- Nicolas Helion, Paris

July 1-19, 1980 -- Foster Harmon Galleries of American Art, Sarasota, FL

Oct.-Nov. 1980 -- Bowles/Hopkins Gallery, San Francisco

Dec. 1980 -- Horizon Gallery, Waikiki

April 28-May 16, 1981 -- "LeRoy Neiman Drawings: A Retrospective," Hammer Galleries, New York

Summer 1981 -- Exhibition of Graphic Works 1971-81, Hammer Graphics Gallery, New York

July-Aug. 1981 -- Foster Harmon Gallery, Sarasota, FL

July-Aug. 1981 -- Wichita State University, Ulrich Museum of Art

1981 -- "Drawings by LeRoy Neiman: A Retrospective," Oklahoma Art Center Sheets Gallery

Sept. 1981 -- State National Bank, Tiara Gallery

Oct. 1981 -- Bowles/Hopkins Gallery, San Francisco

Nov. 1981 -- Turnberry Isle Yacht and Racquet Club, Miami

1982 -- Turnberry Isle Yacht and Racquet Club, Miami

Feb. 1982 -- Grigsby Galleries One, Scottsdale, AZ

April 1982 -- Merrill Chase Galleries, Chicago

April 8-24, 1982 -- Dean Day Gallery

May 1982 -- Gallery Mack, Seattle

June 1982 -- Nevada County Arts Council

Summer 1982 -- Hammer Galleries, New York

Oct. 4-16, 1982 -- Harrod's Picture Gallery, London

1983 -- Turnberry Isle Yacht and Racquet Club, Miami

July 1983 -- Tokyo, (Gallery?)

Sept. 13-Oct. 1, 1983 -- "LeRoy Neiman: Winners," Hammer Galleries, New York

October-Nov. 1983 -- Bowles/Hopkins Gallery, San Francisco

Oct. 1983 -- "LeRoy Neiman: Winners," Upstairs Gallery, Beverly Hills

Dec. 1983 -- "LeRoy Neiman: Winners," JoAnn Perse Gallery, Little Rock

Dec. 8-24, 1983 -- Dean Day Gallery

Dec. 2, 1983-Jan. 15, 1984 -- Hanson Galleries, New Orleans

Jan.-Feb. 1984 -- Hanson Galleries, Carmel

July 10-Aug. 10, 1984 -- "The Olympics: Past and Present," Hammer Graphics Gallery, New York

Aug.-Sept. 1984 -- "The Olympic Spirit," Bowles/Hopkins Gallery, San Francisco

Nov.-Dec. 1984 -- "LeRoy Neiman Centennial Art Exhibit," Springfield College Babson Library Hastings Gallery, Springfield, MA

Jan. 1985 -- Superbowl XIX Exhibition, Bowles/Hopkins Gallery, San Francisco

Feb. 1985 -- Center Art Galleries, Honolulu

March 1985 -- Lawrence Ross Galleries, Beverly Hills

May 1985 -- The Toy Store, Hartford, CT

Nov. 1985 -- "The LeRoy Neiman Collection," Hammer Galleries, New York

Nov.-Dec. 1985 -- Lawrence Ross Galleries, Beverly Hills

Feb. 1986 -- Nob Hill Premier and Exhibition, Bowles/Hopkins Gallery, San Francisco

May 1986 -- The Toy Store, Hartford, CT

June 1986 -- Peri -Renneth Gallery, Southampton, NY

July 26-Aug. 17, 1986 -- Hanson Art Galleries, La Jolla, CA

Oct. 1986 -- Buena Vista Premier and Exhibition, Bowles/Hopkins Gallery, San Francisco

Oct. 1986 -- Krannert School of Management

Nov. 1986 -- Lawrence Ross Galleries, Beverly Hills

1987 -- Upstairs Gallery, Beverly Hills

March 24-April 11, 1987 -- "LeRoy Neiman in Moscow," Hammer Galleries, New York

April 1987 -- New York Friars Club

May 1987 -- Marlborough Galleries, Boston

June 1987 -- "Neiman's Neimans," Bowles/Sorokko Galleries, San Francisco

Oct. 1987 -- Hanson Art Galleries, San Francisco

Oct.-Nov. 1987 -- Bowles/Sorokko Galleries, Beverly Hills

April-May 1988 -- "Neiman's World" Touring Exhibition, Japan

April-May 1988 -- In the Pocket Superbowl XXII painting premier, Allyson Louis Gallery, Bethesda, MD

May 1988 -- "Monte Carlo Chase," Minotaur Galleries, Las Vegas

Sept. 27-Oct. 4, 1988 -- "Monte Carlo Chase," L'art et l'automobile gallery, New York

1988 -- Tretyakov Museum, Moscow

Oct. 1988 -- Merrill Chase Galleries, Chicago

Nov. 19-Dec. 10, 1988 -- "LeRoy Neiman: Monte Carlo," Bowles/Sorokko Galleries, San Francisco

Jan. 1989 -- Backstage Gallery, Osaka, Japan

Feb. 1989 -- Surf Club, New York

April 1989 -- "Soft Paintings," Hammer Galleries, New York

April 30-May 15, 1989 -- Polo Lounge Debut, Bowles/Sorokko Galleries, Beverly Hills

May-June 1989 -- "Select Works by LeRoy Neiman," Midwest Museum of Art, Elkhart, IN

June-July 1989 -- Steiner & Young Fine Arts Gallery, Atlanta, GA

June 6-Sept. 9, 1989 -- L'art et l'automobile gallery, New York

Sept. 1989 -- Hotrod Vintage Car Museum and Dance Club, New York

Aug. 1989 -- Baja, New York

Sept. 26-Oct. 14, 1989 -- "A Salute to Central Park," Hammer Galleries, New York

Nov. 1989 -- Galerie 224, Laguna Beach, CA

May 1989-Feb. 1990 -- "The Playboy Collection," Dyansen Gallery Traveling Exhibition, New York, Beverly Hills, Atlantic City, San Francisco, Boston, SoHo

April 1990 -- Exhibition at "The Art Spirit" Event, Butler Institute of American Art

May 1990 -- Merv Griffin Resorts Casino Hotel, Atlantic City

May 12-31, 1990 -- Bay Area Baseball Debut, Bowles/Sorokko Galleries, San Francisco

July-Aug. 1990 -- "LeRoy Neiman: A Series of Sport Serigraphs," Springfield Art Association, Springfield, IL

Aug. 1990 -- Gallery One of Writer Square, Denver

Sept.-Oct. 1990 -- Allyson Louis Gallery

Oct. 1990 -- Bowles/Sorokko Gallery, Beverly Hills

Sept. 1990 -- Base Art Collection

Jan. 1991 -- "LeRoy Neiman: Man at his Leisure," Playboy offices, Chicago

May 1991 -- "The Prints of LeRoy Neiman 1980-1990," Bowles/Sorokko Gallery, Beverly Hills

Oct.-Nov. 1991 -- "San Francisco," Bowles/Sorokko Gallery, San Francisco

Feb.-March 1992 -- The Beatles Debut, Dyansen Gallery, Trump Taj Mahal, Atlantic City

Feb. 17-March 13, 1992 -- University of Charleston Art Gallery

March 14-April 12, 1992 -- "LeRoy Neiman: Downtown," Bowles/Sorokko Gallery, SoHo, NY

March 15-April 3, 1992 -- Foster Harmon Galleries of American Art, Sarasota, FL

Oct. 9-24, 1992 -- "Big Time Golf," Hammer Galleries, New York

Oct. 22-Nov. 30, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, Beverly Hills

Oct. 24-Nov. 30, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, San Francisco

Nov. 7-Dec. 1, 1992 -- "Big Time Golf," Bowles/Sorokko Galleries, New York

Oct.-Nov. 1992 -- "Big Time Golf," Minotaur Galleries, Las Vegas

Nov. 13-Dec. 13, 1992 -- "Big Time Golf," Merrill Chase Galleries, Chicago

March-April 1993 -- City by the Bay Debut, Bowles/Sorokko Galleries, San Francisco

April-May 1993 -- "An Exhibition of Equine Art," Kentucky Derby Museum

Oct. 7-31, 1993 -- "Un Américain à Paris," Galerie Marcel Bernheim, Paris

Nov. 1993 -- Minotaur's Forum Gallery, Las Vegas

Dec. 1993 -- La Galleria d'Arte, Newport Beach, CA

April 1994 -- Gateway Gallery, Vail, CO

Sept. 1994 -- "LeRoy Neiman: An American in Paris," Hammer Galleries, New York

Sept.-Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, New York

Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, Beverly Hills

Oct. 1994 -- "LeRoy Neiman: An American in Paris," Bowles/Sorokko Galleries, San Francisco

Oct. 1994 -- "LeRoy Neiman: An American in Paris," La Galleria d'Arte, Newport Beach, CA

Dec. 1994 -- "LeRoy Neiman: An American in Paris," Merrill Chase Galleries, Chicago and Buffalo Grove

April-June, 1995 -- "Racing Retrospective," Kentucky Derby Museum

March-April 1995 -- Bowles/Sorokko Galleries, San Francisco

Jan.-Feb. 1996 -- "Superbowl XXX," American Fine Art Editions, Scottsdale, AZ

April 1-May 1, 1996 -- Paterson Museum, Paterson, NJ

July 1996 -- Trump Plaza, Atlantic City

Sept.-Oct. 1996 -- "LeRoy Neiman: Portraits of Our Times, 1946 -96" Bowles/Sorokko/Yarger Galleries, Beverly Hills and San Francisco

April-June 1997 -- "The Art of Sport," Kentucky Derby Museum

April 3-May 2, 1997 -- "LeRoy Neiman on Safari," Hammer Galleries, New York

April 1997 -- "LeRoy Neiman on Safari," La Galleria D'Arte, Newport Beach, CA

May 23-June 30, 1997 -- "The Safari Suite," Centaur Sculpture Galleries, Las Vegas

1997 -- Hanson Art Galleries Solo Exhibition, New Orleans

Oct. 1998 -- "Animals: The Wild and the Tame" Solo Exhibition, Bowles Galleries, San Francisco and Beverly Hills

2000 -- "A Decade of Retrospective Works by LeRoy Neiman," Hanson Gallery, New Orleans, LA

2000 -- "A Thirty -Year Retrospective" Solo Exhibition, Timothy Yarger Fine Art

2001 -- "LeRoy Neiman: Works on Paper," National Art Museum of Sport

2001 -- "LeRoy Neiman: Master Printmaker," Franklin Bowles Galleries, San Francisco

2001 -- "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery

2002 -- "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco

2003 -- "LeRoy Neiman on Safari," Solo Exhibition, The Wildlife Experience, Parker, Colorado

Nov. 7-Dec. 11, 2003 -- "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York

DateTwo-Person ExhibitionsOct. 9-Nov. 6, 1959 -- F. Oehlschlaeger Gallery, Chicago

1973 -- Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY

1978 -- LeRoy Neiman and Robert Addison, Art Institute of Chicago

1981 -- LeRoy Neiman/Andy Warhol, LAICA, Los Angeles

1988 -- "The Mustache Show," Salvador Dali and LeRoy Neiman, Tunnel Club, New York

DateGroup Exhibitions1948 -- Art Institute of Chicago

Aug. 28-Sept. 6, 1948 -- Minnesota State Fair

1950 -- Student Exhibition, Art Institute of Chicago

1951 -- Student Exhibition, Art Institute of Chicago

Oct. 10-Nov. 9, 1952 -- Local Artists' Exhibition, Minneapolis Institute of Arts

Oct. 14 -Nov. 15, 1953 -- Local Artists' Exhibition, Minneapolis Institute of Arts

1953 -- Annual Exhibit, Art Directors Club of Chicago

1953 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

May 2-30, 1954 -- Exhibitions of Prints and Drawings by Twin City Artists, Minneapolis Institute of Arts

Aug. 28-Sept. 6, 1954 -- Minnesota State Fair

Oct. 29-Nov. 12, 1954 -- Exhibition of Advertising and Editorial Art, Art Directors Club of Chicago

June 2-July 4, 1955 -- Instructors Exhibition, Art Institute of Chicago

1955 -- Carnegie International Exhibition, Carnegie Institute of Art, Pittsburgh

Aug. 27-Sept. 5, 1955 -- Minnesota State Fair

March 8-April 12, 1956 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

April 22-May 11, 1956 -- Chicago Area Show, North Shore Art League

1957 -- Biennial Exhibition of Contemporary American Oil Paintings, Corcoran Gallery of Art, Washington, DC

Jan. 17-March 3, 1957 -- "American Painting and Sculpture," Art Institute of Chicago

Feb. 12-26, 1957 -- Navy Pier Art Show, Chicago

June-July 1957 -- Chicago Art Institute

Sept. 15, 1957 -- Deer Path Art League Annual Fine Arts Festival

Oct. 7-27, 1957 -- Collectors Club Exhibition

1958 -- Chicago Public Library

Jan. 17-26, 1958 -- Art:USA:58

1958 -- Navy Pier Art Show, Chicago

1958 -- "Brotherhood in Art," Marshall Field & Co. Gallery

July 6-Aug. 16, 1958 -- Ravinia Festival

Sept. 1958 -- Chicago Artists, Anna Werbe Gallery, Detroit, MI

Sept. 6-7, 1958 -- Old Orchard Art Festival, North Shore Art League, Skokie, IL

Dec. 1958 -- Frank Oehlschlaeger Gallery, Chicago

June 8, 1959 -- Bal Tabarin Room, Hotel Sherman, Chicago

July 27-Aug. 10, 1959 -- Paintings and Photographs by Playboy Jazz Artists, Sherman Art Gallery

Sept. 12-13, 1959 -- Old Orchard Art Festival, North Shore Art League, Skokie, IL

Nov. 1959 -- Frank Oehlschlaeger Gallery, Chicago

Feb. 1960 -- Anshe Emet Cinema Arts Festival

March 31-May 28, 1961 -- "Artists of Chicago and Vicinity," Art Institute of Chicago

Dec. 13, 1962-Jan. 26, 1963 -- "Mixed Christmas Exhibition," O'Hana Gallery, London

1964 -- North Mississippi Valley Exhibition

1965 -- Frank Oehlschlaeger Gallery, Chicago

March-July 1966 -- Aqueduct Gallery, New York

May 23-Aug. 24, 1969 -- "TIME Portraits of American Newsmakers," National Portrait Gallery Traveling Exhibition

May 27, 1969 -- National Art Museum of Sport

Nov. 1969 -- Frank Oehlschlaeger Gallery, Chicago

1971 -- "Beyond Illustration: The Art of Playboy," Museum of Contemporary Art, Chicago

Spring 1972 -- Odyssey House Art Gallery

Sept.-Oct. 1973 -- Illini Union Art Gallery, Illinois

1974 -- "Group Show of FKH Artists," Hammer Galleries, New York

Dec. 2, 1974-Jan. 4, 1975 -- Holiday Exhibition, Hammer Galleries, New York

Feb. 10-22, 1975 -- "Hammer Galleries Graphics," Hammer Galleries, New York

Sept. 2-Nov. 21, 1975 -- "Drawings USA 75," Minnesota Museum of Art (Traveled Jan. 1976 -Dec. 1977)

May 2-July 4, 1976 -- "Watercolor U.S.A. National Invitational Exhibition," Springfield Art Museum, Springfield, MO

Aug. 2-7, 1976 -- Saratoga Gallery, Saratoga Springs, NY

July 3-Sept. 30, 1977 -- "National Exhibition of Tennis Art," International Tennis Hall of Fame

June-July 1978 -- "National Exhibition of Tennis Art," International Tennis Hall of Fame

1977 -- "Ball, Bat, and Glove," Spectrum Fine Art, New York

Sept. 12-16, 1978 -- Spectrum Fine Art, Royal Orleans Hotel

1979 -- "Ringside: The Fine Art of Boxing," Spectrum Fine Art, New York

May 4-July 8, 1979 -- "Panorama of American Art," Midwest Museum of Art, Elkhart, IN

July 15-20, 1979 -- "Treasures of Island Creek," Louisville, KY

Jan. 2-Feb. 2, 1980 -- "Grand Opening Group Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

April 29-Aug. 31, 1980 -- "That Belmont Look," New -York Historical Society (NYS Museum, Albany, Jan. -March, 1981)

Nov. 1980 -- "Fall Portfolio of International Artists," Calgary Inn, Alberta, Canada

1982 -- "When They Were Very Young," Amherst College Student Art Gallery, Amherst, MA

March 1982 -- Northampton County Area Community College Foundation

March 1983 -- "Showstoppers: Great Moments of the American Musical," Museum of the City of New York

Sept. 25-Oct. 22, 1983 -- "Greenwich Workshop Gallery Miniature Show '83," Greenwich Workshop Gallery

June 1984 -- "Champions: The Olympic Athlete in Art," San Diego Museum of Art

March 1985 -- "Americana," Whitney Museum, New York

April-Aug. 1985 -- "Archives of American Yachting and Boating," Mystic Seaport Museum, Mystic, CT

May 1985 -- "Art," Area Club, New York

Dec. 1985-Jan. 1986 -- "American Masters of the 1940s, 50s, and 60s," Frank Oehlschlaeger Gallery, Chicago

March 15-June 28, 1987 -- "The Horse: Man's Noble Companion," The Monmouth Museum, Lincroft, NJ

April-May 1987 -- "Annual American Masters Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

April 1987 -- "Athletes and Heroes," Bank One, Youngstown, OH

May 1987 -- Hanson Art Galleries, San Diego, CA

Sept. 1987 -- El Paso Museum of Art

Nov. 23-Dec. 18, 1987 -- "Master Prints of the 19th-20th Century," Hammer Galleries, New York

June 1988 -- Mickey Mantle's Sports Art Gallery, New York

June 9-Sept. 24, 1988 -- L'art et L'automobile, automotive artists group exhibition, New York

Aug. 1988 -- "The Famous Show," China Club, New York

Sept. 1988 -- "New Perspectives on Contemporary Art," Tunnel Club, New York

Oct. 1988 -- "Women in Sports," Springfield College, Springfield, MA

Oct.-Nov. 1988 -- "Annual American Masters Exhibition," Foster Harmon Galleries of American Art, Sarasota, FL

Dec. 1988 -- "The Most Famous Artist Alive," Tunnel Club, New York

Jan. 1989 -- "Art's As Good An Investment as Bonds," Baja Club, New York

March 1989 -- "The Greatest Hits Vol 1 Show," Tunnel Club, New York

July-Aug. 1989 -- "20/20 Exhibition," Steiner& Young Galleries, Marietta, Georgia

June 1990 -- Amnesty International Exhibition, New York

Summer 1990 -- "Director's Choice," Park Shore Gallery, Naples, FL

Sept. 1991 -- "Expose Yourself to Art," University of Southern Florida

May 1-June 10, 1992 -- "Drawing New Conclusions," Art Institute of Chicago

1993 -- "Salon d'Automne," Grand Palais, Paris

1993 -- "Equine Art" Solo Exhibition, Kentucky Derby Museum

1995 -- "Racing Retrospective" Solo Exhibition, Kentucky Derby Museum

1994-1995 -- "Louis Armstrong: A Cultural Legacy," Queens Museum of Art, New York

June 14, 1996 -- Cig Art, National Arts Club Exhibition and Benefit

1996 -- "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries

Oct. 1998 -- "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco

2001 -- "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery

2001 -- "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco

2002 -- "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco

2003 -- "A View from the Table" Solo Exhibition, Hammer Galleries, New York

2005 -- "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries

Appendix F: Index to CollectionA

ABC (American Broadcasting Company) - 2.2: ABC Correspondence, 4.1: 1977

ABC's Wide World of Sports - 4.1: 1987, see also Olympic Games

AIMS (Committee to Aid Multiple Sclerosis) - 4.1: 1977, 1978

ASPCA - 3.1: ASPCA 1986-1988

Aaron, Hank - 4.1: 1972

Abdul-Jabbar, Kareem - see Basketball Superstars, 1975-1976, and Johnson, Earvin Kareem Abdul-Jabbar, 1984 - 3.1: Kareem Abdul-Jabbar, 1984

Abramowitz, A.N. (Avie) - 2.2: A. N. Abramowitz 1974-1978, 3.2.1

Abrams, Harry N. - see 3.2 - Publications files, 4.1: 1999

Abrams, Judith Ann - 2.1: 1983, 1991

Absolut Vodka - see promotions

Academie Internationale des Arts Contemporains, Belgium - 2.1: 1992

accountant - see Jacobs, Jason

Adams, Joey - 1.1: Friars Club

Adamowski, Benjamin - 4.1: 1960

Addams, Charles - 4.1: 2000

Addison, Robert and Ruth (Betsy) - 2.1: 1978, 1990, 4.1: 1985, 1987, 1991 in two-person exhibition with LeRoy Neiman - 4.1: 1978 and ov

Advanced Materials and Processes -- Magazine - 4.1: 1989

Adventurer, between 1971 and 1977 - see Long, Captain Elgen

Adventuress, 1970s - see Earhart, Amelia

aerobics - 2.1: 1984, see also dance: Jacki Sorenson, 1981

Affronti, Judge Frank - 2.2: Judge Frank Affronti 1990-1999

Africa - see LeRoy Neiman On Safari

Afsary, Cyrus - 2.1: 1978

Air France - 4.2: -- Playboy -- 1963, see Appendix E

airlines

American Airlines - 2.1: 1999

Continental Airlines - see Fitzgerald, Ella

Albany, New York - 3.1: Tour de Trump

Alexander Hotel, Miami Beach - see promotions

Ali, Muhammad - see boxing

All - Sports Hall of Fame - 4.1: 1999

Allied Artists Council, Artists and Models Masque Ball, 1985 - 4.1: 1985

Allyson Louis Gallery - 2.1: 1988, 3.1: Morton's of Chicago 1982-present, 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Amahl and the Night Visitors, 1978 - 4.1: 1978

Amateur Athletic Association - 4.1: 1998

Amateur Athletic Union - 2.1: 1976

Ambassadors Hotel, East and West, Chicago - 3.1: Ambassadors 1960s, see also restaurants: The Pump Room

America's Cup - see sailing

American Academy of Achievement - see awards

American Beauty Association - 4.1: 1994

American Broadcasting Company - see ABC

American Cancer Society - 4.1: 1986, 1989, 1997, 2004

American Carnival, Japan - 4.1: 1988

American Diabetes Association - 4.1: 1990, see Appendix A

American Embassy, Nairobi, Kenya - 2.1: 1984

American Federation of Television and Radio Artists - 1.1: Name Tags and ID Cards

American Flag, 2002 - 3.1: Good Tidings Foundation 1998

American Fine Art Editions, Inc. - 4.1: 2004, see exhibitions

American Heart Association - 4.1: 1991

American in Paris, An - see -- LeRoy Neiman: An American in Paris

American Sport Art Museum - 2.1: 1989, 4.1: 1989

American Sportscasters Association - 1.1: Awards, 4.1: 1986; Hall of Fame Awards Dinner - 3.1: Long Term Projects

American Stock Exchange - see Stock Market

Amnesty International - see exhibitions, group: Blumhelman Gallery

Ampex Video Art - see television

Anderson, Dave - 4.1: 1983, see also Countdown to Superbowl by Dave Anderson

Anheuser-Busch - see promotions, 3.1: Duran vs. Leonard 1989

animals -- - see exhibitions, horse racing, 3.2.12

Animal Fair Magazine - 2.1: 2000, 4.1: 2000

Polar Bears - 4.1: 1979, 1984, 1993

birds - see also animals: roosters

Arkansas Wild Ducks, 1984 - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Fighting Cocks, Manila, 1976 drawing (watercolor) - 4.1: 1976

Manila Cock -Pit, 1976 drawing (watercolor) - 4.1: 1976

Parrots, 1982 - 4.1: 1984

Studies of Fighting Cocks, 1976 drawing (watercolor) - 4.1: 1976

cheetah

Kilimanjaro Cheetah, 1971 - 4.1: 1993

Portrait of the Cheetah, 2004 - 4.1: 2004

Cougar, 1981 painting and 1993 serigraph - 2.1: 1994, 4.1: 1993

cow - see Cow Parade

dog - 4.1: 1998

Black Labrador, 1977 - 4.1: undated 1990s

Borzoi - see also Pelkey, Joe (serigraph)

dog walkers - VC: 1983

The Great Dane, Hamlet, 1986 - 3.1: ASPCA 1986-1988, 4.1: 1986

Hounds of Chantilly - 2.1: 1980, 4.2: -- Playboy -- 1964, see Appendix E

Moore County Hounds, Southern Pines, North Carolina - 4.1: 1959, 4.2: -- Playboy -- 1960, see Appendix E

eagle, American Bald Eagle, 1978 - 4.1: 1993

elephant

Elephant Charge, 1999 - 4.1: 1999

Elephant Nocturne - 4.1: 1984, 1993

Elephant Stampede - 3.1: Advertising Layouts 1980s, 4.1: 1976, 1989, 1993, 1995 Shikar, 1980 - 4.1: 1982, 1993

giraffe, Giraffe Family - 4.1: 1978, 1993

gorilla, Gorilla Family - 4.1: 1993

horse - see horses

jaguar, Jaguar Family, 1984 - 4.1: 1993

leopard

Kenya Leopard, 1978 - 4.1: 1993

Leopard, 1971 serigraph - 3.1: Circle Gallery 1972, 4.1: 1988 -89, 1993

Serengeti Leopard, 1976 - 4.1: 1993

lion

Lion, 1968 - 4.1: 1993

Lions, date? - 4.1: 1974

Lion Couple - IV: 1984, 1993

Lion Family, 1974 - 2.1: 2004, 4.1: 1993

Lion's Pride II, 1978 - 4.1: 1993

Portrait of the Lion, 2002 - 4.1: 2002

Ocelot - 4.1: 1993

panther, Black Panther, 1975 - 3.1: Hammer Galleries Solo Exhibition 1975 -76, 4.1: 1975

rescue - see ASPCA, Bide-A-Wee, PAWS/LA, Humane Society of New York, Mount Pleasant Animal Shelter

rooster - Studies of Fighting Cocks, 1975 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

safari - 3.1: "LeRoy Neiman on Safari," The Wildlife Experience, Parker, CO, 2003, 3.2.12

tiger

Bengal Tiger - 4.1: 1993

Caspian Tiger, 1985 - 4.1: 1993

Delacroix's Tiger - 4.1: undated, 1993

Tiger, 1985 - 4.1: 1993

Young Tiger - 4.1: 1993

unicorn

The Hunt of The Unicorn, late 1960s mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90, 4.2: Playboy Ephemera 1960s

whale - see Moby Dick

wolf - see Call of the Wild, 1993

zebra, Zebra Family - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79, 4.1: 1984, 1993

zoo - 3.2.12d

Anisfeld, Boris - 2.1: 1988

Anthony, Earl - see bowling

Antonacci, Joe - 4.1: 1982

Apollo Theater - 4.1: undated 1990s, 1998

Area nightclub, New York - 3.1: "Art", Group Exhibition at Area, 1985

arenas - see The Spectrum, Madison Square Garden

Arizona Heart Institute - see The Open Heart, 1982

Arizona Landscape, 1979 - 2.1: 1979

Arkansas - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Arledge, Roone - 2.2: ABC Correspondence, 3.1: Olympics Munich 1972, 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971, 3.1: Olympics, Montreal 1976 Roone Arledge, 1972 drawing - 4.1: 2003

Arliss - 4.1: 1996

Armory Art Fair, Washington DC - 4.1: 1977

Armstrong, Louis - see jazz

Army, U.S., service in - 1.1: Military Service

Army vs. Navy 1946, 2000 - 4.1: 2001

Arnstein, Vera Daphne - 4.1: 1990

Arrow shirts - see promotions

Art Aid - 4.1: 1986

L'art et l'automobile - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1988, 2002, see also exhibitions

Art Brokerage Inc. - see Rose, Donna

Art Collection House Co., Ltd., Japan - 2.1: 1994, 1995

Art Directors Club of Oklahoma City - 4.1: 1967, VII

Art Expo - 4.1: Undated

Art for Education - 4.1: 1998

The Art of Gaming Through the Ages, by Arthur Flowers and Anthony Curtis, foreword by LeRoy Neiman - 3.1: The Art of Gaming Through the Ages, Huntington Press, 2000

Art Institute of Boston - 1.1: Honorary Degrees, 2.1: 1975, 4.1: 1975

Art Institute of Chicago - 1.1: Education and Teaching, 2.1: 1987, 1989, 1996, 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992, 4.1: 1978 ov, 2001, 2002, see also exhibitions

Auxiliary Board - 2.1: 1990

Barewalls, 2001 - 3.1: Art Institute of Chicago Reunion 2001

Art and Lifestyle, 1974 - see LeRoy Neiman: Art and LifeStyle, 1974, 3.2.1

ArtExpo New York - 2.1: 1989, 4.1: 1987, 1998, 2001

Art-o-gram: News of the art world for art dealers only - 4.1: 1977

Arthur Andersen & Co. - 4.1: 1981

Les Arts de France - 2.1: 1988

Arum, Bob and Lovee - 2.1: 1996, 1998, 4.1: 1996

Ascent, 1961 - 4.1: 1961

Ashford, Evelyn - see running

Aspen, CO - 4.1: 1993, 1994

Association for the Help of Retarded Children (AHRC) - 3.1: Thurman Munson and Thurman Munson Awards Dinner 1977-present

Astaire, Fred

Fred Astaire - 3.1: Good Tidings Foundation 1998 -, 4.1: 1985

Athens International Festival - 4.1: 1993

Atlanta, GA - 3.1: Economic Opportunity Atlanta 1968

Atlanta International Film Festival - 4.1: 1974 and ov, V: 1974

Atlanta Magazine - 4.1: 1969, 1975, 1996

Atlanta's Poor People Art School - 4.1: 1969

Atlantic City, New Jersey - see also casinos, promotions, 3.1: Tour de Trump 1989

attorney - see Shaw, Robert

auction - 4.1: 1978, 1997, 1998, 1999

Augusta National Golf Club, The 16th at Augusta, 1992 - 4.1: 1994

auto racing -- - 4.1: 1982, 1983, 1989, 1999

Andretti, Mario - 4.1: 1975, 1992

Andretti, Michael - 4.1: 1992

Brayton, Scott - 4.1: 1996

Beni Hana Grand Prix - 2.1: 1978

Caesar's Palace Grand Prix, 1981 - 3.1: Caesar's Palace Grand Prix 1981-83

Caesar's Palace Grand Prix, 1982 - 3.1: Caesar's Palace Grand Prix 1981-83

Caesar's Palace Grand Prix, 1983 - 3.1: Caesar's Palace Grand Prix 1981-83

Can-Am Race - 4.2: -- Playboy -- 1970, see Appendix E

Dallas Grand Prix, 1984 - 2.2: Neiman-Marcus 1983-88, 3.1: Dallas Grand Prix 1984

Denver Grand Prix, 1990 - 3.1: Denver Grand Prix 1990-1991

Denver Grand Prix, 1991 - 3.1: Denver Grand Prix 1990-1991

Ferrari - 4.1: 1989

Fittipaldi, Emerson

Fittipaldi, 1989 - 3.1: Emerson Fittipaldi 1989, 4.1: 1990

Grand Prix Heart Ball - 3.1: Denver Grand Prix 1990-91

Grand Prix de Monaco - 2.1: 1986, 2.2: Playboy Enterprises Inc. 1980s, 4.2: Playboy Ephemera 1980, Press and Paraphernalia

Grand Prix de Monaco, 1976 - 4.1: 1993, 4.2: Playboy Ephemera 1980, Press and Paraphernalia

Indianapolis 500 - 3.1: Indy 500, 1985-87

Pits at Indy, 1968 - 2.1: 1976

Le Mans - 3.2. -- Winners -- , 1983, Harry N. Abrams Notes on Auto Racing and Basketball, 4.2: -- Playboy -- 1969, 4.2: Playboy Ephemera 2000s, see Appendix E

Miami Grand Prix - 3.1: Miami Grand Prix 1991-92

Toyota Grand Prix of Miami, 1991 (for 1992 race) - 3.1: Miami Grand Prix 1991-92

Penske, Roger - 3.1: Indy 500, 1985-87

Revson, Peter

Peter Revson, Can-Am Race, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Toyota Monterey Grand Prix, 1990 - 4.1: 1990

Laguna Seca Raceway, 1989 - 4.1: 1990

automobiles - 3.1: LeRoy Neiman Corvette 1984, 4.1: 1993, 1999, 2001, see also l'Art et l'Automobile, and auto racing

The Robb Report Magazine - 2.1: 1982, 4.1: 1983, 1987

Rolls-Royce - 3.1: Lawrence Ross Galleries Exhibitions 1985, 4.1: undated, 1983

awards - 1.1: Awards

B

Baden Baden - 2.1: 1997

Baghdad of the Midwest, 1975 - see Saint Paul, Minnesota

Bailey, Jim - see golf: Atlanta National Golf Club

Baker, Dusty - 4.1: 1998

Bal de la Mer - 3.1: Monaco 1994, 4.1: 1994

Baldwin, James, James Baldwin, 1961 and 1964 drawings - 2.1: 2002

ballet -- - 4.1: 1987, V: Kathy Healey, 1981, see also dance

Ballet Arkansas - 2.1: 1990, 4.1: undated 1980s

Ballet: The Daring Project, Joyce Theater, 1996 - 4.1: 1996

Ballet Theater Foundation, Inc. - 4.1: 1976

Baryshnikov, Mikhail, Baryshnikov, 1983 - 3.1: Des Moines Ballet Commissions 1983-1986, 3.2. -- Winners -- , 1983, Harry N. Abrams

Bolshoi Ballet - 4.1: 1968, 4.2: -- Playboy -- 1969

Gregory, Cynthia - 2.1: 1986, 2.1: 1990

Nureyev, Rudolph, Nureyev, 1974 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76, Nureyev, 1986 - 3.1: Des Moines Ballet Commissions 1983-1986

Prima Ballerina 'Assoluta' - 2.1: 1986, 1989, 4.1: 1989

Ballot, Isabelle - 4.1: 1996, 1998, 2001

Barber, Tiki - 4.1: 2001, 2002

Barclays Bank - 4.1: 1993

Bardot, Brigitte - 4.1: 1961

BareWalls - 1.1: Education and Teaching-Art Institute of Chicago after 1959

Barkley, Charles - 4.1: 1999, 2001, V: Photographs

Charles Barkley, 1997 - V: Photographs

Barnet, Will - 2.2: JoAnn Perse Gallery 1983-02

Barnett, Dick - 4.1: 1990

"Baroque Bravura Today?" undated article by LeRoy Neiman - 4.1: undated

Barrington Enterprises Inc. - see Landau, Barry

bars - see restaurants and bars

Bartender Magazine -- - 2.2: -- Bartender Magazine -- , 4.2: -- Bartender Magazine

Ultimate Cocktail Book, 1990 - 4.2: -- Bartender Magazine

Ultimate Cocktail Book II - 4.2: -- Bartender Magazine

Baryshnikov, Mikhail - see ballet

baseball -- - 3.1: Mickey Mantle 1962-99, 3.1: Leo Durocher 1974 -1994, 3.1: Rusty Staub 1975 -1994, 3.1: Gaylord Perry's 300th win, 3.1: Willie Stargell 1980, 3.1: Nolan Ryan, 1981, 3.1: Skoal Pinch Hitter 1985 -87, 3.1: Dodgers Centennial, 3.1: The Shot Heard 'Round the World, 1991, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 3.1: Jackie Robinson, 1997, 3.1: Mike Piazza 1999, 3.2.13, 4.1: 1992, also search for individual players and coaches by name in Index and Appendix A

All-Stars - 4.1: undated

Baseball Players, 1983 - 4.1: 1983

Baseball Writers Association of America - 4.1: 1990, 1993

Bay Area Baseball, 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990, 4.1: 1991

Boston Red Sox - 4.1: 1975, 1982, 1986

Brooklyn Dodgers - 3.1: The Shot Heard 'Round the World, 1991, 3.1: Jackie Robinson, 1997, see also Los Angeles Dodgers

Chicago Cubs - 3.1: Leo Durocher 1974-94, 3.1: Skoal Pinch Hitter Thad Bosley 1985

Cincinnati Reds - 4.1: 1975, 1986

Cleveland Indians - 4.1: 1975

etchings - 3.1: Circle Gallery 1972

Florida Marlins, 1992 - 2.1: 1992, 4.1: 1992

Hollywood All-Stars - 3.1: Mickey Mantle Paintings 1962-1999

Home Run Blast, 2002 etching - 3.2.13

Japan - 3.1: Hawaii and Japan 1974

Kansas City Royals - 4.1: 1990

Los Angeles Dodgers - 2.1: 1992, 3.1: Jackie Robinson, 1997, 4.1: 1992; Dodgers Centennial, 1990 - 3.1: Dodgers Centennial 1990, 4.1: 1991

National Baseball Hall of Fame and Museum, Cooperstown, NY - 2.1: 1978, 1996, 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 3.1: Casey Stengel 1996, 4.1: 1990, 1993 (yearbook), 1994, 1995

New York Giants - 3.1: The Shot Heard 'Round the World, 1991

New York Mets - 3.1: Rusty Staub 1975-1994, 3.1: Casey Stengel 1996, 4.1: 1979, 1985, 1986, 1990, 1991, 1996, 2001, 2002

New York Yankees - 2.1: 2004, 3.1: Mickey Mantle 1962-99, 3.1: Phil Rizzuto 1994, 4.1: 1977, 2000

Oakland Athletics - 2.1: 1993, 4.1: 1988 -89, 1993

Oklahoma Redhawks (minor league) - 2.1: 1998

Philadelphia Phillies - 4.1: 1993

Pittsburgh Pirates - 3.1: Willie Stargell 1980, 4.1: 1984; Pittsburgh Pirates, 1973 - 4.1: 1973

Saint Louis Cardinals - 4.1: 1999

San Francisco Giants - 4.1: 1988-89

Seattle Mariners - 3.1: Gaylord Perry's 300th Win file

Sliding Home, serigraph - 3.1: Circle Gallery 1972, 4.1: 1978, 1988, 1989; team yearbooks - 3.1: Dodgers Centennial 1990, 4.1: 1973, 1977, 1979, 2001

World Series: 1966 - VII; 1972 - 4.1: 1972; 1975 - 4.1: 1975, 1986; 1976 - 2.1: 1976; 1986 - 4.1: 1986; 1989 - 4.1: 1989

basketball

Basketball, 1972 - 4.1: 1992

Basketball Superstars, 1975-76 - 4.1: 1977, 2001

college basketball - 4.1: 1992, 1994

Indiana University Hoosiers; Hoosier Hoopla, 1975 - 2.1: 1975, 4.1: 1976, 1978, 1989, VII: Pendants

North Carolina Tar Heels - 4.1: 1977

Oregon State University - 4.1: 1977

University of Kentucky Wildcats; The Wildcats, 1978 - 3.1: The Wildcats 1978

University of Nevada, Las Vegas - 4.1: 1983

Naismith Memorial Basketball Hall of Fame - 3.1: Naismith Memorial Basketball Hall of Fame 1978-91

NBA basketball - 3.1: Kareem Abdul-Jabbar, 1984, 3.1: Orlando Magic commission, 1990, 3.1: Larry Bird, 1993, 4.1: 1977, 1979

All-Stars - 4.1: 1977

NBA All -Star Game - 4.1: 1978

Boston Celtics - 3.1: Larry Bird, 1993, 4.1: 1989 ov

Buffalo Braves - 2.1: 1976

Chicago Bulls - 4.1: 1989

Houston Rockets - 4.1: 1975

Los Angeles Clippers - 2.1: 1989

Los Angeles Lakers - 3.1: Kareem Abdul-Jabbar, 1984, 4.1: 1989 ov

Milwaukee Bucks - 4.1: 1977

New York Knicks - 4.1: 1968, 1969, 1974, 1976, 1980, 1989, 1993

Orlando Magic - 3.1: Orlando Magic commission 1990, 4.1: 1989

Philadelphia 76ers - 4.1: 1999

Washington Bullets - 4.1: 1980

Battig, Joseph - 2.1: 1996

Battle of the Bay, serigraph - 4.1: 1989

Baumgartner, Bruce - see wrestling

Beard, James - 3.1: James Beard 1985-2002, 4.1: 1996

The Beatles

The Beatles, 1966, serigraph 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992

John Lennon, 1990 etching - 3.1: John Lennon Etching 1990

Beatty, Warren - 3.1: Tyson vs. Spinks 1988

beauty pageants

ITMSA Miss Legs Competition - 2.1: 1983

Miss America - 3.1: Miss America Pageant 1983-1984

Miss Asia - 3.1: Miss Asia Pageant 1986

Miss J.A.P. and Miss Purim Pageants - 4.1: 1982

Miss Legs America - 2.1: 1980, 4.1: 1984

Miss Teen USA - 3.1: Miss Teen USA Pageant 1983

Miss Universe - 3.1: Miss Universe Pageant 1981

Miss USA - 3.1: Miss USA Pageant 1978

Miss World -USA - 3.1: Miss World-USA Beauty Pageant 1975

Mrs. America - 3.1: Mrs. America Pageant 1982

Playboy Bunny of the Year Pageant - 2.2: Playboy Enterprises Inc. 1970s

Beaux Arts, Inc. Award - 1.1: Awards

Begin, Menachem - 3.1: Peace Treaty, 1980

Behan, Brendan - see Borstal Boy

Behm, Kenneth - 2.1: 1989

Bench, Johnny - 4.1: 1972

Bench, The Catcher, 1989 - 3.1: Johnny Bench 1989

Bennett, Chef John - 2.2: Chef John Bennett 1998 -2000, 4.1: 2002, John Bennett, 1988 drawing - 4.1: 1988, 1998

Bennett, Tony - 4.1: 1963, 1973, 1985

Berra, Yogi - 4.1: 1985, 1998

Yogi Berra Museum - 3.1: "Viva el Beisbol!" exhibition, Yogi Berra Museum, 2000

Bernstein, Leonard, Leonard Bernstein, 1972 - 4.1: 1972; Leonard Bernstein, undated drawing - 4.1: 1972; Leonard Bernstein, 1967 drawing - 4.1: 1998

Bethany College - 4.1: 1979

Bethesda Fountain; View of Bethesda Fountain, 1989 - 3.1: A Salute to Central Park Exhibition 1989

Better Boys Foundation - 4.1: 1974

Beverly Hills, California - 2.1: 1985, 1989, see exhibitions: Lawrence Ross Galleries

Beverly Hills Hotel - 2.1: 1989

Bide-A-Wee - 4.1: 1992

Big Time Golf, by LeRoy Neiman - 3.1: Saks Fifth Avenue 1994-1999, 3.2:10

billboard - 3.1: Stadium Tennis Billboard, 1981, 3.1: Caesar's Palace Grand Prix 1981-83, 3.1: Folies Bergere, Tropicana, Las Vegas 1983, VC: 1980s

Billboard Magazine International Billie Awards - 3.1: Billboard Magazine First Annual Billie Awards 1993

billiards -- - 4.2: Billiard World Magazine 1963-65

Billiard World Magazine - 4.2: Billiard World Magazine 1963-65

Pool Game, 1966 - 4.1: 1998

Pool Room, serigraph - 3.1: Circle Gallery 1972

Sardi's World Billiard Championship - 4.2: -- Playboy -- 1963, see Appendix E

Bimini, Bahamas - 2.1: 1977, 1979

Bingo, 1973 - 4.1: 1989

Binns, James - 4.1: 1996, 2000

Bird, Larry, Larry Bird, 1992 - 3.1: Larry Bird, 1993, see also Johnson, Earvin "Magic": Magic

birthday - 4.1: 1999

Black Labrador, 1977 - see animals

Black Panther, 1975 - see animals

Blackwood, Glenn - 4.1: 1993

Bland, Bobby Blue - 3.1: Blues Ball 1997-2004

Blaukmer, Professor Frederika - 4.1: 1979

Blecker, Tom, Kathy, and Barbra - 2.2: Artwork by Children, 2.2: Tom Blecker 1989-99

Bloomberg, Mayor Michael - 1.1: New York Friars Club, 1990s-2000s

Blue Moon Bay Co., Ltd., Japan - 2.1: 1997

bloopers - 4.1: 1978, 1997

Bluebird Café - 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Blues Ball - 3.1: Blues Ball 1997-2004

Blum's - 3.1: Early Fashion Illustration 1949-57

B'nai B'rith - 1.1: Awards

Boathouse Restaurant - see Central Park Boathouse

boats - see sailing, or Showboats International; The Cambridge-Oxford Boat Race - 4.2: -- Playboy -- 1962, see Appendix E

Bochette, Liston - 2.1: 1981, 1984, 1985

bodybuilding -- - 4.1: 1977, 1982, 1990

Everson, Cory - 4.1: 1990

Schwarzenegger, Arnold - see Schwarzenegger, Arnold

Boek, Louis - 1.1: Military Service

Boggs, Bill - 4.1: 2002 ov., 2004

Bonaventure - see St. Bonaventure University

Bond, Julian - 4.1: 1969

Bonds, Barry - Barry Bonds, 2003 pastel - 3.1: Good Tidings Foundation, 1998-present book jacket illustrations - 3.1: folder 1, 3.1: Charlotte Chandler 1978-84, 4.1: 1973, 1982, 1988-89

Book of the Month Club - 3.2.5, 3.2. -- Winners -- , 1983, Harry N. Abrams , Text Drafts

books

by Mr. Neiman - see Publications files in Series 3.2

by others, containing Mr. Neiman's works - see Licensing Art and Design by Cynthia Revelli, Skip Singleton tennis books, see also book jacket illustrations

bookstores - see Publications files in series 3.2 for information on book signings at bookstores

Borg, Bjorn - see tennis

Borstal Boy - 2.1: 1984, 3.1: Borstal Boy 1970

Bosley, Thad - see Skoal Pinch Hitter

Bourgeois, Louise - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

Bourne, Bob - 4.1: 1983

Bowe, Riddick - see boxing

Bowlers Journal - see bowling

Bowles, Franklin - see Bowles Galleries

Bowles Galleries - 1.2: Bowles Galleries, see exhibitions, see also Timothy Yarger Fine Art

bowling -- - 2.1: 1976

Anthony, Earl - 3.1: Million Dollar Strike, 1982

Carter, Don - 3.1: Million Dollar Strike, 1982

Esposito, Frank - 2.1: 1986, 1996, 3.1: Million Dollar Strike, 1982

Million Dollar Strike, 1982 - 3.1: Million Dollar Strike, 1982

Varipapa, Andy - 3.1: Million Dollar Strike, 1982

boxing -- - 3.1: Ali vs. Frazier I, 1971, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 3.1: Ali vs. Spinks 1978, 3.1: Sportsman's Ball 1978, 3.1: Ali vs. Holmes 1980, 3.1: Duran vs. Leonard I, II, III 1980-89, 3.1: Hearns vs. Leonard 1981, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 3.1: Holmes vs. Cooney 1982, 3.1: Hagler vs. Hearns 1985, 3.1: Mike Tyson Portraits 1986-1990s, 3.1: Tyson vs. Spinks 1988, 3.1: McGirt vs. Whitaker 1993, 3.1: Tyson vs. Holyfield 1991-1996, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1971, 1999, 3.1: Lewis vs. Tyson 2002, 3.1: De La Hoya vs. Vargas 2002, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1972, 1976, 1977, 1978, 1979, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989, undated 1990s, 1990, 1991, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002

Ali, Muhammad - see Ali vs. Frazier, 3.1: Lewis vs. Tyson 2002, .2.1: 2001, 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004, 3.2.1, 3.2.16, 4.1: 1964, 1965, 1966, 1967, 1970, 1971, 1974, 1976, 1977, 1978, 1980, 1985 1991, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 4.2: Playboy Ephemera 1960s, 4.2: The Ring Magazine as artist - 2.1: 1979, 4.1: 1966, 1967, 1970 ov, 1979

Muhammad Ali - Athlete of the Century, 2000 - 3.1: Muhammad Ali - Athlete of the Century, 2000-2002

Muhammad Ali - The Greatest Collector's Edition Magazine, 2002 - 4.1: 2002

Ali vs. Foreman, Zaire poster, 1974 - 4.1: 1974, 2000, 2002

Ali vs. Frazier

Ali vs. Frazier I, 1971 - 3.1: Ali vs. Frazier I, 1971

Ali vs. Frazier I, 1971, 1999 - 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 2000

Ali vs. Frazier II etchings, 1974 - 3.1: Ali vs. Frazier I, 1971, 3.1: Circle Gallery 1972, 3.1: Ali vs. Frazier II, 1974, 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 1990

Fight of the Century poster, 1971 - 3.1: Ali vs. Frazier I, 1971

Thrilla in Manila poster, 1975 - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975, 4.1: 2000

Ali vs. Holmes, 1980 - 3.1: Ali -Holmes 1980, 4.1: 2000

Ali vs. Spinks, 1978 - 3.1: Ali vs. Spinks 1978, 4.1: 2000

Bobrick - 4.1: 1977

Bowe, Riddick - 4.1: 1993, 1995, 1996, 4.2: The Ring Magazine

Boxers Ball - 4.1: 1997

Boxing Beat Magazine - 4.1: 1988

Boxing Illustrated - 4.1: 1993

Boxing at the Ritz - 4.1: 1993

Boxing Writers Association of America - 1.1: Awards, 4.1: 1967, 1985, 2004

Brenner, Teddy - 2.1: 1978, 1979, 4.1: 1978, 4.2: The Ring Magazine

Camacho, Hector - 4.1: 1986, 1997

Chavez, Julio Cesar - 4.1: 1993, 1996

Julio Cesar Chavez, pastel - 4.1: 1996

Julio Cesar Chavez, 1996 drawing - 4.1: 1996

Clay, Cassius - see Muhammad Ali

Coetzee - 4.1: 1984

Cooney, Gerry - see Holmes vs. Cooney, 2.1: 1989, 2000, 4.1: 1981, 1987, 2001, 4.2: The Ring Magazine

De La Hoya, Oscar - 3.1: The Fight of the Millennium, 1999, 3.1: De La Hoya vs. Vargas 2002, 3.1: De La Hoya vs. Hopkins 2004, 4.1: 1995, 1997

Oscar De La Hoya, 1995 - 4.1: 1997

De La Hoya vs. Mosely poster 2000 - 3.1: De La Hoya vs. Mosley 2000

De La Hoya vs. Whitaker, 1997 - 4.1: 1997

Dundee, Angelo - 3.1: Angelo Dundee Tribute 2002

Duran, Roberto - 3.1: Duran vs. Leonard I, II, III 1980 -1989, 4.1: 1980, 1983, 1984, 1994, 1995, 4.2: The Ring Magazine

Ellis, Jimmy - 4.1: 1973 ov

F.I.S.T. - 2.1: 2000, 4.1: 2000, 2001

film, documentary - see Win a Few, Lose a Few, 1972

Foreman, George - see Ali vs. Foreman, 2.1: 1989, 4.1: undated, 1973, 1974, 1976, 1993, 1995, 1999, 4.2: The Ring Magazine

Foreman Frazier Fight - 4.1: undated

Foreman vs. Holmes, 1999 - 4.1: 1999

Frazier, Joe - see Ali vs. Frazier, 2.1: 1975, 4.1: undated, 1969 ov, 1971, 1972, 1973, 1976, 1981, 1992, 1998, 4.2: The Ring Magazine

Golden Gloves Championships - 4.1: 2000, 2001

Golota, Andrew - 4.1: 1996

Grant, Michael - see Lewis vs. Grant, 4.2: The Ring Magazine, 4.1: 2001

Graziano, Rocky - 4.1: 1990, 1991

HBO - 4.1: 2003, 2004

Hagler, Marvin - 3.1: Hagler vs. Hearns 1985, 4.1: 1984, 2000

Hearns, Thomas - 3.1: Hearns vs. Leonard 1981, 3.1: Hagler vs. Hearns 1985, 4.1: 2000, 4.2: The Ring Magazine

Thomas Hearns, 1985 - 4.1: 1985

The Heavyweights, vinyl LP recording 1970 - 4.1: 1970, VII: Box 3

Heavyweight Collision - 4.1: 2003

Heavyweight Explosion, 2000 - 3.1: Heavyweight Explosion 2000

Hinds, Bobby - 2.2: Bobby Hinds 1990-2000

Holmes vs. Coetzee, 1984 - 4.1: 1984

Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000

Holmes, Larry - see Ali vs. Holmes, Holmes vs. Cooney, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.1: 1984, 1999, 2001, 4.2: The Ring Magazine

Holmes vs. Cooney poster, 1982 - 3.1: Holmes vs. Cooney 1982, 4.1: 2000

Holmes vs. Shavers poster, 1979 - 4.1: 1979, 2000

Holmes vs. Spinks, 1985 poster - 4.1: 1985

Holyfield, Evander - see Tyson vs. Holyfield, 3.1: Holyfield-Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 1996, 2003

Hopkins, Bernard - Bernard Hopkins, 2004 - 3.1: De La Hoya vs. Hopkins 2004 Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - 4.1: 1965, 1983

Jones, Jr., Roy - 4.1: 1994, 1995, 1996, 2000; Roy Jones, Jr. - 4.1: 2000

King, Don - 4.1: 1977, 2003

Latin Legends - 4.1: 1992

Leonard, Sugar Ray - 3.1: Hearns vs. Leonard 1981, 3.1: Duran vs. Leonard I, II, III 1980-89, 4.1: 1980 ov, 1997, 4.2: The Ring Magazine

Lewis, Lennox - see Lewis vs. Grant, 3.1: Holyfield -Lewis and Ali vs. Frazier I, 1999, 4.1: 1994, 1995, 2001

Lewis vs. Grant poster, 2000 - 4.1: 2000 and ov

Lewis vs. Tyson poster, 2002 - 3.1: Lewis vs. Tyson 2002

Liston, Sonny - 3.2.16, 4.1: 1964, 1965, 1974 ov, 4.2: Playboy Ephemera 1960s

Louis, Joe - 3.1: Tribute to Joe Louis (Holmes vs. Spinks fight) 1981

Joe Louis, 1983 - 3.1: Kayo Joe Louis Boxing Card 1991, 4.1: 1991

Malave, Chu Chu - 4.1: 1973

Mathis, Buster - 4.1: 1971

The Maulers 1993 lithograph - 4.1: 1993

Mayweather, Floyd - 4.1: 2000

McGirt, James "Buddy" - 3.1: McGirt vs. Whitaker 1993

Morrison, Tommy - 4.1: 1993, 1995

Mosely, Shane - see De La Hoya vs. Mosely

North American Boxing Federation - 4.1: 2000

Norton, Ken - 4.1: 1976, 1981, 4.2: The Ring Magazine

New Jersey Boxing Hall of Fame - 1.1: Awards - Inductions, 4.1: 2000

Olympic boxing - see Olympics

Patterson, Floyd - 4.1: 1972

Quarry, Jerry - 4.1: 1969 ov, 1970, 4.2: The Ring Magazine

Red Boxers, 1973 - 4.1: 1973

Reid, David

David Reid, 1998 - 4.1: 1998

Ring Magazine - 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1966, 4.2: The Ring Magazine

Ringside and Training Principles, by Goodman and Homansky 2001 - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Robinson, Sugar Ray - 2.1: 1989, 4.1: 1989, 1994; Sugar Ray Robinson, 1969 - 4.1: 1969, 1998

Rocky - see Rocky films

Salute to Boxing Greats Award - 1.1: Awards

Shavers, Earnie - see Holmes vs. Shavers, 4.1: 1973 ov, 1977, 4.2: The Ring Magazine Spinks, Leon - see Ali vs. Spinks, 3.1: Tribute to Joe Louis (Holmes vs. Spinks) 1981, 4.2: The Ring Magazine

Spinks, Michael - 3.1: Tyson vs. Spinks 1988, 4.1: 1987, 4.2: The Ring Magazine

Sting Like a Bee by Jose Torres and Bert Sugar - 2.1: 1972

Thornton, Wayne - 4.1: 1966

Toney, James - 4.1: 2003, James Toney, 1994 - 4.1: 2004

Torres, Jose - 4.1: 1966

Trinidad, Felix - 2.1: 1999, 3.1: The Fight of the Millennium, 1999

Tyson, Mike - 3.1: Mike Tyson portraits 1986-90s, 3.1: Tyson vs. Spinks 1988, 3.1: Lewis vs. Tyson 2002, 4.1: 1986, 1988, 1989, 1995, 1996, 1999 portraits - 4.2: The Ring Magazine, 4.1: 1999, 2001

Tyson vs. Holyfield, 1996 - 3.1: Tyson vs. Holyfield 1991-1996

Vargas, Fernando - 3.1: De La Hoya vs. Vargas 2002

Veteran Boxers Association of NY - 4.1: 1993

Whitaker, Pernell "Sweet Pea" - 2.1: 1999, 3.1: McGirt vs. Whitaker 1993, 4.1: 1993, 1995, 1997

Williams, Cleveland - 4.1: 1966, 1967

World Boxing Association Annual Awards Dinner - 4.1: 1994, 1995, 1996, 1997, 1998, 2000

World Boxing League - 4.1: Undated 2000s

Boy Scouts of America - 2.1: 1989, 4.1: 1989 ov

Boys' Athletic League - 4.1: 1974

Boys and Girls Clubs of America - 4.1: 1977, All Sports Hall of Fame Dinner - 4.1: undated 1970s, 1996, 1997, Legends & Fans Dinner - 4.1: 1990

Boys Town of Italy - 4.1: 1987, 1988, 1992

Bradley, Bill - 3.1: Bill Bradley 1978 -2000, 3.1: Women's Basketball Hall of Fame, 1993, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, 4.1: 1981, 1999

Branca, Ralph - 3.1: The Shot Heard 'Round the World, 1991, 2.1: 1994, 4.1: 1994

Brayton, Scott - see auto racing

Brazil Stock Exchange, 1985 - 2.1: 1985

Brenner, Teddy - see boxing

Brett, George - 4.1: 1990; George Brett, 1992 - 4.1: 1992

Brice, Bobbie - 4.1: 1982

Bride's Magazine -- - 3.1: Early Fashion Illustration 1949-57

Broadway - see musicals or Times Square, 2001

Brooklyn Bridge, 1995 - 1.1: Honorary Degrees - Saint Francis College, 3.1: Brooklyn Bridge, 1995, 4.1: 1995, 1998

brothel - see Mustang Ranch

Brown, Jim - 3.1: Gridiron Football News 1971-73

Brown, Larry

Larry Brown - 4.1: 1972

Bruce, Lenny - 4.1: 1976

Jeffrey Bryan Fine Art - 4.1: 1989

Bryant, Coach Paul "Bear," Coach Bear Bryant, 1979 - 2.1: 1979, 1983, 1989, 4.1: 1981

Budweiser - see Anheuser-Busch

Buena Vista Bar - 4.2: Bartender Magazine 1987-1992

bull riding - see rodeo

bullfight - 4.1: 1960

Kneeling Matador, 1968 - 2.1: 1976

El Matador, 1965 - 2.1: 1986

Matador, 1967 - 4.1: 1989

La Plaza de Toros - 4.2: -- Playboy -- 1961, see Appendix E

Toreador, 1968 - 4.1: 1984

Burgdorff Cultural Center - 4.1: 1999

Burger King - see promotions

Burns, George - 3.1: Celebrity Night at Spago, 1993

Burr & Associates (Cameron Burr) - 2.1: 1992, 1993, 3.1: The Texas Longhorns, 1985, 3.1: '21' Club, 1990 (photo)

Bush, President George H.W. and Barbara - 1.1: Honorary Degrees c., 2.1: 1989

Bush, President George W. - 2.1: 2003

Bushkin, Joe - 4.1: 1997

Busker Alley - 3.1: "Busker Alley," 1995

Byrams, Gina - 3.1: Hammer Galleries Solo Exhibition 1970

Byrne, Janet - see Neiman, Janet

C

CBS Sports television - 2.1: 1979, 2.2: CBS Sports, 4.1: 1978, 1985

CD ROM - VII

Caesar's Palace - see casinos

Cahill, Very Reverend Joseph - 1.1: Honorary Degrees, St. John's University, Honorary Doctorate, 1980, St. John's University, Gold Medal of Honor, 1985

Caine, Michael - 2.1: 1981

Calder, Alexander - 4.1: 1973 (see exhibitions, two-person)

calendars - 4.1: 1974 ov, 1976, 3.1: Wild Animals and Art of Sport Calendars 1992-94 and ov, 3.1: Golf Courses Calendar 1996

California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004

Call of the Wild -- , by Jack London - 3.1: -- Call of the Wild -- 1993

Camacho, Hector - see boxing

Camp David Peace Accords, 1998 - see Carter, President Jimmy

Campbell, Earl - 2.1: 1982

Campbell's Soup - 4.1: 2004

Cannes Film Festival - 3.1: Beauty, the Beach, and the Bizarre 1984

Cape Town, South Africa - 4.1: 1997

Capone, Al, Al Capone - 3.1: Circle Gallery 1972, 4.1: 1972, 1992, 1995

Cappy Productions - 2.1: 2000

Caracas, Venezuela - 2.1: 1972, 1976, 1977, 1980, see exhibitions: Museo de Bellas Artes

"Caring is Fashionable" - 4.1: 1981

Carlson, Bill - see "Neiman's Cuba"

Carnaval, 1981 - 3.2.6, 3.2 ov., see Haskell, Nikki

Carousel, 1958 - 4.1: 1950s

The Carousel of Hope - see also Appendix A, 3.1: Carousel Ball 1982-present

Carpenter, Rob - 4.1: 1982

carpet - see tapestry

Carreras, Jose - 3.1: The Three Tenors, 1996

cars - see automobiles

Carter, Don - see bowling

Carter, Lillian - 3.1: Peace Treaty, 1980, V: 1970s

Carter, President Jimmy -- - 4.1: 1978, 1989

Peace Treaty, 1980 - 3.1: Peace Treaty, 1980

Camp David Peace Accords, 1998 - 4.1: 1998

Casey at the Bat, by Ernest L. Thayer, illustrated by LeRoy Neiman - 3.2.13

casinos and gambling -- - 3.1: Circle Gallery 1972, 4.1: 1984, 1997, 1998, see also The Art of Gaming Through the Ages

Baden Baden, 1988 - 4.1: 1988

Bally's Park Place, Atlantic City - 2.1: 1999

Bally's, Las Vegas - 2.1: 1999

Le Casino de Monte Carlo, 1969 - 4.1: 1984

Caesar's Palace, Las Vegas - 2.1: 1998, 3.1: Caesar's Palace 1980, 3.1: Alan King Caesar's Palace Tennis Classic 1980-83, 3.1: Caesar's Palace Grand Prix 1981-83, 3.1: Holmes-Cooney 1982, 4.1: undated 1970s, 1976, 1979, undated 1980s, 1980, 1981, 1982, 1985, 1987, 1993

Desert Inn - 2.1: 1983, 1984, 1997, 1998, 4.1: 1998

Les Femmes du Caesar's Palace - 4.1: undated 1980s

Chemin de Fer, 1966 (1991 serigraph release) - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1991, 1998

Craps Kinshasa - 4.1: 1976

Fiesta Casino Hotel - 2.1: 1997

Gambling Times -- Magazine - 4.1: 1984

Gaming Table, 1958 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989

The Golden Nugget, Las Vegas - 3.1: Golden Nugget Casino, Las Vegas 1988

Green Table, 1972 - 4.1: undated, 1984

Harrah's Trump Plaza, Atlantic City - see Trump, Donald

High Stakes, 1974 - 4.1: 1984

The Hustler -- - see -- The Hustler

International Poker, 2004 serigraph of earlier painting - 4.1: 2004

Merv Griffin's Resorts Casino and Hotel, Atlantic City - 3.1: Merv Griffin's Resorts Casino Exhibition 1990

Ocean Club, Atlantic City - see promotions

The Poker Game - 4.1: 1980

Rio Suite Hotel and Casino, Las Vegas - 2.1: 1997

Roulette, 1957 - 4.1: 1950s

Roulette, 1970 - 2.1: 1970, 4.1: 1995

Roulette II, 1996 serigraph - 3.2:11, 4.1: 1996, 1997

Sands Hotel and Casino, Las Vegas - 2.1: 1994, 1997

Slots-change Girl, 1980 - 4.1: 1984

Stud Poker - 4.1: 1984

Tropicana Resort & Casino, Las Vegas - 2.1: 1999, VII: Artifacts

Casino Legends Hall of Fame, LeRoy Neiman Award - 2.1: 1999, 4.1: 1999

Folies Bergere - 3.1: Folies Bergere, Tropicana 1983, 3.1: Folies Bergere Neiman Chips 1999, 4.1: 1999

t.v. commercial - 4.1: 1984

Trump Plaza, Atlantic City - see Trump, Donald

Trump Taj Mahal, Atlantic City - see Trump, Donald

Vegas Blackjack - 4.1: 1984, 1996

catalogue raisonnes - 3.2.5, 3.2.9, 3.2.14

Cavett, Dick - 2.1: 1999

"Celebration 2000" Exhibition - 3.2.14

Celebrity Night at Spago, 1993 - 3.1: Celebrity Night at Spago, 1993

Centaur Galleries, Las Vegas - see exhibitions

Center Art Galleries, Hawaii - 3.1: Center Art Galleries Exhibition, Hawaii 1985, 4.1: 1984, 1987

Central Park Boathouse - see restaurants

cereal box - see Wheaties

Chabot Galleries - 2.1: 1989

Chamberlain, Wilt - see 3.1: Basketball Superstars, 1975 -76, 3.1: Kareem Abdul -Jabbar, 1984, 3.1: Wilt Chamberlain 2000, 4.1: 1981

champagne - 3.1: Duval LeRoy Champagne 1999-2001

Champagne Taittinger - 3.1: 1993

Champagne...Uncorked! by Rosemary Zraly - 3.1: Saks Fifth Avenue 1994-1999, 3.1: Champagne...Uncorked! by Rosemary Zraly 1996

Champions vs. MS - 2.1: 1977

Champs-Elysses

Le Champs- Elysses, 1992 - 4.1: 1996

The Champs-Elysees, la Voie Triomphale, 1994 - 4.1: 1997

Chandler, Charlotte - 3.1: Charlotte Chandler 1978-84, 3.1: March of Dimes' Gourmet Gala 1985

Channel Thirteen, New York - 2.1: 1984, 4.1: 1983

Charismatic - 4.1: 1999

charity - 2.1: Charities (all files), see also AIMS (Committee to Aid Multiple Sclerosis), American Cancer Society, American Diabetes Association, American Heart Association, Association for the Help of Retarded Children (AHRC), Boys & Girls Clubs of America, Boys Town of Italy, Carousel of Hope (Children's Diabetes Foundation), Champions vs. MS, Children's Hearing Institute, Citymeals-on-Wheels, Concern's Charity of Champions, Cystic Fibrosis Foundation, Doodle for Hunger, Good Tidings Foundation, Hope House Ministries, Hospital Relief Fund of the Caribbean, International Heart Foundation, International Sephardic Education Foundation, Jackie Robinson Foundation (under Robinson, Jackie), Jimmy Fund, Juvenile Diabetes Foundation, Leukemia Society of America, Make-a-Wish Foundation, Monmouth Park Charity Ball, Muscular Dystrophy Association, Myasthenia Gravis Foundation, National Multiple Sclerosis Society, North Shore Child and Family Guidance Association, Race to Erase MS, Rock for the Cure, Ronald McDonald House, Special Olympics, United Cerebral Palsy Association, United Way, 4.1: 1981, 1992, 1999; see also animals: rescue

Charlie Cosmetics - see promotions

Chavez, Julio Cesar - see boxing

chef - 3.1: James Beard 1985-87, see also Bennett, Chef John; Clark, Chef Patrick; Kopf, Stefan; Lomonaco, Chef Michael; food; restaurants; Soltner, Chef Andre

Chemical Bank - 2.2: Manufacturers Hanover and Chemical Bank, VII: Box 3

Cher - 4.1: 1981

chess - see Fischer, Bobby

Chicago Board of Trade, 1974-75 - 2.1: 1977, 1989, 4.1: 1977

Chicago Public Library - 4.1: 1955-59

Chicago Serigraphic Workshop - 2.1: 1977

children, artwork by - 2.2: Artwork from Children

children, letters from - 2.2: Mrs. Vladimir's Class 1975-85, 2.2: Hutchinson KS, Elementary Schools, 1976-78, 2.2: Mr. Silver's Class 1978-81, see also various letters in 2.1 Fan Mail files

Children at Heart - 4.1: 1996

Childrens Diabetes Foundation - 3.1: Carousel Ball 1982-present

Children's Hearing Institute - 4.1: 1994

China - 2.1: 1983

Chinaglia, Georgio - see soccer

Choate School - 4.1: 1969

Christie's - 4.1: 1978

Christina Galice Gallery - 2.1: 1990

churches -- - 4.1: 1964, 1965; The Organ at St. Paul the Apostle, 1965 - 4.1: 1965

cigars -- - 2.1: 1997, 1998, 4.1: 1996, 1997, 1998

Cigar Aficionado -- Magazine - 2.1: 1995, 4.1: 1995, 1997

Components of Fire by (Aaron Sigmond or Jim Mauro) with Foreword by LeRoy Neiman - 2.1: 1997

Playboy's LeRoy Neiman Selection by Don Diego - 3.1: Playboy's LeRoy Neiman Selection by Don Diego, 1997

Puro Cigar Company - see Sigmond, Aaron

Rhythm and Smoke Cigar Video - 3.1: Rhythm and Smoke Cigar Industry Video 1997-1998

Wine, Women and Cigar, 1996 - 3.1: Playboy's LeRoy Neiman Selection Cigars 1996, 4.1: 1999, 4.2: -- Bartender -- Magazine Cincotti, Peter - 4.1: 2002 ov.

Circle Galleries, Chicago and New York - 2.1: 1979, 1989, 4.1: 1973, 1981, 1989, 1.2: Felicie Correspondence, see exhibitions, solo: Circle Galleries and "Ali-Frazier"

Circus, 2000 - 3.1: Circus 2000, 4.1: 2001

Cirker - Hayes Warehouse - IID: Inventory of Prints Stored in Warehouse 1970s-80s

Cities in Schools - 3.1: Cities in Schools and Harlem Streets, 1981, 4.2: Arts Magazine

City by the Bay, 1993 - see San Francisco

City By The Bay, by Charles Fracchia, cover illustration by LeRoy Neiman - 3.1: San Francisco Series 1991-93

Citymeals-on-Wheels - see Beard, James

Clark, Chef Patrick Dean - 4.1: 1998

Classic Leather - see promotions

Classic Moments Watches - 3.1: Classic Moments LeRoy Neiman Watch Collection 1989

Classico Postcards - 2.1: 1992

Claude-Jobrack, Madeleine - 3.1: '21' Club, 1990 (photo)

Clay, Cassius - see boxing: Ali, Muhammad

Clayton, Derek - 3.1: New York City Marathon 1984-2001

Clemens, Roger, The Rocket - Roger Clemens, 2003 - 3.1: The Rocket - Roger Clemens, 2003

Clemente, Roberto - 4.1: 1992, Roberto Clemente - 4.1: 1973

Clinton, President Bill - 3.2. -- Big Time Golf -- , 1992, 4.1: 1992

clothing - VII

clothing stores - see Marshall Fields, Neiman Marcus, Pallack, Rick, and Saks Fifth Avenue, 4.1: 1958

Clough, Charles - 4.1: 1986

Club El Morocco - 4.1: 1979

Clubhouse Turn, 1975 - see horse racing

Coalition for the Homeless - 4.1: 1986

Coca-Cola Company - 2.1: 1994

Coetzee - see boxing

Coghlan, Eamon - see running

Cohen, Mouli - 3.1: Soft Paintings 1989

collectibles - see promotions

collectors - 4.1: 1969, 1980, 1981, see Wolfson

college sports - see basketball, football

Columbia Space Shuttle - 4.1: Undated ov

Columbia University - School of the Arts - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present; School of General Studies - 2.1: 1977

Comaneci, Nadia - see gymnastics

Comedia dell' Arte - 3.1: Royal Doulton collectible plates 1974-78

comic strips - see -- Doonesbury

commercials - see Promotions

Commodities Magazine - see The Chicago Board of Trade, 1974-75

Concern Foundation

Concern's Charity of Champions - 4.1: 1983

conductors - see Bernstein, Leonard; Slatkin, Leonard

Contemporary University - 4.1: 1980

Cooney, Gerry - see boxing

computer art - 4.1: 1975

Conner, Bart - see gymnastics

Converse - 2.1: 1982

Bill Corum Award - 1.1: Awards

Corvette, Limited Edition Neiman - 3.1: Corvette 1984, V: 1980s, Rendezvous a la Corvette, 1984 - 3.1: Corvette 1984

Cosby, Bill - 4.1: 1991, 1997

Cosell, Howard - 4.1: 1987, 1995, V: 1991

cosmetics - see promotions

Cotton Club - 4.1: undated

Countdown to Superbowl, by Dave Anderson - 3.1: Countdown to Superbowl by Dave Anderson 1969

Country Rambler -- Magazine - 2.1: 1976, 4.1: 1976 ov

Couples - 4.1: 1976

Cow Parade, NYC - 3.1: Cow Parade NYC, 2000

cowboys - see The Lone Ranger, National Cowboy Hall of Fame, rodeo

Creative Communications - 2.1: 1976

cricket - 4.1: 1961

Crosby, Bing - 3.1: 43rd Crosby National Pro-Am, 1984

crossword puzzles - 4.1: 1990, 1991, 1995, 1998, 1999

Crozier, William - V: 1995

Csonka, Larry - 4.1: 1973, 1974; Larry Csonka - 4.1: 1972

Cuba - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003, 4.1: 1979

Cuban Dancers, 1997 - 3.1: Rhythm and Smoke Cigar Video 1997-98

The Culinary Arts exhibition - 3.1: The Culinary Arts exhibition 1998

Culinary Institute of America - 4.1: 2000

Cunningham, Merce - see dance

Current Biography - 4.1: 1996

Curtis, Mike - 3.1: Gridiron Football News 1971-1973

Curtis, Tony - 2.1: 1988

cycling

3.1: Tour de Trump

Boul Mich Bike Rally, 1978 - 2.1: 1983, 4.1: 1978 ov

Indoor Cycling - 4.1: 2000, 2002

Tour de France - 4.1: 1984

Cystic Fibrosis Foundation - 4.1: 1996

D

Daily Double - see Fran Joswick Therapeutic Riding Center

Dalai Lama - 2.1: 2003

Daley, Robert - 4.1: 1966

Daley, Mayor Richard - 4.1: 1968

Dali, Salvador - 4.1: 1977, 1986, 1991, 2002 (mentioned throughout 1980s and 1990s)

Dan's Papers - 2.1: 1998, 1999, 4.1: 1997 ov

dance -- - see also ballet

Cunningham, Merce

Merce Cunningham Studio - 4.1: 2004

"Fringe TOMAR 2000" Festival Internacional de Danca Contemporanea, 2000 - VII

Graham, Martha - 2.1: 1989

Jacki Sorenson, 1981 - 4.1: 1981

Davidson Gallery - 4.1: 1986

Davis, Marvin and Barbara - 2.1: 1985, 3.1: Carousel Ball 1982-present

Davis, Jr. , Sammy - 3.1: Frank Sinatra at Royal Albert Hall 1989, 4.1: 1964, 1981, 1982, 1984, 1991, V: early 1960s, Bojangles, 1984 - 4.1: 1986

Dawkins, Peter - 2.1: 1980, 3.1: Peter Dawkins Poster 1988

De la Hoya, Oscar - see boxing

De La Vega, James - 4.1: 1999

Dean Day Gallery - 2.1: 1982, 1983, 1989, see also exhibitions

Dear Muffo, by Harold Conrad - 4.1: 1982

Edward J. DeBartolo Corporation - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

DeBusschere, Dave - 4.1: 1974

The Dedication - 4.1: 1969

Deer Path Art League - 4.1: 1950s

Defiant, 1987 - see sculpture

Degregorio, Ernie - 2.1: 1976

Dekker, Mary - V: 1980s

Del Coronado Petit Galop, 1976 - 4.1: 1976

Del Greco, Maria -2.3: Letters from Artists, 4.1: undated, 1996

Delacroix's Tiger - see animals

Delligatti, Ralph - 4.1: 1992

Denver, CO - see auto racing

Denver, John - 4.1: 1994

Derek, Bo and John - 2.1: 1998, 4.1: 1985

Des Moines, Iowa

Des Moines Ballet - 3.1: Des Moines Ballet Commissions 1983-1986

Des Moines Symphony - 4.1: 1979

Desert Inn, Las Vegas - see casinos: Caesar's

Desert Symphony - see music: classical

designers - 4.1: 1997

Dewar's - 4.1: 1971

Dial-A-Dinner - 4.1: 1994

Diamond, Neil - 4.1: 1984

El Diario la Prensa - 2.1: 1987

A Dictionary of Sporting Artists, by Mary Ann Wingfield - 4.1: 1992

Dill, Bob - 2.1: 1997, 1999

Diller, Phyllis - 2.1: 1995, 1996, 1999

DiMaggio, Joe - 4.1: 1992

Joe DiMaggio: Yankee Clipper, 1998 - 3.1: Joe DiMaggio 1998-1999, 4.1:1998 Joe DiMaggio: Study for "Yankee Clipper", 1998 - 3.1: Joe DiMaggio 1998-1999

DiPietro, Marylou - 2.1: 1979, 3.2.3

diving - see swimming and diving

Dixon, Rod - see running

dog - see animals

Dokes, Michael - 4.1: 1993

Domingo, Placido - 3.1: The Three Tenors, 1996

Doodle for Hunger - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004

Doonesbury -- - 4.1: 1981

Door County - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001

Dorfman, Fred - see Fred Dorfman, Inc.

Dorset, Tony - 2.1: 1982

Doubletake Gallery - 4.1: 1999

Douglas, Kirk, Kirk Douglas, 1984 - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985

dreams - 3.1: Folies Bergere, Tropicana, Las Vegas 1983

Drinhaus, Helmut - 2.2: Helmut Drinhaus 1988-2000

Driscoll, John (President of Iona College) - 1.1: Honorary Degrees, Iona College, Honorary Doctorate, 1985

Dubai - 2.1: 1988

Dublin Bar "The Stag's Head" - see The Stag's Head Bar, 1961

Dufresne, Isabelle - 4.1: 1988

Duguay, Ron - 4.1: 1982

Dundee, Angelo - see boxing

Duneier, Clyde - 4.1: 1993

Dupont, Andre - 4.1: 1974

Dupont pens - see promotions

Duran, Roberto - see boxing

Durocher, Leo - 3.1: Leo Durocher 1974-94, 3.1: Phil Rizzuto 1994, 4.1: 1968, Leo Durocher - 3.1: Leo Durocher 1974-94

Duval LeRoy, Carol - 3.1: Duval LeRoy Champagne, 1999

Dyansen Gallery - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1990, 1991, 1992, 1996, 1997

Van Dyke, Dick - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976

Dylan, Bob, Bob Dylan, 2001 - 4.1: 2001

E

Earhart, Amelia - The Adventuress, 1970s - 4.1: 1982

Eaton, Roy, Roy Eaton, 1980 - 2.1: 1980, 3.1: Roy Eaton, 1980, 1980-1992, 4.1: 1986

Economic Opportunity Atlanta - 3.1: 1968

Editions Limited - see Pelkey, Joe

education - 1.1: Education and Teaching, 4.1: 1980

Egypt - 3.1: Peace Treaty, 1980

Eiffel Tower - 4.1: 1995 4.2: -- Bartender Magazine -- 1997-2002

Eight Nation Athletic Games - 4.1: 1978

Einstein, Albert - Albert Einstein, 1992 drawing - 2.1: 1991

Eiteljorg, Harrison and Sonja - 2.2: Harrison and Sonja Eiteljorg, 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73, 4.1: undated, 1963, 1986, 1994

Elayne Galleries - 2.1: 1979, 1989, 3.1: Elayne Galleries and P.J. Clarke's, 1978, 3.1: Stadium Tennis Billboard, 1981, 4.1: 2001, see also exhibitions

elephant paintings - see animals

Elkins Entertainment - 3.1: Rhythm and Smoke Cigar Video, 1997

Elles & Eux -- Magazine - 4.1: 1961

Ellington, Duke - see jazz

Ellis, Jimmy - 4.1: 1971

Ellis Island Medal of Honor - 1.1: Awards

Elway, John - 3.1: John Elway, 1999

Emerald Art Gallery - 2.1: 1977, 3.1: Emerald Art Gallery Solo Exhibition 1976

English, John - 1.1: Military Service

equestrian - see horses

Erte -- - 4.1: 1990, 1980s and 1990s (mentioned throughout)

Erving, Julius - see Basketball Superstars, 1975-76, Julius Erving, 1975 - 3.1: Julius Erving 1975-76

Esposito, Frank - see bowling

Esposito, Phil - 4.1: 1975

Esquire -- Magazine - 2.1: 1999, 3.1: Dewar's Profile 1970 ov, 4.1: 1999

Estefan, Emilio and Gloria - 2.1: 1984

etchings - 2.1: 1977, 3.1: Malletmen etching Certificate, 1977, 1.2: Bowles Galleries Correspondence 1970s, see also boxing: Ali vs. Frazier II etchings, 1974, and soccer: Soccer, 1989 etching, The Etchings of LeRoy Neiman, 1976 Knoedler booklet - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov)

Eve Models, Ltd. - 4.1: 1971, 1974

Everson, Cory - see bodybuilding

Evert, Chris - see tennis

Ewbank, Weeb - 3.1: Gridiron Football News 1971-1973, 4.1: 1978

exhibitions -- - Note: Solo and group exhibitions are listed alphabetically by the venue name

solo exhibitions

750 Studio, Chicago, 1953 - 3.1: 750 Studio, Chicago, Solo Exhibition 1953

Abercrombie & Fitch, 1974 - 4.1: 1974

Allyson Louis Gallery, Bethesda, MD, 1988 - 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988

Allyson Louis Gallery, Bethesda, MD, 1990 - 4.1: 1990, V: 1990

American Fine Art Editions, Inc., "Superbowl XXX," Jan 1996 - 3.1: Superbowl XXX Exhibition 1996

American Fletcher National Bank - see Indianapolis Museum of Art

l'art et l'automobile gallery, "Monte Carlo Chase," New York 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions

l'art et l'automobile gallery, New York, 1989 - no materials

The Art Exchange, Creve Coeur, MO, 1978 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79

The Art Exchange, Creve Coeur, MO, 1979 - 3.1: The Art Exchange Solo Exhibitions, Creve Coeur, MO 1978-79

Art Gallery-Studio 53 Ltd., New York 1975 - 4.1: 1975

Art Gallery-Studio 53 Ltd., New York 1976 - 4.1: 1976

Astor Tower French Center, Chicago, "Vie de France," 1965 - 3.1: "Vie de France" Solo Exhibition, Astor Tower, Chicago 1965

Backstage Gallery, Osaka, Japan - 4.1: 1989

Baja - 4.1: 1989

Base Art Collection, 1990 - 4.1: 1990

Bowles/Hopkins Gallery, San Francisco, 1977 - 3.1: Bowles Hopkins Solo Exhibition, San Francisco, 1977

Bowles/Hopkins Gallery, San Francisco, 1980 - 2.1: 1980, 4.1: 1980

Bowles/Hopkins Gallery, San Francisco 1981 - 4.1: 1981

Bowles/Hopkins Gallery show celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams

Bowles/Hopkins Gallery, "The Olympic Spirit," San Francisco, 1984 - 3.1: 1984 Olympics

Bowles/Hopkins Gallery show celebrating the Superbowl, 1985 - 4.1: 1985

Bowles/Hopkins Gallery, February 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Bowles/Hopkins Gallery, October 1986 - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Bowles/Sorokko Galleries, "Neiman's Neimans: A Retrospective," San Francisco, 1987 - 3.1: Bowles/Sorokko Galleries Solo Exhibitions, San Francisco ("Neiman's Neimans") and Beverly Hills 1987

Bowles/Sorokko Galleries, Beverly Hills 1987 - 3.1: Bowles/Sorokko Galleries Exhibition, Beverly Hills 1987

Bowles/Sorokko Galleries, "LeRoy Neiman: Monte Carlo," San Francisco 1988 - 3.2. Monte Carlo Chase, 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Bowles/Sorokko Galleries, Polo Lounge Debut, Beverly Hills, April 1989 - 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Beverly Hills 1989

Bowles/Sorokko Galleries, San Francisco, May 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990

Bowles/Sorokko, Beverly Hills, October 1990 - 4.1: 1990

Bowles/Sorokko Galleries, "The Prints of LeRoy Neiman 1980 -1990," Beverly Hills, 1991 - 3.2. The Prints of LeRoy Neiman, 1980-1990, 1991

Bowles/Sorokko Galleries, "LeRoy Neiman's San Francisco," San Francisco 1991 - 3.1: San Francisco Series 1991-93

Bowles/Sorokko Galleries, "LeRoy Neiman: Downtown," New York 1992 - 4.1: 1992

Bowles/Sorokko Galleries, "Big Time Golf," Beverly Hills, San Francisco, and New York, 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Bowles/Sorokko Galleries, City by the Bay Debut, San Francisco, 1993 - 3.1: San Francisco Series, 1991-1993

Bowles/Sorokko Galleries, "An American in Paris," Beverly Hills, San Francisco, and New York, 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Bowles/Sorokko Galleries, San Francisco, 1995 - 4.1: 1995

Bowles/Sorokko/Yarger Galleries, "Portraits of Our Times 1946-1996", Beverly Hills and San Francisco 1996 - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996

Brentano's Gallery, New York, 1973 - 4.1: 1973

Brentano's Gallery, New York, 1979 - 2.1: 1979, 4.1: 1979

Brentano's Gallery, New York, 1980 - 4.1: 1980

Butler Institute of American Art, Exhibition at "The Art Spirit" Event, April 1990 - 4.1: 1990

Carol Condit Galleries, White Plains, 1975 - 4.1: 1975

Casa Grafica, Helsinki, Finland, 1977 - 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977

"Celebration 2000," 2000 - 3.2. -- The Prints of LeRoy Neiman -- , 1991-2000, 2001

Centaur Galleries, Las Vegas, 2000 - 4.1: 2000

Centaur Sculpture Galleries, "The Safari Suite," Las Vegas 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Center Art Galleries, Honolulu, Hawaii, 1985 - 3.1: Center Art Galleries Exhibition, Hawaii, 1985

Chabot Galleries, 1984 - 4.1: 1984

Choate School, "LeRoy Neiman: Paintings and Drawings," 1969 - 4.1: 1969

Circle Gallery, Chicago 1972 - 3.1: Circle Gallery Solo Exhibition, Chicago, 1972

Circle Galleries Los Angeles, Dallas, and NYC, 1973 - 3.1: Circle Galleries Los Angeles, Dallas, NYC, 1973

Circle Gallery, New York, "Ali - Frazier," 1974 - 3.1: Ali vs. Frazier I, 1971

Dean Day Gallery, 1983 - 4.1: 1982, 1983

Dyansen Gallery, "The Playboy Collection," 1989-90 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989-90

Dyansen Gallery, Trump Taj Mahal, 1992 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City, and The Beatles serigraph 1992

Elayne Galleries, Minneapolis, MN, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978

Emerald Art Gallery, Coronado, CA, 1976 - 3.1: Emerald Art Gallery Solo Exhibition, Coronado, CA 1976

Fairfield Gallery, "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," 2001 - 3.1: "LeRoy Neiman - A Retrospective Exhibition of Works on Paper," Fairfield Gallery, 2001

Fahlnaes Konstsalong, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77

Famous-Barr, St. Louis, MO, 1980 - 3.1: Famous-Barr Olympic Benefit Solo Exhibition, St. Louis 1980

The Far Gallery, "Recent Graphics and Drawings", 1971 - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971

Fingerhut Gallery, La Jolla, CA, 2003 - 4.1: 2003

Forsyth Gallery, St. Louis, MO, 1970 - 4.1: 1970

Foster Harmon Galleries, Sarasota, 1980 - 4.1: 1980, V: 1980

Foster Harmon Galleries, Sarasota, 1981 - 4.1: 1981

Foster Harmon Galleries, Sarasota, 1986 - 4.1: 1986

Foster Harmon Galleries, Sarasota, 1992 - 4.1: 1992

Franklin Bowles Galleries, "Animals: The Wild and the Tame", 1998 - 3.1: "Animals: The Wild and the Tame" Solo Exhibition, Franklin Bowles Gallery, San Francisco, October 1998

Franklin Bowles Galleries, "LeRoy Neiman: Master Printmaker," 2001 - 3.1: "LeRoy Neiman: Master Printmaker," Franklin Bowles Gallery, San Francisco 2001

Frankin Bowles Galleries, "LeRoy Neiman: Thirty Years in San Francisco," 2002 - 3.1: "LeRoy Neiman: Thirty Years in San Francisco," Franklin Bowles Galleries, San Francisco 2002

Franklin Bowles Galleries, "Looking Back: The Life & Times of America's Artist", Fisherman's Wharf, San Francisco, February 2004 - 4.1: 2004

Franklin Bowles Galleries, "LeRoy Neiman: The Art of Boxing," San Francisco, February 2005 - 3.1: "LeRoy Neiman: The Art of Boxing," Franklin Bowles Galleries 2005

Friars Club, 1987 - see exhibitions: New York Friars Club

Galerie 224, 1989 - 4.1: 1989

Galerie Borjeson, Malmo, Sweden, 1976 - 3.1: Sweden Exhibitions 1976-77

Galerie O. Bosc, Paris 1962 - 4.1: 1962

Galerie Marc, San Francisco, 1977 - 4.1: 1977

Galerie Marcel Bernheim, "Un Américain à Paris," Paris 1993 - 3.1: "Un Américain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993

Galerie Renee & Victor, Stockholm, Sweden, 1977 - 3.1: Sweden Exhibitions 1976-77

La Galleria d'Arte, Newport Beach, CA, 1993 - 2.2: La Galleria d'Arte, 4.1: 1993, V: 1993

La Galleria d'Arte, "An American in Paris," Newport Beach, CA, 1994 - 2.2: La Galleria d'Arte, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

La Galleria d'Arte, "LeRoy Neiman On Safari," Newport Beach, CA 1996 - 2.2: La Galleria d'Arte, 3.2. LeRoy Neiman On Safari, 1996, Related Exhibitions

Gallery One American Design, Aurora, Colorado, August 1990 - 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990

Gallery One of Writer Square, Denver, August 1990 - 3.1: Emerson Fittipaldi, 1989, 3.1: Gallery One Solo Exhibition, Denver, Colorado, 1990

Gallery 36, New York, 1973 - 4.1: 1973

Gallery 100, Mishawaka, IN, 1977 - 4.1: 1977

Gallery Hawaii, International Market Place, 1974 - 3.1: Hawaii and Japan 1974

Gallery Hawaii, Hyatt Regency, 1976 - 4.1: 1976

Gallery Mack, Seattle, 1978 - 3.1: Gallery Mack Solo Exhibition, Seattle 1978

Gallery Mack, "Drawings by LeRoy Neiman: A Retrospective," Seattle, 1981 - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82

Gallery Mack, Seattle, 1982 - 3.1: Gaylord Perry's 300th win 1982

Gallery of Modern Art, Frank Sinatra drawings, New York, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967

Gallery Richelle, 1966 - 4.1: 1966

Gateway Gallery, Vail, CO, 1994 - 4.1: 1994

Gilbert Gallery, San Francisco, 1974 - 4.1: 1974

Grigsby Gallery, Scottsdale, AZ, 1982 - 4.1: 1982

Hammer Galleries, 1963 - 3.1: Hammer Galleries Solo Exhibition 1963

Hammer Galleries, 1965 - 3.1: Hammer Galleries Solo Exhibition 1965

Hammer Galleries, 1967 - 3.1: Hammer Galleries Solo Exhibition 1967

Hammer Galleries Exhibition of New York Jets Drawings, 1968 - 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968

Hammer Galleries, 1970 - 3.1: Hammer Galleries Solo Exhibition 1970

Hammer Galleries, 1972 - 3.1: Hammer Galleries Solo Exhibition 1972

Hammer Galleries, 1974 - 4.1: 1974

Hammer Galleries, "LeRoy Neiman: Works on Paper," 1975-76 - 3.1: Hammer Galleries Solo Exhibition 1975-76

Hammer Galleries, "The Olympic Ring," 1976 - 3.1: 1976 Olympics, Montreal

Hammer Galleries, "Horses," 1979-80 - 3.2. Horses, 1979, Harry N. Abrams, Publicity, Reviews, and Related Exhibitions

Hammer Galleries, "Drawings: A Retrospective," 1981 - 3.1: "Drawings" A Retrospective" Solo Exhibition, Hammer Galleries 1981

Hammer Galleries, 1982 - 4.1: 1982

Hammer Galleries, "LeRoy Neiman: Winners," 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions; Photos, Proofs, and BLAD

Hammer Galleries, "The Olympics, Past and Present," 1984 - 3.1: 1984 Olympics, Los Angeles

Hammer Galleries, "The LeRoy Neiman Collection," 1985 - 3.1: "The LeRoy Neiman Collection" Exhibition, Hammer Galleries, 1985

Hammer Galleries, "LeRoy Neiman in Moscow," April 1987 - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987

Hammer Galleries, "Soft Paintings," April 1989 - 3.1: Soft Paintings 1989

Hammer Galleries, "LeRoy Neiman: A Salute to Central Park," September 1989 - 3.1: "A Salute to Central Park" Solo Exhibition, Hammer Galleries 1989

Hammer Galleries, "Big Time Golf," 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Hammer Galleries, "An American in Paris," 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Hammer Galleries, "LeRoy Neiman On Safari," New York, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Hammer Galleries, "A View from the Table," Solo Exhibition, New York, 2003 - 3.1: "A View from the Table" Solo Exhibition, Hammer Galleries, New York, 2003

Hammer Graphics Gallery, 1979 - 3.1: Hammer Graphics Gallery Solo Exhibition 1979

Hammer Graphics Gallery exhibition of graphic works 1971-81, 1981 - 4.1: 1981

Hanae Mori Building, "Neiman's World - Japan '88," Tokyo, 1988 - 3.1: "Neiman's World" Exhibition, Japan 1988

Hang-Up Gallery, 1973 - 4.1: 1973 and ov

Hanson Art Galleries, New Orleans, 1983-84 - 3.1: Hanson Art Galleries Solo Exhibitions, New Orleans and Carmel, 1983-84

Hanson Art Galleries, Carmel, CA, 1984 - 3.1: Hanson Art Galleries Solo Exhibitions, New Orleans and Carmel, 1983-84

Hanson Art Galleries, La Jolla, 1986 - 3.1: Hanson Art Galleries Solo Exhibition, La Jolla, 1986

Hanson Art Galleries, San Francisco, 1987 - 3.1: Hanson Art Galleries Solo Exhibition, San Francisco Bay Area, 1987

Hanson Art Galleries, New Orleans, 1997 - 3.1: Hanson Art Galleries Solo Exhibition, New Orleans 1997

Hanson Art Galleries, New Orleans, 1998 - 4.1: 1998

Hanson Art Galleries, "A Decade of Retrospective Works by LeRoy Neiman," 2000 - 3.1: "A Decade of Retrospective Works by LeRoy Neiman" 2000

Harrod's, London, 1982 - 3.1: Harrod's Gallery Solo Exhibition, London 1982

Heath Gallery, "LeRoy Neiman: Impressions of Atlanta", Atlanta, GA, 1969 - 4.1: 1969

Heit Galleries, Phoenix, AZ, 1976 - 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Nicholas Helion, Paris, 1980 - 4.1: 1980

Hess's Gallery, Allentown, PA, 1975 - 3.1: Hess's Gallery Solo Exhibition, Allentown, PA, 1975

Hilliard Gallery, Kansas City, October 1989 - V: 1989

Hilliard Gallery, "The Safari Suite," Kansas City, MO, 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Horizon Gallery, Kuhio Mall, Waikiki Beach 1980 - 4.1: 1980 and ov

Hotrod Vintage Car Museum and Dance Club, 1989 - 4.1: 1989

Indianapolis Museum of Art, "Sketches of the XXth Olympiad," Miliken Gallery, 1972-73 - 3.1: "Sketches of the XXth Olympiad," Solo Exhibition, Indianapolis Museum of Art, 1972-73

Indianapolis Museum of Art, Downtown Gallery at American Fletcher National Bank, 1976 - 2.1: 1976, 3.1: Indianapolis Museum of Art Solo Exhibition 1976

Japan - see exhibitions: Backstage Gallery, exhibitions: Hanae Mori Building and exhibitions: Tobu Gallery

Jewish Community Center, Bridgeport, CT, 1976 - 4.1: 1976

JoAnn Perse Gallery, Little Rock, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams

JoAnn Perse Gallery, "Monte Carlo Chase," Little Rock 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

John Miller Gallery, Carmel, CA 1982 - 4.1: 1982

Kentucky Derby Museum, "An Exhibition of Equine Art," 1993 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby Museum, "A Racing Retrospective," 1995 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby Museum, "The Art of Sport," 1997 - 3.1: 123rd Kentucky Derby and Derby Day Paddock 1997

M. Knoedler & Co., Ltd., London, 1976 - 3.1: Knoedler London Solo Exhibition 1976 Krannert School of Management, 1986 - no materials

Lawrence Ross Galleries, Beverly Hills, 1985 - 3.1: Lawrence Ross Galleries 1985-88

Lawrence Ross Galleries, Beverly Hills, 1986 - 3.1: Lawrence Ross Galleries 1985-88

Lincoln College, 1953 - 4.1: 1953

Marlborough Galleries, Boston, 1987 - 3.1: Marlborough Galleries Exhibition, Boston 1987

Mayfair Art Gallery, Saratoga Springs, NY, 1977 - 2.1: 1977

Meredith Long & Company, Houston, 1975 - 4.1: 1975

Meredith Long & Company, Houston, 1978 - 4.1: 1978

Merrill Chase Galleries, Chicago, 1976 - 4.1: 1976

Merrill Chase Galleries, Chicago, 1978 - 4.1: 1978 and ov

Merrill Chase Galleries, Chicago, 1982 - 4.1: 1982

Merrill Chase Galleries, Chicago, 1988 - 4.1: 1988

Merrill Chase Galleries, "Big Time Golf," Chicago 1992 - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions

Merrill Chase Galleries, "An American in Paris," Chicago 1994 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

Merrill Chase Galleries, "The Safari Suite," Chicago 1996 - 3.2. -- LeRoy Neiman On Safari -- , 1996, Related Exhibitions

Merv Griffin Resorts International Casino Hotel, Atlantic City, 1990 - 3.1: Merv Griffin's Resorts Casino Exhibition 1990

Midwest Museum of Art, "Selected Works by LeRoy Neiman", 1989 - 3.1: Midwest Museum of Art Exhibition, 1989

Minnesota Museum of Art, "LeRoy Neiman Retrospective," St. Paul, 1975-76 - 3.1: St. Paul Bicentennial 1975-76

Minotaur Galleries, Las Vegas 1983 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1983

Minotaur Galleries, Las Vegas 1984 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1984

Minotaur Galleries, Las Vegas 1985 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1985

Minotaur Galleries, Las Vegas 1988 - 2.2: Minotaur Galleries 1984 -1994, 3.2. -- Monte Carlo Chase -- , 1988, Related Exhibitions, Van Der Marck Editions, Ltd., 4.1: 1988

Minotaur Galleries, "Big Time Golf," Las Vegas 1992 - 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions

Minotaur's Forum Gallery, Las Vegas 1993 - 2.2: Minotaur Galleries 1984-1994, 4.1: 1993

Museo de Bellas Artes, Caracas, 1972 - 2.1: 1972, 4.1: 1972, V: 1970s

Myrtle Todes Gallery, Glencoe, Illinois, 1957 - 3.1: Myrtle Todes Gallery Solo Exhibition, Glencoe, Illinois 1957

National Art Museum of Sport, "LeRoy Neiman: Works on Paper," 2001 - 3.1: "LeRoy Neiman: Works on Paper," National Art Museum of Sport, 2001

Nevada County Arts Council, 1982 - 4.1: 1982

New York Friars Club, 1987 - 3.1: New York Friars Club Solo Exhibition, 1987

Niagara Art Center, Niagara Falls, 1976 - 4.1: 1976

O'Hana Gallery, London, 1962 - 3.1: O'Hana Gallery Solo Exhibition, London 1962

F. Oehlschlaeger Gallery, Chicago 1959 - 3.1: Frank Oehlschlaeger Gallery Solo Exhibition, Chicago 1959

F. Oehlschlaeger Gallery, Chicago, 1961 - 4.1: 1961

F. Oehlschlaeger Gallery, Chicago, 1962 - no material

F. Oehlschlaeger Gallery, Chicago 1976 - 4.1: 1976

Oklahoma Art Center Sheets Gallery, "Drawings by LeRoy Neiman: A Retrospective," 1981 - 3.1: "Drawings by LeRoy Neiman," Oklahoma Art Center 1981

Paterson Museum, Paterson, NJ, 1996 - 2.1: 1989, 4.1: 1996

Percival Galleries, Des Moines, 1979 - 2.1: 1978, 1979, 4.1: 1979

Peri-Renneth Gallery, Southampton, 1986 - 3.1: Peri-Reneth Gallery Solo Exhibition 1986

Peter Foulger Museum, Nantucket, 1975 - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Playboy offices, "LeRoy Neiman: Man at his Leisure" 1991 - V: 1991

Pratt Institute, "LeRoy Neiman in Cuba," 2003 - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003

"Profiles: Six Decades of Work" 1996 - 3.1: "Profiles" Exhibition 1996

Purdue University, 1986 - 4.1: 1986

Quinn-Pollak Gallery, "Monte Carlo Chase," San Diego 1988 - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Richelle Gallery, St. Louis, 1966 - see Gallery Richelle

Rosenbaum Galleries, Palm Beach, 1976 - 2.1: 1976, 4.1: 1976

St. Lawrence National Bank, 1977 - 3.1: St. Lawrence National Bank Solo Exhibition, Ogdensburg, NY, 1977

Sher Gallery, Florida, 1986 - 4.1: 1986

Springfield Art Association, "LeRoy Neiman: A Series of Sport Serigraphs," Springfield, IL, 1990 - 4.1: 1990

Springfield College - 3.1: LeRoy Neiman Centennial Art Exhibition, Springfield, MA, 1984

Springfield Museum of Art, 1974 - 4.1: 1974

State National Bank, El Paso, 1981 - 4.1: 1981

Steiner & Young Fine Arts Galleries, 1989 - 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Soft Paintings 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd., Related Exhibitions

Surf Club, 1989 - 4.1: 1989

Thomas Ward Galleries, St. Paul, 1975 - 4.1: 1975

Timothy Yarger Fine Art, "The Culinary Arts" 1998 - 3.1: "The Culinary Arts" Solo Exhibition, Timothy Yarger Fine Art, Beverly Hills 1998

Timothy Yarger Fine Art, "A Thirty-Year Retrospective Exhibition" - 3.1: Timothy Yarger Fine Art, "A Thirty -Year Retrospective" Exhibition 2000

Timothy Yarger Fine Art, "LeRoy Neiman: A Fifty-Year Retrospective", Beverly Hills, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003

The Toy Store, Hartford, CT, 1985 and 1986 - 3.1: The Toy Store 1985-86

Tobu Gallery, Tokyo, 1974 - 3.1: Hawaii and Japan 1974

Tretyakov Museum, Moscow 1988 - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988

Trump Plaza, Atlantic City, 1996 - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence

Turnbery Isle Yacht and Racquet Club Exhibition, 1981, 1982, 1983 - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1981-83

Edwin A. Ulrich Museum of Art, Wichita State University, 1981 - 2.1: 1981

University of Charleston, West Virginia, Art Gallery, 1992 - 4.1: 1992

Upstairs Gallery, Beverly Hills, 1977 - 4.1: 1977

Upstairs Gallery, Beverly Hills, 1981 - 4.1: 1981

Upstairs Gallery, Beverly Hills, Exhibition celebrating Winners, 1983 - 3.2. -- Winners -- , 1983, Harry N. Abrams, Publicity and Related Exhibitions

Upstairs Gallery, Beverly Hills, 1986 - 4.1: 1986

Upstairs Gallery, Beverly Hills, 1987 - 4.1: 1987

Upstairs Gallery, Beverly Hills, 1988 - 4.1: 1988

Waller's Gallery, Tampa, 1975 - 4.1: 1975

Wichita State University Ulrich Museum of Art Exhibition 1981 - 4.1: 1981

The Wildlife Experience, "LeRoy Neiman on Safari," 2003 - 3.1: "LeRoy Neiman on Safari" Solo Exhibition, The Wildlife Experience, Parker, CO, 2003

Windsor Gallery, Los Angeles, 1974 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75

Windsor Gallery, "The Wide World of LeRoy Neiman," Los Angeles, 1975 - 3.1: Windsor Gallery Solo Exhibitions, Los Angeles 1974-75

two-person exhibitions

LeRoy Neiman and Robert Addison, Art Institute of Chicago, 1978 - 4.1: 1978 and ov

Alexander Calder and LeRoy Neiman, Nassau Gallery, Baldwin, NY 1973 - 4.1: 1973

"The Mustache Show", Salvador Dali and LeRoy Neiman, Tunnel Club, New York, 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

LeRoy Neiman/Andy Warhol, LAICA, Los Angeles 1981 - 3.1: Neiman/ Warhol Exhibition 1981

group exhibitions

Amherst College, "When They Were Very Young," Amherst, MA 1982 - 4.1: 1982

Amnesty International Exhibition and Sale, New York, 1990 - 4.1: 1990

Anna Werbe Gallery, Chicago Artists, Detroit 1958 - 4.1: 1950s

Anshe Emet Cinema Arts Festival, 1960 - 4.1: 1960

Aqueduct Art Gallery, New York, 1966 - 4.1: 1966

Area, "Art," New York, 1985 - 3.1: "Art", Group Exhibition at Area, 1985

L'art et L'automobile, automotive artists group exhibition, 1988 - 4.1: 1988

L'art et l'automobile, Ferrari Collection exhibition, 1989 - 4.1: 1989

Art Directors Club of Chicago, Exhibition of Advertising and Editorial Art, 1955 - 4.1: 1950s

Art Expo - 4.1: Undated

Art Institute of Chicago, Student Exhibition, 1950 - 4.1: 1950s

Art Institute of Chicago, Student Exhibition, 1951 - 4.1: 1950s

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1953 - 4.1: 1950s

Art Institute of Chicago, Instructors Exhibition, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1956 - 4.1: 1950s

Art Institute of Chicago, American Painting and Sculpture, 1957 - 4.1: 1950s

Art Institute of Chicago, Instructors Exhibition, 1957 - 4.1: 1950s

Art Institute of Chicago, "Artists of Chicago and Vicinity," 1961 - 4.1: 1961

Art Institute of Chicago, "Drawing New Conclusions," 1992 - 3.1: "Drawing New Conclusions," Art Institute of Chicago group exhibition 1992

Baja Club, "Art's As Good An Investment as Bonds," New York, 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89

Bal Tabarin Room, Sherman Hotel, Chicago 1959 - 4.1: 1950s

Bank One, "Athletes and Heroes," Youngstown, Ohio, 1987 - 4.1: 1987

"Beyond Illustration - The Art of Playboy," Traveling Exhibition, 1971-74 - 4.2: Playboy Ephemera 1970s

Blumhelman Gallery and Germans van Eck Gallery, "Artists for Amnesty," New York, 1990 - 4.1: 1990

Butler Institute of American Art, "The Artist at Ringside," 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1990

Calgary Inn, "Fall Portfolio of International Artists," Calgary, Alberta, Canada 1980 - 4.1: 1980

Carnegie Institute of Arts, International Exhibition, Pittsburgh, 1955 - 4.1: 1950s

Chicago Navy Pier, Chicago Artists, 1957 - 4.1: 1957

Chicago Public Library, 1958 - 4.1: 1955-59

China Club, "The Famous Show," New York, 1988 - 4.1: 1988

Cig Art

"Cig Art," National Arts Club, New York, 1996 - 4.1: 1996

"Cig Art 2: The Smoke Continues", National Arts Club, New York, 1997 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

"Cig Art 4: Where There's Smoke", Art Museum of Southern Texas, 2000 - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

Collectors Club Exhibition, 1957 - no materials

Corcoran Gallery of Art, Biennial Exhibition of Contemporary American Oil Paintings, Washington, DC, 1957 - 4.1: 1950s

Deer Path Art League Annual Fine Arts Fair, 1957 - 4.1: 1950s

El Paso Museum of Art, 1987 - 4.1: 1987

Foster Harmon Galleries of American Art, "Grand Opening Group Exhibition," Sarasota, 1980 - 4.1: 1980

Foster Harmon Galleries of American Art, "American Masters Exhibition," Sarasota, FL, annual - 4.1: 1981, 1987

Gimbel's, "Playboy's Art of Fashion Exhibition," Milwaukee, Wisconsin, 1979 - 4.2: Grand Palais, "Salon d'Automne," Paris, 1993 - 2.2: Association du Salon d'Automne 1992-99, 4.1: 1993

Greenwich Workshop Gallery, "Greenwich Workshop Gallery Miniature Show '83" - 2.1: 1983, 4.1: 1983

Hammer Galleries, "Group Show of FKH Artists," 1974 - 4.1: 1974

Hammer Galleries, Holiday Exhibitions, New York, 1974 - 4.1: 1974

Hammer Galleries, "Hammer Galleries Graphics," New York, 1975 - 4.1: 1975

Hammer Galleries, "Master Prints of the 19th -20th Century," 1987 - 4.1: 1987, V: 1987

Hanson Art Galleries, San Diego, CA - 4.1: 1987

Harmon Gallery, "20th Century American Masters," Naples, FL, 1979 - 4.1: 1979

Illini Union Art Gallery, Illinois 1973 - 4.1: 1973

International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1977 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

International Tennis Hall of Fame, "National Exhibition of Tennis Art," 1978 - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

Los Angeles County Fair - see group exhibitions: Millard Sheets Gallery

Marshall Field & Co. Gallery, "Brotherhood in Art," 1958 - 4.1: 1950s

Mickey Mantle's, New York - 4.1: 1988

Midwest Museum of American Art, "Panorama of American Art," Elkhart, IN, 1979 - 4.1: 1979

Millard Sheets Gallery, Fairplex, "Art and the Athlete," Los Angeles County Fair, 1996 - 3.1: "Art and the Athlete" Group Exhibition, Los Angeles County Fair 1996

Minneapolis Institute of Arts, Local Artists' Exhibition, 1952 - 4.1: 1950s

Minneapolis Institute of Arts, Local Artists' Exhibition, 1953 - 4.1: 1950s

Minneapolis Institute of Arts, Local Artists' Exhibition, 1954 - 4.1: 1950s

Minnesota Museum of Art, "TIME Portraits of American Newsmakers," 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Minnesota Museum of Art, "Drawings USA 75," St. Paul, 1975 - 4.1: 1975

Minnesota State Fair, 1954 - 4.1: 1950s

Minnesota State Fair, 1955 - 4.1: 1950s

The Monmouth Museum, "The Horse: Man's Noble Companion," Lincroft, NJ 1987 - 4.1: 1987

Museum of the City of New York, "Showstoppers: Great Moments of the American Musical," 1983 - 3.1: Showstoppers Group Exhibition, MCNY 1983

Mystic Seaport Museum, "Archives of American Yachting and Boating," 1985 - 4.1: 1985 National Art Museum of Sport, 1969 - 4.1: 1969

National Portrait Gallery, "TIME Portraits of American Newsmakers," Washington, DC, 1969 - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Navy Pier Art Show, 1957 - 4.1: 1950s

New Orleans Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995

New-York Historical Society, "That Belmont Look," 1980 - 4.1: 1980

North Mississippi Valley Exhibition, 1964 - 4.1: 1964

North Shore Art League, Chicago Area Show, 1956 - 4.1: 1950s

North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1958 - 4.1: 1950s

North Shore Art League, Old Orchard Art Festival, Skokie, IL, 1959 - 4.1: 1950s ov

Northampton County Area Community College Foundation, 1982 - 4.1: 1982

Odyssey House Art Gallery, New York, 1972 - 4.1: 1972

F. Oehlschlaeger Gallery, Chicago, 1958 - 4.1: 1950s

F. Oehlschlaeger Gallery, Chicago, 1959 - 4.1: 1950s

F. Oehlschlaeger Gallery, Chicago, 1965 - 4.1: 1965

F. Oehlschlaeger Gallery, "Twentieth Anniversary Show," Chicago 1969 - 4.1: 1969

F. Oehlschlaeger Gallery, "American Masters of the 1940s, 50s, and 60s," 1985 - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985

O'Grady Galleries, "Collectors' Show," 1980 - 4.1: 1980

O'Hana Gallery, "Mixed Christmas Exhibition," London, 1962-63 - 4.1: 1962

Old Orchard Art Festival - see exhibitions: North Shore Art League

Park Shore Gallery, "Director's Choice," Naples, FL, 1990 - 4.1: 1990

Queens Museum of Art, "Louis Armstrong: A Cultural Legacy," 1994-95 - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995

Ravinia Festival, 1958 - 4.1: 1950s

San Diego Museum of Art, "Champions: The Olympic Athlete in Art," 1984 - 4.1: 1984

Saratoga Gallery, Saratoga Springs, New York, 1976 - 4.1: 1976

Sherman Art Gallery, Paintings and Photographs by Playboy Jazz Artists, 1959 - 4.1: 1950s

Sherman Hotel, Chicago, 1959 - see Bal Tabarin

Spectrum Fine Art, "Ball, Bat, and Glove," New York, 1977 - 3.1: "Ball, Bat, and Glove," Spectrum Fine Art, New York, 1977

Spectrum Fine Art, "Ringside: The Fine Art of Boxing," New York, 1979 - 2.1: 1978, 4.1: 1979

Springfield Art Museum, "Watercolor U.S.A. National Invitational Exhibition," Springfield, MO, 1976 - 4.1: 1976

Springfield College, "Women in Sports," 1988 - 4.1: 1988

Steiner & Young Galleries, "20/20 Exhibition," Marietta, Georgia, 1989 - 4.1: 1989

Treasures of Island Creek, Louisville, KY, 1979 - 4.1: 1979

Tunnel Club, "New Perspectives in Contemporary Art," New York, September 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Mustache Show", New York, November 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Most Famous Artist Alive", New York, December 1988 - 3.1: Baird Jones' Group Exhibitions, New York 1988-89

Tunnel Club, "The Greatest Hits Vol 1 Show", New York 1989 - 3.1: Baird Jones' Group Exhibitions 1988-89

University of Southern Florida, "Expose Yourself to Art," 1991 - 4.1: 1991

Whitney Museum, "Americana," New York, 1985 - 4.1: 1985

Yogi Berra Museum, "Viva el Beisbol!" 2000 - 3.1: "Viva el Beisbol!" exhibition, Yogi Berra Museum 2000

Exotic Erotic Halloween Ball - 2.1: 1989, 4.1: 1989, 1996

F

F.I.S.T. - see boxing

F.X. McRory's Whiskey Bar, Seattle, 1980 - see bars

Fairfield Gallery - see exhibitions

Fairmont Hotel - 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986

Falstaff, opera by Verdi - 3.1: Falstaff Opera 1993, 4.1: 2002

fan auction - 4.1: 1992

Far Gallery, New York - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971

fashion - 3.1: Early Fashion Illustration 1949-57, 3.1: Fashion Illustration for The Domino Catalog 1950s -60s, 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only), 4.1: 1958, 1971, undated 1990s

F.D.N.Y. (Fire Department of New York)

F.D.N.Y. Painting - 3.1: F.D.N.Y. Painting 2002

F.D.N.Y Pipes and Drums - 2.1: 1984

Felicie, Inc. - IID: Price Lists 1970s, 1.2

Felt, Irving Mitchell and Elaine - 2.1: 1977, 3.1: Bill Bradley 1978-2000, see Madison Square Garden

Femlin - see Playboy

Festival Internacioal de Danca Contemporanea - 4.1: 2000

Fields, Edward - see tapestry

The Fifth Dimension - 3.1: Fifth Dimension Album Art 1970-1982

Fight of the Century - see boxing

figure skating -- - 3.1: 1982 U.S. Figure Skating National Championships, V: 1980s, see also Olympic Games

Healey, Kathy - V: Kathy Healey, 1981

Superskates - 2.1: 1981, 4.1: 1981, V: 1980s

United States Figure Skating Association - 2.1: 1984, 3.1: 1982 U.S. Figure Skating National Championships

film -- - 3.1: Beauty, the Beach, and the Bizarre 1984, 3.1: Houston Film Fest 1990, 3.1: Wine Country Film Fest 1990, 4.1: 1972, 1990, see also Screen Actors Guild

"Ali," 2002 film with Will Smith - 2.1: 2001

"American Rider" motorcycle documentary - 2.1: 1991

"Donnie Darko" 2001 film - 2.1: 2000

The Family Man" 2000 film with Nicholas Cage - 2.1: 1999

"The Ice Storm" 1997 film - 2.1: 1996

"Jerry Maguire" 1997 film with Tom Cruise - 2.1: 1996

"The Lone Ranger", 1978 feature film - 3.1: The Lone Ranger, 1977

"Mr. Baseball," Twentieth Century Fox - 2.1: 1991

"My Old Man," 1979 CBS TV movie - 2.1: 1979, 1990

"Quarterback Princess," Twentieth Century Fox - 2.1: 1983, 1992

Rocky films - 3.1: Rocky films 1980-1990

"Rooster," 1981 - 3.1: "Rooster," 1981

1976 documentary, Twentieth Century Fox - 2.1: 1976

finance

Mr. Neiman's own finances - 2.1: 1975, IID: Invoices Paid, see International Management Group, Inc.

represented in art - see investing, Stock Market, Chicago Board of Trade

Finland - IID: Price Lists 1970s, 3.1: Casa Grafica Solo Exhibition, Helsinki, Finland, 1977

Fireman, Shelly - 3.1: Shelly's New York Restaurant 2000

Firestone, Roy - 4.1: 1986

Fischer, Bobby - 4.1: 1972, 1974, 1987

fishing - see Marlin!

Fittipaldi, Emerson - see auto racing

Fitzgerald, Ella - see jazz

Flagg, Special Agent Warren M. - 4.1: 1998

Florida Racing - 4.1: undated

Floyd, Ray - see golf

Flynt, Larry - 2.1: 1976

Focus Midwest Magazine - 4.1: 1964, 1967, 1970, 1980

Foley, Jaclyn - 4.1: 1996, 4.2: Bartender Magazine 1993-2002

Folies Bergere - see casinos

food - 3.1: James Beard 1982-87, 3.1: The Culinary Arts exhibition 1998, 4.1: 1981, 1991, 1993, 1994, 1995

Foot Locker - 2.1: 1990

football -- - search for individual players listed alphabetically

college football

Cross-Town Rivalry, 1967, 1993 - 4.1: 1993

Georgia Tech - 4.1: 1983

Iowa vs. Minnesota, 1982 - 4.1: 1983, 1984

Nebraska Football - 2.1: 1976

Northwestern University - 4.1: 1996

Ohio State Buckeyes, Rivalry, 1975 - 4.1: 2001

Penn State University - 4.1: 1996

Pioneer Bowl - 4.1: 1976, University of California Los Angeles (UCLA)

University of Florida, The Gators, 1995 - 3.1: Florida Gators, 1995

Universities of Iowa - see Iowa vs. Minnesota, 1982

University of Michigan, Rivalry, 1975 - 4.1: 2001

University of Southern California - see football: college: Cross-Town Rivalry, 1967, 1993

University of Texas, The Texas Longhorns, 1985 - 3.1: The Texas Longhorns 1985, 4.1: 1986

University of Minnesota - see Iowa vs. Minnesota, 1982

University of Nebraska, The Devaney Era serigraph suite - 2.1: 1997, 4.1: 1974, 1975, 1988, 1992

Football Game, 1960s - 4.1: 1998

Game of the Century, 1983 - 4.1: 1983

Gridiron Football News - 3.1: Gridiron Football News 1971-73

NFL football - 4.1: 1967, 1968, 1969, 1970, 1972, 1973, 1974, 1975, 1976, 1977 ov, 1978, 1982, 1985, 1988, 1991, 1992, 1996

Buffalo Bills - 3.1: O.J. Simpson, 4.1: 1972, see also football: Superbowl XXVIII

Dallas Cowboys - 2.3: March 1993, 4.1: 1972 and ov, 1976, 1978, 1979, 1982, 1984, 1989, 1994, see also Superbowl XXVIII

Denver Broncos - see Superbowl XXII, 3.1: John Elway, 1999, 4.1: 1972, 1978, 1999

etchings - 4.1: 1976

Giants-Broncos Classic - 4.1: 1988

Green Bay Packers - 4.1: 1992, 1997

In the Pocket, 1988 - see football: Superbowl XXII

Kansas City Chiefs - 4.1: 1997

Legends Magazine - see NFL Alumni

Miami Dolphins - 4.1: 1972 and ov, 1993

Minnesota Vikings - 4.1: 1975, 1977

Mirage Bowl - 4.1: 1978

NFL Alumni - 4.1: 1990, 1991, 1992

Legends Official Magazine of the NFL Alumni - 4.2: Legends NFL Alumni Magazine, 1982-2002

NFL Alumni Player of the Year Awards Dinner - 4.1: 1983, 1984, 1985, 1987

Yearbooks - 4.1: 1980

NFL Players Association - 4.1: 1974

New England Patriots - 4.1: 1997, 2004, 2005

New York Giants - 4.1: 1987, 1998, 1999, 2002, 2003

New York Jets - 2.1: 1980, 3.1: New York Jets 1966 -, 3.1: Hammer Galleries Exhibition of NY Jets Drawings, 1968

Oakland Raiders - 4.1: 1977

Pittsburgh Steelers - 4.1: 1975, 1979

San Francisco 49ers - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 1.2: Bowles Galleries 1991, 4.1: 1982, 1990

Superbowl, general - 3.1: Countdown to Superbowl by Dave Anderson 1969, 4.1: 1997

Superbowl stamps - see stamps or U.S. Postal Service

Superbowl II, 1969 - 4.1: 1969 and ov

Superbowl V, 1972 - 4.1: 1972 and ov

Superbowl VI, 1973 - 4.1: 1973 and ov, 4.2: -- Playboy -- 1973, see Appendix E

Superbowl IX, 1975 - 4.1: 1975 ov

Superbowl X, 1976 - 4.1: 1976

Superbowl XI, 1977 - 4.1: 1977

Superbowl XII, 1978 - 3.1: Superbowl XII, 1978, 4.1: 1983

Superbowl XIX, 1985 - 3.1: Superbowl XIX, 1985

Superbowl XXI, 1987 - 4.1: 1988

Superbowl XXII, In the Pocket, 1988 - 3.1: Superbowl XXII painting In the Pocket, at Allyson Louis Gallery 1988, 4.1: 1989 ov

Superbowl XXIII, 1989, Superplay, 1989 - 2.1: 1989, 3.1: Superbowl XXIII painting, Superplay, 1989

Superbowl XXIV, Silverdome Superbowl, 1990 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

Superbowl XXV, 1991 - 4.1: 1991

Superbowl XXVII, 1993 - 2.1: 1993

Superbowl XXVIII, 1994 - 3.1: Superbowl XXVIII, 1994

Superbowl XXX, 1996 - 2.1: 1997, see exhibitions

Superbowl XXXVIII, 2002 - 4.1: 2002

Superbowl XXXIX, 2003 - 4.1: 2003

Superplay - see football: Superbowl XXIII, 1989

Washington Redskins - 4.1: 1972, see also football: Superbowl XXII

foreign language articles, Finnish - 4.1: 1977, Italian - see auto racing

Foreman, George - see boxing

forgery - 2.3: Imitations and Forgeries, 4.1: 1989, 1994, 1995 ov, see also theft and vandalism

Forrester, Bruce (event photographer) - see photograph files for Bowles/Sorokko Gallery openings

Foster Harmon Gallery of American Art - 2.1: 1975, 1977, 1978, 1979, 1980, 1989, 1992, 1993, 4.1: 1974, see also exhibitions

Fouch-Roseboro Corporation - 2.1: 1976

Fouquet's - see restaurants

Fox, Manheim - 2.1: 1979

Fox, Virgil - 4.1: 1965

Fran Joswick Therapeutic Riding Center - 4.1: 1998

Francis, Emile - 4.1: 1975

Franey Langkop, Dorothy - V: 1990s

Frank, Morris - 4.1: 1975

Franklin Bowles Gallery - see Bowles Galleries

Franklin Pierce College - 1.1: Honorary Degrees

fraud - see forgery

Frazier, Joe - see boxing

Fred Dorfman, Inc. - 2.1: 1978

Freeman, Morgan - 3.1: Celebrity Night at Spago, 1993

Freidman, Joann - 2.1: 1978

French Riviera - 4.2: -- Playboy -- 1962, see Appendix E, see also Monaco

Friars' Club - 1.1: New York Friar's Club

Fried, Frank, Harris, Shriver & Jacobson Attorneys - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys, 1.2: Lawsuit Against Felicie, Inc.

Frito Lay - 2.1: 1991

Frost, David - see golf

Fujita family - 2.2: Tele Planning International, Tokyo 1993-98

G

Gable, Dan - 3.1: American Sportscasters Association Hall of Fame Awards Dinner 1984 -present

Galerie Borjeson, Malmo, Sweden - 3.1: Sweden Exhibitions 1976-77

Galice, Christina - see Christina Galice Gallery

Gallagher's Steak House - see restaurants

La Galleria d'Arte - 2.2: La Galleria d'Arte, see also exhibitions

Gallery 100 - 2.1: 1979

Gallery Mack, Seattle - 2.1: 1979, 1983, 1985, 1987, 4.1: 1974, 1981, see also exhibitions

Gallery One, Denver, Colorado - see exhibitions

Gallo, Bill - 2.1: 1999, 3.1: Gallagher's Steak House - The Neiman Collection 2002, 4.1: 2002

gambling - see casinos

Game of the Century, 1983 - see football

Ganassi, Cara and Chip - 2.1: 1994, 1995

Gardiner, John - 2.1: 1975, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Garret, Lesly - 4.1: 1982

Garvey, Steve - 2.1: 1979, 1981, 1983, 1986, 1989, 3.2. Big Time Golf, 1992, Publicity and Related Exhibitions, 4.1: undated 1980s, 1980, 1988, 1989, VII: Bags

Gene Michael Fund - 4.1: 1994

General Electric - see promotions

General Mills - 3.1: Wheaties 1997

Gere, Gary - see The Taxicab Chronicles

Germany, Baden Baden - 2.1: 1986, 1987, 1988

Gibson Guitars - 2.1: 1997

"Art of Guitars II" exhibition - 3.1: Gibson "Art of Guitars II" 2000

The Gifts of Music, 1994 - 4.1: 1994

Gilbert, Rod -- - 4.1: 1992

Rod Gilbert, 1968 drawing - 4.1: 1992

Rod Gilbert, 1974 drawing - 4.1: 1974

Rod Gilbert, 1976 - 4.1: 1976, 1992

Giorgio Beverly Hills - 2.1: 1985

Giulianni, Mayor Rudy - 3.1: Mayor Giulianni and NYC Advisory Commission for Cultural Affairs, 1994-2001

Givenchy - 3.1: Givenchy 1999

Gleason, Jackie - see -- The Hustler

Goff, Bill - see Spectrum Fine Art

Gold Glove Award - 4.1: 1992

Goldberg, Whoopie - 3.1: Celebrity Night at Spago, 1993

Golden Apple Awards - 2.1: 1990, 4.1: 1977, 1990, 1995, 1996

Golden Boy - see musicals

golf - 3.1: Jack Nicklaus and Arnold Palmer 1973-74, 4.1: 1973, 1987, 1988-89, 1990, 1993, 1995, 1997, 2000, 3.2. -- Big Time Golf -- , 1992

16th at Cypress, 1983 - 3.1: 43rd Crosby, 1984, 4.1: 1982

An Queens Cup, Japan - 2.1: 1990, 4.1: 1990 and ov

Atlanta National Golf Club

Atlanta National Golf Club California Merlot - 2.1: 1996, 2000, 4.1: 1996

Augusta

The 16th at Augusta, 1992 - 2.1: 1996, 3.1: Saks Fifth Avenue 1994-1999

April at Augusta, 1990 - 4.1: 1990, 1995

Arnold Palmer and Richard Pack, Augusta Clubhouse Bar, 1973 - 4.2: -- Bartender Magazine -- 1993-2002

Bethpage Black, The 18th at Bethpage Black - 3.1: U.S. Open at Bethpage Black 2002, 4.1: 2002

caddies - 4.1: 1976

Crosby National Pro-Am Golf Championship - 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.1: 43rd Crosby National Pro-Am, 1984

Excalibur Classic, Palm Springs - 2.1: 2001, 3.1: Pebble Beach 1982-1995

Floyd, Ray - 4.1: 1987

Frank Sinatra Celebrity Golf Tournament - 4.1: 1998

Frost, David

David Frost Wines - 3.1: David Frost Wines 1998-2003

Gavea Golf and Country Club, Rio de Janeiro

Gavea Golf and Country Club, Rio de Janeiro, 1985 (also appears as International Golf Foursome) - 2.1: 1985, 4.1: 2001

golf bars - 4.2: -- Bartender Magazine -- , 1993-2002

Golf Courses Calendar 1996 - VII: Artifacts 1996

Golf Digest -- Magazine - 2.1: 1972, 1974, 1976, 4.1: 1976, 2000

Golf Winners, 1984 - 3.1: Advertising Layouts 1980s, 4.1: 1984, 1986

Golf's Threesome - 3.1: Advertizing Layouts 1980s, 4.1: 1979

Harbour Town, 18th at Harbour Town - 4.1: 2000

International Golf Foursome, 1985 - see Gavea Golf and Country Club

International Golfer - 4.1: 1994

International Golf Leisure and Lifestyle Magazine - 4.1: 2001

Joe Pagliei Invitational - 4.1: 1985

Masters - 4.1: 1990

Mystic Rock at Nemacolin Woodlands - 4.1: 1995

Natural Golfer -- Magazine - 4.1: 2000

Nicklaus, Jack - 3.1: Jack Nicklaus and Arnold Palmer 1973 -74, 4.1: 1972, 1983, 1990

The Golden Bear, 1992 painting and serigraph - 4.1: 1993, VII

Oakmont, 1983 U.S. Open, Oakmont, 1983 - 3.1: 1983 U.S. Open, Oakmont, 1983, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84

Robert H. Ogle Invitational - 2.1: 2000, 4.1: 1998

Palmer, Arnold - 2.1: 1978, 3.1: Jack Nicklaus and Arnold Palmer 1973-74, 4.1: 1983

Arnie in the Rain, 1973 - 2.1: 1975, 1978, 4.1: 1974

Arnold Palmer and Richard Pack, Augusta Clubhouse Bar, 1973 - 4.2: -- Bartender Magazine -- 1993-2002

Pebble Beach Golf Club

18th at Pebble Beach - 3.1: Pebble Beach 1982-1995, 3.1: Saks Fifth Avenue 1994-1999, 4.2: Bartender Magazine 1997-2002, 4.1: 1984, 2001, 2002

The Lodge at Pebble Beach, 1995 - 3.1: Pebble Beach 1982-1995, 4.1: 1995

pens - see Promotions - S.T. Dupont LeRoy Neiman Golf Pens

Pinehurst - 4.1: 2002

Piping Rock Golf Club - 4.1: 1993, 2002

Player, Gary

Gary Player, 1971 drawing - 3.1: Rotonda Superstars 1973-75

Rodriguez, Chi Chi - 4.1: 1973

Royal Golf - Club de Belgique

Chateau de Ravenstein, 1968 - 4.2: -- Bartender Magazine -- 1993-2002

Sara Lee Classic - 4.1: 1993, 1994

Sarazen, Gene - 3.1: David Frost Wines 1998-2003

Shinnecock Hills - 4.1: 1995

The 18th at Shinnecock or The Home Hole at Shinnecock - 2.1: 2001, 4.1: 1995, 2002

Six Golfers - see Golf Winners

Snead, Sam

Sam Snead - 3.1: David Frost Wines 1998-2001

Southampton U.S.P.G.A. Open - 4.1: 1984, 1986

Spyglass, #1 at Spyglass - 4.1: 1991, 1999

St. Andrews, Scotland - 4.1: 1987

The Clubhouse at Old St. Andrews, 1988 serigraph - 2.1: 1988, 3.1: Steiner & Young Galleries Exhib 1989, 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1995, 1998, 2002

The Jigger Inn Bar - 4.2: -- Bartender Magazine -- 1993-2002 St. Cloud

Clubhouse Bar at St. Cloud, 1990 - 4.2: -- Bartender Magazine -- 1993-2002

U.S. Open - 4.1: 1977, see also golf: Oakmont

Valhalla - 4.1: 2000

Vintage

Vintage Charities - 4.1: undated 1980s

Vintage Invitational - 2.1: 1986, 4.1: 1986, 1988

Vintage Cove

The Cove at Vintage - 2.1: 1988, 3.1: Hanson Art Galleries, 1986, 4.1: undated 1980s, 1989 ov

Vintage Palm Springs, Sam Snead Teeing Off at Vintage Palm Springs - 4.1: 2001

Wall Street Charity Fund Pro-Am Golf Tournament - 4.1: 2002

Westchester - 4.1: 1981, 1989, 1993

Winged Foot Golf Club - 3.2. -- Big Time Golf -- , 1992, Publicity and Related Exhibitions, 4.1: 1997

The 18th at Winged Foot - 4.1: 2002

Winged Foot, 1996 - 3.1: Saks Fifth Avenue 1994-1999

The Wonderful World of Professional Golf by Mark H. McCormack, cover illustration by LeRoy Neiman - 4.1: 1973 and ov

Woods, Tiger - 4.1: 1997, 1999, -- Playboy -- 1998

Golota, Andrew - 4.1: 1996

Gone with the Wind, 1989 - 3.1: Gone with the Wind perfume promotion 1989, 4.1: 2004

Gonzalez, Jorge Luis - 4.1: 1995

Gonzmart, Cesar - 2.1: 1991, 1992, 4.1: 1992

Good Tidings Foundation - 3.1: Good Tidings Foundation LeRoy Neiman Art Centers, 1998-present, 3.1: Joe DiMaggio 1998

Gooden, Dwight - 4.1: 2001

Goodman, Dr. Margaret - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Goodwill Games - 2.1: 1989, 3.1: Goodwill Games Moscow 1986, 3.1: Goodwill Games 1998

Gore, Al - 2.1: 1987, 3.2: Big Time Golf, 1992, 4.1: 1992

Gourmet Gala - see March of Dimes

Grady, John - 2.1: 1976

John Grady, Midnight Mass, 1988 drawing - 4.1: 1990

Graham, Martha - see dance

Grand Ballroom, 1987 etching - 4.1: 1987

Le Grand Escalier de L'Opera, 1969 - 1.2: Knoedler: Serigraph Release Ads, 2.1: 1996

grand prix - see auto racing

Grant, Michael - see boxing

Gray, Anthony John - 3.1: Palm Springs Commemorative Coin

Graziano, Rocky - see boxing

Great American Workout - 2.1: 1990

Great Gatsby's Auction House - 4.1: 1998

Great Irish Fair, NY 1982 - 3.1: The Great Irish Fair poster 1982

Green, Rev. Al - 3.1: Blues Ball 1997-2004

Greene, "Mean Joe" - 2.1: 1981

Greenberg, Hank - 4.1: 1968

Greenspan, Bud - 2.1: 2000

Greenwich Workshop Gallery - see exhibitions: group

Gregory, Cynthia - see ballet

Gregory, Jack - 2.2: Jack Gregory 1993-1998

Gretzky, Wayne

The Great Gretzky, 1981 - 3.1: Wayne Gretzky 1981-2002

Wayne Gretzky, 2002 - 3.1: Wayne Gretzky 1981-2002

Gridiron Football News - see football

Griese (Miami Dolphins quarterback 1972) - 4.1: 1972

Griffey, Ken - see Skoal Pinch Hitter

Griffin, Merv - see television

Grosset and Dunlap Inc. Publishers - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, Correspondence

Guanzon, Carol - 2.1: 1987, 1988, 1989

Gumbel, Bryant - 4.1: 1997

Gwynne Gallery - 2.1: 1975, 1978

gymnastics

Comaneci, Nadia

Nadia Comaneci, 1976 - 3.1: Advertising Layouts 1980s, 4.1: undated 1970s, 1982, 1984, 1987

Conner, Bart - 2.1: 1981

Retton, Mary Lou - 2.1: 1991, 4.1: 1986

H

HBO - see listing for HBO under boxing

Hagler, Marvin - see boxing

Haifa University - 3.2: 1972 Olympics Munich

Halas, George - 3.1: Gridiron Football News 1971-73, George Halas, Jr. Sports Center - 4.1: 1979

Hall, Jim - 4.1: 1997

Hall of Famer, 1996 - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1998

Halle, David - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present; A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990

Halmi, Robert - 3.2.12 and 4.1: undated ov

Hammer Galleries - see exhibitions, and Knoedler & Co.

Hammer, Armand - 1.2: Knoedler & Co. and Hammer Galleries, 3.1: New York City Marathon 1984-2001, 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988, 3.1: Tokyo exhibition 1988

Hammer, Michael - 1.2: Knoedler & Co. and Hammer Galleries

Hammer, Victor - 1.2: Knoedler & Co. and Hammer Galleries

Hammond, IN - see Mercantile Bank

Hampton, Kym - 4.1: 2000

The Hamptons, New York - 3.1: Hamptons notes 1972, 4.2: -- Playboy -- 1973, see Appendix E handball - see Jacobs, Jim

Hanson Gallery, New Orleans - see exhibitions, 3.1: Rex Proclamation Mardi Gras Painting 2002, 4.1: 1984, 1986, 1998, 2000, 2001, 2002, 2004

Hanson Gallery, San Diego - 4.1: 1987

Harbor Boat House, 1955 - 4.1: 1950s

Hardy, Joseph A. - 1.1: Collectors

Harlem Streets, 1981 - 3.1: Cities in Schools and Harlem Streets, 1981

harlequin

Harlequin, lithograph - 3.1: Circle Gallery 1972, 4.1: 1989

Harlequin and a Nude, 1971 - 4.1: 1991

Harlequin with Sword, lithograph - 3.1: Circle Gallery 1972

Harlequin's Entry into Venice, 1971 mural - 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90

Haring, Keith - 4.1: 1997

Harmon Galleries - see Foster Harmon Galleries

Harper's -- Magazine - 4.1: 1964, 1968

Harrod's, London - 4.1: 1982

Harry, Deborah - 2.1: 1978

Harry's Wall Street Bar - see bars

Hartack, Bill - 2.1: 1977

Harvard University - 4.2: Playboy Parodies - Harvard and Yale

Haskell, Nikki -- - 4.1: 1980, 1981, 1982, 1984, 1985, 1987, 1990, 2002, 2004

Nikki, 1984 (in Carnaval garb) - 4.1: 1985, 1987

Nikki Haskell, 2000 - 4.1: 2000

Nikki Haskell, 2002 - 2.1: 2002, 4.1: 2002

hats - VII

Hawaii - 4.1: 1980 ov

Hayes, Isaac - 3.1: Blues Ball 1997-2004

Healey, Kathy - see figure skating

Hearns, Thomas - see boxing

Heartland Celebrity Cookbook - 4.1: 1991

Heath Gallery, Atlanta, GA - 4.1: 1969

The Heavyweights, vinyl LP recording 1970 - see boxing

Heavyweight Explosion, 2000 - see boxing

Hebner, Richie

Richie Hebner - 4.1: 1973

Hefner, Christie - 2.2: Playboy Enterprises Inc. 1980s, 3.1: Playboy's LeRoy Neiman Selection Cigars 1997

Hefner, Hugh - 1.1: Education and Teaching b., 1.1: Friars ov., 2.1: 1996, 1999, 2.2: Playboy Enterprises Inc. 1980s, 3.1: Playboy Scrapbook 1961-67, 4.1: 1985, V: -- Playboy -- 1961-63, see also -- Playboy -- Magazine

Heiden, Eric - 3.1: Winter Olympics, Lake Placid 1980

Heit Galleries - 2.1: 1987, 1988, see also exhibitions

helicopter - 3.1: WNBC Traffic Helicopter 1981-1995

Hello, I Must Be Going: Groucho & his Friends - see Chandler, Charlotte

Helsinki, Finland - see exhibitions

"Here's Looking at You, Kid," 1990 - see Wine Country Film Festival

Hernandez, Genaro - 4.1: 1995

Hernquist, Lee - 4.1: 2002

Herrick, Norton - 4.1: 1998

Hershiser, Orel - 2.1: 1992

Heyden, Eric - see Knoedler

High Ball Homer, 1962 - see Mantle, Mickey

High Seas Sailing - see sailing

High Seas Sailing II, 1998 - see sailing

high society - see socialites

Hill, Calvin - 3.1: Gridiron Football News 1971-1973, 3.2. -- Winners -- , 1983, Harry N. Abrams, Correspondence, 4.1: 1973, Calvin Hill - 4.1: 1979

Hilliard Gallery - 2.1: 1975, 1977, 1978, 1989, 4.1: 1986, 1992, 2001, see exhibitions

Hilliard, Chet - 4.1: 1995

Hilliard, Kent - 4.1: 1990, see Hilliard Gallery

Hilton Hotels - 2.1: 1991

Hinds, Bobby - see boxing

Hines, Jerome and Lucia - see opera

Hispanic Sports Awards Dinner - 2.1: 1991

"History of Sport in Art" film series - 2.1: 1972

HOBY - 4.1: 1997

hockey -- - search for individual players by name, see also Olympic Games

Choate Prep School hockey - 4.1: 1970

The French Connection, 1976 - 4.1: 1978

Hockey etchings - 3.1: Circle Gallery 1972

Hockey Magazine - 2.1: 1977

NHL hockey - 3.1: Wayne Gretzky portraits 1981-2002, 4.1: 1967

Boston Bruins - see Orr, Bobby

Heisman Trophy - 2.1: 1982

Houston Aeros - 4.1: 1975

NHL Challenge Cup (USA All -Stars vs. USSR National) - 4.1: 1979

New Jersey Devils - 4.1: 1998

New York Rangers - 4.1: 1966, 1967, 1976, 1998, 1999, 2000

Phoenix Coyotes - 3.1: Wayne Gretzky 2002

Ottawa Senators - 3.1: Wayne Gretzky 2002

Stanley Cup - 4.1: 1974

Hoelscher, Lydia (LeRoy's mother) - 1.1: Family (Neiman Studio Archive only)

Hofstra University - 1.1: Honorary Degrees, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 4.1: 1996

Hogan, Hulk - see wrestling

Hoglund, William - 2.1: 1983

Holder, Geoffrey - 4.1: 1978

holiday, Christmas - 4.1: 1992, 1995, 1997

Hollywood Women's Press Club - see Golden Apple Awards

Holmes, Larry - see boxing

Holyfield, Evander - see boxing

Holzman, Red - 4.1: 1990

Homage to Boucher - 4.1: 1974

Homansky, Dr. Flip - 3.1: Ringside and Training Principles by Goodman and Homansky 2001

Home Remodeling Magazine - 4.1: 1965

Home Run Blast, 2002 etching - see baseball

honorary degrees - 1.1: Honorary degrees

Hope, Bob - 3.1: Celebrity Night at Spago, 1993, 4.1: 1984, Bob Hope (Playing Golf), 1988 - 3.1: Bob Hope portrait, 1988

Hope House Ministries - 4.1: 1995, 1996

Horizon Gallery - 4.1: 1980

Horse of a Different Color, Ltd. - 4.1: 1963

horses -- - see also polo, rodeo, sculpture

Arabians - 4.1: 1978

Arabians Magazine - 4.1: 1982, 1984, 1985, 1986

Bucking Bronco - 4.1: 1984

Carousel, 195? - 2.1: 1975, 4.1: 1950s

Color Horse - 4.1: 1984

Clydesdales - see promotions

Daily Double - 4.1: 1982, 1984

French Hunt, 1965 - V: Early 1960s Photos of Work

Horses, 1979 - 3.2.3

Ladies of the Hunt, 1959 charcoal drawing - 2.1: 1973, 3.1: Knoedler London Exhibition 1976, 4.1: 1950s

horse racing - 4.1: 1997

Aintree - 4.1: 1960

Ascot - see Royal Ascot

Belmont Park - 4.1: 1980, 2003

The Paddock at Belmont - 4.1: 1979

Bellocq, Pierre - 4.1: 1998

The Black Stallion - see television

Breeders' Cup - 2.1: 1989, 4.1: 2003

Breeders' Cup Championship poster, 1998 - 3.1: Breeders' Cup Painting 1998

Caliente Race Track, Tijuana, Mexico - 3.1: Caliente Race Track Exhib. and Painting 1989, 4.1: 1991

Chantilly, Backstretch at Chantilly - 4.1: 1969

The Charging Cavalcade, silkscreen - 4.1: 1980

Charismatic - 4.1: 1999

Churchill Downs - 3.1: 123rd Kentucky Derby 1997, 4.1: 1996, VII: Box 3

Club House Turn, 1975 serigraph - 1.2: Knoedler Serigraph Release Ads, 4.1: 1975, undated 1990s, 1989

Curragh, Ireland, 1976 drawing - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Epsom Derby - 4.1: 1960, 4.2: -- Playboy -- 1964, see Appendix E

Equestrianne - 4.1: 1981, 2000

Equestrian, 1974 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

The Feria in Seville - 4.1: 1982, 1984, 1985

The Finish - 4.1: undated

Florida Derby - 2.1: 1992, 4.1: 1993

Four Acres, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973

Front Runners, 1994 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Funnycide - 4.1: 2003

Grand National Steeplechase, Liverpool - 4.1: 1960 and ov, 4.2: -- Playboy -- 1962, see Appendix E

Grand Prairie, Lone Star Park - 3.1: National All-Star Jockey Championships 2001

Hambletonian - 3.1: Cadillac Hambletonian Harness Race Painting 1995

Hialeah Race Track - 2.1: 1977, 3.1: Hialeah Race Track, 1959, 4.2: -- Playboy -- 1959, see Appendix E

Hong Kong Jockey Club - 4.1: 2004

Hoof Beats Magazine - 4.1: 1975

horse named after LeRoy Neiman - 2.1: 1987

Horse Racing, 1972 watercolor - 4.1: 1998

Horse Racing Suite, 1977 - see sculpture

Horse and Rider, 1971 gouache - 2.1: 1974

Horse Sense: An Inside Look at the Sport of Kings, by Bert Sugar, cover illustration by LeRoy Neiman - 2.1: 2002, 4.1: 2002

In the Stretch, serigraph - 3.1: Circle Gallery 1972

International Horse Show - 4.1: 1973

Iroquois Steeplechase, 1993 - 3.1: Iroquois Steeplechase, Nashville, TN, 1993

jockeys -- - jockeys - see also horse racing, 3.1: "Dress the Jockeys", '21' Club 2001

The Backview of Jockey, 1961 - 4.1: Four Jockeys - 4.1: undated

Hartack, Bill, Bill Hartack, 1959 - 3.1: Hialeah Race Track 1959, 4.1: 1974, 1995

Jockey, serigraph - 3.1: Circle Gallery 1972

Jockey - 4.1: 1961

Krone, Julie - 2.1: 2003

Solomon, Mickey - 2.1: 1989

Kelso, 1968 drawing - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Kentucky Derby - 2.1: 1982, 3.1: 123rd Kentucky Derby 1997, 4.1: 1978, VII: Box 3

Derby Day Paddock, 1997 - 3.1: 123rd Kentucky Derby 1997

Kentucky Derby Museum - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Long Island Equestrienne - 4.1: 1982, 1984

Longchamps - 4.1: 1960

Menlo Charity Horse Show - 4.1: 2003

Mission Valley Pony Club - 4.1: 1990

Monmouth Park - 4.1: 1969

Monmouth Park Centennial, 1970 - 4.1: 1970, 1971, 1975

National All -Star Jockey Championships - 3.1: National All-Star Jockey Championships 2001

National Horse Show - 4.2: -- Playboy -- 1967, see Appendix E

National Showcase, Louisville, KY - 4.1: 1982

New York Racing Association (NYRA) - 2.1: 1978

Paddock, 1957 painting - 2.2: JoAnn Perse Gallery 1984-98

Paddock, serigraph - 3.1: Circle Gallery 1972, 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95 4.1: 1973

Pegasus, 1979 - New Jersey State Opera Ball Paintings 1979-83

polo horses - see polo

Pimlico - 3.1: 125th Preakness Stakes 2000, VII: Box 3

Preakness Stakes - 3.1: 125th Preakness Stakes 2000

The Race, serigraph - 3.1: Circle Gallery 1972, V: 1970s

Race of the Year, 1979 - 3.1: Race of the Year 1979

Racing, 1972 - 4.1: 1972

The Reinsman - 4.1: 1963

The Rider, pre-1966 - 4.1: 1966

Rotz with Windener Coulours, pre-1966 - 4.1: 1966

Royal Ascot - 4.1: 1960, 1961, 4.2: -- Playboy -- 1966, see Appendix E

Ascot Finish - 4.1: 1976

Ascot Paddock - 4.1: undated, 1979

The Queen at Ascot - 3.1: Knoedler London Solo Exhibition 1976, 3.1: Heit Galleries Solo Exhibition, Phoenix 1976

Saratoga Harness, 1969, 1974 - 3.1: Saratoga Harness 1969, 1974

Seattle Slew - 2.1: 1977, 4.1: 1975

Secretariat, Secretariat at the Lead, 1974 - 2.1: 1990, 1992, 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95, 4.1: 1975, 1981, 1993 ov, VII: Pendants

Secretariat II - 4.1: 1990

Show Jumper - 4.1: undated 1970s, 1978

Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976

Steeplechase, 1974 watercolor - 3.1: Hammer Galleries Solo Exhibition 1975-76

Stretch Stampede, 1975 - 3.1: "Equine Art" and "Racing Retrospective" Solo Exhibitions, Kentucky Derby Museum 1993-95

Study for Gericault Horse without Rider - 4.1: 1982

Tentam - 4.1: 1973

Thoroughbred Times - 4.1: 1993

T.O.B.A. - 2.1: 2000

Wayne Newton's State of the Art September Sale - 4.1: 1985

Hospital Relief Fund of the Caribbean - 4.1: 1984

Hotel des Artistes - 1.1: Residences - Hotel des Artistes

House Beautiful -- Magazine - 4.1: 1965

Houston Astrodome - 4.1: 1971

Houston International Film Festival - 3.1: Houston Film Fest 1990

Howard, Frank, Frank Howard, 1970s - 4.1: 1998

Howe, Gordie - 4.1: 1975

Gordie Howe, 1975 - 4.1: 1975

Hudson Valley Writers Center - 4.1: 1990

Hull, Bobby - 4.1: 1977

Bobby Hull - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and St. Paul Art Center 1969, 4.1: 1968, 1986

Humane Society of New York - 4.1: 1994, 1995, 1996, 1998

Humphrey, President Hubert, Hubert Humphrey, date unknown - 2.1: 1994

Hunt, Lamar

Lamar Hunt, 1972 - 4.1: 1972

The Hunt for the Unicorn, late 1960s mural - see animals: unicorn

The Hustler -- - 4.1: 1985

Hutscnecker, Dr. Arnold A. - 4.1: 1981

I

I Am Third by Gale Sayers - 4.1: 1970, 1975

Ibis Art Productions - 4.1: 1988

Ice Palace, 1985 - see Saint Paul, Minnesota

Iceland - 4.1: 1972

Idle Boat - 4.1: 1950s

Iglesias, Julio

Julio Iglesias, 1984 - 2.1: 2001, 3.1: Julio Iglesias, 1984, 4.1: 1998, 2001

Illinois Art Education Association - 4.1: 1974

imitators - 2.3: Imitations and Forgeries

In the Pocket, 1988 - see football - Superbowl XXII

income - IID: Invoices Paid

India - 2.1: 1982

Indianapolis 500 - see auto racing

Indianapolis Museum of Art - 2.1: 1976, 4.1: 1977, see also exhibitions

Intelligent Doubles, by Skip Singleton - see tennis

Intelligent Tennis by Skip Singleton - see tennis

International Heart Foundation - see The Open Heart, 1982

International Management Group, Inc. - 2.1: 1977

International Poker, 2004 serigraph and earlier painting - see casinos

International Sephardic Education Foundation - 4.1: 1987

Introduction of the Champions of the Ring, 1964-65 (or Ringside Madison Square Garden) - see boxing

investing, investors - 3.1: L. Roy Papp, 1980, 3.1: Mustang Ranch Brothel 1989

Iona College - 1.1: Honorary Degrees ov., 2.2: Manufacturers Hanover, 3.1: Iona College

Trustee Awards Dinner Dances 1984-95, 4.1: 2000

Irish Fair - see Great Irish Fair

Iron Horse Steak House - 4.1: Undated

Isbin, Sharon - 2.1: 1996, 1997

Israel - 3.1: Peace Treaty, 1980

J

Jackson, Bo - 4.1: 1992

Jackson, Michael - 3.1: Celebrity Night at Spago, 1993

Jackson, Phil - 4.1: 1994

Jackson, Reggie - 2.1: 1992, 2000, 2001, 4.1: 1978

Reggie Jackson, 1993 - 4.1: 1993

Jacobs, Jason, Accountant - 2.1: 1977, 1984

Jacobs, Jim

Jim Jacobs, 1970 - 2.1: 1992, 4.1: 1970, 1992

Jamaica - 4.2: -- Playboy -- 1971, see Appendix E

Japan - 2.1: 1986, 1987, 2.2: CBS Sports Correspondence, 3.1: Hawaii and Japan 1974, 3.1: Japan Trip 1977, 3.1: Tokyo Exhibition 1983, 3.1: Tokyo Exhibition 1988, 3.2. -- Winners -- , 1983, Correspondence, Harry N. Abrams, 4.1: 1984

jazz

Armstrong, Louis - 3.1: "Louis Armstrong: A Cultural Legacy" traveling exhibition 1995, 4.1: undated 1990s

Louis Armstrong, 1963 - 4.1: 1965

Louis Armstrong, 1981 - 4.1: 1981

Louis Armstrong, 1976 - 3.1: Newport Jazz Festival 1975 -2004, 3.1: Kool Jazz Festival 1976, 4.1: 1979

Satch, 1959 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989

Davis, Miles

Miles Davis, 1985 - 4.1: 1985

Ellington, Duke

Duke, 1978 - 3.1: Newport Jazz Festival 1975-2004, 4.1: 1979, 1981

"Duke", 1998 - 3.1: UCLA 1998-present

Fitzgerald, Ella

Ella in Flight, 1983 - 3.1: Ella in Flight, 1983

Gillespie, Dizzy

Bird & Diz, 1973 - 4.1: 1973

Holiday, Billie

"Lady", 1979 - 3.1: Newport Jazz Festival 1975-2004

Jazz Horns, 2004 painting and serigraph - 3.1: Newport Jazz Festival 1975-2004, 4.1: 2004, 2005

Jazzmobile - 2.2: Jazzmobile 1980-84

Jazzmobile, 1975 silkscreen - 2.1: 1975, 3.1: Hammer Galleries Solo Exhibition 1975-76

Kenton, Stan

Stan Kenton, 1976 - 2.1: 1975, 4.1: 1985

Kool Jazz Festival - 3.1: Kool Jazz Festival 1976, 4.1: 1981, 1982, 1985, V: 1980s

Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004

Newport Jazz, 2004 - 3.1: Newport Jazz Festival 1975-2004

Newport Jazz Festival Poster, 1974 - 3.1: Newport Jazz Festival 1975-2004

Orchestra - 4.1: 1964

Parker, Charlie - Bird & Diz, 1973 - 4.1: 1973, Charlie 'Bird' Parker - 3.1: Newport Jazz Festival 1975-2004

Playboy Jazz Festival, 1980 - 4.1: 1980

The Jeanie Johnston, 1998 - 4.1: 1999

Jenner, Bruce - see track and field

The Jennifer, 1981 - 4.1: 1981

Jeopardy! -2.1: 1998

Jimmy Fund - 3.1: Ted Williams and Jimmy Fund 1991

JoAnn Perse Gallery -2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990

Jock Magazine - 4.1: 1970

jockeys - see horses: horse racing

Johnson, Cecile Ryden - 4.1: 1975

Johnson, Earvin "Magic" - Magic, 1988 - 2.1: 1992, 4.1: 1989 ov, Magic Johnson, 1991 - 2.1: 1996

Jones, Baird - 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: 1987, 1988

Jones, Robert Trent - 4.1: 1995

Jones, Jr., Roy - see boxing

Jones, Tony - 1.1: Education and Teaching b., see AppendixA for correspondence

Jordan, Michael, Michael Jordan - 4.1: undated 1990s, 2000, Michael Jordan, serigraph - 2.1: 1991, 4.1: 1998

Joyner -Kersee, Jackie - see track and field

J.R. Fine Arts - 4.1: 1998

judo - 4.1: 1977, 1987

Juvenile Diabetes Foundation - 4.1: 1990, 1991, 1995

K

Kabl Citizen of the Day Award - 1.1: Awards

Kalinsky, George - 2.1: 1984, 1986, 1996, 2.3: Imitations and Forgeries, George Kalinsky with his Olympus, 1986 drawing - 4.1: 1986

Kaplan, Fred - 2.1: 1960s, 1970s

Kapp, Joe - 3.1: Gridiron Football News 1971-1973, 4.1: 1970

Kaufman, Bart and Judy - 2.2: Bart Kaufman 1978-89, 4.1: 1970s

Kay, Leslie - 3.1: Folies Bergere, Tropicana, Las Vegas 1983

Kelly, Bob - 4.1: 1974

Kennedy Onassis, Jackie, Jackie, 1970 drawing - 4.1: 1970

Kennedy, Robert and Ethel - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79, 4.1: 1968, 1971, 1972 see also golf, tennis

Ethel Kennedy - 3.1: "Recent Graphics and Drawings," The Far Gallery Solo Exhibition 1971

R.F.K., 1968 watercolor - 4.1: 1968

Robert F. Kennedy, 1971 engraving - 3.1: "Recent Graphics and Drawings", The Far Gallery Solo Exhibition 1971, 4.1: 1972, 1974

Kennedy, Ted

Sen. Ted Kennedy, 1981 drawing on napkin - 4.1: 1981

Kenneth Behm Galleries - 2.1: 1989, 4.1: 1987, V: 1991

Kenton, Stan - see jazz

Kentucky Derby - see horse racing

Kerner, Otto - 4.1: 1960

Kershaw, Tom - 4.1: 1995

Key Club Bar, 1956 - 4.2: -- Bartender Magazine -- 1987-1992

Kidd, Billy - 3.1: '21' Club, 1990 (photo)

Kilroy, Gene - 2.2: Gene Kilroy, 3.1: Golden Nugget Casino, Las Vegas 1988

King, Don - 3.1: Sportsman's Ball 1978, 4.1: 1975

King, Larry - 4.1: 1988 (radio), Larry King, 1996 - 3.1: Morton's of Chicago 1982-present

King, Mark - 2.3: Imitations and Forgeries

King's Palace, 1960 drawing - 4.2: -- Bartender Magazine -- 1987-1992

Kitt, Eartha - 4.1: 1994

Knight, Bobby, Bobby Knight, 1979 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, Knoedler & Co. - IID: Price Lists, 1.2: Knoedler & Co. and Hammer Galleries, see also Appendix B, Hammer Galleries - 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, 3.1: Soft Paintings 1989, 3.1: "A Salute to Central Park" Exhibition 1989, 3.1: Universal Geneve Timepieces Promotion 1995, 3.2. -- Winners -- , 1983, Harry N. Abrams, 1.2: Knoedler & Co. and Hammer Galleries, 4.1: 1972, 1976, 1985, 1989, see also exhibitions

Knoedler Publishing - 3.1: Knoedler London Exhibition 1976, 3.2 Publications, 1.2: Knoedler & Co and Hammer Galleries, 4.1: 1976, 1989

Kohl Galleries - 4.1: 1988

Kool Jazz Festival - see jazz

Koosman, Jerry, Jerry Koosman, 1976 - 4.1: 1977, 2001

Kopf, Chef Stefan - 4.1: 1986

Kozlova, Valentina - V: 1991

Kramer, Paul - 4.1: 1980

Kravtiz, Brenda - 1.1: Friars

Kupcinet, Irv "Kup" - see television, see also Appendix A

Kushner, Cedric - see Heavyweight Explosion

L

La Cuisine Francaise - 3.1: Saks Fifth Avenue 1994 -1999, 3.1: The Culinary Arts 1998, 4.1: 1995, 1998, Le Grand Cuisine, 1977 - 2.1: 2000, 4.2: -- Bartender Magazine -- 1997-2002, 4.1: 1977, 2001

La Nuit de Paris, 1988 - 4.1: 1988, 1989

Lacrosse - 4.1: 1977, 2005, see also McEneaney, Eamon

U.S.A. Lacrosse Team - 4.1: 1978

Ladies of the Hunt, 1959 charcoal - see horses

Lagerfeld, Karl - 4.1: 1992

Lake Tahoe - VC: 1983

LaLanne, Jack - 2.1: 1977, 3.2. -- Horses -- , 1979, Harry N. Abrams, Correspondence

Landau, Barry - 2.2: Barry Landau 1994-96

Landry, Tom - 3.1: Gridiron Football News 1971-1973, Tom Landry, 1984 - 4.1: 1984 ov., 1989

Lanier Business Products, Inc. - see Stock Market, 1976

Largent, Steve - 4.1: 1994

Lark Creek Inn - 4.1: 1990

Larry Harper Company - 4.1: 1998

LaRussa, Tony - 2.1: 1993, Manager of the Year, 1992 - 4.1: 1993

Larson, Glen and Janet - 2.1: 1985, 1987

Lasorda, Tommy - 4.1: 1993

Las Vegas - see casinos, 1.1: Awards, 3.1: Las Vegas Centennial 2005

Las Vegas Celebrity Cookbook - 2.1: 1984

Latin Legends film - 4.1: Undated 1990s

Latin Recording Academy - see Appendix A

law suits -- - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys, 4.1: 1975, see also forgery, theft

against Felicie Schumsky, by LeRoy Neiman, 1976 - 1.2

against Robert Gold d/b/a Gallery Artists, 1976 - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys

against LeRoy Neiman and Knoedler, Inc. by Emerald Art Gallery, 1977 - 2.1: 1977

Lawrence Ross Galleries - 3.1: Lawrence Ross Galleries 1985-88

lawyers - 2.2: Fried, Frank, Harris, Shriver & Jacobson Attorneys

Lazar, Irving "Swifty" - 3.1: Celebrity Night at Spago, 1993

Leahy, Pat - 4.1: 1992

Learning Annex - 2.1: 1989, 4.1: 1989

Lebow, Fred - 3.1: New York City Marathon 1984-2001

lectures - 2.2: Royce Carlton Lecture Agents 1978-86, 4.1: 1989, see also Learning Annex

Leibowitz, Maury - 1.2: Knoedler & Co. and Hammer Galleries

Leifer, Neil - 3.1: Circle Gallery 1972, 3.1: '21' Club, 1990 (photo), 4.1: 2003

Leija, James - 4.1: 1995

LeMieux, Mario, Mario LeMieux, 1989 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91

Lendl, Ivan - see tennis

Lennon, John - 2.1: 1999, 2000, see also The Beatles, and Ono, Yoko

John Lennon, pre 1982 drawing - 4.1: 1982

John Lennon, 1990 etching - 2.2: JoAnn Perse Gallery 1984-98, 3.1: John Lennon Etching 1990, 4.1: 1990, 1992

Leonard, Sugar Ray - see boxing

LeRoy, Minnesota - 4.1: 1978 and ov, V: 1970s

LeRoy Neiman: An American in Paris -- , 1994 - 3.1: Superbowl XXVIII 1994, 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994

LeRoy Neiman: Art and Lifestyle, 1974 - 3.2. -- LeRoy Neiman Art and Lifestyle -- , 1974, Felicie, 1.2: Felicie, Inc. Advertising, 1.2: Lawsuit Against Felicie, Inc.

LeRoy Neiman Center for Print Studies, Columbia University - 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995-present

LeRoy Neiman Center for the Study of American Society and Culture, University of California at Los Angeles - 3.1: UCLA, 1998-present

LeRoy Neiman: Five Decades, 2003 - 3.2. -- LeRoy Neiman: Five Decades -- , 2003

LeRoy Neiman Museum of Art, St. Paul, Minnesota - 3.1: LeRoy Neiman Museum of Art, St. Paul, 1997, 4.1: 1997 (ov), 1998

LeRoy Neiman On Safari, 1996 - 1.2: Bowles Galleries 1997-present, 3.2. -- LeRoy Neiman On Safari -- , 1996

LeRoy, Warner - 2.1: 1998, 1999, V: 1991, see also Tavern on the Green

Let's Celebrate - 4.1: undated

Leukemia Society of America - 4.1: 1992

Levin, Meyer - 4.1: 1955-59

Lewis, Carl - see track and field

Lewis, Jerry Lee - 3.1: Blues Ball 1997-2004, The Killer - 3.1: Blues Ball 1997-2004

Lewis, Lennox - see boxing

Liberace - 4.1: 1988

Licensing Art and Design, by Cynthia Revelli - 2.1: 1995

Lido - 4.2: -- Playboy -- 1964, see Appendix E

Lifeline Inc. (fitness equipment) - 2.2: Bobby Hinds 1990-2000

Lifestyle -- Magazine - 4.1: Undated 1980s

Lilly, Bob, Bob Lilly, 1972 - 4.1: 1972

Limbaugh, Rush - 4.1: 1991

Limoges enamels - 2.1: 1988

Lincoln, Abraham, Abraham Lincoln, 1968 - 2.1: 1988, 1989, 4.1: 1968, 1981, 1987

Lindberg, Elayne - 3.1: Stadium Tennis Billboard, 1981 (photo)

Lipofsky, Mary and Steve - 2.1: 1996, 4.1: 1995

Liston, Sonny - see boxing

Little, Floyd - 3.1: Gridiron Football News 1971-73, 4.1: 1973 ov

Floyd Little - 4.1: 1972

The Littlest Clown - 4.1: undated

Liverpool, England - 4.1: 1960 ov

Lollobrigida, Gina - 4.1: 1981

Loma Linda University - 2.1: 1983

Lombardi, Vince, Vince, 1981 - 2.1: 2001, 4.1: 1985

Lomonaco, Chef Michael - 2.1: 1996, 4.1: 1999

London, England - 3.1: O'Hana Gallery Solo Exhibition, London 1962, 3.1: Knoedler London Exhibition 1976, 4.1: 1960 ov, 1961, 1962, 1966, see also Liverpool

The Lone Ranger, 1977 - 2.1: 1988, 3.1: The Lone Ranger, 1977

Long, Captain Elgen, The Adventurer, between 1971 and 1977 - 2.2: Gallery Mack 1975 -87, 4.1: 1982

Lonsdale International Sporting Club - 1.1: Awards

Los Angeles Institute of Contemporary Art (LAICA) - 3.1: Neiman/Warhol Exhibition at LAICA 1981-82

Louganis, Greg - see swimming and diving

Louis, Allyson - see Allyson Louis Gallery

Louis, Joe - see boxing

Lowery, Nick

Nick Lowery, 1992 - 4.1: 1992, 1997

Lubel, William - 2.1: 1973

Lynch, David - 3.1: "Cig Art" Benefit Exhibitions 1996-2000

M

Maccioni, Sirio - 4.1: 2004

Mack, Barbara - see Gallery Mack

Madison Square Garden - 2.1: 1981, 4.1: 1966, 1967, 1968, 1969, 1971, 1987, 1992, 1994, 1999, 4.2: -- Playboy -- 1963, see Appendix E

Madison Square Garden (silkscreen) - 4.1: 1978

Madrid, Spain - 4.1: 1960 ov

A Magic Moment, 1990 - see Orlando Magic under "baseball"

magical creatures - see animals: unicorn

Mahoney, James - 2.1: 1983, 3.1: Pebble Beach Golf 1982-1995

Mailer, Norman - 4.1: 1982

Maitland, Vic - 2.2: NFL Alumni

Make-a-Wish Foundation - 4.1: 2000

Maki, Mary Ann - 2.1: 1993, 1995, 1997

Malave, Chu Chu - see boxing

Malinowski, Mark "Scoop" - 4.1: 2000

Malletmen, 1977 etching - see polo

Manager of the Year, 1992 - see LaRussa, Tony

Mandalay Bay - 3.1: De La Hoya vs. Vargas 2002

Mandela, Nelson - 3.1: Nelson Mandela Tribute 1997

Mangione, Chuck - 4.1: 2004

Manhattan Bride -- Magazine - 4.1: 1999

Manhattan Concert Club - 4.1: 2004

Manhattan Magazine - 1.1: Awards, 2.1: 1989, 3.1: LeRoy Neiman Center for Print Studies, Columbia University 1995 - present, 4.1: 1984, 1990, 1997, 1998, 1999 Manila, Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975

Mannochia, Adriano - 4.1: 1983

Mantle, Mickey - 2.1: 1998, 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999, 4.1: 1968

Mickey Mantle (or) High Ball Homer, 1962 - 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999

Mickey Mantle - Switcher, 1967 - 3.1: Mickey Mantle Paintings and Serigraphs, 1962-1999

Manufacturers Hanover Trust Company - 2.1: 1978, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: New York City Marathon 1984-2001, 3.1: Millrose Games 1986-1995, see also Chemical Bank and McCabe, Charles

marathon - see running

March of Dimes - 2.1: 1981, 1982, 3.1: March of Dimes' Gourmet Gala 1985, 4.1: 1974, 1981, 1983, 1985

Mardi Gras - 3.1: Rex Proclamation Mardi Gras Poster Painting 2002, 4.1: 1987, 2001

Marichal, Juan, Juan Marichal - 4.1: 1995

marionette - 4.1: 1981, 1984

Marketing Communications Magazine - 2.1: 1980, 4.1: 1980

Marlin!, 1977 serigraph - 2.1: 1977, 4.1: 1977 ov

Marmel, David - 3.1: Beauty Pageants 1980-84, 3.1: Victor Awards 1981-85

Marquis Who's Who - 1.1: Who's Who

Marshall Field & Company - 3.1: Fashion Illustration for Marshall Field 1957-59 (Oversize only)

Marshall, Leonard, Leonard Marshall, 1991 - 4.1: 1991, 1992

Martin, Billy, Billy Martin, 1990 drawing - 2.1: 1990

Marx, Groucho - 3.1: Charlotte Chandler 1978-84

Maser Galleries, Maser Fine Arts - 2.1: 1988, 1989, 3.1: 1983 U.S. Open, Oakmont, 1983

Mashburn, Jamal - 4.1: 1990

mask auction - 4.1: 1988

Mason, Jackie - 4.1: 1994

Massachusetts Institute of Technology (MIT) - 1.1: Awards: Citations, 4.1: 1982

matador - see bullfights

Mathis, Buster - see boxing

Matsui, 2004 - 3.1: Special Olympics Nagano Japan 2005

The Maulers -- 1993 lithograph - see boxing

Max, Peter - 4.1: 1994, 1995, 1980s and 1990s (mentioned throughout)

Mayo Clinic - 2.1: 1983

mayoral debate - 4.1: 1989, see also politics

Mays, Willie - 4.1: 1992, Wille Mays - 2.2: 1978, 4.1: 1979, 1982, 2001

Mazeroski, Bill, Bill Mazeroski - 4.1: 1973

Mazzilli, Lee, Lee Mazzilli, 1979 - 2.1: 1979, 2001 4.1: 2001, Lee Mazzilli Celebrity Golf and Tennis Classic - 2.1: 2001, 4.1: 1992, 1994, 1995, 1996, 1997, 2001

McCabe, Charles - 2.1: 1995, 2.2: Manufacturers Hanover and Chemical Bank, 3.1: Iona College Trustee Awards Dinner Dances 1984-95, 4.1: 1987, 1997, see also Chemical Bank

McCormack, Mark H. - see The Wonderful World of Professional Golf by Mark H. McCormack under golf

McDonald, Kitt - 4.1: 1986

McDougal, Little & Company - 2.1: 1985

McEneaney, Eamon - 4.1: 2001, 2005

McEnroe, John - see tennis

McFagan, Helen - 2.1: 1993

McGirt, James "Buddy" - see boxing

McGraw-Hill Publishers - 2.1: 1999

McGuire, Al - 4.1: 1980

McGwire, Mark, Mark McGwire, 1998 - 3.1: Mark McGwire 1998-99, 4.2: -- Bartender Magazine -- 1997-2002, 3.1: Good Tidings Foundation, 1998-2002

McHale, Kevin - see Johnson, Earvin "Magic": Magic

McNeely, Peter - 4.1: 1995

McNichol, Kristy - 2.1: 1980

Mead, Margaret, Margaret Mead, 1972 drawing - 4.1: 1977 ov

Meigs, Kris - 2.1: 1981

Melville, Herman - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Memphis Blues Ball - 4.1: 1998

Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

menus - 4.1: 1977, 1993, 1994, 1995, 1997, 1999, see also food, restaurants

medical - see The Open Heart, 1982

Mercantile Bank, Chicago and Hammond, IN - 3.1: Mercantile Bank Murals 1966

merchandise - see promotions, product and service, and collectible merchandise

Merrill Chase Galleries, Chicago - 2.2: Merrill Chase Galleries 1974-89, 4.1: 1973, 1976, 1980, 1981, 1982 see exhibitions

Metropolitan Museum of Art - 2.1: 1981

Metropolitan Opera - see opera

Mexico - 3.1: Caliente Race Track Exhibition and Painting 1989

MGM Grand Gallery - 4.1: 1999

Miami Sound Machine - see Estefan, Emilio and Gloria

Michael Zabrin Fine Art - 2.1: 1989

Michaels, Walt - 2.1: 1980, see also football: New York Jets

Midwest Museum of American Art - 4.1: 1979, 1989, see also exhibitions

Miles, Sylvia - 3.1: '21' Club, 1990 (photo), 4.1: 1991

Minelli, Liza - 3.1: Frank Sinatra at Royal Albert Hall 1989

miniatures - 4.1: 1983

Minnesota Historical Society - 2.1: 1994

Minnesota Museum of Art - 3.1: St. Paul Bicentennial Painting 1975-76, see also exhibitions

Minotaur Galleries - 2.2: Minotaur Galleries 1984-1994, 4.1: 1986, see also exhibitions

John Miles Bonded Travel Agency - 4.1: undated

military - 1.1: Military Service

Million Dollar Strike, 1982 - see bowling

Millionaire Magazine - 3.1: Joe DiMaggio 1998-99

Millrose Games - 3.1: Millrose Games 1986-1995

Milt Gross Fund - 2.1: 2000, 4.1: 2001

Minuteman, 1987 - 3.1: U.S. Savings Bonds Campaign 1987-88

Mirrer, Louise - IC: A Sociological Study of the Artist LeRoy Neiman, and 1000 Neiman Collectors by David Halle and Louis Mirrer, 1990

Mitchell, Mayer - 2.1: 1972, 1976, 1977, 1987

The Mixologist, 1959 - see bars

Moby Dick -- , 1975 - 2.1: 1993, 3.2.2

models - 3.1: Beauty Pageants 1980-84, see also Eve Models, Inc., search for individual models by name

Monaco - see also Bal de la Mer, Monte Carlo, auto racing, French Riviera

Monaco Rendezvous, 1994 - 3.1: Monaco Trip 1994

Monmouth Park Charity Ball - 2.1: Charities (all dates, 1980s, 1990s)

Monroe, Earl, Earl "The Pearl" Monroe, 1976 - 4.1: 1976

Montana, Joe, Joe Montana, 1982 - 2.2: DeBartolo Corporation and Associated Institutions 1989-91, 4.1: 1982, 1990

Montanez, Willie - 4.1: 1979

Monte Carlo, Monaco - 4.2: -- Playboy -- 1963, see Appendix E, see auto racing, Monaco

Monte Carlo, 1994 - 4.1: 1999

Monte Carlo Chase, 1988 - 2.2: Neiman -Marcus 1983-88, 3.1: Steiner & Young Galleries Solo Exhibition 1989, 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

Japanese Edition - 2.2: Joe Hideo Morita 1988-90

Moore, Wayland - 2.3: Imitations and Forgeries

Moorer, Michael - 4.1: 1994

Morbelli, Jean - 2.1: 1988

Moreno, Linda "Eva" - 2.2: Linda Moreno

Morgan, Joe, Joe Morgan, 1990 - 4.1: 1990

Morita, Joe Hideo - 2.2: Joe Hideo Morita 1988-90

Morley, Malcolm - 4.1: 1984

Morocco - 4.2: -- Playboy -- 1970, see Appendix E

Morrel Wines - 4.1: 1984

Morris, Gary and Elizabeth - 2.1: 1996, 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Morrison, Tommy - see boxing

Morton's of Chicago - see restaurants

Moscow - 3.1: Goodwill Games Moscow 1986, 3.1: "LeRoy Neiman in Moscow" Solo Exhibition, Hammer Galleries 1987, V: 1960s

Tretyakov Museum - 3.1: Tretyakov Museum Solo Exhibition, Moscow 1988

Mosley, Shane - see boxing

Mount Pleasant Animal Shelter - 4.1: 2000

Mozartfest - 4.1: 1998

Mthembu, Nomusa - 2.1: 1992

Mulloy, Gardner - 4.1: 1998

multiple sclerosis - see National Multiple Sclerosis Society, or Race to Erase MS

Munich, Germany - see Olympic Games

Municipal Art League of Chicago Award - 1.1: Awards

Munson, Thurman - 3.1: Thurman Munson and Thurman Munson Awards 1977-2002, Thurman Munson, 1976 - 3.1: Thurman Munson and Thurman Munson Awards 1977-2002

murals - 3.1: Mercantile Bank Murals 1966, 3.1: Sportsman's Park Mural 1976, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 3.1: Stadium Tennis Billboard 1981, 3.1: "The Playboy Collection," Dyansen Gallery Traveling Exhibition 1989-90

Murphy Brown - see Warner Brothers Television in Appendix A

Murphy, Dale - 2.1: 1993, 1995, 4.1: 1993

Murphy, Libby - 2.2: Libby Murphy 1992-1998, 3.1: Iroquois Steeplechase, Nashville, TN, 1993

Murphy, Father Terrence - 4.1: 2004

Muscle Builder & Power Magazine - 4.1: 1977

Muscular Dystrophy Associations of America - 4.1: 1971, 1987

Lifetime Achievement Award - 1.1: Awards

Museo de Bellas Artes, Caracas - 2.1: 1972 see also exhibitions

Museum of the City of New York, Theater Collection - 3.1: Showstoppers Group Exhibition, MCNY 1983

music -- - 4.1: 1970, 1981, 1983, 1992, see also Gibson Guitars

blues - 3.1: Blues Ball 1997 -2004, see Paul, Les

classical - 4.1: 1964, 1965, 1998, see also Bernstein, Leonard; Eaton, Roy; Fox, Virgil; Grady, John; Raphael, James

Arkansas Symphony Orchestra - 3.1: Arkansas Symphony Orchestra and Arkansas Wild Ducks, 1984

Desert Symphony - 4.1: 1997

Oakland Symphony - 2.1: 1985

The Organ at St. Paul the Apostle, 1965 - 4.1: 1965, 1967

Symphantasy - 3.1: Symphantasy 1988

Symphony for United Nations, 1991 - 2.1: 1991, 4.1: 1991

country - 4.1: 1994, see Tennessee

jazz - see jazz

opera - see opera

popular - 3.1: Fifth Dimension Album Art 1970-82, 3.1: Billboard Magazine First Annual Billie Awards 1993, 4.1: 1993, see The Beatles; Bennet, Tony; Blues Ball; Davis, Sammy; Iglesias, Julio; Jackson, Michael; Lennon, John; Paul, Les; Sinatra, Frank

musicals - see Times Square, 2001

Angels on Horseback - 4.1: undated 1980s

Golden Boy - 4.1: 1964

My Fair Lady - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

Oh! Calcutta - 4.1: 1967

Porgy and Bess - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

West Side Story - 3.1: Showstoppers Group Exhibition, MCNY 1983, 4.1: 1983

Mustang Ranch - 3.1: Mustang Ranch Brothel 1989

Myasthenia Gravis Foundation - 4.1: 1978

Myers, Farlan - 2.1: 1986

Mystic Seaport, CT - 3.2. -- Moby Dick -- , 1975, The Artist's Limited Edition

Mystic Rock, 1995 - 4.1: 1997

N

NAMTA - 4.1: 1984

NBC - see television

NECO (National Ethnic Coalition of Organizations) - 1.1: Awards, Citations and Miscellaneous Prizes

Nabisco - see promotions

Nahan, Kenneth - 4.1: undated

Naismith Memorial Basketball Hall of Fame - see basketball

Namath, Joe - 3.1: New York Jets 1966-, 4.1: 1968, 1972, 1973, 1982

Napoleon at Waterloo, 1988 serigraph - 4.1: 1988

Nash, Beau - 3.1: The Ambassadors, 1960s

The Nation -- Magazine - 2.1: 1998, 4.1: 1998

National Art Museum of Sport (NAMOS) - 2.1: 1972, 1979, 4.1: 1980, 2003 see also exhibitions

National Arts Club - 4.1: 1994

National Baseball Hall of Fame and Museum, Cooperstown, NY - see baseball

National Bowling Hall of Fame and Museum - see bowling - Million Dollar Strike, 1982

National Cowboy Hall of Fame - 2.1: 1999, 3.1: National Cowboy Hall of Fame 1985

National Fitness Classic - 4.1: 1982, 1983

National Multiple Sclerosis Society - 4.1: 1969, 1976, 1980, 1988

National Sports Collectors Convention - 4.1: 1992 ov.

NBA - see basketball

negative press - 2.1: 1980, 4.1: 1978, 1979, 1981, 1983

Neiman, Earl - 1.1: Family (Neiman Studio Archive only)

Neiman, Janet - 1.1: Family, 3.1: Art Institute of Chicago Instructors Exhibition 1955, 4.1: 1985

Neiman News - 3.1: Neiman News 1977-1985

Neiman-Marcus - 2.2: Neiman-Marcus 1983-88, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1983, 1984

Neiman, Robert B - 2.3: Imitations and Forgeries

"Neiman's Cuba" film project - 2.1: 1979, 1982

Neiman's Restaurant & Lounge - see restaurants and bars

Nepal - 2.1: 1982

Nevada County Arts Council - 4.1: 1982

New Jersey State Opera Ball - see opera

New Milford Hospital - 4.1: 1991

New Orleans, Louisiana - 2.1: 1993, 1997, 1998, see also Hanson Art Galleries and Mardi Gras

New School for Social Research, NY - 4.1: 1978

New Times Magazine - 2.1: 1978

New Year's Eve, 1997 - 4.1: 1997 and ov

New York City Marathon - see running

New York Friars Club - 4.1: 1999

New York Giants - see Football

New York and Los Angeles: Politics, Society, and Culture by David Halle - 3.1: UCLA LeRoy Neiman Center for the Study of American Society and Culture, 1998-present

New York Public Library - 4.1: 2002

New York State Governor's Arts Awards - 4.1: 2000

New York Times Magazine -- - 4.1: 1971

The New Yorker -- Magazine - 4.1: 1994, 1999

Newman, Eric - V: 1975

Newman, Paul - 3.1: Celebrity Night at Spago, 1993, see also -- The Hustler

Newport Jazz Festival - 3.1: Newport Jazz Festival 1975-2004

Newsweek -- Magazine - 4.1: 1972, 1992

Newton, Wayne - 4.1: 1988

NFL - see football

NHL - see hockey

Niarchos, Stavros

Stavros Niarchos, 1969 drawing - 4.1: 1969 ov.

Nicholson, Jack - 3.1: Tyson vs. Spinks 1988

Nicklaus, Jack - see golf

Nitschke, Ray - 4.1: 1988

Noah, Yannick - see tennis

Nob Hill, 1986 serigraph - 3.1: Nob Hill and Bowles Hopkins Gallery 1986

Norman, Greg, Greg Norman - 2.1: 1990

North Shore Art League - 1.1: Education and Teaching, Miscellaneous, undated

North Shore Child and Family Guidance Association - 4.1: 1986, 1987

Northern Indiana Art Association - 2.1: 1989, 4.1: 1989

Northwest Orient Magazine - 4.1: 1986

Northwest Paper Company - 3.1: 1972 Olympics

Northwestern University - 2.1: 1978

Norton, Ken - see boxing

Norton Herrick Fine Arts Group - 3.1: LeRoy Neiman Website 1997-present

Norway - 2.1: 1988

Notre Dame - 4.2: -- Bartender Magazine -- 1997-2002

Nureyev, Rudolph - see ballet

O

Ocean Club, Atlantic City - see promotions

Everett Oehlschlaeger Galleries, Chicago - 2.1: 1960s, 4.1: 1973, 1975

Frank Oehlschlaeger Gallery, Sarasota, FL - 3.1: "American Masters of the 40s, 50s, and 60s", Frank Oehlschlaeger Gallery, 1985

Oesch, Claire - 2.1: 1994, 1995

Oh! Calcutta - see musicals

Oklahoma - see Bennett, Chef John, and baseball: Oklahoma Redhawks (minor league)

Olin Corporation - see promotions

Olympic Games -- - 4.1: 1984

1972 Olympics, Munich - 3.1: 1972 Olympics, Munich, 4.1: 1987

1976 Olympics, Montreal - 3.1: 1976 Olympics, Montreal, 4.1: 1987

Games of the XXI Olympiad, 1976 - 3.1: Volvo Masters Painting 1983

Olympic Boxers, 1976 - 3.1: 1976 Olympics, Montreal

1980 Winter Olympics, Lake Placid - 3.1: Winter Olympics, Lake Placid 1980

Olympic Figure Skating, 1978 - 3.1: Winter Olympics, Lake Placid 1980

Winter Olympic Skiing, 1980 - 3.1: Winter Olympics, Lake Placid 1980

1984 Winter Olympics, Sarajevo - 3.1: Sarajevo Winter Olympics 1984

1984 Olympics, Los Angeles - 3.1: 1984 Olympics, Los Angeles, 3.1: Center Art Galleries Exhibition, Hawaii, 1985

American Gold, 1984 - 4.1: 1984

Opening Ceremonies - XXIII Olympiad 1984, 1984 - 4.1: 1984

1988 Olympics, Seoul - 2.1: 1988, 4.1: 1988

1988 Winter Olympics, Calgary - 2.1: 1986, 1987

1992 Olympics, Barcelona - 2.1: 1989

1994 Winter Olympics, Lillehammer - 3.1: 1994 Winter Olympics, Lillehammer

1996 Olympics, Atlanta - 3.1: Atlanta Olympics 1996

2000 Olympics - 3.1: 2000 Olympics

2004 Olympic bid - 2.1: 1989

boxing - 3.1: 2000 Olympics

Olympic Boxing - 4.2: The Ring Magazine

Olympics of Tomorrow - 4.1: 1978

U.S. Olympic Fight Night - 2.1: 1996, 4.1: 1996

Spring Serenade 2004 - 4.1: 2004

OMTI (Opera Music Theatre International) LeRoy Neiman Recital Hall - see opera

On Safari - see LeRoy Neiman On Safari

Onassis, Aristotle, Aristotle Onassis, 1969 drawing - 4.1: 1969 ov.

O'Neal, Shaquille, Shaquille O'Neal, 2000 - 3.1: Shaquille O'Neal, 2000

Ono, Yoko - 2.2: JoAnn Perse Gallery 1984 -98, 3.1: John Lennon Etching 1990

The Open Heart, 1982 - 3.1: The Open Heart, 1982

opera - see also Le Grand Escalier de l'Opera, 1969

Amahl and the Night Visitors, 1978 - 4.1: 1978

Ballroom Scene from 'La Traviata', 1980 - New Jersey State Opera Ball Paintings 1979-83

Falstaff, opera by Verdi - 2.1: 2002, 3.1: Falstaff Opera 1993, 4.1: 2002

Hines, Jerome and Lucia - 3.1: New Jersey State Opera Ball Paintings 1979-83, 3.1: OMTI LeRoy Neiman Opera Lab Theater 1995

Jerome Hines as Boris Godunov, 1988 drawing - 4.1: 1988

Metropolitan Opera - 2.1: 2002

Metropolitan Opera - 2.1: 1980, 3.1: Advertising Layouts 1980s

New Jersey State Opera Ball - 3.1: New Jersey State Opera Ball Paintings 1979-83

A Night at the Opera, drawing - 4.1: 1989

Opera Music Theater International - 3.1: OMTI LeRoy Neiman Opera Lab Theater 1995, 4.1: 1989, 4.1: 1991

Pagliacci, 1982 - 3.1: New Jersey State Opera Ball Paintings 1979-83

The Three Tenors, 1996 serigraph release - 3.1: The Three Tenors, 1996

organists - see Fox, Virgil; Grady, John

Original Print Collectors' Group, Ltd. - 4.1: 1989

Orr, Bobby - 4.1: 1977

Orr for the Defense, 1992 - 2.1: 1992, 3.1: Orr for the Defense, 1992, 4.1: 1992

Oslo, Norway - 2.1: 1988

Our Lady of Mercy Medical Center - 4.1: 1997

Outrigger Canoe Race, 1976 - 4.1: undated 1970s

Owens, Jesse - see track and field

Ox-Bow, the Summer School of Painting, Saugatuck, Michigan - 1.1: Education and Teaching, 2.1: 2001, 3.1: Ox -Bow 1998

Oxendine, Kit - 1.1: Lynn Quayle, V:1990s

P

P.J. Clarke's, New York - see restaurants

P.O.V. Magazine - 4.1: 1998

Pacino, Al - 2.1: 1983

Paige, Satchel - 3.1: Economic Opportunity Atlanta 1968 ov.

Pallack, Rick - 2.1: 1996, 1999, 4.1: 1996

Palm Beach, Florida - V: 1970s

Palm Springs, California - 3.1: Palm Springs Commemorative Coin, 1987-88

Palmer, Arnold - see golf

Palmer, Jim, Jim Palmer, 1990 - 4.1: 1990

Papp, L. Roy - 3.1: L. Roy Papp, 1980

Pappas, Thomas, Thomas A. Pappas, 1969 drawing - 4.1: 1969 ov.

Paris, France - 3.1: "Un Americain à Paris," Solo Exhibition, Galerie Marcel Bernheim, Paris 1993, 4.1: 1963

Paris, 1989 - 3.1: Kentucky Derby 1995-97

Paris Match -- Magazine - 4.1: 1961, 1962

Parker, Charlie - see jazz

Parks Council - 4.1: 1976

Paschke, Ed - 2.1: 1988, 1990, 2.3

Pastorini, Dan - 2.1: 1989

Patrician Galleries - 2.1: 1987

Patrick, John 'Malt Liquor' - 3.1: Economic Opportunity Atlanta 1968 ov.

Paterson Museum, Paterson, NJ - 2.1: 1989, 4.1: 1996

Patterson, Floyd - see boxing

Paul, Les - 2.1: 1997

Pavarotti, Luciano - 3.1: The Three Tenors, 1996

PAWS/LA - 2.1: 1999, 4.1: 2000

Payne, Marcus - 2.1: 1982

Pazienza, Vinny - 4.1: 1995

Peaches and Pits Awards - 4.1: 1987, 2000

Pebble Beach - see golf

Pele - see soccer

Pelkey, Joe - 2.1: 1990, 1993, 2.2: Joe Pelkey, Editions Limited

pendant - VII: Painting pendants, undated

Peninsula Sports Club - 4.1: 1973

Penn, Esther - 3.1: '21' Club, 1990 (photo), 4.1: 1999

Penske, Roger - see auto racing

Penthouse -- Magazine - 2.3: Imitations and Forgeries

Percival Galleries - 2.1: 1979, see also exhibitions

perfume - see promotions

Peri-Renneth Gallery, Southampton - 2.1: 1988, 4.1: 1984

Perkins, Carl - 2.2: Libby Murphy

Perry, Gaylord - 3.1: Gaylord Perry's 300th Win file

Perse, Joanne - 4.1: 1986

PESO - 3.2: LeRoy Neiman Art and Lifestyle 1974

Phelps, Digger - 2.1: 1990

Philadelphia Sports Writers Association - 4.1: 2000

Phillipines - 3.1: Ali vs. Frazier III "The Thrilla in Manila," 1975

pianists - see Eaton, Roy; Raphael, James, see also music: classical

Piazza, Mike, Mike Piazza, 1999 - 3.1: Mike Piazza 1999

Piazza San Marco, 1990 - 3.1: Piazza San Marco, 1990, 2001-2002

Pierrot, drawing - 4.1: 1975

Pierrot, lithograph - 3.1: Circle Gallery 1972

Pierrot the Juggler, lithograph - 3.1: Circle Gallery 1972

The Pitman Company - 4.1: 1984

Pizza Hut - 2.1: 1991, 4.1: 1992 ov

La Plage de Deauville, 1990 - 2.1: 1990

plates, collectible - see Royal Doulton

Plate Collector Magazine - 2.1: 1980

The Playboy, painting - 4.1: 1990

Playboy Enterprises International - 2.2: Playboy Enterprises Inc. 1980s, 4.1: 2001 art auction - 4.1: 1989, 4.2: Playboy Ephemera 2000s

New York Playboy Club - 4.2: -- Playboy -- 1965, see Appendix E

Playboy Art Collection - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.1: 1975, 4.2: Playboy Ephemera 2000s

Playboy Jazz Festival, 1980 - 4.1: 1980

Playboy -- Magazine and Man at His Leisure - see Appendix E, 2.2: Playboy Enterprises Inc. 1980s, 3.1: 1984 Olympics, Los Angeles, 4.1: 1959, 1966, 1999, 4.2: -- Playboy -- Magazine, V: Playboy Clubs 1961-63

Femlin - 2.1: 1985, 4.1: 1995, 2001, 4.2: -- Playboy -- Magazine, 4.2: -- Playboy -- - Femlin Paraphernalia

Playboy of Brazil - 2.1: 1985

Special Editions, Ltd. - 4.1: 1992

Players Hotel, New Orleans - 2.1: 1984

The Plaza Hotel, New York - 4.2: -- Playboy -- 1965, see Appendix E

The Plaza Square, 1985 - 4.1: 1985, 1986

tapestry - 2.1: 1990

Poland - 2.1: 1976, 1987

Plunkett, Sherman - 4.1: 1967

Police Athletic League - 2.1: 1981

politics - 3.1: Bill Bradley 1978-2000, 3.1: Peace Treaty, 1980, 3.1: Peter Dawkins Poster 1988, 3.1: Rudy Giulianni and Commission on Cultural Affairs 1994-2001, 3.1: Nelson Mandela Tribute 1997, 4.1: 1960, 1968, 1988, 1989, 1992, see also Thurmond, Strom, and The White House

Pollock, Jackson - 4.1: 1984

polo - 4.1: 1966, 1967, 1988

Attack, 1965 - 4.1: 1967

elephant polo - 2.1: 1982

H.R.H. Prince Charles, 1982 - 4.1: 1985

Malletmen, 1977 etching - 3.1: Malletmen Certificate 1977

Polo Player, 1963 - 4.1: 1963

Polo Players, 1964 - 4.1: 1991

Polo Lounge, 1988 - 2.1: 1989, 3.1: Advertising Layouts 1980s, 3.1: Polo Lounge debut at Bowles/Sorokko Galleries, Bev Hills 1989, 4.1: 1990, 1995, 1996, 4.2: -- Bartender Magazine -- 1997-2002

The Pope Flies Over New York, detail - 4.1: 1981

Pope, Kerig - 2.2: Playboy Enterprises Inc. 1980s

Porgy and Bess - see musicals

Porter, David - 3.1: Blues Ball 1997-2004

Portola Valley Classic Equestrian Festival - 4.1: 1999

Portrait of the Lion, 2002 - see animals

portraits -- - 3.1: "Portraits of Our Times 1946-96" Solo Exhibition and Catalog, Bowles/Sorokko/Yarger Galleries, 1996

of LeRoy Neiman, by other artists - 2.1: 1978, 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.1: 1986 ov

by LeRoy Neiman - search by name of subject

Posner Gallery - 2.1: 1989

posters - 3.2. -- Posters -- , 1980, Harry N. Abrams, 4.1: 1981, 1993

Posters, 1980 - 3.2. -- Posters -- , 1980, Harry N. Abrams, 3.2 ov.

Pratt Institute, New York - 3.1: "LeRoy Neiman in Cuba" Solo Exhibition, Pratt Institute, New York, 2003

Preakness Stakes - see horse racing

Prentice - Hall Publishers - 2.1: 1978

President of the United States - see politics, or search by name of President (Carter, Reagan, Bush, Clinton)

President's Council on Physical Fitness and Sports - 2.1: 1990, 4.1: 1982, 1983

Presley, Elvis - 3.1: Blues Ball 1997-2004, 4.2: -- Playboy -- 1978 (July)

price lists - IID: Price Lists

Prince Charles, 1984 - 4.1: 1984

prints - 3.1: The Etchings of LeRoy Neiman, 1976 booklet (ov), see also The Prints of LeRoy Neiman below

The Prints of LeRoy Neiman, 1980 - 3.2. -- The Prints of LeRoy Neiman -- , 1980, Knoedler Publishing

The Prints of LeRoy Neiman 1980-1990, 1991 - 3.1: Dyansen Gallery Solo Exhibition, Atlantic City 1992, 3.2. -- The Prints of LeRoy Neiman -- , 1980-1990, 1991

The Prints of LeRoy Neiman 1991-2000, 2001 - 3.2.14

Professional Picture Framers Association - 4.1: 1984

promotions, product and service, and collectible merchandise

AMF Incorporated (soccer equipment) - 3.1: AMF Soccer Equipment Promotion 1979

Absolut Vodka

Absolut Neiman, 1970 - 3.1: Absolut Vodka ad 1991, 4.2: -- Bartender Magazine

Alexander Hotel, Miami Beach, 1985 commercial - 3.1: Alexander Hotel Promotion 1985

Anheuser-Busch - 3.1: Duran vs. Leonard 1989

Clydesdales, 1979 - 4.1: 1979, 1983

World Cup Soccer poster 1990 - 3.1: Anheuser Busch World Cup Soccer poster 1990

Arrow shirts, The Arrow Man, 1986 - 3.1: Arrow shirts promotion 1986

Atomic skis - 2.2: Joe Hideo Morita 1988-90

Burger King - 3.1: Burger King Promotion 1976

Canadian Club Whiskey - 4.1: 1979

Charlie Cosmetics - 3.1: Charlie Cosmetics promotion 1981

Classic Leather, 1978 catalog - 2.1: 1977, 4.1: 1978

Corvette - see Corvette

Dewars Scotch Whiskey - 3.1: Dewar's Profile 1970

S.T. DuPont LeRoy Neiman Golf Pen and Lighter set - 3.1: S.T. Dupont LeRoy Neiman Golf Pen and Lighter Set, 2003

Folger's Instant Coffee - 4.1: undated 1960s

Footwear - 2.1: 1989

Fragrances - 4.1: 1985 see promotions: Givenchy

General Electric Cellular Car Phone - 3.1: General Electric Phone Promotion 1984

Givenchy - 3.1: Givenchy 1999

Gone with the Wind perfume - 3.1: Gone with the Wind perfume promotion 1989

Hager hinges - 4.1: 1988

Hanes Hosiery - 2.1: 1980

Merrill Chase - 2.1: 1978

Miller Brewing Company - 4.1: 1984

Nabisco - 2.1: 1988

Ocean Club, Atlantic City - 3.1: Ocean Club, Atlantic City 1982-1990

Olin Corporation, Olin Skier, 1976 - 4.1: 1976 and ov.

PuzzleStix - 3.1: PuzzleStix product idea 1999

Royal Doulton - 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1977, 1981, 1986, 2000

Saks Fifth Avenue - see Saks Fifth Avenue

Sharp Color Copier - 3.1: Sharp copier promotion 1986

skis - 2.2: Joe Hideo Morita 1988-90

Skoal chewing tobacco - 3.1: Skoal Pinch Hitter 1985-1987

Sports Commemorative Satinwood whiskey decanters - 3.1: Sports Commemorative Whiskey Decanter 1979

The Toy Store - see exhibitions

Tropicana Hotel and Casino - see casinos

watches - 2.1: 1986, 3.1: Classic Moments LeRoy Neiman Watch Collection 1989, 3.1: Universal Geneve Timepieces Promotion 1995

Wheaties - see Wheaties

publications - Series 3.2

publicists - 2.2: Barry Landau 1994-96, 2.2: Sterling/Winters Company 1983-84

Puck, Wolfgang - 2.1: 1999

Puerto Rico - 2.1: 1979, 1981, 1984, 1985

Pump Room Bar, 1957 - see bars

Punchinello, 1971 lithograph - 3.1: Circle Gallery 1972, 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1973, 1974

Purdue University - 4.1: 1986

puzzles - see promotions, product and service, and collectibles

Q

Quarry, Jerry - see boxing

Quayle, Lynn - 1.1: Lynn Quayle, IIID: Datebooks, 4.1: 1988

Queen Elizabeth of England - 4.1: 1959

The Queen Elizabeth II - 3.1: Queen Elizabeth II Cruise, 1999

R

race car - see auto racing

Race to Erase MS - 2.1: 1993, 1994, 1995, 2000, 2001, 4.1: 2001

>radio -- - 4.1: 1974, 1985, see also American Federation of Television and Radio Artists

King, Larry - see King, Larry

Stern, Howard - 3.1: Howard Stern, 1994

WNBC Radio - 3.1: WNBC Traffic Helicopter 1981

WPRO Radio Providence, RI - 2.1: 1990

Rangers Hockey Magazine - 4.1: 1967

Raphael, James

James Raphael, 1987 - 4.1: 1987

Rattiner, Dan - see Dan's Papers

Rawlings Gold Glove Award - 4.1: 1992

Reagan, President Ronald and Nancy -- - 2.1: 1981, 1988, 3.1: Nolan Ryan, 1981, 3.1: U.S. Savings Bonds Campaign 1987-88

Ronald Reagan, 1988 - 4.1: 1988

real estate - 2.1: 1986

recipe - see Heartland Celebrity Cookbook

Red Square - see Moscow

Redgrave, Vanessa - 4.1: 1994

Regatta of the Gondoliers - 2.1: 1984

Regis & Ann Show - 4.1: 1984

Reiner, Rob - 1.1: Friars

representations of LeRoy Neiman by other artists - 4.1: 1989

restaurants and bars

Al Schacht's Restaurant - 4.1: 1967, 1968 and ov

Alexis Tangier, San Francisco - 4.1: 1958

The Bistro Garden - 3.1: Bowles/Sorokko Galleries Exhibition, Beverly Hills 1987, 4.1: undated

Bruxelles Restaurant - 4.1: 1950s

The Buena Vista Café, San Francisco, 1986 - 3.1: 3.1: Nob Hill, Buena Vista and Bowles Hopkins Gallery 1986, 4.1: 1987

Le Café Chambord - 4.2: -- Playboy -- 1959, see Appendix E

Café de Flore, Paris, 1964 - 4.1: 1996

Le Café Lautrec, 1963 - 4.1: 1963

Café de la Paix - 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions

California Cuisine (The Lark Creek Inn), 198? - 3.1: Saks Fifth Avenue 1994-1999, 4.1: 2004

Central Park Boathouse - 3.1: Central Park Boathouse Painting 2002-2003

Chumley's - 4.1: 1968

Le Cirque - 3.1: Circus, 2000, 4.1: 2004

Corona Café, Chicago - 4.1: 2001

Duke's Fish & Grill - 4.1: 1985

Ernie's, San Francisco - 4.1: 1958, 4.2: -- Playboy -- 1961, see Appendix E

F.X. McRory's Whiskey Bar, Seattle, 1979 - 3.1: F.X. McRory's Whiskey Bar 1979-80, 4.2: Bartender Magazine 1987-1992 and 1993-2002, 4.1: 1995

Fouquet's - 2.1: 1993

Fouquet's - 3.1: Saks Fifth Avenue 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Related Exhibitions, 4.1: 1996

Fouquet's, 1977 drawing - 4.1: 1996

Gallagher's Steak House, New York - 3.1: Gallagher's Steak House - The Neiman Collection 2002

Le Grand Vefour - 2.1: 1993

Harry's at Hanover Square - 4.1: 1985

Harry's Bar, 1985 - 4.1: 1995

Harry's Wall Street Bar - 4.1: 2002, 4.2: -- Bartender Magazine -- 1987-1992

Iron Horse Restaurant - 4.1: undated

Jak-Nicholas Restaurant - 4.1: 1973

Lark Creek Inn - see California Cuisine

Left Bank Café

London House, Chicago - 4.1: undated

Maxim's de Paris - 4.1: 1963, 4.2: -- Playboy -- 1961, see Appendix E

McSorley's Irish Pub, New York - 4.1: 1980

Mister Kelly's - 4.1: undated

The Mixologist, 1959 - 4.1: 1999

Moose's Restaurant, San Francisco - 4.1: 2003, 2004, 2005

Morton's of Chicago - 3.1: Morton's of Chicago 1982-present, 3.2.12, 4.1: 1997, 1998, 2000

Neil De Vaughn's - 4.1: 1987

Neiman's Restaurant and Lounge, Carlsbad, CA - 3.1: Neiman's Restaurant and Lounge 1980s, VII: Neiman's Restaurant, Carlsbad, CA, 1980s

Nello - 4.1: 1999

P.J. Clarke's, New York, 1978 - 3.1: Elayne Galleries Solo Exhibition and P.J. Clarkes, Minneapolis, 1978, 4.2: -- Bartender Magazine -- 1987-1992, 4.1: 1978, 1989, 1995

Peppy's Pomme Soufflee - 4.1: 1973

Pierro's on the Park - 4.1: 1994

Polo Bar, Westbury Hotel - 2.1: 1978

Polo Lounge - see Polo Lounge, 1988

Pump Room - 4.1: 1974, 4.2: -- Playboy -- 1958, see Appendix E, see also The Ambassadors Hotel

Pump Room Bar, 1957 - 3.2: LeRoy Neiman Art and Lifestyle 1974, 4.1: 1950s

Rao's - 2.1: 2002

Frank at Rao's, 2005 serigraph of earlier painting - 4.1: 2005

Restaurant Antoine - 4.1: undated

Romanoff's - 4.2: -- Playboy -- 1959, see Appendix E

Rosati's, Via Venito - 4.2: -- Playboy -- 1968, see Appendix E

Rush Street Bar - 4.2: -- Bartender Magazine -- 1987-1992

Sardi's, World Billiard Championship - 4.2: -- Playboy -- 1963, see Appendix E

Shelly's New York - 3.1: Shelly's New York Restaurant 2000

Spago, Los Angeles - 3.1: Celebrity Night at Spago, 1993

The Stag's Head Bar, Dublin, 1961 - 4.2: -- Bartender Magazine -- 1987-1992

Tavern on the Green - 4.1: 1991, 1998

Tavern on the Green, 1990 painting and 1991 serigraph - 2.1: 1990, 1991, 3.1: Saks Fifth Avenue 1994-1999, 4.1: 1991, V: 1991

Carriage at Tavern on the Green, 1997 drawing - 4.1: 1997

Toots Shor Bar - 2.1: 1988, 1.2: Knoedler: Serigraph Release Ads

Tratoria del'Arte - 4.1: 1991

'21' Club - 3.1: Dress the Jockeys at '21' Club, New York, 2001

Bar at 21 - 2.3: Imitations and Forgeries, 4.1: undated

'21' Club (exterior), 1990 - 3.1: '21' Club 1990

Two Bar Men, 1965 - 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989, 4.2: -- Bartender Magazine -- 1987-1992

The Wimbledon - 4.1: 1975

retail prices, list of prints, 1986 - 2.1: 1986

retail stores - see Neiman-Marcus

Revelli, Cynthia - see Licensing Art and Design by Cynthia Revelli

Revlon - 2.1: 1992

Rhino Records - 4.1: 1991

Rhythm & Smoke - see cigars

Rice, Jerry - 4.1: 1995

Riggins, John, John Riggins - 4.1: 1972

Riker, Lyn - V: 1980s

The Ring Magazine - see boxing

Ringside Madison Square Garden, 1964-65 - see boxing - Introduction of the Champions of the Ring, 1964-65

Rivalry, 1975 - see college sports: football: Ohio State Buckeyes

Rivera, Chita - 4.1: 1995

Rizzuto, Phil, The Scooter, 1994 - 3.1: Phil Rizzuto 1994

The Robb Report Magazine - see automobiles

Robinson, Jackie - 3.1: Jackie Robinson, 1997

Jackie Robinson, 1993 - see Jackie Robinson Foundation

Jackie Robinson, 1997 - 3.1: Jackie Robinson, 1997

Jackie Robinson Sliding Home, 1997 - 3.1: Jackie Robinson, 1997

Jackie Robinson Foundation - 3.1: Jackie Robinson Foundation 1993

Robinson, Patrick - 2.1: 1977

Robinson, Sugar Ray - see boxing

Robinson's, Los Angeles - 4.1: undated

Rock for the Cure - 4.1: 2004

Rocky films - 3.1: Rocky films 1980-90

Rocky - 3.1: Advertising Layouts 1980s

rodeo - 4.1: 1977, 2000

Rogers, Kenny - 4.1: 1999

Kenny Rogers, 1982 watercolor - 3.1: Childrens Diabetes Foundation Carousel Ball

Rolling Stone Press - 4.1: 1982

Rolls Royce - see automobiles

Ronald McDonald House - 2.1: 1999, 4.1: 1998, 2000, 2001, 2003

Rooney, Art, Art Rooney, 1972 - 2.1: 1977, 4.1: 1972

Roosevelt University, Chicago - 1.1: Education and Teaching, Miscellaneous, undated

"Rooster," 1981 film - see film

Roques, Karin Adrian v. - 2.1: 1997, 1999

Rose, Donna - 2.2: Donna Rose and Art Brokerage Inc. Correspondence

Rosen, Leonard - 2.1: 1980, 1981, 1982, 1983, 1984, 1987

Rosenbaum Galleries - see exhibitions

Rote, Jr., Kyle - 3.1: Rotonda Superstars 1973-75

Rotonda Superstars - 3.1: Rotonda Superstars 1973-75

Royal Doulton - 3.1: Royal Doulton collectible plates 1974-78, 4.1: 1977, 1981, 1986, 2000

Royce Carlton, Inc. - 2.1: 1978

Royer, Victor - 2.1: 1984, 1986

Rudy, Jeanette Cantrell - 2.1: 1994, 1996, 1998, 4.1: 1994, Jeanette Rudy, 1994 - 2.1: 1994, 4.1: 1996

running -- - see also track and field

Ashford, Evelyn - 4.1: 1987

Barron, Gayle - 2.1: 1983, 1984

Boston Marathon, Boston Marathon, 1979 - 4.1: 1981, 1990

Coghlan, Eamonn, Eamonn Coghlan Winning the 1985 Wanamaker Mile, 1985 - 3.1: Millrose Games 1986-1995

Dixon, Rod - 4.1: 1998

New York City Marathon - 3.1: New York City Marathon 1984-2001

Classic Marathon Finish, 1985 serigraph - 3.1: New York City Marathon 1984-2001

Fred, This Run's For You, 1990 - 3.1: New York City Marathon 1984-2001

New York City Marathon, 1987 - 3.1: New York City Marathon 1984-2001

Runner's World Magazine - 3.1: New York City Marathon 1984-2001

Shorter, Frank - 2.1: 1973

The Year of the Runner TV series, LeRoy Neiman host - see television

Rush, Rick - 4.1: 1999

Rush Street Bar - see bars

Russell, Bill - 4.1: 1968

Ruth, Babe - 4.1: 1973, 1995

Ryan, Nolan

Nolan Ryan, 1981 - 3.1: Nolan Ryan, 1981, 4.1: 1991

S

Sadat, Anwar - 3.1: Peace Treaty, 1980

safari - see LeRoy Neiman On Safari

sailing -- - 4.1: 1950s, 1964, 1985, 1994, America II, 1986 - 3.1: America II, 1986, 4.1: 1986

America's Cup - 4.2: -- Playboy -- 1966, see Appendix E

America's Cup, 1964 - 3.1: Advertising Layouts 1980s, 4.1: undated 1970s, 1978

America's Cup, Australia, 1987 - 2.1: 1986, 4.1: 1986, 1987

America's Cup Stars and Stripes, 1987 - 2.1: 1987

Boat Club, 1956 - 4.1: 1950s

Boats and Boats, 1960 oil on board - 2.1: 1978

Girallia Yacht Race - 4.2: -- Playboy -- 1965, see Appendix E

Harbor Boat House, 1955 - 4.1: 1950s

Hawaiian Sailing - 3.1: Advertising Layouts 1980s, 4.1: 1984

High Seas Sailing - 4.1: 1999

High Seas Sailing II, 1998 - 3.1: Saks Fifth Avenue 1994-1999

Men, Boats, and the Sea, 1955 - 3.1: Art Institute of Chicago Instructors Exhibition 1955

Sail Boats, 1953 - 4.1: 1998

Sailing - 4.1: 1985

Swell Sailing - 4.1: 1983

Turnberry Isle Yacht Club - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1982-83

Yawl Sailing, 2001 - 4.1: 2001

St. Bonaventure University - 1.1: Honorary Degrees: St. Bonaventure University 1999

St. Clare's Hopital and Health Center - 4.1: 1995

St. Francis College, Brooklyn Heights, New York - 1.1: Honorary Degrees (ov), 3.1: Brooklyn Bridge, 1995

St. John's University - 1.1: Honorary Degrees, 2.1: 1978, 4.1: 1985

St. Paul, Minnesota, bicentennial painting, Baghdad of the Midwest, 1975-76 - 3.1: St. Paul Bicentennial Painting, Baghdad of the Midwest, 1975-76

St. Paul Area Chamber of Commerce - 2.1: 1976

St. Paul Museum - 4.1: 1997

Winter Carnival painting, Ice Palace, 1985 - 3.1: Ice Palace 1985-86

St. Tropez - 4.2: -- Playboy -- 1964, see Appendix E

St. Tropez, 1995 - 3.1: Saks Fifth Avenue Catalog 1994-1999

Saks Fifth Avenue - 3.1: Saks Fifth Avenue Catalog 1994-1999, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence

View from Saks, 1995 - 3.1: Saks Fifth Avenue 1994-1999

Saleski, Don - 4.1: 1974

Salon d'Automne - see exhibitions, group: Grand Palais

Saltman, Sheldon - 2.1: 1976

Salvation Army - 2.1: 1999

San Diego Zoo - 2.1: 1977

San Francisco, CA

Bay Area Baseball, 1990 - 3.1: Bay Area Baseball debut at Bowles/Sorokko, San Francisco 1990

City by the Bay, 1993 - 3.1: San Francisco Series 1991-93

San Francisco by Day, 1991 - 3.1: San Francisco Series 1991-93

San Francisco by Night, 1991 - 3.1: San Francisco Series 1991-93

Washington Square (Moose's), 2002 - 4.1: 2003

Sandburg, Carl - V: -- Playboy -- 1961-63

Sandusky, Joe, Joe Sandusky - 4.1: undated 1990s

Santa Claus - 4.1: 1992

Sapir, Judge Eddie - 2.1: 1978, 1979, 1983, 1988

Satchmo - see Armstrong, Louis

Satinwood Whiskey - see promotions and collectibles

Saugatuck - see Ox-Bow

Saviano, Rudy - 2.1: 1999

savings bonds - see U.S. Savings Bonds

Sayers, Gale - see I Am Third, by Gale Sayers

Scaffidi, Phil - 2.1: 1981

Scarpa, William and Cathy - 2.2: William and Cathy Scarpa 1991-99

Schaefer Brewing Company - 2.1: 1976, 1979, 1980, 1981, 4.1: 1976

Schoenfield, Ed - 4.1: 1986

Schmeling, Max - 4.1: 1989

Schmidt, Michael - 2.1: 1980

The Slugger, 1979 - 2.1: 1980, 4.1: 1990, 1999

Schulberg, Budd, Budd Schulberg, 1970 drawing - 4.1: 2004

Schulz, Axel - 4.1: 1995

Schultz, Charles - 2.2: Playboy Enterprises Inc. 1970s

Schultz, Dave (hockey player) - 4.1: 1974

Schultz, Dave (wrestler) - see wrestling

Schumsky, Felicie - V: 1970s, see also Felicie, Inc.

Screiber, Al - 4.1: 1994

Schwarzenegger, Arnold - 2.1: 1990, 3.1: LongTerm Projects: American Sportscasters Association Hall of Fame Awards Dinners, 4.1: 1977, 1981, Arnold Schwarzenegger, 1977-78, 4.1: 1977, 1985, 2005

The Scooter, 1994 - see Rizzuto, Phil

Scott Foresman & Company Publishers - 2.1: 1985

Screen Actors Guild - 1.1: Name Tags and ID Cards, 3.1: Rocky films 1980-1990, see also American Federation of Television and Radio Artists

sculpture

Horse Racing Suite, 1977 - 3.1: Sculpture 1977-1987, 4.1: 1978

Defiant, 1987 - 2.2: JoAnn Perse Gallery 1984 -98, 3.1: Sculpture 1977-1987 Seaver, Tom

The Franchise, 1992 - 4.1: 1992, 2001

Segal, Erich - 2.1: 1973

Sehorn, Jason - 4.1: 1999

Seitz, Nick - see golf: -- Golf Digest -- Magazine

Self Portrait (at easel) - 4.1: 2000

Self Portrait (close up with cigar and pen), 1997 - 4.1: 1998

Serline, Ollie (LeRoy's aunt) - 1.1: Family (Neiman Studio Archive only), 2.1: 1970s, 4.1: 1972

Sharp color copier - 4.1: 1986

The Sharper Image - 4.1: 1997

Shavers, Earnie - see boxing

Shaw, Robert - 2.1: 1977, 1978

Shelly's New York - 3.1: Shelly's New York 2000

Shenker, Morris A. - 2.1: 1982, 4.1: 1982

Sher Galleries - 4.1: 1987

Sherman, Nettie - 4.1: 1981

Sherry -Lehmann - 2.1: 1997, 1998, 4.1: 1997 and ov

ship - see The Jennifer

shoes - VII

Shore, Dinah - 3.1: Dinah! (Dinah Shore television show) 1974-77

Shorter, Frank - see running

The Shot Heard 'Round the World, 1991 - 3.1: The Shot Heard 'Round the World, 1991

Showboats International - 3.1: Monaco Trip 1994

Shula, Don - 3.1: Gridiron Football News 1971-73

Siegfried & Roy - 2.1: 1998, V: 1999

Sigmond, Aaron - 2.1: 1994, 1995, 1997, 3.1: LeRoy Neiman Selection Cigars 1997

Silverstein, Shel - 2.1: 1973

Silverwood Products - 2.1: 1992

Simon Weisenthal Center - 3.1: Jackie Robinson, 1997

Simpson, O.J. - 4.1: undated 1990s, see football: Cross-Town Rivalry 1967, 1993, O.J. Simpson - 4.1: 1972, 1974

Sinatra, Frank -- - 1.1: New York Friars Club, 2.2: Sinatra Family Correspondence, 3.1: Hammer Galleries Solo Exhibition 1967, 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967, 3.1: Leo Durocher 1974-94, 3.1: Frank Sinatra Portraits for Duets and Duets II Albums 1993-1995, 3.1: Hofstra Univ. Frank Sinatra Conference and Exhibition 1998, 3.1: Frank Sinatra Classic Duets Album Cover 2002, 4.1: 1979, 1983, 1989, 1998, see also golf, 4.2: Playboy Ephemera 1960s

Frank at Rao's, 2005 serigraph - 4.1: 2005

Frank Sinatra, 1993 - 3.1: Frank Sinatra Duets and Duets II Album Covers 1993-1995

Frank Sinatra at Carnegie Hall, 1974 - 3.1: Frank Sinatra at Carnegie Hall Poster 1974

Frank Sinatra as the Detective, 1967 - 3.1: Frank Sinatra Film Drawings Exhibition, Gallery of Modern Art 1967

Frank Sinatra at Madison Square Garden, 1974 drawing for poster - 4.1: 1974

Frank Sinatra at Royal Albert Hall, 1989 - 3.1: Frank Sinatra at Royal Albert Hall 1989

Singleton, Isaiah - 2.1: 1996

Singleton, Skip - see tennis: Intelligent Doubles and Intelligent Tennis

skating - see figure skating

skiing -- - 4.1: 1983, 1995, see also Olympics: skiing

Lady Skier - 4.1: 1998

Little Skier - 4.1: 1974

The Skier, serigraph - 3.1: Circle Gallery 1972

Skiing, etchings - 3.1: Circle Gallery 1972

Slalom, serigraph - 3.1: Circle Gallery 1972, 4.1: 1973

Squaw Valley - 4.2: -- Playboy -- 1961, V: 1960s, see Appendix E

Vail Race to Erase MS painting, 1994 - 4.1: 1995

Skoal Pinch Hitter of the Year Award - 3.1: Skoal Pinch Hitter 1985-1987

Slatkin, Leonard, Leonard Slatkin, 1980? - 4.1: 1980

Sliding Home - see baseball

slot machine - 4.2: Playboy - Femlin Paraphernalia

The Slugger, 1979 - see Schmidt, Michael

Smith, Charley - 1.1: Military Service

Smith, Emmitt

Emmitt Smith, 1994 - 4.1: 1994

Smith, Liz - 3.1: Doodle for Hunger I, II, III, IV, V, 2000-2004

Smith Jones, Nancy - 2.1: 1978, 1979

Smithsonian Institution, The Smithsonian Associate Magazine - 3.1: Piazza San Marco, 1990, 2001-2002

Smothers, Tom and Dick (The Smothers Brothers) - 1.1: New York Friars Club

Snead, Sam - see golf - Frost, David

Snyder, Jimmy "the Greek" - 2.1: 1974, 1991, Jimmy the Greek - 4.1: 1982

soccer -- - 2.1: 1984, 1985, 4.1: 1977, 1979, 1994

AMF soccer equipment - see promotions

Anheuser Busch World Cup poster, 1990 - 3.1: Anheuser Busch World Cup Soccer poster 1990

Chinaglia, Georgio - 3.1: Cosmos soccer 1977, 4.1: 1979, 1998

Cosmos - 3.1: Cosmos soccer 1977

Fairfax Police Youth Club Tournament poster, 1988 - 3.1: Fairfax Police Youth Club Soccer Tournament Poster 1988

Maradona, Diego - 2.1: 1980, Maradona, 1982 - 3.2. Winners, Harry N. Abrams, 1983, Magazines and Catalogs

Pele - 3.1: Economic Opportunity Atlanta 1968 ov., 3.1: Tampa Bay Rowdies soccer 1975, 3.1: Cosmos soccer 1977, 4.1: 1988

The Black Pearl, 1975 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76

Pele, 1975 - 3.1: Tokyo Exhibition 1988

Pele, watercolor - 2.1: 1983

Soccer, 1989 etching - 4.1: 1990

Tampa Bay Rowdies: Soccer is a Kick in the Grass, 1975 - 3.1: Tampa Bay Rowdies soccer 1975

socialites - 3.1: Notes on Hamptons high society 1972

Society of Illustrators of Los Angeles - 1.1: Awards: Citations

soft paintings - 3.1: Soft Paintings 1989, 3.1: Steiner & Young Galleries Exhibition 1989

Solange - 4.1: 1973

Soltner, Chef Andre - 3.1: March of Dimes' Gourmet Gala 1985

Sony - 2.1: 1978, 4.1: 1977

The Sopranos - 4.1: 1999

Sosa, Merqui - 4.1: 1996

Sosa, Sammy, Sammy Sosa, 1999 - 3.1: Good Tidings Foundation 1998-99

Sorenson, Jacki - see dance

Sorokko, Serge - see exhibitions: Bowles/Sorokko Galleries

Sotheby's - see Carousel of Hope, 4.1: 1986, 4.2: -- Playboy -- 1972, see Appendix E

souvenirs - see promotions

space shuttle - see Columbia Space Shuttle

Spago - 4.1: 1999

speaking engagements - 4.1: 1977, 1978, 1979, 1980, 1984, 1988

Special Olympics -3.1: Special Olympics Nagano Japan 2005, 4.1: 1986, 1996, Mississippi Special Olympics - 2.1: 1977

The Spectrum, Philadelphia, PA - 2.1: 1991, 1996, 3.1: Philadelphia Spectrum Painting 1991, 4.1: 1992, V: Photographs

Spectrum Fine Art, New York - 3.1: "Ball, Bat, and Glove", Spectrum Fine Art, 1977, 4.1: 1978

Spelling, Aaron - 2.1: 1985

Spinks, Leon - see boxing

Spinks, Michael - see boxing

Spirit Foundation - 2.1: 1999

Spitz, Mark - see swimming and diving

The Sporting Life - 4.1: undated

The Sporting News - 3.1: Iona College Trustee Awards Dinner Dances 1984-95

sports - listed alphabetically by name of sport (i.e. "baseball," "soccer"), with teams listed under heading of appropriate; in some cases college and professional sports are indexed separately. Also search for names of specific athletes.

sports arenas - see Madison Square Garden, Philadelphia Spectrum

sports cards - see trading cards

Sports Collectors Digest - 4.1: 1997

Sports Commemorative Decanters - see promotions and collectibles

sportscasters - see also Cosell, Howard, and Rooney, Art

American Sportscasters Association - 1.1: Awards

Sportsman's Ball - 3.1: Sportsman's Ball 1978

Sportsman's Park, Chicago - 3.1: Sportsman's Park Mural, Chicago 1976

SportsWise Magazine - 2.1: 1980

Springfield Art Association, Illinois - 2.1: 1990

Stadium Tennis, 1981 - see tennis

The Stag's Head Bar, Dublin, 1961 - see bars

Stallone, Sylvester - see Rocky, 4.1: 1987

stamps - 4.1: 1974

"Health in Sports" stamps, 1988 - 3.1: United Nations "Health in Sports" Stamps 1988

"Sport and the Environment" stamps, 1996 - 3.1: United Nations "Sport and the Environment" Stamps 1996

"Superbowl History" Stamps, 1988 - 3.1: U.S. Postal Service Superbowl Stamps 1988

Standard Oil - 4.1: 1974

Stanford University - 3.1: Bill Walsh, 1993

Stanley, Dr. M. Lee - 4.1: undated 1990s, 1996

Stargell, Willie, Willie Stargell, 1980 - 2.1: 1988, 3.1: Willie Stargell 1980, 4.1: 1973, 1987, 1988

Statue of Liberty, Lady Liberty, 1985 - 2.1: 1985, 3.1: Lady Liberty, 1985, 4.1: 1992 Staub, Rusty - 2.2: Manufacturers Hanover

Rusty Staub's Le Grand Orange wine label - 3.1: Rusty Staub 1975-1994, 4.1: 2001 Staubach, Roger - 3.1: Gridiron Football News 1971-73, 3.1: Wheaties 1997, 4.1: 1972, 1973, 1982

Roger Staubach, 1982 - 2.1: 1989, 4.2: -- Bartender Magazine -- 1997-2002, 4.1: 1982

Stengel, Casey, Casey Stengel, 1993 - 3.1: Casey Stengel 1996, 4.1: 2001

Sterling, Donald - 2.1: 1997, 1998

Sterling/Winters Company - 2.2: Sterling/Winters Company 1983-84

Stern, Howard - see radio

Stiller, Jerry - 1.1: Friars

Sting Like a Bee by Jose Torres and Bert Sugar - see boxing

Stock Market

American Stock Exchange, 1986 serigraph - 4.1: 1986

New York Stock Exchange, serigraph - 2.1: 1996, 3.1: Winter Olympics Lake Placid, 1980, 4.1: 1974

Stock Exchange, silk tapestry - 4.1: 1990

Stock Exchange, London - 4.1: 1983

Stock Market, 1976 serigraph - 2.1: 1977, 3.1: Circle Gallery 1972, 4.1: 1976

Stop Cancer - 3.1: New York City Marathon 1984-2001

Stop or My Mom Will Shoot, 1992 film - 2.1: 1991

Strahan, Michael - 4.1: 2002

Strasberg, Lee - 2.1: 1983

Strawberry, Darryl - 4.1: 1990, 2001

Stroh Brewing Company - 2.1: 1988

Stud Poker - see casinos

Studio 54 - 4.1: 1984

Styria Galleries - 4.1: 1988

Sugar, Bert - 2.1: 1972, 1977, 3.1: '21' Club, 1990 (photo), 4.1: 1999, see also boxing: Sting Like a Bee

Summer in Saugatuck, 1960 painting - 2.1: 1987

The Summer School of Painting - see Ox-Bow

sumo - 3.1: Hawaii and Japan 1974

Superbowl - see NFL football

Superstars - see Rotonda Superstars

Supreme Court of the State of New York - 2.1: 1980, 2.2: Judge Frank Affronti 1990 -1999

Supreme Court of the United States - 2.1: 1992

Surfing - 4.2: -- Playboy -- 1967, see Appendix E

The Surfer, 1980 - 4.1: 1980 ov

surgery - see The Open Heart, 1982

Swahn Fine Arts - 4.1: 1989, 1991

Sweden - 3.1: Sweden Exhibitions 1976-77

swimming and diving -- - 4.1: 1987, 3.1: Los Angeles Olympics

Chandler, Jennifer - 4.1: 1987

International Swimming Hall of Fame Museum - 4.1: 1988, 1989

Louganis, Greg - 3.2.9, 4.1: 1987

Olympic Swimmer - 4.1: 1986

Spitz, Mark - 2.1: 1986, 3.1: Munich Olympics 1972, Mark Spitz, 1972 - 3.1: Munich Olympics 1972, 4.1: 1973, 1987

United States Swimming Long Course Championships - 4.1: 1982

Switzerland - 2.1: 1985, 1989

Swoboda, Ron - 2.1: 2002

Symphantasy - see music

T

Takamiyama, Jesse - 3.1: Hawaii and Japan 1974

James Talcott, Inc. - 3.1: James Talcott, Inc. 1975

tapestry - 3.1: Edward Fields, Inc, Carpet Tapestries 1977

Taschen Publishers - 3.1: GOAT (Greatest of All Time - A Tribute to Muhammad Ali) Book by Taschen, 2004

Tavern on the Green - see restaurants

Taxicab Chronicles - 3.1: Taxicab Chronicles 1999, 4.1: 1999

Taylor, Elizabeth - 3.1: Celebrity Night at Spago, 1993

Taylor, Lawrence - 4.1: 1996

television - 2.1: 1970, 1978, 4.1: 1972, 1974, 1975, 1977, 1979, 1980, 1985, 1994, 1995, 3.1: Call of the Wild 1993, see also ABC, CBS, American Federation of Television and Radio Artists, The Lone Ranger

ABC Sports - 2.2: ABC Sports

Ampex Video Art - 3.1: Superbowl XII, 1978, 4.1: 1980

Arlene Herson Show - 4.1: 1989

The Black Stallion television show - 2.1: 1990

CBS Sports - 2.2: CBS Sports, 3.1: Superbowl XII, 1978

Channel 13 - 2.1: 1976

Cityscope - 4.1: 1989

Dinah! (Dinah Shore) - 3.1: Dinah! (Dinah Shore television show) 1974-1977

KCTA -TV St. Paul - 2.1: 1976

Larry King - see King, Larry

Kup's Show (Irv Kupcinet) - 4.1: 1972, 1982

Merv Griffin Show - 2.1: 1976, 1983, 4.1: 1980, 1989

NBC - 3.1: Sculpture 1977-87, 3.1: NBC Peacock Project 1997

"The New Odd Couple," ABC TV - 2.1: 1982

Regis and Kathie Lee - 4.1: 1988, 1996

Shukan T.V. Guide, Japan - 2.1: 1996, 3.1: 1984 Olympics, Los Angeles

TV Food Network - 2.1: 1993

TV Gallery with Ron Parris - 2.1: 1979, 4.1: 1979

T.V. Guide - 2.1: 1975

T.V. Guide Japan - 2.1: 1996, 4.1: 1984

TV Shopper - 2.1: 1979, 4.1: 1973, 1980

Tele Planning International, Tokyo - 2.2: Tele Planning International, Tokyo 1993-98

Today Show - 3.1: WNBC Traffic Helicopter 1981-93

WGBH TV Boston - 2.1: Charities 1994, Charities 1996

Wonderama TV Show - 4.1: undated 1970s

The Year of the Runner TV series, LeRoy Neiman host - 4.1: 1979

Tenenbaum, Judy and Harold - 2.1: 1984, 1986, 1988, 2.2: Harold and Judy Tenenbaum

Tennessee - 3.1: Women's Basketball Hall of Fame, 1993, 3.1: Iroquois Steeplechase, Nashville, TN, 1993, 3.1: Blues Ball 1997 -2004, see also Gregory, Jack; Morris, Gary and Elizabeth; Murphy, Libby; Perkins, Carl; Rudy, Jeanette Cantrell; Tigrett, John and Pat Kerr

tennis -- - 3.1: Nelson Mandela Tribute 1997, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.1: 1975, 1980, 1985, 1988-89, 1997, 1999

Adoption Guild Annual Tennis Tournament, Tennis Country - 3.1: Adoption Guild Tennis Tournament 1980

Alan King Caesar's Palace Tennis Classic - 3.1: Alan King Caesar's Palace Tennis Classic 1980-83

American Airlines Tennis Games - 2.1: 1976

Ashe, Arthur, Arthur Ashe, 1980 - 2.1: 1980, 4.1: 1980, 1984

Association of Tennis Professionals - 4.1: 1984

The Ball is in Your Court - 4.1: 1979

Blanchard, Mike - 4.1: 1975

Blood Tennis, 1980 serigraph - 4.1: 1980

Borg, Bjorn - 4.1: 1977, Bjorn Borg - 3.1: Sweden Exhibitions 1976-77, 4.1: 1980

Casals, Rosey - 4.1: 1975

Center Court, Madison Square Garden - 4.1: 1986

Conner, Bart - see gymnastics

Connors, Jimmy - 4.1: 1977, 1988, 1994

Court, Margaret - 4.1: 1975

Doubles - 4.1: 1973, 1977

Emerson, Roy - 4.1: 1998, see Laver, Rod

Evert, Chris - 4.1: 1976, 1994 and ov, see Appendix A

Back Hand - Chris Evert - 4.1: undated, 1981 ov

Chris, 1973 drawing - 3.1: Hammer Galleries Solo Exhibition 1975-76

Forest Hills - 3.1: RFK Tennis Tournament 1972-1979, 4.2: -- Playboy -- 1960, see Appendix E

Get Shot - 4.1: undated

Gonzales, Richard (Pancho) - 4.1: 1972, 1975, 1977, Pancho Gonzales, 1970 - 4.1: 1970, 1972

I Love New York Pro Celebrity Tennis Tournament - 2.1: Charities 1982, 4.1: 1982

Intelligent Doubles, by Skip Singleton - 3.1: Skip Singleton Tennis Books 1988-89

Intelligent Tennis by Skip Singleton - 3.1: Skip Singleton Tennis Books 1988-89

International Tennis Hall of Fame - 3.1: International Tennis Hall of Fame Group Exhibitions 1977-78

Kennedy, Robert F. - see Robert F. Kennedy Pro Celebrity Tennis Tournament

King, Billie Jean - 4.1: 1973 ov

Laver, Rod

Rod Laver at Wimbledon, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Rod Laver, 1980 watercolor - 4.1: 1996

Rod Laver and Roy Emerson, 1980 watercolor - 3.1: Adoption Guild Tennis Tournament 1980, 4.1: 1998

Lendl, Ivan - 4.1: 1989

McEnroe, John - 4.1: 1983, 1989, 1994

Men's Doubles - 4.1: 1977

Mixed Doubles - 3.1: Skip Singleton Tennis Books 1988-89, 4.1: 1978, 1981

Mulloy, Gardner - 4.1: 1977

Net Shot, undated - 4.1: undated

Noah, Yannick - 4.1: 1997

Palm Beach Tennis Masters - 4.1: 1973 ov

Racketeers, 1975 silkscreen - 4.1: 1975

Riggs, Bobby - 4.1: 1973 ov

Robert F. Kennedy Pro Celebrity Tennis Tournament - 3.1: Robert F. Kennedy Pro Celebrity Tennis Tournament 1972-79

Roche, Tony - 4.1: 1973 ov

Rosewall, Ken - 4.1: 1975

Sabatini, Gabriela - 4.1: 1996, 1997

Smash - Stan Smith - 4.1: undated

Stadium Tennis, 1981 - 3.1: Stadium Tennis Billboard, 1981

Tennis - Sudden Death, 1973 - 4.1: 1998

Tennis Magazine - 4.1: 1973, 1975

Tennis Masters (McEnroe and Lendl) - 4.1: 2000

Tennis Players, serigraph - 3.1: Circle Gallery 1972, 3.1: RFK Tennis Tournament 1972-1979

Turnberry Isle Racquet Club - 3.1: Turnberry Isle Yacht and Racquet Club Exhibitions 1982-83

Volvo Masters serigraph, 1983 - 3.1: Volvo Masters Painting 1983, VC: 1983

Washington, Malivai - 4.1: 1997

wheelchair tennis - 2.1: 1980

The Wimbledon Restaurant - see restaurants and bars

Texas Is... - 4.1: 1986

textbook (usage of art in) - 2.1: 1998, 2000, 2002, 4.1: undated, undated 1990s, 1992, 1996

theater - 3.1: Borstal Boy 1970, 3.1: "Busker Alley," 1995, 4.1: 1964, 1969, 1981, 1991, 1999, see also musicals

Inherit the Wind - 4.1: 1956 ov

Theater Collection of the Museum of the City of New York - 4.1: 1983

theft - 2.1: 1980, 3.1: Dyansen Gallery Playboy Collection touring exhibition 1989-90, 4.1: 1973, 1981, 1986, 1987, 1990, see also forgery and vandalism

Thomas, Duane - 3.1: Gridiron Football News 1971-73

Thompson, Bobby - see The Shot Heard 'Round the World, 1991

Thornton, Tony - 4.1: 1995

Thornton, Wayne - see boxing

The Three Tenors - see opera

The Thrill of Victory, by Bert Sugar - 2.1: 1977, 4.1: 1978

Thurmond, Strom - 2.1: 1984, 3.1: Miss U.S.A. Pageant 1978

TIME Magazine - 3.1: TIME Magazine Cover Portraits Exhibition, National Portrait Gallery and Minnesota Museum of Art 1969

Times Square, 2001 - 4.1: 2003

Tiger Tops Pvt. Ltd. - 2.1: 1982

Tigrett, John and Pat Kerr - 2.1: 1992, 1993, 1999, 3.1: Blues Ball 1997-2004

Time Out New York Magazine - 4.1: 2000

Timothy Yarger Fine Art - see exhibitions

Timoney, John - 4.1: 1996

To, Bobbie - 4.1: 1984

Toney, James - 4.1: 1994

Top Secret! 1984 film - 4.1: 1984

Topps - see trading cards

Torre, Joe - 3.2. -- Casey at the Bat -- , 2000, 4.1: 2002

Torres, Jose - 4.1: 1966

Tour Eiffel, 1993 - 4.1: 1995

Tour de Trump - 3.1: Tour de Trump

Tour de Trump, 1989 - 3.1: Tour de Trump

The Toy Store - see exhibitions

track and field - see also running, 4.1: 1982, 1987, V: Jesse Owens International Trophy Awards 1983-2000s

Dekker, Mary - V: 1980s

Drake Relays - 3.1: Drake Relays 1979

Jenner, Bruce - 2.1 1977, 3.1: Winter Olympics, Lake Placid 1980, 4.1: 1987

Joyner-Kersee, Jackie - 4.1: 1999, V:1990s, Jackie Joyner-Kersee, 1993 - 3.1: Millrose Games 1986-1995

Lewis, Carl - 3.1: Victor Awards 1981-1985

Millrose Games - 3.1: Millrose Games 1986-95

Muhammad Ali Invitational - 4.1: 1977

Off and Running, 1978 - 4.1: undated 1980s

Owens, Jesse -- - 3.1: Drake Relays 1979, 4.1: 1990, 1998, 2000

Jesse Owens, 1983 - 4.1: 1983, 1984, 1986, 2000

Jesse Owens Foundation - 2.2: Jesse Owens Foundation Board of Directors 1990-2000

Jesse Owens International Trophy Awards - 4.1: 1983, 1984, 1986, 1987, 1989, 1992, 2000, V: 1990s

Jesse Owens Track Classic - 4.1: 1990

U.S. Olympic Track and Field Trials - 4.1: 1980

trading cards

Kayo - 3.1: Kayo Joe Louis Boxing Card 1991

Topps - 2.1: 1992, 3.1: Topps Celebrity Trading Cards 1992

Upper Deck - 2.1: 1992

travel agency - 4.1: undated

Tretyakov Museum, Moscow - see exhibitions

Trinidad, Felix - see boxing

Tropicana Resort & Casino - see casinos

Trottier, Bryan - 4.1: 1976

Truax - 3.1: Gridiron Football News 1971-73

Trump, Donald -- - 1.1: New York Friars Club c., 3.1: Tyson vs. Spinks 1988, 3.1: Tour de Trump 1989, 4.1: 1987

Donald Trump, 1986 - 2.2: Trump 1987-96

Trump Plaza - 2.2: Trump 1987-96, 3.1: Tyson vs. Spinks 1988, 3.2. -- LeRoy Neiman: An American in Paris -- , 1994, Correspondence, 4.1: 1996

Harrah's Trump Plaza, Atlantic City - 3.1: Harrah's Trump Plaza Opening, Atlantic City 1984

Baccarat at Harrah's - 3.1: Saks Fifth Avenue Catalog 1994-1999, 4.1: 1984

Harrah's Polo - 2.1: 1988, 4.1: 1988

Trump Polo Club - 4.1: 1985

Trump Taj Mahal, Atlantic City - 2.2: Trump 1987-96

Trump, Ivana - 2.2: Trump

A Tribute to the Movies, 1989 - 3.1: Houston Film Fest

Tulane University - 4.1: 1974

Tunnel Club, New York - 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: 1988

Turkey - 2.1: 1975

Turnberry Isle Yacht and Racquet Clubs - 3.1: Turnberry Isle Yacht and Racquet Club, Exhibitions 1982-83

Turner, Tina - 4.1: 1981

Twentieth Century Fox Film Corportation - 2.1: 1976

'21' Club - see restaurants

Two Bar Men, 1965 - see bars

Tyson, Mike - see boxing

U

UCLA LeRoy Neiman Center for the Study of American Society and Culture - 3.1: UCLA, 1998-present

U.S. Army - 1.1: Military Service, see also Army vs. Navy

U.S. Postal Service - 3.1: U.S. Postal Service Superbowl Stamps 1988, 3.1 ov.

U.S. Savings Bonds - 3.1: U.S. Savings Bonds Campaign 1987-88

Edwin A. Ulrich Museum of Art, Wichita State University - 2.1: 1981

The Ultimate Seduction, by Charlotte Chandler - see Chandler, Charlotte

Ultraviolet - see Dufresne, Isabelle

unicorn - see animals: unicorn

Unitas, Johnny - 3.1: Gridiron Football News 1971-73

Johnny Unitas, 1970 drawing - 3.1: Rotonda Superstars 1973-75

Johnny Unitas, 1997 - 3.1: Wheaties 1997

United Airlines - 4.1: 1983

United Cerebral Palsy Association - 4.1: 1988, 1992

United Nations, U.N. Postal Administration - 3.1: United Nations Stamps 1988-96

United States Sports Academy - 2.1: 1989

United Way - 3.1: The Shot Heard 'Round the World, 1991

Universal Geneve Timepieces - 3.1: Universal Geneve Watch Promotion 1995-96

University of California at Los Angeles - see UCLA

University of Chicago - 1.1: Education and Teaching, Miscellaneous, undated

University of Denver - 2.1: 1979

University of Oklahoma - 2.1: 1982

University of San Francisco - 4.1: 1988

University of Southern California - 3.1: Los Angeles Olympics 1984

University of Texas at Austin - 4.1: 1994

Upstairs Gallery - 2.2: Upstairs Gallery 1980-89, 4.1: 1973, 1985, 1989, see also exhibitions

V

Vail, CO - see skiing

Van Der Marck Editions - 3.2. -- Monte Carlo Chase -- , 1988, Van Der Marck Editions, Ltd.

vandalism - 4.1: 1978, see also theft, forgery

Vanity Fair Magazine - 4.1: 1996

Varga, Alberto - see -- Playboy -- Magazine

Vargas, Fernando - see boxing

Variety Clubs International Distinguished Artist Award - 1.1: Awards

Varipapa, Andy - see bowling

Venice, Italy - 2.2: Helmut Drinhaus 1988-2000

Ventura, Jesse - see wrestling

Vernon, Jackie - 3.1: Economic Opportunity Atlanta 1968 ov.

Versace, Gianni - 4.1: 2001

Via Video - 2.1: 1983

Viagem E Tourismo Magazine - 3.1: Brooklyn Bridge, 1995

Victor Awards - 3.1: Victor Awards 1981-1985, 4.1: 2003

Video Magazine - 2.1: undated

Vienna, Austria - 2.1: 1996

Village Nursing Home - 4.1: 1982

W

WNBC - see helicopter

Wajima - 3.1: Hawaii and Japan 1974

Walker, Doug - 3.1: Soft Paintings 1989

Wall Street Journal -- - 4.1: 1969 ov

Walsh, Coach Bill, Bill Walsh, 1993 - 3.1: Bill Walsh, 1993, 4.1: 1993

Ward, Laura - 4.1: 2004, see also Merce Cunningham Studio under "dance"

Warhol, Andy - 3.1: Neiman/Warhol 1981, 3.1: "Art", Group Exhibition at Area, 1985, 3.1: Baird Jones' Group Exhibitions, New York 1988-89, 4.1: undated 1980s, 1986, 1987, 1988

Warwick Hotel - see Players Hotel

Washington, Malivai - see tennis

watch - see Classic Moments Watches or Universal Geneve Timepieces

Watergate hearings - 2.1: 1973

Waterhouse, Alma Jones - 2.2: Alma Jones Waterhouse 1977-80, 4.1: 1979

Wayne, George - 4.1: 1996

Webb, Eugene 'Fat Daddy' - 3.1: Economic Opportunity Atlanta 1968 ov.

Webster, Jack - 2.1: 1990, 1992, 1994, 1995

Weeb - see Ewbank, Weeb

Weiner, Claire - 2.1: 1970s, 1987

Weisberg, Tim - 2.1: 1977

Welles, Orson - 4.1: 1989

Welzer, Irv - 1.1: Friars, 2.1: 1977

Wenzel, Lee - 2.1: 1985

West Side Story - see musicals

Westbury Hotel - 2.1: 1978

Westheimer, Dr. Ruth - 4.1: 1999

Wheaties - 3.1: Wheaties 1997

Whitaker, Pernell "Sweet Pea" - see boxing

White House - 2.1: 1978, 1980, 3.1: Newport Jazz Festival 1975-2004, 4.1: 1978, Easter at the White House - 4.1: 1988

Whitney Museum of American Art, Whitney Biennial - 4.1: 1985, 1989

Who's Who - see Marquis Who's Who

Whores, Wars & Tin Pan Alley - 4.1: 1969

The Wildcats, 1978 - 3.1: The Wildcats, 1978 file

wildlife - see animals, LeRoy Neiman On Safari

The Wildlife Experience - 3.1: "LeRoy Neiman on Safari," The Wildlife Experience, Parker, CO, 2003

Williams, Bernie, Bernie Williams, 2003 - 3.1: Bernie Williams, 2003

Williams, Cleveland - see boxing

Williams, Ted -- - see also television: WGBH

The Splendid Splinter - 3.1: Williams at Bat, 1980-1991, 4.1: 1993, 2002

Williams at Bat, 1980 painting and 1991 serigraph - 3.1: Williams at Bat, 1980-1991, 4.1: 1981, 1991, 2002

Win a Few, Lose a Few, 1972 boxing documentary film - 4.1: 1972

Windsor Gallery - 4.1: undated 1970s

wine -- - 4.1: 1997, see also champagne

labels - 3.1: David Frost Wines 2001, 4.1: 1992, 1996, see also golf: Atlanta National Golf Club California Merlot

Wine Country Film Festival - 3.1: Wine Country Film Festival 1990

Wine, Women, and Cigar, 1996 - see cigars

Winged Foot - see golf

Wingmead - 2.2: JoAnn Perse Gallery 1983-02

Winners, 1983 - 2.2: ABC Correspondence, 2.2: Neiman-Marcus 1983-88, 2.2: Sterling/Winters Company 1983-84, 3.1: Hanson Galleries New Orleans and Carmel, 1983-84, 3.2. -- Winners -- , 1983, Harry N. Abrams, 4.2: The Ring Magazine

Wisconsin - 2.2: Bobby Hinds 1990-2000

Wittnauer International - see Universal Geneve

Wolf, Martin B. - 4.1: 1964

Wolfberg, Lee - 4.1: undated 1980s

Wolfson, Mr. and Mrs. Robert L. - 4.1: 1967, 1980

Women of Excellence - 2.1: 1985

Women's Basketball Hall of Fame - 3.1: Women's Basketball Hall of Fame, 1993

Women's Sports Foundation - 2.1: 1983

Wood, Jan - 2.1: 1991, 1997, 1998

Wooden, John, Coach John Wooden, 1975 - 2.1: 1975, 1985, 4.1: 2001

Woods, Tiger - see golf

Word, Rob - 4.1: 1977

World Biographical Hall of Fame - 2.1: 1991

World War II - 1.1: Military Service, 4.1: 1998

world wide web - 3.1: LeRoy Neiman Website 1997-present

wrestling -- - 4.1: 1973, 1992, 1999

Baumgartner, Bruce - 2.1: 2001, 4.1: 1999

Schultz, Dave, Dave Schultz, 1996 - 3.1: Dave Schultz 1996

Ventura, Jesse - 3.1: Jesse Ventura 1999

Wyeth, Andrew - 4.1: 1987

Wyland - 4.1: 1993

X

Y

YMCA - 4.1: 1992

Yale University - 4.2: Playboy Parodies - Harvard and Yale

Yarger, Timothy - see exhibitions: Timothy Yarger Fine Art, also Bowles Galleries

The Yearling, by Marjorie Kinnan Rawlings - 4.1: 1994

Yellin, Lou - 2.1: 1991, 1992, 1998

Young, Trip - 4.1: 1970

Youngman, Henny - 1.1: Friars, 2.1: undated, 1987

Henny Youngman, 1987 - 4.1: 1987

Yugoslavia - 4.2: -- Playboy -- 1969, see Appendix

Z

Zabrin, Michael - see Michael Zabrin Fine Art

Zaire - 4.1: 1974, 2000, 2002

Zelaya, Jose - 2.1: 1972, 1973, 1976, 1977

Zeran, Ken - 2.1: 1990, 1991, 3.1: '21' Club, 1990 (photo)

Ziegenfuss Gallery, Sarasota, FL - 4.1: undated 1990s

zoo - 3.2. -- LeRoy Neiman On Safari -- , 1996, Zoo Tour correspondence
Provenance:
The papers of artist LeRoy Neiman were donated to the Archives of American Art in 2005 by LeRoy Neiman.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility. This collection is publication restricted by the donor.
Rights:
Authorization to quote, publish or reproduce requires written permission from: Leroy Neiman Foundation, One West 67th Street, New York, NY 10023; info@leroyneimanfoundation.org
Topic:
Olympics in art  Search this
Painters -- New York (State) -- New York  Search this
Sports artists  Search this
Art -- Study and teaching  Search this
Printmakers -- New York (State) -- New York  Search this
Citation:
LeRoy Neiman papers, 1938-2005. Archives of American Art, Smithsonian Institution
Identifier:
AAA.neimlero
See more items in:
LeRoy Neiman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neimlero

Correspondence

Collection Creator:
Pach, Walter, 1883-1958  Search this
Extent:
2.1 Linear feet (Box 1-3, FC 23)
Type:
Archival materials
Date:
1883-1980
Scope and Contents note:
This series contains family correspondence and extensive professional letters from noted artists and art world figures including critics, writers, collectors, museums and other art institutions. Scattered letters from Pach can also be found here.

See Appendix for partial chronological list of letters from Series 2.
Arrangement note:
This series is arranged as two subseries.

2.1: Family Correspondence, 1883-1980

2.2. General Correspondence, 1903-1969
Appendix: Partial Chronological List of Letters from Series 2:
From J.B. Young [?], October 5, 1900: New York, N.Y. Eric Dell recovered from consumption; Terry also had it and was treated at an English sanitarium; entertained several actors; made a brief trip to the country. 2 pp., illustrated with drawing, "an interpretation of how you will look when you next visit New York."

From Franji Vaatsvoort, September 18, 1903: Haarlem, the Netherlands. Severe storm; received Pach's postcards. Picture postcard (Frans Hals, "Cordelia Voogt Claesd., vrouw van Nicolaes van der Meer"

From Theodore Roosevelt, Washington, D.C., March 5, 1904: President's autograph. Card with engraving of the White House.

From Frank R. Wadsworth, Chicago, Ill., [postmarked] March 2, 1905: Intends to go to Spain; advises Pach to write about art; recommends the Madrid gallery; discusses Chicago's new orchestra hall and the death of Thomas; opinions about the jury system; is sending pictures to Philadelphia, the one eastern city likely to accept them. 6 pp. + enclosures (silhouettes of monkey, 3 birds, and cat by a 10-year-old child).

From Luis E. de la Rochas, Madrid, Spain, December 24, 1905: thanks Pach for photographs of works of art; inquires about the progress of Pach's own painting; will send a picture of his latest painting, as he is interested in Pach's opinion; sends regards to Mr. Chase. 3 pp., in Spanish, illustrated with drawing of a bearded man.

From Edith Bell, New York, N.Y., [postmarked] December 24, 1905: Christmas greetings; thanks Pach for showing her the Goya sketch. 2 pp.

To Claude Monet, Giverny, France, June 3, 1906: advises that knowing how to use color is most important and should become a matter of habit; lists his palette. 1 p., in French, typescript copy.

From Charles Scribner's Sons, New York, N.Y., February 13, 1907: printed form letter with payment for "The Memoria of Velasquez."

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] April 24, 1907: mentions Kenzan picture Pach is interested in; thanks Pach for showing sketch to Henri, Ogihara's former teacher; lists some exhibitors in the Salon, with opinions of their work; thinks Rodin's work is great; he met Rodin at his studio. 4 pp. + 1 p. enclosure (note to Yamanaka & Co., New York, about Kenzan picture), in Japanese.

From Piet van der Laan, Leeuwarden, the Netherlands, May 11, 1907: likes portrait of Pach by Chase with its strong "Rembrandtic" shadow; reminisces about Chase; hopes to marry Annie in August. 4 pp.

From Moriye Ogihara, Vitry-sur-Seine, France, September 2, 1907: is glad Pach is returning to Paris; is attending classes at Académie Julian; saw Henri in France recently. 3 pp.

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] September 10, 1907: wonders if and when Pach is returning to Paris. Postal card.

From Moriye Ogihara, Vitry-sur-Seine, France, [postmarked] September 12, 1907: urges Pach to visit after his stay in Italy. Picture postcard ("Reine d'Egypte en Isis--Bronze antique").

From [signature illegible], Director, The Royal House, Florence, Italy, October 5, 1907: the king grants permission to copy the Catherine de Medici portrait at the Pitti Palace. 1 p., in Italian.

From Claude Monet, Giverny, France, November 4, 1907: Monet will receive Pach this week on Wednesday or Thursday afternoon. 1 p., in French.

From Lelebuss, New York, N.Y., November 21, 1907: thanks Pach for birthday greetings; several friends are now married.

From Edith Bell, New York, N.Y., November 25, 1907: visited Henri and saw 40 canvases; describes Henri's new studio at 135 E. 40th St.; Lawson and Stevenson called at the studio while she was there; recalls Pach's description of visits to Monet and Ogihara; "it is my belief that Mr. Henri is afraid of George Bellows. He praises him so." 5 pp. + enclosure (photograph of a portrait by Edith Bell).

From Moriye Ogihara, Florence, Italy, December 25, 1907: Christmas greetings; discusses travels in Italy and art seen. 4 pp.

From Moriye Ogihara, Florence, Italy, December 26, 1907: has been to the Academy; praises Miss Frohberg. Picture postcard ("Firenze Lung' Arno Corsine").

To Alice Klauber from Walter Pach, Paris, France, January 3, 1908: he is looking at art; received a picture from her cousin; asks if she saw the article on Matisse he wrote for the Hearst paper. Picture postcard ("Frans Hals, La Bohemienne"), in Japanese, with English postscript.

From Moriye Ogihara, Arezzo, Italy, January 5, 1908: leaving for Assisi soon; stayed too long in Florence sightseeing with Magdalene. Picture postcard ("Arezzo, La Catte drale").

From Moriye Ogihara, Rome, Italy, [postmarked] January 14, 1908: staying at the same pensione as Frost. Picture postcard ("Torso di Belvedere di Dietro").

From Moriye Ogihara, Athens, Greece, January 22, 1908: discusses sightseeing in Greece and his trip through Italy; observations about Frost; "I appreciate Rodin very much since I have been in Italy"; offers to correct Pach's written Japanese.

From Gerda Stein, [place unknown], January 29, 1908: "Dearest love to Lena and best wishes for a very happy Birthday." Greeting card.

From Roger Marx, Editor, -- Gazette des Beaux-Arts -- , Paris, France, February 12, 1908: wants to publish a comprehensive study of the state of painting in the United States; must choose between original engravings and photographic reproductions for illustrations. 2 pp., in French.

From Moriye Ogihara, Cairo, Egypt, February 13, 1908: steamer has been delayed two days but he can continue to work. Picture postcard ("Ramesseum at Thebes").

From [Rais?], Paris, France, [postmarked] March 19, 1908: invites Pach to visit on Friday. 1 p., in French.

From William Merritt Chase, Florence, Italy, July 16, 1908: is leaving for Paris tomorrow; invites Pach to meet him at Caffe [sic] Du Paix that evening. 1 p.

From Helen R. Wilson, Furnes, Belgium, July 30, 1908: enumerates 13 highlights of her stay in Paris, including first view of a Cézanne painting. 4 pp.

From Senateur de la Sarthe, Paris, France, August 4, 1908: expression of sympathy. Note on business card, in French.

From Morton Livingston Schamberg, Paris, France, November 5, 1908: is doing small paintings outdoors and in his hotel room; is reluctant to leave Paris but wants to visit Italy, too; went to the Autumn Salon 3 times and found the work of Matisse "very beautiful"; "I am inclined to consider it a very personal art rather than the part of a great movement considering Matisse the leader, and the art doctrines evolved by the Steins (damn nice people...)... are to me the most awful nonsense"; prefers Renoir to Cézanne; is impressed by Egyptian portraits in the Louvre; has completed about 36 panels. 3 pp.

From Olga [de?], Paris, France, December 24, 1908: has completed 3 portrait commissions; wants to see the Velasquez, which is said to be "splendid." Picture postcard ("Paris, Eglise Saint-Augustin"), in French.

From Piet van der Laan, Leeuwarden, the Netherlands, February 6, 1909: is looking for a new teaching position; their infant son is now healthier. 3 pp.

From Annie van der Laan, Leeuwarden, the Netherlands, March 13, 1909: thanks Pach for the brush and birthday greetings; invites him to the Netherlands; tells about their baby. 1 p., in Dutch.

From Piet van der Laan, Leeuwarden, the Netherlands, March 15, 1909: discusses Shaw's -- Candida -- and -- Man and Superman -- ; is studying Nietzsche. 2 pp.

From Arthur B. Davies, New York, N.Y., May 29, 1909: discusses Pach's essay about him. 1 p.

From Moriye Ogihara, Tokyo, Japan, May 30, 1909: "Devil came into my mind and I am suffering and suffering"; Saito visited with news of Pach and pictures to exhibit at the Taiheiyo Art Association. Sequence of 5 picture postcards (1, "Wisteria"; 2. "Peony Blossoms at Yotsame"; 3. [bridge--title in Japanese]; 4. "Iris"; 5. "Peony Blossoms at Yotsame").

From Arthur B. Davies, New York, N.Y., June 1 [10?], 1909: wishes to reschedule studio visit by Pach and Mr. Of. 2 pp.

From Arthur B. Davies, New York, N.Y., [postmarked] July 9, 1909: interested in Gauguin and how he compares with Degas. 1 p.

From Maurice Brazil Prendergast, Boston, Mass., December 6, 1909: saw the Cézanne painting in Boston and agrees it is beautiful, "conscientious and absolutely sincere"; has not heard recently From Davi[e]s, "one of the few very sympathetic friends I am fortunate to possess." 4 pp.

From Arthur B. Davies, New York, N.Y., April 8, 1910: sends clipping about Matisse; recommends article about the Venus de Milo. 1 p.

From K. Tohary, Tokyo, Japan, May 11, 1910: Moriye Ogihara died in Tokyo, April 22, following an attack of vomiting blood; Tohary plans to publish a book about him; requests that Pach send Ogihara's letters and any recollections he wants to contribute. Rice paper scroll.

From Arthur B. Davies, New York, N.Y., May 14, 1910: "I found your article on Matisse the most enlightening I have read so far." 1 p.

From Albert Pinkham Ryder, New York, N.Y., May 26, 1910: thanks Pach for "kindly interest" in his work. 1 p. + enclosure (reprint of a poem, "The Voice of the Forest").

From Henri Rouart, La Queue en Brie, France, September 17, 1910: sorry he was unavailable to welcome Pach and his friends. 1 p., in French.

From [unknown], New York, N.Y., [postmarked] October 5, 1910: empty envelope with no return address. Sketch of head on reverse.

From Clifton A. Wheeler, Mooresville, Ind., October 12, 1910: describes fellow passengers aboard ship; gives details of getting paintings through customs; advises Pach to start preparing necessary documents for bringing home his property. 5 pp. + enclosures (4 small etchings: 2 portraits, 2 landscapes).

From Charles Sheeler, Philadelphia, Pa., October 26, 1910: after a period of difficulty, his work shows progress; Schamberg thinks Sheeler's recent landscapes are "Cézanne like"; has had little opportunity to see the work of modern painters; hopes to go to New York for upcoming exhibitions at the Photo Secession Gallery, particularly Picasso, Cézanne, and Matisse; rejected by Macbeth last fall and by the Art Institute; a Chicago dealer wants to show his work, but friends there advise against involvement with that gallery. 6 pp.

From Julian Alden Weir, New York, N.Y., November 25, 1910: discusses his interest in etching, especially drypoint. 4 pp.

From Morton Livingston Schamberg, Philadelphia, Pa., December 27, 1910: met Stieglitz and "was well satisfied with his attitude. He hasn't the intelligence of a Leo Stein but he is sincerely interested and is getting into a position where he could do one lots of good"; met Hartley; visited Henri's studio; Stieglitz and Henri think "I am too cock-sure of myself. If they only knew"; completed 20 to 25 pictures in the last year; sends photographs of some. 3 pp. + enclosures (7 photographs of Schamberg's work: 6 figures, 1 exhibition installation).

From Adolph Werner, New York, N.Y., December 21, 1910: is teaching less at the university now that he is the "President's lieutenant." 2 pp.

From Clifton A. Wheeler, Mooresville, Ind., January 3, 1911: discusses Davies' collection of Cézanne photographs; he and Hila were married; regrets that Pach was not named director of the museum in Indianapolis. 7 pp.

From Auguste Renoir, Cagnes, France, March 28, 1911: thanks Pach for allowing him to review the article before publication; wants the interview portion withheld because it seems critical of Saint-Saens and Pillet-Will and suggests posthumous publication; feels flattered by Pach's review. 4 pp., in French.

From Eugène Leroy, Paris, France, March 27, 1911: is happy to have been of service; the Association Philotechnique enjoys meeting foreigners who appreciate its teachings and will take home pleasant memories of France. Note on calling card, in French.

From Charles Loeser, Florence, Italy, April 28, 1911: exchanged 4 of his Cézanne paintings for a larger one From Vollard; Pach's German friend should contact Vollard immediately if she is interested in acquiring one; Denis Cochin traded a Cézanne for a Goya at Durand-Ruel. 8 pp.

From Auguste Rodin, Paris, France, June 1, 1911: is willing to meet with Pach to discuss Fujikawa's book on Ogihara. 2 pp., in French.

From E. D. Smyth, Côtes-du-Nord, France, August 31, 1911: will answer Pach's letter; apologizes for being fussy about the Stendahl etc." Picture postcard (Etables, Côtes-du-Nord, Les Grottoes.")

From E.D. Smyth, Côtes-du-Nord, France, September 5, 1911: is leaving soon for Saint-Malo; will return Pach's "Tuscan book" and send 2 others; recounts events of the summer; describes some hotel guests and the cottage where her family is staying; wants to see Daumier originals. 14 pp.

From Ruth A. Wilmot, Brooklyn, N.Y., October 7, 1911: is glad their misunderstanding is straightened out; someone on the boat unintentionally insulted her companion; homesick for Paris; working again; finds New York "invigorating." 5 pp.

From Joe Garvey, Alpine, N.J., November 21, 1911: is back From honeymoon; wants to go to Europe but first must sell property. 4 pp.

From Herman Reimers, Christiana, Norway, November 24, 1911: thanks Pach for the gift of an etching; will not be moving to Paris after all; was appointed director of political affairs at the ministry. 4 pp., in French.

From Tete, New York, N.Y., December 14, 1911: Christmas greetings; misses him; family news; has been in contact with Pach's parents. 4 pp., with sketches of busts on the envelope.

From Margherita Innocenti, Pensione Innocenti, Florence, Italy, December 22, 1911: thanks Pach for kind words about her and for recommending the pensione; 4 American women are there now. 3 pp., in Italian.

From Margherita Innocenti, Pensione Innocenti, Florence, Italy, February 9, 1912: -- Ladies -- . Will be happy to have friends of Pach stay at the pensione. 1 p., in Italian.

From E.D. Smyth, Florence, Italy, February 21, 1912: describes guests at Pensione Innocenti; met young Italian artist, Gino "Sensano or Sanseno [Severini]," who knows Stella and other mutual friends; recounts visits with Signorina A.B. and Mr. Loeser; returning by sea due to Helen's illness; will not see Pach again this trip. 6 pp.

From Louis Lombard, [place unknown], April 15, 1912: note of dedication, 1 p. + 2 pp. enclosure (copy of "Chants d'Amour," a poem by Henry Marx), in French.

From E.D. Smyth, [place unknown], Ireland, April 27, 1912: "Have made half my notes From the cahier" and will send them to H.M. soon. Postal card.

From Eugène, Paris, France, [postmarked] April 26, 1912: will come on Sunday at 9:00; is happy that Pach was not expelled because now he can work in peace for a few more days. 1 p., in French.

From Arthur Burdett Frost, Davos, Switzerland, May 5, 1912: has eye problems that doctors cannot treat; Jack is recovering; plans to spend summer in the Black Forest and return to Davos for the winter; Pach writes well; finds it "refeshing to read really honest stuff"; is working on a book of caricatures. 8 pp.

From Fujikawa, Paris, France, June 4, 1912: saw Mr. Molissa and is interested in his work; Pach should express Fujikawa's thanks to Molissa; is going to Florence where he hopes to see Pach; requests photographs of any new work Pach completes. 3 pp. + 5 enclosures (brief thank you notes From M. Lernait, Tererco?, L. Lombard, Louis Varday, and Romanet), in French.

From Georges Speirer, Paris, France, June 6, 1912: heard From friends that Pach is in Florence. 2 pp., in French.

From Arthur B. Davies, New York, N.Y., June 19, 1912: discusses arrangements for payment and shipping of Cézanne painting; has found a buyer; Macbeth will handle customs; Macbeth will send Pach photographs of Rockwell Kent's pictures; will see Pach in Paris in October. 3 pp.

From [signature illegible (L.L.?)], Levallois, France, July 1, 1912: hopes Pach will spend the winter in Paris; is glad Pach is pleased with his paintings of Arezzo. 4 pp., in French.

From Maurice Socard, Paris, France, July 19, 1912: thanks Pach for his letters; will send photographs taken at his country house; friends agree with Pach's assessment of Milan. 6 pp., in French.

From Elie Faure, Paris, France, July [30?], 1912: is not surprised that Pach received a discouraging letter From Floury, who has requested another translator; Faure wants Pach to do the job. 4 pp., in French.

From Arthur B. Davies, New York, N.Y., October 2, 1912: Cézanne painting is now at Macbeth's; gives details of problems with customs; is unable to accompany Walt Kuhn in search of artists for the Armory Show; "the possibilities [of the Armory Show] loom tremendous yet so many can only see another opportunity of showing their work"; "you can do so much for Kuhn in every way and I also believe he has a really healthy outlook with considerable ability." 2 pp.

From Egisto Fabbri, Paris, France, November 28, 1912: declines Pach's invitation, due to illness. 1 p.

From G.A. Bourdelle, [place unknown], December 4, 1912: the Toussaint sculpture can be installed with or without a socle; declined to participate in the New York exhibition before realizing Pach was the organizer; keep the photograph of Toussaint's work. 3 pp., in French.

From [unknown], Gambier, Ohio, [postmarked] December 4, 1912: empty envelope with no return address.

From Wilhelm Lehmbruck, Paris, France, December 6, 1912: Two sculptures, -- Woman Kneeling -- and -- Large Torso -- , and 2 drawings are being sent to Pach for his exhibition. 1 p., in French.

From Henri Matisse, Tangier, Morocco, December 6, 1912: agrees to lend the 7 paintings requested for exhibition in New York; lists titles, insurance values, and indicates which are for sale; -- Le Luxe -- is fragile; no drawings are available; will ask Fénéon to loan as many paintings as possible. 2 pp., in French.

From Robert Henri, New York, N.Y., January 3, 1913: discusses photographs of Besnard's work; reminisces about discovering decorations by Besnard at the College of Pharmacie; compliments Pach's Winslow Homer article; "there is a growing state of expectancy about the 'armory' exhibition, and there is little doubt but that it will make a great stir, and do a great deal of good in a great variety of directions"; news of George Bellows, Guy Pène du Bois, Boss, Kent, Coleman, Sprinchorn, Sloan, Van Sloun, and Bohnen. 4 pp.

From Odilon Redon, [place unknown], France, January 6, 1913: he is flattered by Pach's article, which he believes will enhance his reputation in America; Pach should try to visit soon, as they plan to go south in a few days. 2 pp., in French.

From Raymond Duchamp-Villon, Paris, France, January 16, 1913: agrees with Pach that each generation of artists draws inspiration From undeveloped ideas found in the work of preceding generations; no French architectural style has emerged since the 18th century, confirming the idea that eras without defined aspirations produce no monuments; current politics and intellectual freedom presage hope for the 20th century; as Pach demonstrated, painting was the dominant 19th-century aesthetic, thus developments in other arts will come From painting; a new architecture is needed for modern life; in a time when money reigns supreme, artists should practice simplicity; machines are now a powerful presence in all of life. 4 pp., in French.

From Constantin Brancusi, Paris, France, [postmarked] January 24, 1913: his cousin has just finished a painting that Pach should see; invites Pach to dinner. 1 p., in French.

From Elie Faure, Paris, France, February 11, 1913: if he goes to England, he will contact Mr. Fry; wants to introduce a painter friend to the Steins; Pach is a rare friend and intellectual equal. 2 pp., in French.

From Jacqueline d'Argent, Chinon, France, March 1, 1913: has fond memories of their interesting conversations; present acquaintances are not intellectual and gossip too much; applied for a medical assignment in Algeria but is unsure about moving. 2 pp., in French.

From Constantin Brancusi, Paris, France, March 13, 1913: asks Pach to decide the price of the bronze; congratulations on the success of the exhibition. 3 pp., in French.

From Arthur B. Davies, New York, N.Y., [postmarked] April 5, 1913: borrowed works are being returned to Europe; Roman Bronze Co. could make a good cast of Brancusi's -- Mlle. Pogany -- owned by Belle Greene; "looking forward to a genuine recreation in Boston as to art interest"; doubts Chicago's appreciation, Mr. Eddy notwithstanding. 2 pp.

From Ary Le Bland, Paris, France, April 5, 1913: a copy of -- La Vie -- , featuring the information Pach provided about Redon, is being sent; asks Pach to write about art trends in America for -- La Vie -- and publicize the magazine. Postal card, in French.

From Jacques Villon, Paris, France, April 13, 1913: congratulates and thanks Pach for promoting the acceptance of modern art; extends appreciation to Davies and Kuhn. 3 pp., in French.

From Raymond Duchamp-Villon, [place unknown], France, April 18, 1913: received Pach's letter and check; the Duchamp brothers are embarrassed by their success and do not talk about it; wishes Gleizes were having his share of it; asks how the other artists fared; a commission agency requested cubist paintings for America; worried that cubism is becoming a commodity; the 4 copies of -- Noa, Noa -- he purchased at a good price have been shipped. 2 pp., in French.

From M. Lernait [Lemaitre?], Saigon, Indochina, May 25, 1913: thanks Pach for writing and for his friendship; the countryside near Saigon is beautiful; he misses Paris. 4 pp., in French.

From Jacques Villon, Versailles, France, June 19, 1913: thanks Pach for selling another painting; Salon d'Automne opens later than usual this year; Torrey called on him, Marcel, and Picabia; Raymond is going on vacation soon; sends regards to Davies and Kuhn. 4 pp., in French.

From Maurice Brazil Prendergast, Boston, Mass., June 25, 1913: is recovering From surgery; thanks Pach for sending postcards and showing interest in him. 3 pp.

From Jean Le Roy, Paris, France, [postmarked] July 1, 1913: comments on the success of Pach's exhibition; has a temporary job; finished college; might travel to Guinea; discusses his poetry published in -- Les Bandeaux d'Oro -- ; met de Verhaeren, whom he admires. 4 pp., in French.

From Marcel Duchamp, Neuilly-sur-Seine, France, July 2, [1913?]: heard all about the American exhibition From his brothers; thanks Pach for "enthusiastically defending their work"; still awaiting payment; will spend August in England; Torrey called on them. 3 pp., in French.

From Maurice Brazil Prendergast, Boston, Mass., [postmarked] July 11, 1913: is recovering From his "hospital experience"; recounts trouble with studio lease; asks Pach to notify him of suitable space available in New York. 4 pp.

From Maurice Socard, Paris, France, August 1, 1913: Pach is a kindred spirit; Pach's competence and ability to elicit appreciation for modern painting made the show a success. 2 pp., in French.

From F. Wentscher, [place unknown], Hungary, August 24, 1913: is painting out of doors; won't return to Paris until November. Postal card, with original illustration of horse-drawn carriage, in German.

From Elie Faure, Paris, France, August 25, 1913: is delighted with Americans' enthusiastic acceptance of French painting; current prices are ridiculous and scandalous; bought a great Delacroix at reasonable cost; complains about his editor; awaits word From Mr. Fry, to whom he has sent a Cézanne; will go to London in September; saw an interesting Matisse show but preferred Bonnard's exhibition; he sees Renoir frequently; finds it deeply moving to see Renoir make constant improvements in his work despite old age and sickness. 4 pp., in French.

From Jacqueline d'Argent, Blida, Algeria, September 8, 1913: is now practicing medicine in Blida; describes the scenery and local people; congratulates Pach on his marriage. 6 pp., in French.

From Raymond Duchamp-Villon, Neuilly-sur-Seine, France, September 25, 1913: just received Pach's article and will comment on it in the next letter; thanks Pach for promoting his and friends' work; will see the Steins soon and try to learn more of the rumored American reaction against their ideas; the Salon d'Automne opening is delayed until November; Pach's mention of the Delaunay affair confirms rumors of discord; asks Pach to determine if and when unsold paintings and sculpture were returned. 2 pp., in French.

From Clifton A. Wheeler, Indianapolis, Ind., December 22, 1913: museum's schedule cannot accommodate Pach's exhibition; describes upcoming January show; the museum hopes to acquire a Davies painting; "the exhibition in Chicago (The International) did not strike me with overwhelming force, but I have enough respect for the opinions of Mr. Davies and yourself to admit that the fault may have been my own"; congratulations on engagement to Miss Frohberg. 7 pp. + 1 p. postscript from -- Hila Drake Wheeler -- wishing Pach and Miss Frohberg happiness.

From G. Villon, Paris, France, [1914]: congratulations on the birth of Pach's son; heard From her husband who is in the army; asks Pach's opinion of some drawings; is working with blind children in a hospital. 4 pp., in French.

From Constantin Brancusi, Paris, France, January 26, 1914: asks Pach to determine whether the owner of -- Muse Endormie -- wants the piece in marble; a reduced price is possible, but he must know soon; met Mrs. Stieglitz; asks Pach's advice about showing his marbles in New York. 4 pp., in French.

From Constantin Brancusi, Paris, France, February 19, 1914: received the check; distressed to be participating in a show that may prove harmful to Pach's cause; asks Pach not to be hurt by his unwitting mistake. 4 pp., in French.

From Walter Arensberg, Boston, Mass., March 1, 1914: "The exhibition was tremendously fresh and fine"; compliments Pach's work. 1 p.

From Jean Le Roy, Paris, France, [postmarked] March 4, 1914: congratulations on Pach's marriage; encourages him to continue painting; news of Lombard and Clapp. 2 pp., in French.

From Maurice Brazil Prendergast, Saint-Malo, France, June 12, 1914: thanks Pach for reproducing his work in -- Century -- magazine; is returning home sooner than planned; Renoir's new work is "way ahead of his former landscapes." 3 pp.

From Raymond Duchamp-Villon, Courbevoie, France, June 26, 1914: is impatient for news of a proposed project; Mrs. A. Roosevelt will be in touch with Pach; her work has shown progress; during the past year, modern art has begun to attract interest and generate discussion among some previously unreceptive people. 2 pp., in French.

From Morton Livingston Schamberg, Paris, France, June 30, 1914: "Would love to meet Brancusi and Duchamp-Villon but damn it, I can't speak French." Picture postcard ("P. Cézanne, -- L'été -- fragment").

From Odilon Redon, Bièvres, France, July 10, 1914: if Pach organizes another exhibition, he wants to participate. 3 pp., in French.

From Joseph Stella, Venice, Italy, July 20, 1914: discusses his travels in Europe; Greece reminded him of Davies's pictures; no reply From the futurists in Milan; recounts a meeting with Walkowitz in Patrai, Greece. 5 pp.

From Alexandre Mercereau, Paris, France, [postmarked] July 30, 1914: can secure work by interesting artists for exhibition; inquires whether foreign works and jewelry are acceptable; he organized an international exhibition of cubism with an accompanying symposium in Prague; offers to lecture in the United States if Pach can find a way to pay for the trip; is sending information about an organization he founded; wants to establish an American branch; needs an American editor for his books; Brancusi's participation is essential. 4 pp., in French.

From Raymond Duchamp-Villon, Paris, France, August 7, 1914: just received registered letter and invitations; continuing with exhibit plans is impossible, as all of their friends are mobilized; work of Gleizes, Villon, and Metzinger being exhibited in Berlin probably will be lost; a negative reply From Chapell ended long-held hopes; wholehearted thanks due to Pach for countless efforts and true friendship; the French are ready to die for peace and freedom; confident of the future, despite anxiety over friends now in danger. 4 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, France, August 26, 1914: war conditions make collaboration impossible; is serving as a paramedic; no bad news concerning anyone Pach knows. 2 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, September 11, 1914: will consult with friends about planning an exhibition in the United States; Gleizes is at Toul; Villon is with the British army at Rouen. 2 pp., in French.

From Albert Pinkham Ryder, New York, N.Y., September 13, 1914: is looking forward to having the Pachs and Mr. Wheeler visit his studio. 2 pp.

From Michael Stein, Agay, France, October 19, 1914: requests details about the exhibition Pach is organizing; Pach should tell Matisse "he must now look to America for a market for his art for some time to come"; "it is about time he [Matisse] were ranked among the accepted classics and bought freely." 3 pp.

From Jean Le Roy, Brest, France, [postmarked] November 10, 1914: plans to enlist soon; is worried about Kohler at the front. 4 pp., in French.

From Jacques Villon, [place unknown], France, November 23, 1914: comments on the war and his painting; congratulates Pach on his New York exhibition. 1 p., in French.

From Piet van der Laan, Zutphen, the Netherlands, January 24 and February 8, 1915: Congratulations on the birth of Raymond; cannot visit Pach in Paris because of the war. 4 pp. + 3 pp. enclosure (copy of a poem by Dante), in Italian.

From Raoul Dufy, Le Havre, France, January 29, 1915: sent 2 copies of his Bestiarie; wants Pach to choose a drawing, watercolor, or Bestiarie as a gift of thanks; heard From Derain, Apollinaire, and Gleizes, all in the army; de la Fresnaye was wounded; asks if Basler, Brummer, and Kahnweiler are art dealers now that they have settled in New York; considers Basler an honest man. 4 pp., in French.

From Raymond Duchamp-Villon, Acheux, France, February 26, 1915: still in Saint-Germain where his wife continues her work at the military hospital; Villon spent the entire winter in the trenches but bears it well; glad Quinn bought Cat and Parrot; thinks Quinn should have the final versions in wood rather than cast reproductions and instructs Pach to discuss it with him; received Marcel's articles and reproductions; understands the change that has affected Pach's desire for new means of artistic expression. 2 pp., in French.

From Raoul Dufy, Le Havre, France, March 3, 1915: lists the 4 paintings he is sending; accepts and reiterates the payment schedule; Pach should select a painting for himself; will send some paintings on silk; promises to write about decorative art in his next letter. 4 pp., in French.

From Marcel Duchamp, Paris, France, March 12, [1915?]: received the Matisse catalog and remembers the goldfish painting; Villon is in good health and good spirits; is optimistic about prospects for peace by summer; after a family vacation in Rouen, he finished glass and other projects; Raymond is happy in Saint-Germain, where his wife is a hospital nurse; does Pach know if Delaunay is in America; wants to visit Brancusi; has no news of Picasso, Braque, or Derain. 4 pp., in French.

From Marcel Duchamp, Paris, France, April 2, [1915?]: is preparing for an exhibition; describes arrangements for sending Raymond's works to Pottier; 2 paintings, a drawing, and papers are being sent to Pach; reports on the work and conditions of Raymond, Rifemont-Dessaisner, and Villon; has decided to leave France and go to New York; wants to know when he should come and if securing employment as a librarian will be difficult; does not want his family to know of these plans for a while; includes price list for paintings. 3 pp., in French.

From Jacques Villon, Acheux, France, April 13, 1915: glad to learn that his paintings and engravings have sold; is looking forward to returning to normal life and working with greater intensity; being welcomed in New York should boost his self-confidence and provide some peace of mind regarding financial security; the matter of Dr. Stum's paintings cannot be settled until the war ends; is sending Pach engravings and drawings; a shipment of sketches made during the war can be published as documentaries; after being away From home for 8 months, he envies Pach's happy family life; emerging spring contrasts sharply with human evil. 3 pp., in French.

From Marcel Duchamp, Paris, France, April 27, [1915?]: is displeased by the reply received; understands that Pach misses Paris and the artist's life he led there; he is increasingly dissatisfied and the point is to leave Paris rather than to go to New York; asks help in finding a library job in New York so he will not have to depend on selling paintings; does not want his family to know yet. 7 pp., in French.

From Marcel Duchamp, Paris, France, May 21, 1915: has decided to depart on June 5, despite family and sentimental reasons for rescheduling; spoke to Raymond about Arensberg's magazine; Mme. Picon probably has articles by Mercereau, Gleizes may have articles, and other friends could contribute poems and prose; has decided on a job for the duration of his stay in America, but it will prevent him From painting. 3 pp., in French

From Theodore Duret, Paris, France, May 22, 1915: hopes Pach's efforts at promoting the latest in modern art, especially Van Gogh and Lautrec, have been successful; has written a comprehensive book on Van Gogh, which is to be published when the war ends; asks if the Van Gogh painting he loaned to the exhibition has been sold. 4 pp., in French

From Alice Derain, Paris, France, May 28, 1915: thanks Pach for sending a check and for handling her affairs; the paintings From Mme. Lebas were not shipped because Derain is not satisfied with them and decided not to sell; some landscapes may be available soon because Derain has spare time and can try to work; a recent portrait of the couturier Monsieur Poiret may be his best painting yet. 2 pp., in French

From Georges Rouault, Versailles, France, [postmarked] June 1, 1915: (1) Discusses works in progress that may be suitable for the exhibition Pach is organizing; the shipment will also include a ceramic plaque for Quinn; Quinn persists in asking about Rouault's military status; 6 times already he has been disqualified due to a weak heart; academies, medals, and awards are not about art; nature and other artists are more inspiring than unimaginative teachers. (2) Pach should keep a Rouault piece unless he prefers to select one when in France; his simplified ceramics are real faiences; his paintings are lighter and more fluid; his show after the war will include German types and landscape and religious paintings. (3) Perhaps Quinn will be interested in the paintings shipped; within the year, a larger selection of ceramics will be available for Quinn, but at the moment his focus is on painting. 4 pp. (3 separate notes), in French

From Jean Le Roy, [place unknown], France, June 12, 1915: describes his flower-decorated trench and the surrounding countryside; started a magazine called Les Imberbes with an editor and typographer friend; intends to send poems to Pach's American publication. 5 pp. + 1 p. enclosure (poem, "Printemps"), in French

From Maurice Brazil Prendergast, Boston, Mass., July 7, 1915: thanks Pach for Dufy's book; "tell Monsieur Dufy when you write him I felt more pleased than if I got a gold medal"; he and Charlie will leave soon for Maine. 4 pp

From Marcel Duchamp, New York, N.Y., [postmarked] July 28, 1915: inquires whether Pach received the palette he sent; spent the evening with Quinn, Gregg, and Kuhn; Gregg was likable and Kuhn fascinating; thinks Quinn could be supportive; Quinn was anxious to know if cubism has been killed by the war; once his English improves, he wants to convince Quinn to discard his ideas about the politics of art. 2 pp., in French

From Alice Derain, Paris, France, August 7, 1915: sends receipt for payment in full; her husband is in the service; Braque was seriously wounded; Doucet died; Picasso is in Paris; her husband hopes to meet Pach. 2 pp., in French

From Raoul Dufy, Paris, France, September 18, 1915: has received a payment toward Quinn's account; Quinn has purchased additional works; credits many sales to his association with Pach; is able to paint while in the military; after the war, he hopes the French can become better acquainted with American painters; is pleased to hear that Prendergast liked his gift; wants to see photographs of Prendergast's work; requests catalogs with reproductions of American furniture. 4 pp., in French

From Raymond Duchamp-Villon, [place unknown], October 17, 1915: feels renewed interest in his work; continues his research; observations about the war; Villon has suffered and was awarded a Military Cross; requests news of Pach and mutual friends; Pach should determine Quinn's intentions. 3 pp., in French

From Henri Matisse, Issy-les-Moulineaux, France, November 20 and 29, 1915: is delighted by the prospect of an exhibition of French art; will do what he can to help obtain the Seurat painting for exhibition; thanks Pach for selecting his work for the exhibition at Bourgeois and agrees to send additional pieces; lists etchings sent to Miss Bryant via Pottier; the photographs showed great improvement in Pach's portraits; advises a warmer palette; will offer additional frank comments after seeing new pictures; is working hard and just finished an important painting, which already has been sold; is still recovering From bronchitis. 12 pp., in French

From Louis Lombard, [place unknown], France, December 28, 1915: best wishes for the coming year. Postal card, in French

From Theodore Duret, Paris, France, December 29, 1915: read a favorable review of the Van Gogh exhibition; asks if Pach was able to sell Duret's Van Gogh still life; his book about Van Gogh will be printed after the war. 4 pp., in French

From Maurice Socard, [place unknown], December 31, 1915: has been in Paris throughout the war; is teaching at the Lycée Ch. [ sic]; believes Germany wants to organize the world; explains his view of the causes of the war and predicts the outcome. 6 pp., in French

From Mary Socard, Paris, France, December 31, 1915: greetings and good wishes; believes the war will be followed by much misery and great changes. 2 pp., in French

From Jean Le Roy, [place unknown], France, [postmarked] [?,?] 1916: his commanding officer knows Picasso, Marie Laurencin, and Derain; Lafitte was killed; wants news of Pach; thank the magazine Others if his poem "Spring" is accepted. 5 pp., in French

From Georges Rouault, [place unknown], France, [undated] [1916?]: received the catalog and Pach's review with the reproduction of his painting; his grandchild is sick; they are going to the seashore; is working on an exhibit; thanks Pach for helping sell a painting; though in poor health, he may have to join the army; suggests an album of reproductions. 10 pp., in French

From Jacques Villon, Paris, France, January 5, [1916]: he is assigned to the central atelier for camouflage; works with other artists, not all of whom share his outlook; has many ideas for new work; no news From Marcel or Picabia. 4 pp., in French

From Georges Rouault, [place unknown], France, [postmarked] January 22, 1916: personally delivered the paintings to Pottier for shipment; worries that the large works will not have the style and the color of the small ones; wants to have his exhibition ready before going to Italy; has not seen Villon recently. 2 pp., in French

From Piet van der Laan, Zutphen, the Netherlands, February 7, 1916: thanks Pach for the "ex-libris"; he is busy translating a lengthy book on medieval Italy; discusses Dante. 4 pp

From Jacques Villon, [place unknown], February 10, 1916: speculates that an art form may develop From the war. 1 p., in French

From Maurice Brazil Prendergast, New York, N.Y., March 23, 1916: confirms 5 titles for inclusion in the exhibition catalog; has a good photograph for Pach's book. 2 pp

From Maurice Socard, Paris, France, April 2, 1916: remembers Pach as one of his best students; one of the many reasons for their friendship is Pach's love for France; quotes Descartes; compares the French ideal of liberty with the German interpretation; comments on French and German science. 4 pp., in French

From Ruth Wilmot, New York, N.Y., [postmarked] April 9, 1916: compliments Pach on the lectures he presented to her group; encloses payment. 2 pp

From Henri Matisse, Issy-les-Moulineaux, France, April 28, 1916: extends best wishes for the success of the exhibition; asks Pach not to reveal the extremely reduced price of the painting Arensberg bought; asks if Max Weber has a large gallery; wants to obtain sound recordings of typical exotic chants. 4 pp., in French

From Jean Le Roy, [place unknown], [postmarked] May 8, 1916: thanks Pach for sending the Cézanne catalog; has been at the front for 13 months; Kohler is a decorated hero; Siegfried's fate is unknown; plans to publish his poems when next in Paris. 4 pp., in French

From Gino Severini, Paris, France, May 29, 1916: wants to have an exhibition in New York; has 30 or 35 paintings and 20 drawings representing several periods and can supply text for a lecture; recently published on Mallarmé and pictorial aesthetics; is presently writing another critical study; suggests Pach arrange for a show at Montross or Macbeth and specifies his usual terms; philosophical differences have caused him to part From the group of futurists Pach knows; still considers himself a futurist and will use the term because it helps the public grasp his ideas; no one, including Picasso, Derain, Dufy, and Metzinger, is making a profit From exhibitions. 4 pp., in French

From Mme. Victor Le Roy, Paris, France, May 30, 1916: belatedly acknowledges receipt of Jean's poems; [UNK] husband, Victor, died near Verdun; Jean may come home on leave. 1 p., in French

From Jean Le Roy, [place unknown], [postmarked] June 2, 1916: thanks Pach for forwarding his poems to American publications; believes poets are well treated in the United States; uncle Victor died in the war; Carreau was wounded. 4 pp., in French

From Raoul Dufy, Paris, France, June 3, 1916: thanks Pach for writing an article defending the ideas of modern French art, which had come under attack by a young American critic; wants to know if there are opponents of French modern art in New York; exhibitions are returning to Paris; Quinn purchased -- The Yellow Hat -- ; is sending a thank-you gift and an etching. 1 p., in French

From Emil Gay, Watkins Glen, N.Y., June 12, 1916: enjoyed Pach's lectures. 6 pp

From E.D. Smyth, [place unknown], England, June 16, 1916: news of a mutual friend killed in the war; discusses Jean Le Roy. 4 pp

From Camille Redon, Cannes, France, [July 1916?]: Redon is recuperating in Cannes; asks for the return of their pictures, when feasible. 2 pp., in French

From Camille Redon, [place unknown], July 4, 1916: Redon is gravely ill with pulmonary congestion; the doctors are concerned. 1 p., in French

From Jacques Villon, Puteaux, France, [postmarked] July 12, 1916: Miss Bryant's purchase boosted his morale and was welcome financially; Marcel is delighted with America; speculates that Marcel may eventually settle in America. 3 pp., in French

From Camille Redon, Bièvres, France, August 6, 1916: Redon was buried several days ago; a gallery in the Petit Palais will be devoted to him and there will be an exhibition at the Beaux-Arts in the spring; reflects on the solitude and anonymity of many great artists during their lifetimes. 4 pp., in French

From Georges Rouault, Paris, France, [postmarked] August 14, 1916: Pach should return all paintings and drawings when he can; thanks Pach for his help; his wife and infant daughter are unwell; bought a new house; will be able to work when the family leaves Paris; received the item Pach sent him From Quinn much sooner than anticipated. 2 pp., in French

From Souza Cardoso, [place unknown], Portugal, [postmarked] September 25, 1916: comments on the picture shown on the card. Picture postcard (photograph of a woman and child in costume), in French

From Henri Matisse, Issy-les-Moulineaux, France, October 14, 1916: the information Pach sent about Bourgeois raises hopes for a good exhibition at his gallery; in reply to the question about a frame for the portrait of Arensberg, insists that modern paintings do not need frames, especially gold ones that contain a picture by stopping its extension; will look at Pach's paintings any time; Mrs. Havemeyer parted with the Ingres as a condition for another purchase; From photographs, gives his opinion of the authenticity and condition of 12 paintings. 11 pp., in French

From Henri Matisse, Issy-les-Moulineaux, France, November 6, 1916: sends description and opinion of a picture he omitted From a previous letter; art is selling well in Paris. 4 pp., in French

From Paul Signac, Saint-Tropez, France, November 18, 1916: illness prevents him from complying with Pach's request to select works for exhibition; suggests sources From which to borrow Seurat paintings. 3 pp., in French

From Florence Bing, New York, N.Y., [undated (1917)]: condolences on the death of Pach's mother. 1 p

From Albert Gabriel, [place unknown], [undated (1917)]: "Accept my sincere sympathy." Note on calling card

From Leigh Hunt, [place unknown], [undated (1917)]: "Heartfelt sympathy." Note on calling card

From Professor Adolph Werner, [place unknown], [undated (1917)]: "Condolence." Note on calling card

From Ruth Wilmot, [place unknown], [undated (1917)]: condolences on the death of Pach's mother. 2 pp

From Mme. Raymond Duchamp-Villon, Compiègne, France, [postmarked] January 6, 1917: her husband is hospitalized with multiple ailments, including typhoid; condolences on the death of Pach's mother. 2 pp., in French

From Constantin Brancusi, Paris, France, January 19, 1917: thanks for check From Quinn; is pleased that he was satisfied with the sculptures, despite difficulty in assembly; plans to visit the United States after the war. 3 pp., in French

From Gino Severini, Paris, France, February 7, 1917: has written a preface explaining the ideas of the avant-garde; wants Pach to oversee the translation; asks that the three fragile pastels be framed inexpensively by Stieglitz. 2 pp., in French

From Childe Hassam, New York, N.Y., March 30, 1917: thanks Pach for help in determining latest possible date to submit work for exhibition. Note on the reverse of printed announcement of a show of Hassam's etchings and drawings at Frederick Keppel & Co., November 16- December 2

From Gino Severini, Paris, France, April 28, 1917: expresses appreciation for the success of his exhibition; his paintings should be returned at a more favorable time; a longer version of his preface on modern art will appear in -- Le Mercure de France -- ; asks to be remembered to his friends and for news of sales and reviews of his show. 4 pp., in French

From [signature illegible], New York, NY., May 14, 1917

From [signature illegible], New York, NY., May 16, 1917

From Charles Sheeler, Philadelphia, PA., May 17, [1917?]

From Charles Cooper, New York, NY., May 19, 1917

From [signature illegible], [Vienna, Austria?], July 22, 1917

From Alexandre Mercereau, [place unknown (at the front)], July 26, 1917: is sending Pach a selection of his writings, which he hopes can be published in the United States; is anxious for a good translation; believes the book he just wrote is his best and is willing to offer it to an American publisher before it appears in France. 4 pp., in French

From Gino Severini, Paris, France, September 6, 1917: discusses work in progress; offers congratulations on the first Independents show; praises Pach's selfless efforts; authorizes use of any remaining works for other exhibitions; thanks Pach for arranging sales and sending reviews. 4 pp., in French

From [signature illegible], [place unknown], October 26, 1917

From Louis Lombard, [place unknown], France, October 26, 1917: reminisces about good times together; has less desire to write poetry now; is learning German and Italian. 2 pp., in French

From Maurice Socard, Paris, France, November 3, 1917: describes superb Renoirs seen in the Rue de la Boetie; hopes Pach's remarkable efforts on behalf of modern art will be fruitful; notes qualities needed for portrait and landscape painting. 4 pp., in French

From Louis Lombard, Ingolstadt, Germany, [postmarked] November 26, 1917: boredom and solitude are his routine; thanks Pach for gifts of books and tobacco; sends holiday greetings. Postal card, in French

From Camille Redon, Paris, France, December 8, 1917: if it remains unsold, Pach should keep the Redon painting until the war is over; American troops are arriving; she follows the exhibitions; likes Matisse; Mr. Quinn is behind in his payments. 4 pp., in French

From Arthur Burdett Frost, Madison, N.J., January 5, 1918: thanks Pach for condolences upon the death of his son; wants Pach to look at his son's work and consider writing an article. 4 pp

From Georges Rouault, Versailles, France, [postmarked] January 15, 1918: discusses titles of 2 pieces; general terms are more suitable titles for his subjects; Matisse was ridiculed by many because for a year he numbered all canvases; Rouault's albums will be numbered rather than titled; suggests framing and matting techniques for the double-sided piece; his new paintings won't need glass; he has always been lonely, but now is isolated as well; has a new daughter. 4 pp., in French

From Arthur Burdett Frost, [place unknown], February 1, 1918: thanks Pach for his interest in his son Arthur; offers a photograph of Arthur to illustrate Pach's forthcoming article. 4 pp

From Arthur Burdett Frost, [place unknown], [between February 1 and March 12, 1918]: thanks Pach for the manuscript; plans to send additional photographs of Arthur. 4 pp

From Arthur Burdett Frost, [place unknown], [between February 1 and March 12, 1918]: returning Pach's manuscript; requests a copy. 2 pp

From Alexandre Mercereau, Paris, France, [postmarked] February 9, 1918: thanks Pach for finding him a publisher; financial gain is secondary to having a publisher of good reputation who will provide proper translation; mentions Pach's frequent contact with Gleizes and Duchamp, who surely support his efforts on behalf of modern art; Vareze recommends Julio Gonzales's decorative work for Pach's exhibition; wants to help a friend sell a de Miranda painting. 2 pp., in French, + business card ("Alexandre Mercereau, Homme de Lettres, President de la Société Les Grandes Conférences") + 2 photographs (inscribed portrait of Mercereau taken at the front, June 1915, and portrait of Charles III and Maria-Ana by Carreño de Miranda)

From Maurice Socard, Paris, France, February 20, 1918: letter of gratitude for Pach's friendship and efforts on behalf of modern art; discusses idealism, imagination, art, and the search for truth. 3 pp., in French

From Elie Faure, Paris, France, March 12, 1918: is sending copies of his last 3 books; thinks -- The Holy Face -- is his most important book; it is about war in general and includes personal experiences From the present war. 4 pp., in French

From Mme. Le Roy, Paris, France., May 19, 1918: Jean died while a prisoner of war. 3 pp., in French

From Raymond Duchamp-Villon, Cannes, France, May 20, 1918: is sending Quinn a drawing and photograph that relate to his rooster sculpture and show the original architectural setting for the piece; will send the script of a comedy written with a friend for performance at a military hospital, which Pach may translate and publish in America; glad that the rift between Pach and Marcel is mended; recently saw Matisse hard at work; Villon is in the army and has no time for work. 4 pp., in French

From Gaby Duchamp, [place unknown], France, May 23, 1918: thanks Pach for arranging sales to Quinn; her husband is well, doing research, and will resume his art when the war ends; Raymond is in the hospital in Cannes; there were interesting Matisse and Picasso exhibitions in Paris. 2 pp., in French

From French Army, [place unknown], July [?], 1918: confirms the death of Jean Le Roy on April 26; sends details of the battle, as Pach requested, and text of citation. 4 pp., in French

From Mme. Le Roy, Paris, France, August 19, 1918: thanks Pach for the touching gesture of dedicating his University of California course to Jean's memory; sends a copy of the citation Jean received the day he died. 3 pp., in French

From J. Van Gogh Bonger, Far Rockaway, N.Y., August 20, 1918: sons wrote of good times with Pach in Berkeley; they were in Honolulu and now should be in Japan; first volume of the "Letters" has been translated; discusses her brother's friendship with Redon. 4 pp

From Camille Redon, Bièvres, France, September 23, 1918: thanks Pach for lecturing on Redon and his work; has a full set of engravings and lithographs; litho stones were erased, but copper plates are at the museum in Amsterdam; plans to sell prints after the war and will offer Pach some he lacks; comments on arrival of American forces, with whom her son-in-law is an officer. 4 pp., in French

From Morton Livingston Schamberg, Philadelphia, Pa., September 30, 1918: belated thanks for the two Indian tiles; he and Sheeler readily agreed who should have which tile. 2 pp

From Frederic C. Torrey, San Francisco, Calif., October 8, 1918: is glad Pach is in California; anticipating the end of the war; tell Mme. Van Gogh he regrets not meeting her. 4 pp

From Mme. Duchamp-Villon, Paris, France, October 11, 1918: Raymond died of uremia; she plans to return to work at the front; will send Raymond's design for a chess set; wonders if Quinn purchased the rooster drawing. 2 pp., in French

From Vincent Van Gogh Bonger, Kobe, Japan, October 27, 1918: "Best regards From Vincent." Picture postcard ("Joie de Vivre")

From Elie Faure, [place unknown], October 30, 1918: thanks Pach for sincere appreciation of The Holy Face; the book received mixed reviews; if there is an English edition, Pach should be the translator; agrees to contribute to the magazine; suggests an article on "America in the War"; the final volume of History of Art will not be published until after the war due to paper shortages; maybe Pach can obtain appropriate paper. 2 pp., in French

From Maurice Socard, Paris, France, November 12, 1918: finally met with Pach's friend for a discussion of Pach's aesthetic preferences and the relationship between philosophy and art; read about Pach's University of California lectures; Paris is celebrating the end of the war. 7 pp., in French

From Jacques Villon, Paris, France, November 13, 1918: Raymond died following a second operation; is determined not to leave Raymond's work unfinished. 2 pp., in French

From Marcel Duchamp, Buenos Aires, Argentina, November 15, [1918?]: as a close friend and admirer of Raymond, Pach must be grieving his death; although provincial, Buenos Aires is calm and conducive to work; brought notes for the glass and plans to continue drawings for it; Argentines are aware of cubism but do not understand it; is planning an exhibition for Buenos Aires in May or June; asks Pach to help H.M. Barzun, who will be contacting him about the show; outlines his schedule for the coming year; anticipates readjusting to peacetime. 3 pp., in French

From Jean Le Roy, [place unknown], [postmarked] December 15, 1918: thanks Pach for bringing his pamphlet to Arensberg's attention; discusses his interest in rhythm in poetry. 4 pp., in French

From Frederic C. Torrey, San Francisco, Calif., December 19, 1918: holiday greetings; compliments Pach's writing, specifically his latest article in the Dial; discusses the Dana prize awarded in Philadelphia to McComas. 5 pp

From the Butlers, New York, NY., [postmarked] December 23, 1918: Christmas card, "Victory Christmas"

From Frederic C. Torrey, San Francisco, Calif., January 3, 1919: Pach was misidentified as curator of Hindu art in American Art News; discusses taxes on art sales; still wants to sell his Cézanne lithograph and can reduce the price; asks if Arensberg would be interested in purchasing Un Descendant. 4 pp

From Mabel Torrance, New York, N.Y., January 12, 1919: just learned the classes will be discontinued. 3 pp

From Elie Faure, [place unknown], January 21, 1919: thanks Pach for efforts with American publishers on his behalf; before the war only Germany had a culture large enough to take immediate interest in his kind of intellectual endeavors; awaiting instructions From Johnson concerning the articles he is writing; comments on diplomats of the Entente and political matters; compliments -- Modern School -- ; is sending a brochure about a restored castle his brother is attempting to sell. 4 pp., in French

From Frederic C. Torrey, San Francisco, Calif., February 3, 1919: nude is on the way to Arensberg a day late; his wife will be very happy to sell Un Descendant; "I want the Russian experiment to be given a fair chance"; comments on "Russian 'refugees"'; thanks Pach for assistance in the "Arensberg matter." 7 pp

From Frederic C. Torrey, San Francisco, Calif., February 7, 1919: received Arensberg's check; painting was shipped late, with a lesser valuation, due to changes in regulations; discusses new tax bill. 3 pp

From Elie Faure, [place unknown], May 4, 1919: notes the poor reception of his book in France and the United States; discusses his current work; opinions of world politics. 4 pp., in French

From Maurice Socard, [place unknown], May 12, 1919: much disagreement about the terms of the peace treaty; feels that Germany must serve a term in purgatory. 3 pp., in French [filmed with the wrong envelope]

From Félix Fénéon, Paris, France, May 15, 1919: thanks Pach for selling -- Esquisse d'un Dimanche d'Eté a la Grande Jatte -- and for the check. 1 p., in French

From Marcel Duchamp, Buenos Aires, Argentina, June 6, 1919: regrets having abandoned plans for an exhibition there; Buenos Aires is ready for new art. 2 pp., in French

From Xavier Martinez, Piedmont, Calif., June 16, 1919: received Courbet, Society of Independent Artists, and Redon catalogs; congratulates Pach. 2 pp., in Spanish

From Ismael Smith, New York, N.Y., June 25, 1919: Margarita Cordoba From Cuba, representing the Independents, is sending a picture of la Mazantinita, a famous Spanish ballerina. 1 p., in Spanish, +8 pp. enclosure (11 designs for bookplates)

From Jacques Villon, Neuilly-sur-Seine, France, June 26, 1919: thanks Pach for check, letter, and catalog; writes of his work plans for the coming year, when he expects to make up for lost time; comments favorably on Pach's painting; notes activities of his friends, including Gleizes, Picabia, and Marcel. 2 pp., in French

From Marion L. Chamberlain, Santa Barbara, Calif., August 10, 1919: she and Miss Phillips enjoyed Pach's lectures at the Berkeley Summer School; they purchased 2 Renoir lithographs From Mr. Torrey. 4 pp

From Marcel Duchamp, Paris, France, [postmarked] September 3, 1919: his friends and their lives seem little changed since the war; other than the work of his brother and Picabia, he sees little of artistic interest; will be in New York in December; saw Yvonne Duchamp-Villon. 3 pp., in French

From Charles Loeser, Florence, Italy, November 18, 1919: describes his house with its special music rooms; 6 Cézanne paintings hang in one room; has a drawing which he believes is by Velasquez; discusses art collecting; "I have always liked Leo Stein, so long as he talked to me on any matter other than art." 6 pp

From Sybil Kent Kane, New York, N.Y., [postmarked] November 26, 1919: thanks Pach for etchings of "my beloved Chapel." 1 p

From Pietro Brunelleschi, Florence, Italy, [postmarked] December 5, 1919: accepts Pach's invitation for the following day. Note on business card, in Italian

From [Mme.] Duchamp-Villon, Laon, France, January 4, 1920: looks forward to Pach's proposed visit to France; discusses widowhood, her new job in Laon, and the material difficulties of postwar existence; Marcel took Cézanne paintings with him to New York; will send a print of Le Coq. 2 pp., in French

From Elie Faure, Paris, France, January 11, 1920: economic conditions preclude publication of his fourth volume at this time; saw Redon a month before he died, when he spoke of indifference to the opinions of others and concern with expressing himself; discusses the masterpieces in his personal collection, among them Redon, Delacroix, Daumier, and Van Gogh. 8 pp., in French

From Edgar L. Hewett, Archaeological Institute of America, San Diego, Calif., February 2, 1920: met with Sloan and Henri to make arrangements for the "Indian art exhibition"; thanks Pach for encouragement with the exhibition plan; compliments Pach's article in the Dial. 1 p

From Xavier Martinez, Piedmont, Calif., March 12, 1920: thanks for the Dial and the invitation; compliments Pach's article on American Indian art; thinks Pach writes just as well as he paints; is enthusiastic about plans for an American Indian exhibition. 2 pp., in Spanish, + enclosure (sketch of American Indian head)

From Elie Faure, Paris, France, April 20, 1920: is happy about what Pach tells him of Delacroix; he owns 3 works by Delacroix and considers him one of the greatest painters; paper shortages have delayed publication of volume 4; asks if Pach is willing to undertake more translation work; someone else has offered, but Pach is preferred; -- The Dance on Fire and Water -- is being sent for Pach's opinion; the book best condenses Faure's ideas on the aesthetic interpretation of history; like Pach, he organizes exhibits around topics. 4 pp., in French

From Elie Faure, Paris, France, April 23, 1920: Pach must let him know right away if he can do the translation; discusses publishers' contracts; Faure will furnish all photographs for illustration at prewar prices; Pach's other Faure translations have drawn high praise. 2 pp., in French

From J. Metzinger, [place unknown], May 15, 1920: thanks Pach for the check and efforts on his behalf in New York; Pach should keep an unsold painting and dispose of the others as he wishes; people no longer laugh at cubism, but they don't yet understand it; despite war and the hard times that followed, cubism survives; offers his help if Pach wants to exhibit there. 2 pp., in French

From Elie Faure, Paris, France, May 23, 1920: discusses the details of his 4-volume -- History of Art -- now being published; a copy of volume 1 is being sent to Pach. 2 pp., in French

From John Sloan, Santa Fe, N.M., June 9, 1920: began painting the week after arriving in Santa Fe; a Corpus Christi procession provided subject matter; had work accepted for the "Metropolitan Anniversary Ex."; comments on "Art and Craftsmanship" article in the Dial. 2 pp., illustrated with a drawing of Sloan in his studio

From Elie Faure, Paris, France, June 20, 1920: discusses the publication of his book, especially the quality and cost of illustrations for the English edition; judging any work of art requires distance in time and space. 4 pp., in French

From Elie Faure, [place unknown], July 3, 1920: discusses costs for engraved plates and cheaper electrotype plates; asks Pach to select photographs of Peruvian and Mexican monuments, Mexican sculpture, and an American Indian decorated tent or other appropriate images for use in Mediaeval Art; this second volume will contain new illustrations of the art of India and Gothic art. 2 pp., in French

From Elie Faure, Paris, France, July 11, 1920: thanks Pach for writing an article about him; comments favorably on Pach's paintings; is considering adding a section on modernist painting, which would mention Pach, to the third edition of -- History of Modern Art -- . 2 pp., in French

From Jacques Villon, Puteaux, France, July 25, 1920: he recently read the notes found among Raymond's papers, but the haphazard and often obscure ideas would reveal nothing new to Pach; is sending pictures of the horse, some showing the prewar plaster version and others the beginning of the final verson; Raymond's experience in the cavalry made him an expert horseman, and many sketches of horses made during the war show he continued to think of the sculpture he had started; is also sending photographs of sketches, a bust of Professor Gosset, plans for a chess set, and other works; some of Raymond's notes pertain to the design of a surgical center; is certain that Raymond would have continued the research that led him From literal representation to mechanical aspects; thanks Pach for preserving the memory and work of the late artist. 5 pp., in French

From Jacques Villon, [place unknown], August 1, 1920: is sending Pach several photographs and 2 drawings; gives installation instructions for Raymond Duchamp-Villon's last sculpture, Dr. Gosset, with sketches of front and side views of the piece [large portions illegible]. 2 pp., in French

From Elie Faure, Neuilly-sur-Seine, France, August 13, 1920: discusses illustrations for his book; Marcel Duchamp will not be included; mentions other artists he has omitted or included and the relative value assigned to each, perhaps mistakenly; discusses those classified as impressionists and neoimpressionists; mentions new directions in art, among them scientific ones. 8 pp., in French

From L.L. Kane, Long Lake, N.Y., August 26, 1920: Pach's pictures are "quite safe at 47th St. until your return"; he especially appreciates Mme. Derain, which hangs with 2 Copley portraits in the breakfast room. 4 pp

September 12, 1920: note indicating Samuel Ramos is with the Comision Mexicana de Cooperacion Intelectual

From Elie Faure, Paris, France, September 28, 1920: provides correct spellings for works of art, as requested; will send proof sheets of printed photographs with placement instructions; still waiting for the promised photographs of American Indian art. 2 pp., in French

From Elie Faure, Paris, France, November 10, 1920: discusses in detail the illustrations for his book, their placement and captions; an article about cinema in the -- Freeman -- expresses ideas very close to his own; reflects on current politics. 6 pp., in French

From Elie Faure, Paris, France, November 26, 1920: thanks Pach for the photographs; hopes instructions regarding illustrations and page-setting were received; requests a signed copy of the contract with -- Harpers -- ; is still thinking about writing an article for the -- Freeman -- ; is enclosing an advertising circular designed for his book and suggests something similar for the American edition. 2 pp., in French

From Elie Faure, Paris, France, December 22, 1920: the photograph of Herculeum arrived; his editors are pleased; volume 4 will be ready in a few days and a copy will be sent to Pach; the American edition contains stupid mistakes; plans to write an article for the Freeman; will send Pach his article on cinema. 2 pp., in French

From Elie Faure, Paris, France, January 17, 1921: describes his visit to London, emphasizing the British Museum; likes little of British art; considers Bonnard, Matisse, Picasso, and Derain in the forefront of modern art; he appreciates Pach's opinions on art, even when in disagreement; because Pach is younger, his views are an excellent indicator of current taste. 4 pp., in French

From Piet van der Laan, Utrecht, the Netherlands, January 21, 1921: thanks for the bookplate Pach designed; compliments his article in the Freeman; is attempting to sell paintings by a young Dutch artist friend. 3 pp

From Elie Faure, Paris, France, February 3, 1921: hopes to rewrite volume 1, as he is unhappy with it; Spanish translation is delayed due to paper shortages; his brother's chateau is to be sold; wrote an article on Charlot. 3 pp., in French

From [Mme.] Duchamp-Villon, Paris, France, February 11, 1921: discusses in detail the choice of lodgings available to the Pach family for their stay in Paris; Marcel can help Pach place the Gosset figure as he saw it assembled; instructs Pach to sell the Cézanne. 2 pp., in French

From Maurice Brazil Prendergast, New York, N.Y., February 28, 1921: thanks Pach for introducing him and Charlie to Mr. and Mrs. Brummer; their work will be exhibited at Brummer's March 15-April 1; read Pach's article on Matisse; will try to see the exhibition. 3 pp

From Elie Faure, Paris, France, March 1, 1921: discusses changes to the title of his 4-volume -- History of Art -- ; volume 1 is being shipped to Pach soon; believes French academics slander France. 2 pp., in French

From Elie Faure, Paris, France, March 4, 1921: Is still trying to find a place for the Pachs to stay; his own apartment will not be available until August; discusses the title of his book and asks Pach to write the introduction; the article on Charlot was not published. 2 pp., in French

From Clara La Follette, -- Freeman -- , New York, N.Y., [postmarked] March 7, 1921: sends letter received by the -- Freeman -- that she thinks will amuse Pach. 1 p., + 2 pp. enclosure (letter rubber stamped February 23, 1921 [date of receipt?] to Mr. Huebsch From Alfred Stieglitz, New York, N.Y. [of an exhibition review by Pach published in the -- Freeman -- ]: "Mr. Pach undoubtedly did his best--but I fear that the real significance of the work was beyond him.--I regret it")

From Elie Faure, Paris, France, March 14, 1921: will send proofs of Napoleon; desires advice From Pach concerning whether it should be translated; thinks the subject will be of interest in America. 2 pp., in French

From Elie Faure, [place unknown], July 29, 1921: plans to meet Pach in Cahors; -- History of Art -- was chosen as one of the 10 best French books recommended to Americans by the Comité France-Amerique. 2 pp., in French

From Camille Redon, Paris, France, [postmarked] August 1, 1921: thanks Pach for translating an article about Redon; offers a Redon work to Mrs. Pach. 1 p., in French

From Elie Faure, Dordogne, France, August 15, 1921: 4 pp., in French

From Elie Faure, Paris, France, March 16, 1921: has sent Pach his article on Charlot, which will be published soon by -- L'Esprit Nouveau -- ; discusses his work, including an article on cinema and -- Napoleon -- ; inquires about payment and translation rights for articles appearing in the -- Freeman -- . 2 pp., in French

From Elie Faure, Paris, France, April 16, 1921: the translation of his Charlot article must mention it is excerpted from -- L'Esprit Nouveau -- ; the French are boycotting American films, especially Charlie Chaplin's; compliments Pach's translations; -- History of Art -- has been an unexpected success; Napoleon promises to do well and is being serialized in -- Grande Revue -- ; he and Pach will divide the profits; may have found a convenient place for the Pachs to stay. 2 pp., in French

From [Mme.] Duchamp-Villon, Paris, France, April 20, 1921: offers to help Pach find lodging when he visits; asks if Quinn has received the sculpture. 1 p., in French

From Elie Faure, Paris, France, June 29, 1921: unable to find a place for Pach to stay; -- History of Art -- is selling well; reprints and new volumes will require translation; asks if Pach could bring his daughter a statuette of Charlot to put on their car, as is now the fad. 2 pp., in French

From George Ferdinand Of, New York, N.Y., November 28, 1914: is anxious to see Pach and hear about his trip. Picture postcard ("Museé de Louvre.-- -- Les Baigneuses.-- -- Vernet.--LL").

From Jean Le Roy, Nièvre, France, [postmarked] December 29, 1914: wants Pach's opinion of his poems; is in the army; heard Pach is organizing an exhibition; asks for news of the Duchamp brothers. 4 pp., in French.

From Raymond Duchamp-Villon, Saint-Germain-en-Laye, France, January 19, 1915: advises patience until the world of art returns; a weak heart disqualified Marcel From military duty; congratulates Pach on the exhibition; is invited to San Francisco but doubts cubist works will be accepted; discusses prices of his medallions. 2 pp., in French.

From Camille Redon, Paris, France, [postmarked] August 1, 1921: thanks Pach for translating an article about Redon; offers a Redon work to Mrs. Pach. 1 p., in French

From Elie Faure, Dordogne, France, August 15, 1921: 4 pp., in French

From Clara La Follette, Freeman, New York, N.Y., August 16, 1921: opinions of French government; comments on Faure's article on the cinema; urges Pach to send the article he mentioned; is looking for a studio. 4 pp

From Henri Matisse, Nice, France, September 7, 1921: agrees to Pach's terms concerning the Redon paintings, but there is no one available who is capable of separating the torn papers of -- Radiant Flower -- ; after 3 weeks of laziness, he is painting again and it is like starting over at the beginning. 2 pp., in French

From [Mme.] Duchamp-Villon, Puteaux, France, September 18, 1921: [Illegible]. 2 pp., in French

From Elie Faure, Paris, France, September 29, 1921: 2 pp., in French

From Elie Faure, Paris, France, October 27, 1921: thanks Pach for checks received; discusses advantages and disadvantages of using a picture for promoting his works; his daughter is most disappointed that there are no more Charlot statuettes; asks Pach to sell lottery tickets for charity. 4 pp., in French

From Bernard Berenson, Florence, Italy, November 9, 1921: thanks Pach for catalog; photograph of "St. Francis at Brooklyn" reminds him of "the naive art of all the eccentric regions of Europe." 4 pp

From Jacques Villon, [place unknown], France, November 9, 1921: is glad to have met Mrs. Pach; Matisse engraving is not yet ready due to printing problems. 4 pp., in French

From Elie Faure, Paris, France, November 13, 1921: discusses the details of his contract with -- Harpers -- , which he considers unjust; his father-in-law died; reports on the sick painter friend for whom the benefit raffle was held. 6 pp., in French

From Elie Faure, Paris, France, November 28, 1921: if the misunderstanding concerning the -- Harpers -- contract is not corrected, it will be a disaster; their artist friend needs further surgery; hopes Pach can sell more tickets for the raffle, which will precede an exhibit in February or March; lists artists--among them Bonnard, Dufy, Matisse, Signac, and Braque--who have donated works for the raffle; regrets that his last book devoted so little space to Derain. 2 pp., in French

From Elie Faure, Paris, France, December 19, 1921: thanks Pach for help in clearing up a misunderstanding with his American publisher; discusses his 4-volume work, including opinions of the layouts and illustrations of each; Pach should decide whether to attribute a painting to de Pietro or Sassetta; plans to write about Derain; an exhibition, organized for an artist friend in need, includes a lottery with contributions From Matisse, Derain, and Picasso; will send Pach 250 lottery tickets; announces the upcoming marriage of François, a talented decorator, and asks if work could be found for him in New York or if his projects could be reproduced in an American publication. 4 pp., in French

From Elie Faure, [place unknown], December 23, 1921: received a letter From Briggs and praises the loyalty and honesty of American publishers; thanks Pach for perseverance in bringing to publication, in English translation, -- History of Art -- ; lottery tickets are being sent, many going to Mrs. Whitney; asks if Pach could help to interest American publisher Nelson in the collections of an expanding French publishing firm looking for capital; is sending -- Mediaeval Art -- and François' furnishing projects. 2 pp., in French

From Elie Faure, Paris, France, December 31, 1921: considers volume 1 "our" -- History of Art -- out of gratitude for Pach's excellent translation; discusses the illustrations and general appearance of the book; -- Mediaeval Art -- and lottery tickets will be sent soon; has 2 paintings he wants Pach to sell in the United States, a Venetian school Crucifixion and a version of Gros's -- Murat a la Bataille d'Aboukir -- ; describes the paintings, discusses prices and Pach's commission. 3 pp., in French

From Maurice Brazil Prendergast. New York, N.Y., January 26, 1922: Discusses quality of reproductions for Shadowland; wants to assist, should Pach decide to write an article; compliments Pach's writing. 3 pp

From Maurice Brazil Prendergast, New York, N.Y., February 2, 1922: is returning Pach's manuscript; agrees with him about Cézanne; "I was much influenced by Pissarro but with water colors it was nature pure and simple that influence [ sic] me"; is impressed with -- Shadowland -- . 3 pp

From Leigh Hunt, New York, N.Y., [postmarked] February 23, 1922: congratulates Pach and the museum. 1 p

From Elie Faure, Paris, France, March 21, 1922: is sending -- Renaissance Art -- , which completes the series; Pach should return the stubs of all sold lottery tickets; the Spanish artist for whom the lottery was organized is now recovering From surgery; complains of a dull artistic season, including a Salon des Indépendants devoid of interest; the best was a Matisse exhibit, along with Derain's and Picasso's latest work; increasingly poor leadership has him worried about the future of Europe; inquires about two articles he sent to the -- Freeman -- . 5 pp., in French

From Elie Faure, Paris, France, March 30, 1922: Americans have won 8 of the lottery prizes (most of them with Mrs. Whitney's tickets) consisting of 6 etchings and 2 paintings; what to do with the artworks is a problem in view of customs requirements. 2 pp., in French

From Camille Redon, Paris, France, April 7, 1922: mailed 2 etchings and 30 proofs made of each of Redon's copper engravings; the plates went to the Print Museum; thanks Pach for the beautiful etching and photographs he sent. 2 pp., in French

From Elie Faure, Paris, France, April 10, 1922: received the -- Freeman -- article; just completed a response to the review of his book, which he prefers to send to the -- Dial -- rather than the -- Freeman -- ; wrote a new introduction to Greek Art for future editions; hopes Pach has sold paintings; thinks one of the paintings could pass as a fake for customs purposes. 2 pp., in French

From Elie Faure, Paris. France, April 11, 1922: the attribution of his Baron Gros is certain, but its condition is not perfect; discusses articles being translated by Pach; discusses the French language in Canada; he and Pach agree on important points; Pach is unfair to Bonnard, who eventually will be regarded as a minor master; Derain is a great painter who overshadows Matisse. 2 pp., in French, labeled "second letter" (enclosed with letter of April 10, 1922)

From Elie Faure, Paris, France, May 6, 1922: received the checks; is returning a signed contract for -- Cinéplastique -- and inquires about American customs concerning royalty payments; will mail books to Pach and pictures to Harper's; the lottery prizes are being sent; the Corots and Courbet at Rosenberg Gallery particularly impressed him; family news; dispair over current politics. 2 pp., in French

From Pedro Henríquez Ureña, Universidad Nacional de Mexico, Mexico City, Mexico, May 31, 1922: discusses Pach's remuneration and class schedule for the summer session. 1 p

From Elie Faure, Paris, France, June 17, 1922: regrets not being able to meet Pach in Mexico and wishes Rivera had invited him, too; will try to delay French publication of his article so the -- Dial -- can print it first; another piece on the aesthetics of machinism has already been published in France; finished a long chapter of -- The Spirit of the Forms -- and wants Harper's to consider it completed; after going to Vichy for his health, he will take a vacation; wants to know all about Pach's archaeological discovery in Mexico. 2 pp., in French

From John Sloan, Santa Fe, N.M., [postmarked] August 4, 1922: has a car for summer travels; the Henris are there; has been painting. 2 pp., illustrated with drawing of a car on a winding mountain road ("Climbing the Bahada [no exaggeration!]")

From L.L. Kane, Long Lake, N.Y., August 12, 1922: wants to read Pach's article in the Freeman; admires his ability to present lectures in other languages; describes his Adirondack camp. 2 pp

From Henri Matisse, Nice, France, September 2, 1922: mailed copies of all the engravings he made during the summer; asks Pach's advice on lowering the price of Redon's pastels; he is now back at work in Nice after 2 months in Paris. 2 pp., in French

From Jacques Villon, Soissons, France, September 6, 1922: the estimate for publishing was higher than anticipated; asks Pach to intercede; inquires about Pach's trip to Mexico; news of various friends; discusses summer plans. 2 pp., in French

From Sybil Kent Kane, Long Lake, N.Y., September 7, 1922: thanks Pach for sending the picture of a jug; her book is about the life of Blessed Margaret Mary. 4 pp

From Suzanne La Follette, New York, N.Y., [postmarked] September 10, 1922: due to understaffing at the -- Freeman -- there was no art coverage during the summer; suggests Pach write a series of articles on Delacroix, Cézanne, Renoir, Redon, Van Gogh; opinions of Faure's second volume; news of Boardman Robinson; has changed her name back to Suzanne From Clara. 6 pp.

To Professor D. Ramon Mena From Walter Pach, Mexico City, Mexico, October 4, 1922: the mosaic mask discovered by Professor Aguierre and displayed in the National Museum is an object of great interest; it presents important problems to American antiquities experts and to those studying aesthetics; an important detail is the way in which material is handled; discusses fundamental difference in the work of the imitator and the mosaic mask; the technical question and expressive question are inseparable; appreciates the compliment of being asked his opinion. 3 pp., in Spanish

From Elie Faure, Paris, France, October 22, 1922: received payment for photographs and book royalties; discusses Rivera's talent, disagreeing with Pach's view of his originality; Rivera has remarried; shares Pach's admiration for Mexican art; now that his article has appeared in the -- Dial -- , he has nothing further to publish in America other than History of Art; since Pach is now devoting more time to painting and etching, he will need to find Faure a new translator; asks Pach if chapters From The Spirit of the Forms and essays on great literary figures could appear in American publications; discusses some of his theories of art and the structural aspect of his own writings. 6 pp., in French

From Jean Charlot, [place unknown], Mexico, November 5, 1922: Pach's article appeared in -- Mexico Moderno -- ; Orozco will be exhibiting watercolors; the fresco Accion del Artes is almost finished; is becoming interested in religious painting. 4 pp., in French

From Diego Rivera, [place unknown], Mexico, December 7, 1922: thanks Pach for his valuable friendship; the Mexican Independents, now formally organized, are invited to show with the Society of Independents in New York; Orozco, Charlot, Revueltas, Figueiros, Leal, Alba, Cahero, Bolanos, Ugarte, Cano, Nahui, Ate, Rivera, and children will represent Mexico; discusses space needs and suggests possible hanging arrangements; needs to find a way to pay for transportation; please convey their appreciation to the Society; Pach should tell Miss Porter that although there was a mix-up in communications, Rivera is still interested in the small exposition. 4 pp., in Spanish

From Jacques Villon, [place unknown], France, December 21, 1922: [Illegible]. 8 pp., in French

to Magda Pach From Gaby [Mme. Jacques Villon?], [place unknown], December 27, 1922: wishes the Pach family would visit them for several months; Villon is working hard, as always; except for a vacation in Brittany, they rarely go anywhere; engravings are time consuming but right now sell better than paintings; asks about Pach's stay in Mexico. 2 pp., in French

From Carlo Lemba, Florence, Italy., [?,?] 1923: thanks Pach for remembering him and for the very beautiful Rembrandt; requests a catalog or photograph. Picture postcard ("Firenze--Palazzo Vecchia--Il Cortile"), in Italian

From Elie Faure, Paris, France, January 21, 1923: thanks Pach for his translation; discusses modifications to be made in the first volume; details plans for future publications; lists illustrations for the last chapter of History of Art. 10 pp., in French

From José Vasconcelos, [place unknown], Mexico, February 23, 1923: received Pach's letter and sends appreciation for the international approach of his work. Telegram, in Spanish

From José Clemente Orozco, [place unknown], Mexico, February 27, 1923: introduces his friend, Mexican poet José Juan Tablada; friendship with Tablada would be a great satisfaction to Pach; Tablada could courier Mexican works From the Independents exhibition when he returns home; they learned much about contemporary art From Pach's lecture series; when he returns to Mexico, Pach can expect an affectionate welcome. 2 pp., in Spanish

From Elie Faure, Paris, France, March 4, 1923: at last, publication of -- Mediaeval Art -- has been announced; the definitive edition of his work is currently in progress; discusses new prefaces for all 5 volumes; rewrote the last chapter of volume 4, which does not mention Bonnard but expands discussion of Matisse, Picasso, and Derain, whom he considers the greatest contemporary painter. 2 pp., in French

From Secretario de Educacíon Publica, [place unknown], Mexico, March 14, 1923: José Vasconselos thanks Pach for his efforts on behalf of Mexican painters in this year's Independent Artists Salon. 1 p., in Spanish

From Jean Charlot, [place unknown], Mexico, [postmarked] March 31, 1923: was happy to receive Pach's illustrated article about Seurat; the enclosed flier rebuts another slanderous article about the exhibit; the catalog reproduction of the painting Pach started in Mexico was recognized by everyone; Diego called it more Mexican than their own contributions; Diego finished his first panel for the ministry frescoes; Diego's brother-in-law executed a successful encaustic mural in Guadalajara; Diego sends thanks to Pach, but cannot write because he works From 8:00 a.m. until 10:00 p.m.--without eating--which is hard on his aides who must do likewise. 2 pp., in French

From Elie Faure, Paris, France, April 24, 1923: an American definitive edition is under consideration; will send Pach copies of work by Spain's best artist since Goya; still thinks Derain is the best painter; Matisse's exhibition lacks humanity; discusses European political problems. 2 pp., in French

From Elie Faure, Paris, France, May 10, 1923: is now writing a book about the mechanism regulating the life cycles of societies; did not see all the exhibits because he is now drawn more to social psychology, which helps him understand painting; life takes precedence over painting; his article was misunderstood in America and France by supporters and opponents alike; painting, no longer the dominant art form as it was in the previous century, is being overtaken by cinema; assures Pach of his friendship and trust; understands that his ideas provoke resistance even among the best of friends. 6 pp., in French

From Suzanne La Follette, New York, N.Y., [postmarked] June 23, 1923: thanks Pach for article; sends proofs of first article; was advised not to go to Germany; will visit England, France, and Italy. 4 pp

From J. Van Gogh Bonger, Amsterdam, the Netherlands, June 27, 1923: read that the Pachs were cited as among the best of the Independents; the pictures are back, and she is glad they were exhibited in the United States; is anxious to publish Van Gogh's letters in English; opinions of Meier-Graefe's book; opinions of recent articles in the -- Times -- and the -- Freeman -- ; "What I never forgive Meyer-Greafe [ sic] is his suggestion that Theo, after his marriage could not provide for Vincent any longer"; is sending a Van Gogh drawing to Pach in appreciation for his help. 3 pp

From Diego Rivera, [place unknown], Mexico, July 3, 1923: introduces Covarrubias; on behalf of the group, thanks Pach and the Independents in New York; Pach's Mexican street scene showed intimate and strong character; hopes for even better representation next year; describes current projects of several Mexican artists; Covarrubias has photographs of murals in progress. 2 pp., in Spanish

From Lewis Mumford, Brooklyn, N.Y., July 5, 1923: congratulates Pach on Modern Art; "it is far and away the best piece of criticism we've had in America, to my knowledge." 1 p

From Alfred Stieglitz, Lake George, N.Y., July 21, 1923: he and O'Keeffe are enjoying Pach's translation of Faure; Stieglitz has read it in the original; O'Keeffe doesn't know French. 1 p

From Elie Faure, [place unknown], October 8, 1923: if Harper's cannot locate the photograph Faure sent of a Picasso painting, Pach should select a substitute; requests assistance in coilecting a fee owed by a publisher; complains about the usual reluctance of museums to accept paintings; suggests that Boston or the Barnes Foundation might be interested in the Gros, Delacroix, and Venetian school paintings he wants to sell; -- History of Art -- will be translated into Spanish and possibly German; hopes for more contacts with the United States. 2 pp., in French

From J. Van Gogh Bonger, Amsterdam, the Netherlands, October 18, 1923: could not find anyone to deliver the drawing to Pach, so she mailed it; is working on an exhibition to be held in London; Zigrosser visited. 1 p., negative photostat

From Elie Faure, Paris, France, December 1, 1923: has mailed the photographs Pach requested; believes he has told Pach of all the proposals received From America and still awaits answers relating to some; Waldo Frank visited; found Miss La Follette most congenial; the package of photographs also contains a small drawing as a memento of their collaboration. 2 pp., in French

From Ariella Brunelleschi, Florence, Italy, [postmarked] December 12, 1923: her entire family sends thanks; best wishes for a good trip. Picture postcard ("Firenze--Galleria Uffizi La Nativita de Gesu dett.--Van Der Goes Ugo"), in Italian

From Jacques Villon, [place unknown], December 25, 1923: is delighted to learn that Pach has resumed painting and wants to see a photograph of his portrait of Magda; the common desire to travel west is a distraction, as is his penchant for making etchings rather than painting; has problems with his engraving of a Cézanne and will do a Laurencin next; complains of difficulties painting; is mailing the edited first proofs of the book on Raymond; Yvonne is gone; he missed seeing Miss La Follette; Rosenberg is in New York; paintings are hard to sell; New Year's greetings to the Pach family. Postscript From Gaby expresses her own best wishes and those of Marcel; she hopes to see them in Puteaux the following year. 5 pp., in French

From Elie Faure, [place unknown], January 24, 1924: approves of the way in which Pach used his Renoir to illustrate an article; still trying to sell the Gros painting abroad; the Venetian painting was shipped today, and he awaits Pach's impression of it; Faure is convinced the landscape, most likely of Toledo, and at least one figure were painted by El Greco in his youth; awaits photographs of Pach's paintings and etchings; is delighted to learn of Pach's lecture series in Kansas, which includes one on Faure's fourth volume. 2 pp., in French

From Elie Faure, [place unknown], January 31, 1924: praises solidity, intelligent composition, and exceptional synthetic quality of Pach's portrait of his son; the portrait of Pach's wife is less successful; praises the harmony in Pach's mythological painting but its composition is less than perfect; Pach shows great progress; is sending a photograph of a first-class Corot that is for sale; discusses the price and how they would share the profit. 2 pp., in French

From Bernard Berenson, Florence, Italy, February 6, 1924: read Pach's article in -- Harper's -- "with interest, with zest and with envy." 4 pp

From Jacques Villon, Paris, France, March 2, 1924: received photographs of Pach's paintings; praises the balance and harmony in Magda's portrait, but expresses reservations concerning the portrait of Raymond; unable to send photographs of his own work because he was too busy finishing the Cézanne engraving that will be exhibited at Bernheim's to raise funds for a monument to Cézanne; has mixed feelings about the direction of his own painting and leans more toward nature; a proof of Pach's foreword is ready; the book on Raymond will be out soon; some of Raymond's letters were edited so as not to appear to be soliciting sympathy. 6 pp., in French

From Elie Faure, [place unknown], March 10, 1924: has just received notification that volume 4 was published and will convey his opinion after seeing it; thanks Pach for intelligent publicity; discusses corrections to be made in the next edition; asks Pach to persuade the publisher to make an American edition that conforms to the French one; the Corot was sold; everyone seems to be buying and selling paintings; Faure sold From his own collection pieces he no longer likes in order to buy a house; he buys what he can at low cost, notably Corot and Courbet landscapes and a drawing by Cézanne; Pach should try to influence the gallery to sell Faure's painting quickly because the money is needed for home repairs; wrote an article on contemporary art trends for the Dial. 2 pp., in French

From Elie Faure, [place unknown], March 11, 1924: the news contained in Pach's cable frees him From current financial worries; he is sending the painting immediately and warns Pach about mislabeling on the back of the picture; insists that Pach take a substantial commission; though it makes him sad to part with the painting, he now can provide a secure future for his family. 2 pp., in French

From Suzanne La Follette, Plymouth, England, March 11, 1924: the voyage has been "rough and dull." 2 pp

From Elie Faure, [place unknown], March 19, 1924: received the fourth volume in translation and finds the illustrations much better than those in the first 3 volumes; expresses gratitute to Pach; is sending a gift of a Rodin etching; just saw Derain and is certain the artist is evolving, despite his somewhat disoriented state; Matisse's last exhibit was disappointing and lacked human qualities. 2 pp., in French

From Arthur Burdett Frost, Pasadena, Calif., March 30, 1924: thanks Pach for his exhibition idea; cannot participate because he has no suitable work available; "I used to be very careless about my original drawings"; Jack moved to California for health reasons; Jack paints desert landscapes that sell well. 4 pp

From Elie Faure, Paris, France, April 1, 1924: the Gros painting has been in transit for 3 weeks; deplores the exchange rate and discusses Pach's commission; is pleased that Pach will be the translator for -- The Gods -- and hopes he will do -- The Spirit of the Forms -- , even though this work will take him away From painting; wants to see Pach's pamphlet on Seurat, whom he likes more and more; Faure has added to his collection paintings by Corot, Courbet, Delacroix, Bonnington, and others he discovered in the attic of a secondhand shop; Miss La Follette visited; asks Pach to inquire about the fate of his Shakespeare essay. 4 pp., in French

From Jacques Villon, [place unknown], France, April 6, 1924: agrees wholeheartedly to the proposed exchange; thanks Pach for a check; wants him to accept, as a gift, any Villon painting still in Pach's hands; will follow Pach's instructions concerning the book; is painting but cannot find himself in that medium; his next engraving will be a Rousseau. 2 pp., in French

From E.H. Anderson, Director, New York Public Library, New York, N.Y., April 9, 1924: acknowledges gift of etchings. 1 p

From Elie Faure, Paris, France, May 2, 1924: sends a check for Pach's commission on the sale of the Murat painting; is glad Pach liked his gift of a Rodin etching; discusses changes to volume 3 and wonders why a particular reproduction was omitted From the American edition; -- The Spirit of the Forms -- is still under revision, and he has been busy writing -- Cervantes -- ; like Pach, he admires Matisse's lithographs but feels uneasy about the virtuoso element apparent in his annual painting exhibits; Despiau's portraits are more and more admirable; met Braque, whose work now interests him more; since Braque has renounced cubism, only Picasso remains; Picasso's last noncubist exhibit was curious and somewhat disturbing. 2 pp., in French

From Leigh Mitchell Hodges, Doylestown, Pa., May 4, 1924: sends sonnet inspired by a Pach etching. 1 p. + enclosure ("Sonnet--To Walter Pach's etching of Miss M-----")

From Julius Meier-Graefe, Berlin, Germany, July 22, 1924: Pach is the first American to attempt and succeed at serious examination of art From Corot to the present; is sending a copy of volume 3 of -- Modern Art -- , which discusses some of the same issues addressed in Pach's book; believes cubism, expressionism, and impressionism to be manifestations of decadence; in his book, Pach failed to cite German contributions. 3 pp., in German

From Elie Faure, Dordogne, France, July 31, 1924: hopes to see Pach in Dordogne during August; the article on illustrious men he has known will need to be twice as long, so Pach should make arrangements; discusses a remarkable book about sport by his Frenchified Brazilian friend Braga and suggests a translation would be of interest to Americans; Braga wrote the most intelligent articles ever published about Faure in French and plans a history of world literature that would mirror -- History of Art -- . 2 pp., in French

From Elie Faure, Dordogne, France, August 2, 1924: Pach should tell Wells that Faure accepts the 5,000-word limitation; the article consists of a series of portraits of famous men and concludes with a sincere tribute to America. 1 p., in French

From Julius Meier-Graefe, Schlaghtensee, Germany, [postmarked] August 5, 1924: advises Pach not to judge the paintings of [von Marees?] on the basis of his early Dresden period, but look at the Munich work. Postal card, in German

From Bernard Berenson, Florence, Italy, August 11, 1924: read -- Masters of Modern Art -- ; "I wish I could give you the support you ask for. And I have found yr. book informing, stimulating, provoking and sincere. But I cannot even begin to see what you do in cubism"; advises Pach to choose writing over painting, as it is impossible to do both. 8 pp

From Elie Faure, Dordogne, France, August 24, 1924: regrets that Pach did not visit him; plans to go to Italy in September but hopes to see Pach in Paris afterward; hesitates to accept a long lecture tour in America. 2 pp., in French

From James Oppenheim, New York, N.Y., August 24, 1924: Gertrude is seriously ill; Oppenheim's son has faith in his work; Oppenheim's book was reviewed; is delighted with the book on Matisse. 2 pp

From Bernard Berenson, Florence, Italy, September 13, 1924: expresses his opinion of modern art and artists; "I did not mean what the Ku-Kluxers or Coolidgeites mean when they speak of the latest phenomena in painting as Bolshevik. But in a prophetic, devastatingly deep way that's what they are. And they may serve a kindred purpose, namely to bury the dead form. But they are undertakers, grave-diggers, and at best manure makers only. Artists they are not and Picasso not at all;" Pach "overestimates" Delacroix's ability as an artist. 4 pp

From John Gould Fletcher, London, England, October 7, 1924: thanks Pach for the book on Duchamp-Villon; compliments the "excellent" introduction; agrees that "Duchamp-Villon was the true descendant of the stonecutters of Chartres"; Faure's -- History of Art -- is "remarkable"; he is trying to publish a rebuttal to the concluding chapter; the -- Freeman -- failed. 3 pp

From Luz Pérez, [place unknown], Mexico, October 24, 1924: the book Pach sent is enchanting; congratulations on the success of the exhibition; best wishes for future success. 2 pp., in Spanish

From Arthur Burdett Frost, Pasadena, Calif., October 26, 1924: thanks for the brushes, which he will share with Jack; requests recommendations for directing Jack's art reading; Frost now reads mainly on palentology and natural history; if his eyesight permitted, he would paint his concept of earliest man; recalls a terrible summer spent in Rhode Island; contrasts California with the East; recalls the Dresden Gallery; Butler's stay in New York was a "dreadful experience." 5 pp

From Jacques Villon, Paris, France, October 27, 1924: just received Pach's book on painting and thinks his ideas about evolution of painting are admirable; has not yet seen the Salon d'Automne; sales were good, and even those opposed to abstract painting smiled. 3 pp., in French

From Elie Faure, Paris, France, November 1, 1924: has shipped a magnificent painting; is surprised that it is possible to sell paintings in America since the Paris art market is at a standstill; the last good show was the Renoir exhibit at Rosenberg's; books are not selling, and he could not find a publisher for his latest work; publishing houses are closing; prewar politicians and prewar methods are responsible for the disaster; the general economy and his personal situation are grim; melancholy family news. 4 pp., in French

From Henri Matisse, Nice, France, November 18 and December 5, 1924: his son, Pierre, is moving to New York; Pierre wants to work at a gallery specializing in modern art; he and the Steins agree this is a good plan; asks Pach to advise and assist Pierre, and he will request the same of Brummer; Michael Stein suggests Pach meet Pierre at the ship. 4 pp., in French

From Elie Faure, Paris, France, December 1, 1924: is housebound after a small accident, and catching up with work; both the -- Dial -- and -- Harper's -- sent checks; comments on current exhibitions and sales; Pach is his closest American friend; wants to establish closer ties in the United States; France now depends upon American patronage; Mrs. Dillard is sending a Corot to Pach; she might be helpful to Brummer; sometimes she has Renoirs and Derains at reasonable prices. 2 pp., in French

From Xavier Martinez, Piedmont, Calif., December 3, 1924: compliments -- Masters of Modern Art -- and Pach's translation of Faure; disagrees with Faure's chapters on Greece and Mexico; Pach understands the art of Mexico; encloses 2 drawings of Indian madonnas. 1 p., partly in Spanish

From Lewis Mumford, Brooklyn, N.Y., December 15, 1924: thanks Pach for grasping the essence of his book; agrees with Duchamp-Villon's views on architecture. 2 pp

From Elie Faure, [place unknown], January 9, 1925: commiserates with Pach over his rejection by -- Harper's -- ; comments on subjects that appeal to editors of popular magazines; Pach should continue trying to sell the Corot; the owner also has paintings by Renoir and Derain and a Seurat drawing; inquires about the status of translations now at -- Harper's -- ; comments on the superiority of American cinema. 3 pp., in French

From Pedro Henríquez Ureña, La Plata, Argentina, January 13, 1925: hopes Pach will be interested in the work of his friend, Emilio Pettoniti, an advanced Argentine painter; asks where Pettoniti might exhibit in New York. 2 pp., in Spanish

From Diego Rivera, [place unknown], Mexico, January 13, 1925: requests photographs of the work Pach accomplished in France; wants news of Elie Faure; mentions several commissions he is now working on; comments on Charlot; has waited more than a year for word from Aleman; is considering going abroad when through with the Chapingo chapel. 3 pp., in Spanish

to Elie Faure From William H. Briggs, [place unknown], March 3, 1925: not financially feasible to bring out the definitive edition of -- History of Art -- for at least 3 years; wants -- The Spirit of the Forms -- to be volume 5; agrees to publish an English edition of -- The Spirit of the Forms -- and -- The Dance on Fire and Water -- ; -- The Constructors -- , -- The Holy Face -- , and future books are not to be offered to other publishers. 3 pp

From Diego Rivera, [place unknown], Mexico, March 13, 1925: would send photographs of his work but in Mexico it takes too long to get prints; Pach's book fully deserves Faure's praise; Rivera finds Pach's paintings appealing; is grateful for the high esteem with which Pach wrote of his work; work on Chapingo chapel continues; despite serious financial problems, Charlot is constantly progressing; asks Pach's opinions and advice about a Spanish edition of his book; Ravenna Mosaic requested a sample piece of -- The Antilles -- . 7 pp., in Spanish

From Elie Faure, Paris, France, March 28, 1925: is hurt not to have heard From Pach; Mr. Briggs wrote about translation and publication plans; wants Pach to translate -- The Spirit of the Forms -- ; thanks for getting his autobiography published in the -- Dial -- ; his friend, Mrs. Fougeirol, and daughter, will call on Pach; hopes Pach and Brummer can assist Mrs. Dillard with the sale of her Corot; the Gaugnat sale is unaffordable; Mrs. Dillard also has Renoirs to sell. 2 pp., in French

From Elie Faure, [place unknown], March 29, 1925: is happy that Briggs wants to do the album and will talk to Crès about sales; thanks to Madame B. for the Corot; his version of Delacroix's journal will be published; compliments Pach's painting; asks Pach to speak to Harper's about not using the number of his last volume of -- History of Art -- so the public will buy it without having the earlier volumes. 4 pp., in French

From Elie Faure, Paris, France, May 9, 1925: tells of his voyage to Marrakech; saw Fletcher; Pach will receive the Gaugnat sale catalog; Madame Gaugnat died 6 months after her husband, leaving their son harassed by dealers; a small Renoir may be available; asks Pach to intervene on his behalf with Harper's regarding income tax withholding; discusses Delacroix and impressionist exhibits; discusses the realism of Delacroix's Moroccan paintings. 6 pp., in French

From Elie Faure, [place unknown], May 17, 1925: condolences on the death of Pach's father; is surprised by what Pach told him of the Corot; discusses a French landscape exhibit at the Petit Palais containing too many paintings; Corot reigns. 2 pp., in French

From Elie Faure, Paris, France, May 18, 1925: received the album dedicated to Seurat; -- La Baignade -- and -- La Grande Jatte -- are masterpieces for the very reasons Pach cited: organization, articulation, and mass; comments on works by Matisse, Braque, Géricault, and others recently exhibited in Paris; purchased works by Corot, Delacroix, Courbet, Cézanne, and Renoir at reasonable prices; perhaps Pach could sell a large painting for Pequin; asks if -- Living Age -- will publish his essay on Shakespeare; volume 4 of -- History of Art -- will be out soon; mentions several of his articles accepted for publication; thanks Pach for his excellent translation; now realizes he was unjust to Redon and has made changes in the later edition. 4 pp., in French

From Elie Faure, [place unknown], May 20, 1925: invites Pach to visit him in Dordogne during the summer; describes a Corot that should go to an American museum. 2 pp., in French

From Elie Faure, [place unknown], May 30, 1925: gives instructions for translation revisions; bought 2 magnificent Derains; suggests that consignments be sent to Mrs. Payne Whitney; -- History of Art -- received mixed reviews. 2 pp., in French

From Elie Faure, [place unknown], June 5, 1925: galleys are still incomplete as there are problems with illustrations and captions; his Baron Gros painting is at the French exhibit in Prague; will send a photograph later; asks Pach to help sell the Gros picture and a Daumier. 3 pp., in French

From Elie Faure, Paris, France, July 11, 1925: complains about American and French taxes on royalties; price and quality didn't always coincide at the Gaugnat sale; Mrs. Fougeirol bought one of the best works, and another is being given to the Louvre by young Gaugnat; discusses prices at other recent sales; Matisse shares his opinion of the Gaugnat sale; the Decorative Arts Exhibition was the worst art event he ever saw; an impressive 19th-century French painting show at Bernheim's new galleries included Corot, Delacroix, and Cézanne; those who don't appreciate Delacroix are missing joy; asks Pach's opinion of a plan for a monthly publication about the arts in Paris; next year he will write a history of France. 4 pp., in French

From E.D. Smyth, Tangier, Morocco, July 29, 1925: Helen died last October; Mme. Le Roy died 2 years ago; "London is becoming alive to Cézanne"; saw a Cézanne show at Brown's Gallery. 5 pp

From Elie Faure, [place unknown], August 11, 1925: asks if volume 3 has been published; thinks volume 4 is his best; hopes that the new prefaces added to each volume will make Pach like the whole work better; Rosenberg met with Mrs. Whitney; discusses the quality of reproductions in his book on Derain; describes John Lane's indirect attack on his chapter about English art; was not charmed by Blake; Constable is the only English painter he likes; look for his Shakespeare article in the -- Dial -- . 6 pp., in French

From Elie Faure, Paris, France, September 7, 1925: bought a house at Dordogne; volume 4 is still incomplete; lists photographs he will send soon; this may be a good time to sell his 2 paintings; discusses the sales commission; mentions favorable points of the Gros painting; the other painting may be harder to sell; is considering selling a Daumier and a Delacroix to help pay for his new house. 4 pp., in French

From Elie Faure, [place unknown], September 9, 1925: promises to send the photographs for his book; even the best translation cannot be completely faithful to the original; discusses specific changes to be made; discusses a chapter on Europe being added to volume 4. 6 pp., in French

From Elie Faure, [place unknown], September 21, 1925: is sending 5 photographs; 1 is for -- Harper's -- to include in volume 4, and the remainder are of works he hopes can be sold in the United States; needs money for his new house. 2 pp., in French

From Elie Faure, [place unknown], September 26, 1925: is still waiting for a contract with Criterion; the painting consigned to Ehrich has not sold; maybe Pach could sell it or suggest another dealer; Pach should send instructions to Ehrich; -- Harper's -- will publish -- The Spirit of the Forms -- as volume 5; wants Pach to be the translator but will understand if he declines. 4 pp., in French

From F.P. Keppel, New York, N.Y., October 21, 1925: has received Pach's letter with proofs and suggestions. 1 p

From Elie Faure, [place unknown], October 22, 1925: has received volume 3 and congratulated Mr. Briggs; still thinks the plates should have been produced in France; bills for photographs remain unpaid; thanks Pach for his energy and perseverance; Spanish and German editions are planned; Knopf will publish an English edition of Napoleon; came close to selling the Daumier; comments on the condition of Marat by Gros; inquires about Pach's painting and the possibility of an exhibition in Paris. 4 pp., in French

From Jean Charlot, [place unknown], October 27, 1925: his present work is totally different From the 12 paintings being sent; Pach is one of the few friends abroad who might be interested; Pach should keep one for himself and try to sell the rest; is sending 4 photographs of recent work; he and Diego want to see reproductions of Pach's latest paintings; inventory of works being sent; had problems with his exhibition in Los Angeles. 4 pp., in French

From Elie Faure, Paris, France, November 21, 1925: there will be a delay in sending photographs; thanks Pach for introducing Miss La Follette; -- Harper's -- paid more than expected; Briggs reproached him for choosing Knopf to publish Napoleon. 2 pp., in French

From Elie Faure, Paris, France, November 27, 1925: thanks Pach for introducing Speyer; congratulates Pach on his new job; likes Pach's engravings; wants Pach to translate The Spirit of the Forms; is sending another manuscript for which he hopes Pach can help find a publisher; he owns the picture incorrectly captioned in his last book and it is for sale. 4 pp., in French

From Susan Macdowell Eakins, Philadelphia, Pa., January 7, 1926: she has written about her husband; is happy to be of service to Pach; can furnish more information. 1 p. + 3 pp. enclosure, (manuscripts by Susan M. Eakins of biographical notes on Thomas Eakins, including excerpts From letters to his father written while studying in France; list of paintings completed between 1870 and 1876; teaching methods; notes From Charles Bregler's transcript of Eakins's comments to students)

From Elie Faure, Paris, France, January 19, 1926: Mrs. Dillard sold his English painting to Mr. Speyer; introductions made by Pach facilitated the transaction; no one is to know Faure was the owner; since he cannot pay the duty if the piece at Ehrich is returned to France, Pach should keep it or put it in storage until later; asks if the Metropolitan might be interested in Mrs. Dillard's large Corot; content with Montaigne; still reworking -- The Spirit of the Forms; -- Soutine has become more important; believes Derain shows progress; Matisse's astonishing virtuosity continues to increase; saw admirable work by Picasso; Braque is a beautiful but monotonous painter; considers Charlie Chaplin the great man of America. 4 pp., in French

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., February 23, 1926: confirms Pach's appointment as assistant professor of fine arts. 1 p

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., March 5, 1926: received Pach's acceptance of faculty appointment. 1 p

From Elie Faure, Paris, France, March 24, 1926: has seen Pach's friends; is looking forward to Pach's visit in the summer; he and his wife are caring for an African-Arab baby; The Spirit of the Forms is almost finished; gives instructions about selling the unfortunate Spanish painting; is sending a drawing as a gift; Mrs. Dillard needs a list of dealers and their specialties. 2 pp., in French

From Elie Faure, Paris, France, April 22, 1926: is pleased to learn the Delacroix drawing was well received; believes Delacroix is becoming greater by the day; is not eager for further lecture tours; his latest book was ignored; foreigners understand him better than the French; regrets that Pach will not be able to visit him in Dordogne; discusses price of the crucifixion painting. 2 pp., in French

From Bernard Berenson, Florence, Italy, June 8, 1926: goals for studying art of the past are aesthetic or humanistic; it is a "triumph" that Pach's "anti-Rotarian protest" was published in -- Harper's -- Magazine; "glad to hear yr. painting is taking on, altho' I deplore yr. giving to it the time you should dedicate to writing"; urges him to write about the Gardner collection. 12 pp

From Elie Faure, Paris, France, June 9, 1926: hopes the Pachs will visit him in Paris before the end of July or in Dordogne later; their arrival is late for the painting season, but Tuileries Salon will be open; sold the Daumier in Germany; the profit paid for some home repairs and 2 small Renoir canvases; has a beautiful Cézanne drawing. 2 pp., in French

From Elie Faure, Dordogne, France, August 10, 1926: the entire family is at Dordogne and sorry Pach cannot join them; discusses exchange rate; Briggs trusts Pach to translate -- The Spirit of the Forms -- , which will be volume 5 of -- History of Art -- ; asks Pach to consider undertaking the job. 2 pp., in French

From Bernard Berenson, Florence, Italy, August 19, 1926: wishes there had been an opportunity for them to visit and have a serious talk during Pach's recent lecture tour; "I fear you will never take the place yr. gifts as a writer could lead you to if you cannot detach yr. self fr. painting itself. It is a pity. For critics are ever so much rarer." 4 pp

From Diego Rivera, [place unknown], Mexico, October 4, 1926: the package Lupe sent to the Pachs was lost when the boat capsized; wants copies of the magazine -- L'Amour de l'Art -- ; Derain's work is better; shares Pach's opinion of Picasso; wants to see Matisse's work; Faure will try to include more Rivera reproductions in the new edition; asks Pach to check on the status of Rudolf Tesch's project for Carnegie Corp.; requests the Charlot exhibition catalog. 4 pp., in Spanish

To Mrs. Pach From Lupe de Rivera, [place unknown], October 6, 1926: thanks for the baby sweater; her daughter, Guadalupe, called Pico, was tiny and ill at birth but now thrives. 2 pp., in Spanish

From Elie Faure, Paris, France, October 25, 1926: agrees that Mr. Brandt's Cézanne and Renoir are copies; comments on -- The Studio of Ingres -- ; discusses illustrations for -- The Spirit of the Forms -- ; compliments Pach's article on Mexican art; is going to Mexico for a vacation and needs advice on a budget; asks if Pach could sell a large horse painting by Gros in the United States. 6 pp., in French

From Elie Faure, [place unknown], November 3, 1926: Mrs. Dillard has a Fragonard worthy of a museum or a fine collection; asks about hotel rates in New York City. 2 pp., in French

From Elie Faure, Paris, France, November 12, 1926: is grateful that Pach will be translating -- The Spirit of the Forms; -- Pach should persuade Mr. Briggs to expedite the publisher's contract; saw Seurat's exhibition of more than 200 luminous drawings and a Bonnard show of rich and subtle still-lifes; 2 paintings by Matisse were highlights in an otherwise indifferent Salon d'Automne; Miss La Follette and her brother visited; the Baron Gros painting, which Mme. Dillard will handle, is a masterwork that the Metropolitan Museum [of Art] could be proud of; still believes in Soutine; would like to meet Barnes though a ruse might be needed. 4 pp., in French

From Suzanne La Follette, Choisy, France, November 19, 1926: visited Elie Faure and hopes to see him again; a review of her book will appear in -- Saturday Review -- . 6 pp

From Pedro Henriquez Ureña, Miramar, Argentina, January [?], 1927: Valovaciones cannot pay for contributions or translations; Pach should publish a translation of his book in the magazine so that Argentines will be familiar with him and his ideas. 2 pp

From Suzanne La Follette, [place unknown], January 9, 1927: the publisher is not promoting her book well; thinks Lewis Mumford is "gifted." 3 pp

From Suzanne La Follette, Paris, France, January 13, 1927: asks about resorts on the Mediterranean; Chester wrote enthusiastically of his travels in Italy. 3 pp

From Elie Faure, Paris, France, February 22, 1927: has had no reply From Mexico; "Art and Morals," which appeared in the Dial, should be retranslated; -- History of Art -- is being translated into Czech and possibly Japanese; artistic life in Paris is boring; Matisse is definitely the most tolerated; Soutine is not doing much; Pach should try to sell the Gros painting for Mrs. Dillard. 2 pp., in French

From Elie Faure, Paris, France, March 8, 1927: a safe-deposit box was transferred, with difficulty, from Pach's name to his; saw a beautiful Renoir exhibition; prices are high and only Delacroix and Corot are affordable now; Derain should protect himself From dealers. 2 pp., in French

From Elie Faure, Paris, France, March 29, 1927: Mr. Briggs received proofs of Pach's translation; discovered Siluster letters and will soon meet his aged widow and daughter, who may have more documents; no longer thinks of Mexico; is probably going to Egypt; they are unlikely to see one another this year; is disturbed that Pach failed to sell the Gros; museums prefer average paintings to fine sketches; suggests other places Pach might try to sell the painting; describes his newly acquired Theodore Rousseau landscape; reports on the Renoir exhibition at Bernheim's; painters in Paris seem more and more influenced by Renoir and less and less interested in Cézanne; Delacroix rises as Ingres falls. 4 pp., in French

From Bernard Berenson, Fabriano, Italy, May 10, 1927: review of his book missed its "contribution... to a criticism that is based on a question of design"; invites Pach to consider this issue in a review. 4 pp

From Elie Faure, [place unknown], June 8, 1927: Delacroix is becoming popular; at the sale of the Bureau collection ordinary Daumier watercolors brought high prices and wonderful Corot drawings sold cheaply; is unhappy with the captions for the plates in his last edition; witnessed Lindbergh's landing. 4 pp., in French

From Marcel Duchamp, Paris, France, June 24, 1927: announces his recent marriage; describes a Redon watercolor that Pach might sell to the Bings; Mrs. Bing expressed interest in the Brancusi bust now stored at Brummer, King, and Parker. 2 pp., in French

From Elie Faure, Paris, France, July 6, 1927: received the Delacroix book; he shares Pach's devotion to Delacroix, who is becoming fashionable in France; he may eventually acquire some Delacroix watercolors; a superb Géricault is on view at the Victor Hugo Museum; museums hang paintings poorly; Degas and Manet are idolized, while Cézanne and Renoir are just tolerated. 2 pp., in French

From Bernard Berenson, Stockholm, Sweden, July 25, 1927: Pach's review showed "intelligent and friendly comprehension"; "my Three Essays is an ironied and veiled attempt to demonstrate that there is a big part of the job that any well trained mediocrity can achieve"; "great artists like Antonello are not prophets but fulfillers of prophecy." 2 pp

From Elie Faure, Paris, France, October 3, 1927: spent his vacation traveling in Provence; has abandoned a project that attracted amateur attention; intends to study Chagall; -- History of Art -- will be translated into Japanese. 2 pp., in French

From Bernard Berenson, London, England, October 7, 1927: -- Harper's -- will ask Pach to write about the Gardner collection; urges him to accept the offer. 4 pp

From Elie Faure, [place unknown], December 19, 1927: Gagnon has reappeared; Faure purchased a Barye painting at a junk shop; agrees to write a preface to Pach's book. 4 pp., in French

From Leo Stein, Paris, France, February 7, 1928: Read Pach's review of his book in the -- Architectural Record -- ; "when you realize your incompetence for a job because of ignorance you had better keep out, because that very ignorance will prevent you From realizing how big a fool you are making of yourself." 1 p

From Elie Faure, [place unknown],1 April 22, 1928: Had a heart attack; is now working on a book about folk psychology; will lecture in Germany; museums prefer a perfect modern canvas to a masterpiece with slight damage; asks if Pach has tried to find a buyer for Christ; though his books sell, Faure has not prospered; describes several paintings in his collection; he may inherit Mme. Thelaphite's paintings; Mrs. Dillard has a Ribera for sale. 4 pp., in French

From [ signature illegible (Canaan L. Morris?)], Hartford, Conn., May 4, 1928: compliments Pach's lecture of the previous evening; critiques its structure. 2 pp

From Harold O. Voorhis, Secretary, New York University, New York, N.Y., June 15, 1928: confirms Pach's appointment as assistant professor of fine arts. 1 p

From Elie Faure, Dordogne, France, August 11, 1928: is glad to be away From Paris; is very happy about the French translation of Ananias [large portions illegible]. 2 pp

From Jose Clemente Orozco, New York, N.Y., September 1, 1928: -- Form -- magazine deserves attention; offers to write to the editor on Pach's behalf; as Pach suggested, he met with Kraushaar, who didn't seem to like the revolutionary drawings but showed interest in the Art Center Exhibit paintings; speculates that Kraushaar found the Mexican pieces too strange; asks Pach to arrange another meeting; recommends García Maroto's article in -- Contemporaries -- about Rivera and his disgusting commercialism. 4 pp., in Spanish

From José Clemente Orozco, New York, N.Y., September 6, 1928: He and Mr. Owens will visit; the "animator" wants to deceive people of Pach's intelligence; the "animator's" treachery to art is disguised as a personal matter; García Maroto was deceived by the "animator"; lists founders of the Union of Painters and Sculptors who contributed ideas and skills while the "animator" contributed disloyalty; the "animator" claimed credit for a fresco technique developed by Siqueiros and Guerro; the "animator" killed Mexican mural painting and now interferes in all mural painting in Mexico; Maroto says the "animator" is stymied. 10 pp., in Spanish

From José Clemente Orozco, New York, N.Y., September 12, 1928: sends addresses of Jean Charlot and Gabriel Fernandez Ledema; Owens missed the train but hopes to meet Pach soon. 1 p., in Spanish

From Elie Faure, Paris, France, September 22, 1928: received Ananias, but cannot read it without a translator [large portions illegible]. 2 pp., in French

From Susan Macdowell Eakins, Philadelphia, Pa., October 10, 1928: received his letter and book; "whether it is the desire to purchase or not, I am always pleased to show my husband's pictures"; wishes to keep the Rush pictures and studies in Philadelphia. 3 pp

From Arthur B. Springarn, New York, N.Y., November 1, 1928: thanks Pach for dedicating the book to him; best wishes for the volume's success. 1 p

From Eleanor S. Brooks, Westport, Conn., November 14, 1928: five hundred dollars is a satisfactory amount for the manuscript. 1 p

From José Clemente Orozco, New York, N.Y., November 16, 1928: the publisher sent a copy of Pach's wonderful book and requested his opinion; his response expressed enthusiasm and admiration. 2 pp., in Spanish, + 1 p. enclosure (copy of letter, November 14, 1928, to Ruth Raphael, Harper & Bros., From José Clemente Orozco, New York, N.Y.: endorsement of -- Ananias, or The False Artist -- by Walter Pach)

From Lee Simonson, Editor, Creative Art, New York, N.Y., December 18, 1928: thanks Pach for making changes to his Rivera article; his review of Pach's book is "extremely hard-hitting"; offers opportunity for rebuttal in the next issue; "let us keep the thing above personalities"; Alfred Stieglitz and Leo Stein support Simonson's views. 2 pp

From Van Wyck Brooks, Westport, Conn., January 8, 1929: will send chapters for revision; payment can be handled however Pach prefers. 2 pp

From Elie Faure, Paris, France, January 11, 1929: has not finished reading Pach's book because he is unusually busy; his wife is ill; had to put aside projects to complete a book on the Italian Renaissance; with the exception of Sargent, "official" American painters are not known in France; impressionism and its aftermath have not produced any positive result; would like to see Pach's paintings, not just photographs of them; compliments Pach's etchings; a new edition of his work is in preparation; there may be a Serb translation. 4 pp., in French

From Eleanor S. Brooks, Westport, Conn., January 15, 1929: requests a month's extension for their translation work. 2 pp

From Van Wyck Brooks, Westport, Conn., February 14, 1929: chapter I and the introduction are being sent today. 1 p

From Eleanor S. Brooks, Westport, Conn., March 18, 1929: describes working methods; explains problems in translating Faure's writing. 2 pp

From Elie Faure, Paris, France, April 1, 1929: when Pach visits they will look at art and go to Dordogne; discussed Pach's book with his publisher; recommends not using American examples other than Sargent and possibly Alexander and Frieseke in the French edition; will find an apartment for Pach; Miss Mary Morris has not yet called on him; requests books on the psychology of Americans. 2 pp., in French

From Eleanor S. Brooks, Westport, Conn., May 12, 1929: translation work proceeds slowly; Van Wyck is in the hospital; she doesn't want it publicized. 2 pp

From Eleanor S. Brooks, Westport, Conn., May 26, 1929: Van Wyck's health has not improved. 2 pp

From Eleanor S. Brooks, Westport, Conn., July 10, 1929: thanks Pach for his patience; Van Wyck is now in a private sanitarium; she continues to work on the translation. 1 p

From Eleanor S. Brooks, Westport Conn., August 28, 1929: is sending next chapter soon; Van Wyck's condition has not changed. 1 p

From Elie Faure, Dordogne, France, August 28, 1929: his short review of Pach's book has been accepted for publication in the Dial. 2 pp., in French

From Eleanor S. Brooks, [place unknown], August 30, 1929: another chapter is ready. 1 p

From Elie Faure, Dordogne, France, September 13, 1929: went to Basque country with Soutine; had a good rest and thought about the psychology book he is writing; -- The Italian Renaissance -- appears to be a success; is anxious to see Pach's painting and hear about his time in Paris; hopes to interest Pach in Soutine; when working, Soutine hides like a dog gnawing a bone. 2 pp., in French

From Lewis Mumford, Long Island City, N.Y., October 23, 1929: recounts summer travels; is starting a book about the arts in America since 1870; asks for news of Van Wyck Brooks's condition and how Eleanor is coping; he worries about Eleanor's reaction to the proposal that he edit the Emerson book. 2 pp

From Harold M. Tovell, Toronto, Canada, October 25, 1929: "I do think that as a result of patience and education plus your lectures here, that the tide is turning in favor of our Toronto friends"; inquires about Marcel Duchamp; "the house here would be rather bare if it weren't for the Duchamp family. I hope you will tell him how greatly we prize their works." 4 pp

From Jacques Villon, Neuilly-sur-Seine, France, November 23, 1929: Verne wrote on behalf of the Committee of the National Museums accepting Raymond's sculptures; sends text of the Committee's flattering letter; thanks Pach for his continued support of Raymond. 4 pp., in French

From Childe Hassam, New York, N.Y., November 30, 1929: n -- Art in America -- , Pach confuses Horatio and Henry Oliver; Marie Sterner "has gotten together some of the worst things I have ever seen"; "verily art in America is run by old women! but most of them wear trousers." 2 pp

From Leo Stein, Paris, France, December 1, 1929: wants Pach to know the facts regarding his alleged endorsement of Clivette; "I supposed that Hellman was a gentleman and did not suspect a plant." 1 p

From Art Young, New York, N.Y., [postmarked] December 5, 1929: holiday greetings; news of James Opp [ sic], Springarn, Suzanne La Follette, and Glintenkamp; is working on a book and exhibition. 1 p. + 4 pp. enclosure (printed circular, undated, advertising books by Art Young, -- On My Way -- and -- Trees at Night -- , with excerpts from reviews and order form)

From Leo Stein, Paris, France 4218 265-267 [postmarked] January 8, 1930: "There is no artist that I value highly whom you do not also value but... you value many whom I don't"; diagram illustrates Stein's explanation of how their artistic tastes differ. 3 pp

From Elie Faure, Dordogne, France, March 12, 1930: Joubib's [?] awful reputation should be a comfort to Pach's friend who was so badly treated; plans to seek legal advice about suing De la Faille. 2 pp., in French

From Lewis Mumford, Long Island City, N.Y., March 12, 1930: is pleased with his lectures at Dartmouth College; his next book will be "a modern philosophy of life"; compliments Suzanne La Follette's book; he has an article in the first issue of the New Freeman; comments on policies and politics of the "Modern Museum." 4 pp

From Harold M. Tovell, [place unknown], May 16, 1930: "This is about the most perfect thing I have seen for a long time. A truly great work." Picture postcard ("Leonardo da Vinci Bronzlovas. Reiterfigur aus Bronze. Figure a cheval en bronze")

From Susan Macdowell Eakins, Philadelphia, Pa., July 10, 1930: received Pach's picture postcard of a Millet portrait; the "exhibition of Homer, Ryder, and Eakins at the Modern Museum seems to have pleased universally." 1 p

From Bernard Berenson, Florence, Italy, August 22, 1930: "I would rather not see the entire output of a master," even Delacroix; after finishing "the lists of Italian Painters" he will revise Drawings of Florentine Painters; then he plans a book on "The Decline and Revival of Form in the Figure Arts." 8 pp

From Susan Macdowell Eakins, Philadelphia, Pa., September 25, 1930: continues to enjoy the postcards Pach sent, especially the Millet; has found the painting he wants; there will be an exhibition in New York City in December; her good friend Charles Bregler, a pupil of Eakins's, has restored several of the pictures. 2 pp

From Al [Bing?], New York, N.Y., October 19, 1930: "Museum accepts pictures." Telegram

From Susan Macdowell Eakins, Philadelphia, Pa., October 21, 1930: received Barye copy and photos of Millet picture; details of upcoming Eakins show in New York City are uncertain; Charles Bregler has discovered retouching on some pictures; they will be cleaned before the exhibition; some may be placed behind glass to prevent future overpainting done in "ignorance"; enclosed sketch describes a study Eakins did while a student in Paris; wonders where other pieces from that period are, since he did many and returned with few. 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., October 23, 1930: through oversight, Pach's watercolors were not presented at the October meeting; "I forsee no trouble in their reception. The modern style has not the bitter enemies it used to have." 1 p

From Ida E. Guggenheimer, New York, N.Y., November 9, 1930: saw a good exhibition of modern French art at Harriman Gallery and a "gem" at Knoedler; is enthusiastic about Villon's colors; subsequent visits to Brummer's confirmed that her collection is superior; Mr. Kraushaar likes Pach's work and promised to see more; "you are right when you say I cannot expect to compete with the hawks of picture dealers"; comments on Ananias; economic conditions depress Mr. Guggenheimer and may prevent them From traveling. 3 pp

From B. Stein, New York, N.Y., November 17, 1930: thanks Pach for his book; saw Villon's "smashing" show; Gretchen purchased The (Rose) Haulers; financial conditions in the United States are "depressing"; is sorry Pach is "impatient" with writing, as he is gifted; is glad Pach is enjoying painting in Paris; describes ideas about modern furniture, which she wants to buy. 5 pp

From Ida E. Guggenheimer, New York, N.Y., December 1, 1930: "sympathetic" to Pach's "natural gratification at the Metropolitan's action;" Kraushaar will look at Pach's work in her apartment; mentions art seen at Reinhardt's and Brummer's galleries; received a letter From Villon. 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., December 12, 1930: Miss Pendleton took the painting Pach wants and will arrange delivery to him; Miss Pendleton would be a good subject to paint; holiday greetings. 1 p

From Ida E. Guggenheimer, New York, N.Y., December 17, 1930: saw Pach's drawings at Kraushaar's; saw work by Houdon at Anderson Galleries; Pach would enjoy Proust's remarks on music and art. 2 pp

From Allen Tucker, New York, N.Y., January 2, 1931: opinions of Corot-Daumier show at the Modern; Tucker had an exhibition. 4 pp

From Leo Stein, Paris, France, [postmarked] January 19, 1931: discusses "analytic" and "non analytic" approaches to a "nonverifiable subject"; "don't regard this letter as an argument. I never argue about art, but simply attempt to explain an attitude." 5 pp

From Susan Macdowell Eakins, Philadelphia, Pa., January 25, 1931: thanks Pach for bringing Eakins's work to the attention of the Louvre; Charles Linford is a possible choice; "I would prefer to present a picture, rather than sell, so we will not worry about prices"; Riccardo Bertelli's new gallery on 56th is exhibiting Thomas Eakins and Samuel Murray; there is an Eakins show at Babcock Galleries; the national economic situation is too bad to expect painting sales; articles on Eakins mistakenly "report that the little seated figure of Thomas Eakins was his favorite attitude while painting"; pictures shown at Babcock were cleaned by Charles Bregler; glazing was recommended for protection From air pollution; Pach's choice of frame for his Eakins painting is "fine." 4 pp

From Susan Macdowell Eakins, Philadelphia, Pa., February 19, 1931: sends photographs of paintings available for presentation to the Louvre; her choice of the Hamilton portrait is supported by Samuel Murray, Mr. Cranmer, and David Wilson Jordan; the Barker and Wallace portraits are possibilities; her sister-in-law offers the portrait of Susan Eakins' father; sends photographs of Thomas Eakins dating From student days in Paris; she has not seen the Eakins exhibition in New York. 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., February 21, 1931: Bertelli sold John McClure Hamilton, not understanding that it might go to the Louvre; the Barker and Wallace portraits will not be sold. 1 p

From Morris Kantor, New York, N.Y., March 16, 1931: is busy making frames; saw Pach's exhibition at Kraushaar's; "Paris did you a lot of good because your work has changed.... It has more freedom and a better painting quality"; sympathizes with "Baylie's" misfortune; Kraushaar will give "Baylie" a show; Sloan arranged for him to teach at the League. 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 17, 1931: "The Museum is much beholden to you however the David matter turns out"; the decision reached at yesterday's meeting will be announced after the painting is unpacked; compliments Pach's show at Kraushaar's; comments on the installation and specific pieces; "as to the Eakins matter I should be honored to cooperate." 2 pp

From A.S. Baylinson, New York, N.Y., March 19, 1931: complimentary comments on Pach's show at Kraushaar's; is moving to a new, fireproof studio at 54 West 74th Street; "I will have the group work there with me evenings as before, and before long we shall forget the fire"; will teach at the Art Students League in the coming year. 2 pp

From Childe Hassam, New York, N.Y., March 27, 1931: Pach's exhibition, which Hassam viewed twice, includes "the best things I have seen of yours"; spoke with John Sloan and Miss Kraushaar at the gallery; describes his etching of Helen Wells and promises to send a photograph of it. 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 28, 1931: the painting arrived and is "even grander than I had imagined.... It will be one of the masterpieces here"; has been in contact with Mrs. Eakins; thanks Pach for his "beneficent labors." 3 pp

From Susan Macdowell Eakins, Philadelphia, Pa., March 28, 1931: Burroughs and Brummer were consulted in the search for photographs of Eakins paintings; lists sizes of paintings under consideration; J. Carroll Beckwith might interest the Louvre. 2 pp

From Bryson Burroughs, New York, N.Y., March 31, 1931: "David Bought Hooray." Telegram + 1 p. enclosure (April 1, 1931 From Morgan & Cie., Paris, France: debit notice for collect telegram received From New York the previous day)

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., April 14, 1931: Museum is pleased with the David painting; thanks Pach for his role in the transaction; "waiting for the Eakins matter to crystallize"; wants the Pennsylvania Museum to offer Clara or The Bohemian; the Louvre should have an example of Eakins' "very best"; will propose the idea to Kimball. 2 pp

From Arthur B. Springarn, New York, N.Y., April 21, 1931: is "profoundly impressed" by Pach's exhibition; his work shows a new "lack of inhibition"; "I resent the conspiracy of silence of the critics tho' I suppose that is the price you pay for being the author of Ananias"; gives recommendations for Raymond's schooling. 6 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., May 3, 1931: "The Penn. Mus. Eakins project takes shape gradually"; Clara may be "suitable"; the "exchange" proposed is complicated and requires "committee actions"; maybe they could give Clara to the Louvre; Kimball will "come round." 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., May 11, 1931: sends copy of a letter From Fiske Kimball and a reproduction of Clara; upon seeing the painting again "my previous judgement was amply confirmed." 1 p. + 1 p. enclosure (May 8, 1931, to Bryson Burroughs From Fiske Kimball, Director, Pennsylvania Museum of Art, Philadelphia, Pa.: "I shall recommend to my Board that a gift be made to the Louvre"; instructs Burroughs to ask Guiffrey whether the Louvre will accept Clara; discusses framing and Eakins's ideas on the subject)

From Jean Guiffrey, Louvre Museum, Paris, France, June 2, 1931: thanks for the Eakins painting; when informed of the gift, his colleagues will be grateful. 1 p., in French

From Abby Greene (Aldrich) Rockefeller, Pocantico Hills, N.Y., June 10, 1931: purchased Pach's painting of anemone; thanks for "the trouble you have taken about the Géricault drawing." 3 pp

From Henri Verne, Director, Louvre Museum, Paris, France, June 18, 1931: thanks Pach for his role as intermediary in the Louvre's acquisition of a Thomas Eakins painting. 1 p., in French

From Bryson Burroughs, [place illegible], France, June 24, 1931: Is arriving in Paris in July; wants to see David-Weill collection; "it is a great comfort the way the Eakins matter turned out and I am really glad to be out of its final arrangement"; is going to Milan to see the -- Très Belles Heures -- . 2 pp

From Susan Macdowell Eakins, Philadelphia, Pa., June 27, 1931: Is pleased with the choice of painting for the Louvre; thanks Pach for his efforts. 2 pp

From Bryson Burroughs, aboard SS De Grasse, July 19, 1931: Guiffrey "is delighted about the Eakins and well appreciative of your efforts in regard to it"; Metropolitan Museum of Art may participate in the French exhibition in London next year; "a new era of liberalism and cooperation is about due with the passing of so many ancient trustees"; describes the excellent condition of the -- Très Belles Heures -- . 3 pp

From Caroline Pratt, Chilmark, Mass., August 14, 1931: Discusses Raymond's academic progress and challenges; gives recommendations for the future. 5 pp

From Elie Faure, Peking, China, October 7, 1931: Received a warm welcome in the United States; the end of his trip and the end of his life are darkened by catastrophe. Picture postcard ("Great Wall of China"), in French

From Beatrice [?], New York, N.Y., October 10, 1931: " Simone is ours." Telegram

From Elie Faure, Angkor, Cambodia, November 14, 1931: Expresses love for America and Americans; thinks the hope of the world is in the United States and also between the Urals and Vistula. Picture postcard ("Ruines D'Angkor"), in French

From Ida E. Guggenheimer, New York, N.Y., November 15, 1931: Etta Cone bought a Pach painting and is "enthusiastic" about Duchamp-Villon; "saw the Mouillots at Brummer's and I must confess to being very disappointed"; she "positively rejoice[s]" in her own piece by Duchamp-Villon; many praise Pach's work in her collection; art prices are down; news of various friends, especially musicians. 4 pp

From Jean Crotti, Paris, France, November 18, 1931: "I have always declined to write prefaces for contemporaries (the cases of Villon and Duchamp-Villon being exceptions which I intend shall remain exceptions); it is a job for a professional critic, and not for a man who is himself engaged in painting." 2 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., November 24, 1931: Gift of 2 etchings by Pach was received by the Museum. 2 pp

From Elie Faure, Colombo, Ceylon, November 25, 1931: Everyone says his wife and daughter were courageous and that helps him tolerate the loneliness; is anxious to see the Corot book, especially the reproductions; will continue writing for -- Petit Parisien -- ; now believes one must write for the masses. 2 pp., in French

From Henri Verne, Director, Louvre Museum, Paris, France, December 22, 1931: Thanks Pach for his gift of an engraving of New York. 1 p., in French

From Al Bing, New York, N.Y., December 23, 1931: Socrates by David and the Havemeyer collection are now hanging at the Metropolitan; Whitney Museum, Frick Gallery, and the Modern Gallery will all be open when Pach returns; Coffin, "a man of great ability and sterling character," has been elected Museum president; is interested in the Bonaparte exhibition; asks Pach to help sell his Renoir. 12 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., January 9, 1932: Trustees will want more information about the Géricault picture; they trust printed sources over his opinions; is hopeful that Coffin can make "improvements"; though Pach is "eminently suited for Museum work," this is a poor time to enter the field. 2 pp

From Albert Morance, La Chef des Services Commerciause et Techniques, Louvre Museum, Paris, France, January 11, 1932: Is returning to Pach the contract concerning his engraving. 1 p. + 2 pp. printed form (Louvre Print Department acquisition form for The Telephone and Telegraph Building, New York, and rules for transfer of works to the Print Department), in French

From Leo Stein, Paris, France, [postmarked] January 12, 1932: Discusses "two questions that always arise in respect to art... (1) What qualities does one note in a work of art. (2) What value has that which one sees." 6 pp

From Allen Tucker, New York, N.Y., January 18, 1932: Pach's stay in Morocco seems to have been beneficial; 1931 was a difficult year; hopeful for the future; "the Whitney has shaken the whole thing up and American shows past and present and I daresay future are everywhere"; "Rivera having a grand time in a pas de deux with Mrs. Rockefeller at the Museum of 'Foreign' Art." 3 pp

From Henri Verne, Director, Louvre Museum, Paris, France, January 26, 1932: Thanks Pach for his role in the Louvre's acquisition of the Eakins painting; it arrived in good shape and was readily accepted; is still considering the Barye castings. 1 p., in French

From Leo Hartman, Harper's Magazine, New York, N.Y., February 1, 1932: The artists mentioned in Pach's article are too obscure for Harper's readers. 1 p

From Al Bing, New York, N.Y., February 7, 1932: Thanks Pach for helping him find a potential buyer for his Renoir; discusses the Furdson and Havemeyer collections at the Metropolitan; family news; is anxious for Pach's return. 7 pp

From Van Wyck Brooks, Westport, Conn., February 8, 1932: "The Depression is not to be underestimated" and could change the social order; discusses colleges for Raymond; Life of Emerson and a volume of his essays reprinted From the Freeman will be out soon; the Prendergasts live nearby; "Charlie P. is surely a true primitive old master to whom only Vasari could do justice in the way of antecedents"; "I kept thinking as I read your book, what new books must logically follow From your mind"; suggests Pach write histories of art criticism and American art. 10 pp

From Henri Verne, Director, Louvre Museum, Paris, France, March 5, 1932: Because Barye's -- Apollon -- is a fragile plaster, the curator cannot risk making castings. 1 p., in French

From Childe Hassam, New York, N.Y., March 8, 1932: Has a print of Helen Wells for Pach; the Metropolitan Museum filmed him at work and play in East Hampton last summer; the Boston Museum commissioned a similar film of Benson. 3 pp

From Ida E. Guggenheimer, New York, N.Y., March 25, 1932: Sent another payment for City of Mexico to Pach's bank; several people have shown interest in Simone; she and the Steins purchased work From Baylinson's Kraushaar show. 3 pp

From Bryson Burroughs, Metropolitan Museum of Art, New York, N.Y., March 26, 1932: The Géricault is a "grand picture, but don't pin any faith on the taste of trustees"; Pach would find it frustrating to work within the museum's structure; is anxious to correspond or converse about Hubert and Jan Van Eyck. 2 pp

From Allen Tucker, New York, N.Y., April 10, 1932: Congratulates Pach on his show and catalog; compliments the Morse exhibition at the Metropolitan; "the Whitney gallery has shaken up the attention of people to the present Americans." 2 pp

From D.T. Sieveking, Director, Antikensammlungen, Munich, Germany, April 27, 1932: Returns the completed questionnaire. 1 p. + 1 p. enclosure (questionnaire about Greek figure known as -- Naked Girl with Cap -- ), in German

From John Sloan, New York, N.Y., April 30, 1932: Recounts the politics of the League's presidential election that he lost; Schnakenberg will be an "inactive president"; when the Board turned down Geo. Grosz, Sloan resigned; Jonas Lie threatened to resign if Pach lectures there; Sloan will teach at Archipenko's school next season; Dolly is a manager for the touring Exhibition of Indian Tribal Arts; Baylinson supported Sloan in the "fight"; financial details of the Sixteenth Annual Independent Exhibition. 2 pp

From Charles Bourgeat, Galerie Dru, Paris, France., May 7, 1932: Received payment for Pach's exhibition there; cannot locate the Sisley and Pissarro photographs Pach sent; their aim to show fine and beautiful painting was accomplished with Pach's exhibition; difficult times account for compliments and no sales. 2 pp., in French

From Ida E. Guggenheimer, New York, N.Y., May 10, 1932: Her opinion of photography remains "good, but not art, and deadly after a certain length of time." 1 p

From Ida E. Guggenheimer, New York, N.Y., May 22, 1932: Hopes Pach's article, "Owning Pictures," will be published; the museum's rehung galleries present interesting new comparisons; asks his opinion of the Art Students League controversy; saw Baylinson at the Independent show; purchased a Baylinson drawing From Kraushaar. 3 pp

From the -- Atlantic Monthly -- , Boston, Mass., May 31, 1932: Pach's article is of limited interest to Atlantic Monthly readers. 1 p

From M.L. Allen, -- Harper's -- Magazine, New York, N.Y., June 2, 1932: Pach's article, "American Art in the Louvre," is not appropriate for a general audience. 1 p

From Gino Severini, Fribourg, Switzerland, June 16, 1932: His schedule will not permit another meeting before Pach's departure; the art market will improve; is interested in the prospect of a show at Brummer's; "decoration work" for Weyhe may end in September; thanks Pach for his help. 2 pp., in French

From P. Dubaut, Paris, France, July 19, 1932: Thanks Pach for sending clippings; the gallery behaved professionally but was not overly kind; was generally pleased with the show; is happy to know Pach. 2 pp., in French

From Alfred Vance Churchill, Rockport, Mass., July 25, 1932: Pach was the first to write of the Smith College Museum as "one of the choicest and best directed collections of art in America"; has received many commendations and is putting together extracts "for certain personal uses"; requests additional thoughts From Pach on the collection. 3 pp

From Alfred Vance Churchill, Rockport, Mass., July 25, 1932: Is trying to arrange a lecture for Pach at Smith College and perhaps at Mount Holyoke College; Jere Abbott will succeed him as museum director; thinks his retirement was forced on the trustees by Paul J. Sachs. 4 pp

From Nadine and Ad. Wuester, Paris, France, January 5, 1933: Pach is missed as their circle of friends diminishes; painted at the Côte d'Azur last summer; shows of Renoir and Delacroix were exceptions in a dull art season; Aubrey's gallery is now a junk shop; mentions auctions of the Strauss and Pacquemont collections; Goetz's Delacroix still-life was reattributed to Andrieux; a sketch said to be by Géricault appeared at the Hôtel Drouot; cheap reproductions are being passed off as Géricault watercolors. 5 pp., in German

From Elie Faure, Paris, France., January 7, 1933: France is declining; sends family news; Paul Morand gave his book a favorable review; inquires whether Pach has found work; there are fewer exhibits in Paris; good paintings are now seen only at the big sales such as Strauss. 2 pp., in French

From Marjorie Carpenter, Hamilton, Ontario, Canada, January 9, 1933: Confirms lecture date at McMaster University. Telegram

From Gertrude Wolf, Executive Secretary, New York University, New York, N.Y., January 9, 1933: Requests syllabus for last 2 lectures of Pach's course and the examination questions. 1 p

From Susan Macdowell Eakins, Philadelphia, Pa., [postmarked] January 19, 1933: Informs Pach of prices of two Eakins portraits; many Eakins paintings were damaged by restorers; others are in "splendid condition" due to the efforts of Charles Bregler; comments on Mrs. Whitney's plans to aid painters. 1 p

From William Reinhold Valentiner, Director, Detroit Institute of Arts, Detroit, Mich., February 9, 1933: Thanks the Pachs for a warm welcome; enjoyed seeing Pach's paintings and his personal collection; the picture signed Hogarth is not by the master; the signature on the Géricault drawing appears genuine. 2 pp., in German

From Elie Faure, Paris, France, June 20, 1933: Has been ill for 2 months; the French economy is poor, resulting in greatly reduced incomes; Rivera has been forbidden to make public speeches; a Chassériau exhibit is open; Joubin, who organized the current Renoir show, knows nothing about painting and villifies artists while they are alive but sanctifies them after they are dead; among the beautiful paintings in the exhibit is a portrait of Sisley and his wife. 6 pp., in French

From Elie Faure, Paris, France, September 23, 1933: Madame Siluster died; she had 4 Delacroix drawings of which Faure kept 2, gave 1 to François, and sent to Pach a portrait sketch of Madame Guizot; Pach should tell Rivera that Faure is upset that he did not translate Mon Périple; is enthusiastic about Rivera's paintings and frescoes and considers him a great illustrator; the chapter Faure sent was ignored, which is a disappointment as he hoped to interest an American editor; is depressed over the rejection of his collected essays; the Renoir exhibition is a disgrace to the memory of the artist, who is misunderstood and detested by the organizers of the show. 4 pp., in French. to Herbert Eustis Winlock From Walter Pach, New York, N.Y. 4218 481-483 November 12, 1933: Refers to previous discussion of the "Indian collection"; suggests a "single gallery of Indian art including Mexican, and adding, if desired, the other peoples whose work has a sufficient art value"; use art rather than anthropology as the criterion; "my idea is that the museum should accept the collection Mr. Sloan intends to offer as a gift From his association, or accept part of it as the nucleus of a gallery of the art of the so-called barbarous peoples." 3 pp

From Elie Faure, Paris, France, December 9, 1933: A Courbet, which Faure believes is his most beautiful, is for sale; indicates price, size, and citation of a reproduction; inquires about the financial crisis in the United States; comments on economic problems, political events, and inertia of the French people; is writing a preface for Rosenberg's Renoir exhibit; asks about Pach's painting and printmaking; requests news of Rivera about whom he wrote an article; Harper's sent money and will reprint The Spirit of the Forms. 4 pp., in French

From Ida E. Guggenheimer, New York, N.Y., December 10, 1933: Saw the Cézanne exhibition twice; "as for Dr. Valentiner, of course I am all with Rivera.... No good can come out of anything as bad as the Hitler program." 2 pp

From Clifton A. Wheeler, Indianapolis, Ind., February 2, 1934: Discusses fellow board members of the Indianapolis Art Association and acquisitions; "modernization" was the response to declining school enrollment; 9 instructors, including Wheeler, were fired; describes life on the top of La Conte Mountain, Tenn., where he painted the previous fall; has mural and portrait commissions, "so long as I can make a living I don't care if I don't teach." 8 pp

From E.D. Smyth, Tangier, Morocco, September 19, 1934: Thanks Pach for sending a painting of Helen; is staying in Helen's house; Gertrude Stein's book about Alice Toklas is "an overwhelmingly cheeky work" that failed to mention Pach; news of mutual friends; reminiscences of visits with the Pachs; James McBey, a Scottish painter and etcher, has settled nearby. 3 pp

From Marcel Duchamp, Paris, France, October 17, 1934: Feels animosity toward Barr, whom he calls narrow-minded; will handle in his own way any resulting confrontation or unpleasantness; told Arensberg, owner of -- Un Descendant -- , not to lend to Barr; asks Pach to find an excuse for refusing Barr; Barr shall reap what he has sown; American collectors are now speculators; sends order forms for his new book. 5 pp., in French

From Elie Faure, Paris, France, December 4, 1934: The owners of the Courbet are impatient; asks if it has arrived in New York; suggests that a collector, Barnes, or the Metropolitan Museum of Art may be interested; his book is being ignored in France; if Pach has money, now is a good time to buy art; tells of works that are selling at reduced prices. 2 pp., in French

From Simonne Maubert, Paris, France, December 22, 1934: Miss Stein wrote with good news of Pach; posed for Miss Stein during the autumn and hopes for similar work next year. 2 pp. + picture postcard ("Palais de Fontainebleau, La Cour Ovale et le Baptistère"), in French

From A. Frohberg and Johanna, Dresden, Germany, December 31, 1934: Thanks Pach for letter and for holiday greetings; the news of Pach's selection for an important commission brings them great joy; news of a family friend who has made progress and overcome obstacles. 2 pp., in German

From Karl Lilienfield, New York, N.Y., May 13, 1935: Confirms the commission Pach will receive if he sells paintings for Alexander M. Bing. 1 p., in German

From Henri Focillon, New Haven, Conn., May 21, 1935: Thanks Pach for sending the fine article he wrote on -- La Patelliere -- , which he saw in Bucharest; when visiting the Politzers, he failed to recognize Pach's name, thus missing the opportunity to express his admiration and respect. 2 pp., in French

From Father [Frohberg] and Johanna, Dresden, Germany, July 2, 1935: Birthday greetings. Picture postcard ("Herzlichen Gluckwunsch zum Geburtstage"), in German

From Bernard Berenson, Florence, Italy, September 13, 1935: Opposes exhibitions such as the current one at the Petit Palais; is revising his work on drawings of Florentine painters; "foulness piled over Michelangelo by a lot of German animals, the worst of whom is a biped named Panofsky." 12 pp

From Elie Faure, Paris, France, September 24, 1935: Asks about Pach's frescoes and requests photographs; discusses the dire economy and his own financial situation; believes the movement born of cubism is dead in France and explores this idea more fully in a preface he wrote for Brummer's upcoming Lipchitz exhibition; discusses an exhibition of Italian art and the poorly received article he wrote about it for L'Humanité; visited London, which seemed more alive than Paris; objects to glass on paintings at the National and the Wallace; has not heard From Rivera, possibly because Faure's article was not flattering enough. 4 pp., in French

From Clifton A. Wheeler, Indianapolis, Ind., October 20, 1935: Pach should notify the director of the John Herron Art Institute of his schedule and lecture fees; is teaching at a high school; the art school is now "purely Yale, Beaux Arts competition, and American Academy in Rome." 2 pp

From Edna Strasser, Amsterdam, the Netherlands, October 26, 1935: Called on friends of Pach, the Brinkman family of Haarlem; saw the portrait Pach painted of their brother in 1906. 3 pp

From Arthur Strasser, Seville, Spain, November 18, 1935: Recounts visit with Brinkmans in Haarlem; is impressed by the Prado, Rubens, and El Greco; at Pach's suggestion, they have attended several performances of gypsy music and dancing. 4 pp

From Elie Faure, [place unknown], November 29, 1935: Is enchanted by and praises the most successful part of Pach's triptych; discusses the economy and prospects for work in France; continues to be pessimistic about painting in France; architecture is what is needed now and cinema may become more important than painting; mentions a Flemish exhibition; congratulates Pach on his portrait of a young man, possibly Raymond; the critics who denounced what Faure wrote on the agony of painting now admit he was right. 4 pp., in French

From A. Frohberg and Johanna, Dresden, Germany, March 2, 1936: Belated birthday greetings; tell Magda everything has been done for Zittau [?]. Picture postcard (untitled), in German

From Gerda Stein, New York, N.Y., March 10, 1936: Thanks Pach for his friendship; "accept this simple expression of my appreciation for what you have given me and the earnest hope that it will bring you an answer to some of the problems that perplex you." 4 pp

From Ida E. Guggenheimer, Ontario, Canada, August 4, 1936: Read his review in the -- Nation -- and wants to see the exhibition; the watercolor of Magda acquired by the Brooklyn Museum is one of Pach's best. 1 p

From Charles Bourgeat, Paris, France, August 21, 1936: The Seligmanns request a meeting about the Ingres paintings Bourgeat and Pach discussed earlier; sends 2 color reproductions of Cézanne paintings that Cézanne's son wants to sell; discusses prices and commissions; saw the Cézanne works now in the Orangerie; asks if Etta Cone might be interested; missed Bing's visit to Paris. 4 pp., in French

From Bernard Berenson, Grusbach, Czechoslovakia, August 26, 1936: "You are one of the last surviving acquaintances who, in the study of art, have not gone over to irrelevant promiscuity"; discusses attribution of Goldman's Madonna; has begun writing "The Decline and Recovery of Form"; spent 6 weeks in Yugoslavia studying Roman remains and Byzantine frescoes. 4 pp

From Bernard Berenson, Florence, Italy, November 30, 1936: Read his article in the -- Virginia Quarterly -- ; he liked the photograph of Pach's fresco more than the article; tell Van Wyck Brooks he is welcome to visit when next in Florence; spent 5 weeks in Paris. 4 pp

From Elie Faure, Paris, France, December 28, 1936: Eight months ago Lizou married a man who died of cancer a few days later; his books are not selling well; History of Art is unavailable and financing cannot be found for a new edition; saw an exhibit of Bonnard and Vuillard; considers mural work the only important current painting; recounts a visit to Spain; Rivera was wounded in Mexico; Rivera's recent silence may be the result of Faure's article. 4 pp., in French

From Herbert Eustis Winlock, Director, Metropolitan Museum of Art, New York, N.Y., February 13, 1937: Winthrop will not loan his collection. 1 p

From Allen Tucker, Castine, Maine, May 30, 1937: "I wonder if Museums and concerts haven't stopped rather than helped our creative efforts"; is glad to be back in America; wrote to Moe; "the foundation likes to bet on the unknown instead of helping anyone who has shown they HAVE ability and have done the work"; congratulates Pach on continuing to paint despite other responsibilities; sorry to hear Sloan is unwell. 1 p

From Ernestine Ludolf, Florence, Italy, June 22, 1937: Pach is "a good and faithful friend"; his kind words about Egisto are like "a flower of remembrance on his grave"; wants to give him a small painting by Egisto, showing a corner of the Montmartre studio where he and Pach first met. 6 pp

From Ida E. Guggenheimer, Paris, France, September 13, 1937: Attended a conference in Paris; visited the Fountain of the Innocents; made a thorough tour of the exhibition with Villon. 3 pp

From Marcel Duchamp, Paris, France, September 28, 1937: Would like to see his painting -- Sad Young Man on a Train -- join related paintings in California and believes Arensberg would agree; requests a photograph of the painting to reproduce in an album he is compiling. 2 pp., in French

From Allen Tucker, New York, N.Y., November 1, 1937: Thanks Pach for the Delacroix book; congratulations on "another great contribution to civilization"; completed a "pretty good summer's work" before his illness. 2 pp

From Van Wyck Brooks, Westport, Conn., November 18, 1937: Thanks Pach for the book on Delacroix; the introduction is "wholly satisfying." 2 pp

From Van Wyck Brooks, New York, N.Y., November 23, 1937: Reads some of Delacroix each day; "I'm beginning to understand your feeling about him." Picture postcard ("Self Portrait by Francesco Goya. Frontispiece to Los Caprichos. Madrid, circa 1803")

From L. (Mme. Elie) Faure, Paris, France, November 30, 1937: Thanks Pach for writing to her; wants to carry out her husband's wishes to make his work publicly accessible; sends a list of Faure's unpublished articles; discusses financial matters relating to the Harper's contract. 4 pp., in French

From Royal Cortissoz, New York, N.Y., January 2, 1938: Thanks Pach for his book on Delacroix, "the work of an artist and man of letters." 3 pp

From Van Wyck Brooks, Westport, Conn., November 2, 1938: "I'm glad to stand by that statement." Picture postcard ("Mountain landscape. Chinese, Ming Period, 15th century, after a design attributed to Ma Yiian (flourished 1190-1221)")

From Henry Watson Kent, Metropolitan Museum of Art, New York, N.Y., November 3, 1938: Thanks Pach for the "kind letter about the Morgan exhibition." 1 p. (frame 589) and envelope

From Henry Watson Kent, New York, N.Y., November 8, 1938: Thanks Pach for the inscribed copy of his book; is proud to be associated with the book and to have Pach say kind things about him. 1 p

From Van Wyck Brooks, Westport, Conn., November 9 and 11, 1938: Read -- Queer Thing, Painting -- ; "I had better begin now by telling my few objections, in order to hand you later my full bouquet"; "you exaggerate the Villon connection"; "you exaggerate the ignorance of Italian art on the part of our forbears"; "you praise some collectors too highly," especially Morgan and John Quinn; "your memory of Yeats is suspect"; Pach has created a "permanent record and source-book" full of "wisdom." 14 pp

From Van Wyck Brooks, Westport, Conn., November 15, 1938: Grants permission to quote From his previous letter; Pach's book is "tremendously important." 2 pp

From Kenneth Hayes Miller, New York, N.Y., November 15, 1938: Congratulations on -- Queer Thing, Painting -- ; the book has "permanent value." 1 p

From Louis Lombard, [place unknown], France, November 23, 1938: Thanks Pach for his letters; describes the horrors of life as a soldier; he reads Whitman to maintain good spirits. 4 pp., in French

From Henry Watson Kent, Metropolitan Museum of Art, New York, N.Y., December 9, 1938: Advises Pach to distribute new cards to schools. 1 p. + 1 p. enclosure (suggested text for announcement of Pach's availability as a lecturer)

From W.S. Rusk, Wells College, Aurora-on-Cayuga, N.Y., December 21, 1938: "Thank you for the conference the other day in which we discussed the artist and the art critic." 1 p

From G. Masolle, Evian, France, December 31, 1938: Thanks Pach for the extract From his book, which she translated immediately; it showed perfect understanding of Jean's character; -- The Prisoners of the World -- is impossible to find; Jean Cocteau has not published Jean's first essays or poems. 2 pp., in French

From Ernestine Ludolf, Florence, Italy, February 20, 1939: Is "grateful" for the "lovely tribute" to her brother, Egisto Fabbri, that appeared in Queer Thing, Painting; she and her brother were students of J. Alden Weir; Pissarro advised them to study the Old Masters; details of the sale of 12 Cézanne paintings From Egisto's collection; sending a privately printed memoir of her brother; invites Pach to call on her and various relatives when he is in Florence. 4 pp

From Simonne Maubert, Paris, France, April 5, 1939: Thanks Pach for sending his book; she was happy to recognize herself in one of the chapters; her English is improving and one day she may be able to read the entire book. 4 pp., in French.

To Magdalene Pach From Van Wyck Brooks, Westport, Conn., July 8, 1939: Is looking forward to the Pachs' visit. 2 pp

From Van Wyck Brooks, Westport, Conn., December 29, 1939: The book is a "glorious achievement... by far your best book"; it "brought back all my gratitude to you for all that you have taught me about art." 4 pp

From Daniel Gregory Mason, New York, N.Y., March 15, 1940: Thanks Pach for the "great pleasure and stimulus" of Ingres; "one grows to feel something of the affection, respect, and admiration for Ingres that you show the way to." 1 p

From Don F. Dickson, Director, Dickson Mound Museum, Lewistown, Ill., March 28, 1940: Sends photographs of pipes that Pach found interesting. 1 p. + enclosures (4 photographs of ceremonial pipes: "Front view of a human effigy tobacco pipe From the Great Temple Mound in Oklahoma, Ceremonial type"; "Front view. Ceremonial type"; "Side view. Ceremonial type"; and "Back view of human effigy tobacco pipe From the Great Temple Mound in Oklahoma, Ceremonial type")

From Bernard Berenson, Florence, Italy, March 30, 1940: Was interested in the Ohio mound builders in his youth; "my writing days are over I fear, for one thing I feel afraid I have nothing to say that would not sound commonplace"; "too much absorbed" in what is going on in this part of the world." 8 pp

From Ernestine Ludolf, Florence, Italy, April 18, 1940: Ingres is "splendid"; sympathizes with the "difficulties" Pach encountered when organizing the World's Fair art exhibition. 6 pp

From Van Wyck Brooks, Boothbay Harbor, Maine, September 2, 1940: Pach has found "the only paragraph in the whole book (which after a dozen rewritings) left me unsatisfied." Postal card

From G. Masolle, Evian, France, October 14, 1940: Is happy that Jean's memoirs are in Pach's hands; awaits English victory; the French are suffering, but she is confident the country will survive. 2 pp., in French

From Van Wyck Brooks, Westport, Conn., April 9, 1941: "We missed you at the John Sloan dinner"; he won't write any more about expatriates. 3 pp

From Alfred Vance Churchill, Northampton, Mass., April 21, 1941: Congratulations on Ingres; recalls Pach's help in acquiring important paintings for the Smith College Museum of Art. 3 pp

From Art Young, New York, N.Y., May 9, 1941: Congratulations on -- Masterpieces of Art -- . 1 p., illustrated with drawing of a stooped man walking with a cane

From Hugo Robus, New York, N.Y., June 13, 1941: Was pleased by Pach's letter praising his marble at the Museum of Modern Art; Alfred Barr was "delighted" by Pach's comments; there is also a Robus bronze at the Museum of Modern Art; "I never dated my work and so the actual year of production is a pretty hazy matter." 2 pp

From Ruth A. Wilmot, Oak Bluffs, Mass., [postmarked] August 2, 1941: She and Donald are enjoying their vacation. Picture postcard ("Yacht Club and Harbor, Edgartown, Mass.")

From Kenneth Hayes Miller, New York, N.Y., August 7, 1941: Comments on paintings From the Louvre shown at the M[etropolitan] M[useum of Art]; he doesn't enjoy the country as Pach seems to. 2 pp

From Bernard Berenson, Florence, Italy, August 30, 1941: "I believe the entire Mississippi basin to its utmost reaches was flooded with Aztec influences"; requests photograph of a piece Pach mentioned seeing in Columbus, Ohio; "French art will rise again"; recalls his first acquaintance with Poussin's work. 2 pp

From Van Wyck Brooks, Westport, Conn., September 4, 1941: "I am reacting against this whole conception of 'mankind' as 'rabble' "; his new book will expound on this. 2 pp

From Charles Cunningham, Assistant Curator of Paintings, Museum of Fine Arts, Boston, Mass., September 11, 1941: Requests additional information about Pach's Delacroix painting; shares information on works in the collection of George Reinhardt, Winterthur, and the Metropolitan. 2 pp

From Charles Cunningham, Assistant Curator of Paintings, Museum of Fine Arts, Boston, Mass., October 15, 1941: Sends summary of information compiled when cataloging the Museum's version of Delacroix's -- Christ on the Sea of Genesareth -- . 1 p. + 4 pp. enclosure (notes on 6 versions of the painting)

From William Mills Ivins, New York, N.Y., [postmarked] January 27, 1942: Thanks for his "warm approval of the Bulletin article." 1 p

From Van Wyck Brooks, Norwalk, Conn., [postmarked] February 3, 1942: Thanks for sending the brochure about Quidor. Picture postcard ("The Dance of Death. The Ploughman Woodcut by Hans Holbein the Younger. German, 1497-1543")

From Van Wyck Brooks, Westport, Conn., [postmarked] February 19, 1942: Thanks for the Quidor catalog; saw the show yesterday; "he's really a discovery." Picture postcard ("Saint George and the Dragon. Woodcut by Lucas Cranach the Elder. German, 1472-1553")

From Van Wyck Brooks, Westport, Conn., [postmarked] February 27, 1942: "What you say about the book makes me regret all the more that it has to be postponed." Picture postcard ("Rembrandt, Dutch, 1606-1669. Portrait of the Artist"), with annotation by Pach: "Book on American Art proposed to the American Philosophical Society."

From Fred M. Stein and Arthur Strasser, New York, N.Y., March 21, 1942: In "recognition of what you have meant to the [Schilling] Fund... [we] take great pleasure in sending you the enclosed." 2 pp

From M.M. Pochapin, Music Appreciation Record Corporation, New York, N.Y., May 6, 1942: Please sign and return a copy of the agreement. 1 p. + 1 p. enclosure (May 6, 1942, From M.M. Pochapin, New York, N.Y. Pach has been selected a Judge for the "Art Appreciation Movement. In this capacity you are to pass on the true value of paintings submitted.").

to Magdalene Pach From M.M. Pochapin, Managing Director, Art Appreciation Movement, New York, N.Y., May 13, 1942: Requests that she read the organization's pamphlet about the Art Appreciation Movement and complete the "lengthy Qualification Form"; "great artists will make their paintings available at these small Public Service prices." 2 pp

From M.I. Block, Art Appreciation Movement, New York, N.Y., May 27, 1942: Receipt for 5 oil paintings consigned. 1 p

From Reginald Poland, Director, Fine Arts Gallery, San Diego, Calif., 5 June 25, 1942: "We realize increasingly that, in the Caravaggio, we have a magnificent work of art"; "we have just acquired a glorious Titian Madonna, painted about 1514-- very strongly Giorgionesque." 1 p

From Van Wyck Brooks, Westport, Conn., [postmarked] July 8, 1942: "What happens to them [artists] when they are 'above' politics? Don't they in the end lead themselves to the politics that destroy them?" Postal card + clipping ("Guest Artists," Time)

From Van Wyck Brooks, Westport, Conn., July 15, 1942: "I won't agree with you about artists and politics"; "a certain breadth of interests and sympathy does not drain one's energy." 2 pp

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., July 17, 1942: Discusses insurance and storage arrangements for Pach's property while he is in Mexico. 2 pp

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., July 17, 1942: Agrees to publish his article on Ingres. 1 p

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., July 20, 1942: Sends "lost policy releases" and policy numbers. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., August 4, 1942: Pach's article on Ingres will appear in the October issue. 1 p

From Gilbert R. Gabriel, Schneider-Gabriel Galleries, Inc., New York, N.Y., August 10, 1942: "Your article on the Ingres is a masterpiece"; discusses the price of a painting of Trinity Church. 2 pp. + enclosures (12 business cards and 4 handwriten notes containing names, addresses, and telephone numbers of Mexican acquaintances)

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., August 19, 1942: Pach's piece on Ingres will be the lead article; accepts his proposal for an article on the "Mexican primitive Bustos." 1 p

From Raymond B. Humphrey, Brown, Crosby & Co., Inc., New York, N.Y., September 3, 1942: Discusses overpayment of insurance premium. 1 p. + 4 enclosures (3 invoices and inventory of artwork in storage). [postmarked September 3, 1942] From John Strasser, New York, N.Y. 4218 703-705 September 4, 1942: Discusses "early Hispano-Mexican" Madonna; "Rosenberg has an attractive show." 3 pp

From John Sloan, Santa Fe, N.Mex., September 8, 1942: Is home From the hospital; his exhibition was in Chicago, Denver, and Santa Fe, and will go to Albuquerque next and then Fort Worth; received "enthusiastic notices"; sold 2 pieces. 2 pp

From Jacob M. Heimann, Beverly Hills, Calif., September 14, 1942: "I greatly appreciate the idea of making an exhibition in Mexico"; inquires about lighting and dimensions of the galleries; "the lack of interest and the ignorance as far as art is concerned here, is unbelievable." 1 p. + 1 p. enclosure (lists of numbers)

From Lasar Kipnis, New York, N.Y., September 18, 1942: "Considering risk expenses at present offer seven and half percent for next three years." 1 p

From Lasar Kipnis, New York, N.Y., September 21, 1942: Expenses will be high; recommends he establish a relationship with Mizracchi [ sic] before arriving in New York; show him some "really valuable" paintings as well as "less expensive works on the sale of which we may really count"; suggests a selection of "object d'art" From A la Vieille Russie; November is the best time for an exhibition in Mexico. 3 pp

From John Strasser, New York, N.Y., September 25, 1942: Pyramid of the Sun, as it appears in the photograph, is "dazzling"; discusses his search for a job. 2 pp

From Lasar Kipnis, New York, N.Y., September 29, 1942: Proposed exhibition may receive the cooperation of the president of Mexico and the king of Rumania; "we must and shall have a first class show"; mentions several works he intends to include. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., October 5, 1942: The editor of Cuadernos must insert a notice stating the article was written for publication in Art in America and appears simultaneously in translation. 1 p

From M.M. Pochapin, President, Art Movement, Inc., New York, N.Y., October 8, 1942: Is deciding whether to continue the Art Movement; Marsh resigned; "my enthusiasm has never waned"; Sloan remains involved; plans to market paintings through department stores; work by Walter and Magda Pach is being shown in Philadelphia and Atlanta. 2 pp

From Diego Rivera, [place unknown], October 13, 1942: He and the editors extend thanks and enclose payment. 1 p., in Spanish

From Adrian Bourcart, [place unknown], Mexico, October 21, 1942: Had the pleasure of attending Pach's lectures on art; requests clarification of true art versus false art and live art versus dead art. 4 pp., in French

From Robert Lebel, New York, N.Y., October 22, 1942: Saw Misrachi; likes [filmed twice] Pach's idea for an exhibit in Mexico; Marcel Duchamp and André Breton organized a surrealist exhibition; Guggenheim was inaugurated with an ingenious exhibition; the Dutch show at Duveen's is successful; Rosenberg has a Léger show and is preparing a Cézanne exhibit; Rosenberg is interested in Marsden Hartley; Chagall, now an official member of the surrealist group, is exhibiting at Pierre Matisse; Goetz may exhibit Paul Klee. 1 p., in French

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., October 22, 1942: "I was delighted with your article on Bustos"; "unless the article appears in Art in America prior to publication elsewhere, we cannot print it." 2 pp

From John Strasser, New York, N.Y., November 13, 1942: Comments on Mexico painted by Velasco. 2 pp

From Marjorie D. Mathias, College Art Association of America, New York, N.Y., November 14, 1942: The State University at Bowling Green, Ohio, has inquired about engaging Pach for a lecture. 1 p

From Henry Allen Moe, Committee for Inter-American Artistic and Intellectual Relations, New York, N.Y., November 16, 1942: "We want our grantees to be able to do what they ought to do and live as they ought to live"; Pach should let them know his anticipated expenses and how much time he needs in Mexico. 1 p

From Carlos Merida, Denton, Tex., [postmarked] November 16, 1942: Air time was insufficient to broadcast Pach's full text: note inscribed on Section of Plastic Arts, Department of Fine Arts, Secretary of Public Education, "No. 202 Radio Bulletin for Saturday, November 21, 1942" (transcript of a feature story on José Hermenegildo Bustos abstracted From an article by Walter Pach). 4 pp., in Spanish

From Van Wyck Brooks, Westport, Conn., November 18, 1942: With the help of Eleanor and Kenyon, he has managed to read some of the Cuadernos Americanos Pach sent; "I like immensely its tone and elevated feeling"; "I envy your meetings with Diego Rivera, who has always seemed to me a very great painter"; is "shocked" that Lionello Venturi and William G. Constable don't share his opinion of Rivera; a "complicated family problem" keeps them From traveling; is working on -- The Age of Washington Irving -- . 4 pp

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., November 30, 1942: Is glad that Pach's lectures were well received; hopes Pach can remain in Mexico. 1 p

From Alfonso Reyes, Colegio de Mexico, Mexico City, Mexico, December 3, 1942: He is honored by Van Wyck Brooks's words and wants to correspond with him. 1 p., in Spanish

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., December 7, 1942: Is "delighted to learn that Pach will receive a grant through Mr. Moe and 'his Committee.' " 1 p

From Lasar Kipnis, New York, N.Y., December 8, 1942: "Just returned From Johns Hopkins Hospital." Telegram

From José Clemente Orozco, [place unknown], December 10, 1942: Modern art in Mexico faces a powerful reaction that aims to end 20 years of academic work; looks forward to visiting Pach soon. 1 p., in Spanish

From Henry Allen Moe, New York, N.Y., December 11, 1942: "Your letter received but no word From the university." Telegram

From A.S. Baylinson, New York, N.Y., December 18, 1942: He and Constant were rejected by the jury of the "so called Victory exhibition"; reports the death of Michael Rosenthal. 2 pp

From George Constant, New York, N.Y., December 20, 1942: Is glad that Pach, a "fine painter," now has time to paint; the Artists for Victory exhibition at the Metropolitan is "lousy." 2 pp

From Henry Allen Moe, Committee for Inter-American Artistic and Intellectual Relations, New York, N.Y., December 21, 1942: Confirms that Pach is to receive a grant; a final report is due upon return. 1 p. + 2 enclosures (1 sheet of figures titled "Mex--New York" and copy of 1 p. letter to Rodulfo Brito Foucher, Rector, National University of Mexico, From Henry Allen Moe, New York, N.Y., announcing grant to the University for Pach's lectures)

From Pedro Henríquez Ureña, Buenos Aires, Argentina 4218 764-765 December 22, 1942: Sent photographs of the work of Attilio Rossi; Argentine critic, Julio Rinaldini, will send books. 1 p

From Lasar Kipnis, New York, N.Y., December 29, 1942: Asks Pach to write an article on new acquisitions by Mr. Poland's Museum; wants Pach lecture in San Diego; when a new catalog of the permanent collection is published, "we are sure the work will be entrusted to you." 2 pp

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., December 29, 1942: Robert Montenegro's book impressed him; hopes Montenegro will write on Estrada for Art in America; requests Pach's help in arranging it. 1 p

From Harry Miller Lydenberg, [place unknown], Mexico, December 29, 1942: Discusses origin of the phrase "biblia a-biblia." 1 p

From Marcel Duchamp, New York, N.Y., January 3, 1943: Fearing visa problems, he has decided not to go to Mexico; made several "suitcases"; the opening at Peggy's gallery was a big success; plans a surrealist show with Schiaparelli and Breton; Reynolds, just arrived in Madrid, requested that Pach extend greetings to Frida and Diego. 2 pp., in French

From Arthur Strasser, New York, N.Y., January 7, 1943: Congratulations on receiving a grant; "it is not to the Schilling Fund but to you personally, Walter, that our gift to the Metropolitan was the beginning of the belated recognition of Flannagan's genius"; Fred Stein would appreciate suggestions for the Schilling Fund award. 2 pp

From John Rewald, Weyhe Gallery, New York, N.Y., January 13, 1943: Is glad Pach liked his article on Bonnard; will send Pach a copy of his new book on Seurat. 2 pp., with postscript From Laura Canade: New York Public Library has purchased Pach's Self-Portrait

From John Strasser, New York, N.Y., January 16, 1943: "People who might have enjoyed the 'Victory' show 25 or 30 years back now unanimously dislike that accumulation of junk"; "read of your and Rivera's project for spreading Flannagan's reputation." 3 pp

From Van Wyck Brooks, New York, N.Y., January 17, 1943: Saw Jacques Villon's "grand portrait" of Pach at the "Modern Museum." Picture postcard ("Illuminated initial From a South Italian ms. Valerius Maximus written about 1450")

From M.L. Stafford, American Consul, American Embassy, Mexico, January 22, 1943: Pach's registration of American citizenship was approved. 1 p

From Harry Miller Lydenberg, Biblioteca Benjamin Franklin, [place unknown], Mexico, January 23, 1943: Is sending a check in appreciation of the time and interest Pach contributed to their exhibition; wants to publish Pach's tribute to Bustos. 1 p

From Stephen Duggan, Director, Institute of International Education, New York, N.Y., February 3, 1943: Pach's observation about Mexican education interested him; he is "well informed concerning the anti-American attitude" in Mexico. 1 p

From Jean Lipman, Editor, -- Art in America -- , Cannondale, Conn., February 15, 1943: Thanks Pach for arranging to have Fernando Gambo write an article on Estrada; Pach's writings have stimulated interest in Mexican art; his review will not be published due to "paper restrictions." 1 p

From Van Wyck Brooks, New York, N.Y., March 9, 1943: Has "rediscovered" New York by living in the city temporarily; "I am especially happy to have got to know some of the new young writers"; wants more news of Diego Rivera. 3 pp

From Robert Lebel, New York, N.Y., March 15, 1943: Agrees with Pach that the Metropolitan's La Victoire exhibit resembles a Paris Salon of 30 years ago with the addition of a few abstract pieces; an exhibition commemorating the 30th anniversary of the Armory Show is possible; saw one of Pach's paintings at the Art Students League; Pierre Matisse exhibited his father's work; Matta and Miro made Pierre Matisse's last show, "Art and the War," interesting; the Mexican Room at the Museum of Natural History is being reorganized; recommends Charles Sterling's Gazette des Beaux-Arts article on French primitives; asks if Pach has seen VVV, the review headed by André Breton; no longer wishes to be involved in art sales. 2 pp., in French

From Georges Wildenstein, Director, Gazette des Beaux-Arts, [filmed twice] New York, N.Y., March 26, 1943: Wants to publish Pach's article; hopes he will agree to some minor changes. 1 p., in French

From Lyman Bryson, Conference on Science, Philosophy and Religion, New York, N.Y., March 26, 1943: Requests comments on a paper by Professor William Scott, Randolph-Macon Women's College. 1 p. + 2 pp. enclosure ("Conference on Science, Philosophy and Religion, Reply to Questionnaire of December 7, 1942 by Walter Pach")

From Paul J. Sachs, Fogg Art Museum, Harvard University, Cambridge, Mass., April 8, 1943: Grenville L. Winthrop collection has been bequeathed to the Fogg Museum; wartime conditions have caused universities to curtail their art departments; "it is extremely important that able and understanding North Americans, such as yourself... should be our cultural ambassadors in Latin America"; suggests summer programs in the United States where Pach might teach; tells Pach to add his name to the speakers list maintained by the Coordinator of Inter-American Affairs. 2 pp

From William N. Eisendrath Jr., Chairman, Exhibition Committee, Arts Club of Chicago, Chicago, Ill., April 26, 1943: Requests assistance in selecting works for a Rivera retrospective planned for February 1944. 1 p. + 1 p. enclosure (list of works by Rivera, "suggested by Mrs. Goodspeed, April 26, 1943," with notes by Walter Pach)

From Annette B. Cottrell, Director, Speakers Service Section, Coordinator of Inter-American Affairs, Washington, D.C., April 28, 1943: Thanks Pach for his "interest in inter-American affairs and desire to collaborate with the work of this office as a speaker." 1 p

From Robert Chester Smith, Director, Hispanic Foundation, Library of Congress, Washington, D.C., April 30, 1943: Considers Pach "an historic figure, one of the first to call attention to the development of Mexican art"; this is not the right time for Pach's proposed publications and translations. 1 p

From Harry Miller Lydenberg, [place unknown], Mexico, May 8, 1943: Pach's "review of the Low study on the place of the Museum in our world today" is "admirable"; politically or economically motivated explanations of art will "fail"; he is less "pessimistic" than Pach on the role of public funding; public libraries are a good example. 2 pp

From Annette B. Cottrell, Director, Speakers Service Section, Coordinater of Inter-American Affairs, Washington, D.C., May 25, 1943: Pach will be included among the organization's available speakers. 1 p

From Van Wyck Brooks, Westport, Conn., May 28, 1943: El Hijo Prodigo and Cuadernos are "typographically delightful"; wishes he knew Spanish; would like to be able to contribute articles to Mexican periodicals; John Sloan is reported to be "very frail." 4 pp

From William N. Eisendrath Jr., Chairman, Exhibition Committee, Arts Club of Chicago, Chicago, Ill., June 4, 1943: Need to figure costs for Rivera exhibition before continuing negotiations for loans; Pach must supply further information. 1 p. + 2 pp. enclosure ("List of Rivera Paintings," June 3, 1943)

From Elias Lieberman, Associate Superintendent, Board of Education of the City of New York, Brooklyn, N.Y., June 7, 1943: Pach will be granted a "substitute license" to teach Spanish in the New York public schools. 1 p

From Raymond B. Humphrey, Director, Brown, Crosby & Co., Inc., New York, N.Y., June 18, 1943: Instructions for renewing war damage and fire insurance policies. 1 p

From James A. Porter, Washington, D.C., June 19, 1943: Thanks Pach for the "remarkable" introduction and subtitle suggestions for his book. 1 p.

to Maurice Block, Curator, Henry E. Huntington Art Gallery, San Marino, Calif., From Marjorie S. (Mrs. A.R.) Waybur, Kingsley Art Club, Sacramento, Calif.,June 20, 1943: Inquires about Pach's availability to lecture. 2 pp

From Ignacio Marquina, National Institute of Archaeology and History, Mexico City, Mexico., June 26, 1943: Gives Pach permission to export the 5 archaeological objects specified on the list attached. 1 p. + 1 p. enclosure (copy of form completed by Pach), in Spanish

From Frederick Lewis Allen, -- Harper's -- Magazine, New York, N.Y., August 27, 1943: Rejects 2 articles, "The Negro's Place" and "Your Ancestors of the Soil." 2 pp

From John Sloan, Santa Fe, N.Mex., August 31, 1943: Is recovering From surgery; feeling better, but still unable to travel. 1 p

From Charles A. Thompson, Department of State, Washington, D.C., September 7, 1943: Dr. Moe will contact Pach about writing a book, in Spanish, about "art resources of the United States." 1 p

From Ernst E. Clad, New York, N.Y., September 9, 1943: Outlines Pach's finances; advises specific investments. 3 pp. + 1 p. enclosure (copy of September 9, 1943 letter From Walter Pach to H.C. Wainwright & Co. authorizing sale of stocks)

From Laurence Duggan, Adviser on Political Relations, Department of State, Washington, D.C., September 17, 1943: Cannot assist with funding or promise to purchase his book; Dr. Moe is attempting to finance the project; "I think the preparation of the book would be a far more useful contribution to inter-American understanding than your acting as an unofficial Mexican cultural representative in the United States." 1 p

From René d'Harnoncourt, United States Department of the Interior, Indian Arts and Crafts Board, Washington, D.C., September 29, 1943: Read "Ancestors of the Soil" and was "impressed by the strength and depth of its argument"; "widest dissemination of this theme could be one of the strongest factors in building up Inter-American relations." 1 p

From Charles A. Thompson, Department of State, Washington, D.C. October 4, 1943: Is returning "Ancestors of the Soil"; "Mr. d'Harnoncourt expresses great interest." 1 p

From Eugenio de Anzorena, Secretary, Mexican Embassy, Washington, D.C., October 7, 1943: Brought Pach's letter to the attention of the minister; returns the enclosures. 1 p. + enclosures (letter, June 9, 1943, to Ezequiel Padella, Secretary of Exterior Relations, From Iñes Amor, Francesco Orozco Muñoz, Eduardo Villaseñor, Diego Rivera, José Clemente Orozco, Alfonso Noriega Jr., and Octavio G. Barreda, Mexico: endorses Pach as a representative of Mexican culture, 5 pp., in Spanish; and letter, June 28, 1943, to Iñes Amor, Francesco Orozco Muñoz, Eduardo Villaseñor, Diego Rivera, José Clemente Orozco, Alfonso Noriega Jr., and Octavio G. Barreda, From Ezequiel Padella, Mexico: recommendation of Pach, 1 p., in Spanish)

To Springmeier Shipping Co from J.O. Ellis, New York, N.Y., October 14, 1943: Notification of claim for items missing From shipment of Pach's possessions. 2 pp

From Houston Peterson, Head, Division of Social Philosophy, Cooper Union, New York, N.Y., October 15, 1943: Pach is "definitely on our list of favored speakers" for the second semester. 1 p. + enclosure (brochure for "Cooper Union Forum, first half 1943-1944")

From John Sloan, Santa Fe, N.Mex., December 30, 1943: Went out to his old house, "Sinagua," which reminds him of Dolly; still recuperating From surgery; needs to clean up his Chelsea studio; it is unlikely he can get to New York; read Pach's article on the "Eight"; the name was invented by an Evening Sun writer; "the 'chosen' of Robert Henri we were, not at all a mutual admiration group as I recall the time." 3 pp

From Art Young, New York, N.Y., [postmarked] December 30, 1943: New Year's greetings. Picture postcard ("28th Issue--Art Young's Annual Hello")

From Donald Carlisle Greason, Deerfield, Mass., April 8, 1944: The enclosed letter was sent in a "weak moment"; "is it not time you took up the mightier sword again; or have your ideas changed?" 1 p. + 1 p. enclosure (letter, April 6, 1944, to Hugo Gellert and Gentlemen of the [Exhibition and Competition] Committee, Artists for Victory, Inc., From Donald Carlisle Greason, Deerfield, Mass.: declines invitation to participate in the Artists for Victory exhibition; "I shyly deplore this undignified business of artists thumbing rides of the troop trains, of Patriotism for Publicity--and prizes!"; "did not Pach write the obituary of this [prizes] in his Ananias?")

From Henry Watson Kent, New York, N.Y., November 30, 1944: Hopes his notes on Pach's manuscript will be of use and interest. 1 p. + 7 pp. enclosure (notes, comments, and suggestions relating to Pach's manuscript)

From Ernst E. Clad, New York, N.Y., December 11, 1944: Information about Pach's 1944 taxes. 1 p. + enclosures (completed "Form for Computing Capital Gains and Losses," 1 p., and printed instructions, 5 pp.)

From George Ferdinand Of, [place unknown] Read both of Pach's articles and is returning one; "you must take me to see that charming Miss Roger's paintings."

From George Ferdinand Of, [place unknown], December 28, 1944: Read both of Pach's articles and is returning one; "you must take me to see that charming Miss Roger's paintings." Picture postcard ("'Chapeau de Faille' by Rubens")

From Donald Carlisle Greason, Deerfield, Mass., February 9, 1945: "I thought my annual letter of 'regrets' to the 'Artists for Defeat' might amuse you"; quotes remarks by Sinclair Lewis made when declining the Pulitzer Prize. 1 p

From Rufus E. Clement, Atlanta University, Atlanta, Ga., April 11, 1945: Sends photographs taken at the "art show"; mentions recent reviews of their exhibition. 1 p. + 2 photographs (Pach viewing the exhibition, and Pach speaking in the gallery)

From Viking Press, New York, N.Y., April 30, 1945: Royalty statement for Masters of Modern Art. 1 p

From Harper & Brothers Publishers, New York, N.Y., June 30, 1945: Royalty statement for Ingres and -- Queer Thing, Painting -- . 1 p

From Jacques Lipchitz, Paris, France, July 31, 1945: [Illegible due to show-through]. 2 pp., in French

From Bernard Berenson, Florence, Italy, November 29, 1945: May continue work begun several years earlier on "Aesthetics and History"; working on "Decline and Recovery in the Figure Arts"; when in "hiding" he kept a diary, which he may publish. 2 pp

From Fred M. Stein and Arthur Strasser, Trustees of the Schilling Fund, New York, N.Y., February 8, 1946: Thank Pach for his work on behalf of the Schilling Fund; offer him a salary to continue as an adviser. 1 p., with annotation by Pach (on reverse), February 10, 1946, draft letter of acceptance, 1 p

From Van Wyck Brooks, Westport, Conn., June 23, 1946: Eleanor's leg had to be amputated; they will move to an apartment in New York in October. 2 pp

From Van Wyck Brooks, Westport, Conn., August 26, 1946: "Eleanor's condition has taken a serious turn for the worse, and I fear it is only a question now of a very few weeks." 1 p

From Jacques Lipchitz, Paris, France, November 19, 1946: New York trip was postponed; describes a wonderful exhibit at Delacroix's studio; occasionally sees Jacques Villon, who has a painting in the Salon d'Automne. 2 pp., in French

From Bernard Berenson, Florence, Italy, January 10, 1947: Pach's son and daughter-in-law visited him; publishers are not interested in his diary; Aesthetics and History will have to go to a university press. 2 pp

From Irma L. Richter, New York, N.Y., March 27, 1947: Is returning Pach's copy of ABC on Painting by Severini; "I wonder whether you have tried to follow his advice regarding technique." 1 p

From James Daugherty, Westport, Conn. [postmarked, March April 22, 1947]: Saw Pach's exhibition at Laurel Gallery; "your work has grown simpler and broader and more unified." 1 p

From Octavio G. Barreda, [place unknown], Mexico, October 9, 1947: Thought of Pach when visiting galleries in Italy and Paris; Paris, Rome, and Florence seem to have recovered From the war, but it wasn't the same without the old faces; in both art and literature it is the end of an era; young artists and writers do not know their message; family news; will visit New York and Havana. 4 pp., in Spanish

From Kurt Wolff, Pantheon Books, New York, N.Y., November 5, 1947: Asks Pach to accept all changes made by the editor. 1 p

From Kurt Wolff, Pantheon Books, New York, N.Y., December 4, 1947: Needs to clarify certain points; Pach must bear the cost of retyping. 1 p

From Kurt Wolff, Pantheon Books, New York, N.Y., January 29, 1948: The final pages of his manuscript must be condensed. 1 p.

To Kurt Wolff From Walter Pach, New York, N.Y., January 30, 1948: They never discussed, nor did he authorize, changes to the final pages of his book. 1 p

From Henry Watson Kent, New York, N.Y., February 21, 1948: Remarks on Pach's complimentary statement about him. 1 p

From Margarita Nelkin, Paris, France, September 1, 1948: Has heard From Pach through letters to Mlle. Burchardt; thanks Pach for supporting Spanish Republicans; is going to Rome for the Congres Interparlementaire and then to Brussels and Amsterdam to give a conference on Mexican art; in November she will leave for Mexico. 1 p., in French

From George Ferdinand Of, New York, N.Y., September 5, 1948: Thanks Pach for bringing pictures of his collection and explaining it personally; Pach has "persuaded" him to paint again. 3 pp

From Francis Hackett, Bethel, Conn., November 8, 1948: Pach is one of the "Old Guard"; his book, -- American Rainbow -- , will include "a lot in it about John Quinn"; his wife recently published a volume on Swedenborg. 2 pp

From Van Wyck Brooks, Cornwell, Conn., December 2, 1948: Thanks for the inscribed copy of his "enchanting" new book; glad Pach met Francis Hackett. 3 pp

From Pantheon Books, Inc., New York, N.Y., February 1, 1949: Royalty statement. 1 p

From Pantheon Books, Inc., New York, N.Y., July 1, 1949: Royalty statement. 1 p

From Pantheon Books, Inc., New York, N.Y., August 1, 1949: Royalty statement for The Art Museum in America. 1 p

From Anne Chase (Mrs. Arthur White) Sullivan, Glen Head, N.Y., November 3, 1949: Pach's lecture was "just right as a preliminary to the exhibition"; her father would have approved. 2 pp

From Mary Socard, Paris, France, December 13, 1949: Pach's young friend is making good progress learning French; discusses the student's appreciation of art and philosophy. 4 pp., in French

From Jimmy Stern, New York, N.Y., December 23, 1949: Even with "favorable 'press'," his book has not sold well; is "discouraged"; appreciated Pach's note. 1 p

From Pantheon Books, Inc., New York, N.Y., February 1, 1950: Royalty statement. 1 p

From François Puaux, Acting Consul General of France, New York, N.Y., March 7, 1950: Congratulates Pach on being awarded the cross of Chevalier of the Legion of Honor "for the services you have always rendered to the French cause." 1 p

to John Collier From Walter Pach, New York, N.Y., March 11, 1950: Hopes Professor Collier will want the thoughts expressed in Pach's manuscript "given to a wider audience." 1 p., annotated with reply, May 30, 1950: "This has been good reading for me!"

From Meyer Schapiro, Columbia University, New York, N.Y., [postmarked] March 27, 1950: "Comments on the first draft of W. P., Renoir." 3 pp

to Meyer Schapiro From Walter Pach, New York, N.Y., March 27, 1950: Responses to "Comments on the first draft of W.P., Renoir." 4 pp. draft + 4 pp. final copy

From Charles E. Slatkin, Art Book Guild of America, Inc., New York, N.Y., March 28, 1950: Invites Pach to become a member of the Art Book Guild's Advisory Board. 1 p

From Charles E. Slatkin, Art Book Guild of America, Inc., New York, N.Y., April 17, 1950: Acknowledges Pach's acceptance of appointment to the Advisory Board. 1 p

From Atlantic Monthly Company, Boston, Mass., April 20, 1950: "Assignment of Copyright" to Atlantic Monthly Corporation of Pach's article, "Art Must Be Modern." 1 p

From W.G. Constable, Department of Paintings, Museum of Fine Arts, Boston, Mass., May 30, 1950: Thanks Pach for assistance in securing the Portrait of Madame Villchelis for the museum; agrees that attribution to Gros is most likely; reports the death of Ned Holmes. 2 pp

From Mary Socard, Paris, France, June 20, 1950: The young student has left; he would have benefited From a longer stay but at least had an introduction to European culture; sympathizes with Pach's disappointment over having his prologue replaced by an analysis of painting construction. 3 pp., in French

From Pantheon Books, Inc., New York, N.Y., August 1, 1950: Royalty statement for -- The Art Museum in America -- . 2 pp

From Nanny (Mrs. Sigmund) Pollitzer, New York, N.Y., November 8, 1950: Sorry to learn of Magda's illness. 2 pp

From Nanny (Mrs. Sigmund) Pollitzer, New York, N.Y., November 11, 1950: Extends her sympathy; will try to attend the service. 2 pp

From Eufrosia A.W. Tucker, New York, N.Y., November 11, 1950: Sympathy on the death of Mrs. Pach. 2 pp

From Sarah d'Harnoncourt, New York, N.Y., November 13, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Edith R. Abbot, New York, N.Y., November 13, 1950: Sympathy on the death of Mrs. Pach. 2 pp

From Fanny and Ralph Ellison, New York, N.Y., November 14, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Robert L. Duffus, Westport, Conn., November 15, 1950: Sympathy on the death of Mrs. Pach. 1 p

From Roland Balay, New York, N.Y., November 20, 1950: Offers condolences on the death of Mrs. Pach. 1 p., in French

From Bernard Berenson, Florence, Italy, September 23, 1951: Congratulates Pach on his recent marriage. 2 pp

From Mutual Benefit Health and Accident Association, New York, N.Y., [postmarked] November 23, 1951: "Official Receipt for Premium Due." Postal card

From [signature illegible], Athens, Greece, December 24, 1951: Carouzos will select photographs of the subjects that interest Pach; wants to see photographs of Pach's latest paintings. 4 pp

From Jacques Lipchitz, New York, N.Y., January 12, 1952: Pach is right that endings offer new beginnings; predicts that Pach will resume work soon. 1 p., in French

From Rufino Tamayo, [place unknown], Mexico, January 22, 1952: Appreciates Pach's stimulating critique; expects to spend the next year on a mural for the Palace of Fine Arts; congratulates Pach on his marriage. 2 pp., in Spanish

From Bernard Berenson, Ischia, Italy, May 29, 1952: "My indignation over distorted, abstract, non-representational art is that it can lead nowhere." 2 pp

From George Ferdinand Of, [place unknown], June 19, 1952: The Schilling Fund award is an "honor" he wishes to decline without offending anyone. Picture postcard ("Cézanne. 'Urtiel des Paris'")

From U.S. Treasury Department, Internal Revenue Service, New York, N.Y., August 8, 1952: "Adjustment of tax liability" and audit for calendar year 1950. 1 p. + enclosures (1 p. "Statement of Income Tax Due," and 4 pp. report)

From Bernard Berenson, [place illegible], September 23, 1952: Agrees with most of Pach's letter to the New York Times; "feeling for art is of the few and understanding for even fewer." 2 pp

From André Masson, Aix-en-Provence, France, May 2, 1953: Was considering canceling his New York exhibit before receiving Pach's encouraging and kind letter; hopes they will meet. 1 p., in French

From Bernard Berenson, Florence, Italy, March 17, 1954: Comments on Pach's "poem to Greek art"; is working on a new edition of Italian Paintings; sends an article he wrote on Picasso. 2 pp

From George Ferdinand Of, Rome, Italy. Is in Rome; heading for Naples, [undated (prior to April 18, 1954)]: Picture postcard ("Roma-Foro Romano, veduto del Campidoglio")

From George Ferdinand Of, Padua, Italy, April 18, 1954: Saw Giottos; visited Ravenna, Naples, and Pompeii. Picture postcard ("Padova-Monumento al Generale Gattamelata")

From Bernard Berenson, Florence, Italy, April 25, 1954: He still does not accept the Metropolitan Museum's Madonna as an Antonello; "I remain an optimist" that culture will once again become "genial, creative and human." 2 pp

From Hendrik Willem van Loon, Riverside, Conn., [1955]: He is much better; they have a house near the water where friends are welcome. 1 p., in Dutch

From Bernard Berenson, Florence, Italy, April 21, 1955: "I agree with all you write about the present state of art appreciation"; read the book about Sloan by Van Wyck Brooks; not impressed by Sloan's work; wonders how much Pach influenced Brooks. 2 pp

From William Mills Ivins, Woodbury, Conn., July 17, 1955: Was disappointed to have missed a visit by Pach and Brooks; is living a solitary and quiet life. 2 pp

From Jacques Lipchitz, Beach Haven, N.J., August 7, 1955: After reading Pach's article, he wants to read the book; he no longer appreciates Maillol's sculpture; discusses Renoir's strong judgments of other artists; although Epstein has reached a dead end in Paris, he is a good artist. 3 pp., in French

From Jacques Lipchitz, Beach Haven, N.J., August 15, 1955: Thanks Pach for sending Epstein's book; considers Epstein a good portrait painter but not such a good sculptor; discusses his theory that Jews need to assert their identity. 1 p., in French

From Alfred Russell, Paris, France, September 27, 1955: Thanks Pach for the award; the modern Italian painters he once admired no longer interest him; he finds the sculptors a "revelation"; his exhibition drew "brutal and barbaric insults"; Paris is "the pivot of the universe." 2 pp

From Hendrik Willem van Loon, Riverside, Conn., October 17, [1955?]: "My sincere congratulations upon having finished these miles of paint." 1 p., with illustrated envelope (sailboats) + illustrated card (landscape with windmills)

From Carl Sandburg, Flat Rock, N.C., March 27, 1956: "Values" Pach's letter and plans to affix it to his copy of Faure's History of Art. 1 p

From Germain Seligman, New York, N.Y., April 15, 1957: Ingres's -- Study for the Iliad -- is in the permanent collection of the Art Gallery of Toronto. 1 p. + enclosures (2 pp. description of -- Study for the Iliad -- [Apotheosis of Homer], photograph of -- Study for the Iliad -- , and 2 pp. [photocopies] From Exposition Ingres catalog, 1921)

From Martin Baldwin, Director, Art Gallery of Toronto, Toronto, Ontario, Canada, April 16, 1957: The gallery is conducting further research on Study for the Iliad; will share information when it becomes available. 1 p

From Lewis Mumford, Paris, France, April 27, 1957: Has reviewed his correspondence since 1920; Pach's letters are "real treasures" to be saved for historians; being in Paris made him recall Pach's "friendliness and hospitality in 1932"; has rediscovered Ingres now that his taste is mature. 2 pp

From Van Wyck Brooks, Bridgewater, Conn., January 4, 1958: Will study Howells' letters at the Harvard library; recommends novels by Howells. 2 pp

From Hans Christian, Rome, Italy, April 7, 1958: Is visiting Raymond and Ruth in Rome. Picture postcard ("Roma--Arco di Constantino"), in German
Collection Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Walter Pach papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pachwalt2, Series 2
See more items in:
Walter Pach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pachwalt2-ref33

Milch Gallery records

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Milch Gallery  Search this
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Milch Galleries  Search this
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Milch, Albert, 1881-1951  Search this
Milch, Edward, 1865-1954  Search this
Moffett, Ross  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Moran, Thomas, 1837-1926  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Murphy, John Francis, 1853-1921  Search this
Myers, Jerome, 1867-1940  Search this
Nagler, Edith Kroger, 1890-1986  Search this
Oberteuffer, Karl A. (Karl Amiard), 1908-1958  Search this
Ochtman, Leonard, 1854-1934  Search this
Parshall, DeWitt, 1864-1956  Search this
Pearson, Ralph M., 1883-1958  Search this
Perrine, Van Dearing, 1868 or 9-1955  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Pleissner, Ogden M.  Search this
Pollet, Joseph C., 1897-1979  Search this
Pousette-Dart, Nathaniel, 1886-1965  Search this
Pugh, Mabel, b. 1891  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Redfield, Edward Willis, 1869-1965  Search this
Ritschel, William, 1864-1949  Search this
Romano, Umberto, 1906-  Search this
Rungius, Carl, 1869-1959  Search this
Ryder, Chauncey F., 1868-1949  Search this
Ryerson, Margery  Search this
Sample, Paul, 1896-1974  Search this
Sawyer, Wells, 1863-1960  Search this
Schofield, Walter Elmer, 1867-1944  Search this
Shapiro, David, 1916-  Search this
Sharp, Joseph Henry, 1859-1953  Search this
Sheets, Millard, 1907-1989  Search this
Shuster, Will  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Speight, Francis, 1896-1989  Search this
Sterne, Maurice, 1878-1957  Search this
Sterner, Albert, 1863-1946  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Trebilcock, Paul, 1902-1981  Search this
Tryon, Dwight William, 1849-1925  Search this
Twachtman, John Henry, 1853-1902  Search this
Ufer, Walter, 1876-1936  Search this
Varian, Dorothy, 1895-1985  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Waugh, Frederick Judd, 1861-1940  Search this
Weir, John F. (John Ferguson), 1841-1926  Search this
Weir, Julian Alden, 1852-1919  Search this
White, Henry Cooke, 1861-1952  Search this
Wickey, Harry  Search this
Wiggins, Carleton, 1848-1932  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Woodward, Robert Strong, 1885-1957  Search this
Woodward, Stanley Wingate, 1890-1970  Search this
Wyeth, Andrew, 1917-2009  Search this
Zucker, Jacques, 1900-  Search this
Extent:
42.2 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Photographs
Date:
1911-1995
Summary:
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Scope and Content Note:
The records of Milch Gallery document the business transactions of the corporation and the professional and personal relationships of the Milch brothers with the artists they represented, as well as with the larger community of artists and art dealers between 1911 and 1995. Unfortunately, early correspondence is sparse. In a letter responding to a 1951 request for historical information, Milch replied: "Several years ago [1947] we had to give up our gallery at 108 West 57th Street, and move to smaller quarters here. Since we had no room for old records, we had to destroy most of them."

Alphabetical files are comprised mainly of incoming correspondence from 1911 to 1962. Correspondence concerns arrangements for exhibitions, sales and consignments, advice to collectors and executors of estates, and routine business matters. A number of the artists represented in these files were friends of the Milch brothers and some of their letters mention their personal lives as well as their formal business with the Gallery. Collectors who routinely dealt with Milch Galleries included John Gellatly, Mary Blair, Hersey Egginton, Carlton Palmer, and Edward Coykendell; a three volume manuscript catalogue of Coykendell's collection is included. Among the estates handled by Milch were Willard Metcalf, John Twachtman, Abbott H. Thayer, Maurice Fromkes, and Thomas Moran.

Also found are sales records and other financial records such as general ledgers, sales and purchase records, and tax information.

Printed matter consists of gallery exhibition catalogs, checklists, invitations, announcements, publications, and scrapbooks. Many catalogs and checklists are annotated with prices and other information. A complete run of Milch Galleries Art Notes, issued intermittently from 1918-1928/29 is preserved with the gallery records. as is a scrapbook relating to early exhibitions held at the Edward Milch Galleries and E. & A. Milch, Inc., and artists represented by them.

Photographs included with the records are less voluminous than might be expected, and pictures of works of art predominate. There are also a very small number of exterior and interior photographs of Milch Gallery, photographs of people including artists, Edward and Albert Milch, and photographs of groups such as Ten American Artists and the Associated Dealers in American Paintings.

The 1995 and 2014 additions measure 3 linear feet and date from 1922-1995. Milch Gallery activities are documented through correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

See Appendix for a list of Milch Gallery exhibitions and checklists
Arrangement:
Records of the Milch Gallery are organized into seven series. With the exception of the alphabetical files, records are arranged by record type and then chronologically. Photographs are categorized by subject, with pictures of individuals arranged alphabetically by name, and works of art arranged alphabetically by artist.

Series 1: Alphabetical Files, 1911-1962

Series 2: Sales Records and Inventories, 1911-1969, undated

Series 3: Financial Records, 1914-1980, undated

Series 4: Printed Matter, 1996, 1910-1967, undated

Series 5: Photographs, 1903-circa 1944, undated

Series 6: Miscellaneous, 1916-1970, undated

Series 7: Addition to the Milch Gallery Records, 1922-1995 (Boxes 60-65, 3 linear feet)
Historical Note:
Between 1911 and 1916, prior to the establishment of the Milch Galleries, Austrian immigrant Edward Milch (1865-1953) operated the Edward Milch Galleries at 939 Madison Avenue 1911, mainly handling prints and providing framing services.

Albert Milch (1881-1951) was employed by a gilder and later a picture framer before becoming the business partner of his older brother. In 1916 they incorporated as E. & A. Milch (with Edward as President and Albert as Secretary of the corporation) and opened the Milch Galleries at 108 West 57th Street, New York City. During their partnership, Edward served as President and Albert as Secretary of the corporation. According to Joseph Gotlieb, a long-time employee, during this period Montross Gallery became inclined toward modern French art and the American artists associated with them began searching for galleries more sympathetic to their interests. "As Albert Milch was a framemaker to several of them, and as he was opening a new gallery in 1916 to specialize in American Art, some artists decided to let the Milch Galleries, and others, handle their work. It turned out to be a good arrangement for both sides, and a successful one" (letter from Joseph S. Gotleib to Susan Hobbs [National Museum of American Art], December 30, 1977).

From the beginning, Milch Galleries dealt in American art almost exclusively, representing living artists, handling the estates of recently deceased artists; in addition they acquired nineteenth century works for resale and accepted pieces on commission. Although framing and restoration services continued to be offered to customers, this aspect of the business soon diminished in importance.

Harold C. Milch (1904-1981), Albert's son, was affiliated with the business, and upon his father's retirement was appointed partner; after Albert died in 1951, Harold was sole proprietor, serving as both President and Secretary.

Milch Galleries moved to smaller quarters at 55 East 57th Street in 1947, and ten years later to 21 East 67th Street. In 1967, the name was changed to Milch Gallery and the business relocated to 1014 Madison Avenue. The gallery dissolved upon the death of Harold Milch. A third brother, David C. Milch, was also an art dealer, but was not associated with Milch Gallery.

1911 -- Edward Milch Galleries opens at 939 Madison Ave.

1912 -- First exhibition at Edward Milch Galleries

1916 -- Incorporation of E. & A. Milch; Edward Milch, President, and Albert Milch, Secretary; change of name to Milch Galleries and relocation to 108 West 57th St.

1918 -- Milch Galleries Art Notes begins publication

1944 -- Edward Milch retires; Albert Milch President, and Harold C. Milch [son of Albert], Secretary

1947 -- Milch Galleries moves to 55 East 57th St.

1951 -- Death of Albert Milch (1881-1951); Harold C. Milch, President and Secretary

1953 -- Death of Edward Milch (1865-1953)

1957 -- Milch Galleries moves to 21 East 67th St.

1966 -- Archives of American Art begins acquiring records of the Milch Galleries (gifts and loans from Milch Galleries)

1967 -- Relocation to 1014 Madison Ave., and name change to Milch Gallery

1981 -- Death of Harold C. Milch (1904-1981)

1986 -- Archives of American Art receives the bulk of Milch Gallery records (gift of Salander-O'Reilly Galleries)
Appendix: List of Milch Gallery Exhibitions and Checklists:
Items marked with an asterisk (*) are contained in the scrapbook rather than with the Milch Gallery exhibition catalogs.

Nov. 16-Dec. 7, 1912* -- Exhibition of 300 Original Sketches in Oil by 100 Well Known American Artists

Feb. 15-March 8, 1913* -- Glimpses of Nature We Love to See, Feast, and Dwell On

April 28-May 7, 1913* -- Portraits of Children and Grown-Ups by Miss Susan Ricker Knox

Oct. 18-Nov. 1, 1913* -- Small Paintings and Bronzes

Oct. 18-Nov. 1, 1913* -- Exhibition of Paintings and Sculptures by Noted American Artists

Feb. 9-21, 1914* -- Paintings by W. Herbert Dunton of The Old West

Oct. 17-31, 1914* -- Portraits in Oil, Miniatures, and Sculpture

Feb. 20-March 7, 1915* -- Paintings and Etchings by Gordon Mallet McCouch

April 26-May 8, 1915* -- Paintings by Frew W. Kost, N.A.

Nov. 7-19, 1915 -- Paintings and Sculpture by Matilda Browne

Nov. 15-30, 1915* -- Views of the Panama California Exposition and Landscapes of Southern California

Jan. 31-Feb. 12, 1916 -- Paintings by Garber, Pearson, Lathrop, and Spencer

Feb. 14-26, 1916* -- Landscapes by Walter Clark, N.A.

Feb. 14-26, 1916* -- Paintings by Guy Wiggins

Nov. 4-18, 1916* -- Opening Exhibition

Nov. 25-Dec. 9, 1916* -- Works by the Late Louis Loeb

Jan. 15-27, 1917* -- Paintings by Helen M. Turner

Jan. 30-Feb. 10, 1917* -- Paintings by Leonard Ochtman, N.A.

Feb. 14-24, 1917* -- Recent Paintings by William V. Schevill

March 6-24, 1917 -- Ten American Painters

March 13-24, 1917* -- George Bellows

March 14-24, 1917* -- Paintings by Frederick J. Waugh

March 26-April 7, 1917* -- Paintings by Howard Russell Butler, N.A.

April 10-21, 1917 -- Paintings by Harry F. Waltman and Howard Giles, and Sculptures by Willard D. Paddock

April 15-27, 1917* -- Paintings by Valentino Molina

April 24-May 5, 1917* -- Paintings by Thalia Millet

Oct. 27-Nov. 17, 1917* -- William Jean Beauley

Jan. 15-Feb. 15, 1918* -- Etchings, Dry-Point and Lithographs by Ernest Haskell

Jan. 28-Feb. 4, 1918 -- Sketches and Paintings by the "Nova Scotia Group"

Feb. 25-March 16, 1918* -- Paintings by Robert Henri

March 13-24, 1918 -- George Bellows

March 22-April 4, 1918* -- Paintings by H. Gabrielle Levey

April 8-, 1918* -- Etchings by Allen Lewis

Nov. 25-Dec. 16, 1918* -- Paintings by Edward H. Potthast, N.A.

Dec. 18-Jan. 16, 1918 -- Annual Holiday Exhibition of Selected Paintings of Limited Size by American Artists

Dec. 23-Jan. 10, 1919* -- Etchings and Dry-Points by Ernest Haskell

Jan. 13-25, 1919* -- Paintings by Mary Prindeville

Jan. 27-Feb. 13, 1919* -- With the A.E.F., Paintings and Drawings Made at the Front by S. J. Woolf

Feb. 14-26 [1919?]* -- Paintings by Arthur C. Goodwin

Feb. 18-March 1, 1919* -- Paintings by Jerome Myers

March 3-16, 1919* -- Recent Paintings of California by William Ritschel, N.A.

March 17-29, 1919 -- Recent Paintings by Lillian Genth, A.N.A.

March 28-April 9, 1919* -- Drawings of New York City by Peter Marcus

April 8-30*, 1919 -- Paintings by Leading American Artists

April 19-May 1*, 1919 -- Paintings by Valentino Molina

May 3-22, 1919 -- Recent American Sculpture

May 5-17*, 1919 -- Recent American Sculpture in Bronze, Wood, and Terra Cotta for the Town and Country House, the Grounds, and Garden

May 20-, 1919 -- Flag Pictures and Street Scenes by Childe Hassam

Nov. 16-Dec. 6, 1919 -- Childe Hassam

Nov. 17-Dec. 6, 1919 -- Exhibition of Works in the Various Mediums by Childe Hassam

Dec. 18-Jan. 16, 1920 -- Annual Holiday Exhibition of Selected Paintings of Limited Size by American Artists

Dec. 29-Jan. 15, 1920* -- Portraits and Other Paintings by Royston Nave

Feb. 2-14, 1920 -- George Biddle

Feb. 2-14, 1920* -- Oil Paintings, Water Colors, Pastels, Monotypes, Silver-Points and Etchings by George Biddle

Feb. 16-28, 1920* -- Paintings by Ossip L. Linde

March 1-12, 1920 -- Bruce Crane

March 1-13, 1920 -- Bruce Crane, A.N.A.

March 15-April 3, 1920 -- Willard L. Metcalf

April 5-20, 1920 -- Paintings

April 8-30 [1920] -- Exhibition of Paintings by Leading American Artists

April 15-May 1, 1920 -- Valentino Molina

Oct. 18-30 [1920?]* -- Paintings of New England and Drawings of the Devastated Towns of Flanders by George Wharton Edwards

Nov. 1-13, 1920 -- Six American Painters [Clark, Potthast, Snell, Nichols, Olinsky, and Volkert

Nov. 1-15, 1920 -- Paintings by Theresa F. Bernstein

Nov. 15-27, 1920 -- Childe Hassam

Nov. 21-Dec. 3, 1920* -- Sculpture by Gleb Derujinsky

Dec., 1920* -- Exhibition by George Biddle

Dec. 1-21, 1920 -- Etchings and Color Etchings by William Meyerowitz

Dec. 27-Jan. 28, 1921 -- Albert Delbert Smith

circa 1920 -- Ossip L. Linde

circa 1920 -- William Meyrowitz

circa 1920 -- Exhibition

Jan. 10-29, 1921 -- Exhibition of Paintings by Brush, Crane, Dewing, Metcalf, Hassam, and Murphy

Jan. 31-Feb. 12, 1921 -- American Art

Feb. 14-26, 1921 -- Guy Wiggins

Feb. 14-26, 1921 -- Arthur G. Goodwin

Feb. 28-March 12, 1921 -- Paintings by Robert Henri

March 14-April 9, 1921 -- Paintings by Gari Melchers

March 28-April 9, 1921 -- Peter Marcus

April 11-23, 1921* -- Portraits and Figure Paintings by Edith Catlin Phelps

April 11-30, 1921 -- Paintings by Willard Metcalf

May 2-30, 1921 -- American Sculpture for the Town and Country House, the Garden, and the Grounds

Oct. 18-30 [1921?]* -- Paintings and Drawings by George Wharton Edwards

Oct. 24-Nov. 5, 1921 -- Portraits and Paintings of Old New Orleans by Wayman Adams

Nov. 7-19, 1921 -- Flower Paintings and Sculpture by Mathilde Browne

Nov. 7-19, 1921 -- Paintings in Oil and Water Color by George H. Clements

Nov. 19-Dec. 3, 1921 -- Sculpture-Gleb Derujinsky

Dec. 5-31, 1921 -- Works by Abbott H. Thayer, Including Important Paintings, Water Colors, and Drawings

circa 1921 -- Exhibition

Jan. 9-21, 1922 -- Paintings by Katherine Langhorne Adams

Jan. 9-21, 1922 -- Paintings of California by Douglass Ewell Parshall

Feb. 13-March 4, 1922 -- Paintings of Cape Ann by Harry A. Vincent, A.N.A.

March 6-25, 1922* -- Pastels of the Cascapedia River, Canada, by Arthur C. Goodwin

March 6-25, 1922 -- Connecticut Landscape Paintings by Wilson Irvine

March 27-April 15, 1922* -- Moonlight Motifs: Garden of the Gods, Colorado and Other Paintings by Robert Reid, N.A.

Dec. 26-Jan. 13, 1923 -- Paintings and Pastels by Henry C. White

Jan. 15-27, 1923* -- Paintings of Spain by William J. Potter

Jan. 29-Feb. 10, 1923 -- Water Colors of the South Sea Islands by William Ritschel, N.A.

Feb. 12-March 3, 1923 -- Paintings by Willard L. Metcalf

March 5-31, 1923 -- Paintings of the Far East by Leon Gaspard

March 19-31, 1923* -- Landscape Paintings by Guy Wiggins, A.N.A.

April 2-21, 1923* -- Portrait Drawings by Ercole Cartotto

April 19-May 6, 1923 -- Paintings by Leading American Artists

Oct. 1-20, 1923 -- Paintings by Sidney E. Dickinson, A.N.A.

Oct. 22- Nov. 3, 1923 -- Paintings and Sculpture by Mathilda Brown (Mrs. Frederick Van Wyck)

Nov. 5-17, 1923 -- Memorial Exhibition of Paintings by William Gedney Bunce

Dec. 11-23, 1923* -- Water Colors by James Montgomery Flagg

Jan. 14-26, 1924 -- Exhibition of Nudes, Portraits, Landscapes and Genre by Eugene Paul Ullman

Feb. 18-March 8, 1924 -- Paintings by Willard L. Metcalf

March 27-April 5, 1924 -- Connecticut Landscapes by Guy Wiggins, A.N.A.

Dec. 1-27, 1924 -- Maurice Fromkes

Jan. 5-17, 1925 -- Paintings of the Pacific Coast by Armin Hansen

Jan. 19-31, 1925 -- Martha Walter

Feb. 16-March 7, 1925 -- Willard L. Metcalf

March 9-21, 1925 -- John Noble

March 23-April 11, 1925 -- Bruce Crane

May 4-16, 1925 -- Brynjulf Strandenaes Exhibition of Portraits

May 18-30, 1925 -- Paintings by Robert Brackman

Dec. 7-31, 1925 -- Paintings by the Late Willard Metcalf

Dec. 7-21, 1925 -- Sketches by Dorothea A. Dreier,

Jan. 11-23, 1926 -- Recent Landscape Paintings by Frank V. Du Mond

Jan. 25-Feb. 13, 1926 -- Smaller Paintings by Max Bohm

Feb. 15-March 6, 1926 -- Paintings of the Sea by William Ritschel

April 13-May 2, 1926 -- Jonas Lie

April 26-May 15, 1926 -- Landscapes and Street Scenes by William Jean Beauley

Nov. 15-27, 1926 -- California Marine Paintings and Water Colors by Armin Hansen

Nov. 29-Dec. 18, 1926 -- Water Colors by Frank W. Benson

Nov. 29-Dec. 18, 1926 -- Silver-Point Drawings by Ercole Cartotto

Jan. 10-22, 1927 -- Portraits by Millie Bruhl Frederick (Mrs. Leopold Fredrick)

Jan. 24-Feb. 12, 1927 -- Paintings of Cornwall and Devonshire by W. Elmer Schofield

Jan. 24-Feb. 12, 1927 -- Etchings by Teresa Cerutti Simmons, Watercolors by Will Simmons

Feb. 14-March 5, 1927 -- Sculpture by Heinz Warneke

March 28-April 16, 1927 -- Paintings by Henry Golden Dearth

April 18-30, 1927 -- Decorative Flower Paintings by Olin Howland

April 18-30, 1927 -- Recent Water Colors by John Whorf of Boston

Oct. 10-28, 1927 -- Decorative Embroideries by Georgiana Brown Harbeson

Nov. 14-26, 1927 -- Pastels and Etchings of Cambodia and China by Lucille Douglass

Nov. 28-Dec. 24, 1927 -- Works by Gari Melchers

Nov. 28-Dec. 24, 1927 -- Sculpture by Max Kalish

Dec. 26-Jan. 14, 1928 -- Water Color Exhibition of West African Native Types by Erick Berry; Also a Group of West African Pottery and Brass Figures Made by the Natives of Nigeria

Dec. 29-Jan. 14, 1928 -- Paintings by Joacb Dooyewaard

Jan. 14-26, 1928 -- Decorative Paintings by Jane Peterson

Feb. 7-April 29, 1928 -- Alfred Hutty

Feb. 13-25, 1928 -- Water Colors by Alice Judson

March 12-24, 1928 -- Etchings of Ancient Dances by Teresa Cerutti-Simmons and Wild Life by Will Simmons

March 12-24, 1928 -- An Important Exhibition of Paintings and Pastels by John H. Twachtman

March 12-24, 1928 -- Sculpture by Heinz Warnecke

March 26-April 14, 1928 -- Water Colors by John Whorf

April, 1928 -- Water Colors by William Ritschel, N.A.

April 15-May 5, 1928 -- Portrait Drawings in Pastel by Jessie Voss Lewis

Oct. 22-Nov. 3, 1928 -- Water Colors of France and Italy, and Etchings by Louis Wolchonok

Oct. 22-Nov. 3, 1928 -- Poetic Landscapes with Figures by Henry M. Rosenberg of Nova Scotia

Nov. 19-Dec. 1, 1928 -- Water Colors by Frank W. Benson

Nov. 19-Dec. 1, 1928 -- Water Colors of Architectural Subjects in France, Also Landscape and Figures by William de Leftwick Dodge

Dec. 1-28, 1928 -- Alfred Hutty

Dec. 3-24, 1928 -- Important Exhibition of Early and Recent Works by Childe Hassam of the American Academy of Arts and Letters

Dec. 3-24, 1928 -- Still Life Paintings by Ruth Payne Burgess

Dec. 20-Jan. 8, 1929 -- Drawings by Frank di Gioia

Dec. 20-Jan. 8, 1929 -- Memorial Exhibition, Water Color Sketches by Thomas Moran, N.A.

Dec. 27-Jan. 14, 1929 -- Erick Berry

Dec. 27-Jan. 14, 1929 -- Helen K. McCarthy Memorial Exhibition

Dec. 29-Jan. 14, 1929 -- Paintings by Jacob Dooyewaard

circa 1928 -- Indian and Animal Pictures and Bronzes by Edwin Willard Deming

Jan. 28-Feb. 9, 1929 -- Painitings of Western Life by F. Tenney Johnson

Jan. 28-Feb. 9, 1929 -- Paintings and Water Colors by Alice Judson

Feb. 11-23, 1929 -- Paintings and Drawings by Max Bohm

Feb. 11-23, 1929 -- Landscapes and Marines by Jay Connaway

Feb. 25-March 9, 1929 -- Water-Colors by Harold Putnam Browne

Feb. 25-March 9, 1929 -- Paintings by Truman Fassett

March 11-23, 1929 -- Recent Water Colors by C.E. Polowetski

March 11-23, 1929 -- Louis Ritman

March 25-April 6, 1929 -- Landscapes by Frank Vincent Du Mond

March 25-April 6, 1929 -- Water Colors by Armin Hansen of California

March 25-April 6, 1929 -- Sculptures by Roy Sheldon

April 8-20, 1929 -- Water Colors by John Whorf, Distinguished Young Boston Artist

Oct. 21-Nov. 2, 1929 -- Corners in Spain, An Exhibition of Paintings by Wells M. Sawyer

Nov. 4-17, 1929 -- Recent Sculpture by Heinz Warnecke

Nov. 4-16, 1929 -- Paintings of Ireland and Other Scenes by Power O'Malley

Nov. 18-30, 1929 -- Group of Recent Paintings by Hayley Lever

Nov. 18-30, 1929 -- Recent Water Colors and Etchings by Louis Wolchonok

Dec. 2-21, 1929 -- Paintings by Maurice Fromkes

Jan. 30-Feb. 11 [192?] -- Water Colors of Greek Temples in Sicily by Wm. De Leftwich Dodge

Feb. 2-15 [192?] -- Figure Paintings by Murray Bewley

March 15-April 3 [192?] -- Paintings by Willard L. Metcalf

March 28-April 16 [192?] -- Paintings by Henry Golden Dearth

April 2-21 [192?] -- Landscape Paintings by Bruce Crane, N.A

Oct. 17-29 [192?] -- Water Colors of the Rivera by Ferris Connah

Oct. 18-30 -- Paintings and Drawings by George Wharton Edwards

Oct. 25-Nov. 13 [192?] -- Recent Landscapes by John F. Carlson, N.A.

Oct. 25-Nov. 13 [192?] -- John F. Carlson

[192?] -- Indian and Animal Pictures and Bronzes by Edwin Willard Deming

Nov. 19-Dec. 1 [192?] -- Water Colors of Architectural Subjects in France, also Landscape and Figures by William De Leftwich Dodge

Jan. 20-Feb 1, 1930 -- West African Water Colors by Erick Berry

Jan. 20-Feb. 1, 1930 -- Paintings by Nelson C. White

Feb., 1930 -- Thelma Wood

Feb. 3-15, 1930 -- Paintings by Horace Brown

Feb. 17-March 1, 1930 -- Paintings by Francis Speight

Feb. 17-March 1, 1930 -- Paintings by Ruth Payne Burgess

March 3-15, 1930 -- Paintings by John Noble

March 17-29, 1930 -- Russian Paintings by Irwin D. Hoffman, Also a Group of Recent Watercolors

March 17-29, 1930 -- Alexander Warshawsky

March 31-April 12, 1930 -- Memorial Exhibition, Paintings and Watercolors of Sigurd Skou

March 31-April 12, 1930 -- Emmanuel Andrew Cavacos

April 14-26, 1930 -- Water Colors by John Whorf

Oct. 20-Nov. 1, 1930 -- Recent Paintings of Lake Como by Charles Warren Eaton

Nov. 3-15, 1930 -- Pastels and Etchings of Angkor and the Far East by Lucille Douglass

Nov. 17-29, 1930 -- Joseph Szekely

Nov. 17-29, 1930 -- Important Exhibiton of Paintings by a "Group of Americans"

Dec. 1-13, 1930 -- Diana Thorne and Canine Portraiture

Dec. 1-13, 1930 -- Recent Paintings of Ireland by Power O'Malley

Dec. 1-13, 1930 -- Paintings by Charles M. Cox of Boston

Jan. 19-31, 1931 -- Portraits by Jere R. Wickwire

Jan. 20-Feb. 1, 1931 -- Nelson C. White

Jan. 24-Feb. 7, 1931 -- Pastels and Etchings of Angkor and the Far East by Lucille Douglass

Feb. 2-24, 1931 -- Recent Paintings by Lillian Gentle

Feb. 2-24, 1931 -- Impressions of India and Palestine by Ruth Coleman

Feb. 16-28, 1931 -- Watercolors of Vermont Scenes and Other Views by Ruth Payne Burgess

Feb. 16-28, 1931 -- Martha Walter Recent Work in Oil and Watercolor

March 2-14, 1931 -- Recent Paintings by Alice Judson

March 2-28, 1931 -- Paintings & Drawings by Gari Melchers

March 16-28, 1931 -- Recent Watercolors by Harold Putnam Brown

March 30-April 11, 1931 -- Paintings by Louis Kronberg

March 30-April 11, 1931 -- Watercolors by John Whorf

April 13-25, 1931 -- Americans by American Artists, Exhibition of Portraits

April 13-25, 1931 -- Louis Kronberg

April 13-25, 1931 -- Portraits and Crayon Heads by Ferris Connah

April 13-May 2, 1931 -- Abbott H. Thayer

Sept. 22-Oct. 6, 1931 -- Water Colors by Gladys Brannigan, Alice Judson, Margery Ryerson

Oct. 19-30, 1931 -- Portraits by William Steene

Nov. 2-7, 1931 -- Portraits and Sketches by Maria Kammerer under the Patronage of Countess Laszlo Szechenyi

Nov. 9-21, 1931 -- Paintings by Bessie Lasky

Nov. 23-Dec. 5, 1931 -- Recent Oils, Water Colors and Etchings by Joseph Margulies

Dec. 7-21, 1931 -- Recent Paintings by George Wharton Edwards

Dec. 7-19, 1931 -- Paintings and Etchings of African and American Big Game by Major A. Radclyffe Dugmore

Dec. 7-19, 1931 -- Watercolors of Yucatan, "Land of the Mayas" by William de Leftwich Dodge

Dec. 20-Jan. 8, 1932 -- Water Colors of the Yellowstone and Mexican Series by Thomas Moran, N.A.

Jan. 11-23, 1932 -- Paintings, Watercolors and Etchings of Animals by Sybilla Mittell Weber

Jan. 25-Feb. 6, 1932 -- Paintings by George Oberteuffer, Member of the Salon d'Automne, Paris

Feb. 8-March 5, 1932 -- Important 19th and 20th Century American Painters

March 7-19, 1932 -- Paintings by Mrs. B. King Couper

March 7-19, 1932 -- Drawings by Maurice Sterne, Ernest Fiene, Alexander Brook, yasuo Kuniyoski, Bernard Karfiol, Peggy Bacon, and Leon Kroll

March 28-April 9, 1932 -- Watercolors by John Whorf

April 11-30, 1932 -- Forty Years of American Art

Oct. 3-15, 1932 -- New Paintings by American Artists

Oct. 19-Nov. 5, 1932 -- Paintings by Stephen Etnier

Nov. 7-30, 1932 -- Paintings by Edward Bruce

circa 1932 -- Recent Paintings by Stephen Etnier

Jan.30-Feb. 25, 1933 -- Important Exhibition of Paintings by Thomas Eakins

March 6-25, 1933 -- 19th and 20th Century Watercolors

March 27-April 14, 1933 -- Paintings by Francis Speight

April 17-May 6, 1933 -- Water Colors by John Whorf

May 15-31, 1933 -- 19th Century American Landscape Artists

Nov. 27-Dec., 1933 -- Water Colors by Emil Holzhaur

Feb. 26-March 17, 1934 -- Paintings by Stephen Etnier

March 19-April 7, 1934 -- Water Colors by John Whorf

April 16-May 5, 1934 -- Bali Studies by Maurice Sterne

June-Aug., 1934 -- Paintings by American Artists

Sept., 1934 -- Paintings by American Artists

Oct. 15-Nov. 3, 1934 -- New and Recent Paintings by American Artists

Nov. 5-21, 1934 -- Paintings by Sidney Laufman

Nov. 26-Dec., 1934 -- Recent Vermont Landscapes by Edward Bruce

circa 1934 -- American Figure Paintings of the 19th and 20th Century

Jan. 7-26, 1935 -- Paintings and Watercolors from the Samuel Halpert Estate

Feb. 4-28, 1935 -- Small Paintings by 19th and 20th Century American Artists

March 4-22, 1935 -- Recent Paintings by Stephen Etneir

March 25-April 13, 1935 -- Water Colors by John Whorf

April 22-May 11, 1935 -- Figure and Landscape Studies by Leon Kroll

May 20-June, 1935 -- Group Exibhition of Paintings

Summer, 1935 -- Paintings by American Artists

Oct. 1-26, 1935 -- Paintings by Childe Hassam

Oct. 28-Nov. 16, 1935 -- Watercolors by Millard Sheets

through Dec., 1935 -- Paintings by Americans

Jan. 1936 -- Paintings by Americans

Feb. 3-29, 1936 -- Important Exhibition of 19th and 20th Century American Painters

March 2-21, 1936 -- Stephen Etnier

March 30-April 19, 1936 -- Watercolors by John Whorf

May 18-June, 1936 -- Paintings by American Artists

Summer, 1936 -- Paintings by American Artists

September, 1936 -- Paintings by American Artists

Oct. 12-31, 1936 -- Contemportary Viewpoint

through Nov. 30, 1936 -- 19th and 20th Century American Figure Paintings

circa 1936 -- Landscapes--Contemporary Viewpoint

Jan. 11-30, 1937 -- Selected Landscapes

Feb., 1937 -- Contemporary American Sculpture

March 15-April 3, 1937 -- Watercolors by Millard Sheets

April 12-30, 1937 -- John Whorf

April 27-May 16, 1937 -- Maurice Sterne

May, 1937 -- Paintings by American Artists

Summer, 1937 -- Paintings

Oct. 1-15, 1937 -- Recent Watercolors

Oct. 18-Nov. 6, 1937 -- Paintings by Lucille Blanche

Nov. 8-30, 1937 -- Paintings by American Artists

Dec. 6-24, 1937 -- Watercolors by Lester Field

Jan. 3-22, 1938 -- Recent Paintings by Stephen Etnier

Jan. 24-Feb. 5, 1938 -- Paintings by Margaret Cooper

Feb. 7-26, 1938 -- Colonial Portraits

March 7-26, 1938 -- Recent Oils and Watercolors by Millard Sheet

April 4-23, 1938 -- Recent Watercolors by John Whorf

Summer, 1938 -- Paintings by American Artists

through Oct., 1938 -- Paintings by American Artists

Oct. 24-Nov. 12, 1938 -- Recent Watercolors by Karl Oberteuffer

Nov. 21-Dec. 17, 1938 -- Paintings for the Home by American Artists

Jan. 16-Feb. 4, 1939 -- Recent Paintings by Floyd Clymer

Feb. 6-25, 1939 -- Harry Hering

March 6-31, 1939 -- Figure Paintings by American Artists

April 3-22, 1939 -- Recent Watercolors by John Whorf

May 15-June 3, 1939 -- Recent Watercolors by Millard Sheets

Summer, 1939 -- Selected Group of Paintings by American Artists

Sept., 1939 -- Paintings and Watercolors by American Artists

through Oct. 13, 1939 -- Recent Paintings by a Group of American Artists

Oct. 16-Nov. 4, 1939 -- Recent Paintings by Saul Schary

Nov. 13-Dec. 2, 1939 -- Toreros and Dancers of Spain and Mexico by Carlos Ruano Llopis

Dec., 1939 -- Paintings for the Home

Nov. 5-17 [193?] -- Table Portraits by Eulabee Dix

[193?] -- Paintings by American Artists

Jan. 2-27, 1940 -- Stephen Etnier

Feb. 12-March 2, 1940 -- Recent Watercolors by Robert Carson

March 11-30, 1940 -- Daniel Serra Paintings

April 8-27, 1940 -- Recent Watercolors by John Whorf

April 28-May 18, 1940 -- Rubin Recent Paintings

through June 29, 1940 -- Paintings by a Selected Group of American Artists

through Sept. 28, 1940 -- Summer Exhibition of Paintings by a Selected Group of Early and Contemporary American Artists

Oct. 1-19, 1940 -- Recent Paintings by a Selected Group of American Artists

Oct. 21-Nov. 9, 1940 -- Recent Watercolors by Allen Ingles Palmer

Nov. 18-Dec. 7, 1940 -- Helen Sawyer

Dec., 1940 -- Selected Paintings for the Home, and A Group of Original Studies in Color by Maurice Sterne

Jan. 13-Feb. 8, 1941 -- Watercolors by American Artists

Feb. 17-March 15, 1941 -- Paintings by Stephen Etnier, Sidney Laufman, and Francis Speight

April 7-26, 1941 -- Recent Watercolors by John Whorf

April 28-May 17, 1941 -- Remembrances of South America and British West Indies by Manicol

May 19-June 30, 1941 -- Group of Paintings by Selected Contemporary American Artists

Summer, 1941 -- Exhibition of Selected Paintings by American Artists

Sept., 1941 -- A Selected Group of Paintings by Americna Artists

Oct. 6-25, 1941 -- Recent Paintings by a Selected Group of American Artists

Oct. 27-Nov. 15, 1941 -- Eliot O'Hara Watercolors

Nov. 17-Dec. 5, 1941 -- Recent Paintings by Jay Connaway

Nov. 17-Dec. 6, 1941 -- Recent Watercolors by Richard A. Kimball

Dec. 8-27, 1941 -- Edith Blum Paintings

Jan. 5-24, 1942 -- Recent Paintings by Stephen Etnier

through Feb. 28, 1942 -- Selected Paintings by a Group of Contemporary American Artists

March 9-28, 1942 -- New Talents Presented by the Gloucester Society of Artists

April 6-25, 1942 -- Recent Watercolors by John Whorf

May, 1942 -- Selected Paintings by Contemporary American Artists

June 2-13, 1942 -- Yun Gee

Summer, 1942 -- Selected Paintings by Early and Contemporary American Artists

Summer, 1942 -- Paintings by Selected American Artists

Oct. 5-31, 1942 -- Recent Paintings by a Selected Group of American Artists

Nov. 9-30, 1942 -- Watercolors by American Artists

Jan. 18-Feb. 6, 1943 -- Paintings by Yovan Radenkovitch

April 4-24, 1943 -- Recent Watercolors by John Whorf

April 26-May 15, 1943 -- Paintings and Watercolors by Childe Hassam

May 25-June 5, 1943 -- Exhibition by Gladys Irene Cook

June, 1943 -- Selected Paintings by American Artists

Summer, 1943 -- Exhibition of Paintings by American Artists

Sept., 1943 -- Paintings by a Selected Group of American Artists

Oct. 4-23, 1943 -- Paintings by Yun Gee

Nov., 1943 -- Recent Paintings by a Selected Group of American Artists

Jan. 24-Feb. 12, 1944 -- Recent Watercolors by James Fitzgerald

Feb. 14-March 4, 1944 -- Paintings by Sidney Laufman

March 6-25, 1944 -- Paintings by Jessie Ansbacher

April 3-22, 1944 -- Recent Watercolors by John Whorf

May, 1944 -- Paintings by Important American Artists

Summer, 1944 -- Exhibition of Paintings by a Selected Group of American Artists

Summer, 1944 -- Exhibition of Selected Paintings by a Group of American Artists

Oct. 2-21, 1944 -- Recent Paintings by Jay Connaway

Oct. 23-Nov. 11, 1944 -- Harry Hering

Nov. 13-Dec. 2, 1944 -- Paintings by Hobson Pittman

Dec., 1944 -- Paintings for the Home by American Artists

Jan. 3-13, 1945 -- Paintings by Therese Steinhardt

Jan. 22-Feb. 10, 1945 -- Louis Ritman

Feb. 18-, 1945 -- Memorial Exhibition, Paintings and Pastels by William Henry Singer, Jr., N.A.

Feb. 19-March 10, 1945 -- Recent Watercolors by Eliot O'Hara, A.N.A. (Elect)

March, 1945 -- Paintings by a Selected Group of Contemporary Artists

April 9-28, 1945 -- Recent Watercolors by John Whorf

May, 1945 -- Paintings by American Artists, Late 19th and Early 20th Century

Summer, 1945 -- Paintings by a Selected Group of Contemporary American Artists

Oct., 1945 -- Paintings by a Group of Selected American Artists

Oct. 22-Nov. 10, 1945 -- Helen Sawyer

Nov. 19-Dec. 1, 1945 -- Recent Paintings by Stephen Etnier

Nov. 19-Dec. 8, 1945 -- Hilde Kayn

Dec., 1945 -- Paintings for the Home by American Artists

Dec. 31-Jan. 19, 1946 -- Paintings by Stpehen Etnier

Jan. 28-Feb. 16, 1946 -- Paintings by Alexandra Pregel

Feb. 18-March 9, 1946 -- W.H. Singer

March 11-30, 1946 -- Paintings by American Artists

April 8-27, 1946 -- Recent Watercolors by John Whorf

Summer, 1946 -- Paintings by 19th and 20th Century Americans

Oct. 7-26, 1946 -- Recent Watercolors by Allen Ingles Palmer

Oct. 28-Nov. 16, 1946 -- Paintings by Ferdinand Warren

Nov. 18-Dec. 7, 1946 -- Louis Di Valentin

Dec. 9-29, 1946 -- Recent Watercolors by Wm. F.C. Ewing and Richard A. Kimball

Jan., 1947 -- Paintings by Selected American Artists

Jan. 13-Feb. 1, 1947 -- Gerrit V. Sinclair Paintings

Feb. 3-21, 1947 -- Recent Watercolors by Jerri Ricci

Feb. 24-March 15, 1947 -- Childe Hassam Paintings

March 31-April 19, 1947 -- Recent Watercolors by John Whorf

April 21-May 10, 1947 -- Pastels of Charleston by Hobson Pittman

June 2-13, 1947 -- Yun Gee

Oct. 6-25, 1947 -- Special Exhibition of American Paintings Honoring the Great Artists Who Have Been Shown in Our Galleries

Oct. 27-Nov. 15, 1947 -- New Paintings, Oil Studies, and Drawings by Leon Kroll

Nov. 17-Dec. 6, 1947 -- F. Douglas Greenbowe Watercolors

Jan. 19-Feb. 7, 1948 -- Paintings by Alexandria Pregel

March 22-April 3, 1948 -- American Art

March 22-April 3, 1948 -- Paintings by Artists Equity Association Members

May, 1948 -- Paintings by a Group of Selected American Artists

May 24-June 5, 1948 -- Paintings by New York Artists, 16th Exhibition of the Arthur Schwieder Group

Oct. 5-23, 1948 -- Impressions of New York

Oct. 25-Nov. 13, 1948 -- Paintings by Ernest Lawson

Nov. 15-27, 1948 -- Sculpture by Eleanor M. Mellon

Dec. 20-Jan. 8, 1949 -- Drawings by Frank di Gioia

Jan. 10-29, 1949 -- Six Watercolorists [Greenbowie, Knauth, Newman, Palmer, Ricci and Whorf]

Jan. 31-Feb. 19, 1949 -- New Paintings by Ferdinand Warren

Feb. 21-March 12, 1949 -- Paintings by Louis Di Vanentin

April 4-23, 1949 -- Recent Watercolors by John Whorf

April 25-May 7, 1949 -- Paintings by Mildred Hayward

May 9-21, 1949 -- Paintings by New York Artists, 17th Exhibition of the Arthur Schwieder Group

June 17-July 5, 1949 -- Paintings by Guy Pene DuBois

Oct. 4-29, 1949 -- Opening Exhibition of Paintings and Watercolors by 19th and 20th Century American Artists

Oct. 24-Nov. 12, 1949 -- Recent Watercolors by Henry Edmiston

Nov. 14-Dec. 3, 1949 -- Paintings by John H. Twachtman

Dec. 5-24, 1949 -- F. Douglas Greenbowe Watercolors

[194?] -- Paintings for the Home by American Artists

June [194?] -- 2-13Yun Gee

Jan. 9-28, 1950 -- Paintings by Gordon Samstag

Jan. 30-Feb. 18, 1950 -- George C. Ault Memorial Exhibition

Feb. 20-March 11, 1950 -- Recent Paintings by David Burr Moreing

March 13-April 1, 1950 -- Paintings by Frank di Gioia

April 3-22, 1950 -- Recent Watercolors by John Whorf

April 24-May 13, 1950 -- Paintings by Contemporary American Artists

May 15-27, 1950 -- Paintings by New York Artists, 18th Exhibition of the Arthur Schwieder Group

Oct. 2-21, 1950 -- Recent Paintings by Benjamin Kopman

Nov. 13-Dec. 2, 1950 -- Paintings by Stephen Etnier

Dec. 4-30, 1950 -- Special Exhibition of American Paintings in Honor of the Philadelphia Museum of Art Diamond Jubilee

through Dec. 23, 1950 -- Watercolors and Drawings by Frank di Gioia

Jan. 8-27, 1951 -- New Gouaches of the Circus and Theatre by Walter Philipp

Jan. 29-Feb. 17, 1951 -- Louis Ritman Paintings

Feb. 19-March 10, 1951 -- Recent Watercolors by Jerri Ricci

March 12-31, 1951 -- Paintings, Panels, Figures of Africa, Belgian Congo, Bechuanaland, and Rhodesia by Jay Robinson

April 2-21, 1951 -- Recent Watercolors by John Whorf

April 24-May 12, 1951 -- Sculpture and Drawings of Nicolaus Koni

May 21-June 1, 1951 -- Paintings by New York Artists, 19th Exhibition of the Arthur Schwieder Group

Oct. 22-Nov. 10, 1951 -- Recent Paintings by Thomas Blagden

Nov. 12-Dec. 1, 1951 -- Recent Paintings by David Burr Moreing

Dec., 1951 -- Group Exhibition

Jan. 7-26, 1952 -- Paintings of Italy and "Little Italy" by Frank di Gioia

Jan. 28-Feb. 16, 1952 -- London to Algiers, Recent Watercolors by Eliot O'Hara, N.A.

Feb. 18-March 8, 1952 -- Recent Paintings by Jacques Zucker

April 7-26, 1952 -- Recent Watercolors by John Whorf

April 28-May. 10, 1952 -- Paintings by Alexandra Pregel

May 12-24, 1952 -- Paintings by New York Artists, 20th Exhibition of the Arthur Schwieder Group

Oct. 28-Nov. 15, 1952 -- Paintings by John Sharp

Nov. 17-Dec. 6, 1952 -- Stephen Etnier: Recent Paintings

Dec. 8-27, 1952 -- Childe Hassam Watercolors

Jan. 5-24, 1953 -- Jay Robinson

Jan. 26-Feb. 14, 1953 -- Iver Rose

Feb. 16-March 7, 1953 -- Recent Watercolors by Jerri Ricci

April 6-25, 1953 -- Recent Watercolors by John Whorf

May 18-29, 1953 -- Richard Whorf

May 18-29, 1953 -- Paintings by New York Artists, 21st Exhibition of the Arthur Schwieder Group

June, 1953 -- Paintings and Watercolors by 19th and 20th Century American Artists

Oct., 1953 -- Paintings and Watercolors by American Artists

Oct. 26-Nov. 14, 1953 -- Recent Paintings by David Burr Moreing

Nov. 17-Dec. 5, 1953 -- Ogden W. Pleissner Recent Paintings

Dec. 7-30, 1953 -- Recent Landscapes by Sidney Laufman

Jan. 4-23, 1954 -- Paintings of New York's "Little Italy" by Frank di Gioia

Jan. 25-Feb. 13, 1954 -- Round the World by Watercolor with Eliot O'Hara, N.A.

Feb. 15-March 6, 1954 -- Hobson Pittman

March 8-27, 1954 -- Jay Robinson: Kentucky, Part II

April 5-24, 1954 -- John Whorf Watercolors

May 17-28, 1954 -- Paintings by New York Artists, 22nd Exhibition of the Arthur Schwieder Group

Oct. 25-Nov. 13, 1954 -- Recent Watercolors by James Vance

Nov. 15-Dec. 4, 1954 -- Stephen Etnier Recent Paintings

Dec. 6-24, 1954 -- Recent Paintings by Thomas Blagden

Jan. 3-22, 1955 -- Recent Paintings by Jacques Zucker

Jan. 24-Feb. 12, 1955 -- Recent Watercolors by Jerri Ricci

Feb. 14-March 5, 1955 -- Paintings of Spain and Her People by Maurice Fromkes

April 25-May 14, 1955 -- Gluckmann Recent Paintings

May 16-27, 1955 -- Paintings by New York Artists, 23rd Exhibition of the Arthur Schwieder Group

Oct. 24-Nov. 12, 1955 -- Paintings and Gouaches by John Taylor

Nov. 14-Dec. 3, 1955 -- Paintings and Panels by Jay Robinson of West and Central Africa

Dec. 5-30, 1955 -- Childe Hassam and American Impressionism

Jan., 1956 -- Recent Paintings by a Group of American Artists

Feb. 6-25, 1956 -- F. Douglas Greenbowe Watercolors

March, 1956 -- Group Exhibition

April 9-28, 1956 -- John Whorf Watercolors

May, 1956 -- Paintings by a Group of 18 American Artists

May 7-19, 1956 -- Paintings by New York Artists, 24th Exhibition of the Arthur Schwieder Group

Nov. 5-24, 1956 -- Stephen Etnier Recent Paintings

Nov. 27-Dec. 15, 1956 -- Ogden M. Pleissner Recent Paintings

Dec. 1-Jan. 19, 1957 -- Jay Robinson Paintings in Fired Enamel on Copper

Feb. 11-March 2, 1957 -- Recent Paintings by Thomas Blagden

March 4-23, 1957 -- Adolph Dehn

April 15-May 4, 1957 -- John Whorf Watercolors

Oct. 28-Nov. 16, 1957 -- Recent Still Life Paintings by Aaron Bohrod

Jan. 13-Feb. 8, 1958 -- Recent Paintings by a Group of Contemporary Americans

Feb. 10-March 8, 1958 -- Long Island Paintings by Childe Hassam

March 10-29, 1958 -- Paintings by Louis Di Valentin

March 31-April 19, 1958 -- Recent Paintings by Sidney Laufman

April 21-May 10, 1958 -- John Whorf Watercolors

May, 1958 -- Americans: 1865-1925

June, 1958 -- Exhibit to Benefit Friends of the Whitney Museum

June 3-27, 1958 -- American Paintings and Sculpture

Oct. 6-25, 1958 -- Recent Paintings by David Shapiro

Oct. 27-Nov. 15, 1958 -- Stephen Etnier Recent Paintings

Nov. 17-Dec. 6, 1958 -- Paul Sample Recent Paintings

Dec. 8-24, 1958 -- Recent Drawings and Watercolors of France, Italy, Spain, and North Africa by Frank di Gioia

Jan. 19-Feb. 7, 1959 -- Marion Greenwood Paintings

March 2-21, 1959 -- Leon Kroll Paintings and Drawings

March 23-April 18, 1959 -- Elmer L. Mac Rae Forgotten Artist of the 1913 Armory Show

May 4-23, 1959 -- Philip Visson

Oct., 1959 -- Paintings by American Artists

Oct. 26-Nov. 14, 1959 -- Recent Painting by Aaron Bohrod

Nov. 17-Dec. 5, 1959 -- Ogden M. Pleissner Recent Paintings

Dec. 7-30, 1959 -- Recent Oils and Watercolors by Thomas Blagden

Jan. 18-Feb. 6, 1960 -- Elmer L. Mac Rae, Re-Discovered Artist of the 1913 Armory Show and a Founder of "The Pastellists"

through Jan. 15, 1960 -- Paintings by American Artists

March 14-April 2, 1960 -- Xavier Gonzalez Recent Paintings

April 4-23, 1960 -- Paintings by Louis Bosa

April 25-May 14, 1960 -- Grigory Gluckmann

May-June, 1960 -- Group of Contemporary Armerican Artists

Oct. 10-29, 1960 -- Adolf Dehn Caseins and Watercolors

Oct. 31-Nov. 19, 1960 -- Stephen Etnier

Dec., 1960 -- Paintings for the Home

Jan., 1961 -- Group Exhibition, 19th and 20th Century Americans

Jan. 30-Feb. 18, 1961 -- Recent Watercolors by Jerri Ricci

Feb. 20-March 11, 1961 -- Frank di Gioia Recent Paintings

March 20-April 8, 1961 -- David Fredenthal Memorial Exhibition

April 10-29, 1961 -- Allen Tucker

May, 1961 -- Contemporary American Artists

June-July, 1961 -- 19th & 20th Century American Artists

Oct. 10-28, 1961 -- David Shapiro Recent Paintings

Oct. 31-Nov. 18, 1961 -- Aaron Bohrod

Nov. 21-Dec. 9, 1961 -- Thomas Fransioli

Feb. 6-24, 1962 -- Retrospective Exhibition, Maurice Sterne

March 6-24, 1962 -- Three Watercolorists: Childe Hassam, John Whorf, and David Fredenthal

April 3-21, 1962 -- Thomas Blagden

April 24-May 12, 1962 -- Grigory Gluckmann

Summer, 1962 -- Gallery Group of Contemporary Americans

Sept., 1962 -- 19th & 20th Century American Artists

Oct., 1962 -- Gallery Group of Contemporary Americans

Oct. 30-Nov. 17, 1962 -- Stephen Etnier

Nov. 21-Dec. 8, 1962 -- Pleissner Recent Paintings

Dec., 1962 -- Group Exhibition

Jan. 22-Feb. 9, 1963 -- Paul Sample Recent Paintings

Feb. 11-March 2, 1963 -- Group of Contemporary Americans

March 5-23, 1963 -- Gouaches by John Taylor

March 26-April 13, 1963 -- Fletcher Martin Recent Paintings

April-May, 1963 -- Gallery Group-Contemporary Americans

Oct. 8-26, 1963 -- David Shapiro Recent Work

Oct. 30-Nov. 16, 1963 -- Xavier Gonzalez Recent Watercolors

Nov. 19-Dec. 7, 1963 -- New Paintings by Aaron Bohrod

April, 1964 -- Watercolors and Pastels

April 21-May 9, 1964 -- Grigory Gluckmann

May 13-29, 1964 -- Frank di Gioia Recent Paintings

Oct., 1964 -- Group Exhibition

Nov. 3-21, 1964 -- Stephen Etnier

Nov. 24-Dec. 12, 1964 -- Thomas Blagden

Jan., 1965 -- Comtemporary American Artists

Feb. 2-14, 1965 -- Figure Paintings by Murray Bewley

Feb. 2-14, 1965 -- Exhibition by George Biddle

Feb. 11-23, 1965 -- Paintings and Drawings by Max Bohm

Feb. 14-26, 1965 -- Paintings by Arthur C. Goodwin

Feb. 16-28, 1965 -- Water Colors by Matilda Browne

Feb. 16-March 6, 1965 -- Water Colors by Adolf Dehn

March, 1965 -- 19th and 20th Century American Artists

March 1-13, 1965 -- Bruce Crane, N.A.

March 6-25, 1965 -- Pastels of the Cascapedia River, Canada, by Arthur C. Goodwin

March 26-April 7, 1965 -- Paintings by Howard Russell Butler, N.A.

March 23-April 10, 1965 -- Paintings by Dan Lutz

March 28-April 16, 1965 -- Paintings by Henry Golden Dearth

April 2-21, 1965 -- Landscape Paintings by Bruce Crane, N.A.

April 13-May 1, 1965 -- Paintings by Louis Bosa

April 16-28, 1965 -- Water Colors and Etchings by Adolphe W. Blondheim

May, 1965 -- Gallery Contemporaries

Oct. 25-Nov. 13, 1965 -- Recent Landscapes by John F. Carlson, N.A.

Oct. 26-Nov. 13, 1965 -- Twenty-Four New Paintings by Aaron Bohrod, Artist in Residence, University of Wisconsin

Nov. 2-14, 1965 -- Paintings by Ann Crane

Nov. 5-17, 1965 -- Memorial Exhibition of Paintings of Venice by Wm. Gedney Bunce, N.A.

Nov. 7-19, 1965 -- Paintings and Sculpture by Matilda Browne

Nov. 16-Dec. 4, 1965 -- Electra Bostwick

Dec. 7-30, 1965 -- Recent Drawings and Watercolors of European Countries and North Africa by Frank di Gioia

Jan. 11-29, 1966 -- Georges Schreiber Watercolors: 1963-1965

Jan.-Feb., 1966 -- 19th and 20th Century American Artists

Feb.-March, 1966 -- Group Exhibition

June, 1966 -- Group Exhibition

Oct. 11-29, 1966 -- Thomas Blagden

Nov. 1-19, 1966 -- Stephen Etnier

Nov. 22-Dec. 10, 1966 -- Pleissner

Jan. 24-Feb. 11, 1967 -- Xavier Gonzalez

April, 1967 -- Group Exhibition

April 18-May 6, 1967 -- Grigory Gluckmann

July, 1967 -- Group Exhibition

undated -- Etchings and Color-Etchings

undated -- Etchings of China and Cambodia by Lucille Douglass

undated -- Thomas Jefferson Bust in Bronze by Robert Aitken, N.A.

undated -- Paintings by Ossip L. Linde

undated -- Etchings by William Meyerowitz

undated -- Recent Screens and Panels by Roy Mac Nicol

undated -- Summer Exhibition of Paintings and Watercolors by 19th and 20th Century American Artists

undated -- Paintings by Clement

undated -- Important Works in Paintings and Sculpture by Leading American Artists

Jan. 3-14, undated -- Armin Hansen

Jan. 8-27, undated* -- Recent Etchings by William Meyerowitz

Jan. 8-31, undated -- Group of American Figure Paintings, 19th and 20th Century

Jan. 9-21, undated -- Paintings by Katherine Langhorne Adams

Jan. 16-28, undated -- Paintings by Dewitt Parshall, N.A., and Douglass Parshall, N.A.

Jan. 23-Feb. 11, undated -- Paintings by Bruce Crane, Elliott Daingerfield, Granville Smith, and F. Ballard Williams

Jan. 27-Feb. 11, undated -- Willam de Leftwick Dodge

Jan. 28-Feb. 16, undated -- Paintings by Gari Melchers

Jan. 29-Feb. 10, undated -- Paintings of the California Coast by Armin Hansen

Jan. 30-Feb. 11, undated -- Sigrud Skou

Feb. 13-25, undated -- Water Colors by Alice Judson

Feb. 13-25, undated -- Paintings by Guy Wiggins, N.A.

Feb. 13-March 11, undated -- Paintings by H.T. Keasbey

Feb. 15-March 5, undated -- Frederic James

Feb. 17-March 1, undated -- Silver Point Drawings by Thelma E. Wood

Feb. 18-March 6, undated -- Landcapes, Nature Moods Expressed in Terms of Light by Julie Mathilde Morrow

Feb. 18-March 8, undated -- Paintings of Venice, Rome and French Landscape, also Pastel Drawings of the Battle Sectors of the 26th Division, A.E.F. by J. Alden Twachtman

Feb. 27-March 10, undated -- Portrait Busts and Drawings by Alexander Portnoff

March 5-17, undated* -- Pastels of the Hudson River by Arthur C. Goodwin

March 7-16, undated -- Paintings of Africa and Spain by Lillian Genth

March 7-26, undated -- Sigurd Skou

March 8-20, undated -- Paintings by Sigurd Skou

March 10-22, undated -- MacDowell Club of New York City Annual Exhibition of Paintings

March 22-April 10, undated -- Paintings of the Cathedrals of France by Pieter Van Veen

March 26-April 12, undated -- Paintings by E. Martin Hennings

March 26-April 14, undated -- Recent Etchings by Elias M. Grossman

March 28-April 16, undated -- Martha Walter Water Colors of Spain and North Africa

April 5-17, undated -- Paintings by Ernest L. Blumenschein, Victor Huggins, Walter Ufer

April 7-19, undated -- Figure Paintings by Louis Ritman

April 12-23, undated -- Portraits and Figure Paintings by Edith Catlin Phelps

April 12-24, undated -- Paintings of American Gardens by Abbott Graves

April 16-28, undated -- Portrait Drawings in Pastel by Jessie Voss Lewis (Mrs. H.L. Daingerfield Lewis)

April 19-May 1, undated -- Paintings by Valentino Molina

April 21-May 3, undated -- Paintings of Tahiti and California by William Ritschel, N.A.

April 21-May 3, undated -- Leonard Lopp, Glacier Park Artist

April 22-May 15, undated -- Sculpture for House, Garden & Grounds by Leading American Artists, and Pottery by Clara L. Poillon

April 24-May 5, undated -- Paintings by Thalia Millett

April 26-May 15, undated -- Dan Lutz, Mighican Summer and Mexican Sojourn

April 26-May 15, undated -- William H. Singer

April 27-May 16, undated -- Recent Paintings by Gluckmann

May 3-28, undated -- Exhibition of Sculpture for Garden and Grounds by Leading Sculptors

May 5-17, undated -- Recent American Sculpture in Bronze, Wood and Terra Cotta for the Town and Country House, Grounds and Garden

Oct. 11-23, undated -- Paintings by Anna Heyward Taylor

Oct. 25-Nov. 13, undated -- Water Colors by Alice Judson

Oct. 27-Nov. 15, undated -- Paintings and Etchings by William Auerbach-Levy

Oct. 30-Nov. 11, undated* -- Connecticut Landscape Paintings by Robert Nisbet, A.N.A.

Oct. 31-Nov. 12, undated -- Paintings of China and Tibet by Alice Job

Oct. 31-Nov. 14, undated -- Drawings by James Wilkie

Nov. 5-17, undated -- Paintings of Venice

Nov. 15-27, undated* -- Water Colors by Childe Hassam

Nov. 16-Dec. 5, undated -- Recent Etchings by Alfred Hutty

Nov. 16-Dec. 5, undated -- Paintings by W. Elmer Schofield

Nov. 17-29, undated -- Paintings and Etchings by Power O'Malley

Nov. 18-30, undated -- Recent Work in Water Color and Etching by Louis Wolchonok

Nov. 19-Dec. 1, undated -- Winter Landscapes in Water Color by Walter Launt Palmer, N.A.

Nov. 19-Dec. 1, undated -- Painter Friends, Robert H. Nisbet, Guy C, Wiggins, Edward C. Volkert, Wilson Irvine, George M. Bruestle, and Carl J. Nordell

Nov. 23-, undated -- Landscapes by Ault, Brook, Coleman, Karfiol, Ritman, Speight, Sterne, and Weber

Nov. 23-Dec. 6, undated -- Portraits of America's Most Distinguished Women by Leon Gordon

Nov. 24-Dec. 3, undated -- Sculpture by Gleb Derujinsky

Nov. 26-Dec., undated -- Exhibition of Recent Vermont Landscapes by Edward Bruce

Nov. 26-Dec. 5, undated -- Alfred Hutty

Nov. 27-Dec. 9, undated -- Paintings by Sigure Schou

Dec. 1-27, undated -- Works Painted in Spain by Maurice Fromkes

Dec. 1-25, undated -- Annual Holiday Exhibition of Selected Paintings of Limited Size

Dec. 3-29, undated -- Recent Paintings, Water Colors, and Etchings by Hilde Hassam, N.A., of the American Academy of Arts and Letters

Dec. 6-30, undated -- Selected Paintings for the Home by American Artists

Dec. 14-Jan. 2, undated -- Recent Paintings by George Shillard

Dec. 20-Jan. 8, undated -- Selected Small Paintings for the Home

Dec. 27-Jan. 12, undated -- Helen K. McCarthy Memorial Exhibition

Dec. 30-Jan. 18, undated -- Paintings by Stewart McDermot

Dec. 31-Jan. 12, undated -- Second Annual Exhibition in Pure Water Color by The Aquarellists
Provenance:
Milch Gallery gave the Archives of American Art a small selection of correspondence, photographs, and printed matter, and loaned a few other items in 1966-1967; these records were microfilmed on reels D285, N730, and NM1-NM2. Records of the Milch Gallery were purchased from the estate of Harold C. Milch by Elliott Galleries of New York City, and subsequently acquired by Salander-O'Reilly Galleries, which donated them to the Archives in 1986. With the exception of the scrapbook about Thomas Moran (reel N730; present location of the original is unknown), prior loans and gifts from Milch Gallery were incorporated and refilmed with the 1986 gift.

Stuart Feld of Hirschl & Adler Galleries donated an additional .8 linear feet of records in 1995. Zachary Ross of Hirschl & Adler Galleries donated 2.2 linear feet in 2014.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Milch Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Gallery owners  Search this
Art -- Collectors and collecting  Search this
Art, American  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Painters  Search this
Genre/Form:
Gallery records
Photographs
Citation:
Milch Gallery records, 1911-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milcgall
See more items in:
Milch Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milcgall

Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz

Creator:
Lipchitz, Jacques, 1891-1973  Search this
Names:
Buchholz Gallery (New York, N.Y.)  Search this
Curt Valentin Gallery (New York, N.Y.)  Search this
Bassett, Bruce W.  Search this
Cortois, Jenny  Search this
Frank, Mary, 1933-  Search this
Fry, Annette  Search this
Fry, Varian, 1907-1967  Search this
Gaspard, Leon, 1882-1964  Search this
Hay, Gyorgy  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Landau, Gregorio  Search this
Larrea, Juan  Search this
Larrea, Marianne  Search this
Lipchitz, Yulla, 1911-  Search this
Modigliani, Amedeo, 1884-1920  Search this
Rapoport, Nathan, 1911-  Search this
Soula, Camille, 1888-  Search this