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Here to Career Webinar: Meet the Conservators

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2020-04-02T23:20:43.000Z
YouTube Category:
Education  Search this
See more by:
OFI_Smithsonian
Data Source:
Smithsonian Institution
YouTube Channel:
OFI_Smithsonian
EDAN-URL:
edanmdm:yt_9ETnKcal98M

Intern Project: Highlights of the Freer and Sackler

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-08-13T13:27:00.000Z
YouTube Category:
Film & Animation  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_uXH9zsI067Q

Shakyamuni Buddha in a full shrine

Medium:
Silver, turquoise, gilt copper, coral, mother-of-pearl, and lapis lazuli
Dimensions:
H x W x D: 58.4 × 30.5 × 27.8 cm (23 × 12 × 10 15/16 in)
Type:
Sculpture
Origin:
probably Dolonnor, Mongolia
Date:
late 18th-early 19th century
Topic:
casting  Search this
gilding  Search this
inlay (process)  Search this
metal  Search this
silver  Search this
Buddhism  Search this
Buddha  Search this
Mongolia  Search this
South Asian and Himalayan Art  Search this
Alice S. Kandell Collection  Search this
Shakyamuni Buddha  Search this
Credit Line:
The Alice S. Kandell Collection
Accession Number:
S2011.10a-c
Restrictions & Rights:
Usage conditions apply
On View:
Sackler Gallery 26a: The Tibetan Buddhist Shrine Room
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye374971c49-b008-4bb6-8097-9851928ec1a3
EDAN-URL:
edanmdm:fsg_S2011.10a-c

Maitreya, the Future Buddha

Medium:
Gilt copper, turquoise, and traces of original pigments
Dimensions:
H x W: 70 x 40.5 cm (27 9/16 x 15 15/16 in)
Type:
Sculpture
Origin:
probably Dolonnor, Mongolia
Date:
Second half of the 18th century
Period:
Qing dynasty
Topic:
casting  Search this
gilding  Search this
inlay (process)  Search this
metal  Search this
Buddhism  Search this
Buddha  Search this
Qing dynasty (1644 - 1911)  Search this
Maitreya Buddha  Search this
Maitreya Buddha  Search this
Mongolia  Search this
South Asian and Himalayan Art  Search this
Alice S. Kandell Collection  Search this
Credit Line:
The Alice S. Kandell Collection
Accession Number:
S2011.11
Restrictions & Rights:
Usage conditions apply
On View:
Sackler Gallery 26a: The Tibetan Buddhist Shrine Room
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye301ea67df-e886-4228-a1f7-9b618b9bde8b
EDAN-URL:
edanmdm:fsg_S2011.11

Tara (one of the Famed Twenty-one Tara Emanations)

Medium:
Gilt copper alloy, turquoise, enamel, and coral
Dimensions:
H x W: 48.3 x 31.8 cm (19 x 12 1/2 in)
Type:
Sculpture
Origin:
Central Tibet
Date:
Second half of 17th century
Topic:
casting  Search this
gilding  Search this
inlay (process)  Search this
metal  Search this
Buddhism  Search this
Tibet  Search this
Tara  Search this
South Asian and Himalayan Art  Search this
Alice S. Kandell Collection  Search this
Credit Line:
The Alice S. Kandell Collection
Accession Number:
S2011.12a-c
Restrictions & Rights:
Usage conditions apply
On View:
Sackler Gallery 26a: The Tibetan Buddhist Shrine Room
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3102b430c-8f5c-4ab2-acc8-2182bd8d7c14
EDAN-URL:
edanmdm:fsg_S2011.12a-c

Pendant in the form of a buffalo head

Medium:
Jade (nephrite)
Dimensions:
H x W x D (overall): 3.2 x 2.4 x 1.8 cm (1 1/4 x 15/16 x 11/16 in)
Type:
Jewelry and Ornament
Origin:
Anyang, probably Henan province, China
Date:
ca. 1300-ca. 1050 BCE
Period:
Late Shang dynasty, Anyang period
Topic:
carving  Search this
jade  Search this
nephrite  Search this
buffalo  Search this
Anyang period, Late Shang dynasty (ca. 1300 - 1050 BCE)  Search this
China  Search this
Chinese Art  Search this
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution  Search this
Credit Line:
The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler
Accession Number:
S2012.9.328
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
Jades for Life and Death
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a1e3d4e0-9826-43c1-b01e-205df7f9c9e2
EDAN-URL:
edanmdm:fsg_S2012.9.328
Online Media:

Cup with stand (youring)

Medium:
Silver
Dimensions:
H x Diam: 21.6 x 16.5 cm (8 1/2 x 6 1/2 in)
Type:
Vessel
Origin:
Lhasa, Central Tibet
Date:
19th century
Topic:
chasing  Search this
repoussé  Search this
hammering  Search this
engraving (printing process)  Search this
engraving (incising)  Search this
metal  Search this
silver  Search this
Tibet  Search this
South Asian and Himalayan Art  Search this
Alice S. Kandell Collection  Search this
stand  Search this
Credit Line:
The Alice S. Kandell Collection
Accession Number:
S2013.26a-b
Restrictions & Rights:
Usage conditions apply
On View:
Sackler Gallery 26a: The Tibetan Buddhist Shrine Room
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye34e06bc40-2cc1-4bc7-a3f2-1a5b2ff711cd
EDAN-URL:
edanmdm:fsg_S2013.26a-b

Cup with stand (youring)

Medium:
Silver with gilding
Dimensions:
H x Diam: 20.7 × 16.5 cm (8 1/8 × 6 1/2 in)
Type:
Vessel
Origin:
Lhasa, Central Tibet
Date:
19th century
Topic:
gilding  Search this
chasing  Search this
repoussé  Search this
hammering  Search this
punching  Search this
metal  Search this
silver  Search this
Buddhism  Search this
Tibet  Search this
South Asian and Himalayan Art  Search this
Alice S. Kandell Collection  Search this
Credit Line:
The Alice S. Kandell Collection
Accession Number:
S2013.27a-b
Restrictions & Rights:
Usage conditions apply
On View:
Sackler Gallery 26a: The Tibetan Buddhist Shrine Room
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ec9c317f-6f1e-469f-99a8-f61e312f9181
EDAN-URL:
edanmdm:fsg_S2013.27a-b

Sackler Gallery of Art: Aerial Views (August 18, 1983), Exterior Views (December 24, 1983), Signs (July 17, 1985); Views of the Washington Monument (October 1, 1985); Exhibition display cases

Container:
Box 1 of 3
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 02-024, Freer Gallery of Art and Arthur M. Sackler Gallery, Associate Director, Exhibitions and Facilities, Photographs
See more items in:
Photographs
Photographs / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa02-024-refidd1e721

Rocky Korr Oral History

Topic:
Birds, beasts, blossoms, and bugs: the nature of Japan (Monograph)
Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Names:
Encompassing the Globe: Portugal and the World in the 16th and 17th Centuries (Exhibition) (2007 : Washington, D.C.)  Search this
Freer Gallery of Art  Search this
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Sackler Gallery of Art.  Search this
Smithsonian Institution  Search this
Abbot, C. G. (Charles Greeley), 1872-1973  Search this
Beach, Milo Cleveland  Search this
Lawton, Thomas, 1931-  Search this
Meyer, Agnes Elizabeth Ernst, 1887-1970  Search this
Pope, John Alexander, 1906-1982  Search this
Raby, Julian  Search this
Stern, Harold P.  Search this
Vever, Henri, 1854-1942  Search this
Extent:
2 Electronic discs (CD) (80)
Type:
Collection descriptions
Archival materials
Electronic discs (cd)
Oral history
Place:
USA -- District of Columbia -- Washington
Date:
June 16, 2010
Scope and Contents:
Rocky Korr was an art handler for the Freer Gallery of Art and Arthur M. Sackler Gallery from 1960-2010. The oral history was conducted June 2010 by Freer|Sackler Archivist Rachael Woody. The interview was conducted in an attempt to capture Mr. Korr's wealth of knowledge on the evolution and history of the Freer|Sackler Galleries and the art handling profession. The history includes stories about the galleries, recounting major milestones and events, and anecdotes from Mr. Korr's four decades of experience at the Smithsonian.
Arrangement:
Collection is arranged on CDs. Each disc track is 1 question and answer session. Transcript available per request.
Biographical / Historical:
Rocky Korr was an art handler for the Freer Gallery of Art and Arthur M. Sackler Gallery from 1960-2010.
Local Numbers:
FSA A2010.08
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Museums -- Collection management  Search this
manuscripts -- Exhibitions  Search this
Exhibition  Search this
Art, Asian  Search this
Genre/Form:
Oral history
Citation:
Rocky Korr Oral History, FSA A2010.08. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.
Identifier:
FSA.A2010.08
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc38ba46b92-0d16-4ea4-97bf-246dfb3a34e2
EDAN-URL:
ead_collection:sova-fsa-a2010-08

Robert O. Muller Papers

Creator:
Muller, Robert O., 1911-2003  Search this
Extent:
7.5 Linear feet
Type:
Collection descriptions
Archival materials
Auction catalogs
Exhibition catalogs
Photographic prints
Price lists
Correspondence
Place:
Japan -- Description and Travel
Date:
1930-1997
Summary:
Personal papers of Robert O. Muller, a Connecticut-based art dealer and collector who, over the course of seventy years, assembled one of the world's finest collections of Japanese prints from the late 1860s through the 1940s. The papers include Muller's correspondence relating to Japanese art, files relating to his and his wife's 1940 honeymoon in Japan during which he forged many contacts with Japanese artists and art dealers and purchased thousands of prints, subject files, catalogs, business transactions, magazine and newspaper clippings, photographs, and notes and drafts for a planned book.
Scope and Contents:
The Robert O. Muller Papers consist of Mr. Muller's correspondence; research and subject files; indexes to his art collection; printed matter; photographs; and a draft manuscript and notes for a planned book. The papers document his art collecting and dealing, his relationships with a wide variety of art shops and other art dealers, his 1940 honeymoon to Japan, and the dealings of his various businesses from the 1940s through to the 1990s.
Arrangement:
This collection is arranged into five series:

Series 1: Correspondence and subject files

Series 2: Catalogs and indexes to Robert-Lee Gallery and Robert O. Muller's Art Collection

Series 3: Draft Manuscript

Series 4: Printed Matter

Series 5: Photographs and slides
Biographical / Historical:
Born in 1911 in Pelham, New York, art collector, dealer, and connoisseur Robert O. Muller assembled a collection of nearly 4,500 late nineteenth- and early twentieth-century Japanese prints throughout his life. As a history student at Harvard University, Mr. Muller's world renowned print collection began to take shape with the purchase of the print 'Kiyosu Bridge" by Kawase Hasui for $5.00 from the Shima Art Company in 1931.

Mr. Muller married Ingeborg Lee in 1940 and their honeymoon in Japan played a critical role in Mr. Muller's development as an art dealer and collector. They spent five months there and met with many important artists and dealers and purchased thousands of prints for both their personal art collection and for commerce.

Upon their return to the States, Mr. Muller purchased the Shima Art Company's assets and started the Robert Lee Gallery with his partner William Lee Comerford in 1940. With the attack on Pearl Harbor, Muller and Comerford closed the Robert Lee Gallery and later reopened it in a different Manhattan location. The Mullers moved to Newton, Connecticut, in 1946 and reestablished the Robert Lee Gallery there. In 1962, Muller purchased a frame shop, Merwin's Art Shop, in New Haven, Connecticut. Although primarily a framing shop, Muller not only befriended many scholars and academics from nearby Yale University but sold Japanese prints from the back room.

From that initial purchase of 'Kiyosu Bridge' in 1931 up until his death in 2003, Robert Muller amassed what many art historians, collectors, and curators regarded as the finest collection of its type in the world. Muller bequeathed his Japanese print collection, archival materials, and library to the Sackler Gallery of Art, Smithsonian Institution.

Much of the biographical information comes from, Printed to Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection. (Washington, D.C. : Arthur M. Sackler Gallery in association with Hotei Publishing, c2004)

Further information and clarification from conversations with Dr. James T. Ulak, Deputy Director of the Freer Gallery of Art and Arthur M. Sackler Gallery .

1911 October 5 -- Born in Pelham, New York. Great-grandson of Charles Erhart, cofounder of Charles Pfizer & Company, now Pfizer Inc.

1931 -- Purchased first modern Japanese print, "Kiyosu Bridge", from the Shima Art Company in New York City.

1934 -- Earned Bachelor of Arts degree in History from Harvard University.

1936 -- Traveled to Germany aboard the Hindenberg. During return to United States, visited with and bought many prints from Japanese print collector Thomas Bates Blow in London.

1940 February 3 -- Married Ingeborg Lee and honeymooned in Japan.

1940 September -- Purchased the assets of the Shima Art Co. for $7,000. Remained friends with the former owners, Kazue Sumii and Hango Sumii and their daughter Noriko.

1940 October 21 -- Opened the Robert-Lee Gallery on 69 East 57th Street in Manhattan.

1941 December -- After attack on Pearl Harbor, closed Robert-Lee Gallery. Later reopened at new location at 32 West 57th Street

1941 - 1952 -- Mrs. Muller gave birth to four daughters and one son.

1942-1945 -- Worked for Pfizer Inc.

1946 -- Moved to farmhouse in Newtown, Connecticut and re-established Robert Lee Gallery there one year later.

1962 -- Purchased and ran Merwin's Art Shop in New Haven, Connecticut

1985 -- Handed over management of Merwin's Art Shop to his son Robert L. Muller

2003 April 10 -- Died as a result of Parkinson's Disease.

2003 May -- Bequeathed his collection of Japanese prints, cataloging records, papers, and library to the Smithsonian's Sackler Gallery of Art.
Related Materials:
The Sackler Gallery of Art owns the Robert O. Muller Collection of Japanese prints.
Provenance:
Robert O. Muller bequeathed his Japanese print collection as well as his archival records to the Sackler Gallery in 2003.
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Printmakers  Search this
Prints, Japanese -- 20th century  Search this
shin-hanga  Search this
Prints, Japanese -- 19th century  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Auction catalogs
Exhibition catalogs
Photographic prints
Price lists
Correspondence
Citation:
Robert O. Muller Papers. FSA.A2003.14. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Bequest of Robert O. Muller, 2003
Identifier:
FSA.A2003.14
See more items in:
Robert O. Muller Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3998a9a71-84d9-4416-893a-09e05992d29c
EDAN-URL:
ead_collection:sova-fsa-a2003-14
Online Media:

Minutes

Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Minutes digital asset number 1
  • View Minutes digital asset number 2
  • View Minutes digital asset number 3
  • View Minutes digital asset number 4

East-West interchanges in American art "a long and tumultuous relationship" Cynthia Mills, Lee Glazer, and Amelia A. Goerlitz, editors

Author:
East-West Interchanges in American Art Symposium (2009 : Smithsonian American Art Museum)  Search this
Mills, Cynthia J  Search this
Glazer, Lee (Lee Stephens)  Search this
Goerlitz, Amelia  Search this
Physical description:
289 pages color illustrations 26 cm
Type:
Congresses
Congrès
Congress
Conference papers and proceedings
Actes de congrès
Place:
United States
Asia
États-Unis
Asie
USA
Asien
Date:
2011
Topic:
Art, American--Asian influences  Search this
Art, Asian--American influences  Search this
Art américain--Influence asiatique  Search this
Art asiatique--Influence américaine  Search this
International relations  Search this
Kulturaustausch  Search this
Kunst  Search this
Relations  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_980519

Garden and Cosmos: The Royal Paintings of Jodhpur

Author:
Diamond, Debra  Search this
Glynn, Catherine  Search this
Jasol, Karni Singh  Search this
Object Type:
Smithsonian staff publication
Year:
2008
Citation:
Diamond, Debra, Glynn, Catherine, and Jasol, Karni Singh. 2008. Garden and Cosmos: The Royal Paintings of Jodhpur [Exhibition catalog] Washington D.C.: Arthur M. Sackler Gallery of Art.
Identifier:
93105
ISBN:
9781588342577
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_93105

Secrets of the Lacquer Buddha

Author:
Strahan, Donna  Search this
Object Type:
Smithsonian staff publication
Year:
2018
Citation:
Strahan, Donna (Curator). 2018. "Secrets of the Lacquer Buddha." Washington, DC: Freer and Sackler Galleries of Art,
Identifier:
157905
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_157905

Earthquake Damage Report from the Freer–Sackler Galleries of Art

Author:
Young, Bruce  Search this
Editor:
Charola, A. Elena  Search this
Wegener, Corine  Search this
Koestler, Robert J.  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Young, Bruce. 2014. "Earthquake Damage Report from the Freer–Sackler Galleries of Art." In Unexpected—Earthquake 2011: Lessons to Be Learned. Charola, A. Elena, Wegener, Corine, and Koestler, Robert J., editors. 71–72. Washington, DC: Smithsonian Institution Scholarly Press. In Smithsonian Contributions to Museum Conservation; No. 4. https://doi.org/10.5479/si.19492367.4.
Identifier:
128077
DOI:
https://doi.org/10.5479/si.19492367.4
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_128077

A study of Asian Games: The Art of Contest at the Arthur M. Sackler Gallery of Art

Author:
Doering, Zahava D.  Search this
Smithsonian Institution Office of Policy and Analysis  Search this
Object Type:
Smithsonian staff publication
Year:
2005
Citation:
Doering, Zahava D. and Smithsonian Institution Office of Policy and Analysis. 2005. A study of Asian Games: The Art of Contest at the Arthur M. Sackler Gallery of Art. Washington, DC: Smithsonian Institution, Office of Policy and Analysis.
Identifier:
102544
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_102544

Smithsonian Freer Gallery of Art and Arthur M. Sackler Gallery [electronic resource]

Title:
Freer Gallery of Art
Arthur M. Sackler Gallery
Freer Gallery of Art and Arthur M. Sackler Gallery of Art, Noguchi
Author:
Freer Gallery of Art  Search this
Arthur M. Sackler Gallery (Smithsonian Institution)  Search this
Subject:
Freer Gallery of Art  Search this
Arthur M. Sackler Gallery (Smithsonian Institution)  Search this
Type:
Electronic resources
Place:
Washington (D.C.)
Date:
1997
1997-
Topic:
Art museums--Computer network resources  Search this
Art, Asian--Computer network resources  Search this
Call number:
N857.3.A8
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_715182

Link Love: 11/14/2014

Creator:
Smithsonian Institution Archives  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 14 Nov 2014 11:45:00 +0000
Topic:
Archive  Search this
See more posts:
The Bigger Picture | Smithsonian Institution Archives
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:posts_c106d06f92f982bee51069943f470a87

Sackler Gallery of Art

Container:
Box 16 of 16
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 93-044, Smithsonian Institution. Office of Planning and Budget, Budget Records
See more items in:
Budget Records
Budget Records / Box 16
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa93-044-refidd1e4258

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