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Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Lilian Swann Saarinen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
Additional Online Media:

Florence Knoll Bassett papers

Creator:
Knoll, Florence, 1917-  Search this
Names:
Cranbrook Academy of Art  Search this
Cranbrook Kingswood School (Bloomfield Hills, Mich.)  Search this
Hans G. Knoll Furniture Company  Search this
Knoll Associates, inc.  Search this
Knoll International, inc.  Search this
Cheek, Leslie, 1908-  Search this
Eames, Charles  Search this
Gandhi, Indira, 1917-1984  Search this
Graham, Katharine, 1917-  Search this
Helm, John  Search this
Johnson, Philip, 1906-2005  Search this
Knoll, Walter C.  Search this
Miller, R. Craig  Search this
Milles, Carl, 1875-1955  Search this
Raseman, Rachel de Wolfe  Search this
Reagan, Nancy, 1923-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Slavin, Maeve  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Photographs
Sketchbooks
Date:
1932-2000
Summary:
The papers of architect and designer Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. Through correspondence, sketches, drawings, designs, subject files, photographs, and printed material, the collection selectively documents Knoll Bassett's education, her work with Knoll Associates from the 1940s until her resignation in 1965, and projects undertaken since her retirement. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s.
Scope and Content Note:
The papers of architect, and interior designer and planner Florence Knoll Bassett, measure approximately 2 linear feet dating from 1932 to 2000. The collection selectively documents Knoll Bassett's education and her career at Knoll Associates, Inc. from the 1940s until her resignation in 1965, in addition to personal design projects and other activities after leaving the company. It is an important source of information on the development of interior architecture and design from the 1940s to the 1970s, chronicling the Knoll mission to synthesize space, furniture, and design by creating interiors based on practical use, comfort, and aesthetics.

The collection documents the growth of Knoll's international reputation for its modern furnishings and interiors and the impact of a business philosophy that encompassed design excellence, technological innovation, and mass production. The material includes a chronology of Knoll Bassett's career; a portfolio of sketches, drawings and designs; photographs of Knoll Bassett and others; subject files containing sketches and photographic material; letters from friends, colleagues, clients and others; awards received by Knoll Bassett throughout her career; and printed material.

Much of the material is annotated with historical and biographical notes written by Knoll Bassett which provide invaluable contextual information for the materials found therein. The notes are dated 1999 in the Container Listing, under the assumption that they were written by Florence Knoll Bassett as she was arranging her archival papers.
Arrangement:
Before donating her papers to the Archives of American Art, Knoll Bassett organized the material in portfolios and color-coded files and designed four containers for them. Because the method of arrangement in itself provides insight into Knoll Bassett's style and creativity the collection has been minimally processed with the addition of acid-free materials for preservation reasons and the transcription of labels which may, over time, become detached. The original order of the collection has been retained throughout.

The collection was organized into what Bassett termed "storage units," the first container being divided into three units and the collection as a whole being divided into six units. Knoll Bassett supplied a detailed inventory of the contents of each container and the subjects represented in each porfolio or folder. Subject headings from this inventory have been used in the Series Description/Container Listing. Knoll Bassett also supplied a vita summarizing her career and copies of this, and her original container inventory are enclosed with the collection and can be consulted at AAA's research center in Washington D.C.

The collection is arranged as seven series. These series represent the categories into which Knoll Bassett organized the material, with the exception that Letters and Awards are presented as two series in the finding aid. Most of the items in Series 1 to 4 are presented as portfolios in spiral-bound notebooks and the remainder of the collection is organized in folders.

Series 1: Biographical Material, 1932-1999 (Box 1; 1 portfolio)

Series 2: Selected Publications, 1946-1990, 1999 (Box 1; 1 portfolio)

Series 3: Drawings, Sketches, and Designs, 1932-1984, 1999 (Boxes 1-2; 2 portfolios)

Series 4: Photographs and Printed Material, 1956-1997, 1999 (Box 2; 1 portfolio)

Series 5: Subject Files, circa 1930s-1999 (Box 3; 1.0 linear ft.)

Series 6: Letters, circa 1930s-2000 (Box 4; 7 folders)

Series 7: Awards, 1954-1999 (Box 4; 6 folders)
Biographical Note:
Florence Knoll Bassett was born Florence Schust in 1917 and was affectionately known as Shu by her colleagues and friends. She was orphaned at age 12 and then cared for by Emile Tessin, a friend of the family whom her mother had appointed as Florence's legal guardian in the event of her death. When arrangements were being made for Florence to attend boarding school she was given the opportunity to make the selection. Kingswood School in Bloomfield Hills, Michigan, held a strong aesthetic appeal for her and she "made an immediate decision that it was the right place for me," beginning her architectural studies under the school's art director, Rachel de Wolfe Raseman.

At Kingswood Knoll Bassett met the Saarinen family, studying under Eliel Saarinen and developing her interest in texture and color through her friendship with Loja Saarinen who supervised the school's weaving studio. Following Florence's graduation from Kingswood in 1934, Eliel Saarinen encouraged her to spend some time at Cranbrook Academy of Art before attending an accredited architecture school. She spent the next two years at Cranbrook working closely with advanced students and artists such as the Saarinens and Carl Milles, and gaining experience in all aspects of design.

Knoll Bassett then studied for two years at the Architectural Association in London, spending summers with the Saarinens in Europe. She completed her formal training at the Illinois Institute of Technology where she studied under Mies van der Rohe, whom she credits with having "a profound effect on my design approach and the clarification of design."

After graduation Knoll Bassett worked for architecture firms in Boston and New York where she met Hans Knoll who was then in the process of establishing a furniture business. In 1943 she began working for him in her spare time as an interior space planner and designer. In 1946 the two were married and formed Knoll Associates, Inc.

As director of the Knoll Planning Unit, Knoll Bassett established herself as one of the most important and influential interior planners and designers of the second half of the twentieth century. Believing that intelligent design "strikes at the root of living requirements and changing habits," she established the practice of working closely with the corporate sector to determine the needs of the people who would actually use the spaces that her company designed. Her connections with leading contemporary architects and designers, and the company's commitment to crediting designers by name and paying them royalties, laid the foundations for the strong working relationships upon which the commercial success of Knoll Associates was built. Drawing on a pool of top architects and designers, many of whom were personal friends, Knoll Bassett directed the company's Bauhaus approach, incorporating design excellence, technological innovation, and mass production in a seamless package of "total design."

While Knoll Bassett oversaw the creative process of the Planning Unit's operations in its entirety, she was also directly responsible for many of the individual elements used in the Unit's projects. During the war years, she worked with her designers to overcome the scarcity of materials, establishing Knoll Textiles in response to the dearth of available fabrics and textile colors, and developing the company's hallmark style of spare clean lines and vibrant colors in a functional, comfortable, and aesthetically appealing space. Finding that much of the "fill-in" furniture, primarily cabinetry, that she envisaged in many of her plans was not available, Knoll Bassett designed the pieces herself. She used the Knoll showrooms as "experimental laboratories" to convince clients to use modern ideas and materials, showcasing and putting into production the classic designs of people such as Eero Saarinen, Mies van der Rohe, Jens Risom, Harry Bertoia, Isamu Noguchi, and Marcel Breuer.

After the war Knoll Associates expanded to Europe through a series of government contracts which resulted ultimately in the formation of Knoll International. When Hans Knoll died suddenly in an automobile accident in 1955 Florence became president of the company. She married Harry Hood Bassett in 1958 and began to divide her time between New York and Florida. In 1959 she sold her interest in Knoll Associates to Art Metal and retired as President of the company the following year, while continuing to work as a consultant and serving as Design Director. In 1961 she became the first woman to be awarded the Gold Medal for Industrial Design by the American Institute of Architects, one of many awards received over the course of her career. In 1965 she resigned from Knoll Associates entirely after completing the interior design for the CBS headquarters in New York.

Following her retirement Knoll Bassett devoted more time to private commissions and other interests such as her campaign against billboards in Miami in the mid 1980s. She spent summers in Vermont and winters in Florida with her husband, until his death in 1991. In July 2001, Metropolis magazine published a rare interview with Knoll Bassett in which she reflects upon the life she so skillfully documented in the extraordinary gift of her archival papers to the Archives of American Art.
Provenance:
The collection was donated to the Archives of American Art by Florence Knoll Bassett in 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Florence Knoll Bassett papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Interior decoration firms  Search this
Interior decorators  Search this
Furniture designers  Search this
Architects  Search this
Women architects  Search this
Interior decoration  Search this
Design, Industrial  Search this
Women designers  Search this
Designers  Search this
Genre/Form:
Sketches
Drawings
Photographs
Sketchbooks
Citation:
Florence Knoll Bassett papers, 1932-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.knolflor
See more items in:
Florence Knoll Bassett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knolflor
Additional Online Media:

To do list

Creator:
Saarinen, Eero, 1910-1961  Search this
Type:
Writings
Date:
1961 Aug. 16
Record number:
(DSI-AAA)10010
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10010
Additional Online Media:

Eero Saainen to his wife Aline Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Date:
1953 Aug.
Record number:
(DSI-AAA)1127
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1127

Illustrated card from Eero Saarinen to Aline Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Place:
Spain
Date:
ca. 1955
Record number:
(DSI-AAA)11298
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11298

Handwritten card from Eero Saarinen to Aline Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Date:
between 1953 and 1961
Record number:
(DSI-AAA)11299
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11299

Notes for Aline Saarinen's book The proud possessors

Creator:
Saarinen, Eero, 1910-1961  Search this
Type:
Writings
Date:
1957-1958
Topic:
Collectors  Search this
Record number:
(DSI-AAA)11301
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11301

Sketches of North Xian Church

Creator:
Saarinen, Eero, 1910-1961  Search this
Type:
Artworks
Date:
195-
Topic:
Architecture  Search this
Church buildings  Search this
Record number:
(DSI-AAA)11687
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11687
Additional Online Media:

Eero Saarinen letter to Aline Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Subject:
Saarinen, Lilian Swann  Search this
Type:
Correspondence
Date:
1953
Topic:
Divorce  Search this
Record number:
(DSI-AAA)15327
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15327
Additional Online Media:

Eero Saarinen letter to Aline Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Date:
1953
Topic:
Architectural drawing  Search this
Architecture, American  Search this
Love letters  Search this
Record number:
(DSI-AAA)15328
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15328
Additional Online Media:

Eero Saarinen sketch for UNESCO headquarters building in Paris

Creator:
Saarinen, Eero, 1910-1961  Search this
Type:
Artworks
Date:
1952 February 16
Topic:
Architecture, Modern  Search this
Record number:
(DSI-AAA)17574
See more items in:
Lilian Swann Saarinen papers, circa 1909-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17574

Eero Saarinen sketch for UNESCO headquarters building in Paris

Creator:
Saarinen, Eero, 1910-1961  Search this
Type:
Artworks
Date:
1952 February 16
Topic:
Architecture, Modern  Search this
Record number:
(DSI-AAA)17575
See more items in:
Lilian Swann Saarinen papers, circa 1909-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17575

Eero Saarinen letter to Aline B. (Aline Bernstein) Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Date:
16 May 1953
Topic:
Love letters  Search this
Record number:
(DSI-AAA)17594
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17594

Envelope

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Date:
1953
Topic:
Love letters  Search this
Record number:
(DSI-AAA)18009
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18009
Additional Online Media:

Design sketch of a sofa by Eero Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Type:
Artworks
Date:
ca. 1960
Record number:
(DSI-AAA)1830
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_1830
Additional Online Media:

Sketch of Aline Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Subject:
Saarinen, Aline B. (Aline Bernstein)  Search this
Type:
Artworks
Date:
1954
Record number:
(DSI-AAA)18447
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18447

Eero Saarinen letter to Aline B. (Aline Bernstein) Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Correspondence
Date:
1953 June 3
Topic:
Love letters  Search this
Record number:
(DSI-AAA)18448
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18448
Additional Online Media:

Eero Saarinen letter to Aline B. (Aline Bernstein) Saarinen

Creator:
Saarinen, Eero, 1910-1961  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Subject:
Saarinen, Aline B. (Aline Bernstein)  Search this
Saarinen, Eero  Search this
Type:
Correspondence
Place:
Bloomfield Hills, Mich.
Date:
1954
Topic:
Love letters  Search this
Record number:
(DSI-AAA)20175
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20175

Eero Saarinen note to Aline B. (Aline Bernstein) Saarinen with illustrated envelope

Creator:
Saarinen, Eero, 1910-1961  Search this
Subject:
Saarinen, Aline B. (Aline Bernstein)  Search this
Type:
Writings
Date:
1954
Record number:
(DSI-AAA)20176
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20176
Additional Online Media:

Aline B. (Aline Bernstein) Saarinen letter to Eero Saarinen

Creator:
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saarinen, Eero, 1910-1961  Search this
Subject:
Saarinen, Aline B. (Aline Bernstein)  Search this
Saarinen, Eero  Search this
Type:
Correspondence
Place:
New York, N.Y.
Date:
1953
Record number:
(DSI-AAA)20177
See more items in:
Aline and Eero Saarinen papers, 1906-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20177
Additional Online Media:

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