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Gifford Beal sketches, sketchbooks, and papers

Creator:
Beal, Gifford, 1879-1956  Search this
Names:
Federal Art Project  Search this
Beal, Maud Ramsdell  Search this
Bruce, Edward, 1879-1943  Search this
Cox, Edward  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Kent, Rockwell, 1882-1971  Search this
Pennell, Joseph, 1857-1926  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Watson, Forbes, 1880-1960  Search this
Wortman, Denys, 1887-1958  Search this
Extent:
7.7 Linear feet
Type:
Archival materials
Collection descriptions
Scrapbooks
Sketchbooks
Sketches
Travel diaries
Love letters
Drawings
Prints
Diaries
Paintings
Photographs
Date:
1889-2001
bulk 1900-1954
Summary:
The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.
Scope and Content Note:
The papers of painter and muralist Gifford Beal measure 7.7 linear feet and date from 1889 to 2001. The bulk of the collection consists of artwork, in addition to correspondence, writings, printed matter, including one scrapbook, pictorial subject files, photographs, and two scrapbooks of photographs of works of art. Artwork is primarily in the form of sketches and seventy-eight sketchbooks in a wide variety of media. Among the loose sketches are twenty-eight oil paintings on wood board or panel, and fourteen large pastel drawings on canvas depicting dancing figures in a romantic style. Artwork by other artists in the collection include prints by Arthur B. Davies, Rockwell Kent, and Denys Wortman.

Biographical materials include membership certificates, a marriage certificate, and a travel journal kept by Beal's wife, Maud Ramsdell Beal, on their honeymoon. Personal correspondence consists primarily of love letters between Beal and Maud Ramsdell Beal. Three folders of professional correspondence contain letters from Joseph Pennell (1925); Federal Art Project staff from the Treasury Department including Ed Rowan, Edward Bruce, and Forbes Watson (1938); Walker Hancock (1951); and a series of letters signed "Hyde," from Crow Island, Massachusetts, which may have been written by Edward Hyde Cox (1953-1954).

Also found among the papers are printed materials such as exhibition catalogs, clippings, and reproductions of artwork, both loose and in a scrapbook from the 1920s; subject files containing clippings, photographs, and other pictorial references to common subjects of Beal's artwork; a few personal photographs; and photographs of works of art. Notes and writings are found among Beal's sketchbooks, including one long autobiographical essay which may have been for a lecture, a few diary entries from 1942, and extensive notes on the color, form, and lighting of his sketching subjects. In addition to a scrapbook relating to Beal exhibitions, there are also two scrapbooks containing photographs of works of art.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Materials, 1900-1909, 1942, 1953 (0.2 linear feet; Boxes 1 and 5)

Series 2: Correspondence, 1906-1954 (0.4 linear feet; Box 1)

Series 3: Printed Materials, 1900-2001 (0.4 linear feet; Box 1, OV 11)

Series 4: Subject Files, 1889-1953 (0.4 linear feet; Boxes 1-2, OV 10-12)

Series 5: Photographs, 1908-1950 (0.2 linear feet; Box 2, OV 10)

Series 6: Artwork, 1900-1951 (3.3 linear feet; Boxes 2-9; OV 10, 13-20 and rolled documents 21 and 22)

Series 7: Scrapbook, circa 1919-circa 1951 (1.1 linear ft; Boxes 7, 23)
Biographical Note:
Painter and muralist Gifford Beal was born in New York City in 1879, the youngest of six children. Beal began his art training at 13, when he accompanied his older brother, Reynolds Beal, to the Shinnecock School of Art for classes with William Merritt Chase. Gifford Beal continued to study with Chase for ten years at Shinnecock, the Tenth Street Studio building in New York City, and the New York School of Art. Beal attended college at Princeton University from 1896 to 1900, and from 1901 to 1903 he also took classes at the Art Students League with George Bridgman and Frank Vincent DuMond. In 1908, Beal married Maud Ramsdell of Newburgh, New York, where the Beal family also had an estate. They had two sons, William (b. 1914) and Gifford, Jr. (b. 1917).

Beal received all of his training in the United States at a time when European art training was the norm among his peers. Beal's earliest subject matter was taken from the familiar worlds of New York City and the Hudson River Valley, where he frequently spent his summers. Later work would depict other summer homes, including Provincetown, Rockport, and Gloucester, Massachusetts. Throughout his career he explored a variety of styles in his approach to these and other representational subjects such as garden parties, the circus, Central Park scenes, and coastal scenes in the Northeast and the Caribbean.

Beal exhibited at the National Academy of Design's annual exhibition almost continuously from 1901 to 1956, was a member of the Academy from 1914, and won at least seven awards given by the Academy over the course of his career. He won his first award in 1903 from the Worcester Art Museum. He exhibited regularly in major annual exhibitions and world expositions, including the Panama Pacific Exposition of 1915, where he won a gold medal.

Gifford and Reynolds Beal exhibited in a two-man show in 1907 at Clausen Galleries, and the two brothers were both eventually represented by Kraushaar Galleries, where Gifford Beal had his first one-man show in 1920. Beal served as president of the Art Students League from 1916 until 1930, the longest term of any president, and taught there in 1931 and 1932.

Beal was commissioned by the Section on Painting and Sculpture of the Works Progress Administration to paint ten murals for the Allentown, Pennsylvania post office in the late 1930s. The Allentown murals depicted American revolutionaries hiding the liberty bell at Allentown. In 1941, he completed two murals in the Department of the Interior building in Washington, DC: North Country, and Tropical Country, and he painted seven panels at Princeton University in 1943 depicting the life of the nineteenth-century engineer Joseph Henry. He was awarded an honorary Masters degree by Princeton in 1947.

Retrospective exhibitions were held at the Century Club, San Francisco Museum, Des Moines Art Center, and Butler Institute in the early 1950s. Upon his death in 1956, a memorial exhibition was held at the American Academy of Arts and Letters, where Beal became a member in 1943.
Provenance:
Papers were donated to the Archives by Gifford Beal's descendants in three separate accessions. Beal's sons, William and Gifford R. Beal, Jr., donated sketches and sketchbooks in 1992 and 1993. Richard and Lewis Goff, Margaret Beal Alexander, and Telka Beal donated additional sketches, sketchbooks, and materials from Beal's studio in 2000 through the Cape Ann Savings Bank, facilitated by Kraushaar Galleries.

Margaret Beal Alexander, Beal's granddaughter, also donated personal papers of her grandparents via Kraushaar Galleries in 2000. Additional sketchbooks and a poster illustrated by Beal were donated by Beal's Estate via Kraushaar Galleries in 2007. Two scrapbooks of photographs of works of art were donated by Beal's Estate via Kraushaar Galleries in 2015.
Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Gifford Beal sketches, sketchbooks, and papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Drawing -- Technique  Search this
Painters -- New York (State)  Search this
Mural painting and decoration -- 20th century -- Pennsylvania -- Allentown  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Sketches
Travel diaries
Love letters
Drawings
Prints
Diaries
Paintings
Photographs
Citation:
Gifford Beal sketches, sketchbooks, and papers, 1889-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bealgiff
See more items in:
Gifford Beal sketches, sketchbooks, and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bealgiff
Additional Online Media:

Holger Cahill papers

Creator:
Cahill, Holger, 1887-1960  Search this
Names:
American Artists' Congress  Search this
American Council of Learned Societies  Search this
American Federation of Arts  Search this
Artists' Union (New York, N.Y.)  Search this
Cartoonists Guild  Search this
Federal Art Project (U.S.)  Search this
Federal Music Project (U.S.)  Search this
Federal Theatre Project (U.S.)  Search this
Index of American Design  Search this
New York World's Fair (1939-1940)  Search this
Shakers  Search this
The Design Laboratory (New York, N.Y.)  Search this
Treasury Relief Art Project  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Brown, Samuel Joseph, 1907-  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hopkins, Harry Lloyd, 1890-1946  Search this
Knaths, Karl, 1891-1971  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Morris, Carl, 1911-1993  Search this
Olds, Elizabeth, 1896-1991  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Scaravaglione, Concetta, 1900-1975  Search this
Segal, George, 1924-2000  Search this
Speck, Walter, 1895-  Search this
Ward, Lynd, 1905-1985  Search this
Weisenborn, Rudolph, b. 1881  Search this
Extent:
15.8 Linear feet
Type:
Archival materials
Collection descriptions
Prints
Government records
Interviews
Scrapbooks
Photographs
Slides (photographs)
Photograph albums
Drawings
Place:
United States -- Economic conditions -- 1918-1945
United States -- Social conditions -- 1933-1945
Date:
1910-1993
bulk 1910-1960
Summary:
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.
Scope and Content Note:
The papers of Holger Cahill (1887-1960) date from 1910 to 1993, bulk 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the FAP in addition to series documenting his work as a writer and art critic. FAP records include national and state administrative reports, records of community art centers, photographic documentation of state activities, artist files, divisional records about teaching, crafts, murals, and poster work, files concerning the Index of American Design, scrapbooks, and printed material.
Arrangement:
The collection is arranged into nine series:

Series 1: Biographical Material and Personal Papers, 1931-1988 (Box 1; 19 folders)

Series 2: Correspondence Files, 1922-1979, 1993 (Boxes 1-2; 1.5 linear ft.)

Series 3: Works Progress Administration Federal Art Project, 1934-1970 (Boxes 2-14, 18, MMs009; 10.75 linear ft.)

Series 4: Writings, Lectures and Speeches, 1916-1960 (Boxes 14-15, 18; 1.0 linear ft.)

Series 5: Minutes of Meetings and Panel Discussions, Non-FAP, 1939-1947 (Box 15; 5 folders)

Series 6: Notes and Research Material, 1935-1970 (Boxes 15-16; 0.25 linear ft.)

Series 7: Artwork, undated (Boxes 16, 18; 2 folders)

Series 8: Printed Material, 1910-1985 (Boxes 16-17; 1.8 linear ft.)

Series 9: Photographs, circa 1917-1960 (Box 17; 6 folders)
Biographical Note:
Holger Cahill was born Sveinn Kristjan Bjarnarson in Iceland in a small valley near the Arctic Circle, on January 13, 1887. His parents, Bjorn Jonson and Vigdis Bjarnadottir, immigrated to the United States from Iceland sometime later in the 1880s. In 1904, his father deserted the family, forcing Sveinn to be separated from his mother and sister to work on a farm in North Dakota. He ran away and wandered from job to job until settling in an orphanage in western Canada, where he attended school and became a voracious reader.

As a young man, he worked at many different jobs and attended night school. While working on a freighter, he visited Hong Kong, beginning his life-long interest in the Orient. Returning to New York City, he eventually became a newspaper reporter, continued his studies at New York University, and changed his name to Edgar Holger Cahill. In 1919 he married Katherine Gridley of Detroit. Their daughter, Jane Ann, was born in 1922, but the couple divorced in 1927.

Cahill met John Sloan circa 1920, and they shared a residence. Cahill also wrote publicity (until 1928) for the Society of Independent Artists, through which he made many friends in the arts. From 1922 to 1931, he worked under John Cotton Dana at the Newark Museum, where he received his basic experience in museum work, organizing the first large exhibitions of folk art.

From 1932 to 1935, he was the director of exhibitions for the Museum of Modern Art. In 1935, Cahill was appointed director of the Works Progress/Projects Administration (WPA) Federal Art Project (FAP), until its end in June 1943. In 1938, Cahill organized a countrywide exhibition "American Art Today" for the New York World's Fair. He also married MoMa curator Dorothy Canning Miller in that year.

Profane Earth, Cahill's first novel, was published in 1927, followed by monographs on Pop Hart and Max Weber, miscellaneous short stories, and a biography of Frederick Townsend Ward, entitled A Yankee Adventurer: The Story of Ward and the Taiping Rebellion. Following the end of the Federal Art Project, Cahill wrote two novels, Look South to the Polar Star (1947) and The Shadow of My Hand (1956).

Holger Cahill died in Stockbridge, Massachusetts in July 1960.
Provenance:
The Holger Cahill papers were donated to the Archives of American Art through a series of gifts by Cahill's widow, Dorothy C. Miller, between 1964 and 1995.
Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Rights:
The Holger Cahill papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the public welfare  Search this
Art and state  Search this
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Arts administrators  Search this
Public officers  Search this
Genre/Form:
Prints
Government records
Interviews
Scrapbooks
Photographs
Slides (photographs)
Photograph albums
Drawings
Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cahiholg
See more items in:
Holger Cahill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cahiholg
Additional Online Media:

Forbes Watson papers

Topic:
Arts (Magazine)
Creator:
Watson, Forbes, 1880-1960  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Pepsi-Cola Company  Search this
Public Works of Art Project  Search this
Red Cross  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
United States. Public Buildings Administration. Section of Fine Arts  Search this
Adams, Ansel, 1902-1984  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beal, Gifford, 1879-1956 -- Photographs  Search this
Brancusi, Constantin, 1876-1957  Search this
Bruce, Edward, 1879-1943  Search this
Citron, Minna Wright, 1896-1991  Search this
Coleman, Glenn O., 1887-1932  Search this
Dows, Olin, 1904-1981  Search this
Genthe, Arnold, 1869-1942  Search this
Glackens, Ira, 1907-1990  Search this
Klonis, Stewart, 1901-1989  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Kuniyoshi, Yasuo, 1889-1953 -- Photographs  Search this
Mangravite, Peppino, 1896-  Search this
Manship, Paul, 1885-1966  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Matisse, Henri, 1869-1954  Search this
Morgenthau, Henry, 1891-1967  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Ray, Man, 1890-1976  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Saint-Gaudens, Homer, b. 1880 -- Photographs  Search this
Shimin, Symeon, 1902-  Search this
Sterne, Maurice, 1878-1957  Search this
Tucker, Allen, 1866-1939  Search this
Watson, Nan, 1876-1966  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Photographer:
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Sheeler, Charles, 1883-1965  Search this
Extent:
13.92 Linear feet
Type:
Collection descriptions
Archival materials
Notes
Photographs
Drafts (documents)
Scrapbooks
Place:
United States -- Social conditions -- 1933-1945
New York N.Y. -- Buildings, structures, etc., Photographs
Date:
1840-1967
bulk 1900-1960
Summary:
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
Scope and Content Note:
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

Biographical material includes Watson's Harvard diploma, documents concerning his service with the Red Cross in World War II, biographical accounts, and obituaries.

Correspondence is primarily with colleagues and includes scattered letters from Alfred H. Barr, Jr., Ira Glackens, Allen Tucker, and Max Weber. Other letters are from artists, art historians, and museum curators. A notebook contains shorthand drafts of letters from Watson.

Business records include personal business records consisting of various tax and stock records. The Arts Publishing Corporation records concern Watson's tenure as editor of The Arts magazine and contains a contract, correspondence, financial records, stockholders reports, press releases, a scrapbook, and issues of The Arts. Also included are business records pertaining to the Art in Federal Buildings, Inc..

The U.S. Treasury Department file is the largest series and documents Watson's federal employment as technical director, chief advisor, and consultant for Treasury Department's public art programs - the Public Works of Art Project and the Section of Painting and Sculpture. The files contain correspondence, financial reports, prospectuses, exhibition files, typescripts, clippings, exhibition catalogs, miscellaneous printed material, and photographs, and a scrapbook. The files contain a record of Watson's and other federal administrators' interactions with many artists during the Depression Era. Correspondence is primarily between Watson and Edward Bruce, Olin Dows, Henry and Elinor Morgenthau, and Edward B. Rowan. Found are scattered letters from artists including Yasuo Kuniyoshi, Paul Manship, and William Zorach, among many others. There are exhibition files for "Art for Bonds," "Army at War," and "War Against Japan." There are also photographs of U. S. Treasury Department events including a radio broadcast by John Dewey, Robert La Follette, Jr., and Sumner Welles.

Documents from the Pepsi-Cola Company's Third Annual Exhibition at the National Academy of Design contains a prospectus, an exhibition catalog and artists' statements.

Artist/Patron files contain reference material concerning painters, sculptors, photographers, dancers, composers, authors, art collectors, art dealers, and museum administrators. Files may include writings, notes, artworks, exhibition catalogs and other printed materials. Of particular note are photographs, which include portrait photographs of artists and of artists in their studios. Notable photographers include Ansel Adams, Arnold Genthe, Man Ray, photographs of New York City by Charles Sheeler and a photo of Henri Matisse by A. E. Gallatin. Files for Nan Watson, Symeon Shimin, and Glenn O. Coleman contain artworks. A file for Constantin Brancusi contains legal documents concerning U. S. Customs vs. Brancusi.

Art and Architecture files consist of reference material including photographs and notes concerning miscellaneous unattributed art works, American architecture, and furnishings.

Notes and writings consist of miscellaneous notes and typescripts of lectures and published articles, and notebooks.

Nine scrapbooks and loose scrapbook pages contain clippings of articles written by Watson, lists, and exhibition announcements and catalogs. Additional printed material includes clippings, copies of the Hue and Cry newspaper, exhibition announcements and catalogs, press releases, calendars of events, brochures for the Art Students League, book catalogs, published books, and miscellaneous printed material.

Photographs are of Forbes Watson; family members including his wife, painter Nan Watson; and members of the Art Students League including Peggy Bacon, Minna Citron, Stewart Klonis, Yasuo Kuniyoshi, and Reginald Marsh. There are also photographs of juries for the Carnegie Institute International Exhibitions that include colleagues Alfred H. Barr, Jr., Gifford Beal, Guy Pene DuBois, Leon Kroll, Henri Matisse, Homer Saint-Gaudens, and Maurice Sterne.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1902-1960 (Box 1; 4 folders)

Series 2: Correspondence, 1913-1960 (Box 1; 33 folders)

Series 3: Business Records, 1920-1944 (Box 1-3, 14, 22; 2.0 linear feet)

Series 4: U. S. Treasury Department File, 1926-1945 (Box 3-6, 14, 17, 22, OV 21; 3.4 linear feet)

Series 5: File for Pepsi-Cola Company's Third Annual Exhibition "Paintings of the Year," 1946 (Box 6; 5 folders)

Series 6: Artist/Patron Files, 1840-1967 (Box 6-9, 15, OV 21; 2.8 linear feet)

Series 7: Art and Architecture File, 1929-1930 (Box 9; 35 folders)

Series 8: Notes and Writings, 1875-1950 (Box 9-10, 22; 1.3 linear feet)

Series 9: Scrapbooks, 1904-1951 (Box 9, 11, 14, BV 18, BV 19, BV 20; 1.8 linear feet)

Series 10: Printed Material, 1900-1961 (Box 10, 12-13, 16-17, 22; 1.5 linear feet)

Series 11: Photographs, 1900-1950 (Box 13, 22; .4 linear feet)

All material is arranged chronologically, with the exception of the Artist/Patron Files which are arranged alphabetically.
Biographical Note:
Forbes Watson (1879-1960) worked primarily in New York City and Washington, D.C. as an art critic, writer, lecturer, and consultant to the U. S. Treasury Department's Public Works of Art Project and Section of Painting and Sculpture (Section of Fine Arts).

Forbes Watson was born on November 27, 1879 in Boston, the son of stockbroker John Watson and his wife Mary. Watson grew up in Cambridge, Massachusetts, attending the Phillips Academy in Andover, and graduating from Harvard University in 1902. After a brief period of freelance writing, he was hired by The New York Evening Post as an art critic in 1911 and worked there until 1917. In 1910, he married Agnes, professionally known as painter Nan Watson.

During World War I, Watson served with an American volunteer ambulance unit with the French army, later working with the American Red Cross in Paris. After the war, he moved back to New York City and worked as art critic for The World, from the early 1920s until 1931 and as editor of The Arts magazine from 1923-1933. Watson also lectured at the Art Students League, and at various universities and arts organizations.

In 1933, Watson moved to Washington, D.C. to serve as technical director of the U. S. Treasury Department's short-lived Public Works of Art Project. In October 1934, Watson was employed as Chief Adviser to the Treasury Department's Section of Painting and Sculpture (later renamed the Section of Fine Arts) and later as Consultant to the Secretary's Office of the Treasury. During World War II, he organized various traveling exhibitions including "Art for Bonds" that promoted the sale of war bonds. Watson retired in 1946 and lived in Gaylordsville, Connecticut.

Watson was the author of numerous essays and reviews, and several books including American Painting Today and Winslow Homer, a biography of the noted American artist. With Edward Bruce, he produced a pictorial volume Art in Federal Buildings, Vol. I: Mural Designs. At his death he was working on his autobiography.

Forbes Watson died on May 31, 1960 in New Milford, Connecticut.
Provenance:
The Forbes Watson papers were donated by Watson's widow, Nan Watson, in 1961. An additional folder of material was donated in 2018 by the Museum of Modern Art via Michelle Elligott, Chief of Archives, Library and Research.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Forbes Watson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art and state  Search this
Art, American  Search this
Art publishing  Search this
Art critics -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Architecture, New York State, New York -- Photographs  Search this
Architecture -- New York, N.Y. -- Photographs  Search this
New Deal, 1933-1939  Search this
World War, 1939-1945 -- Art and the war  Search this
Authors -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Genre/Form:
Notes
Photographs
Drafts (documents)
Scrapbooks
Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.watsforb
See more items in:
Forbes Watson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-watsforb

Grant Wood letter to Edward B. Rowan

Creator:
Wood, Grant, 1891-1942  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Subject:
Olds, Elizabeth  Search this
Daughters of the American Revolution  Search this
Public Works of Art Project (Iowa)  Search this
Type:
Correspondence
Date:
1934 Feb. 6
Record number:
(DSI-AAA)13878
See more items in:
Edward Beatty Rowan papers, 1929-1946
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13878
Additional Online Media:

Edward Beatty Rowan, Washington, D.C. letter to Chaim Gross, New York, N.Y.

Creator:
Rowan, Edward Beatty, 1898-1946  Search this
Gross, Chaim, 1904-1991  Search this
Subject:
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
Great Depression  Search this
Type:
Correspondence
Place:
Washington, D.C.
Date:
1935 May 31
Topic:
Federal aid to the arts  Search this
New Deal, 1933-1939  Search this
Public sculpture  Search this
Record number:
(DSI-AAA)11037
See more items in:
Chaim Gross papers, 1920-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11037
Additional Online Media:

Edward Beatty Rowan papers, 1929-1946

Creator:
Rowan, Edward Beatty, 1898-1946  Search this
Subject:
Watson, Forbes  Search this
Roosevelt, Eleanor  Search this
McCosh, David  Search this
Bluemner, Oscar  Search this
Poor, Henry Varnum  Search this
Wood, Grant  Search this
Dunton, W. Herbert  Search this
Dornbush, Adrian J.  Search this
Cone, Marvin Dorwart  Search this
Pyle, Arnold  Search this
Gross, Chaim  Search this
Peirce, Waldo  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Stone City Colony and Art School (Stone City, Iowa)  Search this
Little Gallery (Cedar Rapids, Iowa)  Search this
Public Works of Art Project (Iowa)  Search this
Topic:
Gallery directors  Search this
Photographs  Search this
Federal aid to the arts  Search this
Diaries  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)9219
(DSI-AAA_SIRISBib)211414
AAA_collcode_rowaedwa
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211414

Unidentified daughter of the American revolution letter to Edward B. Rowan

Creator:
Rowan, Edward Beatty, 1898-1946  Search this
Subject:
Wood, Grant  Search this
Daughters of the American Revolution  Search this
Little Gallery (Cedar Rapids, Iowa)  Search this
Type:
Correspondence
Date:
1933 May 14
Record number:
(DSI-AAA)13877
See more items in:
Edward Beatty Rowan papers, 1929-1946
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13877

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