Skip to main content Smithsonian Institution

Search Results

Collections Search Center
26 documents - page 1 of 2

Avis Berman research material on Katharine Kuh

Creator:
Berman, Avis  Search this
Names:
Arensberg, Walter, 1878-1954  Search this
Dale, Chester, b. 1883  Search this
Duchamp, Marcel, 1887-1968  Search this
Harmon, Lily, 1912-  Search this
Kaufmann, Edgar, 1910-1989  Search this
Kuh, Katharine  Search this
Lebrun, Rico, 1900-1964  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Rich, Daniel Catton, 1904-1976  Search this
Tobey, Mark  Search this
Extent:
3 Linear Feet
Type:
Archival materials
Collection descriptions
Interviews
Date:
1939-2006
Summary:
The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.
Scope and Content Note:
The Avis Berman research material on art dealer and curator Katharine Kuh measures 3.0 linear feet and dates from 1939 to 2006. The materials were compiled by art historian Avis Berman in preparing Katharine Kuh's memoir, which was published posthumously as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator. The collection includes Katharine Kuh's files; Kuh's drafts, manuscripts and interviews for her memoir; and Avis Berman's files relating to the book's publication. Also included is memorabilia.

The Katharine Kuh files contain correspondence; exhibition files; writings and notes; and Kuh's interview with Lily Harmon on J. B. Neumann. Correspondents include Walter Arensberg, Marcel Duchamp, and Edgar Kaufmann. Also included is the scattered correspondence of Daniel Catton Rich with Walter Arensberg, Chester Dale, Katharine Kuh, Samuel Marx, and others. Exhibition files pertain to exhibitions curated by Katharine Kuh for the Louise and Walter Arensberg Collection and one-man shows for Rico Lebrun and Mark Tobey, respectively.

Sorting Out and Summing Up: Episodes in An Art Odyssey contains Katharine Kuh's draft versions of book chapters; her manuscripts and interviews; and drafts of chapters that were not incorporated in the published memoir. Also included are manuscripts for the memoir and an annotated version of Avis Berman's interview with Kuh.

The Avis Berman files include correspondence, writings, printed material, clippings, press releases, and miscellaneous printed material. Files document Berman's activities concerning the publication of the memoir.

Memorabilia consists of a monograph and a memorial booklet.
Arrangement:
The collection is arranged as 4 series:

Series 1: Katharine Kuh Files, 1944-2003 (Box 1; 0.3 linear feet)

Series 2: -- Sorting Out and Summing Up: Episodes in an Art Odyssey -- by Katharine Kuh, 1939-2006 (Boxes 1-3; 2.0 linear feet)

Series 3: Avis Berman Files, 1950s-2006 (Box 3; 0.6 linear feet)

Series 4: Memorabilia, 1976, 1977 (0.1 linear feet)
Biographical Note:
Writer and art historian, Avis Berman lives and works in New York City. Berman was a close friend of Katharine Kuh's and is Kuh's literary executor. Berman compiled Katharine Kuh's research materials for the memoir that she was working on at the time of her death; the book was subsequently published as My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator in 2006.

Katharine Kuh (1904-1994) was a curator and art dealer born in St. Louis, Missouri. She received her Bachelor of Arts from Vassar College in 1925, where she studied art history under Alfred Barr. In 1928, she earned her Master's in Art History at the University of Chicago. As a graduate student, Kuh developed an interest in modern art, particularly the work of European artists.

Kuh married George Kuh, a businessman in 1930. She and Kuh divorced six years later.

In 1935, she established the Katharine Kuh Gallery in Chicago. The gallery was dedicated to featuring the works of contemporary European and American painters and sculptors, such as Alexander Archipenko, Alexei Jawlensky, Wassily Kandinsky, Gyorgy Kepes, Paul Klee, Gaston Lachaise, Fernand Léger, Carlos Mérida, Joan Miro, Lazlo Moholy-Nagy, Pablo Picasso, as well as Charles Biederman, Alexander Calder, Stuart Davis, and Isamu Noguchi, among others. The Katharine Kuh Gallery was one of the first galleries in Chicago to show photography as art. Kuh held exhibitions for Ansel Adams, Eliot Porter, Edward Weston, and she also showed the photographs of Gyorgy Kepes and Man Ray.

At the gallery, Kuh taught classes on an informal basis to individuals interested in modern art. During this period, she spent her summers as a Visiting Professor of Art History at the University School of Fine Arts of San Miguel in Guanajuarto, Mexico (1938-1940). With the onset of America's involvement in World War II, Kuh realized that the war would curtail her contact with many of the European artists whose works she had promoted and in 1942, she decided to close the gallery.

In 1943, Katharine Kuh took a position in the public relations department at the Art Institute of Chicago. The following year, Kuh was asked to take over the Gallery of Art Interpretation at the Art Institute. Later she was appointed the Curator of Painting and Sculpture; in this role, she developed a close collaborative relationship with the Director of the Art Institute, Daniel Catton Rich. From 1946-1953, she served as the Editor of the Art Institute of Chicago Quarterly.

She left the Art Institute in 1959 and settled in New York City. She served as an art editor at the Saturday Review and World Magazine. She was also an art consultant for the First National Bank of Chicago from 1968-1979.

Katharine Kuh traveled extensively and often wrote about the art of the places she visited such as Sicily, Turkey, and the Yucatan. In the 1940s Kuh developed an interest in the wood carvings of the Indian tribes in the Pacific Northwest. The University of Alaska awarderd her an honorary doctorate for her efforts to preserve the indigenous artwork of the region's Native Americans.

Her publications on twentieth-century art included: Art Has Many Faces (1951), The Artist's Voice: Talks with Seventeen Artists (1962), Break-up: The Core of Modern Art (1965), and The Open Eye: In Pursuit of Art (1971). Kuh also wrote the catalog that accompanied the "Fernand Léger Retrospective at the Art Institute of Chicago" (1953). At the time of her death, Katharine Kuh had completed a final draft of her memoir, which she had tentatively titled, Sorting Out and Summing Up: Episodes in an Art Odyssey.

In 1994, Katharine Kuh died in New York City.
Related Material:
The Archives of American Art holds the Katharine Kuh papers, 1908-1994. Also found in the Archives of American Art is an oral history interview with Katharine Kuh conducted by Avis Berman, March 18, 1982-March 23, 1983. Additional Katharine Kuh material is located at the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
Provenance:
The Avis Berman Research Material, 1939-2006 was donated to the Archives of American Art by Avis Berman, an art historian and literary executor of Katharine Kuh's estate in 2007.
Restrictions:
Use of original papers requires an appointment.
Rights:
Authorization to quote, publish, or reproduce requires written permission from: Avis Berman, 407 East 91st Street, New York, New York 10128.
Topic:
Art, Modern  Search this
Art dealers -- Illinois -- Chicago  Search this
Curators -- Illinois-Chicago  Search this
Genre/Form:
Interviews
Citation:
Avis Berman research material on Katharine Kuh, 1939-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bermavis3
See more items in:
Avis Berman research material on Katharine Kuh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bermavis3

Daniel Catton Rich letter to Emily Nathan, 1964 May 2

Creator:
Rich, Daniel Catton, 1904-1976  Search this
Subject:
Spyropoulous, Jannis  Search this
Nathan, Emily S.  Search this
Topic:
Museum directors  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)6703
(DSI-AAA_SIRISBib)208828
AAA_collcode_richdani
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208828

Oral history interview with Daniel Catton Rich, 1970 November 11-23

Interviewee:
Rich, Daniel Catton, 1904-1976  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Topic:
Arts administrators  Search this
Sound recordings  Search this
Art, American  Search this
Interviews  Search this
Record number:
(DSI-AAA_CollID)11678
(DSI-AAA_SIRISBib)213049
AAA_collcode_rich70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213049

Lloyd Goodrich papers

Creator:
Goodrich, Lloyd, 1897-1987  Search this
Names:
American Art Research Council  Search this
American Federation of Arts  Search this
Artist Tenants Association (New York, N.Y.)  Search this
Artists Equity Association  Search this
Association of Art Museum Directors  Search this
National Council on the Arts and Government  Search this
Whitney Museum of American Art  Search this
Dows, Olin, 1904-1981  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Homer, Winslow, 1836-1910  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Newman, Elias, 1903-  Search this
Rich, Daniel Catton, 1904-1976  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
35.7 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Transcripts
Interviews
Scrapbooks
Date:
1884-1987
bulk 1927-1987
Summary:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.
Scope and Contents:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

Scattered biographical materials include biographical sketches, an interview transcript, personal business records, documents relating to Goodrich's service on art juries, and awards and honors.

Correspondence is with friends, family, artists, museums, collectors, galleries, and arts organizations. Correspondents include The Arts Magazine, Whitney Museum of Art, Olin Dows, Philip Evergood, Yasuo Kuniyoshi, Reginald Marsh, Kenneth Hayes Miller, Elias Newman, Daniel Catton Rich, and Raphael Soyer among many others. Research related correspondence arranged here concerns work on a catalogue raisonné of Winslow Homer. This material was originally arranged in the correspondence files by Goodrich prior to the later donation that included additional research files on Homer found in Series 3. There are also condolence letters from notable figures in American art.

Writings and research files include major writings, such as books and articles, and book reviews, essays, exhibition text, catalog entries, and lectures. In addition to the writings, Goodrich's research files for the writings are arranged here and include research, notes, correspondence, photographs, illustrations, printed materials, and bibliographies. There are also book agreements. There are extensive files for Goodrich's books on Winslow Homer (see also correspondence in Series 2) and Reginald Marsh; articles, catalog entries, and other writings on Winslow Homer, Albert Pinkham Ryder, Kuniyoshi, Reginald Marsh, and American art in general; lectures and talks; research files on other artists, and notes and notebooks.

Organization and committee files document Goodrich's service on boards, commissions, committees, organizations, and associations, such as the American Federation of Arts, the Association of Art Museum Directors, the Carnegie Study in American Art, the National Council on the Arts and Government, American Art Research Council, Artists Equity Association, Artist Tenants Association, the selection committee of the American National Exhibition (1959), and others are found within organization and committee files. Agendas, correspondence, meeting minutes, and printed material are found within the files.

Exhibition files are found only for several Winslow Homer shows. Printed materials include clippings, publicity materials, and printed copies of his writings. Photographic material includes scattered photographs of Goodrich and others, and extensive negatives of works of art, likely by Homer. Also found are x-rays of paintings by Ralph Blakelock.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1946-1984 (Boxes 1; 0.4 linear feet)

Series 2: Correspondence, 1920-1987 (Boxes 1-3; 1.8 linear feet)

Series 3: Writings and Research Files, 1884-1987 (Boxes 3-17, 38; 14.5 linear feet)

Series 4: Organization and Committee files, 1933-1982 (Boxes 17-31, 37; 14.5 linear feet)

Series 5: Exhibition Files, 1944-1986 (Boxes 31-32; 0.6 linear feet)

Series 6: Printed Material, circa 1920s-1979 (Boxes 32-33; 0.8 linear feet)

Series 7: Scrapbook, 1952-1959 (Box 33; 2 folders)

Series 8: Photographic Materials, circa 1910-1987 (Boxes 33-37; 3.1 linear feet)
Biographical / Historical:
Lloyd Goodrich (1897-1987) was a prominent and influential art historian, writer, and director of the Whitney Museum of Art in New York City, New York, from 1958-1968.

Lloyd Goodrich was born in Nutley, New Jersey in 1897. He studied under Kenneth Hayes Miller at the Art Students League from 1913-1915 and also took courses at the National Academy of Design. Rather than pursue a career as an artist, however, he decided that his real talent was writing about art. He began his long and prolific writing career in 1923-24 and married Edith Havens in 1924. Inspired by the work and writings of European art scholars and a desire to address the need for a body of scholarship on American Art, Goodrich began to research and write about American artists Kenneth Hayes Miller, Winslow Homer, and Thomas Eakins.

Goodrich's first article on Winslow Homer was published in 1924 by The Arts, a magazine financed by Gertrude Vanderbilt Whitney and edited by Forbes Watson, who soon hired Goodrich as associate editor. By 1929, Goodrich was also working as assistant art critic for the New York Times while continuing work at The Arts as contributing editor. One year later, The Arts commissioned Goodrich to write a book on Kenneth Hayes Miller. And, around the same time Goodrich became interested in Thomas Eakins, and with the encouragement and financial support from his boyhood friend, artist Reginald Marsh, he began work on a monograph about Eakins.

In 1930, Goodrich joined the staff of Gertrude Vanderbilt Whitney's new American art museum in New York City, the Whitney Museum of American Art. The museum provided him with the funds he needed to research and complete his book on Thomas Eakins, which he achieved in 1933. In 1935, he became curator of the museum, and associate director in 1948. He served as director from 1958-1968. The bequest of the Edward Hopper collection to the Whitney was the result of Goodrich's reputation as a scholar of Edward Hopper. After retiring, Goodrich continued his association with the Whitney as advisory director and director emeritus.

Goodrich was instrumental in starting the American Art Research Council in 1942, a group of museums devoted to collecting scholarly records about American art. He sat on the advisory panels for the New York State Council on the Arts and the Fine Arts Advisory Committee to the White House. In 1933, he was in charge of the New York regional office of the Public Works of Art Project. He also served as chairman of the National Council on the Arts and Government from 1948 to 1954 and was a major force in the creation of the National Endowment for the Arts and Humanities. He was a member of the Artists Equity Association, Artist Tenants Association, and numerous other arts organizations and a strong advocate for the promotion and support of American art and artists.

Throughout his long and distinguished career as a writer and museum administrator, Lloyd Goodrich worked to build a body of scholarship related to the history of American art and artists. He published several important monographs, including works on Thomas Eakins, Edward Hopper, Albert Pinkham Ryder, Winslow Homer, and Reginald Marsh, and organized major exhibitions about these and many other artists during his 57-year association with the Whitney Museum of American Art. At the time of his death, Goodrich was considered a preeminent figure in the American art world, and one of the foremost authorities on Eakins, Ryder, and Homer, artists on which he kept extensive research files throughout his life.

Lloyd Goodrich died March 27, 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lloyd Goodrich, 1962-1963 by Harlan Phillips for the Archives of American Art.

Additional Lloyd Goodrich papers are located at the Whitney Museum of American Art Archives, and the Philadelphia Museum of Art Archives.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4468) including a photocopy of the manuscript "Albert Pinkham Ryder: The Man and His Art," Goodrich's contribution to the book "Albert Pinkham Ryder: Painter of Dreams" co-authored with William I. Homer. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Lloyd Goodrich papers were given to the Archives of American Art in several different acquisitions. Lloyd Goodrich first donated material in 1983. David Goodrich, Lloyd Goodrich's son, gave more material between 1988 and 2007 while additional papers were lent for microfilming by William I. Homer in 1990. Finally, the Whitney Museum of American Art donated papers in 1996, and Polly Thistlethwaite gave further material in 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Lloyd Goodrich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Museum curators -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Topic:
Art historians -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art museums -- New York (State) -- New York  Search this
Art, American  Search this
Museum directors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Transcripts
Interviews
Scrapbooks
Citation:
Lloyd Goodrich papers, 1884-1987, bulk 1927-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goodlloy
See more items in:
Lloyd Goodrich papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goodlloy
Additional Online Media:

Georgia O'Keeffe, by Daniel Catton Rich

Author:
Rich, Daniel Catton 1904-1976  Search this
Art Institute of Chicago  Search this
Subject:
O'Keeffe, Georgia 1887-1986  Search this
Physical description:
45 p. incl. col. front., illus. (incl. port.) 26 cm
Type:
Books
Date:
1943
[c1943]
Call number:
N40.1.O41 R4
N40.1.O41R4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_181482

Paintings and drawings by Sante Graziani : [exhibition] Worcester Art Museum, November 4, 1965 through January 2, 1966

Author:
Graziani, Sante 1920-  Search this
Rich, Daniel Catton 1904-1976  Search this
Worcester Art Museum  Search this
Subject:
Graziani, Sante 1920- Exhibitions  Search this
Physical description:
16 p. : ill. ; 23 cm
Type:
Books
Date:
1965
1965]
Call number:
ND237.G61662 A4 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644361

Henri Rousseau / Daniel Catton Rich

Author:
Rich, Daniel Catton 1904-1976  Search this
Rousseau, Henri 1844-1910  Search this
Art Institute of Chicago  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Subject:
Rousseau, Henri 1844-1910  Search this
Physical description:
79 p. : il. ; 26 cm
Type:
Books
Date:
1942
Call number:
ND553.R67 R5
N40.1.R86R49
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_654135

Picasso; his later works, 1938-1961. Edited by Daniel Catton Rich. [Exhibition] Worcester Art Museum, January 25-February 25, 1962

Author:
Worcester Art Museum  Search this
Rich, Daniel Catton 1904-1976  Search this
Subject:
Picasso, Pablo 1881-1973  Search this
Physical description:
61 p. illus. 23 cm
Type:
Books
Date:
1962
1962?]
Call number:
N40.1.P58 W9
N40.1.P58W9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_89378

The art of Goya : paintings, drawings and prints / edited by Daniel Catton Rich ; with a note on The technique of Goya by F. Schmid

Title:
Art of Fran. Goya
Author:
Goya, Francisco 1746-1828  Search this
Rich, Daniel Catton 1904-1976  Search this
Schmid, Frederic  Search this
Art Institute of Chicago  Search this
Subject:
Goya, Francisco 1746-1828  Search this
Physical description:
93 p. : ill. ; 26 cm
Type:
Books
Date:
1941
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1019969

Loan exhibition of paintings, water colors, drawings and prints by Eugène Delacroix, 1798-1863; Art institute of Chicago, March 20 to April 20, 1930

Author:
Art Institute of Chicago  Search this
Subject:
Delacroix, Eugène 1798-1863  Search this
Rich, Daniel Catton 1904-1976  Search this
Physical description:
63 p. plates. 22 cm
Type:
Books
Exhibitions
Date:
1930
1930]
Call number:
ND553.D33 C45X
N40.1.D34 C53 1930
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_126255

Catalogue of a Century of progress exhibition of paintings and sculpture, 1934

Author:
Art Institute of Chicago  Search this
Rich, Daniel Catton 1904-1976  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Physical description:
xii, 103 p. col. front., illus. (plan) xcv pl. (incl. ports.) on 48 l. 25 cm
Type:
Exhibitions
Date:
1934
C1934]
Topic:
Painting  Search this
Sculpture  Search this
Drawing  Search this
Call number:
N4501.A5 1934X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_180121

Half a century of American art, November 16, 1939 to January 7, 1940

Author:
Art Institute of Chicago  Search this
Rich, Daniel Catton 1904-1976  Search this
Physical description:
1 p. l., v-xvii, 61 p. LXXVIII pl. on 39 l. 26 x 19 cm
Type:
Exhibitions
Place:
Illinois
Chicago
Date:
1939
1939]
20th century
19th century
Topic:
Art, American  Search this
Art  Search this
Call number:
N6512.C55X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_335821

Henri Rousseau, by Daniel Catton Rich; in collaboration with the Art institute of Chicago

Author:
Rich, Daniel Catton 1904-1976  Search this
Art Institute of Chicago  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Subject:
Rousseau, Henri 1844-1910  Search this
Physical description:
80 p., illus. (some col.) 26 cm
Type:
Biography
Place:
France
Date:
1946
C1946
Topic:
Painters  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_525887

The flow of art : essays and criticisms / edited by Daniel Catton Rich ; preface by Lincoln Kirstein ; with a new foreword by Hilton Kramer

Author:
McBride, Henry 1867-1962  Search this
Rich, Daniel Catton 1904-1976  Search this
Physical description:
xii, 462 p., [24] p. of plates : ill. ; 24 cm
Type:
Books
Date:
1997
1975
Topic:
Art  Search this
Call number:
N7445.2 .M3 1997X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_530818

Paintings and water colors by Arthur Dove : lent by the William H. Lane Foundation : July 27 through September 17, 1961

Author:
Dove, Arthur Garfield 1880-1946  Search this
Rich, Daniel Catton 1904-1976  Search this
Worcester Art Museum  Search this
Subject:
Dove, Arthur Garfield 1880-1946  Search this
Physical description:
15 p. : ill., port. ; 23 cm
Type:
Books
Exhibitions
Date:
1961
[1961]
Call number:
ND237.D67 A4 1961
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635789

Catalogue of a Century of progress exhibition of paintings and sculpture, lent from the American collections. The Art institute of Chicago, June 1 to November 1, 1933

Author:
Art Institute of Chicago  Search this
Rich, Daniel Catton 1904-1976-  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Physical description:
xvi, 120 [1] p. front., illus. (plan) plates, ports. 24 cm
Type:
Exhibitions
Date:
1933
C1933]
Topic:
Painting  Search this
Sculpture--Exhibitions  Search this
Drawing  Search this
Call number:
N4501 .A5 1933a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_648583

Paintings and drawings by Jack Youngerman : Worcester Art Museum, November 4, 1965 through January 2, 1966

Author:
Youngerman, Jack 1926-  Search this
Rich, Daniel Catton 1904-1976  Search this
Worcester Art Museum  Search this
Subject:
Youngerman, Jack 1926-  Search this
Physical description:
16 p. : ill. (some col.) ; 23 cm
Type:
Books
Exhibitions
Date:
1965
[1965]
Call number:
N6537.Y68 A4 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_732604

The flow of art : essays and criticisms of Henry McBride / selected, with an introd., by Daniel Catton Rich ; prefatory essay by Lincoln Kirstein

Author:
McBride, Henry 1867-1962  Search this
Rich, Daniel Catton 1904-1976  Search this
Physical description:
ix, 462 p., [13] leaves of plates : ill. ; 24 cm
Type:
Books
Date:
1975
C1975
Topic:
Art  Search this
Call number:
N7445.2 .M3 1975X
N7445.2.M3 1975X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_75939

Aspects of twentieth century painting : [catalogue of an exhibition] lent by the Solomon R. Guggenheim Museum, New York, shown at the Worcester Art Museum, February 7 through April 7, 1963 / Daniel Catton Rich

Author:
Rich, Daniel Catton 1904-1976  Search this
Worcester Art Museum  Search this
Solomon R. Guggenheim Museum  Search this
Physical description:
78, [2] p. : ill. ; 16 x 23 cm
Type:
Exhibitions
Date:
1963
1963?.]
20th century
Topic:
Painting, Modern  Search this
Call number:
ND195 .R48X
ND195.R48X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_84242

Twentieth century French paintings from the Chester Dale collection

Author:
Dale, Chester 1883-1962  Search this
Rich, Daniel Catton 1904-1976  Search this
Art Institute of Chicago  Search this
Physical description:
62 p. incl. col. front., illus. 25 cm
Type:
Books
Date:
1943
[1943]
Topic:
Painting--Private collections  Search this
Painting, French  Search this
Call number:
ND548 .D3X
N5220 .D3A7 1943
ND548.D3X
N5220.D3A7 1943
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_92046

Modify Your Search






or


Narrow By