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Correspondence, Harrington - Moser 1848-1924

Creator:
McEvoy, Ambrose 1878-1927  Search this
Healy, G. P. A (George Peter Alexander) 1813-1894  Search this
Johnson, Eastman 1824-1906  Search this
Maynard, George W (George Willoughby) 1843-1923  Search this
McEvoy, Ambrose 1878-1927  Search this
Moser, James Henry 1854-1913  Search this
Subject:
Washington, George Corbin 1789-1854  Search this
Mercer, Edward  Search this
Physical description:
9 Letters : written in ink, ball point, graphite
Type:
Correspondence
Date:
1848
1848-1924
19th century
20th century
Topic:
Art, American  Search this
Local number:
FSA A2009.06 5
Restrictions & Rights:
Access is by appointment only, Monday through Thursday 10:00 a.m. to 5:00 p.m. Please contact the Archives to make an appointment: AVRreference@si.edu
Permission to publish, quote, or reproduce must be secured from the repository
See more items in:
The Brumbaugh Collection of Artist Letters
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
edanmdm:siris_arc_289807
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Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Gallery records  Search this
World War, 1939-1945  Search this
Art dealers  Search this
Art, European  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Additional Online Media:

Katharine Hepburn

Artist:
Everett Raymond Kinstler, 5 Aug 1926 - 26 May 2019  Search this
Sitter:
Katharine Hepburn, 12 May 1907 - 29 Jun 2003  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 117.5 x 111.4 x 3.8cm (46 1/4 x 43 7/8 x 1 1/2")
Frame: 121 x 115.6 x 7.6cm (47 5/8 x 45 1/2 x 3")
Type:
Painting
Place:
United States\New York\Kings\New York
Date:
1982
Topic:
Exterior  Search this
Equipment\Smoking Implements\Cigarette  Search this
Katharine Hepburn: Female  Search this
Katharine Hepburn: Literature\Writer  Search this
Katharine Hepburn: Performing Arts\Performer\Actor\Movie  Search this
Katharine Hepburn: Oscar  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Everett Raymond Kinstler
Object number:
NPG.2003.41
See more items in:
National Portrait Gallery Collection
Exhibition:
20th Century Americans: 1960-2000
On View:
NPG, South Gallery 342
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:npg_NPG.2003.41

Charles Adler, Jr. Collection

Creator:
Adler, Charles, Jr., 1899-1980 (engineer, inventor)  Search this
Extent:
6 Cubic feet (; 15 boxes)
Type:
Archival materials
Collection descriptions
Patent applications
Clippings
Correspondence
Photographs
Receipts
Place:
Baltimore (Md.) -- 20th century
Date:
1899 - 1980
Summary:
The collection contains correspondence, news clippings, photographs, patents, and printed materials documenting the inventive career of Charles Adler, Jr. Adler is best known for his development of the first traffic actuated signal light in 1928.
Scope and Contents:
The collection contains biographical information about Adler and his career. Materials relating to his professional activities include newspaper clippings, photographs and other memorabilia; his published writings include articles in periodicals and newspapers. In addition, there are patent applications, royalty receipts and correspondence, as well as lengthy descriptions of various safety devices Adler invented. Many photographs are not captioned, including images of devices Adler invented, as well as images of aircraft, automobiles, and trains. There are portraits of family members, Adler, and his associates.
Arrangement:
The collection is arranged into six series.

Series 1, Biographical Material, 1899-1980

Series 2, Scrapbooks and Clippings, 1920-1989

Series 3, Correspondence, 1928-1975

Series 4, Patents and Inventions, 1929-1980

Series 5, Photographs and Scrapbooks, circa 1920-1930

Series 6, Publications, 1952-1980
Biographical / Historical:
Charles Adler, Jr. (1899-1980), a professional engineer and inventor was a life-long resident of Baltimore, Maryland. He began his career as an inventor at age 14, receiving a patent on an electric automotive brake. After attending Johns Hopkins University, he served briefly in the Army during World War I and worked at several jobs before being associated in 1919 with the Maryland and Pennsylvania Railroad, where he developed a series of safety devices. In 1928 he developed and installed in Baltimore the first traffic actuated signal light. In 1937 he became a consultant to the Baltimore and Ohio Railroad, continuing to invent safety and signal devices for automobiles, trains and aircraft. He was granted over sixty United States patents. He was a licensed pilot and a member of numerous professional engineering societies. From 1953-1959, Adler served on the Maryland State Aviation Commission and he was a member of the Maryland Traffic Safety Commission from 1952 until his death in 1980.
Provenance:
This collection was donated by Charles Adler, Jr.'s daughter, Mrs. Amalie Adler Ascher on September 15, 1989.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Engineers -- 1920-1980  Search this
Inventions -- 20th century  Search this
Railroads -- 20th century  Search this
Inventors -- 20th century  Search this
Aeronautics and state -- 20th century  Search this
Traffic signs and signals -- 1920-1980  Search this
Traffic engineering -- 20th century  Search this
Genre/Form:
Patent applications
Clippings -- 20th century
Correspondence -- 20th century
Photographs -- 20th century
Receipts -- 20th century
Citation:
Charles Adler, Jr. Collection, 1899-1980, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0351
See more items in:
Charles Adler, Jr. Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0351
Additional Online Media:

White, Edmunds, and Fallen Family Papers

Source:
Carter, Ethel H.  Search this
Former owner:
Carter, Ethel H.  Search this
Extent:
2 Cubic feet (5 boxes)
Type:
Archival materials
Collection descriptions
Photographs
Date:
bulk 1906-1978
Summary:
Collection primarily documents the day-to-day activities of tenant farmer Julius Lee White who worked on a tobacco farm in Ringgold, Virginia. Materials include financial papers, insurance policies, medical records, correspondences, religious materials and photographs. There is information relating to other family members including his wife Geraldine and their adopted son Thomas B. Edmunds. whao had a military career.
Content Description:
The collection measures about two2 cubic feet and contains assorted and varied papers documenting the day-to-day lives of the tenant farmer families the White family, the Edmunds family, and the Fallen family who worked on a tobacco farm in Ringgold, Virginia. They include financial papers including bills, receipts, and statements relating to utilities, insurance, medical matters, housing, automobiles, loans, banking, work (such as pay statements), taxes, and other such concerns; bills of sale for tobacco; greeting cards, postcards and letters; things such as trading stamps, coupons, premiums; church related materials such as programs, a hymnal, religious tracts and other printed material; the personal papers of a World War II soldier including a 1909 letter and selective service documents; and numerous portrait photographs of family members, as well as candid photographs.
Arrangement:
The collection is arranged into four series:

Series 1: White Family Papers, 1906-1978

Subseries 1.1: Julius Lee White, 1943-1978

Subseries 1.2: Geraldine White, 1950-1973

Subseries 1.3: General Family Papers, 1906-1971

Series 2: Edmunds Family Papers, 1936-19701

Subseries 2.1: Thomas B. Edmunds, 1945-1970

Subseries 2.2: General Family Papers, 1936-1955

Series 3: Fallen Family Papers, 1949-1971

Series 4: Photographs, 1948-1967
Biographical / Historical:
White Family:

Julius Lee White was born on March 18, 1911. His parents were Jersey Lee White and Elizabeth Tucker. He married Geraldine Edmunds, but she passed away in 1972. He married a second time at the age of 63 Mary Lee Valentine Davis on December 1, 1974, in Halifax, Virginia. Julius Lee White died on January 3, 1984, in Danville, Virginia when he was seventy two years old.

Geraldine Edmunds White was born on August 25, 1912, in Halifax County, Virginia. She was the eldest daughter of Mattie B. Edmunds. Her siblings included Oslem, Oscar, John H., Willie, Susie, Thomas Bencrlar, and Buddie. She passed away unexpectedly on September 25, 1972, at the age of sixty.

Edmunds Family:

Thomas Bencrlar Edmunds was born on May 26, 1926, in Sutherlin, Virginia. He was the son of Mattie B. Edmunds and Samuel Fallen, and younger brother of Geraldine White. He was inducted into the Army of the United States on January 17, 1945, and he was honorably discharged on August 17, 1946. Thomas B. Edmunds died on December 4, 2006, at the age of eighty.

Thomas Belvin Edmunds was born on March 16, 1946, in Halifax, Virginia. He was the son of Susie Edmunds and nephew of Geraldine White. He passed away in February of 1987.

Fallen Family:

Howard Albert Fallen was born March 18, 1949, in Pittsylvania, Virginia. He was the son of Susie Fallen and the nephew of Geraldine White.

Susie Anna Fallen was born on March 26, 1924, in Halifax County, Virginia. She was the daughter of Mattie Edmunds, sister of Geraldine White and Thomas B. Edmunds, and mother of Howard A. Fallen. Susie Fallen died on April 30, 1970, in Winslow Hospital Danville, Virginia, after a brief illness. She was only forty-six years old.
Related Materials:
Tractor-pulled tobacco planter, Accession Number 1989.0600.01

Hand-held tobacco planter, Accession Number 1989.0600.02

Three wooden hand-held tobacco planting pegs, Accession Number 1989.0600.02

Ten assorted wall calendars, all advertising in nature, Nonaccession Number 1990.3016.02

One sign: "Jesus is the head of this home,", Nonaccession Number 1990.3016.03

Admiral table radio, Nonaccession Number 1990.3016.04

Sonora table radio, Nonaccession Number 1990.3016.05

Silvertone table radio, Nonaccession Number 1990.3016.06

Sears and Roebuck table radio, Nonaccession Number 1990.3016.07

Fourteen assorted burlap fertilizer sacks, Nonaccession Number 1990.3016.08
Provenance:
Collection donated by Ethel H. Carter, along with several three dimensional objects in 1988.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bills of Sale -- Tobacco  Search this
Church bulletins -- 20th century -- United States  Search this
Financial records -- 20th century  Search this
Greeting cards -- 20th century  Search this
Letters (correspondence) -- 20th century  Search this
Military records -- 20th century -- United States  Search this
Postcards -- 20th century  Search this
Religious tracts -- 20th century -- United States  Search this
Trading stamps -- 20th century -- United States  Search this
Tenant farmers -- 20th century -- Virginia  Search this
Tobacco -- 20th century -- Virginia  Search this
Genre/Form:
Photographs -- 20th century
Identifier:
NMAH.AC.1444
See more items in:
White, Edmunds, and Fallen Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1444

J&B Manufacturing Company Records

Creator:
J&B Manufacturing Company.  Search this
Huldah's Brook, Inc.  Search this
Names:
Ford Motor Company.  Search this
Extent:
4 Cubic feet
Type:
Archival materials
Collection descriptions
Correspondence
Receipts
Invoices
Advertising
Place:
Latin America -- Business
Date:
1903-1924.
Scope and Contents note:
Papers documenting J&B's manufacture and marketing of automobile parts to car dealers, jobbers and small retailers; correspondence, information on the supply of auto parts to Latin America, reports from jobbers, and information on parts developed and patented by J&B; information on the company itself, including documentation on factory floor operations, labor relations, financial information, and the company's relationship with Ford Motor Company.
Arrangement:
The collection is divided into ten series.
Biographical/Historical note:
Pittsfield, Massachusetts company which made automobile ignition coils. The company was founded in 1895 by the Southard family and incorporated in 1912.
Provenance:
Collection donated by Benjamin W. Guy III., Huldah's Brook, Inc.
Restrictions:
Collection is open for research and access on site by appointment.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobile industry and trade  Search this
Automobile supplies industry  Search this
Industrial relations  Search this
Genre/Form:
Correspondence -- 1900-1950
Receipts -- 20th century
Invoices
Advertising
Citation:
J&B Manufacturing Company Records, 1916-1924, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0563
See more items in:
J&B Manufacturing Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0563

Kern Dental Equipment Collection

Creator:
Kern, George Robert, 1894-1962 (cabinet maker, machinist)  Search this
Kern, George Robert, Jr., 1919-1987  Search this
Source:
Medical History, Division of (NMAH, Smithsonian Institution).  Search this
Names:
Densco, Inc.  Search this
Fairfax Manufacturing Company.  Search this
Hazleton Laboratories.  Search this
Kern Laboratory Equipment Company.  Search this
Hazelton, L. W.  Search this
Henninger, R. G.  Search this
Former owner:
Medical History, Division of (NMAH, Smithsonian Institution).  Search this
Extent:
3 Cubic feet (9 boxes)
Type:
Archival materials
Collection descriptions
Correspondence
Drawings
Patents
Blueprints
Advertisements
Date:
1936-1970
Summary:
Blueprints, drawings, patent applications, patents, product photographs, correspondence, bills and receipts, advertising, and published articles related to the Kerns' products. The bulk of the material, 1949-1958, is from George Kern's files. It primarily relates to the development and marketing of the Dentagraph and high speed dental drills before the formation of the Fairfax Manufacturing Company in 1957.
Scope and Contents:
This collection includes blueprints and drawings, patent applications, patents, product photographs, correspondence, bills and receipts, advertising, and published articles related to the Kern's products. The bulk of the material, dating from 1949 to 1958, is from George Kern's files. It primarily relates to the development and marketing of the Dentagraph and high speed dental drills before the formation of the Fairfax Manufacturing Company in 1957. Most of the FMC material document's Kern's role as a stockholder. However, a large portion of the blueprints and drawings were created by his son or other FMC employees. Several of the patents are George Kern, Jr.'s, and there are copies of other people's patents that relate to the Kerns' patents or inventing activities. The collection has been arranged in chronological order within five series.
Arrangement:
The collection is divided into five series.

Series 1: Personal Papers, 1952-1959

Series 2: Product Files, 1945-1968

Series 3: Marketing Records, 1936-1962

Series 4: Client Files, 1949-1958

Series 5: Competitor Files, 1957
Biographical / Historical:
George Robert Kern was born in 1894 and died in 1962. He was an Arlington, Va., area cabinet maker and machinist who went on to invent several pieces of dental equipment that helped revolutionize the field of dentistry in the early 1950s he was joined in these endeavors by his son, George Kern, Jr.

The elder George Kern began working with dental equipment according to his promotional material because of his own experience with poor fitting dentures. As a machinist accustomed to tight tolerances, he knew it must be possible to make dentures fit better. The result of his work was the Dentagraph and his first patent, granted in 1950. In 1948 a company, Kern laboratory, was incorporated to manufacture the Dentagraph and license the "Dentagraph Tech nic." He also sold dental laboratory benches and dental molding materials under the name Kern Laboratory Equipment Company. Kern's Dentagraph was used by the National Standards Laboratory to test denture materials and the laboratory further improved the device. Apparently Kern received the rights to produce and market this improved tool.

In the early 1950s he began working on high speed dental drills. He developed both a water turbine drill and an air turbine drill. The water turbine drill was manufactured by Bowen Company of Maryland under the trademarked name Turbo Jet. In 1957 the company acquired the rights to this tool and its trademark.

Kern and his son improved on the water turbine drill, and in 1957 formed Fairfax Manufacturing Company (FMC) to produce an air turbine drill and the improved water turbine drill. The senior Kern was a participating stockliolder, receiving stock in return for rights to his inventions. George Kern, Jr., L. W. Hazleton (President of Hazleton Laboratories, a biological (research and development company), and R. G. Henninger (General Manager of Hazleton Laboratories) were the company officers. The stockholders included dentists who also tested the companies new products. Densco, Inc., a Colorado dental equipment company, marketed Kern's products from around 1954, and in 1957 the company began to market Fairfax Manufacturing Company's products.

George R. Kern, Jr., was born in 1919. He left public school in the tenth but took courses in industrial electricity and industrial engineering. He worked for worked the National Bureau of Standards for two years building and installing laboratory equipment. In 1951 he began working at Hazelton Laboratories as Superintendent of Maintenance. He patented several pieces of

Dental equipment and specialized parts for dental equipment. He died in 1987.
Related Materials:
The Division of Medicine and Science has several examples of the Kerns' dental equipment, including a Dentagraph and a number of hand pieces.
Provenance:
Collection donated by John Kern, 1992, December 22.
Restrictions:
Collection is open for research.
Rights:
Usage or copyright restrictions in effect. Contact the repository for details.
Occupation:
Cabinetmakers -- 1930-1970  Search this
Inventors -- 1930-1970  Search this
Machinists -- 1930-1970  Search this
Topic:
Dental instruments and apparatus -- 1930-1970  Search this
Dental technology -- 1930-1970  Search this
Dentistry -- 1930-1970  Search this
Dentures -- 1930-1970  Search this
Inventions -- 1920-2000 -- United States  Search this
Genre/Form:
Correspondence -- 20th century
Drawings -- 1930-1970
Patents -- 20th century
Blueprints -- 20th century
Advertisements -- 20th century
Citation:
Kern Dental Equipment Collection, 1936-1970, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0479
See more items in:
Kern Dental Equipment Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0479

Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Sales letters
Recipes
Ephemera
Commercial catalogs
Caricatures
Illustrations
Labels
Advertising
Menus
Business records
Advertisements
Beverage labels
Instructional materials
Manuals
Trade cards
Publications
Sales records
Commercial correspondence
Trade catalogs
Advertising fliers
Trade literature
Manufacturers' catalogs
Printed ephemera
Advertising cards
Sales catalogs
Letterheads
Business letters
Mail order catalogs
Catalogues
Invoices
Periodicals
Receipts
Print advertising
Advertising mail
Business cards
Signs (declaratory or advertising artifacts)
Legislation (legal concepts)
Business ephemera
Legal documents
Correspondence
Date:
1743-1963
bulk 1846-1962
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
In 1953, Warshaw launched a year-long collecting campaign, soliciting material on whiskey and wine. He expanded this effort to also include items related to the drinking habit of notable persons. This category was originally labeled "whiskey" but has been retitled as the content covers a wide variety of distilled beverages, spirits, liquors, liqueurs, and hard alcohol.

The bulk of the content is print material in the form of advertising, circulars, price lists, marketing and promotional items with also a sampling of business records consisting of transactional documents such as receipts, invoices, correspondence, and import/export paperwork. Some bottle labels and a couple of packaging examples are present, as are drink recipe booklets and entertainment/pairing guides. Only a small portion of this series covers regulatory aspects such as licensing and taxation, including a Prohibitionists' Text-Book from 1880. The rich volume of advertising provides much in the way of visuals regarding the culture of drinking and entertainment through several 19th and 20th Century eras.

The Warshaw Survey Campaign Records series provides insight to his collection building strategy. Samples of his outbound solicitations exist and to a greater extent, the inbound replies help demonstrate his process and some of the relationships he had with institutions, businesses, and individuals. Of particular note are some of the anecdotal responses, plus several essays and memoir pieces related to the effects of alcohol consumption; not always positive, not always negative.

See also Warshaw Collection of Business Americana, Series 2: Other Collection Divisions, Liquor & Wine Labels and Advertisements, 1893-1905, which contains two additional boxes of scrapbooks filled with printed advertisements, dealers' receipts, labels and drink recipe books.
Arrangement note:
Whiskey, Liquor, and Spirits is arranged in five subseries.

Business Records and Marketing Material

Genre

Subject

Warshaw's Whiskey and Wine Survey and Collecting Campaign Records

Oversize Material
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Whiskey, Liquor, and Spirits is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Restaurants  Search this
Labels -- Design  Search this
Restaurants -- United States  Search this
Dining  Search this
Taverns (Inns)  Search this
Beverages  Search this
advertising -- Beverages  Search this
Labels -- Alcoholic beverages  Search this
Food  Search this
Drinking behavior  Search this
Beverages -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Distilleries  Search this
Bars (Drinking establishments)  Search this
Consumer goods -- Catalogs  Search this
Retail trade  Search this
Trade associations  Search this
Alcohol  Search this
advertising -- Alcoholic beverages  Search this
Alcoholism  Search this
Medicine  Search this
Drinking of alcoholic beverages -- Law and legislation  Search this
Genre/Form:
Sales letters
Recipes
Ephemera
Commercial catalogs
Caricatures
Illustrations
Labels
Advertising
Menus -- 21st century
Business records
Menus -- 20th century
Advertisements
Beverage labels
Instructional materials
Manuals
Trade cards
Publications -- Business
Publications
Sales records
Commercial correspondence
Trade catalogs
Advertising fliers
Trade literature
Menus -- 1940-1950
Menus
Manufacturers' catalogs
Printed ephemera
Advertising cards
Sales catalogs
Letterheads
Business letters
Mail order catalogs
Catalogues
Invoices
Periodicals
Receipts
Print advertising
Advertising mail
Business cards
Signs (declaratory or advertising artifacts)
Legislation (legal concepts)
Business ephemera
Legal documents
Correspondence
Citation:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Whiskey
See more items in:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-whiskey
Additional Online Media:

David Vetter Collection

Creator:
Vetter, David, 1971-1984  Search this
Texas Children's Hospital  Search this
National Aeronautics and Space Administration  Search this
Donor:
Vetter, David J., Jr.  Search this
Vetter, Carol Ann  Search this
Vetter, Carol Ann  Search this
Vetter, David J., Jr.  Search this
Collector:
Science, Medicine and Society, Division of (NMAH, SI).  Search this
Science, Medicine and Society, Division of (NMAH, SI).  Search this
Extent:
4.6 Cubic feet (9 boxes)
Type:
Archival materials
Collection descriptions
Photographs
Financial records
Reprints
Periodicals
Reports
Specifications
School records
Student drawings
Correspondence
Legislative documents
Articles
Trade literature
Manuals
Date:
1971-1986
Summary:
Papers document David Vetter, a Texas boy with a rare disease known as Severe Combined Immune Deficiency. His life in a special isolation unit received widespread publicity.
Scope and Contents:
Papers relating to David Vetter, a Texas boy with a rare disease known as Severe Combined Immune Deficiency. The papers document his and his family's efforts to maintain normalcy in his life in spite of the limitations imposed by his disease, and medical efforts to reduce or cope with the limitations. A special suit was designed for David by NASA scientists to give him mobility, and the papers include documentation of the development and implementation of the suit.

The collection includes letters, greeting cards, photographs, medical records and internal hospital memoranda and documents from the Texas Children's Hospital in Houston, procedure manuals for the isolation unit, specifications for the space suit, David's school records and school art projects, receipts and other financial papers, trade literature for products used in creating the sterile isolation unit, medical journals, newspaper and magazine articles, and clippings. The collection also includes a project created by high school students in 1985 about David's life and legislation to honor David with the Presidential Medal of Freedom.
Arrangement:
The collection is arranged into seven series.

Series 1: Correspondence and Press, 1971-1985

Series 2: Mobile Biological Isolation System (MBIS), 1973-1983

Series 3: Medical Publications, 1972-1983

Series 4: Personal Papers, 1978-1983

Series 5: Nimitz High School Project, 1985

Series 6: Texas Children's Hospital Medical Records, 1965-1989

Series 7: Photographs, 1974-1983
Biographical / Historical:
David Vetter (1971-1984) was a Texas boy who was born with Severe Combined Immune Deficiency, a disease which required him to live in a sterile, plastic isolation unit. NASA scientists designed and created a special suit for David, which resembled astronauts' space suits. His parents, family, church, doctors, and community all made efforts to enable him to have a normal childhood and life. At age 12, he underwent experimental bone marrow surgery, which was not successful, and David died a few months later. The bone marrow donor, David's sister Katherine, carried a dormant strand of the Epstein-Barr virus which was not detected by the pre-operation screens. He was removed from the bubble in February of 1984 and died 15 days later.
Related Materials:
Materials in the Archives Center, National Museum of American History

Shriners Hospital Patient Isolation Unit Records, NMAH.AC.1142

Materials in the Division of Medicine and Science, National Museum of American History

Related objects include action figure toys, a t-shirt, and a space suit. See accessioons: 1986.0201 and 1986.0450.
Provenance:
The collection was donated by David Vetter's parents, David and Carol Ann Vetter in 1986.
Restrictions:
Collection is open for research. Some health-related materials in Series 3: Medical Publications, Series 6: Texas Children's Hospital Medical Records, and Series 7: Photographs are restricted until 2034.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Immunological deficiency syndromes  Search this
Space suits  Search this
Hospitals  Search this
Severe combined immunodeficiency  Search this
Immune diseases  Search this
Isolation (Hospital care)  Search this
Greeting cards -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Financial records -- 20th century
Reprints
Periodicals
Reports -- 1950-1980
Specifications
School records
Student drawings
Correspondence -- 20th century
Legislative documents
Articles -- 20th century
Trade literature
Manuals
Citation:
David Vetter Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1133
See more items in:
David Vetter Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1133
Additional Online Media:

Bowl (forgery)

Medium:
Earthenware painted over glaze with lustre
Dimensions:
H x W: 9.9 x 35.9 cm (3 7/8 x 14 1/8 in)
Type:
Ceramic
Vessel
Origin:
Iraq
Date:
early 20th century
Topic:
forgery  Search this
Iraq  Search this
earthenware  Search this
Arts of the Islamic World  Search this
lustre  Search this
Credit Line:
Purchase — Charles Lang Freer Endowment
Accession Number:
F1925.6
Restrictions & Rights:
Copyright with museum
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:fsg_F1925.6
Additional Online Media:

Letter from Asst. Secretary J. E. Graf to Captain J. N. Belkin regarding Accession No. 170298, May 16, 1945

Author:
Graf, John E  Search this
Subject:
Belkin, John N  Search this
Stone, Alan 1904-  Search this
United States National Museum  Search this
Assistant Secretary of the Smithsonian  Search this
United States. Army  Search this
Physical description:
Number of Images: 1; Color: Color; Size: 8w x 10.5h; Type of Image: Letters; Medium: Paper
Type:
Paper
Letters (correspondence)
Place:
Solomon Islands
Guadalcanal (Solomon Islands)
Date:
May 16, 1945
20th century
Topic:
Specimens  Search this
Collectors and collecting  Search this
Accessions  Search this
Entomology  Search this
Mosquitoes  Search this
World War, 1939-1945  Search this
Standard number:
SIA2010-0982
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_13922

Memorandum from Theodore T. Belote to William H. Holmes

Author:
Belote, Theodore T  Search this
Subject:
Holmes, William Henry 1846-1933  Search this
United States National Museum  Search this
War Collection  Search this
Physical description:
Number of Images: 1 Color: Color Size: 8.5w x11h Type of Image: Letters Medium: Paper
Type:
Paper
Letters (correspondence)
Date:
January 3, 1919
20th century
Topic:
World War, 1914-1918  Search this
Collectors and collecting  Search this
Firearms  Search this
Museum curators  Search this
Smithsonian Institution--Employees  Search this
Weapons  Search this
Standard number:
SIA2014-07013
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14255

Claude Williams Papers

Creator:
Williams, Claude, 1908-2004  Search this
Fouse-Williams, Blanche Y.  Search this
Extent:
1 electronic discs (cd)
13 cassette tapes
4.66 Cubic feet (14 boxes, 1 oversized folder,)
Type:
Archival materials
Collection descriptions
Electronic discs (cd)
Cassette tapes
Letters (correspondence)
Photographs
Programs
Posters
Scrapbooks
Financial records
Awards
Business records
Audiotapes
Articles
Manuscripts
Date:
circa 1920-2005
Summary:
Business and personal papers, photographs, and audio recordings of Claude "Fiddler" Williams, an award-winning jazz fiddler. Although Williams played music for almost a century the materials in this collection date largely from 1970 to 2005.
Scope and Contents:
This collection documents the later life and career of jazz violinist Claude "Fiddler" Williams. Materials include correspondence, photographs, unpublished writings, awards, business records, financial records, programs and a few music manuscripts. There is one scrapbook and several audio recordings. There are also an autographed poster from 1997 honoring five inductees to the Oklahoma Music Hall of Fame, including Claude Williams, Merle Haggard, Patti Page, Woody Guthrie and Eddie Burris. While there are some materials from Williams's youth, the vast majority of the collection dates from 1970. Williams's second wife, Blanche Y. Fouse-Williams, was vigilant about saving his papers. She also managed his career for the last few years of his life. This accounts for the increased volume of materials documenting his later years. Materials generally are arranged in chronological order within series and subseries.

Series 1, Business Records, 1973-2005, undated, is divided into seven subseries and includes business records, information relating to tours and performances, awards and certificates, business and personal correspondence, financial papers, articles and newspaper clippings, and biographical information.

Subseries 1, Events, 1977-2004, undated, includes contracts, copies of newspaper clippings, performance programs, brochures, ticket stubs, travel itineraries, travel receipts, correspondence, materials regarding his work as a fiddle teacher, advertisements for performances, a certificate of recognition, and napkins saved from a Washington Education Television Association (WETA) performance at the White House in 1998. Materials are arranged in chronological order.

Subseries 2, Itineraries, 1990-2001, includes lists and correspondence detailing locations, musicians, travel and lodging plans, and financial compensation for William's performances. Materials are arranged in chronological order.

Subseries 3, Awards and Certificates, 1978-2002, contains awards and certificates of appreciation from the Steamboat Delta Queen, Annual Black Musicians Conference, Kansas City Chapter of the International Association of Jazz Record Collectors, and the Manhattan School of Music, as well as an invitation to a reception honoring Kansas City Jazz musicians from the Consul General of Japan. Materials are arranged in chronological order.

Subseries 4, Correspondence, 1975-2004, consists of information relating to travel arrangements, tours, remuneration, music recordings, press kits, contracts, public television performances, involvement with the National Endowment for the Arts and the National Endowment for the Humanities, as well as Williams's Smithsonian Folkways recording. Materials are arranged in chronological order.

Subseries 5, Financial Papers, 1990-2005, includes information about travel and payment, hotel bills and receipts, invoices for performances, music recordings sales, royalty statements and copies of checks. Materials are arranged in chronological order.

Subseries 6, Press, 1973--005, undated, includes magazines, newspaper clippings and articles, about Williams's performances and music, appearances and jazz festivals, as well as the Kansas City Jazz scene. Magazine titles include Kansas City Magazine , Missouri Alumnus , The Masters Traditional Arts Apprenticeship Program , Jazz Ambassador Magazine , Kansas City Ambassador to Jazz , The Mississippi Rag , Fiddler Magazine , Jazz News , Jazz Times , Living Blues , Blues Access , and Kansas City . Materials are arranged by type and then in chronological order.

Subseries 7, Music, 1989-1995, undated, contains thirteen audio tape recordings, one CD, sheet music and set lists of music performed by Williams. There is an audio recording of Black and Blue: A Musical Revue , a Folk Master performance at Carnegie Hall. Williams's work with James Chirillo, an appearance on Birdflight , as well as recordings of live and studio performances are also included among these materials. There is a copy of Williams's CD Swingtime in New York and an interview from1992. Materials are arranged in chronological order.

Series 2, Personal Papers, 1978--005, undated, is divided into two subseries and contains letters, cards, postcards, invitations, copies of email, and requests for information and interviews. Most of the correspondence was addressed to Williams but there are materials that were sent to Blanche Williams. The correspondence is generally from fans, friends and family.

Subseries 1, Correspondence, 1978-2005, undated, consists of birthday cards from school age children, postcards, copies of newspaper clippings, White House and other government correspondence, congratulations or birthday wishes, as well as personal correspondence from friends inquiring about Williams's health and well-being. Also included is a draft for a chapter in a book on Claude Williams's contributions to jazz. Requests relating to research about Williams are also included. Materials are arranged in chronological order. Materials are arranged first by type followed by general correspondence in chronological order.

Subseries 2, Miscellaneous, undated, contains ephemera, autographs, affiliates list, well-wishes to Blanche Williams, a funeral program, mailing lists, lists of affiliated organizations, and a Count Bassie autograph.

Series 3, Photographs, 1977-2004, undated, includes personal and professional photographic prints and negatives of Williams. Subjects include performances and festivals, headshots and publicity, images of other musicians, family, friends, and posters with photographs created for his funeral. The majority of these photographs are of performances. Materials are arranged by subject.
Arrangement:
The collection is arranged into three series.

Series 1, Business Records, 1973-2005, undated

Subseries 1.1, Events, 1977-2004, undated

Subseries 1.2, Itineraries, 1990-2001

Subseries 1.3, Awards and Certificates, 1978-2002

Subseries 1.4, Correspondence, 1975-2004

Subseries 1.5, Financial Papers, 1990-2005

Subseries 1.6, Press, 1973-2005, undated

Subseries 1.7, Music; 1989-1995, undated

Series 2, Personal Papers, 1978-2005, undated

Subseries 2.1, Correspondence, 1978-2005, undated

Subseries 2.2, Miscellaneous, undated

Series 3, Photographs, 1977-2004, undated
Biographical / Historical:
Claude "Fiddler" Williams, 1908-2004, was born in Muskogee, Oklahoma, the son of a blacksmith. His musical gifts developed at a very early age, and he quickly became adept at the guitar, banjo, mandolin and cello, learning mostly by ear, without formal training. After hearing the jazz violinist Joe Venuti, the violin became his instrument of choice, and it remained so for the rest of his life. He migrated to Kansas City in 1927 and toured with several territory bands. Additionally Williams toured with the Twelve Clouds of Joy and the Cole Brothers, and in 1936, joined Count Basie's band as the first guitarist. After he was fired from Count Basie's band because John Hammond thought Williams's guitar solos were taking too much attention away from Basie, he went back to the violin (or "fiddle" as he preferred to call it) and focused exclusively on it for the rest of his life. Later he started his own band and toured with several jazz groups working for a short time with the Works Progress Administration (WPA). His band appeared at the Monterey Jazz Festival, the Nice Jazz Festival, and the Smithsonian Institution's Festival of American Folk Life. Williams received numerous honors and awards, including induction into the Oklahoma Jazz Hall of Fame, a proclamation from the city of Kansas City, and a 1998 National Heritage Fellowship which included a $10,000 award. President Bill Clinton invited him to perform at one of the parties celebrating his first inauguration. Williams continued to tour and perform until well into his nineties. He also gave instruction at Mark O'Connor's annual fiddle camp to young violinists. Mr. Williams died in April 2004.
Separated Materials:
Artifacts donated to the Museum's Division of Culture and the Arts include a suit and violin. See accession numbers: 2005.3105 and 2007.3020.
Provenance:
This collection was donated by Claude Williams's widow, Blanche Y. Fouse-Williams, in 2005.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Do not use original materials when available on reference audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
Jazz musicians -- United States  Search this
Violinists  Search this
Musicians -- United States  Search this
Genre/Form:
Letters (correspondence) -- 20th century.
Photographs -- 2000-2010
Programs
Posters -- 1950-2000
Scrapbooks
Financial records
Awards
Business records -- 20th century
Audiotapes
Articles
Photographs -- 20th century
Manuscripts -- Music -- 20th century
Citation:
Claude Williams Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0909
See more items in:
Claude Williams Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0909
Additional Online Media:

Westbrook Theatre Corporation Records

Creator:
Westbrook Theatre Corporation  Search this
Westbrook Theatre  Search this
Other:
Robinson, Verna Kimball, 1904-1988  Search this
Robinson, Colby W., 1900-1950  Search this
Colby Theatre -- 20th century  Search this
Hawkes, Philip, 1897-1962 -- 20th century  Search this
Extent:
0.15 Cubic feet (1.5 document boxes)
Type:
Archival materials
Collection descriptions
Place:
Fryeburg, Maine
Westbrook, Maine
Bingham, Maine
Date:
1934-1950, undated
bulk 1939-1942
Summary:
This collection contains the business records of the Westbrook Theatre Corporation of Westbrook, Maine. Records include the Colby, Rialto, and Knights of Pythias motion picture theatres in Bingham, Fryeburg, and elsewhere. The collection includes financial records, business correspondence, and photographs.
Scope and Contents:
Series 1, Westbrook Theatre Corporation Records, 1934-1950, undated. This series contains ledgers, business-related correspondence and documents, monthly accounts detailing attendance, cost, revenue, and program for the three theatres managed by Westbrook; equipment advertising and specifications, licenses, receipts, documents related to various film exchanges and motion picture production companies (including Paramount, RKO, and Universal), union contracts, check books, a weekly report card book (a book of standardized forms for motion picture projectors produced by the International Photographers of the Motion Picture Industry, a branch of the International Alliance of Theatrical Stage Employees (IATSE)), and black and white photographs of the Colby Theatre in Bingham, Maine.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
The Westbrook Theatre Corporation was formed July 30, 1934 in Westbrook, Maine. The president was Colby W. Robinson and Philip W. Hawkes was treasurer. There were 161 shares of stock divided among Robinson (eighty shares), Hawkes (eighty shares), and Marion Hawkes (one share). At its inception the corporation's stock was valued at ten dollars a share. The corporation ran the Colby Theatre in Bingham, the Rialto Theatre, and later rented the Knights of Pythias Hall in Fryeburg, Maine.

The Corporation was independent, not allied with or owned by one motion picture studio. Film rentals were handled through exchanges, and motion pictures produced by Paramount, RKO, and Universal (to name three producers) regularly appeared on its programs. Programs included such first run films as Citizen Kane, Young Man With a Horn, and The Howards of Virginia, motion pictures with well-known stars produced by the major studios. B pictures made up a considerable portion of the fare as well as motion picture serials such as the Blondie comedies, and Westerns. The meticulous recording of daily programs, attendance, and receipts as well as supporting documents provides an accurate basis for research into the daily life of an independently run motion picture theatre.

The papers indicate that day to day management and running of the theatres was the job of Robinson and his wife Verna. Later Verna's sister, Lucy, seems to have joined the business. With Robinson's death in 1950 it is unknown if the Corporation continued or was dissolved. Philip and Marion Hawkes rarely show up in the documents. The Hawkeses eventually moved to Southern California so perhaps that explains their absence from the records.

Colby W. Robinson was born in Bingham, Maine on November 16, 1900, the son of Walter E. Robinson and Nellie M. Preble. Robinson's father was a merchant. On October 21, 1925 Robinson married Verna L. Kimball, the daughter of Leon L. and Ruth Clifford Kimball. Verna's father was a farmer in Albany, Maine and Verna was born on February 28, 1904 in Albany. By the 1940 United States census, they were living in Portland, Maine along with Verna's younger sister Lucy. Robinson listed his occupation as theatre manager; Verna was listed as bookeeper, and Lucy was a theatre cashier. Robinson died in 1950, and it is unclear if the business continued past his death as the records in this collection cease in 1950. Verna died November 28, 1988. Both of them are buried in the village cemetery at Bingham, Maine. They had no children.

Phillip Hawkes, treasurer, was born in Westbrook, Maine on July 17, 1897 to E. Leroy and Maude Laura Hawkes. Leroy Hawkes was a laundryman. He married Marion A. Harlow on April 5, 1924. By the 1930 census, Hawkes is listed as a superintendent in a laundry. Hawkes died on September 21, 1962 and Marion died November 17, 1986. Both are buried at Forest Lawn Cypress Cemetery in Orange County, California.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian, by Archives Center employee Craig A. Orr in 2013.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Motion pictures -- History  Search this
Motion picture industry  Search this
Knights of Pythias  Search this
Theater -- History -- 20th century  Search this
Citation:
Westbrook Theatre Corporation Records, 1934-1950, undated, Archives Center, National Museum of American History, Smithsonian Institution
Westbrook Theatre Corporation Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1296
See more items in:
Westbrook Theatre Corporation Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1296

John Souther Collection

Creator:
Souther, John  Search this
Globe Iron Works (Boston, Massachusetts)  Search this
Collector:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
Work and Industry, Division of, NMAH, SI  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Work and Industry, Division of, NMAH, SI  Search this
Donor:
Souther, Marguerite  Search this
Souther, Marguerite  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Business records
Invoices
Correspondence
Receipts
Legal records
Date:
1867-1918
Summary:
The collection documents entrepreneur and inventor John Souther and his manufacturing companies Globe Works and American Steam Locomotive. Much of the collection consists of documentation and correspondence related to Globe Works' legal affairs.
Scope and Contents:
Papers relating to the Globe Iron Works. The collection includes a handwritten transcript of testimony in the case of Monument Bank vs. Globe Works, 1868; correspondence relating to payment for work with the Navy; 1895-1918; and invoices for transactions with other companies Globe Works had business with, 1871-1872.

The correspondence consists of documentation related to Globe Works and other businesses associated with John Souther. Much of the correspondence is between Souther and his lawyer John S. Blair, often discussing Globe Works' legal case against the federal government regarding payment for construction on the USS Suncook. Other legal correspondence concerns the role of Nathaniel McKay and Globe Works treasurer Daniel N. Pickering in the federal legal case of the construction of the USS Masaoit and USS Losco, civil lawsuits, and matters of the Souther estate, and Souther's inheritance of the company from his father.
Arrangement:
The collection is arranged into one series.
Provenance:
The collection was donated by Marguerite Souther, circa 1969.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Iron and steel industry  Search this
Genre/Form:
Business records -- 1850-1900
Invoices
Correspondence -- 19th-20th century
Receipts
Legal records
Citation:
John Souther Collection, 1867-1918, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0953
See more items in:
John Souther Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0953

Red Norvo Papers

Donor:
Corlin, Portia Norvo  Search this
Corlin, Portia Norvo  Search this
Creator:
Norvo, Red, 1908-1999  Search this
Extent:
4 Cubic feet (7 boxes)
Type:
Archival materials
Collection descriptions
Awards
Biographies
Correspondence
Photographs
Clippings
Interviews
Date:
1932-1998
Summary:
Correspondence, transcripts of interviews, photographs, a biography, a discography, an award, printed material and other miscellany documenting the life and career of Red Norvo.
Scope and Contents:
The Red Norvo Papers consist of correspondence, transcripts of interviews with Red Norvo, miscellaneous publications (catalogues, monographs, newsletters, pamphlets, programs), periodicals, articles and clippings, photographs, and several miscellaneous documents: various advertisements, a hotel receipt, liner notes, an award from Metronome, a biography prepared by Capitol Records, a Red Norvo discography, a concert engagement advertisement in the form of a postcard, a poster (Benny Goodman), and a Red Norvo concert tour itinerary.
Arrangement:
Divided into 7 series: Series 1: Correspondence, 1939-1997; Series 2: Red Norvo Interview Transcripts, 1991-1993; Series 3: Miscellaneous Publications; Series 4: Miscellaneous Documents; Series 5: Periodicals, Series 6: Periodical Articles and News Clippings; Series 7: Photographs.
Biographical / Historical:
Along with Lionel Hampton, Red Norvo stands as one of the most celebrated and influential figures in the history of Jazz vibraphone. Norvo was born Kenneth Norville in Beardstown, Illinois on March 31, 1908. He began studying marimba at an early age and played in a rhumba band in 1925. After a brief stint as a tap dancer and conductor on the Vaudeville circuit, Norvo played xylophone with the Paul Whiteman Orchestra. He later married the band's singer, Mildred Bailey, and together they were known as Mr. and Mrs. Swing. From the late 1930's through the early 1940's Norvo lead his own orchestra (with arrangements by Eddie Sauter) and his own sextet.

In 1944 Norvo switched permanently to vibraphone and joined the Benny Goodman Sextet. In 1945 the Red Norvo Selected Sextet (featuring Charlie Parker and Dizzy Gillespie) recorded Hallelujah, Get Happy, Slam Slam Blues, and Congo Blues—an event that many critics regard as helping to commence the bebop era and the establishment of modern jazz. In 1946 Norvo played with Woody Herman's First Herd. But in Norvo's formative years it was the improvisational piano style of Teddy Wilson that most influenced his own style of play. In 1950 Norvo founded the Red Norvo Trio, which included Tal Farlow on guitar and Charles Mingus on bass. Norvo also performed and recorded with a quintet. He settled in Santa Monica, California and became a prolific recording musician with Capitol and other labels. Most of the essential singers of the period either performed or recorded with him: Frank Sinatra, Billie Holiday and Peggy Lee to name a few. Norvo notably backed Sinatra on his Australian tour in 1959 and appeared with him in the 1960 film, Ocean's Eleven. In 1961 Norvo began to suffer hearing loss, a condition which worsened throughout the remainder of his life. In the 1970's he performed mainly in Las Vegas. He died April 6, 1999 in Santa Monica.
Related Materials:
Materials in the Archives Center

Benny Carter Collection (NMAH.AC.0757)

Milt Gabler Papers (NMAH.AC.0849)

Jazz Oral History Program Collection(NMAH.AC.0808)

William Russo Music and Personal Papers(NMAH.AC.0845) Jack Siefert/Woody Herman Collection(NMAH.AC.0659) Ernie Smith Jazz Film Collection (NMAH.AC.0491)
Provenance:
The collection was donated to the Archives Center by Portia Norvo Corlin on April 1, 2004.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Periodicals  Search this
Vibraphone  Search this
Jazz  Search this
Jazz musicians -- United States  Search this
Music -- 20th century  Search this
Genre/Form:
Awards
Biographies
Correspondence -- 20th century
Photographs -- 20th century
Clippings -- 20th century
Interviews -- 1990-2000
Citation:
Red Norvo Papers, 1932-1997, Archives Center, National Museum of American History. Gift of Portia Norvo Corlin.
Identifier:
NMAH.AC.0858
See more items in:
Red Norvo Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0858

Victor D. Spark papers

Creator:
Spark, Victor D. (Victor David), 1898-1991  Search this
Names:
San Diego Arts Society  Search this
Berliner, Jacob, 1849-1918  Search this
Clonney, James Goodwyn, 1812-1867  Search this
Copley, John Singleton, 1738-1815  Search this
Engelhard, Charles W., Jr., 1917-1971  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Grigaut, Hubert L.  Search this
Hardy, Charlotte  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heade, Martin Johnson, 1819-1904  Search this
Lehman, Robert, 1892-1969  Search this
Medina, Leon  Search this
Moran, Ruth B.  Search this
Moran, Thomas, 1837-1926  Search this
Peale, Rembrandt, 1778-1860  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Shinn, Everett, 1876-1953  Search this
Sully, Thomas, 1783-1872  Search this
Extent:
22.2 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
circa 1830-1983
bulk 1930-1970
Summary:
The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active from World War II through the 1970s, focusing on Old Masters paintings and 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.
Scope and Contents:
The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970. The papers document Spark's career as a New York City art dealer and appraiser who was most active during World War II up through the 1970s with a focus on Old Masters paintings as well as 19th and early 20th century American art. Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.

Biographical materials contain greeting cards and post cards, annotated appointment calendars, miscellaneous notes and lists, and an apartment lease.

Artists' files include photographs of artwork, artist biographies, printed materials, and some correspondence with and about the artist. Many of the photographs are annotated. Files are found for Old Masters and American artists, including James G. Clonney, Jon Singleton Copley, Jeremiah P. Hardy, Martin Johnson Heade, Rembrandt Peale, Maurice Prendergast, Everett Shinn, Thomas Sully, and many others. There is also a letter written in 1924 by Ruth Moran along with a photograph of a painting by the artist Thomas Moran, signed by him on the verso.

Extensive client files include notes, correspondence, bills, receipts, and clippings regarding sales and appraisals. Spark's clients included museums, collectors, art dealers, most of which are represented in the files. Notable clients and colleagues include Jacob S. Berliner, Charles W. Engelhard, Alfred V. Frankenstein, Hubert L. Grigaut, Charlotte W. Hardy, Robert Lehman, and Leon Medina. There are also files for many universities, businesses, museums, and galleries.

Financial records comprise the largest series in the collection and include ledgers, stock books, consignment records, scattered banking records, bills, tax documents, auction price lists, check stubs, and cancelled checks.

A small amount of legal records document two legal cases: Rauch v. IRS and Kaufman v. Phoenix (Travelers) Insurance Company for which Spark provided testimony.

Printed materials include clippings, exhibition and auction catalogs, newsletters, bulletins, a membership roster for the San Diego Arts Society, and several 19th century printed items.

Two black and white photographs are of a steam locomotive and an unidentified portraitist in his studio.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Materials, 1906, 1948-1981 (1.7 linear feet; Box 1-2)

Series 2: Artist Files, 1905-1983 (4 linear feet; Box 2-6, 22)

Series 3: Client Files, 1904, 1927-1981 (7.1 linear feet; Box 6-13)

Series 4: Financial Records, 1930-1981 (8.7 linear feet; Box 13-20, 22-29)

Series 5: Legal Records, 1970-1972 (0.2 linear feet; Box 20)

Series 6: Printed Materials, circa 1830-1872, 1948-1982 (0.2 linear feet; Box 20-22)

Series 7: Photographs, circa 1898-circa 1940 (0.1 linear feet; Box 21)
Biographical / Historical:
Victor D. Spark (1898-1991) was a prominent New York City appraiser and art dealer who specialized in Old Masters paintings as well as 19th and early 20th century art.

Spark was born in Brooklyn, N.Y., in 1898. When he was two years old, the Spark family moved to Harlem. His father worked in the hotel business and owned hotels in Brooklyn, Manhattan, and Europe. Spark briefly attended the City College of New York before transferring to New York University, where he studied for half a year, then enlisted in the Marines Corps during World War I and served overseas for 2 years. After his discharge, Spark returned to NYU where he majored in French, an interest he acquired during his military service. After graduation, Spark married Nina and went to Europe to help his father manage a summer hotel. There, he became interested in art.

Spark returned to the U.S., continuing to work for his father until 1929. Spark was involved with decorating and furnishing the hotels and often purchased antiques, artwork, and furniture, furthering his arts interests and knowledge. He began working in a gallery, acquiring works of art and dividing the sales profits with the gallery owners. Spark had no formal art education and his taste and eye for art was gained primarily through his travels in Europe. He also had a good business sense about what might sell for profit in the U.S.

Spark made frequent art buying trips across the United States to cities such as Boston and Philadelphia and returned to New York with paintings that he sold. Spark never owned a gallery, but he occasionally held exhibits, such as one titled "101 American Painters," inside the apartment. Although Spark specialized in 19th to early 20th century American art, he also sold European art work acquired during trips to Europe following World War II.

Spark continued his work selling paintings to museums, collectors, and other art dealers, until the 1970s. He was most active from the 1930s through World War II. As a prominent dealer for over four decades, Spark came to know many luminaries of the New York art scene, such as art dealer and gallery owner Edith Halpert. Spark died in 1991.
Related Materials:
The Archives of American Art also holds an oral history interview of Victor D. Spark conducted August 5, 1975 by Paul Cummings.

The National Gallery of Art maintains 12,000 photographs and negatives of artwork in their Victor D. Spark photograph collection.
Provenance:
The Victor D. Spark papers were acquired between 1954 and 1996. The first accession of 19th century printed materials and a letter by Ruth Moran was donated by Spark in 1954. The bulk of the collection was purchased jointly by the Archives of American Art and the National Gallery of Art at auction in July 1987. Subsequently, photographs of works of art documenting the collections of the National Gallery of Art were separated and retained by the National Gallery of Art. The papers remained at the Archives of American Art; three letters were later transferred to the Archives from the National Gallery of Art in 1996.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Victor D. Spark papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art appraisers -- New York (State) -- New York  Search this
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 20th century -- United States  Search this
Art, Modern -- 19th century -- United States  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Victor D. Spark papers, circa 1830-1983, bulk 1930-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sparvict
See more items in:
Victor D. Spark papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sparvict
Additional Online Media:

Area X Gallery records

Creator:
Area X Gallery (New York, N.Y.)  Search this
Names:
Xuereb, Bobbie Sioux  Search this
Extent:
2.4 Linear Feet
Type:
Archival materials
Collection descriptions
Photographs
Financial records
Place:
East Village (New York, N.Y.)
Date:
1977-1988
Summary:
The East Village Area X Gallery records measure 2.4 linear feet and date from 1977-1988. The collection consists primarily of artists files for fifteen artists represented by or of interest to the gallery. The files are varied but may include biographical information, correspondence, financial and inventory records, printed materials, and photographs. Gallery records include scattered financial records, publicity files, and printed materials.
Scope and Content Note:
The East Village Area X Gallery records measure 2.4 linear feet and date from 1977-1988. The collection consists primarily of artists files for fifteen artists represented by or of interest to the gallery. The files are varied but may include biographical information, correspondence, financial and inventory records, printed materials, and photographs. Gallery records include scattered financial records, publicity files, and printed materials.
Arrangement:
The collection is arranged as 4 series:

Series 1: Artists Files, 1977-1988 (Boxes 1-2; 1.5 linear feet)

Series 2: Finacial Records, 1984-1987 (Box 2; 0.5 linear feet)

Series 3: Publicity Files, 1980-1987 (Box 3; 0.3 linear feet)

Series 4: Printed Material, circa 1980-1987 (box 3; 3 folders)
Historical Note:
The Area X Gallery was founded in New York City by Bobbie Sioux Xuereb (Goldberg) in February 1984. Located at 200 E. 10th St., the gallery was part of the larger East Village art scene of the 1980s. Among the artists represented by gallery were Keith Achepohl, John Himmelfarb, Leon Johnson, Michael McCollum, and Louis Mueller. As with many of the East Village galleries, the Area X Gallery closed in 1987.
Provenance:
The records of the Area X Gallery were donated by Bobbie Sioux Xuereb, the gallery's founder and director, in 1998.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Area X Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- East Village (New York, N.Y.)  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- East Village (New York, N.Y.)  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Artists -- East Village (New York, N.Y.)  Search this
Genre/Form:
Photographs
Financial records
Citation:
Area X Gallery records, 1977-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.areax
See more items in:
Area X Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-areax

Robert Scofield Condon Engineering Papers

Creator:
Condon, Robert B.  Search this
Condon, Robert Scofield, (engineer), 1896-1973  Search this
Names:
Continental Can Co.  Search this
Fibre Can Machinery Corp. (Rutland (Vt.)  Search this
Extent:
3 Cubic feet
Type:
Archival materials
Collection descriptions
Professional papers
Photographic prints
Photographs
Date:
circa 1924-1973
Scope and Contents:
The approximately 3 cubic feet of material contain copies of patents issued to Robert Scofield Condon for pencil lead pointers, pencil sharpeners, milling machines, gear cutting machines, and similar devices, as well as correspondence related to the patents from the United States Patent Office and with attorneys. Photographs depict Condon designs and inventions. The collection includes a very interesting example of Condon's actual pencil sharpener attached to a photograph, showing the pencil sharpener in use.
Arrangement:
The collection is divided into six series.

Series 1: Correspondence, 1936-1942, 1961-1962

Series 2: Patents, 1931-1973

Series 3: Subject Files, 1955-1965

Series 4: Bills and receipts, 1946-1948

Series 5: Articles, 1924-1927

Series 6: Photographs, 1945
Biographical / Historical:
Robert Scofield Condon, born in Bloomington, Illinois, March 5, 1896, attended Bloomington, Ill., Normal School, and was a schoolteacher for several years to earn money for college tuition; he was graduated as a mechanical engineer from the University of Illinois, 1924. He married Catherine Behren in 1924, but she died in 1958. Condon was employed by the Kearney & Trecker Corp., Milwaukee, Wisconsin, 1924-1929, then the Gleason Gear Works, Rochester, New York, 1929-1936. He was one of eighty engineers when he joined the engineering department of the Gleason Gear Works, but was one of only two remaining in 1934. The Condons spent fifteen years in Rutland, Vermont (1936-1946), where he was a founder of the Fibre Can Machinery Corp., which was later sold to the Continental Can Co. He was employed by the Continental Can Corp. from 1946 to 1960 (the Rutland plant closed in the early 1950s, but Condon continued working for the firm in other locations). After his retirement in 1960, he continued to work on projects and did consulting work. His last project was the small "Marvel" pencil pointer (sharpener). Documents in the papers bear the name and address, "Robert S. Condon Laboratories, 112 Cindy Lane, Berlin, Connecticut 06037."

Condon's second wife was Ilza de Souza. He died on April 22, 1973, leaving his son, Robert B. Condon, and two grandchildren.* The professional papers in this collection apparently were in Robert S. Condon's possession until his death, when his son acquired them and donated them to the Smithsonian in 1991.

* An obituary appeared in the Bennington Banner, April 26, 1973. The donor provided notes from this obituary, with additional biographical material and a collection inventory
Related Materials:
Objects accompanying these archival materials were acquired by the Division of Mechanical and Civil Engineering, also donated by the inventor's son.
Provenance:
Collection donated by Robert Condon November 5, 1991.
Restrictions:
Collection is open for research.
Rights:
Rights situation needs clarification.
Topic:
Pencil sharpeners  Search this
Engineers -- 1920-1980  Search this
Pencil pointers  Search this
Mechanical engineering -- 1920-1980  Search this
Genre/Form:
Professional papers -- 20th century
Photographic prints
Photographs -- Black-and-white negatives -- Acetate film
Photographs -- 20th century
Citation:
Robert Scofield Condon Engineering Papers, ca. 1924-1973, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0428
See more items in:
Robert Scofield Condon Engineering Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0428

Cayton Family Papers

Creator:
Union Tansfer and Storage Co.  Search this
Cayton, Rosa  Search this
Cayton, Max  Search this
Cayton Family  Search this
Extent:
2.5 Cubic feet (6 boxes)
Type:
Archival materials
Collection descriptions
Correspondence
Certificates
Business records
Advertisements
Family papers
Photographs
Date:
1892-1992.
1892-1992
Summary:
Correspondence, photographs, business documents, certificates and advertising materials from the family of Max and Rose Cayton, 1890-1993.
Scope and Contents note:
The collection consists of personal family and business materials that document the family of Max Chayuta, 1890s-1970s.

The correspondence, 1892-1972,is further divided into three subseries: Subseries 1: Max Chayuta and Rosa Yoffie (research copies); Subseries 2: Max Chayuta and Rosa Yoffie (original copies); and Subseries 3: General. The correspondence between Max and Rosa is written in Yiddish and Russian and forms the earliest part of the collection; many illustrated with letterhead stationery from small town dry goods stores. All correspondence has been translated into English. Together, these letters chronicle the assimilation of a Russian-Jewish family in twentieth-century America. The Union Storage and Transfer Company Records, 1899-1963, include records of incorporation, correspondence, receipts, time books, cash books, and photographs documenting the company's activities in Washington, DC. The photographs, 1895-1983, depict family members from different time periods.
Arrangement:
Collection is divided into four series.

Series 1: Biographical/Background information, 1925-1992 Series 2: Correspondence, 1892-1972 Series 3: Union Transfer and Storage Company Records, 1899-1963 Series 4: Photographs, 1895-1983
Biographical/Historical note:
Max Chayuta (See Series 1: Biographical/Background Information for name change from Chayuta to Cayton) emigrated to the United States from Russia in the early 1890s to work in the cotton mills of the American South. While traveling, Max met Rosa Yoffie, also a Russian immigrant. Max and Rosa married in 1897 and moved to Washington, DC to open Union Storage and Transfer Company. They raised five sons: Albert, Harry, Howard, Leon, and Nathan.
Provenance:
The collection was donated by Hannah E. Cayton, widow of Howard Cayton on July 20, 1993.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jews -- United States  Search this
Immigrants  Search this
Family-owned business enterprises  Search this
Genre/Form:
Correspondence -- 20th century
Certificates
Business records
Advertisements
Family papers
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
Cayton Family Papers, 1892-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0780
See more items in:
Cayton Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0780

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