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Argentine Bows (Musical Instruments)

Creator:
Bruch, Carlos (Collector)  Search this
Collection Creator:
Outes, Felix F.  Search this
Bruch, Carlos  Search this
Extent:
1 photomechanical print (006 in x 005 in mounted on 008 in x 011 in)
Culture:
Tehuelche ?  Search this
Poya ?  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
n.d
Local Numbers:
NAA INV 00968500

NAA MS 4095
Local Note:
Black and white photomechanical print on paper mount
Place:
Argentina
Provenance:
Outes, Felix F
Genre/Form:
Photographs
Collection Citation:
Manuscript 4095, National Anthropological Archives, Smithsonian Institution
See more items in:
The Ancient Races of Argentina
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-ms4095-ref106

Texas Instruments Reference Collection

Collector:
Information, Technology and Society, Div. of (NMAH, SI).  Search this
Creator:
Texas Instruments Incorporated  Search this
Extent:
0.3 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Photographs
Newsletters
Memorandums
Date:
1950-1985.
Scope and Contents:
Reference materials, including photographs, internal memoranda, newsletters and other printed material, relating to various Texas Instruments' products.
Arrangement:
1 series, organized by product.
Biographical / Historical:
Texas Instruments was started in 1930 as an oil exploration company called Geophysical Science. It quickly branched overseas and into other fields of technology, changing its name to Texas Instruments in the 1950s. The company was the first to mass-produce silicon transistors and designed the first transistor radio in the 1950s, the first hand-held calculator in 1967, and the first single-chip microcomputer in the 1970s, in addition to many other innovations.
Provenance:
Division of Information, Technology and Society.,National Museum of American History, 12th Street and Constitution Avenue, N.W., Washington, D.C. 20560,Transfer.,ACNMAH 697; Acc. No. 2003.3006.
Restrictions:
Unrestricted research access on site by appointment.,Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Information technology  Search this
Computers  Search this
Microelectronics  Search this
Microelectronics industry -- 20th century  Search this
Calculators  Search this
Transistors  Search this
Genre/Form:
Photographs -- 1950-2000
Newsletters -- 1950-2000
Memorandums -- 1950-2000
Citation:
Texas Instruments Reference Collection, 1950-1985, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0697
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0697

Metropolitan Museum of Art photographs of American Indian musical instruments

Creator:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
8 Prints (cyanotype)
Culture:
Indians of North America -- Northwest Coast of North America  Search this
Apache Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Collection descriptions
Prints
Photographs
Cyanotypes
Date:
circa 1914
Scope and Contents note:
Photographs depicting American Indian musical instruments in the Crosby Brown Collection at the Metropolitan Museum of Art, including Northwest Coast reed instruments and rattles.
Biographical/Historical note:
The Crosby Brown Collection of Musical Instruments was donated to the Metropolitan Museum of Art in 1884 by Mrs. John Crosby Brown. Originally 276 specimens, the collection grew to over 3500 by the publication of the Metropolitan Museum's catalog of the collection in 1914-1915.
Local Call Number(s):
NAA Photo Lot 87-2K
Location of Other Archival Materials:
Five photographs previously filed in Photo Lot 24 have been relocated and merged with Photo Lot 87-2K. These are also Metropolitan Museum of Art photographs of the Crosby Brown Collection and form part of this collection.
Contained in:
Smithsonian Institution Bureau of American Ethnology photograph collections, undated
See others in:
Metropolitan Museum of Art photographs of American Indian musical instruments, circa 1914
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Museum exhibits  Search this
Musical instruments  Search this
Genre/Form:
Photographs
Cyanotypes
Citation:
Photo lot 87-2K, Metropolitan Museum of Art photographs of American Indian musical instruments, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.87-2K
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-87-2k

Love's Old Sweet Song [photomechanical print]

Artist:
Gunn, Archie 1863-1930  Search this
Photographic firm:
Raphael Tuck & Sons  Search this
Physical description:
1 photomechanical print black and white
Type:
Photomechanical prints
Date:
Copyrighted 1904
Topic:
Figure female--Full length  Search this
Performing Arts--Music--Piano  Search this
Object--Musical Instrument--Piano  Search this
Image number:
LOC LC000976
See more items in:
Photograph Archives
Library of Congress Copyright Deposit Collection
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138750

If Music Be Food of Love, Play On [photomechanical print]

Artist:
Taylor, William Ladd 1854-1926  Search this
Photographic firm:
Curtis & Cameron  Search this
Physical description:
1 photomechanical print black and white
Type:
Photomechanical prints
Date:
Copyrighted 1910
Topic:
Figure group  Search this
Architecture interior--Domestic  Search this
Performing Arts--Music--Piano  Search this
State of Being--Emotion--Love  Search this
Object--Musical Instrument--Harp  Search this
Object--Musical Instrument--Piano  Search this
Object--Furniture--Chair  Search this
Image number:
LOC LC002053
See more items in:
Photograph Archives
Library of Congress Copyright Deposit Collection
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_142241

Warshaw Collection of Business Americana Subject Categories: Printing and Printers

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
6.04 Cubic feet (consisting of 11.5 boxes, 1 folder, 9 oversized folders, 3 flat boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Archival materials
Collection descriptions
Legal documents
Print advertising
Business records
Correspondence
Invoices
Trade cards
Business cards
Business ephemera
Reports
Ephemera
Periodicals
Printed ephemera
Mail order catalogs
Advertising mail
Manufacturers' catalogs
Commercial catalogs
Catalogues
Proofs (printed matter)
Advertising fliers
Receipts
Letterheads
Illustrations
Publications
Advertisements
Sales catalogs
Catalogs
Commercial correspondence
Advertising cards
Advertising
Manuals
Trade catalogs
Business letters
Date:
1713-1993
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The subject category Printing and Printers primarily represents material designed and created by printing companies, largely on the behalf of other companies. Additional material includes serial publications created by printers, the history of printing, biographical material about printers or typographical artists, as well as printing and engraving instructions.

Types of printmaking and printers in these records include stereotyping, electrotyping, planographs, typographs, linotypes, and monotypes.

No expansive documentation of any single printer company is represented within the records, and there is minimal breadth of material on specific subject areas within the printing field. However, business records, company histories, select historical overviews, and the cumulative examples of printers visual work may provide researchers with a broad overview of the printing industry as well as a visual sampling of the evolution of printing styles.
Arrangement:
Printing and Printers is arranged in three subseries. Records, advertising, and catalogues for proprietorships may be filed under either the first or last name of the individual, researchers should look in all applicable alphabetical folders.

Business Records and Marketing Material

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Printing and Printers is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Consumer goods -- Catalogs  Search this
Printing -- Instruments  Search this
Printing -- History  Search this
Printing -- Technique  Search this
Printing machinery and supplies  Search this
Printing  Search this
Printing presses  Search this
Linotype  Search this
Printmakers  Search this
Patents  Search this
Wood-engraving  Search this
Printers -- United States  Search this
Engraving -- 19th century -- United States  Search this
Engraving -- History  Search this
Printing industry  Search this
Retail trade  Search this
Sales promotion  Search this
Genre/Form:
Legal documents
Print advertising
Business records
Correspondence
Invoices
Trade cards
Business cards
Business ephemera
Reports
Ephemera
Periodicals
Printed ephemera
Mail order catalogs
Advertising mail
Manufacturers' catalogs
Commercial catalogs
Catalogues
Proofs (printed matter)
Advertising fliers
Receipts
Letterheads
Illustrations
Publications -- Business
Advertisements
Sales catalogs
Catalogs
Commercial correspondence
Advertising cards
Advertising
Manuals
Trade catalogs
Publications
Business letters
Citation:
Warshaw Collection of Business Americana Subject Categories: Printing and Printers, Smithsonian Institution.
Identifier:
NMAH.AC.0060.S01.01.Printing
See more items in:
Warshaw Collection of Business Americana Subject Categories: Printing and Printers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-printing
Additional Online Media:

Instrument Society of America Collection

Source:
Mechanisms, Division of.  Search this
Physical Sciences, Division of (NMAH, Smithsonian Institution).  Search this
Creator:
Instrument Society of America  Search this
Former owner:
Mechanisms, Division of.  Search this
Physical Sciences, Division of (NMAH, Smithsonian Institution).  Search this
Extent:
36 Cubic feet (98 boxes)
Type:
Archival materials
Collection descriptions
Date:
1911-1972
Summary:
The collection documents the history of instrumentation through catalogs, bulletins, specification sheets, price lists, and other publications of companies that produce instrumentation.
Scope and Contents:
The Instrument Society of America Collection consists primarily of catalogs, bulletins, specification sheets, price lists, and other publications of companies that produce instrumentation. The collection is arranged into three series: Series 1, Instrument Society of America, 1947-1964; Series 2, Articles and Publications, 1914-1956; and Series 3, Trade Literature, 1911-1969, which comprises by far the larger portion of the collection.

Series 1, Instrument Society of America, 1947-1964, consists of proceedings and symposium documentation for the Society.

Series 2, Articles and Publications, 1914-1956, consists of articles, publications, papers, and reports arranged alphabetically.

Series 3, Trade Literature, 1911-1969 (bulk 1930s-1960s), is organized alphabetically by company. The companies represented are from the United States, England, Germany, Japan, and Holland. This material covers the time period of 1911 to 1969, with the bulk of it being from the 1930s and 1960s. Additionally, there is a set of Honeywell Brown advertising literature, 1952-1957, with associated job costs for printing and distribution. The bound volumes of Honeywell advertisements include samples of ads for scientific instruments and controls in industry publications such asBrick and Clay Record, Foundry, Iron and Steel Engineer, Petroleum Refiner, Product Engineer andTextile World.
Arrangement:
The collection is arranged into three series by type of material.

Series 1, Instrument Society of America, 1947-1964

Series 2, Articles and Publications, 1914-1956

Series 3, Trade Literature, 1911-1969
Biographical / Historical:
The Instrument Society of America (ISA) was founded in 1945 as an educational organization dedicated to advancing the knowledge and practice related to the theory, design, manufacture, and use of instruments and controls in the various sciences and technologies for the benefit of all mankind. Funds to carry on the purpose of the Society are provided primarily by membership dues, conferences and exhibits, journal advertising, educational materials, book publication sales and royalties, and registration fees from Society-sponsored educational short courses, conferences and symposia.[1]

1. 'Instrument Society of America Consolidated Financial statements for the years, ended December 31, 1999, 1998, and 1997, BNet Business Network, http://findarticles.com/p/articles/mi_qa3739/is_200007/ai_n8909806 (accessed August 28, 2008).
Provenance:
Donated to the National Museum of the History of Technology (now known as the National Museum of American History) by the Instrument Society of America Library. Date of acquisition is unknown.

Transferred to the Archives Center from the Division of Mechanisms, now known as the Division of Work and Industry on July 17, 1986.
Restrictions:
The collection is open for research use.
Rights:
Copyright status unknown. Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply.
Topic:
Scientific apparatus and instruments  Search this
Physical sciences  Search this
Citation:
Instrument Society of America Collection, 1911-1972, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0215
See more items in:
Instrument Society of America Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0215

Musical Instrument Recording Session Photoprint

Photographer:
Gray & Wynkoop  Search this
Names:
Edison, Thomas A. (Thomas Alva), 1847-1931  Search this
Extent:
0.1 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Sound recordings
Photographs
Place:
Paterson (N.J.) -- 1900-1910
Date:
ca. 1900.
Summary:
Collection is a photoprint of an early recording session taken about 1900.
Scope and Contents:
The photoprint, probably gelatin silver bromide, is on pink tinted paper, mounted on a small board with a wrinkled, frayed, red ribbon adhered to the upper left corner. The image depicts a sound recording session with an Edison recording machine and five men, three seated, holding two mandolins and a zither. The photographic studio's blind-stamp, including address (256 Main Street, Paterson, New Jersey) is on the mount.
Biographical / Historical:
Print by Gray & Wynkoop of Paterson, New Jersey.
Provenance:
Purchased by the Division of Musical Instruments, now part of the Division of Music, Sports and Entertainment from Keith DeLellis in 1985.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musicians -- 1900-1950  Search this
Musical instruments -- 1900-1910  Search this
Zither -- 1900-1910  Search this
Mandolin -- 1900-1910  Search this
Genre/Form:
Sound recordings -- 1900-1910
Photographs -- 1900-1950
Citation:
Musical Instuments Recording Session Photoprint, ca. 1900, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0194
See more items in:
Musical Instrument Recording Session Photoprint
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0194

Gerber Scientific Instrument Company Records

Creator:
Gerber, H. Joseph  Search this
Gerber Scientific Instrument Company (Hartford, Conn.).  Search this
Extent:
75 Cubic feet (182 boxes)
Type:
Archival materials
Collection descriptions
Articles
Marketing records
Photographs
Speeches
Correspondence
Catalogs
Clippings
Patents
Business records
Manuals
Legal documents
Date:
1911 - 1999
Summary:
Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.
Scope and Contents:
The Gerber Scientific Instrument Company Records document the company's designs, development, manufacture, and marketing of computer-aided design and computer-aided CAD/CAM systems. The records are arranged into twelve series and consist of Personal, Corporate Records, Engineering Department Records, Product Literature, Instruction Manuals/User Guides, Proposals, Photographs, Trade Literature, Press Releases and Newspaper Clippings, Patent Records, Lectra Systèmes Litigation Materials, and Audio Visual Materials.

Series 1, David R. Pearl, 1968-1984, contains three volumes of diaries kept by David R. Pearl, President of Gerber Garment Technology. The diaries were maintained by Pearl from July 21, 1968 to June 6, 1977, to document Pearl's and H. Joseph Gerber's activities concerning the development of the technology and the establishment of a business to market computer-controlled fabric cutting devices. One notebook contains some materials later than 1977. There are diary entries for September 12, 1979, February 1, 1980, and October 29, 1984.

Series 2, Corporate Records, 1968-1999, includes administrative records, an Industrial Projects Eligibility Review, annual reports, shareholders reports, newsletters, New York Stock Exchange (NYSE) materials, Securities and Exchange Commission (SEC) materials, Gerber Museum documents, and empty Gerber Scientific Instrument Company binders. The administrative documents consist of a corporate history, mission statement, organizational chart, company map, time line and biographies of key corporate personnel. There are two organizational charts: one for the Engineering Organization (software, mechanical and electrical divisions) from 1987 and one for the subsidiary Gerber Garment Technology, Inc. (Gerber Garment Technology (GGT)), dated 1985. Additional organizational charts can be found with the 1968 annual report. The Industrial Projects Eligibility Review was submitted to the Connecticut Development Authority by Gerber Scientific Intsrument (GSI) to facilitate financing for future expansion of the company. A copy of the company's articles of incorporation are here. The newsletters included in this series are in-house publications for employees only. The newsletter Communiqué, 1960, is in Series 4, Product Literature. The NYSE materials include press releases, photographs, the listing application to the NYSE and printed material about Gerber Scientific, Inc. joining the NYSE in October 1980. Gerber Scientific is traded on the Stock Exchange as GRB. The Securities and Exchange Commission files contain Form S-3, a registration statement and the Annual Report, and Form 10-K for Gerber Scientific, Inc. The Gerber Museum file includes photographs of artifacts and a 1996 memo and fax discussing the establishment of a museum to honor H. Joseph Gerber.

Series 3, Engineering Department Records, 1966-1990, is the largest series and is arranged alphabetically by the engineer's last name and then alphabetically by subject/topic. The records include the files of: Ed LaGraize, David Logan, Bud Rich, Ron Webster, and Ken Wood. The majority of engineering files belong to David Logan. Logan joined Gerber Scientific Instrument in 1957 as a project engineer. From 1959 to 1961, he was chief engineer and then became Vice President of Engineering from 1961 to 1963. From 1963 to 1980, Logan served as Senior Vice President of Engineering. He holds several patents, primarily in the field of plotting devices and control systems. The engineering files contain technical memoranda, correspondence, drawings, product literature, trade literature, notes, and drawings.

Series 4, Product Literature, 1953-1996, contains informational sheets for a variety of products available from Gerber Scientific, Inc. and its subsidiary companies. Gerber Scientific Instrument (GSI) creates designs, manufactures and promotes data reduction equipment of many types. Data reduction equipment allows complex mathematical problems to be solved quickly and accurately. Both analogue and digital systems are offered. The bulk of the product literature falls into the following categories: instruments, data reader systems, recorders, special scanning tables, oscillogram amplitude tabulators, standard system scanners, and plotters. The series is arranged alphabetically by name of product with a few exceptions.

Series 5, Instruction Manuals/User Guides, 1953-1980, undated, is divided into two subseries, Gerber Scientific Instrument Company manuals and other companies' manuals. This series contains instruction manuals, maintenance manuals, and users' guides for a variety of Gerber Scientific, Inc. products. The Gerber System Model 1434, Ultra Precise Artwork Generator which provides precision photo-plotting on photo-sensitive material is well represented among the manuals. The other companies represented include Bendix Industrial Controls and the KOH-I-NOOR Rapidograph, Inc.

Series 6, Proposals, 1961-1980, consists of bound certified and signed technical and bid proposals completed by Gerber Scientific Instrument Company detailing available and actual estimated costs and pricing data for Gerber products. The proposals were assembled for specific companies such as North American Aviation.

Series 7, Photographs, 1948-1974, undated, is further divided into three subseries: Product and Client Files, 1966-1974, undated; Gerber Scientific Instrument (Gerber Scientific Intsrument (GSI) Corporate, 1948-1970, undated; and Numerical, 1966-1974, undated photographs. The majority of photographs are 8" x 10" black-and-white prints. The product and client file photographs are arranged alphabetically. The Gerber Scientific Instrument (GSI) corporate photographs include photographs of GSI buildings both interior and exterior shots, employees, employee functions such as banquets, annual meetings, tours, stockholder meetings, and trade shows. The numerical photographs are arranged numerically according to the number assigned on the reverse of the photograph. Some of the numerical photographs are identified by product name, but others are labeled unidentified.

Series 8, Trade Literature, 1947-1992, is arranged alphabetically by company name. The trade literature in this series is from competitors or from companies that used Gerber products.

Series 9, Press Releases and Newspaper Clippings, 1943-1996, is divided into two subseries, Press Releases, 1972-1982 and Newspaper Clippings, 1943-1996. The press releases are arranged chronologically. This series contains information on H. Joseph Gerber, his company and its subsidiaries, and the garment and apparel industry. The newspaper clippings are arranged chronologically and include a wide variety of local Connecticut and United States newspapers and industry specific magazines such as Bobbin and Apparel Industry.

Series 10, Patent Records, 1911-1985, contains copies of patents, correspondence with patent attorneys and the United States Patent and Trademark Office, patent search results, and other legal filings associated with the patenting process. The materials are arranged chronologically with the name of the equipment or instruments being patented noted.

Series 11, Lectra Systèmes Litigation Materials, 1968-1990, contains documents that mainly deal with Lectra (France), but there are documents about patent infringement for Lectra (Japan) and Lectra (United Kingdom). The materials consist of depositions by David Pearl, then president of Gerber Garment Technology, and David Siegelman, then Vice President and General Manager for Lectra Systèmes, Inc., in the United States. Confidential progress reports, memoranda, correspondence, competition reports, drawings and sketches, notes, and other documents summarize events in the litigation history.

Lectra Systèmes was formed on November 12, 1973 at Bordeaux-Cestas (France) by two visionary engineers, Jean and Bernard Etcheparre. They developed a computer system, the LECteur-TRAceur 200, which automatically calculated and plotted all sizes of an item of apparel. The Lectra Systèmes litigation materials document Gerber Garment Technology's claim that Lectra infringed upon Gerber's line of cutting machines. The specific patents being infringed are United States patents: 3,955,458; 4,205,835; and 3,765,289. In September 1986, Lectra introduced a new line of cutting machines that cost roughly half as much as Gerber's top-of-the-line competing system. Gerber Garment Technology filed suit in the United States and France as Gerber Garment Technology, Inc. v. Lectra Systems, Inc. Civil Action No. 1:86-cv-2054CAM. In 1992, Lectra Systems, Inc., appealled the judgment of the United States District Court for the Northern District infringement of Gerber's U.S. Patent No. 3,955,458 ('458 patent) and denied Lectra's claim that Gerber's U.S. Patent No., 4,205,835 ('835 patent) is unenforceable.

Series 12, Audio Visual Materials, 1986-1998, includes 3⁄4" U-matic, 1⁄2" VHS, audio cassettes, BetaCam SP, and one Super 8mm color, silent camera original reversal film. The majority the of audio visual materials cover interviews with H. Joseph Gerber, the National Technology of Medal ceremony, and sales and marketing footage for various Gerber products.
Arrangement:
The collection is organized into twelve series.

Series 1: David R. Pearl Materials, 1968-1984

Series 2: Corporate Records, 1968-2002

Subseries 2.1: Administrative, circa 1977-1995

Subseries 2.2: Industrial Projects Eligibility Review, undated (contains articles of incorporation for Gerber Scientific)

Subseries 2.3: Annual Reports, 1968-1999

Subseries 2.4: Shareholders Reports, 1990-1995, 1997, 1998

Subseries 2.5: Newsletters, 1969-1996

Subseries 2.6: New York Stock Exchange, 1980 October

Subseries 2.7: Securities and Exchange Commission (SEC), 1983-1992

Subseries 2.8: Gerber Museum, 1996

Subseries 2.9: Gerber Scientific Instrument Company binders (empty), undated

Subseries 2.10: Stock and Financial Information, 1949-2002

Series 3: Engineering Department Records, 1966-1990

Subseries 3.1: Ed LaGraize's Files, 1978-1990

Subseries 3.2: Dave Logan's Engineering Files, 1966-1990

Subseries 3.3: Dave Logan's Competitors Files, 1966-1982

Subseries 3.4: Bud Rich's Files, 1967-1980

Subseries 3.5, Ron Webster's Files, 1963-1992

Subseries 3.6: Ken Wood's Files, 1976-1980

Subseries 3.7: Ken Wood's Case Study of Model 1434, 1966-1989

Subseries 3.8: General Engineering Files, 1970-1980

Series 4: Product Literature, 1953-1996

Series 5: Instruction Manuals/User Guides, 1953-1980, undated

Subseries 5.1: Gerber Scientific Instrument Company, 1953-1979

Subseries 5.2: Other Companies, 1962, 1980

Series 6: Proposals, 1961-1980

Series 7: Photographs, 1948-1974, undated

Subseries 7.1, Product and Client Files, 1966-1974, undated

Subseries 7.2, Gerber Scientific Instrument Corporate, 1948-1970, undated

Subseries 7.3, Numerical, 1966-1974, undated

Series 8: Trade Literature, 1947-1992

Series 9: Press Releases and Newspaper Clippings, 1943-1998

Subseries 9.1: Press Releases, 1972-1998

Subseries 9.2: Newspaper clippings, 1943-1996

Subseries 9.3: Articles, 1969-1991

Series 10: Patent Records, 1911-1985

Series 11: Lectra Systèmes Litigation Materials, 1968-1990

Series 12: Audio Visual Materials, 1986-1998
Biographical / Historical:
Heinz Joseph "Joe" Gerber was born in Vienna, Austria, on April 17, 1924. In 1940, Gerber escaped the Nazis and immigrated to New York City and then to Hartford, Connecticut, with his mother Bertha Gerber, a dressmaker. Gerber's father, Jacob, is presumed to have died in a concentration camp. Gerber attended Weaver High School and graduated in two years (1943). He attended Rensselaer Polytechnic Institute (RPI) in Troy, New York, on a scholarship and earned a bachelor's degree in aeronautical engineering in 1947. As a junior at RPI, Gerber developed the Gerber Variable Scale, his first invention. The earliest version of the variable scale was fashioned from an elastic band removed from a pair of pajamas. Gerber created a rubber rule and scale that could flow with a curve, expand, contract, and turn a corner. The scale allows for direct reading of curves, graphs, and graphical representations, giving direct numerical readings of proportions, spacing and interpolation. The Variable Scale became the building block of what would become Gerber Scientific Instrument Inc.

With financial assistance from Abraham Koppleman, a newspaper and magazine distributor in Hartford, Gerber and Koppleman formed a partnership and incorporated Gerber Scientific Instrument Company in 1948. Gerber served as president, Koppleman as treasurer, and Stanley Levin as secretary. The manufacture of Variable Scale was jobbed out and the distribution was conducted from Hartford. Gerber also worked as a design analytical engineer for Hamilton Standard Propellers of United Aircraft and for Wright Patterson Air Force Base in Dayton, Ohio. Shares of Gerber Scientific Instrument Company were eventually sold to the public in 1961, and in 1978, the company changed its name to Gerber Scientific, Inc. In the 1960s and 1970s, Gerber developed the first series of precision, computer-driven cutting systems for the apparel industry called the Gerber Cutter. The cutters introduced automation to the garment industry. In 1967, Gerber realized that the U.S. garment industry, due to a lack of automation, was faced with increasing overseas competition. Gerber's solution was to engineer the GERBERcutter S-70, a machine that cuts apparel quickly and effectively while using less cloth.

Gerber holds more than 600 United States and foreign patents. Many of his patents relate to the United States apparel industry. In 1994, Gerber was awarded the National Medal of Technology by President Clinton for helping to revolutionize the optical, garment, automotive, and other industries. His pioneering achievements include:

-a generation of data readers (electromechanical devices that converted graphical data directly into computer readable format);

-projection systems that interactively converted information from aerial photographs for use in computers;

-devices that plotted digital output data from computer cards or tape;

-digital numerically-controlled drafting machines which verify the accuracy of the cutting path of numerical machine tools;

-a photoplotter (drafting machine configured with a unique light source to directly draw high accuracy layouts of printed circuit board masters on photographic film or glass with light beams); and

-systems with laser technology to draw at high speeds.1

Subsequent subsidiaries of Gerber Scientific, Inc., were: Gerber Garment Technology, Inc. (GGT); Gerber Scientific Products, Inc. (GSP); Gerber Systems Corp. (GSC), and Gerber Optical, Inc., (GO). GGT makes computer-controlled cutting and design equipment for apparel, automotive, aerospace and other industries. GSP produces systems for sign-making and graphic arts industries. GSC makes production systems for printing, industrial machinery and other industries. GO makes equipment for the optical-lens manufacturing industry.2

In 1954, Gerber married Sonia Kanciper. They had a daughter, Melisa Tina Gerber, and a son, David Jacques Gerber. H. Joseph Gerber died on August 9, 1996, at the age of 72.

Sources

1 National Medal of Technology, 1994.

2 W. Joseph Campbell, "High Tech and Low Key as Gerber Scientific Mounts a Recovery Philosophy that Reflects Innovative Founder," Hartford Courant, May 16, 1994.
Related Materials:
Materials in the Archives Center

Gerber Fabric Cutter Video Documentation, February 1996 (AC0609)

This videohistory documents the inventor, engineers, assembly workers, operators and other technicians who worked with the computer-controlled fabric cutter.

Heinz Joseph Gerber Papers (AC1336)

This collection documents Joseph Gerber's personal life including his highschool and college years, correpondence with family and friends, and speeches given by Gerber throughout his life.
Provenance:
The collection was donated by David Gerber, son of H. Joseph Gerber, on December 23, 2006.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fabric cutters -- 1960-1990  Search this
Inventors  Search this
Computerized instruments -- 1960-1990  Search this
Automation -- 1960-1990  Search this
Machinery -- 1960-1990  Search this
Machine-tool industry  Search this
Genre/Form:
Articles
Marketing records
Photographs -- Black-and-white photoprints -- 1940-2000
Speeches
Correspondence -- 20th century
Catalogs
Clippings
Patents
Business records -- 1950-2000
Manuals
Legal documents
Citation:
Gerber Scientific Instrument Company Records, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0929
See more items in:
Gerber Scientific Instrument Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0929
Additional Online Media:

Araucanian Rattle? Used by Priests as Musical Instrument

Creator:
Bruch, Carlos (Collector)  Search this
Collection Creator:
Outes, Felix F.  Search this
Bruch, Carlos  Search this
Extent:
1 photomechanical print (003 in x 004 in mounted on 008 in x 011 in)
Culture:
Araucanians  Search this
Araucanian  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
n.d
Local Numbers:
NAA INV 00966700

NAA MS 4095
Local Note:
Black and white photomechanical print on paper mount
Place:
Argentina
Provenance:
Outes, Felix F
Genre/Form:
Photographs
Collection Citation:
Manuscript 4095, National Anthropological Archives, Smithsonian Institution
See more items in:
The Ancient Races of Argentina
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-ms4095-ref86

[Trade catalogs on projection printing instrument and accessories ... ]

Author:
Andreas Veigel (Firm)  Search this
Smithsonian Libraries American History Trade Literature Collection DSI  Search this
Physical description:
<2> v. : ill
Type:
Catalogs
Trade catalogs
Date:
195u
[195-?]-
Topic:
Photography--Enlarging--Equipment and supplies  Search this
Photography--Printing processes  Search this
Veigel-Exacta 66 (Brand name)  Search this
Call number:
052035
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_673176

Jonathan Singer Photographs:,digital photographic prints

Donor:
Singer, Jonathan, Dr.  Search this
Extent:
2 Cubic feet (1 box, 13 photoprints)
Type:
Archival materials
Collection descriptions
Digital images
Photographs
Date:
2011
Scope and Contents:
Custom-made wooden box containing 13 matted digital color prints, of guitars and a mandolin, by Dr. Singer. The subjects are custom-made instruments in private collections. Cover text: "Gibson Boxed Set #1/5 / This Gibson commemorative / Morrison Hotel Gallery / boxed edition containing / thirteen original digital / prints were shot with a / Hasselblad H2D-39 and / printed on Casson paper," signed by the photographer and dated 2011. Image sizes approx. 18" x 13-1/2". Each print is signed in pencil under the image at left, and the photographer's blind-stamp is at the right. Mounts are Foam-Core, with descriptive labels on the verso. Mat hinges are masking tape.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Jonathan Singer is a podiatrist who gained notoriety as a botanical photographer, then turned his attention to handmade guitars. See http://www.vanityfair.com/culture/features/2008/03/flowerphotog200803 from Vanity Fair.
Provenance:
Donated by Jonathan Singer on May 20, 2011.
Restrictions:
Collection is open for research.
Rights:
Jonathan Singer retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mandolin  Search this
Guitars  Search this
Genre/Form:
Digital images
Photographs -- Digital color prints -- 1910-1920
Citation:
Photograph by Jonathan Singer, 2011, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.1243
See more items in:
Jonathan Singer Photographs:,digital photographic prints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1243
Additional Online Media:

Musical instruments

Collection Creator:
Nimmo, Harry  Search this
Extent:
3 Items (Items numbered 483-485)
Type:
Archival materials
Scope and Contents:
Instruments including gabbang
Collection Restrictions:
According to the wishes of H. Arlo Nimmo, his correspondence and field notes are restricted until his death.
Collection Rights:
Contact repository for terms of use.
Standard copyright restrictions apply.
Collection Citation:
H. Arlo Nimmo papers, National Anthropological Archives, Smithsonian Institution
See more items in:
H. Arlo Nimmo papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2009-17-ref218

Warshaw Collection of Business Americana Subject Categories: Instruments

Creator:
Warshaw, Isadore, d. 1969  Search this
Extent:
4.56 Cubic feet (consisting of 10 boxes, 1 folder, 1 oversize folder, 1 map case folder.)
Type:
Archival materials
Collection descriptions
Ephemera
Printed ephemera
Sales letters
Business cards
Trade catalogs
Trade literature
Sales catalogs
Sales records
Manufacturers' catalogs
Publications
Receipts
Commercial catalogs
Surveying instruments
Trade cards
Catalogs
Manuals
Invoices
Business ephemera
Advertisements
Mail order catalogs
Advertising cards
Advertising
Advertising mail
Business records
Print advertising
Business letters
Correspondence
Letterheads
Periodicals
Advertising fliers
Catalogues
Printed material
Date:
circa 1800-1965
bulk 1830-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Instruments forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The Instrument category covers devices and tools used in arts and sciences, including but not limited to architecture, biology, medicine, geography, physics, chemistry and related laboratory investigation, navigation, in industry with machinery, astronomy, and a variety of optics including reading glasses. An emphasis on engineering and survey work is evident in the volume of Drawing and Surveying catalogues present.

Materials include a small sampling of business records, particular invoices and receipts, with also some advertisement, correspondence, financials, import/export documents. The bulk of material is comprised of product catalogues, many with detailed descriptions, specifications, and illustrations, plus pricing information. A number of catalogues are in German. A small portion of the catalogues are not instruments per se, but are accompaniments used with instruments. For example, specimen slides for microscopes. A few company publications are present as well. Several guides on the use of or history of some apparatus are present, as are a few stand-alone illustrations, though most catalogues are heavily illustrated.

No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry. Separate folders were used for a few companies which have a small bulk of material. Companies of note: Bausch & Lomb, Sperry Corporation and Wheelco Instrument Company.

With the industries and trades represented in this category, there is overlap with Hardware, Tools, and Mensuration.
Arrangement:
Instruments is arranged in two subseries. Researchers are advised to look both under the company name and under the category of catalogue of products it produces.

Business Records and Marketing Material

Genre
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Instruments is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Surgical instruments and apparatus  Search this
Surveying -- Instruments -- 1800-1810  Search this
Mail-order business -- Catalogs  Search this
Engineering instruments  Search this
Wild flowers -- Specimens  Search this
Magnetic instruments  Search this
Surveying -- Instruments -- 1870-1940  Search this
Consumer goods -- Catalogs  Search this
Specimens -- list of  Search this
Mathematical instruments  Search this
Spectrum analysis -- Instruments  Search this
Retail trade  Search this
Architectural design  Search this
Scientific apparatus and instruments industry  Search this
Architectural drawing  Search this
Artists' materials  Search this
Microscopes  Search this
Scales (Weighing instruments)  Search this
advertising -- Specimens -- 1840-1950  Search this
Industrial productivity -- measurements  Search this
Drawing  Search this
Dental instruments and apparatus -- 1880-1940  Search this
Laboratories  Search this
Optics  Search this
Dental instruments and apparatus -- 1930-1970  Search this
Dental instruments and apparatus  Search this
Scientific apparatus and instruments  Search this
Medical instruments and apparatus  Search this
Zoological specimens -- Collection and preservation  Search this
Specimens -- catalog of  Search this
Measuring instruments industry  Search this
Measuring instruments  Search this
Plant specimens  Search this
Tools  Search this
Architecture  Search this
Chemistry -- 19th century  Search this
Chemistry -- Distillation  Search this
Medical Equipment  Search this
advertising -- Business ephemera  Search this
Medical supplies  Search this
Surveying and surveying instruments  Search this
Chemistry  Search this
Function:
Scientific instruments manufacturing
Genre/Form:
Ephemera
Printed ephemera
Sales letters
Business cards
Trade catalogs
Trade literature
Sales catalogs
Sales records
Manufacturers' catalogs
Publications -- Business
Receipts
Commercial catalogs
Surveying instruments
Trade cards
Catalogs
Manuals
Invoices
Business ephemera
Advertisements
Mail order catalogs
Advertising cards
Advertising
Advertising mail
Business records
Print advertising
Business letters
Correspondence
Letterheads
Periodicals
Advertising fliers
Catalogues
Printed material
Citation:
Warshaw Collection of Business Americana Subject Categories: Instruments, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Instruments
See more items in:
Warshaw Collection of Business Americana Subject Categories: Instruments
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-instruments

Ally and Gargano, Inc., Print Advertisements

Creator:
Gargano, Amil  Search this
Ally and Gargano Advertising Agency, (New York (N.Y.)  Search this
Ally, Carl  Search this
Names:
Bank of New York  Search this
Canadair  Search this
Dunkin' Donuts, Inc.  Search this
Federal Express Corporation  Search this
Fiat.  Search this
Hertz Corporation.  Search this
International Business Machines.  Search this
Karastan.  Search this
Kobrand Corporation.  Search this
MCI Communications Corporation.  Search this
Northeast Airlines  Search this
Pan American World Airways, Inc.  Search this
Pearl Brewing.  Search this
Pentax Precision Instrument Corporation.  Search this
Pharmacraft.  Search this
Piper Aircraft Corp.  Search this
Saab (Svenska Aeroplan Aktiebolaget AB)  Search this
Scandinavian Airlines System  Search this
Volvo.  Search this
Extent:
14.6 Cubic feet
Type:
Archival materials
Collection descriptions
Advertisements
Print advertising
Date:
1962-1987
Summary:
In 1962, Carl Ally, a rising star in the advertising business, established his own firm, Carl Ally, Inc., with colleague Amil Gargano as art director. In 1976 they changed the business name to Ally and Gargano, Inc. Known for its aggressive advertising style, Ally and Gargano represented approximately ninety clients, fifty-two of which are represented here, including Hertz, Federal Express, and IBM.
Scope and Contents:
Advertising portfolios including copies of print advertisements published for fifty-two accounts over a twenty-five year period. Some clients include Hertz, Federal Express, International Business Machines Corporation.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
After seven years as a rising star in the advertising business, Carl Ally (1925-1999) created his own advertising agency in 1962, bringing with him former colleague and art director Amil Gargano. In 1976, Carl Ally, Inc., became Ally and Gargano, and three years later, Ally withdrew from active participation in the firm. In 1983, the agency, with a roster of nearly 300 employees, went public; in 1986 the Marketing Corporation of America (MCA) purchased Ally and Gargano for $26.6 million; in 1991 Amil Gargano left the firm which went out of business in 1995.

During its years as an independent advertising agency, (1962-1987), Ally and Gargano created highly successful and widely recognized advertising campaigns for over ninety clients. Carl Ally was especially known for an aggressive advertising style, most notably his work for Hertz in the late 1960s and early 1970s, in which he used in a competitor's name, Avis, in advertisements.

Ally and Gargano also made invaluable contributions to two new firms that quickly became leading American businesses --Federal Express and MCI. Founded in 1971, Federal Express had accrued $26 million in losses by 1974, after only eighteen months in operation; its nightly package delivery count was 210 items. Ally and Gargano advertising, beginning with a budget of only $150,000, was critical to the rapid Federal Express turnaround. MCI selected Ally and Gargano to introduce its residential long distance service in 1979. Within a year, new customer enrollment reached three times the expected level, and four years after the launch of the advertising campaign, MCI's total sales rose from $95 million to $2.7 billion.
Related Materials:
Advertising documentation may be found in the following collections in this repository: N.W. Ayer Advertising Agency Records and the Federal Express Advertising History Collection.
Provenance:
This collection was donated by Emil Gargano, a partner in Ally and Gargano, Inc.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost recovery and use fees may apply when requesting reproductions.
Topic:
Advertising agencies  Search this
advertising  Search this
Genre/Form:
Advertisements
Print advertising
Citation:
Ally and Gargano, Inc., Print Advertisements, 1962-ca. 1995, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0938
See more items in:
Ally and Gargano, Inc., Print Advertisements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0938
Additional Online Media:

Emile Waagenaar Photoprints of Cajun Musicians : digital prints

Photographer:
Waagenaar, Emile  Search this
Extent:
0.5 Cubic feet (64 items)
Type:
Archival materials
Collection descriptions
Inkjet prints
Photographs
Digital images
Place:
Louisiana
Date:
1980-2008
Summary:
Environmental portraits of Cajun musicians: 64 inkjet photographic prints, 1980-2008, some in black-and-white and others in color.
Scope and Contents:
Environmental portraits of Cajun musicians, often taken in their homes, usually showing them with their instruments, typically accordions, violins, and guitars. Exterior images sometimes include automobiles. The collection consists of 64 inkjet photographic prints, 297 x 420 mm. (12" x 16-3/4"), some in black-and-white and others in color. They are beautifully crafted and include a wealth of detail. They are basically straightforward environmental portraits, and although the subjects are rendered with dignity, sometimes unusual, quirky aspects of some subjects' personalities, including seemingly incongruous details, also are on display in whimsical pictures imbued with gentle humor. This group of prints is in excellent, new condition. Waagenaar's pictures are sharp, clear, and demonstrate a sympathetic, warm attitude toward his subjects.bPrints are signed in pencil on verso. Printed on Hahnemule Fine Art Inkjet Paper.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Emile Waagenaar lives in the Netherlands, where he works as a commercial photographer. He is an enthusiastic aficionado of Cajun music and because he loves the music, which he discovered in the 1970s, in 1982 he began photographing musicians who play this regional style in New Orleans and elsewhere in Louisiana, Texas, etc. Over the years, at his own expense, he has made many trips from his home to the United States in order to seek out, befriend, and photograph Cajun musicians with their instruments—in their homes, businesses, and concert environments in the United States. Since he fears that this music is always at risk of disappearing as older musicians die and other popular music styles of the moment attract audiences away from traditional forms and styles, he has a missionary spirit in engaging in this project. He hopes not only to preserve visual records of some of the most important musicians and their environments, but to engender interest in Cajun music on the part of those who view his photographs. This project seems is one to which he devotes considerable time and passion and is the most personal of his photographic projects because it is self-assigned rather than deriving from economic necessity. His enthusiasm for this style of music led him to form his own Cajun band in the Netherlands. Many of his images can be viewed on his web site at http://www.emilecajun.web-log.nl/.

Waagenaar has had a number of exhibitions of his work on Cajun musicians in Europe and the United States, including the solo exhibit, "La Joie de la Musique," Sept. 9-Nov. 25, 2006 (La Musées de Lafayette, Louisiana). His work is discussed and critiqued by Johan von Gurp in the catalog Schatten van Breda's Museum (Breda, Netherlands, 2003).

Waagenaar's aims are both aesthetic and historical. He has tried to document the most important and innovative musicians, first among the generation of musicians who were the founders of Cajun music in the beginning of the 20th century. He writes, "After that I think it is important to have the second, third and fourth generation of these musicians. Every generation gives…Cajun music another drive, but the people I want to photograph must…respect the old traditional style and stay close to that. These days I use the Internet to find new musicians, but the best [way to] locate these people is talking with the musicians I already know…when I am in Louisiana. Mostly I give them a phone call and explain my intentions."
Provenance:
Donated by Emile Waagenaar.The photographer had these prints made specifically for this gift.
Restrictions:
Collection is open for research.
Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobiles  Search this
Dwellings -- Louisiana  Search this
Guitars  Search this
Musicians  Search this
Cajun music -- Louisiana  Search this
Violin  Search this
Accordion  Search this
Genre/Form:
Inkjet prints
Photographs -- Digital prints -- 20th century
Photographs -- Digital prints -- 21st century
Digital images
Citation:
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Identifier:
NMAH.AC.1150
See more items in:
Emile Waagenaar Photoprints of Cajun Musicians : digital prints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1150
Additional Online Media:

Musical Instruments

Collection Source:
Cutipa Lima, Juan de Dios  Search this
California Academy of Sciences. Anthropology Department  Search this
Textile Museum (Washington, D.C.)  Search this
Collection Author:
Zorn, Elayne  Search this
Extent:
35 Photographic prints
Container:
Photo-folder 42
Type:
Archival materials
Photographs
Photographic prints
Date:
undated
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Elayne Zorn Collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-022-ref683

Oeuvre

Designer:
Jean Bérain the Elder, French, 1640–1711  Search this
Medium:
Etching on off white laid paper.
Type:
ornament
Book
Object Name:
Book
Made in:
France
Date:
ca. 1709
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-201
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1921-6-201
Additional Online Media:

Topline Printing and Graphics

Collection Creator:
Gerber, H. Joseph  Search this
Gerber Scientific Instrument Company (Hartford, Conn.).  Search this
Container:
Box G
Type:
Archival materials
Audio
Date:
undated
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Gerber Scientific Instrument Company Records, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Gerber Scientific Instrument Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0929-ref2357

Printing Plate/Intelligence

Collection Creator:
Gerber, H. Joseph  Search this
Gerber Scientific Instrument Company (Hartford, Conn.).  Search this
Container:
Box 170, Folder 8
Type:
Archival materials
Date:
1968 - 1992
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Gerber Scientific Instrument Company Records, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Gerber Scientific Instrument Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0929-ref2660

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