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Hiram Powers papers, 1819-1953, bulk 1835-1883

Creator:
Powers, Hiram, 1805-1873  Search this
Subject:
Browning, Elizabeth Barrett  Search this
Atlee, Samuel Yorke  Search this
Astor, William B. (William Backhouse)  Search this
Adams, John Quincy  Search this
Webster, Daniel  Search this
Healy, G.P.A. (George Peter Alexander)  Search this
Peabody, George  Search this
Powers, Preston  Search this
Powers, Longworth  Search this
Story, William Wetmore  Search this
Sartain, John  Search this
Trollope, Francis  Search this
Taylor, Bayard  Search this
Bryant, William Cullen  Search this
Calhoun, John C. (John Caldwell)  Search this
Crawford, Thomas  Search this
Dix, John A. (John Adams)  Search this
Durand, Asher Brown  Search this
Everett, Edward  Search this
Fuller, Charles Francis  Search this
Gray, Henry Peters  Search this
Greeley, Horace  Search this
Jackson, Andrew  Search this
Kinney, E. Clementine  Search this
Kinney, William  Search this
Longfellow, Henry Wadsworth  Search this
Marsh, George Perkins  Search this
Morse, Samuel Finley Breese  Search this
Type:
Scrapbooks
Photographs
Writings
Drawings
Poetry
Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Italy -- Florence  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7255
(DSI-AAA_SIRISBib)209405
AAA_collcode_powehira
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209405
Online Media:

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Keene  Search this
Topic:
World War, 1914-1918  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Function:
Artist colonies -- New Hampshire
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b300c09-9ef0-4fb6-a81d-7d8098df7fc7
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

Dorothy Seiberling papers

Topic:
Life (Chicago, Ill.)
Creator:
Seiberling, Dorothy, 1922-  Search this
Names:
Harnett, William Michael, 1848-1892  Search this
McBride, Henry, 1867-1962  Search this
Powers, Hiram, 1805-1873  Search this
Sommer, William, 1867-1949  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1910-1955
Summary:
The papers of editor Dorothy Seiberling measure 0.4 linear feet and date from 1910 to 1955. Found are files on artists William Harnett, Hiram Powers, Everett Shinn, and William Sommer and collector Henry McBride, accumulated by Seiberling during her time as art editor of Life magazine.
Scope and Contents:
The papers of editor Dorothy Seiberling measure 0.4 linear feet and date from 1910 to 1955. Found are files on artists William Harnett, Hiram Powers, Everett Shinn, and William Sommer and collector Henry McBride, accumulated by Seiberling during her time as art editor of Life magazine.
Biographical / Historical:
Dorothy Seiberling (1922-2019) was an art editor in New York, New York. Seiberling began her career at Life magazine in 1943 and became senior art editor in 1965.
Provenance:
The collection was donated in 1973 by Dorothy Seiberling.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- New York (State) -- New York  Search this
Citation:
Dorothy Seiberling papers, 1910-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seibdoro
See more items in:
Dorothy Seiberling papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99589cef7-736a-465b-a3cd-228720182de2
EDAN-URL:
ead_collection:sova-aaa-seibdoro

Charles James Madison Eaton correspondence with Hiram Powers, and a letter received from Thomas Sully, 1845-1867

Creator:
Eaton, Charles James Madison, 1808-1893  Search this
Powers, Hiram, 1805-1873  Search this
Subject:
Kellogg, Miner K. (Miner Kilbourne)  Search this
Lester, C. Edwards (Charles Edwards)  Search this
Sully, Thomas  Search this
Citation:
Charles James Madison Eaton correspondence with Hiram Powers, and a letter received from Thomas Sully, 1845-1867. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 19th century  Search this
Artists and patrons  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7073
(DSI-AAA_SIRISBib)209206
AAA_collcode_eatochar
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209206

Hiram Powers letters, 1852 Apr. 4-Dec. 30

Creator:
Powers, Hiram, 1805-1873  Search this
Subject:
Greeley, Horace  Search this
McHenry, James  Search this
Citation:
Hiram Powers letters, 1852 Apr. 4-Dec. 30. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10326
(DSI-AAA_SIRISBib)213528
AAA_collcode_powehirl
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213528

Henry Kirke Brown papers

Creator:
Brown, Henry Kirke, 1814-1886  Search this
Names:
United States.. Art Commission  Search this
Bush-Brown, Henry Kirke, 1857-1935  Search this
Catlin, George, 1796-1872  Search this
Fuller, George, 1822-1884  Search this
Gifford, Sanford Robinson, 1823-1880  Search this
Lambdin, James Reid, 1807-1889  Search this
Lang, Louis, 1814-1893  Search this
Palmer, Erastus Dow, 1817-1904  Search this
Powers, Hiram, 1805-1873  Search this
Stone, Horatio, 1808-1875  Search this
Udall, Lydia Louise  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Place:
Italy -- description and travel
Date:
1836-1893
Summary:
The papers of sculptor and portrait painter Henry Kirke Brown measure 1 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.
Scope and Contents:
The papers of sculptor and portrait painter Henry Kirke Brown measure 1 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.

Brown's lengthy letters to his wife reveal his devotion to her and the conflict he felt between his art and his personal life. He discusses his work, including progress on his statue of George Washington, located in Union Square, New York City. Letters to his family from Rome and Florence allude to his awe of Italy's monuments. Also included are letters from Washington, D.C. during Brown's tenure as a member of the U.S. Art Commission in the 1860s.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Henry Kirke Brown (1814-1886) was an American sculptor and portrait painter born in Leyden, Massachusetts and died in Newburgh, New York.
Provenance:
The Henry Kirke Brown papers were donated to the Archives of American in 1981 by Dorothy Young, who acquired the papers from her husband, an art dealer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Portrait painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Topic:
Sculpture, Modern--19th century  Search this
Citation:
Henry Kirke Brown papers, 1836-1893. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browhenr
See more items in:
Henry Kirke Brown papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97620639e-9667-4db2-9d02-f9bf49e07e1e
EDAN-URL:
ead_collection:sova-aaa-browhenr
Online Media:

Anna Wells Rutledge papers

Creator:
Rutledge, Anna Wells  Search this
Names:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Gilmor, Robert, 1774-1848  Search this
Powers, Hiram, 1805-1873  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1922-1961
Summary:
The papers of art historian Anna Wells Rutledge measure 1.0 linear feet and date from 1922 to 1961. The papers focus on Rutledge's research on artists and art collectors in the Southern United States in the 18th and 19th centuries. Among the subjects are Thomas B. Clarke, Robert Gilmor, Hiram Powers, and others.
Scope and Contents:
The papers of art historian Anna Wells Rutledge measure 1.0 linear feet and date from 1922 to 1961. The papers focus on Rutledge's research on artists and art collectors in the Southern United States in the 18th and 19th centuries. Among the subjects are Thomas B. Clarke, Robert Gilmor, Hiram Powers, and others.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Anna Wells Rutledge (1907-1966) was an art historian in Charleston, South Carolina. She wrote and published many works on early American artists and art collectors, focusing on the South.
Related Materials:
The South Carolina Historical Society holds the Anna Wells Rutledge papers, 1886-1990 (bulk 1940-1990) (404.00) measuring 31.0 linear feet.
Provenance:
Donated 1961 by Anna Wells Rutledge.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- South Carolina -- Charleston  Search this
Citation:
Anna Wells Rutledge papers, 1922-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rutlanna
See more items in:
Anna Wells Rutledge papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91841316c-7aa4-4ca1-b211-d6978c8e2537
EDAN-URL:
ead_collection:sova-aaa-rutlanna

The Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Marble
Type:
Sculptures
Owner/Location:
Brooklyn Museum 200 Eastern Parkway Brooklyn New York 11238 Accession Number: 55.14
Date:
1869
Topic:
Figure female--Full length  Search this
Figure female--Nude  Search this
State of Being--Other--Imprisonment  Search this
Control number:
IAS 35680003
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_300858

Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Marble
Culture:
Greek  Search this
Type:
Sculptures
Owner/Location:
Dayton Art Institute 456 Belmonte Park North Dayton Ohio 45405
Topic:
Figure female  Search this
State of Being--Other--Enslaved  Search this
Ethnic  Search this
Control number:
IAS 75006839
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_12550

The Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Marble
Culture:
Greek  Search this
Type:
Sculptures
Owner/Location:
Toledo Museum of Art 2445 Monroe Street Monroe Street at Scottwood Avenue Toledo Ohio 43601
Topic:
Figure female  Search this
State of Being--Other--Enslaved  Search this
Ethnic  Search this
Control number:
IAS 75006960
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_12958

Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Marble
Culture:
Greek  Search this
Type:
Sculptures
Owner/Location:
Cincinnati Art Museum Eden Park Cincinnati Ohio 45202-1596 Accession Number: 1907.287
Date:
1842
Topic:
Figure female--Bust  Search this
State of Being--Other--Enslaved  Search this
Ethnic  Search this
Control number:
IAS 75006592
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_13852

Bust of the "Greek Slave," (sculpture)

Title:
Slave Girl, (sculpture)
Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Marble
Culture:
Greek  Search this
Type:
Sculptures
Owner/Location:
St. Johnsbury Athenaeum 1171 Main Street St. Johnsbury Vermont 05819
Topic:
Figure female--Bust  Search this
State of Being--Other--Enslaved  Search this
Ethnic  Search this
Control number:
IAS 75008292
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_14633

Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Marble
Type:
Sculptures
Owner/Location:
Newark Museum 49 Washington Street Newark New Jersey 07101 Accession Number: 26.2755
Topic:
Figure female--Nude  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 76009910
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_21594

Portrait Bust of Greek Slave (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Subject:
Unidentified  Search this
Type:
Sculptures
Owner/Location:
Phillips Academy Addison Gallery of American Art Andover Massachusetts 01810
Topic:
Portrait female--Bust  Search this
Mythology--Classical  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 76009911
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_21595

Bust of the Greek Slave (sculpture)

Title:
Clytie, (sculpture)
Sculptor:
Powers, Hiram 1805-1873  Search this
Subject:
Unidentified  Search this
Medium:
Marble
Culture:
Greek  Search this
Type:
Sculptures
Owner/Location:
Minneapolis Institute of Arts 2400 Third Avenue South Minneapolis Minnesota 55404
Topic:
Portrait female--Clytie  Search this
State of Being--Other--Enslaved  Search this
Ethnic  Search this
Control number:
IAS 26010036
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_24591

Cast of the Forearm and Left Hand of "Greek Slave" (thumb and two fingers missing), (sculpture)

Title:
Forearm and Hand of a Greek Slave, (sculpture)
Sculptor:
Powers, Hiram 1805-1873 (studio of)  Search this
Medium:
Plaster
Culture:
Greek  Search this
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.155.136
Topic:
Figure--Fragment--Arm  Search this
Ethnic  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 08581442
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291012

Model of the Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Plaster and metal pins
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.155.8
Date:
1843
Topic:
Figure female--Nude  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 08581453
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291023

Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Plaster and metal pins
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.155.45
Date:
Modeled 1843
Topic:
Figure female--Nude  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 08581454
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291024

Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.155.59
Date:
Modeled 1841-1843
Topic:
Figure female--Nude  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 08581455
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291025

Greek Slave, (sculpture)

Sculptor:
Powers, Hiram 1805-1873  Search this
Medium:
Plaster
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1968.155.83
Date:
Modeled 1841-1843
Topic:
Figure female--Nude  Search this
State of Being--Other--Enslaved  Search this
Control number:
IAS 08581456
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_291026

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