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Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
FitzGerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Woman's Building records

Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Names:
Feminist Studio Workshop  Search this
Women's Graphic Center (Los Angeles, Calif.)  Search this
Chicago, Judy, 1939-  Search this
De Bretteville, Sheila Levrant  Search this
Raven, Arlene  Search this
Extent:
32.5 Linear feet
Type:
Collection descriptions
Archival materials
Slides
Artists' books
Date:
1970-1992
Summary:
The records of the Woman's Building feminist arts organization in Los Angeles measure 32.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.
Scope and Content Note:
The records of the Woman's Building measure 32.5 linear feet and date from 1970 to 1992. The organization played a key role as an alternative space for women artists energized by the feminist movement in the 1970s. The records document the ways in which feminist theory shaped the Building's founding core mission and goals. During its eighteen year history, the Building served as an education center and a public gallery space for women artists in Los Angeles and southern California; the records reflect both functions of the Building's activities.

The Administrative Files series documents the daily operations of the Building, with particular emphasis on management policies, budget planning, history, cooperative relationships with outside art organizations and galleries, special building-wide programs, and relocation planning. Included in this series are the complete minutes from most Building committees from 1974 through closing, including the Board of Directors and the Advisory Council. The General Publicity and Outreach series is particularly complete, containing publicity notices from most events, exhibits, and programs held at the Woman's Building, including brochures, announcements, programs, invitations, press releases, newspaper clippings, and magazine articles.

The Woman's Building's educational programs centered on courses offered by the Feminist Studio Workshop and the Extension Program. While the Workshop provided a two-year program for women interested in fully developing their artistic talent, the Extension Program offered a broad range of classes, specifically oriented to working women interested in art and art vocations. The records fully document both programs, focusing on the course development and descriptions, teacher contracts, class evaluations, budget planning, and scholarship programs. Although the Archives does not have the entire slide library, there are files concerning the establishment and administration of the library, as well as a few folders of slides.

The Gallery Programs series houses the records of the visual, performing, literary and video arts events held at the Woman's Building. Administrative files detail the daily operation of the gallery spaces. The files in the remaining subseries are primarily arranged by event and contain proposals, announcements, publicity, and artist biographies.

The Women's Graphic Center became a profit-making arm of the Woman's Building in 1981 but the typesetting and design equipment had been used by staff and students since 1975. The records in this series focus on the work produced at the Center, including general projects and artist designs and art prints. Many of the design and printing examples were produced for Woman's Building events and programs.

The Artist's Works of Art series includes artist books, resumes, correspondence, postcards, and samples of art in the form of sketches, drawings, and prints. There is also material related to Woman's Building projects. Especially noteworthy is the "What is Feminist Art?" project where artists gave their responses in various formats and mediums from text to pieces of artwork.
Arrangement:
The collection is arranged into 6 series.

Series 1: Administrative Files, circa 1970-1991 (Box 1-9, 32; 9 linear feet)

Series 2: Educational Programs, 1971-1991 (Box 10-14; 4.9 linear feet)

Series 3: Gallery Programs, 1973-1991 (Box 14-20, OV 54; 5.7 linear feet)

Series 4: Women's Graphic Center, circa 1976-1989 (Box 20-23, 32, OV 33-50; 5.6 linear feet)

Series 5: Artists' Works of Art, circa 1972-1990 (Box 24-25, OV 51-53; 1.7 linear feet)

Series 6: Grants, 1974-1992 (Box 25-30; 5.3 linear feet)
Historical Note:
In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of those experiences into their artwork. Central to this vision was the idea that art should not be separated from other activities related to the developing women's movement. In November of 1973 the founders rented workshop space in a vacated building in downtown Los Angeles and called it The Woman's Building, taking the name from the structure created for the 1893 World's Columbian Exposition in Chicago. The FSW shared space with other organizations and enterprises including several performance groups, Womanspace Gallery, Sisterhood Bookstore, the National Organization of Women, and the Women's Liberation Union.

When the building they were renting was sold in 1975, the FSW and a few other tenants moved to a three-story brick structure, originally designed to be the administrative offices of the Standard Oil Company in the 1920s. In the 1940s, it had been converted into a warehouse and consisted of three floors of open space, conducive to publically available extension classes and exhibitions offered by the Woman's Building staff and students. By 1977, the majority of the outside tenants had left the Woman's Building, primarily because they were unable to sustain business in the new location. The new building was more expensive to maintain and the FSW staff decided to hire an administrator and to create a board structure to assume the financial, legal, and administrative responsibility for the Building. The funds to operate came from FSW tuition, memberships, fund-raising events, and grant monies.

In 1981, the Feminist Studio Workshop closed, as the demand for alternative education diminished. The education programs of the Building were restructured to better accommodate the needs of working women. The Woman's Building also began to generate its own artistic programming with outside artists, including visual arts exhibits, performance art, readings, and video productions. That same year, the Woman's Building founded the Women's Graphic Center Typesetting and Design, a profit-making enterprises designed to strengthen its financial base. Income generated from the phototypesetting, design, production, and printing services was used to support the educational and art making activities of the Building.

When the graphics business closed in 1988, the Woman's Building suffered a financial crisis from which it never fully recovered. The Building closed its gallery and performance space in 1991.
Related Material:
Among the other resources relating to the Woman's Building in the Archives of American Art is an oral history with Suzanne Lacy on March 16, 1990, March 24, 1990, and September 24, 1990. While not credited as a founding member, Lacy was among the first group of staff of the Woman's Building which she discusses in her interview.

The Getty Research Institute also holds a large collection on the Woman's Building which includes a wide range of material relating to its exhibitions, activities, and projects.
Separated Material:
The Archives of American Art donated 5 boxes of video tape from the collection to the Long Beach Museum of Art, Video Annex in 1994. According to documentation, this was the desire of Sandra Golvin and the Board of Directors of the Woman's Building. Printed material collected but not produced by the Woman's Building regarding feminism was transfered to Smithsonian Institution Libraries.
Provenance:
The Woman's Building records were donated to the Archives of American Art in 1991 by Sandra Golvin, President of the Board of Directors. An small addition of a set of "Cross Pollination" posters was donated in 2019 by by ONE Archives at University of Southern California Libraries via Loni Shibuyama, Archives Librarian.
Topic:
Works of art  Search this
Art -- Study and teaching -- California -- Los Angeles  Search this
Women artists  Search this
Feminism and art  Search this
Function:
Nonprofit organizations -- California
Arts organizations -- California
Genre/Form:
Slides
Artists' books
Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.womabuil
See more items in:
Woman's Building records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938796dfe-5dbf-49e9-96e7-5a8745391f13
EDAN-URL:
ead_collection:sova-aaa-womabuil
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Online Media:

Making History: Contemporary Art and the Middle East

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2012-12-07T13:41:45.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_9d2cDf3M4SM

Guided Tour: “¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now”

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-09-22T16:06:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_4slZFDX4Deo

¡Printing the Revolution! Highlights Reel

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-12-03T20:28:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_H7B9s_-Od7M

“¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now" at SAAM

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-11-20T21:44:19.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_boRC36_NgKI

Finding Common Ground 3 | Paul Chaat Smith

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2018-02-23T15:03:48.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_UGOVaeUOimg

Honoring Queen Liliʻuokalani

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2019-03-11T19:19:52.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_aoSdg9qNgLo

Enrique Andales

Type:
Archival materials
Date:
1917-1937, undated
Scope and Contents:
Consist of materials primarily documenting Andales's life while residing in Stockton, California and include correspondence, a black-and-white photograph album, a wallet and its contents, and information relating to the Legionarios del Trabajo Daguhoy Masonic Lodge. Mostly dating from the 1920s and 1930s, materials provide insight into Andales's social and private life with little information about his work. The Legionarios del Trabajo materials emphasize his dedication to the fraternity and his social contact with other Filipino men. Black and white photographs of Enrique Andales and other unidentified people document Filipino attire and day-to-day life. These materials serve as a primary source for understanding Filipino fashion trends and cultural attire as well as California's social, political, and cultural landscape in the 1920s and 1930s. Materials are arranged in chronological order.
Biographical:
Enrique Andales was born on July 18, 1891 in Cordova, Cebu, Philippines. According to a California passenger and crew list Andales arrived in San Francisco, California aboard the S. S. Matsonia from Honolulu, Hawai'i on March 14, 1916. During World War I, he registered for the United States draft on December 15, 1917. At the time, he was residing in Stockton, California, working as a laborer for the Shima Tract, an island on the Sacramento-San Joaquin River known for potato cultivation. As documented in the United States census by 1930 he was working as a farm laborer on asparagus farms in Rio Vista, Solano, California and living with fourteen lodgers of Japanese and Filipino ethnicity on Alen Bunn Reyes. Andales demonstrated proficiency in reading and writing both English and Visayan, a common language spoken in the southern Philippines, including the Cebu Province. Andales was an active member of the Legionarios del Trabajo, specifically affiliated with the Daguhoy Lodge in the United States. Enrique Andales passed away on April 24, 1938 in Stockton, California at the age of forty-seven.

Sources:

Registration State: California; Registration County: San Joaquin

Ancestry.com. United States, Find a Grave® Index, 1600s-Current [database on-line]. Lehi, Utah, USA: Ancestry.com Operations, Incorporated, 2012. Original data: Find a Grave. Find a Grave®. http://www.findagrave.com/cgi-bin/fg.cgi.

The National Archives at Washington, DC; Washington, DC; Customs Passenger Lists of Vessels Arriving At San Francisco; NAI Number: 4478116; Record Group Title: Records of the Immigration and Naturalization Service, 1787-2004; Record Group Number: 85

The National Archives and Records Administration; Washington, DC; Application For Seaman´s Protection Certificates; NAI: 2788575; Record Group Title: Records of the Bureau of Marine Inspection and Navigation; Record Group Number: 41; Box Number: 3

Year: 1930; Census Place: Rio Vista, Solano, California; Page: 12A; Enumeration District: 0011; FHL microfilm: 2339956
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Filipino Agricultural Workers Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1515, Series 1
See more items in:
Filipino Agricultural Workers Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80f052895-29f9-4601-b61c-bff71e666d48
EDAN-URL:
ead_component:sova-nmah-ac-1515-ref1

Epimaco Fariola Mansueto

Type:
Archival materials
Date:
1874-1947, undated
Scope and Contents:
Contains correspondence, black and white photographs, and negatives featuring Mansueto and unidentified individuals. It includes documents from the Mare Island Navy Yard, artifacts relating to the Legionarios del Trabajo, and other ephemera, collectively portraying the life of Epimaco Mansueto, a common laborer in Stockton, California. Documents from the Mare Island Navy Yard provide personal details about Epimaco. The series also features Legionarios del Trabajo materials such as funeral service photographs, underscoring Mansueto's commitment to the fraternity. Additionally, it includes photographs documenting cultural attire, and geographical locations, serving as a resource for understanding Filipino fashion trends and cultural practices. The series offers insights into the social, political, and cultural landscape of the time, shedding light on the history, traditions, and dynamics of the Legionarios del Trabajo. Materials are arranged in chronological order.
Biographical:
Epimaco Fariola Mansueto was born on July 17, 1902 in the Philippines. Evidence of a grammar school education exist but records detailing Mansueto's emigration from the Philippines are hard to find. According to a World War II United States Army enlistment record dated October 16, 1942, Mansueto is identified as a United States citizen residing in San Joaquin, California. He lived at the Daguhoy Lodge at 203 East Hazelton Avenue, where he was a member of the Legionarios del Trabajo. Standing at five feet six inches and weighing 128 pounds, Mansueto worked on farms in the agricultural fields in northern California. Mansueto later married as documented in 1948 city directory and resided with his wife Katie at 3 Cottage Row in San Francisco, California. Mansueto passed away on January 8, 1988, in San Francisco, California at the age of eighty-six.

Sources:

National Archives at St. Louis; St. Louis, Missouri; WWII Draft Registration Cards For California, 10/16/1940-03/31/1947; Record Group: Records of the Selective Service System, 147; Box: 1116

National Archives at College Park; College Park, Maryland, USA; Electronic Army Serial Number Merged File, 1938-1946; NAID: 1263923; Record Group Title: Records of the National Archives and Records Administration, 1789-circa 2007; Record Group: 64; Box Number: 14307; Reel: 1

Place: San Francisco; Date: 9 January 1988

Ancestry.com. United States, City Directories, 1822-1995 [database on-line]. Lehi, Utah, USA: Ancestry.com Operations, Incorporated, 2011. Original data: Original sources vary according to directory. The title of the specific directory being viewed is listed at the top of the image viewer page. Check the directory title page image for full title and publication information.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Filipino Agricultural Workers Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1515, Series 14
See more items in:
Filipino Agricultural Workers Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d1ca5ea0-f921-459e-adca-aa42381b5782
EDAN-URL:
ead_component:sova-nmah-ac-1515-ref120

Julian Rogas

Type:
Archival materials
Date:
1929-1936, undated
Scope and Contents:
Includes correspondence relating to the Legionarios del Trabajo, two wallets and their contents, a blank diary, and ephemera. Correspondence is primarily written in Visayan by Ramon BatolBatol and Johnny Gihapon in Cebu, Philippines, and sent to Julian Rogas in Oakland, California. The materials relating to the Legionarios del Trabajo document Julian's membership in the fraternal organization. The materials do not identify any information regarding Julian's personal details, Although, they document his time in Oakland, California during the 1930s. The series serves as a primary source for understanding the social, political, and cultural landscape as well as how people attempted to stay connected to people in another country during the 1930s. Materials are arranged in chronological order.
Biographical:
Julian Rogas was born in 1887 or 1889 in the Philippines. Details of Rogas's early life and his journey to the United States are unclear. The 1930 United States census, however, documented his immigration as 1915. At this time, he resided on Oak Street in Oakland, California where he worked as a janitor in a building. With little money and living as a single man, he could only afford shared housing with four other single lodgers. By the 1950 census Rogas was described as separated and living with seven occupants as a cook seeking employment.

*Conflicting birth date: 1930 United States Federal Census, 1889. 1950 United States Federal Census, 1887.

Sources:

Year: 1930; Census Place: Oakland, Alameda, California; Page: 3B; Enumeration District: 0092; FHL microfilm: 2339838

National Archives at Washington, DC; Washington, DC; Seventeenth Census of the United States, 1950; Year: 1950; Census Place: Oakland, Alameda, California; Roll: 590; Page: 14; Enumeration District: 67-551
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Filipino Agricultural Workers Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1515, Series 18
See more items in:
Filipino Agricultural Workers Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87e525abb-af70-464f-a42a-25fa78dc5a9b
EDAN-URL:
ead_component:sova-nmah-ac-1515-ref176

Jose Madridejo Galinato

Type:
Archival materials
Date:
1926-1949, undated
Scope and Contents:
Include materials relating to the Legionarios del Trabajo, a letter, War Department records, and other ephemera. The materials document the life of Galinato while residing in Stockton, California from the 1920s to the 1940s. Materials relating to the Legionarios del Trabajo emphasize his dedication to his membership in the fraternity. The contents of the letter are unknown and in the process of translation from Visayan to English. Galinato's War Department record documents some of his personal details such as his occupation and date of birth. This series documents the social, political, and cultural landscape of the time as well as the experiences of individuals who served in the armed forces. Materials are arranged in chronological order.
Biographical:
Jose Madridejo Galinato was born on December 18, 1902 in Guindulman, Bohol, Philippines. According to a passenger and crew list, he left Manila, Philippines, on June 16, 1923, aboard the S. S. President Pierce, destined for Honolulu, Hawai'i. The journey lasted twenty days and was part of a workforce recruited for the Hawaiian Sugar Plantation Company. After living and working for two years in Hawai'i, Galinato sailed to San Francisco, California, aboard the S. S. President Lincoln, arriving on September 8, 1926. By 1940, Galinato had settled in Stockton, California, likely engaging in agricultural work along the West Coast which was common among Filipino workers of that era. The 1940 United States census documented Galinato's employment as a field laborer, working sixty hours per week with a yearly income of four hundred and fifty dollars. Galinato resided at the Daguhoy Lodge on 203 East Hazelton Avenue, where he was a member of the Legionarios del Trabajo. On April 24, 1943, he registered for United States military service listing the Daguhoy Lodge as his residence; his next of kin as Albert Doblin, likely another Legionarios member; and his employer as S. S. Sanincente, Incorporated. During the 1950s and 1960s, according to his United States Petition for Naturalization, he worked as a seaman, traveling worldwide. Galinato died on December 9, 1983, at the age of eighty-one in Stockton, California. His obituary mentioned that he was survived by brothers and sisters in the Philippines. Funeral services were conducted at Stockton's Chapel of the Palms and St. Georges Catholic Church, and he is buried at the San Joaquin Cemetery.

*Conflicting birth dates and birth places: US World War II Draft Registration card, December 18, 1902. Honolulu, Hawaii Arriving and Departing Passenger and Crew Lists, 1901 or 1904.

Sources:

National Archives at St. Louis; St. Louis, Missouri; WWII Draft Registration Cards For California, 10/16/1940-03/31/1947; Record Group: Records of the Selective Service System, 147; Box: 623

Year: 1940; Census Place: Tulare, San Joaquin, California; Roll: m-t0627-00327; Page: 20B; Enumeration District: 39-100A

The National Archives at San Francisco; San Bruno, California; Petitions For Naturalization, 8/6/1903 - 12/29/1911; NAI Number: 605504; Record Group Title: Records of District Courts of the United States, 1685-2009; Record Group Number: 21

Ancestry.com. United States, City Directories, 1822-1995 [database on-line]. Lehi, Utah, USA: Ancestry.com Operations, Incorporated, 2011. Original data: Original sources vary according to directory. The title of the specific directory being viewed is listed at the top of the image viewer page. Check the directory title page image for full title and publication information.

Ancestry.com. California, United States, San Joaquin, County Public Library Obituary Index, 1850-1991 [database on-line]. Provo, Utah, USA: Ancestry.com Operations, Incorporated, 2014. Original data: California, San Joaquin, County Public Library Obituary Index, 1850-1991. Salt Lake City, Utah: Family Search, 2013.

The National Archives at Washington, DC; Washington, DC; Crew Lists of Vessels Arriving At San Francisco; NAI Number: 4482913; Record Group Title: Records of the Immigration and Naturalization Service, 1787-2004; Record Group Number: 85

The National Archives at Washington, DC; Washington, DC; Passenger and Crew Lists of Vessels Arriving at San Francisco; NAI Number: 4449166; Record Group Title: Records of the Immigration and Naturalization Service, 1787-2004; Record Group Number: 85

The National Archives and Records Administration; Washington, DC; Passenger and Crew Lists of Vessels Arriving at and Departing from Ogdensburg, New York, 5/27/1948 - 11/28/1972; Microfilm Serial or NAID: T715, 1897-1957

Place: San Joaquin; Date: 9 December 1983; Social Security: 555161727

National Archives and Records Administration (NARA); Washington, DC; Series Title: Crew Lists of Vessels Arriving At Honolulu, Hawaii, Compiled 08/1912 - 11/1954; NAI Number: A3569; Record Group Title: Records of the Immigration and Naturalization Service, 1787 - 2004; Record Group Number: RG 85

National Archives and Records Administration (NARA); Washington, DC; Series Title: Passenger and Crew Lists of Vessels and Airplanes Arriving at Honolulu, Hawaii, Compiled 01/1954 - 12/1981; NAI Number: A3571; Record Group Title: Records of the Immigration and Naturalization Service, 1787 - 2004; Record Group Number: RG 85

The National Archives in Washington, DC; Washington, DC; Index to Naturalization in the United States, District Court For the Northern District of California, 1852 - circa 1989 (M1744); Microfilm Serial: M1744; Microfilm Roll: 55

The National Archives at Washington, DC; Washington, DC; Record Group Title: Records of the Immigration and Naturalization Service, 1787-2004; Record Group Number: 85; Series: A4024

National Archives and Records Administration (NARA); Washington, DC; Series Title: Passenger Lists of Vessels Departing From Honolulu, Hawaii, Compiled 06/1900 - 11/1954; NAI Number: A3510; Record Group Title: Records of the Immigration and Naturalization Service, 1787 - 2004; Record Group Number: RG 85
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Filipino Agricultural Workers Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1515, Series 9
See more items in:
Filipino Agricultural Workers Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8bdb0eaa9-57f7-499d-9a17-a2e87e86cab0
EDAN-URL:
ead_component:sova-nmah-ac-1515-ref63

Kay WalkingStick Symposium 12 - Paul Chaat Smith Closing Remarks

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-11-10T18:58:02.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_NSF7D3Jubwc

Mark Bradford: Pickett's Charge - Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2017-12-12T17:40:01.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_355YAVT8JhM

(AT HOME) ON ART AND SYSTEMS: ARTIST TALK WITH CHARLES GAINES

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2021-03-18T00:14:20.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_FkJrjFSUres

Awareness, Action and Dissent (Part I): Pedro Reyes, Laurie Jo Reynolds, Paul Ramírez Jonas

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2018-03-01T21:59:39.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_4OszBc5vX_4

Camera-ready drawing, entitled Mecca Donalds

Original artist:
MacNelly, Jeff  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 28.9 cm x 37.5 cm; 11 3/8 in x 14 3/4 in
Object Name:
Drawing
Object Type:
Drawings
Other Terms:
Drawing; Pen and Ink
Date made:
03/18/1975
Subject:
Politics  Search this
Credit Line:
Mr. Jeffy MacNelly
ID Number:
GA.23967
Catalog number:
23967
Accession number:
1975.316427
See more items in:
Work and Industry: Graphic Arts
Popular Entertainment
Cultures & Communities
Communications
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-c52f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_799662

"Rock Against Reagan" Tank Top

Depicted (sitter):
Reagan, Ronald Wilson  Search this
Physical Description:
fabric (overall material)
ink (overall material)
Measurements:
overall (flat): 21 1/2 in x 15 in; 54.61 cm x 38.1 cm
Object Name:
shirt
Date made:
1984
Subject:
Protest  Search this
Presidents--Election  Search this
General subject association:
Women's History  Search this
Fashion  Search this
Gender  Search this
Punk culture  Search this
Credit Line:
Michelle Cruz Gonzales
ID Number:
2018.0253.01
Accession number:
2018.0253
Catalog number:
2018.0253.01
See more items in:
Culture and the Arts: Musical Instruments
Clothing & Accessories
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-c148-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1899166

Inka Road Symposium 06 - Tawantinsuyu: Andean Empire

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-07-15T18:45:36.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_klJXUH03SS8

Freedomways Vol. 12 No. 2

Published by:
Freedomways Associates, Inc., American, 1961 - 1985  Search this
Edited by:
John Henrik Clarke, American, 1915 - 1998  Search this
Ernest D. Kaiser, American, born 1916  Search this
Jack O'Dell, American, 1923 - 2019  Search this
Esther Cooper Jackson, American, born 1917  Search this
Ernest D. Kaiser, American, born 1916  Search this
John Devine  Search this
Illustrated by:
Benny Andrews, American, 1930 - 2006  Search this
Written by:
Carl E. Farris, American, 1938 - 1979  Search this
Shirley Anita Chisholm, American, 1924 - 2005  Search this
Mayor Richard G. Hatcher, American, born 1933  Search this
Jarvis Tyner, American, born 1941  Search this
Loyle Hairston, American, 1926 - 2009  Search this
Philip Charles Cooper  Search this
Subject of:
Connie Hawkins  Search this
Adam Clayton Powell Jr., American, 1908 - 1972  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D: 9 × 6 × 1/4 in. (22.8 × 15.3 × 0.7 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Harlem, New York City, New York, United States, North and Central America
Date:
1972
Topic:
African American  Search this
Activism  Search this
Black Press  Search this
Civil Rights  Search this
International affairs  Search this
Justice  Search this
Law  Search this
Literature  Search this
Politics  Search this
Vietnam War, 1961-1975  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Maurice Jackson
Object number:
2021.20.10
Restrictions & Rights:
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd551738ee4-f617-4a23-8cb4-259dd7f01f7e
EDAN-URL:
edanmdm:nmaahc_2021.20.10

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