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Chaloner Prize Foundation records

Creator:
Chaloner Prize Foundation  Search this
Names:
Chaloner, John Armstrong  Search this
Dows, Olin, 1904-1981  Search this
French, S. LeRoy  Search this
Lewis, George F.  Search this
Parker, Lawton, 1868-1954  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Platt, William, 1897-1984  Search this
Rand, Robert  Search this
Rand, William  Search this
Extent:
4 Linear feet
Type:
Archival materials
Collection descriptions
Legal records
Drafts (documents)
Scrapbooks
Photographs
Date:
1915-1974
Summary:
The records of Chaloner Prize Foundation measure 4.0 linear feet and date from 1915 to 1974. The records consist of the files of the two Secretaries, George F. Lewis and S. LeRoy French, and four of the Trustees, Charles Platt, William Rand, Olin Dows, and William Platt. Included within these records are correspondence, lists, files on award recipients, and three scrapbooks maintained by Dows. Also found within the collection are legal records, printed material, and financial records.
Scope and Content Note:
The records of Chaloner Prize Foundation measure 4.0 linear feet and date from 1915 to 1974. The records consist of the files of the two Secretaries, George F. Lewis and S. LeRoy French, and four of the Trustees, Charles Platt, William Rand, Olin Dows, and William Platt. Included within these records are correspondence, lists, files on award recipients, and three scrapbooks maintained by Dows. Also found within the collection are legal records, printed material, and financial records.

The Secretaries' Files contain backgroundpapers and photographs of John Chaloner's home in Virginia. Early correspondence includes letters from John Chaloner to Foundation officials on a variety of issues concerning his personal history and legal battles, personal perceptions regarding jurying and applicants, as well as observations about award amounts and duration of grants. Correspondence informed trustees of business transactions, legal matters, and awardee activities. Also found in this series are examples of competition circulars for other organizations, distribution lists, and rough drafts for the Paris Prize announcements.

Trustees' files are composed primarily of the records of William Platt, but include earlier minutes and bylaws. Within the correspondence are letters and telegrams to awardees. Of particular note are scrapbooks compiled by Trustee Olin Dows on the history of grants, covering activities between 1917 and 1960. A few correspondence files from Lawton Parker, Charles Platt and William and Robert Rand can be found here as well.

Legal records document the New York Supreme Court Judgment of 1917 and the transfer of assets to the American Academy in Rome. Printed material includes a poster; applications, notices, regulations and conditions for prizes; booklets on the activities of the Foundation; and information from other artist organizations. Financial records contain documentation on early expenses and income; receipts and transmittals; and scattered financial holdings statements.
Arrangement:
The collection is arranged as # series:

Series 1: Secretaries' Files, 1916-1974 (Box 1-2; 1.6 linear feet)

Series 2: Trustees' Files, 1915-1974 (Box 2-4; 1.6)

Series 3: Legal Records, 1917-1974 (Box 4; 0.3 linear feet)

Series 4: Printed Material, 1919-1971 (Box 4; 8 folders)

Series 5: Financial Records, 1917-1967 (Box 4; 0.3 linear feet)
Historical Note:
The Chaloner Prize Foundation was founded in 1890 by John Armstrong Chaloner in New York, NY, for the purpose of granting awards to individual artists for study of art in Paris. Initially known as the "Paris Prize Fund," held by the United States Trust Company of New York, the fund relied on contributions from art patrons such as Henry and Arthur Astor Carey. Due to personal troubles Chaloner could not manage the account and passed power of attorney to others. By 1917 the Trust had made only two grants. That year Chaloner brough suit against Bankers Trust Company and "others" in order to incorporate the foundation. The subsequent legal judgement by the New York State Supreme Court created the grant-administering institution.

Following the 1917 reorganization, the Foundation's first award for Paris Prize was $4,800 plus travel expenses to John Ferris Connah for five years (1921-1926). Subsequent awards were $6,000 with grantees selected every other year. With the beginning of World War II, Europe was not longer a secure place for visiting artists, and the 1939 and 1940 award recipients studied in Mexico. No further grants were given until 1948.

Lawton S. Parker, Charles A. Platt, and William Rand, Jr. were appointed to the first board of trustees. George F. Lewis was appointed as Foundation clerk. He maintained correspondence, set up board meetings, and communicated with artists as needed. When Charles Platt and William Rand, Jr. died in the early 1930s, they were succeeded by their sons, William Platt and Robert Rand. Shortly after Lewis resigned in 1938, S. LeRoy French secretary.

In 1969 national legislation regarding tax-exempt foundations made the future increasingly uncertain for trusts like the Chaloner Prize Foundation. In 1973 a final grant was made to the American Academy in Rome to be used for a fellowship in sculpture. In 1974 the foundation was dissolved and all assets and records were transferred to the American Academy in Rome.
Related Material:
Also available at the Archives of American Art are the American Academy in Rome Records, 1855-circa 1981.
Provenance:
The collection was donated in 1982 by the American Academy in Rome, along with their records. During the processing of the Academy's records, it was determined that the Chaloner Prize Foundation records were a separate entity, and the collection was separated from the Academy records.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Chaloner Prize Foundation records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Scholarships, fellowships, etc  Search this
Art -- Competitions  Search this
Genre/Form:
Legal records
Drafts (documents)
Scrapbooks
Photographs
Citation:
Chaloner Prize Foundation records, 1915-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chalpriz
See more items in:
Chaloner Prize Foundation records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chalpriz

Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Archival materials
Collection descriptions
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Barry Faulkner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
World War, 1914-1918  Search this
Painters -- New Hampshire -- Keene  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Artist colonies -- New Hampshire -- Dublin  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Artist colonies -- New Hampshire -- Cornish  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Additional Online Media:

The architecture and landscapes of Charles A. Platt (1861-1933) / by Keith Noble Morgan

Author:
Morgan, Keith N  Search this
Subject:
Platt, Charles A (Charles Adams) 1861-1933  Search this
Physical description:
vii, 430 p. : ill., maps, plans
Type:
Books
Date:
1978
Call number:
724 .M6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_862976

American Academy in Rome records

Creator:
American Academy in Rome  Search this
Names:
American Academy in Rome  Search this
American School of Architecture in Rome  Search this
American School of Classical Studies in Rome  Search this
Aldrich, Chester Holmes, 1871-1940  Search this
Boring, William, 1859-1937  Search this
Breck, George, 1863-1920  Search this
Dinsmoor, William B.  Search this
Egbert, J. C. (James Chidester), 1859-1948  Search this
Ely, Theo. N.  Search this
Faulkner, Barry, 1881-1966  Search this
Guernsey, Roscoe  Search this
Hewlett, James Monroe  Search this
Kendall, William M.  Search this
La Farge, C. Grant (Christopher Grant), 1862-1938  Search this
Marquand, Allan, 1853-1924  Search this
McKim, Charles Follen, 1847-1909  Search this
Mead, William Rutherford, 1846-1928  Search this
Millet, Francis Davis, 1846-1912  Search this
Morey, Charles Rufus, 1877-1955  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Pope, John Russell, 1874-1937  Search this
Roberts, Laurance P.  Search this
Smith, James Kellum, 1893-1963  Search this
Stevens, Gorham Phillips, 1876-  Search this
Vedder, Elihu, 1836-1923  Search this
Vitale, Ferrucio, 1875-1933  Search this
Ward, John Quincy Adams, 1830-1910  Search this
Extent:
65.9 Linear feet
Type:
Archival materials
Collection descriptions
Photographs
Date:
1855-2012
Summary:
The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.
Scope and Content Note:
The records of the American Academy in Rome measure 65.9 linear feet and date from 1855 to 2012. The collection documents the history of the institution from its inception in 1894 as the American School of Architecture in Rome, through the end of World War II, and chronicles the contributions the academy has made to America's cultural and intellectual development. Nearly one-half of the collection consists of an unprocessed addition received in 2014 containing records that mostly post-date World War II and include correspondence and subject files of officers and executives based in the New York office of American Academy in Rome.

Items predating the 1894 founding of the American School of Architecture in Rome are personal papers and memorabilia of individuals associated with the institution.

Series 1: Predecessor Institutions, is composed of the records of the American School of Architecture in Rome, 1894-1898, and the American School of Classical Studies in Rome, 1895-1913. Records of the American School of Architecture in Rome include records of its Managing Committee, correspondence, financial records, and printed matter. Among the Managing Committee's records are notes and correspondence relative to the founding of the institution, minute books and reports; also, legal documents including records concerning its dissolution prior to being reorganized as the American Academy in Rome. Correspondence is mostly that of Vice President Charles F. McKim who handled administrative matters. Financial records include capital stock certificates, invoices and receipts. Printed matter consists of scholarship competition announcements.

Records of the American School of Classical Studies in Rome include records of its Managing Committee, Committee on Fellowships, publications, printed matter, and treasurers' records. The Managing Committee's records consist of the proposed resolution concerning its merger with the American Academy in Rome. Committee on Fellowship records are comprised of correspondence, reports, and fellowship applications. Publications records include correspondence and invoices. Printed matter includes general information, annual reports of the Managing Committee and Director, annual reports of the Committee on Medieval and Renaissance Studies, fellowship applications and examination questions, and the proposed consolidation agreement. Treasurers' records include the files of Alex. Bell and Willard V. King. Bell's sparse records consist of a budget, receipts for salary payments, an invoice, canceled checks, and correspondence. King's files, while more substantial than those that survive from Bell's tenure, are quite incomplete. They include correspondence, banking records, budgets and financial statements, investment records, invoices, and receipts for salaries and expenses.

Series 2: Board of Trustees Records, is comprised of legal documents, minutes, and reports; records of Trustee committees; records of officers; and records of individual Trustees. Legal documents, 1897-1926 and undated, consist of by-laws and amendments, certificate of incorporation, and constitution and amendments. Minutes and reports of the Board of Trustees, 1897-1947 and 1957, including those of its annual meetings, are carbon copies rather than the official minute books, and are incomplete. Reports of officers are incomplete, as well. Also included are reports of Officers'/Trustees' visits to Rome, and reports of the Director and Secretary in Rome submitted to the Board of Trustees.

Records of Trustee committees, 1905-1946 and undated, consist of reports and/or minutes arranged alphabetically by committee; these, too are incomplete, with many committees represented by a single report. Committees represented are: Building Committee, Carter Memorial Committee, Endowment Committee, Executive Committee, Finance Committee, Library Committee, McKim Memorial Committee, Nominating Committee, Committee on Publications. Committee on the School of Classical Studies records consist of its own minutes and reports, reports of its Advisory Council and the Jury on Classical Fellowships. Committee on the School of Classical Studies also include reports of officers and staff of the School of Classical Studies to the Committee on the School of Classical Studies as follows: Director, Professor in Charge, Annual Professor, Director of the Summer Session, Professor of Archaeology, Curator of the Museum, Editor, Librarian, and Committee on the Welfare of Women Students. Committee on the School of Fine Arts records consist of its own minutes and reports, reports of its Special Committee on the Plan and Expense of a Department of Music in the School of Fine Arts, and report of Fine Arts Program, Triptych Project with the Citizens Committee for the Army and Navy, Inc.; also, reports of officers and staff of the School of Fine Arts to the Committee on the School of Fine Arts as follows: Director, Professor in Charge, Associate in Charge, Annual Professor, Professor in Charge of the Department of Musical Composition. In addition, there are minutes and/or reports of the Committee of Twelve and Subcommittee of Five and the Special Committee on Villa Aurelia.

Records of Officers. 1898-1957 and undated, consist mainly of correspondence files and reports, with large numbers of transcriptions and carbon copies. Included are records of: Presidents Charles F. McKim, William R. Mead, Charles A. Platt, John Russell Pope, and James Kellum Smith; Vice Presidents Theodore N. Ely, George B. McClellan, and Henry James; Secretaries H. Siddons Mowbray (Secretary/Treasurer), Frank D. Millet, C. Grant La Farge, William B. Dinsmoor, and H. Richardson Pratt; and Treasurers William R. Mead, William A. Boring, Leon Fraser, and Lindsay Bradford Office files of President Mead, Secretaries Millet and La Farge, and Treasurer Boring are the most complete; files of other individuals, the Vice Presidents in particular, are often quite sparse.

Records of individual Trustees, 1902-1946 and undated, consist of material relating to official Academy business that was created or maintained by each in his capacity as trustee. (Note: many of these individuals also served as officers or staff of the Academy, and their records documenting those functions will be found in the appropriate series.) Included in this subseries are the records of: Chester H. Aldrich, Gilmore D. Clarke, James C. Egbert, Barry Faulkner, Allan C. Johnson, William M. Kendall, C. Grant La Farge, Edward P. Mellon, Charles Dyer Norton, Charles A. Platt, John Russell Pope, Edward K. Rand, John C. Rolfe, James Kellum Smith, S. Breck Trowbridge, Ferruccio Vitale, John Quincy Adams Ward, Andrew F. West, and William L. Westerman. These records tend to be sparse; files maintained by James C. Egbert, Barry Faulkner, Allan C. Johnson, and Ferruccio Vitale are notable exceptions.

Series 3: New York Office Records, consists of records of staff, rosters, printed matter, photographs, personal papers, Association of Alumni of the American Academy in Rome, and miscellaneous records.

Records of staff, 1919-1950 and undated, include the office files of Executive Secretaries Roscoe Guersney, Meriwether Stuart, and Mary T. Williams; Librarian George K. Boyce; and Endowment Fund Campaign Secretaries Phillilps B. Robinson and Edgar I. Williams.

The rosters, 1895-1939 and undated, are printed forms completed by fellows and students, with occasional attachments (usually correspondence or photographs). Included are the rosters of the School of Fine Arts, School of Classical Studies, and School of Classical Studies Summer Sessions.

Printed matter, 1905-[1981?] and undated, has been classified as Academy produced and produced by others. Items produced by the Academy, 1905-[1981?], include general information including act of incorporation and by-laws, fundraising brochure, constitution, Directory of Fellows and Residents, histories of the institution, newsletter of the Director, and printed items relating to special events. Printed matter specifically relating to the School of Classical Studies includes annual announcements, the consolidation agreement, a directory, fellowship announcements and applications, lecture announcements, newsletters, and brochures about summer sessions. School of Fine Arts printed matter includes annual announcements, concert programs, exhibition checklists and catalogs, fellowship announcements and application forms, history, and newsletters.

Printed matter produced by others, 1905-1940 and undated, consists of three scrapbooks of news clippings and photographs compiled by the American Academy in Rome, extensive clipping files, and articles from miscellaneous publications. All of these items are about the American Academy in Rome, or by or about individuals associated with the institution. Also included is a poster for Leave Courses offered at the Academy for U. S. servicemen.

Photographs, 1891-1941 and undated, are organized into the categories of works of art, people, buildings, places, events, and miscellaneous. Works of art are by visiting students and fellows, Frank D. Millet, collaborative problems, Rome Prize Competitions in Architecture, Rome Prize Competitions in Landscape Architecture, and Prix de Rome Competition exhibitions. Photographs of people are both of individuals and groups; among the groups are summer school students and fellowship winners.

Buildings depicted are American Academy properties. Among them are the "New Building," including interior and exterior construction views; studios; and Villas Aurelia, Mirafiore, and Richardson. Also included is a group of photographs of Academy architecture students measuring buildings in Rome and Florence. Places pictured are views of the Academy property and surrounding areas.

Photographs of events include cricket games, Thanksgiving and Fourth of July dinners, Architectural League exhibition, and inauguration of the Manship Fountain. Miscellaneous photographs are of an architectural drawing for a proposed building.

Personal Papers, Memorabilia, and Ephemera, 1855-1923 an undated, were donated to the American Academy in Rome or otherwise left on its premises. None are official records generated by the institution. Included are: Ernest Lewis' photograph album/scrapbook; Allan Marquand's papers; Charles F. McKim's memorabilia, photographs, printed matter, and artifacts; Charles R. Morey's correspondence; and Elihu Vedder's Bible.

Records of the Association of the Alumni of the American Academy in Rome, 1913-1945 and undated), consist of a small number of scattered records including correspondence, fellows' war/government service information (compiled by Sidney Waugh), membership lists, and a newsletter.

Miscellaneous records, 1899-1926 and undated, are writings and architectural records. Writings consist of published and unpublished manuscript material about the American Academy in Rome and its history, and article by H. Siddons Mowbray advising on ornamentation, and text and illustrations for the Art and Archaeology issue on the Academy. Also included are fragments of unidentified letters. Architectural records [oversize] include property and floor plans of Villas Aurora, Chiaraviglio, Ferrari, and Ludovisi.

Series 4: Rome Office Records, consist of records of staff and personal papers. Records of staff, 1903-1947 and undated, include the office files of Directors H. Siddons Mowbray, George Breck, Jesse Benedict Carter, Gorham Phillips Stevens, James Monroe Hewlett, Chester H. Aldrich, Amey Aldrich [Acting Director, very briefly, perhaps unofficially], Charles R. Morey, and Laurance P. Roberts; and records of two members of the School of Fine Arts faculty, Frank P. Fairbanks, Professor of Fine Arts, and Felix Lamond, Professor of Music. Records of Carter, Stevens, Hewlett, and Aldrich appear to be fairly complete; records of early directors are sparse; those of Morey and Roberts appear to be missing significant portions; and those of Professors Fairbanks and Lamond consist of a few scattered items.

Also surviving are the personal papers of Director Gorham Phillips Stevens, 1912-1931 and undated), consisting of correspondence, financial records, and documentation of professional and charitable activities.

Series 5: Unprocessed Addition to the American Academy in Rome Records was received in 2014 and consists of 31.6 linear feet of the New York office's records for officers, directors, and executives.
Arrangement:
It was obvious that before they came to the Archives of American Art the records had been rearranged more than once, and in such a way that materials from many different departments had been intermingled. In keeping with archival theory and practice, the records were organized to reflect the structure and operation of the institution that created the records, making them more understandable and accessible to a wide variety of researchers.

In general, the records of each officer and staff member are arranged alphabetically, with general correspondence preceding the alphabetical sequence; arrangement within each file is chronological, unless noted otherwise.

Records of the American Academy in Rome are organized into five major series. Each series, except series 5, is divided into several subseries, with the arrangement described in detail in the series descriptions.

Series 1: Predecessor Institutions, 1894-1913 (box 1; 0.88 linear ft.; Reels 5749-5750)

Series 2: Board of Trustees Records, 1897-1957, undated (boxes 1-17, 35, 37; 15.25 linear ft.; Reels 5750-5777)

Series 3: New York Office, 1855-circa 1981, undated (boxes 17-32, 36; 15 linear ft.; 5777-5795)

Series 4: Rome Office, 1903-1943, undated (boxes 32-34; 3 linear ft.; 5795-5800)

Series 5: Unprocessed Addition to the American Academy in Rome Records, 1933-2002 (boxes 35-103; 31.6 linear ft.)
Historical Note:
While in Chicago to advise and work on the fine arts section of the 1893 World's Columbian Exposition, architects Charles F. McKim, Daniel Burnham, and Richard Howland Hunt, painters John La Farge and Frank Millet, and sculptors Augustus Saint-Gaudens, and Daniel Chester French, among others, met regularly. From their collaborative experience and discussions came the idea for an American school for artists in Europe. Charles F. McKim was especially enthusiastic. He strongly believed that collaborative experience should be available to future American artists, and perceived a real need for an American school in Europe--preferably in Rome, the very best place to study art, in his opinion.

By March of the following year, McKim was busy devising plans for the school and persuading like-minded architects and artists to assist. He proposed to finance the school by convincing institutions with traveling scholarships in the arts to send those students to Rome. Columbia University, University of Pennsylvania, and the Rotch Scholarship fund readily agreed to the scheme, and in ensuing years many others followed suit. In October, 1894, the American School of Architecture in Rome opened temporary quarters in the Palazzo Torlonia. The school consisted of its Director, Austin Lord, three fellows, and a visiting student; its "library" contained but one volume.

A move to the larger, more suitable Villa Aurora occurred in July 1895. Rent from two subtenants (the newly established American School of Classical Studies in Rome and the British and American Archaeological Society Library in Rome), along with a personal contribution from McKim, made this financially feasible.

The American School of Architecture in Rome was incorporated in the State of New York, 1895, and 10 shares of capital stock were issued. Despite substantial fundraising efforts in Chicago, New York, and Boston, severe financial problems continued. The American School of Classical Studies in Rome vacated the Villa Aurora in 1896--and with it went a sizeable portion of the School of Architecture's income. McKim frequently made up the deficit from his own pocket.

Eventually, it was decided that the American School of Architecture in Rome must be reorganized along the lines of the French Academy and that national sponsorship needed to be obtained through an act of Congress. In June of 1897, the American School of Architecture in Rome voted to dissolve itself and create the American Academy in Rome. The new institution would assume all assets and obligations, fellowships in painting and architecture were to be added to the program, and its Board of Trustees would include architects and artists. The Academy is not a school. Its fellows and visiting students, already professionally trained, go to Rome for further development and for collaboration and association with others. In the words of Director Gorham Phillips Stevens: "The object of the American Academy in Rome is not to afford opportunities for a few individuals to perfect themselves for the practice of their chosen professions. The ideal is to create an atmosphere in which a limited number of carefully selected artists and scholars may develop that synthesis of intellectual culture which will make them worthy to preserve and continue the great traditions of the past in order that the standard of art and literature may be handed on from year to year, constantly strengthened and improved."

Beginning in 1901, bills to make the American Academy in Rome a "national institution" were introduced in Congress on several occasions. A hearing was finally scheduled in 1905, and a revised bill that prohibited government funding and specified that U.S. officials may not be Trustees was signed into law. Serious efforts to create an Endowment Fund and secure better quarters were associated with the movement to obtain status as a national institution. The Academy was successful in meeting all of these objectives. In 1904, the Academy moved to the Villa Mirafiore (also known as Villa Mirafiori), which it soon purchased and renovated. The Endowment Fund raised well over a million dollars. Donors of $100,000 to the Endowment Fund, designated "Founders" of the American Academy in Rome, were: The Carnegie Foundation, Henry C. Frick, Harvard College, Charles F. McKim, J. P. Morgan, Sr., J. P. Morgan, Jr., The Rockefeller Foundation, John D. Rockefeller, Jr., William K. Vanderbilt, and Henry Walters. Other categories of donors were "Incorporators" (a new Act of Incorporation was required at the time the American Academy in Rome was chartered as a national institution) and "Life Members."

The American School of Classical Studies in Rome, which had been established by the Archaeological Society in 1895 and during its first year shared the Villa Aurora with the American School of Architecture in Rome, entered into a consolidation agreement with the American Academy in Rome in 1911. Their merger went into effect on the last day of 1912, and ever since, the American Academy in Rome has consisted of the School of Fine Arts and the School of Classical Studies, administered by a common director. The School of Classical Studies is composed of fellows and visiting scholars who are graduate students, secondary teachers, or professors engaged in research in the areas of archaeology, ancient art, philology, and humanistic studies. Women were a part of the School of Classical Studies from its beginning, but were not permitted to participate in the School of Fine Arts until well after World War II. Beginning in 1923, the School of Classical Studies instituted Summer Sessions which appealed to secondary teachers, and attracted an enrollment that was largely female.

Originally, the School of Fine Arts offered fellowships in architecture, painting, and sculpture. Fellowships in landscape architecture were added in 1915; in 1920, a Department of Music was established, and along with it fellowships in musical composition. Fellowships in art history were established in 1947. Unmarried men under age 30 were eligible to compete for the fine arts fellowships awarded annually (except for landscape architecture, awarded every third year); the duration of fellowships ranged from one to three years at various points in the institution's history. In residence along with fellows of the American Academy in Rome, might be holders of various traveling scholarships: the McKim Fellowship, the Columbia Traveling Scholarship, the Perkins Scholarship, the Robinson Traveling Scholarship (Harvard), the Rotch Scholarship, the Julia Appleton Scholarship, the Traveling Scholarship and Stewardson Memorial Scholarship (University of Pennsylvania), the Cresson Scholarship (Pennsylvania Academy of the Fine Arts), the Drexel Institute Traveling Scholarship, the Lazarus Scholarship (Metropolitan Museum of Art), the Lowell Scholarship (Massachusetts Institute of Technology), and the Rinehart Scholarship (Peabody Institute, Baltimore). Visiting students, who remained for a much briefer period than fellows or recipients of various traveling scholarships, were admitted to all lectures and granted use the library, but resided elsewhere. The Academy opened an Atelier in downtown Rome for visiting students in 1927, which operated until financial considerations forced its discontinuation seven years later.

As the merger was being planned, J. P. Morgan, Sr., who was interested in both the American Academy in Rome and the American School of Classical Studies in Rome, began buying properties on the Janiculum, adjacent to Villa Aureilia. Villa Aurelia, built on the summit of the Janiculum in 1650, had been bequeathed to the American Academy in Rome in 1909 by Clara Jessup Heyland. Complications surrounding the gift of Villa Aurelia--including the will being contested by Mrs. Heyland's brother, and problems with unsettled tax assessments--were overcome in the interest of acquiring the outstanding building and its extensive grounds. Not long before his death in 1913, Morgan donated his neighboring land, and the American Academy in Rome continued to expand its Janiculum holdings through purchases and gifts from others. Morgan also agreed to provide a loan for construction of a new building. This building, designed by McKim, Mead, and White and known as the Main Building or Academy Building, opened in 1915; it served as the fellows' residence and work area, and included room for the library, offices, and space for exhibitions and other public events.

During World War I, the American Academy in Rome managed to remain open, although no new fellows arrived during the war years and the number of resident fellows and staff dwindled considerably. Most who remained were involved in some type of civilian war work, often with the Red Cross. In fact, Villa Aurelia was rented by the Red Cross in Italy for office space, and the Main Building was offered as a convalescent hospital, but the war ended before it could be put to that use.

After Italy declared war on the United States in 1941, the American Academy in Rome closed for the remainder of World War II. Those who had been awarded fellowships in classics just prior to the Academy's closing were given the option of using their stipends for study at home or waiting until conditions permitted travel to Rome. A very reduced staff stayed to care for the property and continue library cataloguing, coping with often severe wartime shortages of food and fuel. In addition, there were financial hardships. When bank accounts of enemy aliens were frozen and it was no longer possible to transfer funds from the United States, the Swiss Legation and Vatican arranged for loans to keep the Academy and its staff afloat. Funds that would have been awarded to new fellows during this period were put to use in other ways. In 1943, the American Academy in Rome made a grant to the Citizen's Committee for the Army and Navy, Inc. for competitions to award commissions to artists and art students throughout the country, funding more than 100 triptychs for chapels, as well as murals, medals, and sculpture. Seniors in American colleges and universities were eligible to compete for several scholarships for graduate work in classical studies awarded by the American Academy in Rome.

In 1945, the Academy was the site of Leave Courses on various aspects of Italian culture offered to servicemen. From the end of the war until the Academy reopened at the start of the 1946/47 academic year, G.I. Fellowships were offered to discharged soldiers wishing to study at the Academy, making the institution eligible to receive surplus equipment and rations. During this time intensive planning was underway for administrative changes and new programs.

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1893 -- While in Chicago to collaborate on the fine arts section for the World's Columbian Exposition, architects Charles F. McKim, Daniel Burnham, Richard Howland Hunt, painters John La Farge, and Sculptors Augustus Saint-Gaudens, and Daniel Chester French, among others, met regularly and from their collaborative experience and discussions came the idea for an American school in Europe.

1894 -- American School of Architecture in Rome opened in temporary quarters at the Palazzo Torlonia with Austin Lord, Director, three fellows, and a visiting student.

1895 -- Villa Aurora leased with 2 subtenants, the American School of Classical Studies and the British and American Archaeological Society Library in Rome American School of Architecture incorporated and 10 shares of capital stock issued (2 each to McKim and Hunt, and 1 to Burnham, Kendall, Schermerhorn, Boring, Garland, and Dill) McKim visits Rome.

1896 -- Metropolitan Museum of Art, administrator of Jacob H. Lazarus Scholarship for the study of mural painting, agrees to send the winner to Rome American School of Classical Studies in Rome vacates Villa Aurora.

1897 -- American School of Architecture in Rome dissolved and reorganized as the American Academy in Rome; the assets (including the lease on Villa Aurora) of the American School of Architecture in Rome were transferred and its program expanded to include fellowships in painting and sculpture Samuel A. B. Abbott appointed first Director Rome Prize discontinued (for 9 years) due to lack of funds.

1898 -- Incorporated in New York State; trustees begin to focus on raising an endowment.

1904 -- Move to Villa Mirafiore (also known as Villa Mirafiori); occupied until 1914.

1905 -- Chartered by the Congress of the United States; a bill signed by President Roosevelt made the American Academy in Rome a national institution (receiving no government funding and barring U.S. officials from acting as Trustees).

1906 -- Purchase of Villa Mirafiore finalized; renovations begun.

1909 -- Villa Aurelia bequeathed to the Academy by Clara Jessup Heyland (used until 1932); there were protracted problems surrounding the acquisition of the property including a brother who contested the will and unsettled taxes.

1911 -- School of Classical Studies in Rome (established by the Archaeological Institute of America in 1895) and the American Academy in Rome announce their consolidation [the merger became effective on the final day of 1912].

1912 -- Lands on the Janiculum adjacent to Villa Aurelia, recently acquired by J. Pierpont Morgan, Sr., transferred to the American Academy in Rome.

1913 -- American Academy in Rome now consists of the School of Fine Arts and the School of Classical Studies. New York office moves to the Architect's Building, 101 Park Ave., remaining at this location until 1973. By this date, largely through the generosity of J. Pierpont Morgan, Sr., nearly all of the land bounded by Via Angelo Masina, Via Giacomo Medici, Via Pietro Riselli, and the Aurelian Wall on the Janiculum had been purchased and many improvements made to the properties near the Villa Aurelia. Construction begins on the new Academy building designed by McKim, Mead, and White and situated on the grounds of Villa Aurelia; financed through a loan from J. Pierpont Morgan, Sr. (after Morgan Sr.'s death, his son offered to cancel the loan at an amount equal to funds raised by the Academy for the purpose).

1915 -- First Fellowship in Landscape Architecture established; opening of new Academy building housing the fellows' residential quarters, work areas, library, offices, and spaces for public programs.

1917 -- Villa Aurelia rented to the Red Cross for office space, and the new Main building was slated to become a convalescent hospital, but the war ended before it could be put to use.

1919 -- New York office reorganized by Roscoe Guernsey, executive secretary; sale of Villa Mirafiore; Academic Council established in Rome.

1920 -- Department of Music and Fellowship in Musical Composition established.

1923 -- School of Classical Studies establishes summer sessions, largely attended by teachers.

1926 -- Second Fellowship in Landscape Architecture funded by Garden Club of America (later permanently endowed).

1927 -- Academy opens an Atelier in downtown Rome, providing studios for visiting students (operated until 1934).

1929 -- First Thomas Spencer Jerome lecturer appointed.

1941 -- Academy closes for duration of World War II; a skeletal staff remain behind to care for the property and continue library cataloguing; Italy declares war on the United States.

1942 -- After transfer of funds from the U.S. proved impossible and enemy aliens were prohibited from withdrawing their own funds from Italian banks, the Swiss Legation and Vatican offered assistance to the Academy by providing loans.

1943 -- Academy grant to Citizen's Committee for the Army and Navy, Inc., funded hundreds of triptychs; murals, medals, and sculptures also commissioned Academy awards scholarships in classical studies at American colleges and universities.

1945 -- "Leave courses," held at the Academy, consisting mainly of lectures by distinguished scholars still in Rome, instituted for U.S. servicemen.

1946 -- Regular program resumes at the start of the academic year.

1947 -- Fellowship in the History of Art established.

1965 -- Loan of printed matter for microfilming by the Archives of American Art (reels ITRO 2-3 and 11-13).

1973 -- New York office moves to American Federation of Arts building, 41 East 65th St. (until 1993).

1982 -- Gift of New York office records to the Archives of American Art.

1990 -- Gift of Rome office records to the Archives of American Art.

1993 -- New York office moves to Metropolitan Club, 7 East 60th St.
Related Material:
Papers of a number of former fellows, trustees, and other individuals associated with the American Academy in Rome are among the holdings of the Archives of American Art.

Chaloner Prize Foundation records, 1915-1974 (microfilm reels 5664-5669) were received with the American Academy in Rome records. They have been arranged and described as a separate collection.

Valentine, Lucia and Alan Valentine. The American Academy in Rome, 1894-1969. Charlottesville: University Press of Virginia, 1973.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels ITRO 2-3, and ITRO 11-13) including annual reports, exhibition catalogues, a history of the American Academy in Rome, the American Academy in Rome at the World's Fair, and the Golden Gate Exposition and newsletter. Loaned materials were returned to the lender and can be found at the American Academy in Rome, Italy. This material is not described in the collection container inventory.
Provenance:
The material on reels ITRO 2-3 and ITRO 11-13 were lent to the Archives of American Art for microfilming by the American Academy in Rome in 1965. Records of predecessor institutions, the Board of Trustees, and the New York office, including photographs and personal papers, were donated in 1982 by the Academy president, Calvin G. Rand. In 1990, Rand also gifted the Rome office records and the personal documents of Gorham Phillips Stevens. An addition of New York office records was donated in 2014 by the Academy director, Adele Chatfield-Taylor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information.
Rights:
The American Academy in Rome records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Architecture -- Study and teaching  Search this
Architecture, Classical -- Study and teaching  Search this
Art -- Study and teaching  Search this
Art schools -- Italy -- Rome  Search this
Genre/Form:
Photographs
Citation:
American Academy in Rome records, 1855-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ameracar
See more items in:
American Academy in Rome records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ameracar

Welwyn

Landscape architect:
Hutcheson, Martha Brookes  Search this
Greenleaf, James L., 1857-1933 (Engineer)  Search this
Olmsted Brothers  Search this
Babb, Cook & Willard, Architect  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Creator:
Pratt, Harold Irving  Search this
North Country Garden Club  Search this
Architect:
Delano, William Adams  Search this
Delano & Aldrich  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- New York -- Nassau County -- Glen Cove
New York (State) -- Glen Cove
Date:
10/31/1933
General note:
Salvia - Welwyn, pink.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Salvia  Search this
Shrubs  Search this
Sculpture  Search this
Autumn  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item NY073036
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / New York / NY073: Glen Cove -- Welwyn
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref10327

Welwyn

Creator:
Pratt, Harold Irving  Search this
North Country Garden Club  Search this
Landscape architect:
Greenleaf, James L., 1857-1933 (Engineer)  Search this
Babb, Cook & Willard, Architect  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Hutcheson, Martha Brookes  Search this
Olmsted Brothers  Search this
Architect:
Delano & Aldrich  Search this
Delano, William Adams  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
New York (State) -- Glen Cove
United States of America -- New York -- Nassau County -- Glen Cove
Date:
10/31/1933
General note:
Salvia - Welwyn, white.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Edging plants  Search this
Salvia  Search this
Autumn  Search this
Urns  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item NY073037
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / New York / NY073: Glen Cove -- Welwyn
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref10330

Welwyn

Landscape architect:
Hutcheson, Martha Brookes  Search this
Greenleaf, James L., 1857-1933 (Engineer)  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Babb, Cook & Willard, Architect  Search this
Olmsted Brothers  Search this
Architect:
Delano, William Adams  Search this
Delano & Aldrich  Search this
Creator:
North Country Garden Club  Search this
Pratt, Harold Irving  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
New York (State) -- Glen Cove
United States of America -- New York -- Nassau County -- Glen Cove
Date:
10/31/1933
General note:
Salvia - Welwyn, white.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Edging plants  Search this
Autumn  Search this
Salvia  Search this
Lawns  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item NY073038
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / New York / NY073: Glen Cove -- Welwyn
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref10333
Additional Online Media:

Welwyn

Landscape architect:
Babb, Cook & Willard, Architect  Search this
Olmsted Brothers  Search this
Greenleaf, James L., 1857-1933 (Engineer)  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Hutcheson, Martha Brookes  Search this
Architect:
Delano, William Adams  Search this
Delano & Aldrich  Search this
Creator:
Pratt, Harold Irving  Search this
North Country Garden Club  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
New York (State) -- Glen Cove
United States of America -- New York -- Nassau County -- Glen Cove
Date:
10/31/1933
General note:
Salvia - Welwyn, pink.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Benches  Search this
Shrubs  Search this
Autumn  Search this
Salvia  Search this
Outdoor furniture  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item NY073039
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / New York / NY073: Glen Cove -- Welwyn
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref10336

[Cheney Garden]

Landscape architect:
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Connecticut -- Hartford County -- Manchester
Cheney Garden (Manchester, Connecticut)
Connecticut -- Manchester
Date:
1910 May.
General note:
Tsuga and Picea - canadensis.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Hemlock  Search this
Driveways  Search this
Containers  Search this
Evergreens  Search this
Lawns  Search this
Gardens -- Connecticut -- Manchester  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item CT092001
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Connecticut / CT092: Manchester -- Cheney Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref7774
Additional Online Media:

[Cheney Garden]

Landscape architect:
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Connecticut -- Hartford County -- Manchester
Cheney Garden (Manchester, Connecticut)
Connecticut -- Manchester
Date:
1910 May.
General note:
Tsuga canadensis and Lonicera.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Hemlock  Search this
Gardens -- Connecticut -- Manchester  Search this
Houses  Search this
Driveways  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item CT092002
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Connecticut / CT092: Manchester -- Cheney Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref7777

[Cheney Garden]

Landscape architect:
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Connecticut -- Hartford County -- Manchester
Connecticut -- Manchester
Cheney Garden (Manchester, Connecticut)
Date:
1910 Oct.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Box  Search this
Stairs, stone  Search this
Relief  Search this
Ivy  Search this
Topiary work  Search this
Gardens -- Connecticut -- Manchester  Search this
Containers  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item CT092003
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Connecticut / CT092: Manchester -- Cheney Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref7780
Additional Online Media:

Brookline -- Weld

Landscape architect:
Fox & Gale, architect  Search this
Little & Browne, Architect  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Former owner:
Anderson, Isabel Weld Perkins  Search this
Weld, William F.  Search this
Anderson, Larz  Search this
Creator:
Wheelwright, Edmund M.  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Type:
Archival materials
Place:
Weld (Brookline, Massachusetts)
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
1904-1999
Scope and Contents note:
The folders include a work sheet and copies of articles.
General note:
Larz and Isabel Anderson created fashionable and personally inspiring gardens on a property they named "Weld" in honor of her grandfather, William Fletcher Weld. The gardens served as inspiration for Isabel's writings of children's stories. They also evoked the history of Larz and Isabel's family heritage. During their ownership, the garden plan was nearly square, with a built-up enclosure of terrace and balustrades on the sides. A pergola stood at the end. The lowest level of the garden contained the mall and flower beds. A grove of trees shut off the formal garden from the house. Semicircular cement seats are located at each end of the 380 foot allee. Isabel left Weld to the town of Brookline for public recreation and public education. Brookline renamed Weld "Larz Anderson Park." Sited as not suited for a public facility, the house was razed and the gardens were destroyed or abandoned. The stables now house the Museum of Transportation, founded in 1949 with the Andersons' motor car collection. In 1990, an effort was attempted to stabilize the few remaining structures. Bulldozing of the grounds now makes restoration difficult.
Persons and firms associated with the garden include: William F. Weld (former owner of land); Larz and Isabel Weld Perkins Anderson (former owners, -1948); Town of Brookline (present owners, 1948-present); Edmund M. Wheelwright (architect of house, stable and garage, begun 1885); Charles A. Platt (architect of Italian garden, grove and bowling green,1901); Fox and Gale (architects of rose garden and tennis courts, 1902); Onchi San (gardener of Japanese garden, 1907); Little and Browne (architects of water garden and Chinese garden and additions to house, 1910-1916)
See others in:
Thomas Warren Sears photograph collection, 1900-1966.
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Massachusetts -- Brookline  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, File MA030
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref8968

Faulkner Farm

Creator:
Sprague, Charles F.  Search this
Browne, Herbert W. C. (Architect)  Search this
Brandegee, Edward D.  Search this
Landscape architect:
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Olmsted Brothers  Search this
Little & Browne, Architect  Search this
Eliot, Charles  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Massachusetts -- Brookline
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
06/18/1907
General note:
Lupinus variety polyphyllus.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Lupines  Search this
Relief  Search this
Spring  Search this
Walls, brick  Search this
Containers  Search this
Terra-cotta  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044001
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9142
Additional Online Media:

Faulkner Farm

Creator:
Browne, Herbert W. C. (Architect)  Search this
Brandegee, Edward D.  Search this
Sprague, Charles F.  Search this
Landscape architect:
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Eliot, Charles  Search this
Little & Browne, Architect  Search this
Olmsted Brothers  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Massachusetts -- Brookline
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
05/28/1929
General note:
Bradford Pear.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Pear  Search this
Pergolas  Search this
Stairs  Search this
Relief  Search this
Urns  Search this
Bulbs  Search this
Walkways, stone  Search this
Tulips  Search this
Exedrae (site elements)  Search this
Outdoor furniture  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044002
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9145
Additional Online Media:

Faulkner Farm

Landscape architect:
Little & Browne, Architect  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Olmsted Brothers  Search this
Eliot, Charles  Search this
Creator:
Browne, Herbert W. C. (Architect)  Search this
Brandegee, Edward D.  Search this
Sprague, Charles F.  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Massachusetts -- Norfolk County -- Brookline
Massachusetts -- Brookline
Date:
05/25/1929
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Spring  Search this
Outdoor furniture  Search this
Hand-railing  Search this
Tables  Search this
Benches  Search this
Chairs  Search this
Trellises  Search this
Wisteria  Search this
Pergolas  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044003
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9148
Additional Online Media:

Faulkner Farm

Creator:
Brandegee, Edward D.  Search this
Browne, Herbert W. C. (Architect)  Search this
Sprague, Charles F.  Search this
Landscape architect:
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Eliot, Charles  Search this
Olmsted Brothers  Search this
Little & Browne, Architect  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Massachusetts -- Brookline
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
05/28/1931
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Trellises  Search this
Wisteria  Search this
Hand-railing  Search this
Pergolas  Search this
Outdoor furniture  Search this
Spring  Search this
Benches  Search this
Chairs  Search this
Wicker furniture  Search this
Tables  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044004
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9150
Additional Online Media:

Faulkner Farm

Creator:
Brandegee, Edward D.  Search this
Sprague, Charles F.  Search this
Browne, Herbert W. C. (Architect)  Search this
Landscape architect:
Olmsted Brothers  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Little & Browne, Architect  Search this
Eliot, Charles  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Massachusetts -- Brookline
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
05/29/1929
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Containers  Search this
Tulips  Search this
Spring  Search this
Bulbs  Search this
Walkways, stone  Search this
Garden borders  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044009
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9152

Faulkner Farm

Creator:
Browne, Herbert W. C. (Architect)  Search this
Brandegee, Edward D.  Search this
Sprague, Charles F.  Search this
Landscape architect:
Eliot, Charles  Search this
Olmsted Brothers  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Little & Browne, Architect  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
Massachusetts -- Brookline
United States of America -- Massachusetts -- Norfolk County -- Brookline
Date:
06/12/1907
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Hedges  Search this
Sculpture  Search this
Evergreens  Search this
Pine  Search this
Driveways  Search this
Gates -- Iron  Search this
Pediments  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044010
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9154

Faulkner Farm

Landscape architect:
Little & Browne, Architect  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Olmsted Brothers  Search this
Eliot, Charles  Search this
Creator:
Brandegee, Edward D.  Search this
Sprague, Charles F.  Search this
Browne, Herbert W. C. (Architect)  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Massachusetts -- Norfolk County -- Brookline
Massachusetts -- Brookline
Date:
05/25/1926
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Tulips  Search this
Walls, stone  Search this
Garden borders  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044011
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9156
Additional Online Media:

Faulkner Farm

Landscape architect:
Olmsted Brothers  Search this
Little & Browne, Architect  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Eliot, Charles  Search this
Creator:
Brandegee, Edward D.  Search this
Browne, Herbert W. C. (Architect)  Search this
Sprague, Charles F.  Search this
Collection Creator:
McFarland, J. Horace (John Horace), 1859-1948  Search this
American Rose Society  Search this
Extent:
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Massachusetts -- Norfolk County -- Brookline
Massachusetts -- Brookline
Date:
05/25/1926
General note:
Tulips - White Queen.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Evergreens  Search this
Outdoor furniture  Search this
Bulbs  Search this
Benches  Search this
Urns  Search this
Houses  Search this
Tulips  Search this
Garden borders  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Collection.
Identifier:
AAG.MCF, Item MA044012
See more items in:
J. Horace McFarland company collection
J. Horace McFarland company collection / Series 1: Garden Images / United States / Massachusetts / MA044: Brookline -- Faulkner Farm
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mcf-ref9158
Additional Online Media:

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