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Patrons dancing [black and white photoprint]

Photographer:
Burch-Brown, Carol  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (8" x 10".)
Type:
Archival materials
Photographs
Scope and Contents:
Print #75. Photograph taken in 1999. Carol Burch-Brown, copyright 2003.
Arrangement:
Box No. 1.
Local Numbers:
AC0857-0000007.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Dance  Search this
Gays  Search this
LGBT  Search this
Sexuality  Search this
Homosexuality  Search this
Gay bars  Search this
Bars (Drinking establishments)  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref526

[Dorothy Donegon playing piano : black and white photoprint.]

Photographer:
Kliman, Jeffrey, 1942-  Search this
Names:
Donegan, Dorothy, 1922-  Search this
Collection Creator:
Kliman, Jeffrey, 1942-  Search this
Extent:
1 Item (3" x 4".)
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Date:
1996
Scope and Contents:
Dorothy Donegon performing onstage at the "Mary Lou Williams Women in Jazz Festival," Kennedy Center, Washington, DC.
Arrangement:
In Box 4, Folder 1.
Local Numbers:
03062801.tif (AC Scan No.)
General:
Archives Center's Women in Jazz
Collection Restrictions:
Unrestricted research use on site by appointment. Unprotected photographs must be handled with cotton gloves.
Collection Rights:
Jeffrey Kliman retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Piano  Search this
Women musicians  Search this
Jazz  Search this
Women in music  Search this
Women in jazz  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Jeffrey Kliman Photographs, Archives Center, National Museum of American History
See more items in:
Jeffrey Kliman Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0628-ref583

Underground Night Club, 11th St., N.W. [black-and-white photoprint]

Photographer:
Sandoval, Fernando  Search this
Donor:
Sandoval, Fernando  Search this
Names:
Underground Night Club (Washington, D.C.)  Search this
Collection Donor:
Sandoval, Fernando  Search this
Extent:
1 Item (6-3/4" x 9-1/2" on 11" x 14" sheet.)
Type:
Archival materials
Place:
Washington (D.C.) -- 1990-2000
Date:
[ca. 1995.]
Scope and Contents:
Signed in ink below image.
Arrangement:
Box 1.
Local Numbers:
AC1155-0000001.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Gift of the Artist: Photographers as Donors," November 11, 2011-Feb. 29, 2012. David Haberstich, curator.
Collection Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Collection Rights:
Photographer retains copyright; contact information on request.
Topic:
Nightclubs  Search this
Collection Citation:
Fernando Sandoval Washington, D.C. Photoprints, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
Fernando Sandoval Washington, D.C. Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1155-ref563

BROTHERS -- FIFTY YEARS OR MORE / OMEGA PSI PHI / JUNE 6, 1991. [Black-and-white photoprint.]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University -- 20th century  Search this
Omega Psi Phi Fraternity  Search this
Series Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, Addison N., 1883-1964  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Rice, Moses P.  Search this
Extent:
1 Item (8" X 10".)
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Copy prints
Place:
Washington (D.C.) -- African Americans
Scope and Contents:
Copy print: twenty men in two rows, combining image with two typed labels (title at top and identifying caption list at bottom).
Arrangement:
In box 1.1.A2.
Series Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Greek letter societies  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Copy prints
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 1: Black and White Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s01-ref7997

Jeffrey Kliman Photographs

Creator:
Kliman, Jeffrey, 1942-  Search this
Names:
District Curators Jazz Arts Festival.  Search this
District Curators.  Search this
Extent:
0.25 Cubic feet (11 boxes)
Type:
Archival materials
Collection descriptions
Contact prints
Photographs
Place:
Washington (D.C.) -- 1990-2000
Date:
1993 - 2001
Scope and Contents:
This collection documents the District Curators Jazz Arts Festivals held in Washington, D.C. between 1993 and 1998 and the Kennedy Center's Mary Lou Williams' Women in Jazz Series, 1996-2000. The subjects of the District Curators Festivals include the Steve and Iqua Colson Sextet, Sonny Sharrock Band, Don Bryon Quartet, David Sanchez, David Murray, Danilo Perez Trio, Reggie Workman, Andrew White, Wayne Shorter, Roy Hargrove, Sonny Sumter, and the Roy Haynes Quartet. Subjects of the Kennedy Center's Series include Jerri Allen, Dorothy Donogan, Dottie Dodgion, the Maria Schneider Jazz Orchestra, Shirley Scott, Ann Patterson and the all-women band "Maiden Voyage," Roberta Piket, Vanessa Reuben, Jamie Baum, Chris Connor, Claire Dale, Sherrie Maricle and "Diva," and Marian McPartland.

The collection is organized into four series: Series One, District Curators Jazz Arts Festival Contact Sheets (1993-1998); Series Two, District Curators Jazz Arts Festival Prints (1993-1998), and Series Three, Kennedy Center's Women in Jazz Series (1996-2000).

Series 1, Contact Sheets (1993-1998), is comprised of seventy-one 11x14-inch black-and-white contact sheets of 10 photo shoots of the District Curators Jazz Arts Festivals, 1993-1998. The contact sheets provide an overall context for the shoots. Each contact sheet has been numbered by the photographer, indicating its place among the contact sheets for the shoot, e.g., 1/7, 2/7, etc. The contact sheets are arranged chronologically by event date. N.B.: The photographer has numbered the contact sheets for the "Jazz Arts, July 1997" shoot 1/17 through 16/17. The contact sheets for the "Trane was Spiritual, September 1997" shoot are numbered 1/8 through 7/8.

Series 2, Prints (1993-1998, n.d.), is comprised of fifty-one 5x7-inch black-and-white images printed on 8x10-inch paper. The prints in Series Two are largely of frames from the contact sheets in Series One. A small number of prints in this series are not taken from the contact sheets and are undated. Each print in the series has been numbered by the photographer. For each print, the container list gives the photographer's number in brackets as well as the contact sheet from which the image is taken. The series is arranged chronologically.

Series 3, Kennedy Center's Mary Lou Williams' Women in Jazz Series Contact Sheets (1996-2000), contain fifty-six 8x10-inch black-and-white contact sheets of photo shoots of the Women in Jazz series. The photographs focus on female performers both on and off stage. All contact sheets are arranged chronologically by year.
Arrangement:
Collection arranged into four series.

Series 1:District Curators Jazz Arts Festivals Contact Sheets, 1993-1998

Series 2: District Curators Jazz Arts Festivals Prints, 1993-1998

Series 3: Kennedy Center's Mary Lou Williams "Women in Jazz" Contact Sheets, 1996-2000

Series 4: Kennedy Center's Mary Lou Williams "Women in Jazz" Exhibition Prints, 1994-2001

Series 5: Kennedy Center Jazz Programming, 1996-2000
Biographical / Historical:
Jeffrey Kliman was born in Everett, Massachusetts, March 5, 1942, son of Harry Kliman, one half of the Herschel & Lewis tap-dancing, roller skating team that worked on Broadway and the "Metro Circuit" between 1930 and 1937. Jeffrey Kliman's mother was Janette "Netty" Harris. Reared in middle-class Massachusetts, Jeffrey encountered an eclectic range of music that included opera -- his grandfather sang in the chorus of the Metropolitan Opera in the 1920s—the "race music" of Wolfman Jack, and the Symphony Syd Turin gospel radio show where he first heard the music of Dizzy Gillespie. In 1956 he took a job in the record department of Boston's Lechmere Department Store and listened to the music of Count Basie, Gerry Mulligan, Duke Ellington, and Stan Kenton.

Between 1959 and 1963 Kliman attended the University of Massachusetts as a pre-veterinary major. In 1960 he hosted a two-hour jazz radio show for WMUA, the university's radio station. Failing grades forced him to withdraw from the veterinary program. Eventually Kliman completed a degree as a film and TV major. He left for New York City in February, 1964, to begin a career in television advertising. In 1965 he borrowed a 35mm camera and began taking photographs of various musicians who played at the Fillmore. Kliman did free-lance work by night as a photographer for Rolling Stone, Family Circus, and Zigot while he continued to work by day as a producer for Dolphin Productions.

Kliman worked predominantly in advertising until 1986, when he relocated to Baltimore, Maryland, to start a new career as photographer of jazz musicians. "Anytime I saw jazz I would go and shoot -- Left Bank, DC Jazz Curators, street events." Currently he works as a free-lance photographer for Jazz Times and Down Beat. His primary interest is photographing up-and-coming jazz musicians performing in the Baltimore/Washington region.
Provenance:
The first portion of this collection was donated to the Archives Center by Jeffrey Kliman on December 22, 1997.
Restrictions:
Unrestricted research use on site by appointment. Unprotected photographs must be handled with cotton gloves.
Rights:
Jeffrey Kliman retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- American -- 1990-2000  Search this
African American musicians  Search this
Music -- 20th century  Search this
Musicians  Search this
Jazz -- 1990-2000  Search this
Music festivals -- 1990-2000  Search this
Genre/Form:
Contact prints -- 1990-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000
Citation:
Jeffrey Kliman Photographs, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0628
See more items in:
Jeffrey Kliman Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0628
Additional Online Media:

The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Kilkelly, Ann  Search this
Extent:
1 Cubic foot (2 boxes )
Type:
Archival materials
Collection descriptions
Photographs
Transcripts
Compact discs
Digital images
Oral history
Interviews
Place:
Appalachian Region
West Virginia -- 1990-2000
Bluefield (W.Va.)
Date:
1997-2003
Summary:
The collection documents a working class "gay" bar, the Shamrock Bar, Bluefield, West Virginia, 1997-2000, through photographs and oral history interviews.
Scope and Contents:
The collection consists of Carol Burch-Brown's photographs (200 photoprints, mostly silver gelatin on fiber-base paper, but including more than a dozen digital prints), copies of tape-recorded interviews (on 26 compact discs), and transcripts of interviews (3 volumes plus a compact disc containing Word files) made at the Shamrock Bar, Bluefield, West Virginia, 1997-2002, documenting a working-class gay bar. The photographs include "drag" performances, pageants, and other activities at the bar. Many show performers applying makeup and donning costumes, including the use of prosthetic breasts. Pictures taken in the bar are often in a soft-focus, slightly blurred, high-contrast, impressionistic style. There are a number of sharp-focus portraits, however, and exterior views of the building, its neighborhood, and the town are sharply focused, detailed documentary images.

Names (usually pseudonyms or stage names) which turn up in the interviews include: Natasha Michaels, Nikki Eaves, Shea West, Cortney Collins, Taylor Made, India Dream, Clinton, Tiffany Aver, Terba Devero, Roxie Morehead, and Dorothy. The performer "Bunny" is actually the photographer's friend and colleague, Ann Kilkelly. Many of these persons are also shown in the photographs, as is Helen Compton.

Note: The audio compact disks are not original recordings, and may be played by researchers directly.
Arrangement:
The collection is divided into three series.

Series 1: Photoprints

Series 2: Text (including transcripts of interviews)

Series 3: Compact discs
Biography:
Carol Burch-Brown is Professor of Art and Humanities at Virginia Tech, Blacksburg, Virginia, and is a photographer, painter, and musician. Photographer and co-author with David Rigsbee, Trailers, University Press of Virginia, 1996.
Historical:
During its heyday, the Shamrock Bar in Bluefield, West Virginia was a gathering place for gays and lesbians. The photographer reported in March 2003, before donating this collection, that Miss Helen Compton, proprietor of the Shamrock, had died and the establishment had been closed.
Other Title:
It's Reigning Queens in Appalachia
Provenance:
Colection donated by Carol Burch-Brown, December 2003.
Restrictions:
Unrestricted research access on site by appointment.,Unprotected photographs must be handled with gloves.
Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Bisexuality  Search this
Working class  Search this
Homosexuality  Search this
Bars (Drinking establishments)  Search this
Gay artists -- Interviews  Search this
Lesbian and gay experience  Search this
Transvestism  Search this
Transvestites  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Transcripts
Compact discs
Photographs -- Digital prints -- 20th century
Digital images
Oral history -- 1990-2000
Interviews -- 1980-2000
Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0857
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0857
Additional Online Media:

[John Manuel Andriote at thirty-nine years old]. [Black and white photoprint]

Photographer:
Malstrom, Eric  Search this
Collector:
Andriote, John-Manuel  Search this
Donor:
Andriote, John-Manuel  Search this
Collection Creator:
Feinblum, Sandi  Search this
Fauci, Anthony S.  Search this
Fera, Joe  Search this
Feldblum, Chai R.  Search this
Dirkin, Eileen  Search this
Deyton, Lawrence  Search this
Duberman, Martin  Search this
Dodds, Sally  Search this
Dechant, Chris  Search this
Dean, Lauran  Search this
Decker, Curt  Search this
Decker, Bruce  Search this
Cox, Spencer  Search this
Cooper, Sally  Search this
D'Emilio, John  Search this
Gay Men's Health Crisis, Inc.  Search this
Gebbie, Kristine M.  Search this
Gerald, Gil  Search this
Fryer, John E.  Search this
Gambrell, Alan  Search this
Gamrecki, Diane  Search this
Garfield, Charles  Search this
Franklin, Maurice  Search this
Freeman, Bill  Search this
Friedman, David  Search this
Frutchey, Chuck  Search this
Fleming, Patsy  Search this
Foley, Alice  Search this
Forstein, Marshall, 1949-  Search this
Francis, Donald P.  Search this
Bellinger, George  Search this
Bean, Carl  Search this
Bates, Christopher  Search this
Basile, Vic  Search this
Barnich, John Paul  Search this
Baker, Cornelius, 1961-  Search this
Bailey, William  Search this
Bahlman, Bill  Search this
Apuzzo, Ginny  Search this
Anthony, Cynthia  Search this
Andriote, John-Manuel  Search this
Akman, Jeff  Search this
Agosto, Moisés  Search this
Abrams, Donald I.  Search this
Conant, Marcus A.  Search this
Cooper, Ellen  Search this
Coates, Tom  Search this
Cochrane, John  Search this
Campbell, Linda  Search this
Christen, Pat  Search this
Bross, Dan  Search this
Cabaj, Bob  Search this
Braswell, Tony  Search this
Bray, Robert  Search this
Boneberg, Paul  Search this
Bowen, Steve  Search this
Bloom, Leonard  Search this
Blount, Tom  Search this
Benzer, Suzanne  Search this
Beswick, Terry  Search this
McFarlane, Rodger  Search this
Mayer, Kenneth H.  Search this
McGuire, Jean  Search this
McFeeley, Timothy  Search this
McNaught, Tom  Search this
McNaught, Brian  Search this
Meisenheimer, Bill  Search this
Mealy, Ron  Search this
Lynch, Catherine G.  Search this
LoPiccolo, Charles J.  Search this
Maguire, Ann  Search this
MacDonald, Gary B.  Search this
Mass, Lawrence, 1946-  Search this
Margarelli, Dominick  Search this
Maupin, Armistead  Search this
Mathiasen, Karl  Search this
National AIDS Network.  Search this
National Lesbian and Gay Health Association. (U.S.)  Search this
Newmeyer, John  Search this
Norman, Pat  Search this
O'Neill, Joe  Search this
Odets, Walt  Search this
Osborn, Torie  Search this
Ostrow, David G., 1947-  Search this
Miller, Randy  Search this
Millhofer, Larry  Search this
Montoya, Mauro  Search this
Morin, Stephen F.  Search this
Morrison, Cliff  Search this
Murphy, Patrice, Sister  Search this
Nardoza, Peter  Search this
Jean, Lori  Search this
James, John S., 1941-  Search this
Isay, Richard A.  Search this
Iasino, Dick  Search this
Jones, Cleve  Search this
Johnson, Fenton  Search this
Johns, Judith  Search this
Jellinek, Paul  Search this
Graham, Michael  Search this
Goodkin, Karl  Search this
Gomez, Miguel  Search this
Gittings, Barbara, 1932-2007  Search this
Huffman, Lindy  Search this
Holmes, Chuck  Search this
Hanley-Hackenbruck, Peggy  Search this
Gravesen, Les  Search this
Leach-Lemens, Carole  Search this
Lee, Peter  Search this
Krajeski, James  Search this
Kramer, Larry  Search this
Levi, Jeffrey, PhD  Search this
Lew, Steve  Search this
Lemens, Carol  Search this
Leonard, John  Search this
Kantrowitz, Arnie  Search this
Kawata, Paul  Search this
Kalleigh, Bea  Search this
Kameny, Franklin E., 1925-  Search this
Kisliuk, Margaret  Search this
Klein, Sandra Jacoby  Search this
Kessler, Larry  Search this
Killen, Jack  Search this
Scaitch, Fred  Search this
Salustro, Greg  Search this
Schietinger, Helen  Search this
Schatz, Ben  Search this
Seltzer, Michael  Search this
Schwartzberg, Steven  Search this
Sheridan, Tom  Search this
Sharp, Matthew  Search this
Rios, Anthony  Search this
Remafredi, Gary  Search this
Rofes, Eric E., 1954-2006  Search this
Robinson, Alexander  Search this
Rosser, Simon  Search this
Rose, Gary  Search this
Ryan, Pam  Search this
Ryan, Caitlin  Search this
Peyton, Jackson  Search this
Pieri, Frank  Search this
Pillard, Richard  Search this
Plumb, Marj  Search this
Davis, Paul  Search this
Pollatskek, Judy  Search this
Portelli, Chris  Search this
Prater, Larry  Search this
Rasi, Richard A., 1949-  Search this
Ostrow, Stosh  Search this
Ouelette, Susanne  Search this
Page, Peter  Search this
Pannell, Phil  Search this
Patterson, Bruce  Search this
Payne, Ralph  Search this
Peel, Jesse  Search this
Penn, Scott  Search this
Wolfred, Tim  Search this
Wohlfeiler, Daniel  Search this
Wilson, Phil  Search this
Wilson, Hank  Search this
Wood, Bob  Search this
Wakefield, Steve  Search this
Villareal, Henry  Search this
Vasquez, Carmen  Search this
Van Ness, Paula  Search this
Williams, Reggie, 1951-1999  Search this
Westmoreland, Tim  Search this
Washington, Robert  Search this
Ward, Bruce  Search this
Triantafillakis, Dmitri  Search this
Turney, Anthony  Search this
Sweeney, Tim  Search this
Thompson, Ron  Search this
Vaid, Urvashi  Search this
Van Gorder, Dana  Search this
Tuttle, Raymond  Search this
Uselmann, Michael  Search this
Silverman, Mervyn  Search this
Smith, Don  Search this
Shriver, Mike  Search this
Silver, Jane  Search this
Strub, Jean  Search this
Suarez, Gene  Search this
South, Ken  Search this
Stone, Terry  Search this
Extent:
1 Item (10" x 7-7/8".)
Type:
Archival materials
Portraits
Place:
Virginia -- 1990-2000
Middleburg (Va.)
Scope and Contents:
Taken for the book jacket of Victory Deferred, 1999. Photograph taken in Middleburg, Virginia by Strom (Eric Malstrom), September 1999.
Arrangement:
Box No.16, folder no.1.
Local Numbers:
AC1128-0000009.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Archiving the History of an Epdemic: HIV and AIDS, 1985-2009," June 3, 2011-October 3, 2011. Franklin A. Robinson, Jr., curator.
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Copyright held by donor. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Authors  Search this
HIV and AIDS  Search this
HIV Positive  Search this
Gay rights  Search this
LGBT  Search this
Sexual minorities  Search this
Homosexuality  Search this
Sexuality  Search this
Genre/Form:
Portraits -- Men
Collection Citation:
John-Manuel Andriote Victory Deferred Collection, Archives Center, National Museum of American History
See more items in:
John-Manuel Andriote Victory Deferred Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1128-ref1021

Joseph Vitone "Family Records",(Photoprints, CD-ROM, Etc.)

Donor:
Vitone, Joseph  Search this
Extent:
0.25 cubic feet (3 boxes)
Type:
Archival materials
Collection descriptions
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 2000-2010
Place:
Ohio
Akron (Ohio)
Date:
1998-2004
Summary:
Collection consists of photographic images of the Vitone family in Akron, Ohio and other locations, as part of an ongoing photographic document called "Family Records".
Scope and Contents:
The collection consists primarily of 37 photographic prints, portraits of Vitone's extended family in the Akron, Ohio, area, plus other locations, part of an ongoing photographic document called "Family Records"; also two CD-Roms containing images and text. Most of the images are posed environmental portraits showing the subjects' homes or other personal contexts. The original negatives are large-format; 4" x 5". The collection is arranged into two series. Series one is the photoprints and series two contains other materials.
Arrangement:
The collection is divided into two series.

Series 1: Photoprints

Series 2: Other Materials
Biographical / Historical:
Joseph Vitone holds a Bachelor of Fine Arts and Masters of Fine Arts degree in photography from the Rochester Institute of Technology and is Professor of Photocommunications at St. Edward's University in Austin, Texas. In 1998, he began a photographic document project called "Family Records" using for the most part, immediate and extended families of both Vitone and his wife. The Vitones grew up in north-eastern Ohio. While the series also includes photographs taken in other states of farther flung family, the majority of the portrait subjects live in or near Akron, former home to the country's major rubber and tire producers including Goodyear, Goodrich, and Firestone. Norton and Barberton and other more rural communities neighboring Akron, serve as locations for many of these images along with Akron proper. He is the father of photographer Dylan Vitone.
Provenance:
These photographs were printed by Mr. Joseph Vitone in 2004 from the original negatives, especially as a gift to the Archives Center.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright (retained by Mr. Vitone).
Topic:
Marriage  Search this
Portraits -- 20th century  Search this
Family -- United States  Search this
Kinship  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 2000-2010
Citation:
Joseph Vitone "Family Records", 1998-2004, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0883
See more items in:
Joseph Vitone "Family Records",(Photoprints, CD-ROM, Etc.)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0883

Helen Compton, at Eva's. [Photoprint, black-and-white]

Photographer:
Burch-Brown, Carol  Search this
Donor:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Compton, Helen  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (10" x 8".)
Type:
Archival materials
Photographs
Place:
Appalachian Region
Bluefield (W.Va.)
Date:
[copyright 2003]
Arrangement:
Box No. 1
Local Numbers:
AC0857-0000001.tif (AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Lesbian and gay experience  Search this
Transvestites  Search this
Bars (Drinking establishments)  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref520

Through the window, entrance to Shamrock [photoprint, black-and-white]

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (8" x 10".)
Type:
Archival materials
Photographs
Place:
Appalachian Region
Bluefield (W.Va.)
Date:
[copyright 2003]
Arrangement:
Box No. 1
Local Numbers:
AC0857-0000002.tif (AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Lesbian and gay experience  Search this
Transvestites  Search this
Bars (Drinking establishments)  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref521

Joanna and Nikki. [Photoprint, black-and-white]

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (10" x 8".)
Type:
Archival materials
Photographs
Place:
Appalachian Region
Bluefield (W.Va.)
Date:
[ca. 1999-2003]
Arrangement:
Box No. 1
Local Numbers:
AC0857-0000003.tif (AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Lesbian and gay experience  Search this
Transvestites  Search this
Bars (Drinking establishments)  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref522

Making up Miss Cortney. [Photoprint, black-and-white]

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (8" x 10".)
Type:
Archival materials
Photographs
Place:
Appalachian Region
Bluefield (W.Va.)
Date:
[copyright 2003]
Arrangement:
Box No. 1
Local Numbers:
AC0857-0000004.tif (AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Lesbian and gay experience  Search this
Transvestites  Search this
Bars (Drinking establishments)  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref523

Miss Tiffany Aner, piano cape open. [Photoprint, black-and-white]

Photographer:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Aner, Tiffany  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (10" x 8".)
Type:
Archival materials
Photographs
Place:
Appalachian Region
Bluefield (W.Va.)
Date:
[copyright 2003]
Arrangement:
Box No. 1
Local Numbers:
AC0857-0000005.tif(AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Bars (Drinking establishments)  Search this
Lesbian and gay experience  Search this
Transvestites  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref524

"Ain't Too Proud to Beg" performers: Joanna, Carol, Pam, Lynn, Eva, Kathy, Ann. [Photoprint, black-and-white]

Photographer:
Burch-Brown, Carol  Search this
Donor:
Burch-Brown, Carol  Search this
Names:
Shamrock Bar (Bluefield, W.Va.)  Search this
Kilkelly, Ann  Search this
Collection Photographer:
Burch-Brown, Carol  Search this
Extent:
1 Item (8" x 10".)
Type:
Archival materials
Photographs
Date:
[1999]
Arrangement:
Box No. 1
Local Numbers:
AC0857-0000006.tif (AC Scan No.)
Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Reproduction restricted due to copyright. Requests will be referred to the photographer.
Topic:
Lesbian and gay experience  Search this
Transvestites  Search this
Genre/Form:
Photographs -- 1990-2000 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown, 1997-2003, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
The Shamrock Bar: Photographs and Interviews by Carol Burch-Brown
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0857-ref525

Craig Sterling Washington, D.C. Photoprints

Photographer:
Sterling, Craig  Search this
Names:
Jefferson Memorial (Washington, D.C.)  Search this
United States Capitol (Washington, D.C.)  Search this
Extent:
0.15 Cubic feet (1 box, 16" x 20" x 1")
Type:
Archival materials
Collection descriptions
Photographs
Place:
Washington (D.C.) -- 1990-2000
Date:
1990-1996
Summary:
Black and white photoprints by photographer Craig Sterling, made in the 1990s as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C., including the U.S. Capitol, the Lincoln Memorial, the Jefferson Memorial, and the Arboretum.
Scope and Contents:
The photographs in this collection were made in the 1990s by Craig Sterling as part of an ongoing series depicting familiar buildings, monuments, and other sites in Washington, D.C. These prints are silver gelatin. Nine of them, unmated and unmounted, were made on 16" x 20" with wide margins (actual image sizes are shown below). The other three prints are in window mats, 16" x 16".
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Craig Sterling is an American art photographer who studied at the Brooks Institute of Photography, Santa Barbara, California. He cites the photography of Ansel Adams, Arnold Newman, and Eugene Atget as having had the greatest influence on his work. Sterling, who works exclusively in black-and-white, using a wide range of equipment, makes his own silver gelatin and pigment prints. He often prefers the square format of Hasselblad cameras. He has maintained a studio at the Torpedo Factory in Alexandria, Virginia since 2001.

His photographs, which display a largely pictorialist style, are in the collections of other institutions, such as the Corcoran Gallery of Art, the National Gallery of Art, and the Oakland Museum. His work has appeared in group exhibitions at the Art League Gallery (Alexandria Virginia), the University of Maine Museum of Art (Bangor, Maine), the Baldwin Photographic Gallery (Middle Tennessee State University, Murfreesboro, Tenn.), the Oakland Museum (Oakland, California), the Philip Weiss Gallery (London), among many others, especially in the Washington and Virginia areas.

His other photographic activities have included teaching at the Art League, Alexandria, Va.; PhotoWorks at Glen Echo Park, Bethesda, Md.; and the Smithsonian Institution Resident Associate Program. He also served as curator for an exhibition, "The Photographs of Alexander Gardner," at the Washington Center for Photography. He has a Web site at http://www.craigsterling.com/.
Provenance:
Collection donated by Craig Sterling
Rights:
Contact photographer, Craig Sterling, for reproduction permission. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Arboretums  Search this
Memorials -- Washington (D.C.)  Search this
Cities and towns  Search this
Monuments -- Washington (D.C.)  Search this
Lincoln Memorial (Washington, D.C.)  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Citation:
Photograph by Craig Sterling, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0805
See more items in:
Craig Sterling Washington, D.C. Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0805

Jan Faul, "Farming the Welsh Hills" Portfolio

Creator:
Faul, Jan, 1945-  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Portfolios (groups of works)
Photographs
Landscapes (representations)
Place:
Wisconsin -- photographs -- 1990-2000
Waukesha County (Wis.) -- 1990-2000
Date:
1994
Summary:
Photographs taken under a grant from the Graham Foundation to document disappearing family farms in Waukesha County, Wisconsin. This project shows the urbanization of this mostly rural county in central Wisconsin located between Chicago, Milwaukee, and Madison. Welsh men and women came to Waukesha County in the 1840s and became part of America's dairy history. After five or six generations, many of these farms are still family owned. Today's farms are threatened by developers due to rising land prices.
Scope and Contents:
32 photographs made in Waukesha County, Wisconsin, May 1994, under a grant from the Graham Foundation to document disappearing family farms in Waukesha County, Wisconsin. They include images of farms, dairy barns, silos, cemetery, and roads.

Welsh men and women came to the County in the 1840s to launch another part of America's dairy history; after five or six generations, many farms are still family owned. Today's farms are threatened by developers due to rising land prices (up to $50,000/acre perked) and their central location between Milwaukee (east), Madison (west), and Chicago (south).
Arrangement:
Arranged into two series. Sequence arranged by artist.
Biographical / Historical:
Artist b. Port Chester, New York, 1945; childhood in several American cities and Switzerland; studied printmaking at George Washington University, Washington, D.C., graduated 1969; gave up printmaking for photography due to influence of Farm Security Administration photographs he had seen at the Library of Congress as a teenager. Self-employed photographer since 1970, working on grants and contracts to document workers, and rural poverty.; also landscape, still life, and portraiture. To Denmark 1979: commercial photography for about ten years before returning to the U.S. Work in many museum and private collections. Artist's residency, Yaddo, 1992-1993.

Artist's comment about the portfolio subjects: Welsh men and women came to Waukesha County in the 1840s to launch another part of America's dairy history; after five or six generations, many farms are still family owned. Today's farms are threatened by developers due to rising land prices (up to $50,000/acre perked) and their central location between Milwaukee (east), Madison (west), and Chicago (south).
Provenance:
Collection donated by Barbara Scheide and Jan Faul, December 30, 1994.
Restrictions:
Collection is open for research.
Rights:
Use and copyright restrictions: rights retained by the artist. The Museum may exhibit and reproduce photographs in its publications, but cannot make copies or authorize reproduction by others.,Contact artist for reproduction arrangements.
Topic:
Cemeteries -- Wisconsin  Search this
Dairy farms -- Photographs -- 1990-2000 -- Wisconsin  Search this
Agricultural land -- Photographs -- 1990-2000 -- Wisconsin  Search this
Barns -- Photographs -- 1990-2000  Search this
Real estate development -- 1990-2000 -- Wisconsin  Search this
Welsh Americans -- 1990-2000 -- Wisconsin  Search this
Silos -- Photographs -- 1990-2000  Search this
Genre/Form:
Portfolios (groups of works) -- 1990-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Landscapes (representations) -- Wisconsin
Citation:
Jan Faul "Farming the Welsh Hills" Portfolio, 1994, Archives Center, National Museum of American History. Gift of the artist [or Barbara Scheide: consult finding aid for credits for specific photographs].
Identifier:
NMAH.AC.0526
See more items in:
Jan Faul, "Farming the Welsh Hills" Portfolio
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0526
Additional Online Media:

Jan Faul "Potomac : East and West" (portfolio of photoprints)

Creator:
Faul, Jan, 1945-  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Archival materials
Collection descriptions
Topographical views
Manipulated photographs
Photographs
Painted photographs
Hand coloring
Landscapes (representations)
Portfolios (groups of works)
Place:
Washington (D.C.) -- 1990-2000
West Virginia -- 1990-2000
Virginia -- 1990-2000
Maryland -- 1980-2000
Potomac River -- 1990-2000
Date:
1991
Summary:
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.
Scope and Contents:
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," and is number six in an edition of forty five. The photographs all were taken in 1991 and the prints were made shortly thereafter. The photographs are basically somewhat romantic documentary images of locales in Washington, D.C., Virginia, Maryland, and West Virginia, including landscapes and industrial settings, interiors and exteriors, some of which are apparently abandoned. Human figures are seen only incidentally in several images. Each print has a small area hand colored by the artist, usually adding subtle humor and/or a hint of mystery. The titles are brief and geographical, and the set is numbered I to XII and XIV to XXV; there is no number XIII, the artist was careful to point out.
Arrangement:
The collection is arranged into one series. Sequence arranged by artist: numbered I-XII, XIV-XXV (no number XIII).
Biographical / Historical:
Jan Faul was born in Port Chester, New York in 1945. His family moved frequently, living in Washington, D.C., New York, Boston, Denver, Toronto, Strasbourg, and Bern, Switzerland. In Bern he received his first camera as a gift for his fourteenth birthday. He returned to the United States and completed high school in Washington.

In his late teens Faul met Roy Stryker, legendary director of the Farm Security Administration documentary photography project, who suggested that he spend time looking at photographs in the Library of Congress which he did, concentrating on the F.S.A. files. Influenced by his artist parents, Faul studied art history and graphics in college, hoping to become a printmaker, but had begun to support himself with photography by the time he graduated from The George Washington University in 1969.

The "immediacy" of photography and other aesthetic considerations in addition to the financial ones finally led to Faul's abandonment of printmaking and commitment to photography. Since 1970 he has been a self employed photographer, working in landscape, still life, and portraiture. He documented the lives of poor people in the U.S. from July 1970 to March 1971 for the Office of Economic Opportunity. In summer 1971 he photographed scenes of rural poverty for the Appalachian Regional Commission. A grant from the Upjohn Institute for American Labor Studies in 1974 supported his photographic documentation of American workers and changing work habits. In the summer of 1975 he worked for the Smithsonian, portraying the locksmen and pilots of the St. Lawrence Seaway. Further grants and contracts for documentary photography followed, including the 1976 Smithsonian Festival of American Folklife.

Faul moved to Copenhagen, Denmark, in 1979, and there worked on commercial accounts for Esso, Polaroid, and others, while continuing to pursue a variety of personal photographic projects. He returned to the Washington, D.C., area a decade later.

The photographer's career has included commercial work and contractual documentary projects, as well as the sale of photographic prints as art to private collectors and sales and donations to institutions. Fourteen photographs were donated to the Division of Photographic History of this Museum in 1970, and his work is in the collections of the Royal Museum of Art in Denmark, The Library of Congress, the San Francisco Museum of Modern Art, George Eastman House, the Toledo Museum of Art, the Corcoran Gallery of Art, the Oakland Museum, and others. He has received a number of awards, and has been included in a number of group and solo exhibitions. He has received an artist's residency at Yaddo for 1992 1993. Additional biographical information, including a bibliography, is on file in the Archives Center.
Provenance:
Collection donated by Jan Faul, November 13, 1991.
Restrictions:
Collection is open for research.
Rights:
Use and copyright restrictions: all rights retained by the artist. The Museum may exhibit and reproduce photographs in its publications, but cannot make copies or authorize reproduction by others. Contact artist for reproduction arrangements.
Topic:
Agricultural land -- 1990-2000  Search this
Rivers -- 1990-2000 -- United States  Search this
Commercial buildings -- 1990-2000  Search this
Cemeteries -- 1990-2000  Search this
Industrial complexes -- United States  Search this
Industrial towns -- 1990-2000  Search this
Genre/Form:
Topographical views
Manipulated photographs
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1990-2000
Painted photographs
Hand coloring
Landscapes (representations) -- 1990-2000 -- United States
Portfolios (groups of works) -- 1990-2000
Citation:
Jan Faul "Potomac East and West" Portfolio, 1991, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0441
See more items in:
Jan Faul "Potomac : East and West" (portfolio of photoprints)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0441

Alan Strauber Photoprints

Photographer:
Strauber, Alan  Search this
Names:
Brown, Jerry, 1942-  Search this
Burrell, Kenny  Search this
Diddley, Bo, 1928-2008  Search this
Duke, David  Search this
Franklin, Aretha  Search this
Winfield, Dave  Search this
Extent:
0.2 Cubic feet (2 boxes)
Type:
Archival materials
Collection descriptions
Photographs
Place:
Ellis Island (New York, N.Y.)
Date:
ca. 1990-1999.
Summary:
Forty-one black and white photoprints, most of which are portraits of jazz, blues, Cajun, and zydeco musicians, plus a few additional subjects.
Scope and Contents:
These prints are all on fiber-based paper, unmounted. The subjects include jazz, blues, and zydeco musicians, politicians, and baseball players in action. All prints copyright 1994 by Alan Strauber, except as otherwise noted, and signed and dated on verso. All are 8" x 10" except for the 11" x 14" prints in box 2.

The majority of the photographs depict musicians in concert, but additional subjects include professional baseball players, politicians like Jerry Brown, and built structures in the American South and at Ellis Island.
Subjects include Marie Laveau's tomb, Aaron Neville, Irma Thomas, Dr. John, Michel Doucette, George Porter, Aretha Franklin, Willie Dixon, Koko Taylor, Johnny Copland, Clarence "Gatemouth" Brown, "Snooks" Eaglin, Robert Ward, Bo Diddley, Don Byron, Cajun dancers, David Duke, Jerry Brown, Boozoo Chavis, Terrence Simien, Chubby Carrier, C. J. Chevier, Dave Winfield, Rickey Henderson, Kenny Burrell, Robben Ford, Kenny Neal, Junior Wells, John Lee Hooker and Willie Dixon, a Mardi Gras "Indian," Walter "Wolfman" Washington, and Robert "Junior" Lockwood; Ellis Island; and "Little Wimp's Barbecue House."
Arrangement:
1 series.

Arranged topically.
Biographical / Historical:
Alan Strauber is a photojournalist whose work has been published in The New York Times, the Philadelphia Inquirer, Gannett Suburban Newspapers, Downbeat Magazine, and AKC Gazette, among others. His work is in the collections of Yad Vashem (Jerusalem, Israel), the Delta Blues Museum (Clarksdale, Mississippi), and the National Baseball Hall of Fame (Cooperstown, N.Y.). Among his special photographic interests are the photography of jazz musicians, professional baseball, and politicians; examples are contained in this collection. His e-mail address is meandgi@sabbatai.com

He is also a poet and art critic. An article by Mr. Strauber, "Art entices eyes, ears at Whitney Museum" from the Poughkeepsie (N.Y.) Journal, April 11, 2002, is posted on the World Wide Web at http://cityguide.pojonews.com/fe/DayTrips/stories/dt_whitney_museum.asp.

Mr. Strauber is mentioned in on a genealogical site listing his family background, posted in the "Phair Family Circle" at http://www.geocities.com/hmshultz/phair.html.
Provenance:
Collection donated by Alan Strauber, 1994, December 21.
Restrictions:
Collection is open for research.
Rights:
Alan Staruber retains copyright. At the time of donation, the Archives Center of the National Museum of American History obtained standard museum rights from the photographer to exhibit these photographs, lend them to other qualified museums, and publish them in its own publication program. These rights do not entitle the Archives Center to provide reproduction permission to third parties, which must contact the photographer for further information.
Topic:
Baseball players -- 1990-2000  Search this
Baseball -- 1990-2000  Search this
Jazz musicians -- 1950-2000 -- United States  Search this
Zydeco musicians  Search this
Musicians, Cajun  Search this
Blues musicians  Search this
Jazz -- 1990-2000  Search this
Carnival -- 1990-2000 -- New Orleans (La.)  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000
Citation:
Alan Strauber Photoprints, 1990-1994, 1999, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0517
See more items in:
Alan Strauber Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0517

Stuart Cohen "Marblehead at the Millennium," Photoprints

Creator:
Cohen, Stuart  Search this
Extent:
0.02 Cubic feet (1 box)
49 Photographic prints (Silver gelatin on paper, 16 x 20)
Type:
Archival materials
Collection descriptions
Photographic prints
Portfolios (groups of works)
Photographs
Place:
Massachusetts
Marblehead (Mass.)
Date:
2000
Summary:
These photographs depict various scenes in Marblehead, Massachusetts, as photographed in the year 1999, including views of the town and its environs, commerce, and activities of people, especially families. The photographs are part of a self-assigned project, through which Stuart Cohen intended to survey the state of the town as it prepared to greet the new millennium.
Scope and Contents:
Photographs depict various aspects of activities in Marblehead, Massachusetts, in the year 2000, including views of the town and its structure, architecture, and environs, as well as activities of people, especially families. There is also emphasis on the commerce of the town. Subjects include high school cheerleaders, children sledding, an amusement park, an arts festival, firemen with a hand pumper, a costume parade, Santa Claus and Christmas rituals, a fitness center, an outdoor wedding, school classrooms, a frame house under construction, sailmaking, a farmers' market, stores, restaurants, a bar, fishing, a library, etc. Prints captioned and signed, with additional information on verso.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Stuart Cohen initiated this project to document Marblehead, Massachusetts, at the turn of the new millennium.
Provenance:
Collection donated by Stuart Cohen.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright. Contact photographer for reproduction.
Topic:
Cheerleading  Search this
Bars (Drinking establishments)  Search this
Cities and towns  Search this
Christmas -- Massachusetts  Search this
Restaurants  Search this
Firemen  Search this
Farmers' markets  Search this
Libraries  Search this
Fishing  Search this
Commerce -- Massachusetts  Search this
Classrooms  Search this
Family -- 20th century  Search this
Construction  Search this
Santa Claus  Search this
Retail trade  Search this
Water pumps  Search this
Schools  Search this
Weddings -- 1990-2000  Search this
Genre/Form:
Portfolios (groups of works) -- 1990-2000
Photographs -- Black-and-white photoprints -- Silver gelatin -- 2000-2010
Citation:
Photographs by Stuart Cohen from "Marblehead at the Millennium," 2000, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0804
See more items in:
Stuart Cohen "Marblehead at the Millennium," Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0804

Gordon R. Smith Kentucky Photoprints

Photographer:
Smith, Gordon R.  Search this
Extent:
0.1 Cubic feet (1 box, 7 items)
Type:
Archival materials
Collection descriptions
Photographs
Place:
Kentucky -- 1990-2000
Appalachian Region
Date:
1994
Summary:
Photographs from a project entitled "Kentucky Coal Country," in which photographer Gordon Smith concentrates on economic and social factors in Kentucky. The photographs document poverty, erosion of the land through strip mining, and other harsh realities in Kentucky.
Scope and Contents:
The seven photographs in this group are all from a project entitled "Kentucky Coal Country," in which Gordon Smith concentrates on economic and social factors in Kentucky. They powerfully and starkly document poverty, erosion of the land through strip mining, and other harsh realities in Kentucky. All negatives were made in 1994, but these prints were made by Smith in late 1998 and/or early 1999. All are silver gelatin, printed on 16" x 20" paper, and are unmounted. Included with the prints are copies of the artist's project description and a caption list with his comments for forty images in the series.

Smith's photographs depict the Appalachian region of Kentucky, whose residents remain among the poorest in the nation. "This region, whose underground fortunes are still being ruthlessly plundered, now faces a near lifeless economy patched together by low paying service jobs, food stamps and welfare cheques," he writes. "...[The] Appalachian Regional Commission has overseen the spending of huge quantities of taxpayer dollars in an effort to penetrate the economic, geographic and cultural isolation of this mountainous region... Two thirds of these funds have been absorbed by road construction efforts which appear to have been more beneficial to local contractors and the coal and lumber industries than the population at large. The lavish spending program has had little effect in transforming the area's coal-linked economic base... The state of Kentucky has been particularly hard hit." Smith's photographs indicate his concerns about the devastation of both the land and the people in the Appalachian region of Kentucky. The photographs in this selection vividly show the effects of strip mining, as well as people living in poverty. "Machines have stolen forever the jobs that kept this land alive," he comments. "...As communities perish and families are split apart, one of America's oldest and least understood cultures is in danger of being wiped away..."
Arrangement:
The collection is arranged into two series.

Series 1: Documents,

Series 2: Photographs,
Biographical / Historical:
Gordon R. Smith is an American photojournalist whose photographs are in the collections of the Library of Congress, the Bibliothèque Nationale (Paris), the Philadelphia Museum of Art, the Center for Creative Photography (Tucson, Arizona), the Houston Museum of Fine Arts, and many other American and European collections. He has been included in many group exhibitions, and he has had solo exhibitions in galleries in the United States, Canada, Colombia, Denmark, France, Germany, and the Netherlands. He has received grants from the Pennsylvania Council on the Arts (Visual Arts Fellowship, 1994) and Eastman Kodak Company (Materials Grant, 1990).

His work has been published in the Washington Post, New York Newsday, The Philadelphia Inquirer, Photographer's Forum, S F Camerawork, Photo Metro, The Photo Review, Camera Austria, and other newspapers and magazines. He is based in Pennsylvania.
Provenance:
Collection donated by Gordon R. Smith,1999, January 25.
Restrictions:
Collection is open for research.
Rights:
Photographer holds copyrights. Reproduction permission from artist; contact information upon request.
Topic:
Coal mines and mining -- 1990-2000 -- Kentucky  Search this
Strip mining -- Environmental aspects -- 1990-2000 -- Kentucky  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000
Citation:
Gordon R. Smith Kentucky Photoprints, 1994, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0700
See more items in:
Gordon R. Smith Kentucky Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0700
Additional Online Media:

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