Skip to main content Smithsonian Institution

Search Results

Collections Search Center
88 documents - page 1 of 5

David Herbert papers

Creator:
Herbert, David, 1920-1995  Search this
Names:
Betty Parsons Gallery  Search this
David Herbert Gallery  Search this
Graham Gallery  Search this
Robert Fraser Gallery  Search this
Sidney Janis Gallery  Search this
Stewart Neill Gallery  Search this
Andrade, Jaime, 1931-  Search this
Berman, Aaron  Search this
Blaszko, Martin, 1920-  Search this
Blum, Irving, 1930-  Search this
Carrington, Leona  Search this
Carsman, Jon, 1944-  Search this
Cotsen, Lloyd E.  Search this
Draper, William F., 1912-  Search this
Feigen, Richard L., 1930-  Search this
Fraser, Robert  Search this
Hoffman, Martin  Search this
Hopps, Walter  Search this
Johnson, Ray, 1927-  Search this
Kelly, Ellsworth, 1923-  Search this
Kline, Franz, 1910-1962  Search this
Lukin, Sven  Search this
McKelvy, Douglas  Search this
Merck, Josephine  Search this
Namuth, Hans  Search this
Negret, Edgar, 1920-2012  Search this
Nevelson, Louise, 1899-1988  Search this
Ossorio, Alfonso, 1916-1990  Search this
Padovano, Anthony  Search this
Ramirez, Eduardo  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Leon Polk, 1906-1996  Search this
Sorel, Paul  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
5.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Greece -- description and travel
Ecuador -- description and travel
Puerto Rico -- description and travel
Japan -- Description and Travel
Iwo Jima (Japan)
Date:
circa 1909-1996
bulk 1945-1995
Summary:
The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.
Scope and Contents:
The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

Biographical material includes address books and calendars, educational records, records of Herbert's military service in the United States Naval Construction Battalion in Japan, and resume's charting his career.

Correspondence is with Herbert's parents, friends, business colleagues, and artists. It includes documentation of Herbert's partnership with Richard Feigen, and his cooperative work with Irving Blum and Walter Hopps of Ferus Gallery in Los Angeles, and Robert Fraser in London. Also documented are Herbert's relationship with Jaime Andrade and Andrade's family, and a lawsuit Herbert brought against Aaron Berman relating to the ownership of an Ellsworth Kelly drawing. There are scattered letters and postcards from artists and collectors, including Martin Blaszko, Lloyd Cotsen, Martin Hoffman, Ray Johnson, Josephine Merck, Alfonso Ossorio, Paul Sorel, and Clyfford Still.

Notebooks provide brief notes on Herbert's day-to-day business dealings. Subject files, consisting primarily of printed material, document Herbert's interests in several art world figures, subjects such as ancient art, and travel to locations such as Ecuador, Puerto Rico, and Greece.

Exhibition files include installation shots and catalogs for many of the exhibitions held at the David Herbert Gallery between 1959 and 1962.

Artist files document Herbert's interest in individual artists, such as William Draper, Ellsworth Kelly, Franz Kline, Sven Lukin, Edgar Negret, Louise Nevelson, Anthony Padovano, Eduardo Ramirez, and Jeanne Reynal, through printed material, photographs of artwork, scattered artist letters, and sales documentation.

Business records document the financial details and overall goals of Herbert's various business ventures. There is a sales book for Betty Parsons Gallery and Sidney Janis Gallery; Herbert's appraisal, consignment, commission, sales, and loan records; Herbert's business plans and projections; financial statements from the David Herbert Gallery; sales records for Graham Gallery; and records of Herbert's partnership with Douglas McKelvy.

Printed material includes announcements and catalogs from galleries Herbert worked for or collaborated with, including Graham Gallery, Betty Parsons Gallery, Feigen/Herbert Gallery, Stewart Neill Gallery, and Robert Fraser Gallery. Also found are obituaries and other new clippings of interest to Herbert.

Photographs are of Herbert, family members, and friends and colleagues, including his companion, Jaime Andrade, Leona Carrington, William Draper, Jon Carsman, Hans Namuth, and Leon Polk Smith. Many are color snapshots collected in two photographs albums. Also found are photographs taken in Japan and Iwo Jima in 1945-1946 of street scenes, Naval Construction Battalion facilities, and Herbert's army colleagues and friends.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1920-circa 1995 (0.7 linear feet; Box 1)

Series 2: Correspondence, 1942-1996 (1 linear foot; Boxes 1-2)

Series 3: Notebooks, circa 1950s-circa 1995 (0.3 linear feet; Box 2)

Series 4: Subject Files, 1950s-1992 (0.4 linear feet; Boxes 2-3)

Series 5: Exhibition Files, 1959-1963 (0.25 linear feet; Box 3)

Series 6: Artist Files, 1950s-1993 (0.75 linear feet; Boxes 3-4)

Series 7: Business Records, 1950s-1992 (0.6 linear feet; Box 4)

Series 8: Printed Material, 1949-circa 1995 (1.4 linear feet; Boxes 5-7)

Series 9: Photographs, circa 1909-circa 1990 (0.4 linear feet; Box 7)
Biographical / Historical:
New York gallery owner and art dealer, David Herbert (1920-1995, born David Herbert Schmerer), worked for a number of important galleries in New York, had his own eponymous gallery from 1959-1962, operated as a private dealer, and was in partnership with dealer Richard Feigen from 1962-1964.

Herbert served in the United States Naval Construction Battalion from 1943-1946 and was posted to Japan in 1945-1946. After receiving a BA in art history from Syracuse University in 1951, he worked for Betty Parsons Gallery (1951-1953) and Sidney Janis Gallery (1953-1959), selling the work of contemporary American painters and sculptors, handling publicity, and installing exhibitions.

Herbert forged strong connections with artists and collectors alike, and was instrumental in launching the careers of a number of important artists. One such artist was Ellsworth Kelly, whom he recommended to Parsons, triggering Kelly's New York career. He opened the David Herbert Gallery in 1959, with investment from Douglas McKelvy, promoting the works of artists including Willem de Kooning, Franz Kline, Jackson Pollock, and Louise Nevelson, to leading collectors and museums.

Herbert often worked in cooperation with colleagues Irving Blum and Walter Hobbs in Los Angeles, and Robert Fraser in London. After closing his gallery in 1962, Herbert entered a partnership with dealer Richand Feigen, operating the Feigen/Herbert Gallery from 1962-1964. From 1964-1969 he worked as a private dealer specializing in twentieth century works of art and serving as a consultant to collectors, museums, artists, and corporate interests. From 1969-1975 he was Director and Art Salesman of contemporary and 19th Century American Art at Graham Gallery. Herbert subsequently continued as a private dealer from 1975 until his death.

Herbert traveled extensively, visiting museums, collectors, and galleries in England, France, Italy, Greece, Spain, Colombia, Peru, Ecuador, Hawaii, and Japan. Through Edgar Negret, whom Herbert represented, he met Jaime Andrade, who became his assistant at the Feigen/Herbert Gallery in 1963. In turn Andrade shared with Herbert an interest in pre-Columbian art and contemporary Spanish and Latin America art, hosting multiple visits to his native Ecuador by Herbert and others, including artist William Draper.

Andrade served as executor of Herbert's estate, following Herbert's death in 1995.
Provenance:
The David Herbert papers were given to the Archives of American Art by Jaime Andrade, Herbert's companion, in 1999.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C. Research Center. Contact Reference Services for more information.
Rights:
The David Herbert papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Gallery owners -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
David Herbert papers, circa 1909-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.herbdavi
See more items in:
David Herbert papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-herbdavi
Additional Online Media:

Photograph album owned by Emily Howland

Manufactured by:
James B. Smith & Co., American  Search this
Signed by:
Caroline N. Lacy, American, 1838 - 1898  Search this
Received by:
Emily Howland, American, 1827 - 1929  Search this
Subject of:
Harriet Tubman, American, 1822 - 1913  Search this
John Willis Menard, American, 1838 - 1893  Search this
Charles Sumner, American, 1811 - 1874  Search this
Lydia Maria Child, American, 1802 - 1880  Search this
William Henry Channing, American, 1810 - 1884  Search this
Wendell Phillips, American, 1811 - 1884  Search this
Freedmen's Bureau, American, 1865 - 1872  Search this
Medium:
leather, metal, and ink on paper
Dimensions:
H x W x D (closed): 6 1/4 × 5 1/4 × 2 7/8 in. (15.9 × 13.3 × 7.3 cm)
H x W (open with clasps): 6 1/4 × 11 in. (15.9 × 27.9 cm)
H x W (open without clasps): 6 1/4 × 9 in. (15.9 × 22.9 cm)
H x W x D (Storage container): 5 7/8 × 11 1/4 × 11 7/16 in. (15 × 28.5 × 29 cm)
Type:
photograph albums
Place used:
Camp Todd, Arlington County, Virginia, United States, North and Central America
Date:
1864
Topic:
African American  Search this
Antislavery  Search this
Education  Search this
Families  Search this
Feminism  Search this
Local and regional  Search this
Military  Search this
Photography  Search this
Politics (Practical)  Search this
Reconstruction (United States History, 1865-1877)  Search this
Religion  Search this
Social reform  Search this
United States Colored Troops  Search this
United States--History--Civil War, 1861-1865  Search this
Credit Line:
Collection of the National Museum of African American History and Culture shared with the Library of Congress
Object number:
2017.30
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Emily Howland Photograph Album
Classification:
Slavery and Freedom Objects
Media Arts-Photography
Exhibition:
Slavery and Freedom
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 3, C3 053
Data Source:
National Museum of African American History and Culture
EDAN-URL:
edanmdm:nmaahc_2017.30
Additional Online Media:

John Calvin Ferguson Family Papers

Creator:
Ferguson, John Calvin, 1866-1945  Search this
Names:
Ferguson, John Calvin, 1866-1945  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Letters (correspondence)
Newspaper clippings
Photographs
Photograph albums
Speeches
Place:
Shanghai (China)
China
Nanjing (Jiangsu Sheng, China)
Date:
circa 1850s-1988
bulk 1900-1945
Summary:
The John Calvin Ferguson Family papers measure 6.4 linear feet, and date from circa 1850s to 1988, with the bulk dating from 1900 to 1945. The bulk of the papers consists of John Calvin Ferguson's personal, professional, and family correspondence, and correspondence between other members of the Ferguson family. The papers also include biographical materials; sermons, speeches, and writings by Ferguson and others; printed materials, both collected and given to Ferguson; and photographs, including five photograph albums.
Scope and Contents:
The John Calvin Ferguson Family papers measure 6.4 linear feet, and date from circa 1850s to 1988, with the bulk dating from 1900 to 1945. The bulk of the papers consists of John Calvin Ferguson's personal, professional, and family correspondence, and correspondence between other members of the Ferguson family. The papers also include biographical materials; sermons, speeches, and writings by Ferguson and others; printed materials, both collected and given to Ferguson; and photographs, including five photograph albums.

Biographical materials includes various business cards and professional contacts; an ink sketch portrait of Ferguson by Li Yuling; various membership documents and cards; memorial service and obituary materials for Ferguson and members of the Ferguson family; repatriation documentation and materials from the M. S. Gripsholm; and assorted genealogical and family documents.

Correspondence comprises the bulk of the collection, and is both professional and personal in nature. Much of John Calvin Ferguson's correspondence documents his activities and movements while living in China, as well as the state of the political and social climate during the collapse of the Qing Dynasty in 1912 and as the Second Sino-Japan War begins in 1937. His journey back to the United States aboard the M. S. Gripsholm, as well as his failing health, are also much discussed topics. Extensive correspondence between other members of the Ferguson family are also found within the papers, including Ferguson's wife, Mary Elizabeth Wilson, and his children.

Sermons, speeches, and writings reflect Ferguson's many career interests, including his work as a minister, education administrator, and as an ambassador with the Chinese government. The collection also contains printed materials and photographs, including five photograph albums.
Arrangement:
This collection is arranged as 6 series.

Series 1: Biographical Material, 1915-1981 [Box 1, 1 OV Folder; 0.5 linear feet]

Series 2: John Calvin Ferguson Correspondence, 1902-circa 1945 [Boxes 1-7; 2.2 linear feet]

Series 3: Ferguson Family Correspondence, 1886-1982 [Boxes 7-12; 2.1 linear feet]

Series 4: Sermons, Speeches, and Writings, 1896-1988 [Boxes 12-13; 0.3 linear feet]

Series 5: Printed Material, 1896-1988 [Boxes 13-14; 0.4 linear feet]

Series 6: Photographs, circa 1850s-1967 [Boxes 14-17; 0.9 linear feet]
Biographical / Historical:
John Calvin Ferguson (1866-1945) was an author, collector and scholar of Chinese art, Methodist minister, university president, and Chinese government advisor, born in Napanee, Ontario.

Ferguson attended Albert College in Ontario, received his Bachelor of Arts degree in 1886 from Boston University, and was ordained in the Methodist Episcopal Church shortly thereafter. He received his PhD from Boston University in 1902. In 1887, he married Mary Elizabeth Wilson (1866-1938) and was sent to China as a Methodist missionary, where he spent his first year studying Chinese in Zhenjiang, Jiangsu, downriver from Nanjing on the Yangzi. In Nanjing, Ferguson helped found the Methodist school, Huiwen Shuyuan (later Nanjing University), and worked to establish a western curriculum with departments of liberal arts, medicine, and theology. He was the first president of the university, as well as treasurer and then superintendent of the Central China Mission until 1897, when he left the ministry.

In 1897, Qing official Sheng Xuanhuai (1847-1916) invited Ferguson to become first president of Nanyang College at Shanghai, where he worked for five years before leaving his position to assist Sheng with his governmental duties. Ferguson then became a member of the Treaty Commission and foreign secretary to the Chinese Ministry of Commerce in 1902, and chief secretary of the Imperial Chinese Railway Administration a year later until 1905. Concurrently, he was foreign advisor to the Viceroys of Nanjing and Wuchang. While in Shanghai, he was Honorary Secretary of the North China Branch of the Royal Asiatic Society and editor of the Journal from 1902 to 1911, then becoming president for a year. During his last year in Shanghai, he was Chairman of the Famine Relief Commission until moving to Beijing in 1911 to become foreign secretary to the Ministry of Posts and Communications. He remained in Beijing after the fall of the Qing Dynasty, becoming active in the Red Cross and subsequently Vice President of the Red Cross Society.

In Shanghai, Ferguson developed a popular Chinese-language daily newspaper in 1899, Sin Wan Pao, which he owned until 1929. He began collecting Chinese art objects while in Nanjing, and studied Chinese art and literature in earnest while in Beijing. In 1912, Ferguson became a buyer of Chinese art objects for the Metropolitan Museum of Art, becoming a fellow in perpetuity and honorary fellow in recognition of his work. He was then wholly launched into the collecting field, becoming a dealer of Chinese art, working between collectors and vendors in Peking for American museums and individuals, as well as developing his own collection. After being appointed advisor to the new Chinese Republican government in 1915, he traveled between the United States and China until setting up permanent residence with his family in Beijing in 1919. During this time in Beijing he wrote and lectured extensively on Chinese art and archaeology. He ultimately donated the bulk of his personal collection, over one thousand Chinese art objects, to Nanjing University in 1934 for which he received an official thanks by public mandate from the Chinese government. Other gifts of his collection were made to the Metropolitan Museum of Art and Shanghai Jiao Tong University.

He remained in his Beijing home until 1943 when he returned to the United States with his daughter, Mary, via the M. S. Gripsholm. He died in Clifton Springs, New York on August 3, 1945.

This biography draws heavily from Lara Jaishree Netting's book, A Perpetual Fire: John C. Ferguson and His Quest for Chinese Art and Culture, Hong Kong University Press, 2013; and R. H. Van Gulik's article, "Dr. John c. Ferguson's 75th Anniversary," Monumenta Serica: Journal of Oriental Studies of the Catholic University of Peking, Vol. VI, 1941.

Genealogy Chart, Ferguson FamilyJohn Calvin Ferguson, m. Mary Elizabeth Wilson -- Luther Mitchell, m. Edith GrayHelen Matilda 1) m. George E. Tucker2) m. John C. BeaumontAlice MaryFlorence Wilson 1) m. Jay C. Huston2) m. Raymond C. MackayCharles John, m. Isabel M. MarindinMary EstherRobert Mason, m. Margaret SparrDuncan PomeroyPeter Blair, m. Elizabeth Hamlen
Provenance:
The John Calvin Ferguson Family Papers were donated to the Archives by Ferguson's grandson, Peter Ferguson, in 1999.
Restrictions:
Access is by appointment only, Monday through Thursday 10:00 a.m. to 5:00 p.m. Please contact the Archives to make an appointment: AVRreference@si.edu.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Occupation:
Political consultants -- China  Search this
Art collectors -- China  Search this
Genre/Form:
Letters (correspondence) -- 20th century.
Newspaper clippings
Letters (correspondence) -- 19th century
Photographs
Photograph albums
Speeches
Citation:
John Calvin Ferguson Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution. Washington, D. C., Gift of Peter Ferguson.
Identifier:
FSA.A1999.33
See more items in:
John Calvin Ferguson Family Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-33

Bessie Potter Vonnoh papers, circa 1860-1991, bulk 1890-1955

Creator:
Vonnoh, Bessie Potter, 1872-1955  Search this
Subject:
Garland, Hamlin  Search this
Carter, Charles M.  Search this
Raffaëlli, Jean Fran­cois  Search this
Vonnoh, Robert William  Search this
Vezin, Charles  Search this
Skinner, Cornelia Otis  Search this
French, Daniel Chester  Search this
Huntington, Archer M.  Search this
French, William M. R. (William Merchant Richardson),  Search this
Meade, Larkin Goldsmith  Search this
Hughes, Rupert  Search this
Type:
Photographs
Topic:
Women sculptors  Search this
Landscape painters  Search this
Portrait painters  Search this
Artist couples  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)6601
(DSI-AAA_SIRISBib)215911
AAA_collcode_vonnbess
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215911
Additional Online Media:

John Koch papers, 1935-1978

Creator:
Koch, John, 1909-1978  Search this
Type:
Photograph albums
Scrapbooks
Photographs
Topic:
Painting, American  Search this
Art  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)7767
(DSI-AAA_SIRISBib)209932
AAA_collcode_kochjohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209932

Cartes de visite portraits of nineteenth century artists

Former owner:
National Collection of Fine Arts (U.S.)  Search this
Publisher:
William S. & Alfred Martien (Firm)  Search this
Extent:
1 Album ((176 cartes de visite photographic prints), ports., 25 cm.)
Type:
Collection descriptions
Archival materials
Albums
Date:
between 1856 and 1880?
Summary:
A collection of 176 cartes de visite or photographic portraits of various American, British, and European artists active during the second half of the 19th century, assembled by an unidentified previous owner and housed in a commercially-produced blank album.The photographs originate from a number of different photography studios, including Bayard & Bertall, Bingham, Matthew Brady, Carjat & Cie., H.G. DeBurlo, Disdéri, Franck, F. Joubert, McLean & Co., Mayer & Pierson, Ernst Milster, Nadar, Pierre Petit, Ch. Reutlinger, Richards, and others.
Formatted Contents note:
(from index) Edwin A. Abbey -- Oswald Achenbach -- R. Ansdell -- Baker -- E. Ball -- Jacob Barker -- F. Barrias -- Carl Becker -- E. Bellange -- L. Belly -- Bida -- C.F. Blauvelt -- Aug. Bonheur -- Rosa Bonheur -- Gustav Boulanger -- Bonnat -- I. Breton -- H. Bishing in morgue -- Cabanel -- Calame -- Compt Calix -- Frederick Church -- Leon Cogniet -- Coleman -- H. Collingwood -- F. Sidney Cooper -- F. Corbould -- Corot -- Coudon -- Samuel Cousins -- Couture -- Crukshanks -- F.B. Carpenter in morgue -- Daubigny -- Decamps -- Delacroix -- Diaz -- Doré -- Gustav Doré -- A.B. Durand -- Felix O.C. Darley in morgue -- Williams Elliott -- Sir Charles Eastlake -- J.O. Eaton in morgue -- T. Faed -- Thos. Fenimore -- Fichel -- Flandrin -- Robt Fleury -- Fracissina -- Freeman -- Pierre Edouard Frere -- Th Frere -- Wm P. Frith -- Louis Gallait -- J.L. Gerome -- J. Gilbert -- Girardet -- F. Goodall -- Rene Goubie -- Carl Haag -- James Hamilton -- Hamon -- I.D. Harding -- Joel Hart -- Wm Hazeltine -- G.P.A. Healy -- Leon Hermann -- J.C. Horsley -- Miss Hosmer -- Hoquet -- Holman Hunt -- Daniel Huntington -- Ingres -- George Inman -- John O'B. Inman -- Isabey -- Ives -- David Johnson in morgue -- Kaulback -- Kinsett - Knaus -- Daniel R. Knight -- George Lance -- Sir E. Landseer -- La Farge? -- Lavoie -- John Leech -- Lessing or Lossing -- E. Leutze -- Le Clear in morgue -- D. Maclise -- E. Meissionier -- L. Mignot -- Millais -- Montalant -- Edward Moran -- S.F.B. Morse -- Wm S. Mount -- Moyer -- C.L. Muller -- Mulready -- McDonald in morgue -- Thomas Moran in morgue -- Mary Nimmo Moran in morgue -- Edward Moran in morgue -- Norton -- J.C. Nichel in morgue -- Overbeck -- Page -- Palmer -- "Pawn Shops" by Waugh -- Rembrandt Peale -- George Platt -- Hiram Powers -- W.H. Powell in morgue -- Thos. B. Read -- Mrs Richards? -- F. DeBerg Richards -- Wm T. Richards -- Gustave Richter -- Rinehart -- D. Roberts -- Rogers -- P. Roth? -- Peter F. Rothermel -- Rousseau -- Ruskin -- Christian Schussele -- E. Signol -- Simmons -- Russell Smith -- Miss E. Stebbins -- Alfred Stevens -- Joseph Stevens -- Story -- Thomas Sully -- Tissot -- Constantine Tryon -- Unknown -- Horace Vernet -- Verbekhoven -- Vernier -- Vibert -- Samuel B. Waugh -- Waugh's "The Pawn Shop" -- Paul Weber -- Philip Weber? -- F.C. Welch -- Worthington Whittredge -- F. Williams -- Winterhalten -- Arnold Wittkamp -- Abraham Woodside -- Zamacois -- Ziem.
General note:
Title devised by cataloger.
Added title transcribed from gilt- and black-printed t.p., which reads: Photograph album, Philadelphia, Wm. S. & A. Martien. The publishing house of Wm. S. & A. Martien was active between 1856 and 1864, although some of the portraits may date from either before or after that period.
An index (handwritten on forms printed in gold, [4] leaves) is inserted at the front of the volume, following the title leaf. Most of the photographs also have handwritten captions.
The title and index leaves have decorative borders.
The album leaves have four double-sided rounded rectangular openings, each measuring 8 x 5 cm., cut into laminated sheets of paperboard, with triple gilt borders printed around each opening.
Some brief newsclippings (obituaries) and biographical citations about the subjects are tipped- or laid-in.
Local Notes:
AAPGRB copy 39088015006646 has stamp on verso of t.p.: Smithsonian Institution, National Collection of Fine Arts.

AAPGRB copy has a later black buckram "NCFA" binding with gilt-lettered spine and all edges gilt.
Topic:
Carte de visite photographs -- Catalogs  Search this
Visiting cards -- Catalogs  Search this
Artists -- Portraits -- Catalogs  Search this
Identifier:
SIL-AAPG.N40.P57
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-aapg-n40-p57

Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth II, Queen of Great Britain, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Chester Dale papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Art dealers -- France -- Paris  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-daleches
Additional Online Media:

Modjeski and Masters Company Records

Collector:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Creator:
Modjeski and Masters  Search this
Names:
Masters, Frank, 1883-1974  Search this
Modjeski, Ralph, 1861-1940  Search this
Interviewer:
Vogel, Robert M.  Search this
Extent:
60 Cubic feet (139 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Lantern slides
Photographs
Drawings
Contracts
Letterpress books
Correspondence
Place:
Harrisburg (Penn.)
Pennsylvania
Date:
1870-1979
bulk 1900-1940
Summary:
The records document the work of consulting engineers and bridge builders, Ralph Modjeski (1861-1940) and Frank Masters (1883-1974) of Harrisburg, Pennsylvania.
Scope and Contents:
This collection documents the civil engineering career of Ralph Modjeski (1861-1940) and Frank masters (1883-1974). The materials include bound volumes and loose photographs of bridge work-in-progress; printed reports; articles, pamphlets; drawings, blue prints and tracings of bridges; letterpress books of correspondence; contracts; reports; studies of bridge materials; and glass plate negatives and lantern slides depicting bridges.
Arrangement:
The collection is arranged into ten series.

Series 1: Biographical Materials, 1915-1986

Series 2: Letter Press Books, 1898-1906

Series 3: Photographs, 1878-1979

Series 4: Contracts, 1895-1960

Series 5: Printed Materials, 1862-1969

Series 6: Newspaper Clippings, 1924-1941

Series 7: Lantern Slides, undated

Series 8: Glass Plate Negatives, 1906-1926

Series 9: Film Negatives, 1924, undated

Series 10: Drawings, 1901-1952
Biographical / Historical:
Rudolphe Modrzejewski was born to Helena Jadwiga Opid (d.1909) and Gustav Sinnmayer Modrzejewski (d. 1901) on January 27, 1861, in Cracow, Poland. His mother was an internationally known stage actress who went by the name Helena Modrzejewska. In 1868, Helena married Count Karol Bożenta Chłapowski. In July 1876, Helena and Rudolphe emigrated to America, where, for purposes of American citizenship, the Polish form of their surname was later changed to Modjeski (feminine form Modjeska). Modjeski became a naturalized citizen in 1883 in San Francisco, California.

In 1882, Modjeski returned to Europe to study at the Ecole Des Ponts et Chaussees and graduated in 1885 with a degree in civil engineering. Modjeski worked with prominent civil engineer and "Father of American Bridge Building," George S. Morison, on the Union Pacific Railroad Bridge over the Missouri River at Omaha as an assistant engineer. He remained with Morison from 1885 to 1892. Some of his assignments included working in the shops which produced steel sections; the design office where he advanced to chief draftsman; and as an inspector of quality control in shops that fabricated steel elements. Modjeski worked with Morison on his Willamette, Nebraska City, Sioux City, Winona, Cairo, and Memphis bridges across the Mississippi River. The Memphis bridge was the longest span cantilever in the country at the time.

In 1893, Modjeski opened a civil engineering practice in Chicago with S. Nicholson. After some financial difficulties, Nicholson and Modjeski dissolved their partnership. Modjeskis first individual large commission was the bridge at Rock Island, Illinois (1895) across the Mississippi River where he designed and supervised the construction of the bridge for the federal government and the Chicago, Rock Island and Pacific Railway Company.

In 1902, Modjeski went into partnership with fellow civil engineer, Alfred Noble (1844-1914) forming the firm of Noble and Modjeski. He went into partnership with Walter Angier, under the name Modjeski and Angier, civil and inspecting engineers, between 1912 and 1924 with several offices around the United States. Angiers had worked with him beginning in 1902 on the bridge across the Mississippi at Thebes, Illinois. Modjeski partnered, in 1924, with Frank Masters (1883-1974), who had worked with him and Angiers between 1904 and 1914 on the Memphis and Louisville Bridges, forming Modjeski and Masters. Clement E. Chase and Montgomery B. Case later joined the firm as partners. In 1937, Masters assumed full control and ownership of the firm which specialized in the design and construction supervision of large bridges and other structures, rehabilitation and reconstruction of existing bridges, the design of highways and expressways, subways and wharves, the design of large and complex foundations, inspection of construction materials, and the creation of surveys, investigations and reports.

Modjeski builtand/or consulted on over forty bridges in his lifetime. He built truss, steel arch, and suspension bridges. He introduced steel tower pylons in place of masonry towers and he used better grades of steel, such as new steel alloys with improved strength and durability. He also introduced advancements in the design of cable configurations and deck-stiffening beams. Some of his major projects included: the Columbia River and Willamette bridges, McKinley Bridge at St. Louis; the Celilo Railroad Bridge at Celilio, Ohio; the Thebes Bridge over the Mississippi; the Quebec Bridge over the St. Lawrence River; the Delaware River Bridge; the San Francisco-Oakland Bay Bridge, the Manhattan Bridge, and the Mid-Hudson Bridge.

On December 28, 1885, Modjeski married Felicie Benda (d. 1936) in New York and the couple had three children: Felix Bozenta Modjeski (1887); Marylka Stuart Modjeski (1894) and Charles Emmanuel John Modjeski (1896-1944). Ralph and Felicie divorced in 1931. He later married Virginia Giblyn on July 7, 1931. Modjeski died in Los Angles on June 26, 1940.
Related Materials:
Materials in the Archives Center

Bollman Truss Bridge Collection, 1852-1986 (AC1064)

Canadian Bridges Photograph Albums, 1873-1911 (AC1025)

Victor C. Darnell Bridge Construction Photographs, 1911-1913 and undated (AC1018)

Beata Drake Covered Bridge Collection, 1954-1981 (AC0998)

Ben Franklin Bridge Photograph Album, 1922-1926 (AC1029)

Hartford, Connecticut Bridge Collection, 1903-1905 (AC1066)

Lake Shore and Michigan Southern Railroad Bridge Profiles, 1877-1896 (AC1073)

Richard H. Miller Bridge Collection : postcards and slides, circa 1950-1988 and undated, #950

George S. Morison Collection, 1846-1903 (AC0978)

Niagara Falls Bridge Commission Records, 1848-1946 (bulk 1890-1929) (AC1060)

Northern Pacific Railroad Bridge Construction Photograph Album, 1883-1884 (AC1030)

David Plowden North American Bridge Photographs, 1970-1976 (AC1019)

Quebec Bridge Photograph Collection, 1905-1986 (bulk 1905-1916) (AC1026)

Railroad Bridges Construction Photograph Album, circa 1905-1914 (AC1024)

Samuel Reed Bridge Collection, 1947-1964 (AC1001)

Rip Van Winkle Bridge Photographs, 1933-1935 (AC1027)

John A. Roebling Collection,1836-1975 (bulk 1930-1950) (AC0981)

Holton Duncan Robinson Papers, 1889-1938 (AC0963)

Lucinda Rudell Covered Bridges Collection, 1942-1979 (AC1028)

Lester Shanks Collection of Covered Bridge Photographs and Ephemera, 1876-2010 (bulk 1973-2008) (AC1244)

Washington, D.C. Bridges Collection, 1900-1905 (AC01095)

Raymond E. Wilson Covered Bridge Collection, 1958-1974 (AC0999)

Materials at Other Organizations

Southern Illinois University, Morris Library Special Collections

Walter E. Angier photograph collection, 1901-1915

Walter E. Angier Vertical File Manuscript, 1924

Michigan Historical Collections, Bentley Historical Library, University of Michigan

Alfred Noble Papers, 1862-1922
Provenance:
The collection was donated by Modejeski and Masters Consulting Engineers, through Joseph J. Scherrer, October 2, 1990.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Civil engineering  Search this
Bridge failures  Search this
Bridges  Search this
Genre/Form:
Oral history -- 1950-1970
Lantern slides
Photographs -- Black-and-white negatives -- Glass
Drawings
Contracts
Letterpress books
Photographs -- 19th century
Correspondence
Citation:
Modjeski and Masters Company Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0976
See more items in:
Modjeski and Masters Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0976
Additional Online Media:

Photograph Album of E. Bagenstose, West Leesport, Reading, Pennsylvania

Physical Description:
paper (overall material)
Measurements:
overall: 14.7 cm x 20 cm x 1.7 cm; 5 25/32 in x 7 7/8 in x 21/32 in
Object Name:
album
Place made:
United States: Pennsylvania, Reading
Date made:
late 19th century
ID Number:
2006.0108.006
Catalog number:
2006.0108.006
Accession number:
2006.0108
See more items in:
Work and Industry: Photographic History
Family & Social Life
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1447893

Family Photo Album

Maker:
Taylor, Mary A.  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 46 cm x 46 cm x 7 cm; 18 1/8 in x 18 1/8 in x 2 3/4 in
Object Name:
Photo Album
Place Made:
United States: California
Date made:
ca 1960
Credit Line:
Mary A. Taylor
ID Number:
2002.0103.02
Accession number:
2002.0103
Catalog number:
2002.0103.02
See more items in:
Work and Industry: Photographic History
Family & Social Life
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_905822
Additional Online Media:

album, photograph

Measurements:
overall: 15.4 cm x 22.7 cm x 6 cm; 6 1/16 in x 8 15/16 in x 2 3/8 in
Object Name:
Album, Photograph
album, photograph
Area of use:
United States: Virginia, Alexandria
Date made:
late 19th century
Subject:
Family  Search this
Virginia  Search this
ID Number:
2001.0200.12
Accession number:
2001.0200
Catalog number:
2001.0200.12
See more items in:
Cultural and Community Life: Domestic Life
Family & Social Life
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1328637

Photographic Album of Caroline Moore Dugger

Physical Description:
metal (overall material)
paper (overall material)
fabric, velvet (overall material)
Measurements:
overall: 40.2 cm x 17.5 cm x 8.7 cm; 15 13/16 in x 6 7/8 in x 3 7/16 in
Object Name:
album
Album
Date made:
19th century
ID Number:
1986.0711.1167
Accession number:
1986.0711
Catalog number:
86.0711.1167
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1803322

Empty Album

Measurements:
overall: 15.5 cm x 13.9 cm x 6 cm; 6 3/32 in x 5 15/32 in x 2 3/8 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.031
Catalog number:
71.26.31
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004612

51 cartes-de-visite

Maker:
Somerville, James  Search this
Measurements:
overall: 15.5 cm x 13 cm x 6 cm; 6 3/32 in x 5 1/8 in x 2 3/8 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.032
Catalog number:
71.26.32
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004613

"The American Photograph Album."

Measurements:
overall: 15.9 cm x 13.5 cm x 6.3 cm; 6 1/4 in x 5 5/16 in x 2 15/32 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.033
Catalog number:
71.26.33
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004614

"Photographic Album."

Measurements:
overall: 15 cm x 12.3 cm x 2.8 cm; 5 29/32 in x 4 27/32 in x 1 3/32 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.042
Catalog number:
71.26.42
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004623

Album

Measurements:
overall: 17 cm x 14.5 cm x 8 cm; 6 11/16 in x 5 23/32 in x 3 5/32 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.043
Catalog number:
71.26.43
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004624

Album

Measurements:
overall: 14.5 cm x 12.2 cm x 6.4 cm; 5 23/32 in x 4 13/16 in x 2 17/32 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.047
Catalog number:
71.26.47
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004628

The Photographic Album

Measurements:
overall: 15 cm x 11.5 cm x 5 cm; 5 29/32 in x 4 17/32 in x 1 31/32 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.050
Catalog number:
71.26.50
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004631

Tintype album

Measurements:
overall: 10 cm x 8.5 cm x 2.9 cm; 3 15/16 in x 3 11/32 in x 1 5/32 in
Object Name:
Photograph Album
Date made:
19th century
ID Number:
PG.71.26.057
Catalog number:
71.26.57
Accession number:
299134
See more items in:
Work and Industry: Photographic History
Photography
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:nmah_1004638

Modify Your Search






or


Narrow By