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Poster for No Vietnamese Ever Called Me Nigger

Created by:
United States Student Association, American, founded 1947  Search this
Medium:
lithographic ink on paper
Dimensions:
H x W: 35 x 22 in. (88.9 x 55.9 cm)
Type:
posters
Place made:
Washington, District of Columbia, United States, North and Central America
Place depicted:
New York City, New York, United States, North and Central America
Date:
1968
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Film  Search this
Graphic design  Search this
Race relations  Search this
Stereotypes  Search this
Vietnam War, 1961-1975  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2012.46.58
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Second Floor, 2 050
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd57e2fa55f-4f56-478f-90b9-ba0d0ad40e16
EDAN-URL:
edanmdm:nmaahc_2012.46.58
Additional Online Media:

Photocollage of entertainers

Compiled by:
Unidentified  Search this
Photograph by:
Unidentified  Search this
Subject of:
Unidentified Man or Men  Search this
Unidentified Woman or Women  Search this
Medium:
ink on photographic paper
Dimensions:
H x W: 10 x 8 in. (25.4 x 20.3 cm)
Type:
black-and-white photographs
collages
Date:
early 20th-mid 20th Century
Topic:
African American  Search this
Entertainers  Search this
Instrumentalists (Musicians)  Search this
Photography  Search this
Singers (Musicians)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Henrietta W. Shelton, Chicken Bone Beach Historical Foundation, Inc.
Object number:
2011.145.3.1
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c9e9ad2e-7d1d-404d-ac2d-b8190f3c9190
EDAN-URL:
edanmdm:nmaahc_2011.145.3.1
Additional Online Media:

Marilyn and the Bear

Title:
Marilyn Monroe and the Bear
Artist:
Leonid Sokov, born 1941  Search this
Sitter:
Marilyn Monroe, 1 Jun 1926 - 5 Aug 1962  Search this
Medium:
Photocollage and wood on wooden pedestal
Dimensions:
estimate: 144 x 36 x 8.5cm (56 11/16 x 14 3/16 x 3 3/8")
Type:
Sculpture
Date:
1985
Topic:
Collage  Search this
Nature & Environment\Animal\Bear  Search this
Marilyn Monroe: Female  Search this
Marilyn Monroe: Performing Arts\Performer\Actor\Movie  Search this
Marilyn Monroe: Performing Arts\Performer\Musician\Singer\Popular  Search this
Portrait  Search this
Credit Line:
Owner: State Russian Museum
Website: www.rusmuseum.ru
Object number:
RU010014
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4eea636dd-4c41-4883-aff0-c9bbc1a02ad4
EDAN-URL:
edanmdm:npg_RU010014

Monte Carlo Bond

Artist:
Marcel Duchamp, 28 Jul 1887 - 2 Oct 1968  Search this
Medium:
Photocollage on letterpress original
Dimensions:
Sheet: 31.4 x 19.5cm (12 3/8 x 7 11/16")
Frame: 50 x 38 x 3cm (19 11/16 x 14 15/16 x 1 3/16")
Type:
Collage
Date:
1924
Topic:
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
EXH.MD.126
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm42b7ae9c0-da32-4f95-a04b-4733f61854a2
EDAN-URL:
edanmdm:npg_EXH.MD.126

David Hockney, time and more, space and more... / foreword by Tacita Dean ; essay by Arthur Kolat

Title:
Time and more, space and more
Writer of foreword:
Dean, Tacita 1965-  Search this
Writer of supplementary textual content:
Kolat, Arthur  Search this
Author:
Hockney, David Works Selections  Search this
Host institution:
Richard Gray Gallery  Search this
Subject:
Hockney, David  Search this
Physical description:
107 pages : color illustrations ; 24 x 30 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2018
21st century
Topic:
Art, Modern  Search this
Photography in art  Search this
Photocollage  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1107586

Konrad and Florence Ballin Cramer papers, 1897-1968

Creator:
Cramer, Konrad, 1888-1963  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Subject:
Art Students League (New York, N.Y.)  Search this
Woodstock Artists Association  Search this
Florence Gallery  Search this
Type:
Sketchbooks
Designs
Photographs
Prints
Drawings
Christmas cards
Sketches
Diaries
Topic:
Color photography  Search this
Printmakers  Search this
Photographers  Search this
Painters  Search this
Art  Search this
Festivals  Search this
Photocollage  Search this
Artist colonies  Search this
Record number:
(DSI-AAA_CollID)9413
(DSI-AAA_SIRISBib)211611
AAA_collcode_cramkonr
Theme:
Diaries
Lives of American Artists
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211611
Additional Online Media:

Robert Gober : the United States Pavilion, 49th Venice Biennale, 6/10-11/4/2001 / [texts by] James Rondeau and Olga M. Viso

Title:
United States Pavilion
Author:
Gober, Robert 1954-  Search this
Rondeau, James  Search this
Viso, Olga M. 1966-  Search this
Art Institute of Chicago  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Biennale di Venezia (49th : 2001)  Search this
Subject:
Gober, Robert 1954-  Search this
Physical description:
2 volumes : illustrations ; 26 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2001
Topic:
Site-specific art  Search this
Photomontage  Search this
Photocollage  Search this
Artists' books  Search this
Call number:
N40.1.G5687 B54 2001
N6537.G56 A4 2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_620179

Photocollages by Burt Chernow

Collection Creator:
Chernow, Burt  Search this
Container:
Box 22, Folder 43
Type:
Archival materials
Date:
circa 1990
circa 1997
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Burt Chernow papers
Burt Chernow papers / Series 5: Photographs / Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref1193

Photographs

Collection Creator:
Chernow, Burt  Search this
Extent:
0.8 Linear feet (Boxes 21-23)
Type:
Archival materials
Date:
1950-1997
Scope and Contents:
Series includes many photographs of artists taken by the Chernows, as well as photographs collected but not taken by them, and many of these are signed and dedicated to Ann and Burt Chernow by the artists. Most of the signed photographs were framed when donated, with a note that they had hung in Burt Chernow's office. These photographs were taken out of their frames during processing, but most remain matted.

A few photographs of Burt and Ann Chernow are also found, along with photographs of them with artists such as Mary Bauermeister and the Christos. Several of the photographs by the Chernows come with negatives and contact sheets as well. Some of the photographs of artists not credited to the Chernows may in fact have been taken by them, but are not credited, or do not include evidence of their production such as negatives or contact sheets for identification.

Also found in this series are photographs of a bust of Chernow by an unidentified artist, and photocollages by Burt Chernow, one of which is labled, "Burt's last work of art."
Arrangement:
Photographs by Ann and Burt Chernow are filed first in the series, followed by photos of the Chernows alone and with artists. Photographs by other photographers are filed at the end of the series, with known photographers listed in the folder listing. Because photographs are arranged by photographer, note that there are multiple photographs of some artists filed in different places in this series, such as Mary Bauermeister, Lester Johnson, Paul Jenkins, Gabor Peterdi, and Christo.

Additional photographs are found in series 1, 2, and 3. See series descriptions for more details.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Burt Chernow papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Burt Chernow papers, 1930-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cherburt, Series 5
See more items in:
Burt Chernow papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cherburt-ref20

Photocollage of model for Bruce Nauman's 'Animal Pyramid II'

Photographer:
Zeidman, Dorothy  Search this
Subject:
Nauman, Bruce  Search this
Type:
Photographs
Date:
not before 1989
Topic:
Bronze sculpture  Search this
Bronze sculpture, American  Search this
Sculpture  Search this
Sculpture, American  Search this
Record number:
(DSI-AAA)17918
See more items in:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17918
Additional Online Media:

Cut & paste : European photomontage, 1920-1945 / Lutz Becker

Title:
Cut and paste
European photomontage, 1920-1945
Author:
Becker, Lutz  Search this
Estorick Collection  Search this
Physical description:
127 pages : chiefly illustrations (some color) ; 24 cm
Type:
Exhibitions
Exhibition catalogs
History
Place:
Europe
Date:
2008
20th century
Topic:
Photomontage--History  Search this
Photocollage--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1103607

Konrad and Florence Ballin Cramer papers

Creator:
Cramer, Konrad, 1888-1963  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Florence Gallery  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Extent:
8.5 Linear feet
Type:
Archival materials
Collection descriptions
Christmas cards
Diaries
Designs
Sketchbooks
Drawings
Photographs
Prints
Sketches
Date:
1897-1968
Summary:
The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.
Scope and Contents note:
The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, from 1906, when Florence first attended art classes there, and where the couple resided until their deaths in the 1960s. Records include biographical materials, correspondence, a Christmas card album, business records, diaries, writings, personal financial records, printed materials, photographs, and artwork.

Correspondence is between the Cramers and other artists, curators, gallery staff, editors, writers, and personal friends and family. Many drafts and carbons of outgoing letters are also present. The Christmas card album brings together original cards made by their artist friends in the 1920s and early 1930s. Diaries are of both artists, mostly from 1949 onward, with notes and excerpts from earlier diaries present. Writings include technical and biographical essays by Konrad Cramer, and autobiographical and historical essays by Florence Ballin Cramer; notebooks and notes relate to art, travel, photography, and other subjects. Personal Business Records include price lists, receipts, and gallery correspondence with dealers and exhibitors; correspondence, accounting records, and writings related to Florence Ballin Cramer's Florence Gallery in New York City (1919-1920); records related to Woodstock arts and civic organizations in which the Cramers were involved; and personal financial records.

Printed Materials include publicity materials related to the Cramers' various endeavors and the activities of Woodstock arts and civic organizations, as well as dozens of books, little magazines, and journals by and about members of the Woodstock artist's colony. Photographs depict the Cramers and their friends, including early Art Students League Classes and the annual Maverick festival in the 1920s. Also found are a small number of photo-collages and experiments with color photography, and a series of early twentieth century photographs in the pictorialist style. Artwork includes early sketchbooks of both artists; loose sketches, drawings, and designs; textile designs by Konrad Cramer; and prints and printing blocks.
Arrangement note:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1898-1955 (3 folders; Box 1)

Series 2: Correspondence, 1900-1964 (2.2 linear feet; Boxes 1-3, 9)

Series 3: Christmas Card Album, 1921-1961 (0.8 linear feet; Box 3)

Series 4: Diaries, 1906-1962 (1 linear foot; Box 4)

Series 5: Writings, 1897-1962 (0.7 linear feet; Box 5, OV 11)

Series 6: Personal Business Records, 1918-1962 (0.3 linear feet; Box 5, OV 10)

Series 7: Printed Materials, 1906-1968 (1.5 linear feet; Boxes 6-7, 9, OV 11)

Series 8: Photographs, 1906-1960 (0.5 linear feet; Box 7)

Series 9: Artwork, 1897-1954 (1 linear foot; Boxes 8-9, OV 10-11)
Biographical/Historical note:
Konrad Cramer was born in Wurtzburg, Germany, in 1888, and studied at the Karlsruhe Academy of Fine Arts from 1906 to 1908 with Ludwig Schmidt-Reutte and Ernest Schurth. After a year in the German army, he returned to Karlsruhe to set up a studio, making frequent trips to Munich, where he was exposed to the experimental artists of the Blaue Reiter group, including Wassily Kandinsky and Franz Marc.

Florence Ballin was born in Brooklyn, NY, in 1884. She studied at the Woodstock, New York, summer school of the Art Students League beginning in 1906 under Birge Harrison along with fellow students John Carlson, Grace Mott Johnson, and Andrew Dasburg. She served as secretary for the League in 1906, and had a studio on 59th Street in Manhattan, where she held her first exhibition in 1909. In 1911, she traveled to Europe and met Konrad Cramer in Munich and joined him on visits to exhibitions and studios of the vanguard artists. The two married, moved to the United States, and settled permanently in Woodstock, New York.

Konrad Cramer is often credited as being an important link between German and American modernism in art, and his experimentations with abstraction and expressionism during his first years in Woodstock would seem to bear this out. In 1912 and 1913, he painted a series he called "Improvisations" (after Kandinsky) which was shown in a group exhibition at the MacDowell Club in 1913 along with Andrew Dasburg, Oliver Chaffee, and Paul Rohland. Cramer was photographed by Alfred Stieglitz and wrote an essay about the 291 Gallery for Stieglitz's magazine, Camera Work, in 1914.

The Cramers had two daughters, in 1914 and 1917, and Konrad Cramer became an American citizen in 1917. For income, he began designing textiles for department stores using stencils and batiks around 1918. In his painting, he turned from abstract experiments to the traditional subjects of landscape, still life, and figure in a more representational style that blended modern and regional influences. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. The mission of the Florence Gallery, as it was called, was to exhibit and sell the work of living artists. Although it only survived the season, it was the first gallery to show work by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch, and generated important sales for several young artists in her circle.

Konrad Cramer returned to Europe in 1920 on a Rockefeller grant to study educational methods for craftsmen in Germany and France, and on his return he taught at the Woodstock School of Painting and Allied Arts. Cramer also studied lithography with Bolton Brown in Woodstock around this time, and both Cramers took up printmaking and began publishing prints in local arts magazines. The Cramers were deeply immersed in Woodstock life, participating in the annual Maverick festivals, the Woodstock Artists Association, the Historical Society, and other organizations, hosting meetings and serving as officers of many committees and organizations that presented and supported artwork in their community. They enjoyed a rich social life there among fellow artists at frequent parties and festivals, where Konrad provided entertainment with his fiddle and both Cramers memorialized events in countless photographs.

Konrad Cramer exhibited at the Whitney Studio Club in 1924, and taught at the Children's University School (now the Dalton School), where he painted a mural in 1929. The 1930s were busy years in both Cramers' professional lives. Konrad's exhibitions included the Carnegie International (1929 and 1933), and a two-man show at the Dudensing Gallery (1930), where Cramer and Adolph Gottlieb had been selected the most deserving unknown American painters of the year. He was also included in the exhibit Abstract Painting in America at the Whitney Museum (1935). Florence Ballin Cramer exhibited at Marie Harriman Gallery (1931 and 1933), Macy Galleries (1933), the Pennsylvania Academy (1934 and 1936), and the Corcoran (1935 and 1937). Both Konrad and Florence Ballin Cramer were included in a traveling exhibition of Woodstock artists organized by the College Art Association (1931), the first and second Whitney Biennials (1933 and 1935), and the Wanamaker Regional Art Exhibition of Contemporary American Painting (1934).

In 1934, the Cramers traveled to Mexico, where they produced many paintings and drawings. Konrad Cramer joined the Federal Art Project briefly in 1935, administering the regional program in Woodstock with Judson Smith. It was around this time that he began to learn photography. He became a sort of community photographer, taking photographs of friends' artwork and commissioned portraits, as well as informal photographs of friends. Cramer experimented with photographic techniques such as solarization and collage, using prisms, panes of glass, or composite printing. He first exhibited photographs in 1936 at the Albany Institute, and established the Woodstock School of Miniature Photography (the "miniature" referring to the then-new format of 35mm film) in 1937. He also taught courses in photography at Bard College in the 1940s, and his photographs and articles about photography were published in national magazines.

For the remainder of his life, Cramer continued to teach, write, and produce photographs, occasionally returning to painting, drawing, and printmaking, creating gouaches, wax resist drawings, and stencils of landscapes and figures, with an increasing interest in abstract styles and automatic techniques. Three of his early paintings were included in the 1946 Whitney Museum exhibition Pioneers of Modern Art in America, and the same year, he exhibited abstract photographs at the Woodstock Artists Association. In the late 1940s, he built an automatic drawing machine which he called the sympalmagraph, which rendered precise, geometric forms. In the late 1950s, he collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff and Nathan Resnik called The Third Eye.

Florence Ballin Cramer held her last exhibitions at the Woodstock Town House gallery (1953) and at Long Island University (1957). She died in 1962. Konrad Cramer died the following year. Both were memorialized in an exhibition at the Woodstock Artists Association Gallery in 1968.
Separated Materials note:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 1027, D170, and D171) including photographs, diaries, and sketches. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
A portion of the papers in this collection were loaned to the Archives of American Art for microfilming in 1964 by Aileen Cramer and Margot Cramer Taylor, daughters of Florence and Konrad Cramer. While selected diaries, sketches, and photographs were returned to the donors, some, but not all, of the original loan was subsequently donated with additional materials, in 1975.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Konrad and Florence Ballin Cramer papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Photographers -- New York (State)  Search this
Color photography  Search this
Art -- New York (State) -- Woodstock  Search this
Printmakers -- New York (State) -- Woodstock  Search this
Photocollage  Search this
Artist colonies -- New York (State) -- Woodstock  Search this
Festivals  Search this
Painters -- New York (State) -- Woodstock  Search this
Genre/Form:
Christmas cards
Diaries
Designs
Sketchbooks
Drawings
Photographs
Prints
Sketches
Citation:
Konrad and Florence Ballin Cramer papers, 1897-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cramkonr
See more items in:
Konrad and Florence Ballin Cramer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cramkonr
Additional Online Media:

Josef Albers : interaction / edited by Heinz Liesbrock in collaboration with Ulrike Growe ; on behalf of Kulturstiftung Ruhr, Villa Hügel ; with contributions by Anni Albers [and nine others]

Title:
Interaction
Editor:
Liesbrock, Heinz 1953-  Search this
Growe, Ulrike  Search this
Author:
Albers, Anni  Search this
Artist:
Albers, Josef  Search this
Author:
Container of (work): Albers, Josef Works Selections  Search this
Sponsoring body:
Kulturstiftung Ruhr  Search this
Host institution:
Villa Hügel e.V.  Search this
Publisher:
Yale University Press  Search this
Subject:
Albers, Josef  Search this
Albers, Josef Criticism and interpretation  Search this
Albers, Josef Themes, motives  Search this
Physical description:
301 pages : illustrations (some color), portraits ; 31 cm
Type:
Exhibitions
Exhibition catalogs
Essays
Illustrated works
Place:
Germany
Date:
2018
20th century
Topic:
Painting, Abstract  Search this
Art, Modern  Search this
Modernism (Art)  Search this
German American artists  Search this
Male artists  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1095609

PL-closeout : final / Crew Operations, Spacelab D-2

Title:
Payload closeout : Spacelab D-2 : PL closeout : payload flight data file
Spacelab D-2
Author:
Deutsche Forschungsanstalt für Luft- und Raumfahrt (1989-1997)  Search this
Physical description:
45 unnumbered pages : illustrations (chiefly color) ; 21 cm
Type:
Caricatures and cartoons
Date:
1993
Topic:
Astronautics  Search this
Space sciences  Search this
Astronauts  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1013666

Tempo, tempo! : Bauhaus-Photomontagen von Marianne Brandt = the Bauhaus photomontages of Marianne Brandt / herausgegeben für das Bauhaus-Archiv, Berlin, von Elizabeth Otto

Title:
Bauhaus-Photomontagen von Marianne Brandt
Bauhaus photomontages of Marianne Brandt
Author:
Brandt, Marianne 1893-1983  Search this
Otto, Elizabeth 1970-  Search this
Bauhaus-Archiv  Search this
Busch-Reisinger Museum  Search this
International Center of Photography  Search this
Subject:
Brandt, Marianne 1893-1983  Search this
Brandt, Marianne 1893-1983  Search this
Physical description:
175 p. : ill. (chiefly col.) ; 28 cm
Type:
Exhibitions
Catalogues raisonnés
Date:
2005
Topic:
Photomontage  Search this
Photocollage  Search this
Call number:
TR685 .B73 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_821944

Rachel Friedberg : a fragile balance : works 1962-1997

Author:
Friedberg, Rachel  Search this
Lubar, Robert S  Search this
Subject:
Friedberg, Rachel  Search this
Physical description:
94 p. : col. ill. ; 30 cm
Type:
Books
Date:
1998
Call number:
N6537.F7882 A4 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647297

Circus : the Caribbean orange / Gordon Matta-Clark

Title:
Caribbean orange
Author:
Matta-Clark, Gordon 1943-1978  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Subject:
Matta-Clark, Gordon 1943-1978  Search this
Physical description:
[13] leaves of plates : ill., plan ; 21 x 25 cm
Type:
Exhibitions
Architecture (object genre)
Photocollages (photographic compositions)
Place:
Illinois
Chicago
Date:
1978
1978]
Topic:
Conceptual art  Search this
Circle in art  Search this
Sphere in art  Search this
Call number:
N6537.M3947 A4 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_656053

Metaphysics in jars : collagraphs / Stephen Aldrich & Walton Mendelson

Author:
Aldrich, Stephen  Search this
Mendelson, Walton  Search this
Physical description:
[2] p., 67 p. of plates : ill. ; 35 x 43 cm
Type:
Books
Date:
2001
C2001
Topic:
Collagraph printing  Search this
Photocollage  Search this
Call number:
N40.1.A349 M46 2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_675787

Wonders, miracles & magic / Lois Guarino ; introduction by Ellen Handy ; interview by Miriam Seidel

Title:
Wonders, miracles and magic
Author:
Guarino, Lois  Search this
Subject:
Guarino, Lois  Search this
Physical description:
71 p. : col. ill. ; 24 cm
Type:
Books
Date:
2000
C2000
Topic:
Photocollage  Search this
Photography, Artistic  Search this
Magic in art  Search this
Call number:
TR647.G92 S45 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_679897

Lien Botha

Author:
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Botha, Lien 1961-  Search this
Type:
Articles
Place:
South Africa
Date:
1995
1996
Topic:
Photographers  Search this
Photocollage  Search this
Call number:
NX1.A1 R45
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_504916

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